Search results for ""Author Leonard"

Two of the most prominent and celebrated athletes in the world, Marvelous Marvin Hagler and Sugar Ray Leonard came together to contest the $100million SuperFight on April 6, 1987 at Caesars Palace in Las Vegas. From Frank Sinatra to U2, Joan Collins to Whoopi Goldberg, the stars were drawn to ringside by the huge box-office appeal of the blue-collar, dominant world middleweight champion facing his nemesis, the charismatic and flamboyant Sugar Ray, who was coming out of virtually five years of retirement. Drawing on his deep reservoir of nerve, outstanding technique and a strategy which Budd Schulberg - who provided Marlon Brando with the immortal line, 'I coulda been a contender' - called a compound optical illusion, Leonard won on points. It was boxing's greatest comeback, but to this day the judges' decision remains bitterly contested and not merely by the protagonists. But the story of The SuperFight is much more than the story of the fight, for it details two remarkable lives, the demons that drove both men and the formidable challenges they overcame inside and outside the ring. Hagler grew up in the Newark, New Jersey ghetto of Central Ward, where a riot/rebellion rooted in racism claimed the lives of 26 people, injured 1,000 more and, to the young teenager, was "like the end of the world". Fuelled by anger, he climbed to the top of his domain and ruled for seven years as champion, one of the most accomplished in boxing's annals. Leonard was an Olympic gold medallist and all-American hero whose career was cut short by a detached retina after he became the world welterweight king. He was Muhammad Ali's gifted and anointed successor but he succumbed to alcohol and drug abuse and for years was tormented by a secret - the sexual abuse he endured as an amateur boxer by a trusted coach. As provocative and polarising in its own way as Ali's defining rivalry with Joe Frazier, this is the story of The SuperFight, of Marvin Hagler and Ray Leonard and a fierce fire that still burns.

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An innovative new history of Cubism told through some of the most significant artworks ever produced, drawn from a distinguished private collection This groundbreaking new history of Cubism, based on works from the most significant private collection in the world today, is written by many of the field’s premier art historians and scholars. The collection, recently donated to The Metropolitan Museum of Art, includes 80 works by Picasso, Braque, Gris, and Léger and is unsurpassed in the number of masterpieces and iconic pieces deemed critical to the development of Cubism. Twenty-two essays explore various facets of Cubism from its origins and consider small groupings of works in light of specific themes—such as a study by neuropsychiatrist Eric Kandel on Cubism and the science of perception. Also included is a fascinating interview in which Lauder discusses his approach to collecting. This is a work to place beside other great histories of Modernism. It is a comprehensive, copiously illustrated book that offers a greater understanding of Cubism and will stand as a resource on this pioneering style for many years to come.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art(10/20/14–02/16/15)

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Meet Hap and Leonard, the unlikely detective duo now on screen in the highly praised series starring James Purefoy, Michael K. Williams and Christina Hendricks.Hap Collins and Leonard Pine, the kings of East Texas mischief and mayhem, return in this full-throttle thriller to face off with the Dixie Mafia. When Leonard is asked to rescue a teenage girl from a lowly drug dealer, he gladly agrees and invites Hap along for the ride. Everything goes according to plan, until they find out the dealer is a member of the Dixie mafia. A wild gun fight ensues, after which Hap and Leonard are arrested. Turns out, however, that the law needs a favour and if Hap and Leonard can do the deed they'll be free to roam. There's one problem, the Dixie Mafia's new hired gun - the legendary assassin Vanilla Ride.Filled with breakneck action, gut-busting laughs, and one gigantic alligator, this hilarious novel is as hot as a habanero pepper.

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A comprehensive collection of the pioneering work of Leonard Norman Primiano, one of the preeminent scholars in religious studies In 1995, Leonard Norman Primiano introduced the idea of “vernacular religion.” He coined this term to overcome the denigration implied in the concept of “folk religion” or “popular religion,” which was juxtaposed to “elite religion.” This two-tiered model suggested that religion existed somewhere in a pure form and that the folk version transforms it. Instead, Primiano urged scholars to adopt an inductive approach to the study of religion and to pay attention to experiential aspects of belief systems, ultimately redressing a heritage of scholarly misinterpretation. Here for the first time, Leonard Norman Primiano’s pioneering works have been collected into one volume, providing a foundational look at one of the preeminent scholars of twentieth-century religious studies. Vernacular Religion makes visible the dimensions of vernacular religion in North America, exemplifying the richness of its ability to explain key facets of American society, including especially thorny issues around race and sexuality. The volume also demonstrates a method of abiding engagement, the creation of ongoing relationships with those who are studied, and how the relationship between scholars and the communities they study inform an ethics of critical commitment—what Primiano calls an “ethnography of collaboration and reciprocity.” This posthumous collection, edited by Deborah Dash Moore, brings together key studies in vernacular religion that explore its expression among such varied groups as Catholics, LGBTQ Christians, and the followers of Father Divine. Vernacular Religion models empathetic ethnographic engagement that embraces American religion in all its rich diversity, illuminating Primiano’s enduring legacy.

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A comprehensive collection of the pioneering work of Leonard Norman Primiano, one of the preeminent scholars in religious studies In 1995, Leonard Norman Primiano introduced the idea of “vernacular religion.” He coined this term to overcome the denigration implied in the concept of “folk religion” or “popular religion,” which was juxtaposed to “elite religion.” This two-tiered model suggested that religion existed somewhere in a pure form and that the folk version transforms it. Instead, Primiano urged scholars to adopt an inductive approach to the study of religion and to pay attention to experiential aspects of belief systems, ultimately redressing a heritage of scholarly misinterpretation. Here for the first time, Leonard Norman Primiano’s pioneering works have been collected into one volume, providing a foundational look at one of the preeminent scholars of twentieth-century religious studies. Vernacular Religion makes visible the dimensions of vernacular religion in North America, exemplifying the richness of its ability to explain key facets of American society, including especially thorny issues around race and sexuality. The volume also demonstrates a method of abiding engagement, the creation of ongoing relationships with those who are studied, and how the relationship between scholars and the communities they study inform an ethics of critical commitment—what Primiano calls an “ethnography of collaboration and reciprocity.” This posthumous collection, edited by Deborah Dash Moore, brings together key studies in vernacular religion that explore its expression among such varied groups as Catholics, LGBTQ Christians, and the followers of Father Divine. Vernacular Religion models empathetic ethnographic engagement that embraces American religion in all its rich diversity, illuminating Primiano’s enduring legacy.

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Without a doubt one of the most important, influential and acclaimed artists since the 1960s, Leonard Cohen is admired by fans, musicians and composers the world over. His death in 2016 at the age of 82 was front-page news globally. The deeply personal nature of his work, and its profound insight into humans and human nature see him revered as a lyrical genius, and for good reason. His ongoing themes of depression, love, religion and relationships struck a chord with fans all over the world and his albums (as well as his books of poetry) sold accordingly.The Little Guide to Leonard Cohen features quotes from the man himself, as well as contributions from many great artists and commentators. Cohen had many celebrity fans, including Bob Dylan, Kurt Cobain, Judy Collins and more. This book contains many insightful, witty and meaningful quotes by and about Leonard Cohen, as well as fascinating facts, song lists and more.SAMPLE QUOTE: 'My reputation as a ladies' man was a joke. It caused me to laugh bitterly through the 10,000 nights I spent alone.' - Leonard CohenSAMPLE FACT: 'Hallelujah' has been recorded by more than 200 artists, in many languages. Many of the cover versions have outsold Cohen's original.

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12 Popular Christmas Solos for Beginners.

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