Search results for ""Author John C."

*****Part of the bestselling John Shakespeare series of Tudor spy thrillers from Rory Clements, winner of the Ellis Peters Historical Fiction Award*****'[Clements] does for Elizabeth's reign what CJ Sansom does for Henry VIII's' Sunday Times**********England may have survived the Armada threat of 1588, but when Spanish galleys land troops in Cornwall on a lightning raid seven years later, is it a dry-run for a new invasion? Revenge for the sacking of Spanish shipping and ports? A warning shot to Drake and Hawkins? Or is there, perhaps, a more sinister motive?The Queen is speechless with rage at Spain's temerity. Sir Robert Cecil demands answers. But as John Shakespeare tries to get a grip on events, England's secret defences begin to unravel as one by one his network of spies is horribly murdered. But what has all this to do with Thomasyn Jade, a girl driven to the edge of madness by the foul rituals of exorcism? And what is the link to a group of priests held prisoner in the bleak confines of Wisbech Castle?From the pain-wracked torture rooms of the Inquisition in Seville to the marshy wastes of fenland, from the wild coasts of Cornwall to the sweat and sawdust of the Elizabethan playhouses, and from the condemned cell at Newgate to the devilish stench of brimstone and fear as demons are driven out by unspeakable means, THE HERETICS builds to a terrifying climax that threatens the life of the Queen herself.

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In this addition to the well-received Paideia series, a respected New Testament scholar examines cultural context and theological meaning in First, Second, and Third John. Paideia commentaries explore how New Testament texts form Christian readers by attending to the ancient narrative and rhetorical strategies the text employs, showing how the text shapes theological convictions and moral habits, and making judicious use of maps, photos, and sidebars in a reader-friendly format.

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'I am not here, then, as the accused; I am here as the accuser of capitalism dripping with blood from head to foot' – John Maclean, Speech from the Dock, 1918. Feared by the government, adored by workers, celebrated by Lenin and Trotsky; the head of British Military Intelligence called John Maclean 'the most dangerous man in Britain'. This new biography explores the events that shaped the life of a momentous man – from the Great War and the Great Unrest, to the Rent Strike and the Russian Revolution. It examines his work as an organiser and educator, his imprisonment and hunger strike, and how he became the early hero of radical Scottish Independence.

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Jared Ross Hardesty''s new critical edition, The Suriname Writings of John Gabriel Stedman, makes an important and necessary intervention into the study of eighteenth-century Caribbean travel writing and natural history by foregrounding the previously unpublished diary entries Stedman authored in Suriname, rather than focusing solely on his writings printed in the metropoles of Europe. Hardesty''s edition is especially useful because it includes both a transcription of Stedman''s Suriname diary and a detailed appendix tracking key discrepancies between the diary and Stedman''s heavily revised printed natural history. This focus on genre and the editorial process in the production of Anglophone transatlantic writing is an excellent resource for students and scholars of the eighteenth-century Caribbean and the Atlantic World. I can see this being a helpful resource in an early American or eighteenth-century history or literature course, as it would enable students to easily compar

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Michael Nyman (1944) wrote Música Experimental. De John Cage en edavant in 1974. His brilliant and argued defense of experimental music and of its main authors (John Cage, Philip Glass, Morton Feldman, etc.) soon became a banner for this movement, which was fighting to establish itself next to the vanguard orthodoxy, led by Pierre Boulez and Karlheinz Stockhausen.

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Stripped of their typical narrative and commercial contexts, the fragmented collages of this collection act as visually tantalizing ciphers, reflecting the desires and imaginings of the beholder.' – Jennie Waldow, Brooklyn Rail This beautifully illustrated catalogue showcases works by British artist John Stezaker made between 1976 and 2017 and brought together in the 2018 show “Love” at The Approach, London. Stezaker is celebrated for his distinctive collage works: interruptions of, and interventions into, found images dating mostly from the mid-20th century – products of modernist culture such as film stills, press and publicity photographs, magazines and postcards. His works engage with themes such as psychological archetypes, fragmentation, identity, self and other, desire, inscrutability and enigma, glamour, fantasy, dreams and the gaze. A sense of romance pervades Stezaker’s imagery. As demonstrated most dramatically by the artist’s 'Love' series (2016), his work seduces and ensnares the viewer’s gaze, arresting their perceptual expectations. Disquieting, poetic, compelling, glamorous and strange, the anatomies of love and desire comprising 'Love' resemble a visual encyclopaedia of human consciousness. Featuring essays by Michael Bracewell and Craig Burnett.

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‘You couldn’t make it up. Brilliant.’ Jeffrey Archer ‘Decades of war has given James Deegan a natural ability to create a world that is incredibly realistic and exciting. This takes military fiction to a whole new level entirely. Deegan is a master’ Tom Marcus Mi5 Survellance officer, Author of Capture or Kill ‘Move over Andy McNab and Chris Ryan, there’s a new SAS veteran writing thrillers and he’s good. Very good.’ Stephen Leather John Carr has recently left the SAS, after a long and distinguished career, and is now working for a Russian oligarch in the murky world of private security. But an incident from his past – in which three terrorists were brutally killed – suddenly comes back to haunt him. Tracked by a hitman out for revenge, John Carr is forced to step over the line to defend himself and his family. It’s a cruel and violent world – and one he thought he’d left behind. But some wars never end. Patriot Games meets Taken: In Once A Pilgrim, John Carr shows all the Reacher-esque hallmarks of a cold-blooded antihero doing what needs to be done, whatever the consequences. JAMES DEEGAN MC is a fantastic new voice in the thriller genre, writing with unprecedented authority and authenticity. ‘Carr is a hero for our times’ Daily Mail

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A prolific author and founding member of the Royal Society, John Evelyn (1620-1706) was one of the most remarkable intellectuals in late seventeenth-century English society. While his diary has long been considered second only to that of Samuel Pepys in importance, until quite recently his papers were inaccessible to scholars. The Letterbooks of John Evelyn, a 2-volume collection of more than eight hundred letters selected by Evelyn himself, constitutes an essential new resource for scholars of seventeenth-century England. The two books in this set give modern readers access to Evelyn's correspondence with scientists and scholars such as Robert Boyle and Richard Bentley, political figures including Edward Hyde and Sidney Godolphin, and his friend and fellow diarist Samuel Pepys. They also include Evelyn's accounts of major events such as the restoration of the monarchy in 1660, the "Glorious Revolution" of 1688, and the founding and early history of the Royal Society.

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Shortlisted for the Goodreads Awards 2023.From John Marrs, the bestselling author of The One. Set in the same world, The Marriage Act is a dark, high-concept thriller.‘One of the most exciting original thriller writers’ - Simon Kernick, author of Good Cop Bad CopWhat if marriage was the law? Dare you disobey?Britain. The near-future. A right-wing government believes it has the answer to society’s ills – the Sanctity of Marriage Act, which actively encourages marriage as the norm, punishing those who choose to remain single.But four couples are about to discover just how impossible relationships can be when the government is monitoring every aspect of our personal lives, tracking every word, every minor disagreement . . . and will use every tool in its arsenal to ensure everyone will love, honour and obey.Black Mirror meets thriller with a dash of Naomi Alderman’s The Power.Praise for John Marrs:'A page-turning and thought-provoking read' - Daily Mirror'A socially aware novel packed with thought-provoking questions' - SFX Magazine'Clever, compelling and terrifyingly plausible. A near future nightmare that grips from the first page and never let’s go . . . talk about a page-turner. This one will leave you with paper cuts! – C. J. Tudor, bestselling author of The Chalk Man'A smart, gripping and scarily believable story from the master of the speculative thriller'— T.M. Logan, author of The Catch'John’s creative, high-concept thrillers never fail to keep me furiously turning the pages and The Marriage Act is no exception . . . dark, immersive speculative fiction at its very best!' – Sarah Pearse, author of The Retreat'A scarily plausible alternative future with a truly twisted narrative. Tensely plotted and terrifyingly imagined! - Harriet Tyce, author of Blood Orange

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Born into a large, musical, and bohemian family in London, the British artist John Craxton (1922–2009) has been described as a Neo-Romantic, but he called himself a “kind of Arcadian”. His early art was influenced by Blake, Palmer, Miró, and Picasso. After achieving a dream of moving to Greece, his work evolved as a personal response to Byzantine mosaics, El Greco, and the art of Greek life. This book tells his adventurous story for the first time. At turns exciting, funny, and poignant, the saga is enlivened by Craxton’s ebullient pictures. Ian Collins expands our understanding of the artist greatly—including an in-depth exploration of the storied, complicated friendship between Craxton and Lucian Freud, drawing on letters and memories that Craxton wanted to remain private until after his death.

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Essays in this volume argue that it is time for a powerful reassessment of John Lydgate's poetic projects. The pre-eminent poet of his own century, Lydgate (c. 1370-1449) addressed the historical challenges of war with France, of looming civil war, and of new theological forces in the vernacular. He wrote for household, parish, city, monastery, Church, and state. Although an official poet of sorts—perhaps the first major official poet in the English poetic tradition—he was not by any means a merely celebratory or sycophantic writer. Instead, he drew on his authority as monk to shape a contestative poetic space, underlining the grief and treacherousness of power. Despite his exceptional cultural significance, Lydgate has, for different reasons, been marginalized by many literary historical movements since the sixteenth century. John Lydgate is energized by the challenge of an oeuvre so large and so ripe for reevaluation. Each essay here makes a decisive contribution to an area of Lydgate's corpus, and opens fresh perspectives for further investigation. Contributors write about Lydgate from a variety of critical perspectives and underscore the poet's diverse writings, which included beast fables, mummings, hagiographical and devotional poetry, and civic pageants. The essays also reassess better-known works and themes in the field of Lydgate studies, including Lydgate's unofficial laureateship, his relations to his patrons, and his relationship to Chaucer. This book makes an important contribution to medieval scholarship and it will be welcomed by scholars and students alike.

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John Calvin's understanding of works-righteousness is more complex than is often recognized. While he denounces it in some instances, he affirms it in others. This study shows that Calvin affirms works-righteousness within the context where faith-righteousness is already established, and that he even teaches a form of justification by works. Calvin ascribes not only a positive role to good works in relation to divine acceptance, but also soteriological value to believers' good works. This study demonstrates such by exploring Calvin's theological anthropology, his understanding of divine-human activity, his teaching on the nature of good works, and his understanding of divine grace and benevolence. It also addresses current debates in Calvin scholarship by exploring topics such as union with Christ, the relation between justification and sanctification, the relation between good works and divine acceptance, the role of good works in the Christian life, and the content of good works.

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With an Introduction by Paul Wright. 'What the imagination seizes as Beauty must be truth' So wrote the Romantic poet John Keats (1795-1821) in 1817. This collection contains all of his poetry: the early work, which is often undervalued even today, the poems on which his reputation rests including the 'Odes' and the two versions of the uncompleted epic 'Hyperion', and work which only came to light after his death including his attempts at drama and comic verse. It all demonstrates the extent to which he tested his own dictum throughout his short creative life. That life spanned one of the most remarkable periods in English history in the aftermath of the French Revolution and this collection, with its detailed introductions and notes, aims to place the poems very much in their context. The collection is ample proof that Keats deservedly achieved his wish to 'be among the English Poets after my death'

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Concentrate on the biblical author's message as it unfolds.Designed to assist the pastor and Bible teacher in conveying the significance of God's Word, the Zondervan Exegetical Commentary on the New Testament series treats the literary context and structure of every passage of the New Testament book in the original Greek.With a unique layout designed to help you comprehend the form and flow of each passage, the ZECNT unpacks: The key message. The author's original translation. An exegetical outline. Verse-by-verse commentary. Theology in application. While primarily designed for those with a basic knowledge of biblical Greek, all who strive to understand and teach the New Testament will benefit from the depth, format, and scholarship of these volumes.1-3 JohnIn her commentary on John's letters, Karen H. Jobes writes to bridge the distance between academic biblical studies and pastors, students, and laypeople who are looking for an in-depth treatment of the issues raised by these New Testament books. She approaches the three letters of John as part of the corpus that includes John’s gospel, while rejecting an elaborate redactional history of that gospel that implicates the letters. Jobes treats three major themes of the letters under the larger rubric of who has the authority to interpret the true significance of Jesus, an issue that is pressing in our religiously pluralistic society today with its many voices claiming truth about God.

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John Carr of York (1723 – 1807) was one of the most prolific and significant architects of the eighteenth century, with an output of over 400 designs, most of which were executed. His designs vary from simple gateways through to the grandest schemes, such as that for the palatial hospital at Oporto in Portugal, Harewood House and village in Yorkshire, and Basildon Park in Berkshire.

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INTRODUCED BY FIONA MOZLEY, Booker-shortlisted author of ElmetWITH EXCERPTS FROM ALL THE ROADS ARE OPEN BY ANNEMARIE SCHWARZENBACH'We were both travellers - she always running away from an emotional crisis (not seeing that she was already wishing for the next), I always seeking far afield the secret of harmonious living, or filling up time by courting risk, caught by the clean sharp "taste" it gives to life.'In 1939, adventurer and writer Ella Maillart set off on an epic drive from Geneva to Kabul, accompanied by journalist and photographer Annemarie Schwarzenbach, who later became an antifascist and lesbian icon. The two women travelled partly to escape the coming war in Europe, embarking on a daring, and often dangerous, journey through regions where European women were a rarity. But Schwarzenbach was also fighting a losing battle with morphine addiction, and the women's close but often troubled relationship takes centre stage in the narrative as the journey progresses through Turkey, Iran and Afghanistan. Encountering breathtaking landscapes, ancient ruins and nomadic peoples, The Cruel Way is a gripping, lyrical and deeply empathetic portrait of places, people and friendship. Brought together for the first time with excerpts from All the Roads are Open, Annemarie Schwarzenbach's parallel account of the journey.

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365 daily readings from one of the greatest theologians of the Puritan movement John Owen (1616–1683) was one of the best known and most prolific English church leaders of the 17th Century. His writings have been a challenge and encouragement to believers throughout the centuries since and have influenced many leaders in the church today. In this attractively bound faux leather book, Lee Gatiss has selected a reading from John Owen’s writings for each day of the year. Theologically sharp, these readings will help you to see the majesty of God anew. Includes some extracts from Owen that are not currently in print anywhere else, and freshly translations of his Latin works. Each reading is just a page long but is packed with theological insight. Spending a little time with this giant of the faith every day will help you to delight in the joy of the gospel again.

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First published by Abingdon Press in cooperation with Epworth Press (London) in 1966, this work has become a standard reference on Wesley and Methodism. John Wesley's broad dependence on Puritan source material and the similarity of many of his teachings to those of the Puritans was recognized among his contemporaries and his commentators. This study documents and assesses that dependence by considering selected areas of theological concern shared by Wesley and the Puritans in their application of the gospel to a believer's daily life. The current volume has been revised and updated, making it more comprehensive and more readable while maintaining the strength of scholarship of the 1966 edition. Expanded attention is also given to Wesley's use of Richard Baxter and John Goodwin. A new final chapter examines the relationship of Wesley and the Puritans to the poor in their societies. Throughout the book, attention has been given to incorporating the insights of recent Wesley and Methodist scholarship. As a result, the bibliography is substantially expanded and updated.

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First published to accompany the exhibition, John Golding: Pure Colour Sensation at Piano Nobile gallery, this fully colour illustrated catalogue showcases fifteen years of exceptional paintings by John Golding. Although an acclaimed art historian, Golding considered himself, first and foremost, a painter. His work features in prominent institutions such as the Tate, MoMA, the Scottish National Gallery, the British Council, and the Yale Center for British Art. Golding had numerous one-man shows in the UK and abroad, and also participated in many group exhibitions, including international shows with his close friend Bridget Riley. He was appointed a CBE in 1992 and elected a Fellow of the British Academy in 1994. The publication presents a survey of works from the 1970s and 1980s, ranging from large scale canvases to both small and large pastels. Golding's work, although abstract, repeatedly returns to the human body. The monumental canvases and the tactile handling of paint through expressive layering of pigment demand a visceral physical reaction from the viewer. Speaking in an interview for Artists' Lives, Golding recollected that his turn to abstraction was in "recognition of what was happening in America in the 1950s…the most important thing going on in painting [of the day]". In his abstract paintings, both intimate and large in scale, Golding sought unadulterated formal brilliance, letting colour and composition take prominence, "so that there is nothing getting between you and the pure colour sensation." Dr David Anfam's introductory essay explores the roots of Golding's abstract work in the early figurative painting he produced whilst living in Mexico. Analysing the influence of the great Mexican muralists during Golding's formative years, Anfam charts the progression of Golding's vision that culminated in the exceptionally accomplished and joyful body of the work produced in the 1970s and 1980s and reproduced in this publication.

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John Stuart Mill expressed many of the central tenets of liberalism with unsurpassed clarity and enduring influence. Yet Mill’s apparent victory in the marketplace of ideas has numbed us to the power of his arguments. To many readers today, his views can seem utterly familiar, even banal.Sharing insights from teaching Mill for many years, the eminent philosopher Philip Kitcher makes a cogent case for why we should read this nineteenth-century thinker now. He portrays Mill as a conflicted humanist who wrestled with problems that are equally urgent in our own time. Kitcher reflects on Mill’s ideas in the context of contemporary ethical, social, and political issues such as COVID mandates, gun control, income inequality, gay rights, and climate change. More broadly, he shows, Mill’s writings help us cultivate our own capacities for critical thought and ethical decision making.Inviting readers into a conversation with Mill, this book shows that he supplies tools for thinking that are as valuable today as they were in the nineteenth century.

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“A beautiful poetic and visual delight” Joseph CoelhoA BEAUTIFULLY EVOCATIVE STORY OF A CHILD'S JOURNEY TO ENGLAND ON BOARD EMPIRE WINDRUSH, FROM AN INTERNATIONALLY CELEBRATED, MULTI-AWARD-WINNING POET AND AN EXTRAORDINARY DEBUT ILLUSTRATOR."you're stepping into historybringing your Caribbean eyeto another horizon"With one last hug, Windrush chid waves goodbye to his Caribbean home and sets sail across the ocean to Britain. In this powerful picture book, full of hope and promise, celebrated poet John Agard and illustrator Sophie Bass movingly evoke the journey made by children and their families as part of the Windrush Generation.PRAISE FOR JOHN AGARD'S WINDRUSH CHILD:Longlisted for the Jhalak Children's & YA Prize 2023Longlisted for the 2023 Yoto Carnegie Medal for IllustrationShortlisted for the Spark! School Book Award 2023Longlisted for the Children’s Literature Festivals Book Awards 2023"A poetic story brought to life by Sophie Bass’s colour-popping illustrations." Daily Mail"A beautiful picture book with gorgeous illustrations ... I couldn't think of a better way for young children to learn about history and understand the world." David Walliams“John Agard’s hopeful poem commemorates a child’s Windrush journey from the Caribbean, and bold and vivid illustrations sing of palm trees and mangos left behind, and new experiences, including pigeons and terraced houses and snow.” ‘One to Watch’, The Sunday Times (Culture)"Debut illustrator Bass’s intricate, colourful, arresting pictures bring out all the resonances of Agard’s spare text in this story of a child, a ship, a journey, and a new life enriched by the loves and memories of the old." Guardian"A stunning picture book ... with the distinctive, vibrant art of Sophie Bass.” The Bookseller"A gorgeous bedtime read that will reward repeat readings, deceptively simple, emotionally deep." Joseph Coelho

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In March of 2006, scholars from around the world gathered in Sun Valley, Idaho for a conference devoted to not only John Steinbeck but also to the authors whose work influenced, informs, or illuminates his writings. This volume represents the many unique papers delivered at that conference by scholars from around the world. This collection includes studies on authors who influenced Steinbeck's work, discussions of writers whose work is in dialogue with Steinbeck, and examinations of Steinbeck's contemporaries, whose individual works invite comparisons with those of the Nobel-prize winning author. Revealing Steinbeck's penchant for culling "all old books," the first section focuses on Steinbeck's European forebears, particularly Sir Thomas Malory's retelling of the legend of King Arthur, Le Morte d'Arthur, and Henry Fielding's novel Tom Jones. This section also includes articles on his American forebears: Walt Whitman and Sarah Orne Jewett. The second part, "Steinbeck, Hemingway, Faulkner, and Cather" includes a personal reminiscence by Ernest Hemingway's daughter-in-law, Valerie, as well as comparisons of Steinbeck with other great American authors of the 20th century. The third section includes an essay by National Book Award winner Charles Johnson (Middle Passage), as well as articles that compare Steinbeck's work with Zora Neale Hurston, Alice Walker, and Toni Morrison. Further articles are concerned with Steinbeck's moral philosophy and strong sense of social justice, eliciting comparisons with Sinclair Lewis, Tom Kristensen, and Charles Johnson. The fourth section, "Steinbeck, the Arts, and the World" includes articles on the film adaptation of The Moon Is Down, on Steinbeck and Mexican Modernism, on the American experience as portrayed in The Grapes of Wrath and Raymond Chandler's The Big Sleep, and on Steinbeck and ecocriticism. The book fittingly concludes with John Ditsky's keynote address, "In Search of a Language: Steinbeck and Others," which was delivered

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The definitive biography of the undisputed giant of English literature, a man whose own true history has long been hidden behind the fictional world of his books 'Compendious and compelling ... it is impossible to imagine this Life being bettered' WILLIAM BOYD, NEW STATESMAN 'Smiley himself could not have done a better job' SUNDAY TIMES Long after The Spy Who came in from the Cold made John le Carré a worldwide, bestselling sensation, David Cornwell, the man behind the pseudonym, remained an enigma. In this definitive biography, written with unprecedented access to the man himself, Adam Sisman offers an illuminating portrait of a fascinating and enigmatic writer. In Cornwell's lonely childhood, Adam Sisman uncovers the origins of the themes of love and abandonment which dominated le Carré's fiction: the departure of his mother when he was five, followed by 'sixteen hugless years' in the dubious care of his father, a man of energy and charm, a serial seducer and conman who hid the Bentleys in the trees when the bailiffs came calling - a 'totally incomprehensible father' who could 'put a hand on your shoulder and the other in your pocket, both gestures equally sincere'. And in Cornwell's adult life - from recruitment by both MI5 and MI6, through marriage and family life, to his emergence as the master of the spy novel - Sisman explores the idea of espionage and its significance in human terms; the extent to which betrayal is acceptable in exchange for love; and the endless need for forgiveness, especially from oneself. Written with exclusive access to David Cornwell, to his private archive and to the most important people in his life - family, friends, enemies, intelligence ex-colleagues and ex-lovers - and featuring a wealth of previously unseen photographic material, Adam Sisman's extraordinarily insightful and constantly revealing biography brings in from the cold a man whose own life was as complex and confounding and filled with treachery as any of his novels. 'I'm a liar,' Cornwell once wrote. 'Born to lying, bred to it, trained to it by an industry that lies for a living, practised in it as a novelist.' This is the definitive biography of a major writer, described by Richard Osman as 'just the finest, wisest storyteller we had.'

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________________________________The first book in Diana Gabaldon's LORD JOHN GREY series, set in the same world as her OUTLANDER novelsIt's 1758 and Europe is in turmoil - the Seven Years War is taking hold and London is ripe with deceit. The enigmatic Lord John Grey, a nobleman and high-ranking officer in His Majesty's Army, pursues a clandestine love affair and a deadly family secret. Grey's father, the Duke of Pardloe, shot himself just days before he was to be accused of being a Jacobite traitor. Now, seventeen years on, the family name has been redeemed; but an impending marriage revives the scandal. Lord John knows that as Whitehall whispers, rumours all too often lead their victims to the wails of Newgate prison - and to the gallows. From barracks and parade-grounds to the bloody battlefields of Prussia, Grey faces danger and forbidden passions in his search for the truth. But it is in the stony fells of the Lake District that he finds the man who may hold the key to his quest: the enigmatic Jacobite prisoner Jamie Fraser. Eighteenth-century Europe is brought startlingly to life in this compelling adventure mystery.

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This is a definitive assessment of the life and work of jazz musician John Coltrane, based on new interviews with his colleagues and never-before-published material. John Coltrane was a key figure in jazz, a pioneer in world music, and an intensely emotional force whose following continues to grow. This new biography, the first by a professional jazz scholar and performer, presents a huge amount of never-before-published material, including interviews with Coltrane, photos, genealogical documents, and innovative musical analysis that offers a fresh view of Coltrane's genius. Compiled from scratch with the assistance of dozens of Coltrane's colleagues, friends, and family, ""John Coltrane: His Life and Music"" corrects numerous errors from previous biographies. The significant people in Coltrane's life were reinterviewed, yielding new insights; some were interviewed for the first time ever. The musical analysis, which is accessible to the nonspecialist, makes its own revelations-for example, that some of Coltrane's well-known pieces are based on previously unrecognized sources. The Appendix is the most detailed chronology of Coltrane's performing career ever compiled, listing scores of previously unknown performances from the 1940s and early 1950s. Coltrane has become a musical inspiration for thousands of fans and musicians and a personal inspiration to as many more. For all of these, Porter's book will become the definitive resource - a reliable guide to the events of Coltrane's life and an insightful look into his musical practices.

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One of America's foremost civil engineers of the past 150 years, John Frank Stevens was a railway reconnaissance and location engineer whose reputation was made on the Canadian Pacific and Great Northern lines. Self-taught and driven by a bulldog tenacity of purpose, he was hired by Theodore Roosevelt as chief engineer of the Panama Canal, creating a technical achievement far ahead of its time. Stevens also served for more than five years as the head of the US Advisory Commission of Railway Experts to Russia and as a consultant who contributed to many engineering feats, including the control of the Mississippi River after the disastrous floods of 1927 and construction of the Boulder (Hoover) Dam. Drawing on Stevens's surviving personal papers and materials from projects with which he was associated, Clifford Foust offers an illuminating look into the life of an accomplished civil engineer.

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The final instalment in a new series offering straightforward, practical wisdom from a top business guru John Adair's 100 Greatest Ideas for Amazing Creativity is the second title in a new series of titles from the noted business expert. Focused on concise, practical, and straightforward business wisdom, the series offers the kind of real-world insight that business leaders thrive on. Short, punchy, and packed with real solutions, this book provides 100 proven and effective ideas for businesspeople in need of fresh new ideas, whether they work for a small firm or a Fortune 100 giant. Proven, practical business wisdom for anyone who must create to succeed The second book in a new series from renowned business authority John Adair Quick bites of business wisdom for everyday business success For effective tips on creative thinking from a proven expert, John Adair's 100 Greatest Ideas for Amazing Creativity offers everything you need to invent your own success in business.

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Based on original sources, notably the vast collection of unpublished papers in the Center for Dewey Studies, this book tells the full story of the life and times of the eminent American philosopher, pragmatist, education reformer, and man of letters.

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A BEAUTIFULLY EVOCATIVE STORY OF A CHILD'S JOURNEY TO ENGLAND ON BOARD EMPIRE WINDRUSH, FROM AN INTERNATIONALLY CELEBRATED, MULTI-AWARD-WINNING POET AND AN EXTRAORDINARY DEBUT ILLUSTRATOR."you're stepping into historybringing your Caribbean eyeto another horizon"With one last hug, Windrush chid waves goodbye to his Caribbean home and sets sail across the ocean to Britain. In this powerful picture book, full of hope and promise, celebrated poet John Agard and illustrator Sophie Bass movingly evoke the journey made by children and their families as part of the Windrush Generation.PRAISE FOR JOHN AGARD'S WINDRUSH CHILD:Shortlisted for the Diverse Book Awards 2023Shortlisted for the Spark! School Book Award 2023Longlisted for the Jhalak Children's & YA Prize 2023Longlisted for the 2023 Yoto Carnegie Medal for IllustrationLonglisted for the Children’s Literature Festivals Book Awards 2023Longlisted for the 2023 Klaus Flugge Prize"A gorgeous bedtime read that will reward repeat readings, deceptively simple, emotionally deep." Joseph Coelho, Children's Laureate"A beautiful picture book with gorgeous illustrations ... I couldn't think of a better way for young children to learn about history and understand the world." David Walliams“John Agard’s hopeful poem commemorates a child’s Windrush journey from the Caribbean, and bold and vivid illustrations sing of palm trees and mangos left behind, and new experiences, including pigeons and terraced houses and snow.” ‘One to Watch’, Sunday Times (Culture)"Debut illustrator Bass’s intricate, colourful, arresting pictures bring out all the resonances of Agard’s spare text in this story of a child, a ship, a journey, and a new life enriched by the loves and memories of the old." Guardian"A poetic story brought to life by Sophie Bass’s colour-popping illustrations." Daily Mail"A stunning picture book ... with the distinctive, vibrant art of Sophie Bass.” The Bookseller“The illustrations by Sophie Bass powerfully convey his parents’ emotions at different stages of the journey: hope, excitement, anxiety and relief are etched on to their faces in subtle ways. The child’s perspective of his adventure is the true soul of the book though and will stay in the reader’s memory for a long time.” Just Imagine

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‘… the universal poet, servant of the medium, renewer of the forms, discoverer of the nugget of harmony in the language of ourselves.' Seamus Heaney 'He brings to Irish poetry an invaluable chronicle of mixed allegiances and lost worlds of the ambiguities of the colony and the defeats of victory. No one else has quite had his themes; no one else has quite ventured on his enquiries.' Eavan Boland Edited, with a new introduction, by acclaimed poets Michael Longley and Frank Ormsby, 'Selected Poems' is a testament to John Hewitt’s remarkable literary legacy, and a celebration of a unique, compelling and still urgent voice in 20th century Irish poetry.

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During his career John Ashbery has been hailed as the "eminence grise" of postmodernism, championed by W.H. Auden and has carried off every major literary prize. His startling work alternately (and sometimes simultaneously) playful and recondite, affirms poetry's power to astonish and tackle fundamentals. Drawn from the work he published up to 1984, from the spare, beautiful lyrics of "Some Trees" and the disjunctive, experimentalism of "The Tennis Court Oath", to the powerful mediations on subjectivity of "Self-Portrait in a Convex Mirror" and "A Wave", this collection makes a wide range of this poet's writing available.

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"Harper's is a poetry of classically unadorned statement, a direct, unflinching record of a man alive in his time. When he is at his best, in both his public and his private voice, he creates a language humming with emotion and ennobled by a deeply felt human dignity." -- Virginia Quarterly Review ". . . one of the finest poets of our time." -- San Francisco Examiner & Chronicle Stephen Henderson Award, African American Literature and Culture Society (AALCS), 2013. Author is recipient of the Frost Medal for Lifetime Achievement, Poetry Society of America, 2008.

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In the modern world of networked digital media, authors must navigate many challenges. Most pressingly, the illegal downloading and streaming of copyright material on the internet deprives authors of royalties, and in some cases it has discouraged creativity or terminated careers. Exploring technology’s impact on the status and idea of authorship in today’s world, The Near-Death of the Author reveals the many obstacles facing contemporary authors. John Potts details how the online culture of remix and creative reuse operates in a post-authorship mode, with little regard for individual authorship. The book explores how developments in algorithms and artificial intelligence (AI) have yielded novels, newspaper articles, musical works, films, and paintings without the need of human authors or artists. It also examines how these AI achievements have provoked questions regarding the authorship of new works, such as Does the author need to be human? And, more alarmingly, Is there even a need for human authors? Providing suggestions on how contemporary authors can endure in the world of data, the book ultimately concludes that network culture has provoked the near-death, but not the death, of the author.

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By an expert with over twenty-five years' experience interviewing more than thirty of the most dangerous male and female serial killers of contemporary times, this latest book from the bestselling author explores the darkest corners of these thrill-killers' minds.As all law-enforcement authorities, including the FBI's elite Behavioral Science Unit, will confirm, the majority of sexual psychopaths gain most of their perverse thrills from the stalking of their unsuspecting victims, often in so many different ways.For them, the actual kill is frequently something less, after which the dead body is treated like so much garbage and simply abandoned or thrown away. Yet as these cases show, a victim has often been unwittingly followed, watched, or even visited before they are attacked, sometimes for weeks or even months.Having exhaustively studied the case histories of more than sixty modern-day sexually motivated serial murderers - some still alive, others subsequently executed - the author zeros in on the Internet porn industry as one of the main motivating drivers in cultivating fantasy stalking, which can lead to rape, multiple rapes, and homicide graduating to serial murder. Even more chillingly, anyone who is active on social media is a potential stalker's victim.

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Percival Everett’s The Book of Training by Colonel Hap Thompson of Roanoke, VA, 1843, Annotated From the Library of John C. Calhoun, is poetry within the harsh confines of a mock historical document—a guidebook for the American slave owner. The collection features lists of instructions for buying, training, and punishing, equations for calculating present and future profits, and handwritten annotations affirming the brutal contents. The Book of Training lays bare the mechanics of the peculiar institution of slavery and challenges readers to place themselves in the uncomfortable vantage point of those who have bought and enslaved human beings.

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A Times Best Literature Book of the Year 2023 A Financial Times Book of the Year 2023 A Spectator Book of the Year 2023 A Daily Express Best Book of 2023 'A fascinating, revelatory appendix ... providing new insights into the inner workings of the man who created George Smiley' 'Best Books of the Year 2023', Financial Times 'Sisman can set the record straight' 'Books of the Year 2023', The Sunday Times 'Complex and consequential ... casts le Carré's life and writing in a fresh light ... a fascinating examination of the biographer's art' Washington Post 'Now that he is dead, we can know him better.' Secrecy came naturally to John le Carré, and there were some secrets that he fought fiercely to keep. Nowhere was this more so than in his private life. Apparently content in his marriage, the novelist conducted a string of love affairs over four decades. To keep these relationships secret, he made use of tradecraft that he had learned as a spy: code names and cover stories, cut outs, safe houses and dead letter boxes. Such affairs introduced both jeopardy and excitement into what was otherwise a quiet, ordered life. Le Carré seemed to require the stimulus they provided in order to write, though this meant deceiving those closest to him. It is no coincidence that betrayal became a recurrent theme in his work. Adam Sisman's definitive biography, published in 2015, revealed much about the elusive spy-turned-novelist; yet le Carré was adamant that some subjects should remain hidden, at least during his lifetime. The Secret Life of John le Carré is the story of what was left out, and offers reflections on the difficult relationship between biographer and subject. More than that, it adds a necessary coda to the life and work of this complex, driven, restless man. The Secret Life of John le Carré reveals a hitherto-hidden perspective on the life and work of the spy-turned-author and a fascinating meditation on the complex relationship between biographer and subject. 'Now that he is dead,' Sisman writes, 'we can know him better.'

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In the decade before his death in 2011, John Hoyland began to reckon with mortality. Confronting his own demise, he painted elegies to departed artist friends and tributes to illustrious artistic forebears. Imagery of the void looms large, but it is a void faced with defiance and vitality, less a rumination on the end than a celebration of life. This publication explores the paintings Hoyland made in this decade, including his final series, the Mysteries. Essays by Natalie Adamson, David Anfam, Matthew Collings and Mel Gooding offer a rich and multifaceted account of a complex body of work. Hoyland’s veneration of Vincent van Gogh, his connections to J.M.W. Turner, the use of black as a colour, his deployment of risk and attempts to subvert his own taste, and his development of the cosmic visual language of the Abstract Expressionists are all discussed. Richly illustrated, the book extends our understanding of Hoyland’s late work within the story of modern painting as a whole.

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