Search results for ""Author Albert"

‘Must-read… A funny yet tragic tale of a husband and wife’s car journey across the US with Albert the alligator in tow. Yes, really.’ Marie Claire A journey of a thousand miles. With an alligator on the back seat. And John Steinbeck as a passenger. This is a tale where everything is true,except the bits that are made up. In 1930s America, the Great Depression made everyone’s horizons smaller, and Elsie Lavender found herself back where she began, in the coalfields of West Virginia.She had just one memento of her halcyon days – a baby alligator named Albert. Then one day, her husband’s stoical patience snapped and Elsie had to choose between Homer and Albert.She decided that there was only one thing to do: they would carry Albert home to Florida. And so began their odyssey – a journey like no other, where Elsie, Homer and Albert encountered everything from movie stars and revolutionaries to Ernest Hemingway and hurricanes in their struggle to find love, redemption,and a place to call home. From the bestselling author of Rocket Boys–the basis of the movie October Sky–comes a long-awaited prequel. Big Fish meets The Notebook in this novel about a man, a woman, and their alligator.

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London, 1899. Queen Victoria lays the foundation stone on the site of what she names as The Victoria and Albert Museum. Shortly after, the Museum Detectives Daniel Wilson and Abigail Fenton are called to the site because the dead body of curator Andrew Page has been found. The Queen is determined that nothing will sully the new museum, and by association her beloved Albert's legacy. But the more Wilson and Fenton dig, the more they discover other potential motives for Page's murder, some with potentially explosive implications. They will have to tread carefully as someone is determined to stand in their way .

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The story of the illustrated book from the earliest printed books to the present day, told through the collections of the V&A’s National Art Library. This is the story of the illustrated book, from the earliest printed examples to the present day, told through the collections of the National Art Library at the Victoria and Albert Museum, London – a library that was created to bring together examples of superlative book-making on almost every subject. Gathered here are some of the most influential, compelling and striking examples of the illustrated book, arranged thematically in chapters devoted to subjects such as art, literature, religion, architecture, natural history, fashion, and shopping. Brimming with innovative and beautiful examples, ranging from well-known titles, such as Owen Jones’s Grammar of Ornament and James Audubon’s Birds of America, to other wonderful but less familiar publications, this collection offers a fascinating overview of some of the finest illustrated books ever created – demonstrating their enduring appeal.

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For more than fifty years, George Kenney has dedicated himself to the study of European art. George authored a Catalogue Raisonné titled 'The Illustrated Bartsch, Vol. 51' for Abaris Books in 2017. This comprehensive work explores the etchings of Ferdinand Bol, a prominent 17th-century artist and student of Rembrandt.

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Pastoral Care and Community in Late Medieval Germany explores how local religious culture was constructed in medieval European Christian society through close study of a set of neglected, late fourteenth-century manuscripts. The Mirror of Priests is a pastoral work written by Albert, an Augustinian canon from the Bavarian market town of Diessen, to guide local priests in their work with parishioners. Multiple versions of the text in Albert's own hand survive and, by comparing them, Deeana Copeland Klepper shows how ostensibly universal religious ideals and laws were adapted, interpreted, and repurposed by those given responsibility to implement them, thereby crafting distinctive, local expressions of Christianity. The vision of Christian community that emerges from Albert's pastoral guide is one in which the messiness of ordinary life is evident. Albert's imagined parish was marked out by geographic and legal boundaries—property and jurisdictional rights, tithes, and sacramental responsibility—as well as symbolic realities. By situating the Mirror of Priests within Albert's physical and conceptual spaces, Klepper affirms the centrality of the parish and its community for those living under the rubric of Christianity, especially outside of large cities. Pivoting between the materiality of texts and the sociocultural contexts of an overlooked manuscript tradition, Pastoral Care and Community in Late Medieval Germany offers fresh insights into the role of parish priests, the pastoral manual genre, and late medieval religious life.

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A beautiful and informative gift book devoted to Edward Bawden's representations of England. Edward Bawden (1903-1989) was a printmaker, painter, illustrator and designer. He studied and later taught at the Royal College of art, served as a war artist in WW2 and worked extensively as a commercial artist for companies including London Transport, Fortnum and Mason, Shell-Mex, the Folio Society and Chatto and Windus. Aside from the years he spent in France, the Middle East and North Africa while serving as a war artist, and later visits to Canada and Ireland, Bawden rarely travelled far from home, but found inspiration in the fields and farms of his native Essex, at the seaside, and in classic London scenes: Kew Gardens, the Royal Parks, the Tower of London and St Paul’s Cathedral, and the iron-and-glass monuments to Victorian engineering such as Liverpool Street station and the markets in Spitalfields and Smithfield. This book celebrates England as represented by Bawden in 85 works held in the V&A’s collection, including prints, posters, drawings, paintings, murals and advertising material. The illustrations include such early pieces as his poster Map of the British Empire for an exhibition in 1924; his mural English Garden Delights, designed for the Orient Line Navigation Company in 1946; illustrations for books including Good Food, The Gardener’s Diary and Life in an English Village; advertising work for London Transport, Shell and Fortnum & Mason; the poster Lifeguards, created to mark the coronation of Queen Elizabeth II in 1953; and a varied selection of linocuts and watercolours. As this book demonstrates, it was England, with its quiet landscapes, its pleasures and pastimes, its history and ceremonies, its traditions and recreations, that was the source of Bawden's finest and most engaging work.

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London, 1899. Queen Victoria lays the foundation stone on the site of a new museum being built, which she names as The Victoria and Albert Museum. Shortly after, Daniel Wilson and Abigail Fenton are called to the site because the dead body of a man, curator Andrew Page, has been found in one of the trenches. The Queen is determined that nothing will sully the new museum, and by association her beloved Albert's legacy. But the more Wilson and Fenton dig, the more they discover other potential motives for Page's murder, some with potentially explosive implications for the Royals and the Government. They will have to tread carefully as someone is determined that they will not uncover any more .

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A contemporary look at Cecil Beaton’s portraits of the Royal Family and how they helped create the public face of the House of Windsor. Cecil Beaton: The Royal Portraits looks back in time to tell a very modern tale: the creation of a public image. Offering a fresh appraisal of Beaton’s portraits of the British royal family, the book explores not only the finished images but also the sittings in which they were created, revealing Beaton’s central role in shaping the public face of the House of Windsor and the ways in which he collaborated with his subjects. Organised chronologically, from the 1930s to the 1970s, each of the book's four chapters comprises an introductory essay, plates with extended captions, and one or two in-depth analyses of a particular sitting. Throughout, a variety of contextual material – contact sheets, test shots, out-takes, sketches, letters, journals, tear-sheets – helps build a detailed picture of Beaton's working methods, the relationships he developed with his sitters, and how the eventual portraits were received. Drawing on the Victoria and Albert Museum’s unparalleled collection of Beaton’s photographs, Cecil Beaton: The Royal Portraits will appeal not only to those interested in the photographer and his work, but also to anyone for whom the distinction between the private world and the public face of the royal family remains a source of fascination.

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This book presents a selection of texts devoted to two key issues in the thought of Albert Camus: absurdity and rebellion. The contributors are particularly interested in the problem of transition in the thought of the author of The Rebel from philosophical considerations over the absurd in the human condition to the attitude of rebellion. The monograph consists of three parts. The first analyzes the sources of Camus's concept of rebellion, the problems of the absurd, and, more generally, the early thought of the author of The Outsider. Part two presents considerations on Camus's rebellion from the perspective of contemporary humanities. And part three focuses on comparative studies and takes up the associations between Camus's thought with, inter alia, Dostoyevsky, Kolakowski, and Iwaszkiewicz.

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An engaging introduction to the work and the world of pioneering photographer Julia Margaret Cameron, Arresting Beauty presents more than 120 images from the V&A’s collection, the largest holding of Cameron’s photographs in the world. Exploring her unique artistry, this book reaffirms her position as one of the most innovative and influential photographers of all time.

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This book seeks to assess the emphases and complexities of Albert Camus' lifelong preoccupation with justice within the sociopolitical sphere, against a background of changing personal and historical circumstances. It provides a chronological account of Camus' developing ideas on the concept, as expressed in his non-fiction.

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Francis Cheetham's classic survey of English medieval alabasters includes a richly illustrated catalogue of the Victoria and Albert Museum's unparalleled collection. English alabasters represent a unique contribution to medieval art. Less sophisticated, perhaps, than other contemporary forms of religious art, they were a neglected area of study until this volume was first published in 1984. Stories from the New Testament and The Golden Legend were the most favoured subjects, and the numerous examples that survive in churches and museums throughout Europe attest to their wide and enduring appeal. FrancisCheetham examines here all aspects of their production and demonstrates how the panels and altarpieces can aid our understanding of life and devotional practice in medieval times. At the heart of this fascinating study is arichly illustrated catalogue of the 260 examples in the collection of London's Victoria and Albert Museum: a collection "so comprehensive that it would be possible to write a survey of the subject almost without recourse to pieces elsewhere," as Sir Roy Strong notes in his Foreword. Their division into subject categories is an invaluable aid to identification and classification. The late Francis Cheetham was an acknowledged expert on medieval English alabasters, and this reissue of his classic work will be welcomed by historians, art historians, collectors and dealers alike, taking its place alongside his Alabaster Images of Medieval England which was published by the Boydell Press in 2003.

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Until now, the life story of Albert Williamson Goldsmid, an extraordinary Victorian figure, has been known to comparatively few. Although born a Christian, he belonged to one of the oldest Jewish families in England. His parents left the fold of their fathers but Goldsmid, as a youngster, discovered his Jewish descent and returned to the ancestral faith. He rose to the rank of Colonel in the British Army, and a Member of the Victorian Order (MVO), and emerged over the years as an internationally known champion of his people's renaissance in their ancient homeland. Acclaimed as the model for George Eliot's Daniel Deronda, Goldsmid devoted all his gifts of heart and mind to both the service of his country and his Jewish people. He became an exalted symbol of British-Jewish harmony, and a glowing personification of the movement for Israel's restoration which was so indigenous to Victorian and post-Victorian England. This biography details British Jewish and Zionist politics from a fresh perspective, one from within that community, through the eyes of a personage.

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Few American artists have captured painters imaginations with the gripping force of Albert Pinkham Ryder (1847-1917). The brooding spirituality of his works, coupled with formal innovation decades ahead of its time, have long made Ryder a favorite of innovators like Jackson Pollock, Marsden Hartley, and Robert Rauschenberg. And yet, the artist s biography and practices remain elusive. A Wild Note of Longing whose title is taken from a Ryder poem--takes up the challenge, bringing a new generation of scholarship to the most comprehensive collection of Ryder masterworks assembled to date. Ryder is considered a seminal artist for both the late-nineteenth-century Gilded Age and for the emerging modernism of the early twentieth century. This publication presents research from the last ten years including William Agee s recent work on Ryder s influence and context within modernism. New evidence has also debunked some of the historical myths around Ryder, such as the degree of his elusiveness and social eccentricities and the lack of deliberateness with which he experimented with color and luminosity. New perspectives include a deep focus on Ryder from the perspective of his hometown of New Bedford, Massachusetts. This monumental project will represent multiple voices from leaders in the field on the continuing and ever evolving relevance of Albert Pinkham Ryder on modern art.

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This indispensable volume contains a compendium of articles covering a vast range of topics in physics which were begun or influenced by the works of Albert Einstein: special relativity, quantum theory, statistical physics, condensed matter physics, general relativity, geometry, cosmology and unified field theory. An essay on the societal role of Einstein is included. These articles, written by some of the renowned experts, offer an insider's view of the exciting world of fundamental science.

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Careful review of microfilmed German operational records led the author to solve a World War II mystery involving Field Marshall Albert Kesselring and the Italian campaign he directed. Facts about two events in March 1944_the Ardeatine Cave Massacre and the failed GINNY II mission_were manipulated, and Kesselring's 1947 defense was accepted without challenge until 1997, when Dr. Raiber found irrefutable evidence that Kesselring had misled the court in order to hide his involvement in the murder of fifteen U.S. soldiers who had been captured in uniform behind enemy lines. Kesselring claimed he was present in his Monte Soratee headquarters north of Rome on 23 March 1944 when he received and passed on Hitler's 10-for-1 retaliatory order against the Via Rasella partisan, resulting in the massacre at the Ardeatine Cave. A day earlier, on the Ligurian coast, members of an OSS operational group, GINNY II, landed north of La Spezia. Captured behind German lines, these U.S. soldiers were interrogated, and summarily shot on 26 March. Thereafter Kesselring ordered the destruction of all records bearing on GINNY II to conceal his presence in La Spezia and his confirmation of the execution order but surviving documents clearly place him there at noon on 24 March.

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The second hilarious and action-packed middle grade EDDIE ALBERT adventure from beloved comedian and bestselling author Paul O’Grady Eddie Albert and the amazing animal gang are BACK! Eddie and best friend Flo are spending the Easter holidays on the Romney Marshes with Aunt Budge and all his animals – Butch the dog, Bunty the hamster and pirate goldfish Dan and Jake. When the terrible Rancid Twins arrive in town, set on uncovering the secret mystery of the smugglers’ treasure, Eddie and Flo are drawn into a thrilling new adventure. Eddie must use his ability to speak to animals to enlist the help of two elegant alpaca, a friendly sheep called Doris and a famous film-star rabbit to save the day and reveal a treasure of epic proportions. Action-packed and hilarious, Eddie Albert is a technicolour cinematic adventure full of friendship, animals . . . and, of course, a wicked sense of humour.

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Albert Einstein’s travel diary to the Far East and Middle EastIn the fall of 1922, Albert Einstein, along with his then-wife, Elsa Einstein, embarked on a five-and-a-half-month voyage to the Far East and Middle East, regions that the renowned physicist had never visited before. Einstein's lengthy itinerary consisted of stops in Hong Kong and Singapore, two brief stays in China, a six-week whirlwind lecture tour of Japan, a twelve-day tour of Palestine, and a three-week visit to Spain. This handsome edition makes available the complete journal that Einstein kept on this momentous journey.The telegraphic-style diary entries record Einstein's musings on science, philosophy, art, and politics, as well as his immediate impressions and broader thoughts on such events as his inaugural lecture at the future site of the Hebrew University in Jerusalem, a garden party hosted by the Japanese Empress, an audience with the King of Spain, and meetings with other prominent colleagues and statesmen. Entries also contain passages that reveal Einstein's stereotyping of members of various nations and raise questions about his attitudes on race. This beautiful edition features stunning facsimiles of the diary's pages, accompanied by an English translation, an extensive historical introduction, numerous illustrations, and annotations. Supplementary materials include letters, postcards, speeches, and articles, a map of the voyage, a chronology, a bibliography, and an index.Einstein would go on to keep a journal for all succeeding trips abroad, and this first volume of his travel diaries offers an initial, intimate glimpse into a brilliant mind encountering the great, wide world.

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Alberto desea para su décimo cumpleaños, más que nada en el mundo, un móvil. Pero, como regalo especial, recibe de su abuelo dos huevos de paloma mensajera. El niño deberá cuidar de ellos hasta que nazcan los polluelos, y, más tarde, adiestrar a las palomas. Con resignación acepta el regalo, pero, finalmente, se emocionará con la idea de cuidar a esos indefensos seres y aprenderá lo necesario para su adiestramiento. Quizá, después de todo, haya cosas más divertidas que un teléfono móvil.

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A definitive scholarly edition of the correspondence and papers of Albert EinsteinThis volume finds Einstein recovered and traveling again after a prolonged illness, to Paris, London, and Zurich to receive three honorary doctorates; to the Sixth Solvay Congress in Brussels and to Leyden; and to attend the Constituent Meeting of the Jewish Agency Council in Zurich and the twelfth session of the ICIC in Geneva. By the end of the volume, Einstein embarks on a transatlantic voyage for the first time in five years to spend an academic term at the California Institute of Technology in Pasadena.Einstein’s work focuses on the teleparallel approach to unified field theory, on which he engages in intensive correspondence with Élie Cartan and begins his collaboration with Walther Mayer. He also presents popular accounts of his work, surveying the historical progression from classical to twentieth-century physics leading up to the latest developments in unified fiel

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A heart-felt Bible story about Miriam watching over her baby brother, who would later become Moses, the leader of a nation. Her quick thinking when the Pharaoh's daughter pulls the basket he is in out of the River Nile saves his life. Maybe being a big sister to a baby isn't so bad! A series of picture books of stories from the Old and New Testament by Richard Littledale, inspired by his retellings to groups of young children. Meet Albert, an elderly mouse, who retells well known Bible stories to eager young mice, perfect for story times with young listeners aged 3-5 years. Stunning bright and appealing illustrations bring to life the excitement and drama of the storytelling for young children to enjoy looking through time and time again. They will love seeking the mice in each picture!

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There is much confusion in the economics literature on wage determination and the employment-inflation trade-off. Few model builders pay as much careful attention to the definition and meaning of long-run concepts as did Albert Ando. Expanding on years of painstaking work by Ando, the contributors elaborate on the main issues of economic analysis and policies that concerned him.Some of the issues discussed include long-run properties of dynamic econometric models, demographic issues of modern times, stabilization policies - especially for Japan - and interaction between monetary and real economy issues, as well as life-cycle behavior patterns, and the appropriate role of the Phillips Curve and the determination of prices.Paying close attention to the concepts and properties of models, Long-run Growth and Short Run Stabilization is for those interested in the macroeconomics of the US, Italy, and Japan. Scholars of aggregative dynamic models based on realistic reasoning will benefit from the information imparted, as will policymakers who want to understand the functioning of the modern economy.

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Albert M. Greenfield (1887-1967), an ambitious immigrant outsider, was courted for his business acumen by mayors, senators, governors, and presidents, including Franklin Roosevelt and Harry Truman. As this feisty Russian Jew built a business empire that encompassed real estate, stores (including Bonwit Teller and Tiffany's), hotels (including the Ben Franklin and the Bellevue-Stratford), banks, newspapers, transportation companies, and even the Loft Candy Corporation, he challenged the entrenched business elite. Greenfield was also instrumental in bringing both major political conventions to Philadelphia in 1948. In The Outsider, veteran journalist and best-selling author Dan Rottenberg deftly chronicles the astonishing rises, falls, and countless reinventions of this savvy businessman. Greenfield's power allowed him to cross social, religious, and ethnic boundaries with impunity. He alarmed Philadelphia's conservative business and social leaders-Christians and Jews alike-some of whom plotted his downfall. In this engaging account of Greenfield's fascinating life, Rottenberg demonstrates the extent to which one uniquely brilliant and energetic man pushed the boundaries of society's limitations on individual potential. The Outsider provides a microcosmic look at three twentieth-century upheavals: the rise of Jews as a crucial American business force, the decline of America's Protestant establishment, and the transformation of American cities.

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In the nineteenth century, science and technology developed a close and continuing relationship. The most important advancements in physics-the science of energy and the theory of the electromagnetic field-were deeply rooted in the new technologies of the steam engine, the telegraph, and electric power and light. Bruce J. Hunt here explores how the leading technologies of the industrial age helped reshape modern physics. This period marked a watershed in how human beings exerted power over the world around them. Sweeping changes in manufacturing, transportation, and communications transformed the economy, society, and daily life in ways never before imagined. At the same time, physical scientists made great strides in the study of energy, atoms, and electromagnetism. Hunt shows how technology informed science and vice versa, examining the interaction between steam technology and the formulation of the laws of thermodynamics, for example, and that between telegraphy and the rise of electrical science. Hunt's groundbreaking introduction to the history of physics points to the shift to atomic and quantum physics. It closes with a brief look at Albert Einstein's work at the Swiss patent office and the part it played in his formulation of relativity theory. Hunt translates his often-demanding material into engaging and accessible language suitable for undergraduate students of the history of science and technology.

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Presented in this volume are Albert Einstein's writings from his arrival in Berlin in the spring of 1914 to take up his new position at the Prussian Academy of Sciences through the end of 1917. During these years he completed the general theory of relativity--the relativistic theory of gravitation--and this was surely the high point of his scientific life. His writings on relativity in this volume range from general treatments of the theory to detailed calculations of specific consequences and his first attempt at a relativistic account of cosmology. They also include his popular exposition of the special and general theories, first published in 1917 and still a valuable account for the general reader. As soon as the difficulties on the path to general relativity had been overcome, Einstein returned to the riddles of the quantum theory. His major clarification of the quantum theory of radiation appears here along with his lesser known contribution to the formulation of quantum conditions. This volume also contains the papers describing Einstein's only experimental investigation, a study of Ampere's molecular currents, which he carried out with the Dutch physicist W. J. de Haas. Before the beginning of World War I, Einstein had never expressed his views on nonscientific subjects. Yet one of his first reactions to this previously unthinkable general war was to sign an "Appeal to Europeans" urging an immediate end to hostilities. Every document in The Collected Papers of Albert Einstein appears in the language in which it was written.

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Vibrant tapestries of beribboned birds, cantering centaurs, and Dionysian dancers, woven in Coptic Egypt more than a thousand years ago, were artfully arranged in a handsome pair of albums in 1913. Some of the fabrics are shown in unique collage compositions. Sandals, spindles, and a mysterious lock of hair are assembled in a shallow box at the back of one album. Many textiles in this important collection, housed at the Henry Art Gallery at the University of Washington, were once joined by warp and weft with those from the Musée du Louvre and other major museums. Nancy Hoskins deftly interweaves the creation of the textiles in the Greco-Roman city of Antinoé, Egypt, with their discovery by the charismatic French archaeologist Albert Gayet (1856-1916). Gayet staged stunning exhibitions of the pieces in Paris at the turn of the century and ultimately gave them to museums or sold them. One collector, Henry Bryon, had his 144 fabrics bound into the two albums featured here. The album pages and covers are illustrated in glowing color, along with archival photographs from Gayet's expeditions. The style, structure, and iconography of each tapestry, tabby, and tablet-woven textile are discussed within the cultural construct of Late Antique and Early Christian Egypt. Detailed technical drawings illustrate the special weaving techniques of the Copts. Directions for six weaving projects inspired by the album fragments are included. The story of the inimitable Coptic tapestry albums will delight weavers, textile historians, art historians, and archaeologists.

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Albert J. Luxford has long been known as “The Gimmick Man” in the film and television industry, but he has remained one of its unsung and unknown geniuses despite his well-known work. He equipped James Bond with some of his most memorable gadgets; made possible many of the effects and sequences in the Carry On series. He worked on such shows and movies as Are You Being Served?, The Muppets, Highlander, and Chitty Chitty Bang Bang among many others.In this memoir, Luxford reminisces with great good humour about his life and work and shares some tricks of the trade. He left school at 16 to attend the Institute of Automobile Engineers in West London and began in the film industry as an engineer at Pinewood Studios. The bulk of this work is made up of Luxford’s recollections about his experiences in special effects. This is a genuine tour behind the scenes by an incomparable master of movie magic.

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Killed in action at the bloody Battle of Shiloh, Confederate general Albert Sidney Johnston stands as the highest-ranking American military officer to die in combat. His unexpected demise had cascading negative consequences for the South's war effort, as his absence created a void in adequate leadership in the years that followed. In The Iron Dice of Battle, noted Civil War historian Timothy B. Smith reexamines Johnston's life and death, offering remarkable insights into this often-contradictory figure.As a commander, Johnston frequently faced larger and better-armed Union forces, dramatically shaping his battlefield decisions and convincing him that victory could only be attained by taking strategic risks while fighting. The final wager came while leading his army at Shiloh in April 1862. During a desperate gambit to turn the tide of battle, Johnston charged to the front of the Confederate line to direct his troops and fell mortally wounded after sustaining enemy fire.The first work to survey the general's career in detail in nearly sixty years, The Iron Dice of Battle builds on recent scholarship to provide a new and incisive assessment of Johnston's life, his Confederate command, and the effect his death had on the course of the Civil War in the West.

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This striking publication presents highlights from the V&A's outstanding collection of embroidery designs for fashion, accessories and home furnishings.

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The Liber de causis (De causis et processu universitatis a prima causa), a monotheistic reworking of Proclus’ Elements of Theology, was translated from Arabic into Latin in the twelfth century, with an attribution to Aristotle. Considering this Neoplatonic text a product of Aristotle's school and even the completion of Aristotle’s Metaphysics, Albert the Great concluded his series of Aristotelian paraphrases by commenting on it. To do so was to invite controversy, since accidents of translation had made many readers think that the Liber de causis taught that God made only the first creature, which in turn created the diverse multitude of lesser things. Thus, Albert’s contemporaries in the Christian West took the text to uphold the supposedly Aristotelian doctrine that from the One only one thing can emanate—a doctrine they rejected, believing as they did that God freely determined the number and kinds of creatures. Albert, however, defended the philosophers against the theologians of his day, denying that the thesis "from the One only one proceeds" removed God’s causality from the diversity and multiplicity of our world. This Albert did by appealing to a greater theologian, Pseudo-Dionysius the Areopagite, and equating the being that is the subject of metaphysics with the procession of Being from God's intellect, a procession Dionysius described in On the Divine Names. Creation as Emanation examines Albert's reading of the Liber de causis with an eye toward two questions: First, how does Albert view the relation between faith and reason, so that he can identify creation from nothing with emanation from God? And second, how does he understand Platonism and Aristotelianism, so that he can avoid the misreadings of his fellow theologians by finding in a late-fifth-century Neoplatonist the key to Aristotle’s meaning?

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The Liber de causis (De causis et processu universitatis a prima causa), a monotheistic reworking of Proclus’ Elements of Theology, was translated from Arabic into Latin in the twelfth century, with an attribution to Aristotle. Considering this Neoplatonic text a product of Aristotle's school and even the completion of Aristotle’s Metaphysics, Albert the Great concluded his series of Aristotelian paraphrases by commenting on it. To do so was to invite controversy, since accidents of translation had made many readers think that the Liber de causis taught that God made only the first creature, which in turn created the diverse multitude of lesser things. Thus, Albert’s contemporaries in the Christian West took the text to uphold the supposedly Aristotelian doctrine that from the One only one thing can emanate—a doctrine they rejected, believing as they did that God freely determined the number and kinds of creatures. Albert, however, defended the philosophers against the theologians of his day, denying that the thesis "from the One only one proceeds" removed God’s causality from the diversity and multiplicity of our world. This Albert did by appealing to a greater theologian, Pseudo-Dionysius the Areopagite, and equating the being that is the subject of metaphysics with the procession of Being from God's intellect, a procession Dionysius described in On the Divine Names. Creation as Emanation examines Albert's reading of the Liber de causis with an eye toward two questions: First, how does Albert view the relation between faith and reason, so that he can identify creation from nothing with emanation from God? And second, how does he understand Platonism and Aristotelianism, so that he can avoid the misreadings of his fellow theologians by finding in a late-fifth-century Neoplatonist the key to Aristotle’s meaning?

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