Search results for ""author various"

Named the #1 Bestselling Non-Fiction Title by the Calgary Herald To camp means to occupy a place and/or time provisionally or under special circumstances. To camp can also mean to queer. And for many children and young adults, summer camp is a formative experience mixed with homosocial structure and homoerotic longing. In Queer as Camp, editors Kenneth B. Kidd and Derritt Mason curate a collection of essays and critical memoirs exploring the intersections of “queer” and “camp,” focusing especially on camp as an alternative and potentially nonnormative place and/or time. Exploring questions of identity, desire, and social formation, Queer as Camp delves into the diverse and queer-enabling dimensions of particular camp/sites, from traditional iterations of camp to camp-like ventures, literary and filmic texts about camp across a range of genres (fantasy, horror, realistic fiction, graphic novels), as well as the notorious appropriation of Indigenous life and the consequences of “playing Indian.” These accessible, engaging essays examine, variously, camp as a queer place and/or the experiences of queers at camp, including Vermont’s Indian Brook, a single-sex girls’ camp that has struggled with the inclusion of nonbinary and transgender campers and staff; the role of Jewish summer camp as a complicated site of sexuality, social bonding, and citizen-making as well as a potentially if not routinely queer-affirming place. They also attend to cinematic and literary representations of camp, such as the Eisner award-winning comic series Lumberjanes, which revitalizes and revises the century-old Girl Scout story; Disney’s Paul Bunyan, a short film that plays up male homosociality and cross-species bonding while inviting queer identification in the process; Sleepaway Camp, a horror film that exposes and deconstructs anxieties about the gendered body; and Wes Anderson’s critically acclaimed Moonrise Kingdom, which evokes dreams of escape, transformation, and other ways of being in the world. Highly interdisciplinary in scope, Queer as Camp reflects on camp and Camp with candor, insight, and often humor. Contributors: Kyle Eveleth, D. Gilson, Charlie Hailey, Ana M. Jimenez-Moreno, Kathryn R. Kent, Mark Lipton, Kerry Mallan, Chris McGee, Roderick McGillis, Tammy Mielke, Alexis Mitchell, Flavia Musinsky, Daniel Mallory Ortberg, Annebella Pollen, Andrew J. Trevarrow, Paul Venzo, Joshua Whitehead

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One of Elena Ferrante's Top 40 Books by Women G.H., a well-to-do Rio sculptress, enters the room of her maid, which is as clear and white 'as in an insane asylum from which dangerous objects have been removed'. There she sees a cockroach - black, dusty, prehistoric - crawling out of the wardrobe and, panicking, slams the door on it. Her irresistible fascination with the dying insect provokes a spiritual crisis, in which she questions her place in the universe and her very identity, propelling her towards an act of shocking transgression. Clarice Lispector's spare, deeply disturbing yet luminous novel transforms language into something otherworldly, and is one of her most unsettling and compelling works. Clarice Lispector was a Brazilian novelist and short story writer. Her innovation in fiction brought her international renown. References to her literary work pervade the music and literature of Brazil and Latin America. She was born in the Ukraine in 1920, but in the aftermath of World War I and the Russian Civil War, the family fled to Romania and eventually sailed to Brazil. She published her first novel, Near to the Wildheart in 1943 when she was just twenty-three, and the next year was awarded the Graça Aranha Prize for the best first novel. Many felt she had given Brazillian literature a unique voice in the larger context of Portuguese literature. After living variously in Italy, the UK, Switzerland and the US, in 1959, Lispector with her children returned to Brazil where she wrote her most influential novels including The Passion According to G.H. She died in 1977, shortly after the publication of her final novel, The Hour of the Star.

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In her second book of poems for young people, Shauna Darling Robertson takes an in-depth look at mental health and wellbeing. Shauna says, ‘Young people’s mental health has never been so high on the public agenda and rightly so. In the past three years, the likelihood of young people having a mental health problem has increased by 50% (childrenssociety.org.uk/what-we-do/ourwork/well-being/mental-health-statistics).’ The poems in this collection explore a variety of topics, from diagnosed mental health conditions to the everyday personal challenges faced by young people. The poems are variously thought-provoking, reassuring, heart-breaking, galvanizing, funny and hopeful, reflecting a diversity of perspectives, experiences and voices.

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Winner of the Saltire Society Poetry Book of the Year 2019. Janette Ayachi’s dazzling first collection moves between remembered and imagined spaces as she celebrates the world’s variousness, and the energies and exhaustions of the body. Revelling in the many voices she might find for herself, Ayachi locates herself in both her Algerian and Scottish roots, her relationships with her family and lovers, her own motherhood, and an equally joyful but more precarious exploration of desire. More than anything, this book is a celebration of all Ayachi loves and has loved, especially her own daughters. It is a book that makes a space for itself in the disruptive pleasures of writing, in the face of all that might stifle her, alive to all the potentials of laughter and silence as well as song.

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WINNER OF THE WOMEN'S PRIZE FOR FICTION 2022When a book and a reader are meant for each other, both of them know it . . .After the tragic death of his father, fourteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house and sound variously pleasant, angry or sad. Then his mother develops a hoarding problem, and the voices grow more clamorous. So Benny seeks refuge in the silence of a large public library. There he meets a mesmerising street artist with a smug pet ferret; a homeless philosopher-poet; and his very own Book, who narrates Benny's life and teaches him to listen to the things that truly matter. Blending unforgettable characters with jazz, climate change and our attachment to material possessions, this is classic Ruth Ozeki - bold, humane and heartbreaking.

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Drama Classics: The World's Great Plays at a Great Little Price A Jacobean tale of personal vengeance in a morally bankrupt world. Vindice has vowed to revenge the murder of his beloved Gloriana by the lustful Duke, and when he gains access to the court in disguise, havoc ensues... The Revenger's Tragedy was first performed in London in 1606 or 1607, and was subsequently published anonymously. It has been variously attributed to Cyril Tourneur and Thomas Middleton. This edition of the play, in the Nick Hern Books Drama Classics series, is edited by R.A. Foakes and includes an introduction by Trevor R. Griffiths.

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The poems in Jennifer Atkinson’s A Gray Realm the Ocean were all written under the influence of art-specifically twenty-and twenty-first-century abstract visual art. All the art referenced in the poems was done by women. Although many of these painters, sculptors, performance artists, ceramicists, and fabric artists have earned international reputations, albeit late in their lives or even after their deaths, most have only recently been given the notice and gallery space they deserve. Composed in response to the artists’ multiplicity of forms, styles, modes, and moods, the poems are variously experimental. Drunk on color and language, line and lines, they don’t so much describe the art as revel in it. No patriarchal anxiety here—the poet actively seeks to join in conversation with the artists, listening closely and seeking their influence. She ponders, interrogates, and celebrates the work, taking each artist on her own term—respecting the achieved calm of Agnes Martin’s “Night Sea” and the flare and smolder of Ana Mendieta’s “earth-body” work, the lyric voluptuousness of Joan Mitchell and the intellectual geometries of Carmen Herrera, the arrested explosions of Cornelia Parker and Ruth Asawa’s cool embodiments of shadow, the sun-drenched reveries of Emmi Whitehorse and Pat Steir’s un-skied star falls. Yet A Gray Realm the Ocean not only seeks to honor these artists—their work, their courage, and their curiosity. Taken together, the collection is also a meditation on looking—conscious, attentive looking—and the mysterious nature of abstraction.

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Glitter reveals the complexity of an object often dismissed as frivolous. Nicole Seymour describes how glitter’s consumption and status have shifted across centuries—from ancient cosmetic to queer activist tool, environmental pollutant to biodegradable accessory—along with its composition, which has variously included insects, glass, rocks, salt, sugar, plastic, and cellulose. Through a variety of examples, from glitterbombing to glitter beer, Seymour shows how this substance reflects the entanglements of consumerism, emotion, environmentalism, and gender/sexual identity. Object Lessons is published in partnership with an essay series in The Atlantic.

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What is love's real intent? Why can love be so ruthlessly selective? How is it related to sex, beauty, and goodness? And is the child now the supreme object of love? In addressing these questions, Simon May develops a radically new understanding of love as the emotion we feel towards whomever or whatever we experience as grounding our life--as offering us a possibility of home in a world that we supremely value. He sees love as motivated by a promise of "ontological rootedness," rather than, as two thousand years of tradition variously asserts, by beauty or goodness, by a search for wholeness, by virtue, by sexual or reproductive desire, by compassion or altruism or empathy, or, in one of today's dominant views, by no qualities at all of the loved one. After arguing that such founding Western myths as the Odyssey and Abraham's call by God to Canaan in the Bible powerfully exemplify his new conception of love, May goes on to re-examine the relation of love to beauty, sex, and goodness in the light of this conception, offering among other things a novel theory of beauty--and suggesting, against Plato, that we can love others for their ugliness (while also seeing them as beautiful). Finally, he proposes that, in the Western world, romantic love is gradually giving way to parental love as the most valued form of love: namely, the love without which one's life is not deemed complete or truly flourishing. May explains why childhood has become sacred and excellence in parenting a paramount ideal--as well as a litmus test of society's moral health. In doing so, he argues that the child is the first genuinely "modern" supreme object of love: the first to fully reflect what Nietzsche called "the death of God." Readers will find Love "Excitingly new, yet immediately recognizable--that's the paradox at the very heart of love, and it is what Simon May has achieved." --Los Angeles Review of Books

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Learn to maximize your trading power with... OPTION Strategies Find out how options really work with this complete introduction tooptions valuation and trading. In this revised and expandededition, top options expert Courtney Smith details the ins and outsof this lucrative, yet complex, financial instrument. From theworking fundamentals to the most innovative pricing models, OptionStrategies gives you the information you need to make a wise andsuccessful investment. Whether you want to bull up or bear down,buy puts or sell calls, here''s where you''ll find: * Descriptions of option basics: carrying charges, transactioncosts, underlying instruments, and premiums * Details on advanced strategies: bull, bear, and calendar spreads;straddles and strangles; synthetic longs and shorts * Decision Structures that enable you to select an appropriateoptions strategy and evaluate its risks and rewards in variousmarket environments Written in clear, nontechnic

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With its abundant history of prominent families, Massachusetts boasts some of the most historically rich residences in the country. In the eastern half of the Commonwealth, these include Presidents John and John Quincy Adams's home in Quincy, Bronson and Louisa May Alcott's Orchard House in Concord, the Charles Bulfinch - designed Harrison Gray Otis House in Boston, and Edward Gorey's Elephant House in Yarmouth Port.In At Home: Historic Houses of Eastern Massachusetts, Beth Luey uses architectural and genealogical texts, wills, correspondences, and diaries to craft delightful narratives of these notable abodes and the people who variously built, acquired, or renovated them. Filled with vivid details and fresh perspectives that will surprise even the most knowledgeable aficionados, each chapter is short enough to serve as an introduction for a visit to its house. All the homes are open to the public.

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'Fabulously readable' STEPHEN FRY'Brilliantly told, the fascinating life of one of Britain's greatest songwriters' MATT LUCAS'A brilliant, funny, emotional book' DAVID QUANTICKDescribed variously as a 'polymath', a 'renaissance man' and 'one of the most colourful characters in the music business', Mike Batt has led an extraordinarily vibrant and challenging life that has been full of both glorious victories and bitter failures.For better or for worse, he is a man who has always lived life on his own terms. Idiosyncratic but mainstream, complicated but compassionate, steadfastly maverick in spirit but avowedly commercial in outlook. He is a man of great contradictions, but even greater talent.After starting out in the music business as a teenager, Batt shot to fame in the early 1970s for his part in the creation of the Wombles pop group. But this success proved to be just

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Mina Loy was born in London in 1882, became American, and lived variously in New York, Europe, and finally, Aspen, Colorado until she died in 1966. Flamboyant and unapologetically avant-garde, she was a painter, poet, novelist, essayist, manifesto-writer, actress, and dress and lampshade designer. Her life involved an impossible abundance of artistic friends, performance and spectacular adventures in the worlds of Futurism, Christian Science, Feminism, Fashion, and everything modern and modernist. This new account by Mary Ann Caws explores Mina Loy's exceptional life, and features many rare images of Loy and her husband, the swiss writer, poet, artist, boxer and provocateur Arthur Cravan, who disappeared without trace in 1918.

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The figure of the witch is familiar from the work of early modern German, Dutch, and Flemish artists, but much less so in the work of their Italian counterparts. Art and Witchcraft in Early Modern Italy seeks to explore the ways in which representations of witchcraft emerged from and coincided with the main cultural currents and artistic climate of an epoch chiefly celebrated for its humanistic and rational approaches. Through an in-depth examination of a panoply of arresting paintings, engravings, and drawings—variously portraying a hag-ridden colossal phallus, a horror-stricken necromancer dodging the devil’s scrabbling claws, and a nocturnal procession presided over by an infanticidal crone—Guy Tal offers new ways of reading witchcraft images through and beyond conventional iconography. Artists such as Parmigianino, Alessandro Allori, Leonello Spada, and Angelo Caroselli effected visual commentaries on demonological notions that engaged their audience in a tantalizing experience of interpretation.

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This book reveals and interprets the rich diversity of turn-of-the-twentieth-century Chinese approaches to their own past and the modern West through the lens of the woman question. Writers and activists who engaged in debates over this question variously appropriated biographies of women—a genre with a 2,000-year history in China and a new political salience in the early twentieth century. Judge maps the ways these individuals used historical Chinese and modern Western women's biographies to promote competing visions of female virtue, talent, and heroism, and, ultimately, to advance competing evaluations of China's ritual teachings, cultural heritage, and national future. She concludes by applying the hermeneutics of historical change she develops for the turn of the twentieth century to the turn of the twenty-first century, as women's issues continue to foreground Chinese conceptions of the past, the West, and the nation.

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‘I have struck a city– a real city – and they call it Chicago ... I urgently desire never to see it again. It is inhabited by savages,’ so wrote Rudyard Kipling on his tour of America in 1899. From these inauspicious beginnings rose the ‘windy city’, home to the first skyscraper, gateway to the Great Lakes, birthplace of modern advertising and shorthand for stories about violent crime during America’s prohibition and Al Capone’s dominance of the ganglands. This book offers candid views of an extraordinary town, which has attracted citizens from all over Europe and the rest of the world. They have made the city what it is today – and written about it variously with affection, loyalty, disgust and amazement.

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The immense 18th-century scientific journey, variously known as the Second Kamchatka Expedition or the Great Northern Expedition, from St. Petersburg across Siberia to the coast of North America, involved over 3,000 people and cost Peter the Great over one-sixth of his empire's annual revenue. Until now recorded only in academic works, this 10-year venture, led by the legendary Danish captain Vitus Bering and including scientists, artists, mariners, soldiers, and laborers, discovered Alaska, opened the Pacific fur trade, and led to fame, shipwreck, and "one of the most tragic and ghastly trials of suffering in the annals of maritime and arctic history."

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Focusing on a single Malian textile identified variously as bogolanfini, bogolan, or mudcloth, Victoria L. Rovine traces the dramatic technical and stylistic innovations that have transformed the cloth from its village origins into a symbol of new internationalism. Rovine shows how the biography of this uniquely African textile reveals much about contemporary culture in urban Africa and about the global markets in which African art circulates. Bogolan has become a symbol of national and ethnic identities, an element of contemporary, urban fashion, and a lucrative product in tourist art markets. At the heart of this beautifully illustrated book are the artists, changing notions of tradition, nationalism, and the value of cloth making and marketing on a worldwide scale.

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Taking an interdisciplinary approach that looks at film, television, and commercial advertisements as well as more traditional media such as painting, The Tiger in the Smoke provides an unprecedented analysis of the art and culture of post-war Britain. Art historian Lynda Nead presents fascinating insights into how the Great Fogs of the 1950s influenced the newfound fashion for atmospheric cinematic effects. She also discusses how the widespread use of color in advertisements was part of an increased ideological awareness of racial differences. Tracing the parallel ways that different media developed new methods of creating images that variously harkened back to Victorian ideals, agitated for modern innovations, or redefined domesticity, this book’s broad purview gives a complete picture of how the visual culture of post-war Britain expressed the concerns of a society that was struggling to forge a new identity. Published in association with the Paul Mellon Centre for Studies in British Art

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African cultural productions of humour have increased even in the face of myriad economic foibles and social upheavals. For instance, from the 1990s, stand-up comedy emerged across the continent and has maintained a pervasive presence since then. Its specificities are related to contemporary economic and political contexts and are also drawn from its pre-colonial history, that of joking forms and relationships, and orality. Izuu Nwankwá's fascinating collected volume offers a transnational appraisal of this unique art form spanning different nations of the continent and its diasporas. The book engages variously with jokesters, their materials, the mediums of dissemination, and the cultural value(s) and relevance of their stage work, encompassing the form and content of the practice. Its ruling theoretical perspective comes from theatre and performance, cultural studies, linguistics, and literary studies.

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The Politics of Vietnamese Craft uncovers a little-known chapter in the history of American cultural diplomacy, in which Vietnamese craft production was encouraged and shaped by the US State Department as an object for consumption by middle class America.Jennifer Way explores how American business and commerce, department stores, the art world and national museums variously guided the marketing and meanings of Vietnamese craft in order to advance American diplomatic and domestic interests. Conversely, American uses of Vietnamese craft provide an example of how the United States aimed to absorb post-colonial South Vietnam into the ''Free World'', in a Cold War context of American anxiety about communism spreading throughout Southeast Asia. Way focuses in particular on the part played by the renowned American designer Russel Wright, contracted by the US International Cooperation Administration's aid programs for South Vietnam to survey the craft industry in South Vietnam and mana

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Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) The ICC Berlin is a Gesamtkunstwerk, a giant time capsule that has been waiting for a new usage concept for almost a decade. Planned in the 1960s and opened in 1979, the exhibition building—designed by Ursulina Schüler-Witte and Ralf Schüler, and encompassing Frank Oehring’s incomparable wayfinding system—remains an attentiongrabbing structure. While the building’s brutalist exterior overwhelms the viewer, its interior conveys an air of calm, offering a view of the suddenly quieted traffic through its panoramic windows. This volume of photographs by Zara Pfeifer is dedicated to documenting the interior of the building. Taking an unsentimental approach, Pfeifer records the largely unchanged inner appearance of the building that has been variously dubbed the Giant of Witzleben, the Battleship Charlottenburg, or the Hall of Megalomania. Her images develop a sense for the building’s noteworthy elements and capture the liminal condition in which it has been suspended for years.

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The Elephantine texts have been variously studied, mainly with respect to their impact on Jewish history. But these texts have more to offer, particularly in relation to the history of women. Annalisa Azzoni, in The Private Lives of Women in Persian Egypt, delves deeply into these texts, examining these Egyptian Aramaic documents in order to make public the lives of women, including their social status, their economic activities, and their private lives. Azzoni recovers the lives of everyday women, allowing them to take their place in the larger context of women in the ancient Near East.Challenging any oversimplification about the lives of ancient women, Azzoni painstakingly examines legal documents, administrative texts, and letters. The archives provide a wealth of data in terms of legal and economic status as well as position in the community. Three women receive particular attention in this study: the wealthy Judean Mipṭaḥiah, the Egyptian slave Tamut, and Yehoyismaʿ, Tamut’s manumitted daughter.

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For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy. This group of essays, many concerning previously unknown or unexplored works and materials, covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions, music manuscripts and editions, and documents that relate to figures such as the Italians Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well as the Englishmen John Coprario, John Dowland, John Jenkins, Henry Lawes, William Lawes, Peter Philips, and the French composer Marin Marais. In addition, Charteris elucidates contemporary performance practice in relation to works by Gabrieli, investigates printed music editions that originated from the Church of St Anna, Augsburg, and evaluates materials in collections, inlcuding ones in Berlin, Hamburg, Kraków, London, Regensburg and Warsaw.

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Twentieth-Century Women's Writing in Wales documents Welsh women's writing in both Welsh and English in the twentieth century. It identifies a distinctive female literary tradition in which Wales is represented as a 'different country' by its modern women writers; a country in which both Welshness and womanhood are variously lived and performed. This volume is arranged chronologically and deals with a wide range of literary genres, including the short story; the novel; poetry; autobiography, travel writing and drama. It affords long-overdue serious critical attention to the works of early twentieth-century women writers - from the comical short stories of Jane Ann Jones to the powerful naturalist novels of Elena Puw Morgan and free-thinking 'New Woman' Bertha Thomas - while also dealing with better-known literary figures such as Kate Roberts and Gillian Clarke. This pioneering study of twentieth-century writing by Welsh women provides a much-needed alternative literary history to the stereotypical land of male bards.

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A gripping account of the Wars of the Roses battle of Towton - the most brutal day in English history.'Vivid, humane and superbly researched' David Starkey'The story has never been told so well or so excitingly' Desmond SewardThe Battle of Towton in 1461 was unique in its ferocity and brutality, as the armies of two kings of England engaged with murderous weaponry and in appalling conditions to conclude the first War of the Roses. Variously described as the largest, longest and bloodiest battle on English soil, Towton was fought with little chance of escape and none of surrender. Fatal Colours includes a cast of strong and compelling characters: a warrior queen, a ruthless king-making earl, even a papal legate who excommunicates an entire army.Combining medieval sources and modern scholarship, George Goodwin colourfully recreates the atmosphere of 15th century England and chronicles the vicious in-fighting as the increasingly embittered royal factions struggle for supremacy.

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In 1945, Eddy Sackville-West, Desmond Shawe-Taylor and Eardley Knollys - writers for the New Statesman and a National Trust administrator - purchased Long Crichel House, an old rectory with no electricity and an inadequate water supply. In this improbable place, the last English literary salon began. Quieter and less formal than the famed London literary salons, Long Crichel became an idiosyncratic experiment in communal living. Sackville-West, Shawe-Taylor and Knollys - later joined by the literary critic Raymond Mortimer - became members of one another's surrogate families and their companionship became a stimulus for writing, for them and their guests. Long Crichel's visitors' book reveals a Who's Who of the arts in post-war Britain - Nancy Mitford, Benjamin Britten, Laurie Lee, Cyril Connolly, Somerset Maugham, E.M. Forster, Cecil Beaton, Vita Sackville-West and Harold Nicolson - who were attracted by the good food, generous quantities of drink and excellent conversation. For Frances Partridge and James Lees-Milne, two of the twentieth century's finest diarists, Long Crichel became a second home and their lives became bound up with the house.Yet there was to be more to the story of the house than what critics variously referred to as a group of 'hyphenated gentlemen-aesthetes' and a 'prose factory'. In later years the house and its inhabitants were to weather the aftershocks of the Crichel Down Affair, the Wolfenden Report and the AIDS crisis. The story of Long Crichel is also part of the development of the National Trust and other conservation movements. Through the lens of Long Crichel, archivist and writer Simon Fenwick tells a wider story of the great upheaval that took place in the second half of the twentieth century. Intimate and revealing, he brings to life Long Crichel's golden, gossipy years and, in doing so, unveils a missing link in English literary and cultural history.

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In 1945, Eddy Sackville-West, Desmond Shawe-Taylor and Eardley Knollys - writers for the New Statesman and a National Trust administrator - purchased Long Crichel House, an old rectory with no electricity and an inadequate water supply. In this improbable place, the last English literary salon began. Quieter and less formal than the famed London literary salons, Long Crichel became an idiosyncratic experiment in communal living. Sackville-West, Shawe-Taylor and Knollys - later joined by the literary critic Raymond Mortimer - became members of one another's surrogate families and their companionship became a stimulus for writing, for them and their guests. Long Crichel's visitors' book reveals a Who's Who of the arts in post-war Britain - Nancy Mitford, Benjamin Britten, Laurie Lee, Cyril Connolly, Somerset Maugham, E.M. Forster, Cecil Beaton, Vita Sackville-West and Harold Nicolson - who were attracted by the good food, generous quantities of drink and excellent conversation. For Frances Partridge and James Lees-Milne, two of the twentieth century's finest diarists, Long Crichel became a second home and their lives became bound up with the house.Yet there was to be more to the story of the house than what critics variously referred to as a group of 'hyphenated gentlemen-aesthetes' and a 'prose factory'. In later years the house and its inhabitants were to weather the aftershocks of the Crichel Down Affair, the Wolfenden Report and the AIDS crisis. The story of Long Crichel is also part of the development of the National Trust and other conservation movements. Through the lens of Long Crichel, archivist and writer Simon Fenwick tells a wider story of the great upheaval that took place in the second half of the twentieth century. Intimate and revealing, he brings to life Long Crichel's golden, gossipy years and, in doing so, unveils a missing link in English literary and cultural history.

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This book examines the power of the past upon the present. It shows how generations of Scots have exploited and reshaped history to meet the needs of a series of presents, from the conquest of the Picts to the refounding of Parliament. Dauvit Broun, Fiona Watson, and Steve Boardman explore the violent manipulations of the past in medieval Scotland. Michael Lynch questions well-entrenched assumptions about the Scottish Reformation. Roger Mason looks at the transformation of 'Highland barbarism' into 'Gaelicism'. Ted Cowan examines the 'Killing Times' of the covenanters, and David Allan the seventeenth century fashion for creative family history. Colin Kidd discovers the victims of Pictomania in Scotland and modern Ulster, and Murray Pittock uncovers the comparable mania driving Jacobitism. Richard Finlay links the cult of Victoria with the queen's idea of herself as the heiress of the Scottish monarchy. Catriona MacDonald considers the neglect of women and the dangers of reconstructing history to suit modern sensitivities. Finally David McCrone provides a sociologist's perspective on the continuing dialogue between the past and the present. By exploring how the people of Scotland have variously understood, used and been inspired by the past this book offers a series of insights into the concerns of previous generations and their understanding of themselves and their times. It throws fresh light on the evolution of history in Scotland and on the actions and ambitions of the Scots who have formed and reformed the nation.

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A fully updated new edition of this practical guide to managing anesthesia in horses and other equids, providing updated and expanded information in a concise, easy-to-read format  Manual of Equine Anesthesia and Analgesia provides practitioners and veterinary students with concise, highly practical guidance to anesthetizing horses, donkeys, and mules. Using a bulleted quick-reference format, this popular resource covers the basic physiological and pharmacological principles of anesthesia, patient preparation and monitoring, and the management of sedation and anesthesia. Chapters written by leading veterinary anesthesiologists contain numerous clinical images and illustrations, case examples, tables, diagrams, and boxed summaries of important points.  Now in full color, the second edition features extensively revised and updated information throughout. New sections cover chronic pain, management of horses undergoing MRI, ventilators, nerve blocks for reproductive surgery, muscle relaxants, various new drugs, paravertebral anesthesia, treatment of pain using acupuncture and physical rehabilitation techniques, and more. Up-to-date appendices contain drug lists and dosages as well as equations related to equine cardiovascular and respiratory systems. This concise, easy-to-follow guide:  Provides practical, clinically oriented information on anesthetizing equids   Uses a bulleted format designed for fast access of key information  Offers step-by-step instructions and diagrams of nerve blocks of the limbs, head, and ophthalmic structures   Includes new coverage of topics including regulation of extracellular fluid and blood pressure, acid-base disorders, and hemodynamic effects of autonomic drugs  Manual of Equine Anesthesia and Analgesia, Second Edition, remains a must-have resource for all equine practitioners and veterinary students involved with anesthetizing horses. 

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Given that Enlightenment rationality developed in Europe as European nations aggressively claimed other parts of the world for their own enrichment, scholars have made rationality the subject of postcolonial critique, questioning its universality and objectivity. In On Reason, the late philosopher Emmanuel Chukwudi Eze demonstrates that rationality, and by extension philosophy, need not be renounced as manifestations or tools of Western imperialism. Examining reason in connection to the politics of difference—the cluster of issues known variously as cultural diversity, political correctness, the culture wars, and identity politics—Eze expounds a rigorous argument that reason is produced through and because of difference. In so doing, he preserves reason as a human property while at the same time showing that it cannot be thought outside the realities of cultural diversity. Advocating rationality in a multicultural world, he proposes new ways of affirming both identity and difference.Eze draws on an extraordinary command of Western philosophical thought and a deep knowledge of African philosophy and cultural traditions. He explores models of rationality in the thought of philosophers from Aristotle, René Descartes, Francis Bacon, and Thomas Hobbes to Noam Chomsky, Richard Rorty, Hilary Putnam, and Jacques Derrida, and he considers portrayals of reason in the work of the African thinkers and novelists Chinua Achebe, Ngugi wa Thiong’o, and Wole Soyinka. Eze reflects on contemporary thought about genetics, race, and postcolonial historiography as well as on the interplay between reason and unreason in the hearings of South Africa’s Truth and Reconciliation Commission. He contends that while rationality may have a foundational formality, any understanding of its foundation and form is dynamic, always based in historical and cultural circumstances.

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The Upadesasahasri or Thousand Teachings of the great eighth-century sage Adi Shankaracharya is a distillation of the ancient Upanishads, intended for use by teachers and seekers in the Hindu tradition of Advaita Vedanta. It has been variously interpreted as a major theological treatise, an elevated philosophical exposition, or a guidebook to mystical experience. Liturgy of Liberation offers a fresh reading and commentary on the Upadesasahasri in terms of oral performance and sacramental practice, placing its sacred, scripted dialogues into conversation with the Apostle Paul and other witnesses from the Christian tradition. What results is not merely new appreciation for Shankara and his radical message of non-duality, but also a renewed sense of the scandal of the cross, the subversive power of the word, and the mystery of Christian discipleship. Beyond this, Liturgy of Liberation explores the potential of dialogue itself to disclose the intimate, liberating presence of God at the heart of creation and the core of every human being.

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Winner, J.M. Abraham Atlantic Poetry AwardIn this experimental long poem sequence, Alyda Faber transforms the portrait poem into runic shapes, ice shelved, sculpted, louvered on a winter shoreline. Twenty years after her mother’s death, Faber untethers herself from the mother she thinks she knows with wild analogies: depicting her mother variously as King Lear’s Kent, a Camperdown elm, a black-capped chickadee, Neil Peart, Pope Innocent X, and a funnel spider. While embodying the passionate relationship between mother and daughter, Faber’s poems also expose the thorn in the flesh — the inability of mother and daughter to give each other what they most want to give. Endlessly discovered, yet ultimately unknowable, the poet’s mother is complex, mystifying, and unwavering: courageous in her decision to leave all that she knew behind; bewildering in her fidelity to a damaging marriage; steadfast in her devotion to a God who is at once adamant and the source of ephemeral beauty.

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From the very beginning, Carmen Cicero made an impression in the art world. He joined the acclaimed Periodot Gallery on Madison Avenue in New York in 1957 and by 1965, Cicero had won two Guggenheim Memorial Foundation Fellowships and a Ford Foundation prize, and was in important exhibitions at such venues as the Solomon R. Guggenheim Museum, the Museum of Modern Art, and the Whitney Museum of American Art. After a fire destroyed his studio and a large body of his work in 1971, Cicero returned to figurative expressionism in the later 1970s before embarking on a new approach to his work in the late 1980s: A kind of expression difficult to define and variously termed by critics as "fantasy," "mystery," "surrealism" and "visionary." These works produce a peculiar atmosphere, a strange, enigmatic spell—images that linger in the unconscious mind. Filled with beautiful pieces—watercolors, paintings, drawings, and collages—this fine book offers an expansive survey of the life work of Carmen Cicero.

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"Perspectives on Medieval Art: Learning through Looking" examines medieval culture from a number of different viewpoints to reveal how the art of the Middle Ages can provide a unique insight into the wider issues of medieval politics and culture. The essays also address the teaching of medieval art and architecture as well as examining society's longing for ecclesiastical drama. Contributions from leading theologians and historians variously study life and art in the Middle Ages, why the medieval period matters today and how medieval art speaks to a 21st-century audience. Scholars from different disciplines, including Thomas Cahill and Kathryn Kueny, consider individual works of art simultaneously and examine how medieval art is taught in divinity schools, university and college classrooms and museums.

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‘You can only find out the rights and wrongs by Reasoning – never by being rude about your opponent’s psychology.’ For C. S. Lewis, reason and logic are the sensible way to approach faith and ethics. Much of the 20th century’s ills are caused by ill-founded beliefs and opinions. Lewis’s original approach remains as vital today as ever. He is able to take the most convoluted subject, turn it side on and shed bright illumination on it. To be able to see along things rather than at them – just like a beam of sunlight that invades the darkness of a toolshed – is, to Lewis, the way to understanding. Written variously between 1940 and 1962, this collection of essays represents the best of Lewis’s considerable wisdom on the great ethical and theological concerns of the day.

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Richard Sterling is known variously as Conan of the Kitchen, the Indiana Jones of Gastronomy, the Man Who Will Eat Anything—Once, and the Fearless Diner. In How to Eat Around the World, Richard takes the reader on a gastronomical romp from the high style of European cuisine (Service a la Russe) to eating congealed blood from a wood bowl in the Philippines. Richard truly has tried everything, at least once, and in this book he demystifies exotic cuisine so it becomes more accessible and helps readers understand the varying mores and dining customs of the world’s peoples. He explains how differing cuisines have influenced each other, how food, like language, has migrated across continents, and how sharing meals can be the most meaningful and articulate way to engage a culture and share your own experience. Richard helps readers become comfortable with the world’s cuisines so they can seek out the exotic or simply feel at ease eating foods that appear strange, unappealing, or simply different.

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Are 'Dear John' letters lethal weapons in the hands of men at war? Many US officers, servicemen, veterans, and civilians would say yes. Drawing on personal letters, oral histories, and psychiatric reports, as well as popular music and movies, Susan L. Carruthers shows how the armed forces and civilian society have attempted to weaponize romantic love in pursuit of martial ends, from World War II to today. Yet efforts to discipline feeling have frequently failed. And women have often borne the blame. This sweeping history of emotional life in wartime explores the interplay between letter-writing and storytelling, breakups and breakdowns, and between imploded intimacy and boosted camaraderie. Incorporating vivid personal experiences in lively and engaging prose – variously tragic, comic, and everything in between – this compelling study will change the way we think about wartime relationships.

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Historically speaking, theology can be said to operate “materiaphobically.” Protestant Christianity in particular has bestowed upon theology a privilege of the soul over the body and belief over practice, in line with the distinction between a disembodied God and the inanimate world “He” created. Like all other human, social, and natural sciences, religious studies imported these theological dualisms into a purportedly secular modernity, mapping them furthermore onto the distinction between a rational, “enlightened” Europe on the one hand and a variously emotional, “primitive,” and “animist” non-Europe on the other. The “new materialisms” currently coursing through cultural, feminist, political, and queer theories seek to displace human privilege by attending to the agency of matter itself. Far from being passive or inert, they show us that matter acts, creates, destroys, and transforms—and, as such, is more of a process than a thing. Entangled Worlds examines the intersections of religion and new and old materialisms. Calling upon an interdisciplinary throng of scholars in science studies, religious studies, and theology, it assembles a multiplicity of experimental perspectives on materiality: What is matter, how does it materialize, and what sorts of worlds are enacted in its varied entanglements with divinity? While both theology and religious studies have over the past few decades come to prioritize the material contexts and bodily ecologies of more-than-human life, Entangled Worlds sets forth the first multivocal conversation between religious studies, theology, and the body of “the new materialism.” Here disciplines and traditions touch, transgress, and contaminate one another across their several carefully specified contexts. And in the responsiveness of this mutual touching of science, religion, philosophy, and theology, the growing complexity of our entanglements takes on a consistent ethical texture of urgency.

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Body Matters approaches the material world directly; it seeks to remind people that they are the matter of their bodies. This volume offers an assortment of contributions from anthropology, archaeology and medieval studies, with case studies from northern Europe, the Near East, East Africa and Amazonia, which variously draw attention to the multiple shifting materials that comprise, impact upon and co-create human bodies. This lively collection foregrounds myriad material influences interacting with and shaping the human body; the chapters come together to illustrate the fundamental fleshy, bony, suppurating, leaky and oozing physicality of being human. Ultimately, by reminding readers of their indisputable materiality, Body Matters seeks to draw people and the rest of the material world together to illustrate that bodies not only seep into (and are part of) the landscape, but equally that people and the material world are inextricably co-constitutive.

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Rosemary’s Baby is one of the greatest movies of the late 1960s and one of the best of all horror movies, an outstanding modern Gothic tale. An art-house fable and an elegant popular entertainment, it finds its home on the cusp between a cinema of sentiment and one of sensation. Michael Newton's study of the film traces its development at a time when Hollywood stood poised between the old world and the new, its dominance threatened by the rise of TV and cultural change, and the roles played variously by super producer Robert Evans, the film's producer William Castle, director Polanski and its stars including Mia Farrow and John Cassavetes. Newton’s close textual analysis explores the film's meanings and resonances, and, looking beyond the film itself, he examines its reception and cultural impact, and its afterlife, in which Rosemary's Baby has become linked with the terrible murder of Polanski's wife and unborn child by members of the Manson cult, and with controversies surrounding the director.

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Stalin's USSR and Hitler's Reich-- the populations of Estonia, Latvia and Lithuania had been subjected to a brutal Soviet occupation in 1940, Nazi invasion in 1941, and Soviet re-occupation in 1944, falsely branded as 'liberation'. Variously labelled 'freedom fighters' or 'Nazi bandits' by historians, the Baltic partisans who would become known as the Forest Brothers fought a long campaign against occupation that eventually failed under the might of the USSR. Much of this history of armed resistance, which was also a front in the intelligence war between East and West, is little known outside the region. Treachery, betrayal, heroism and lost futures all play a role in this fascinating tale, as Dan Kaszeta explores themes of independence, nationalism, Baltic identity, the fluidity of boundaries in Eastern Europe, and the comparative weight of Nazi and Soviet oppression. Drawing on extensive archival material rarely seen outside the Baltic states, 'The Forest Brotherhood' unpacks the forgotten story of this resistance movement, and reveals its continuing impact on today's world.

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Expert analysis of American governance challenges and recommendations for reform Two big ideas serve as the catalyst for the essays collected in this book. The first is the state of governance in the United States, which Americans variously perceive as broken, frustrating, and unresponsive. Editor James Perry observes in his Introduction that this perception is rooted in three simultaneous developments: government's failure to perform basic tasks that once were taken for granted, an accelerating pace of change that quickly makes past standards of performance antiquated, and a dearth of intellectual capital that generate the capacity to bridge the gulf between expectations and performance. The second idea hearkens back to the Progressive era, when Americans revealed themselves to be committed to better administration of their government at all levels—federal, state, and local. These two ideas—the diminishing capacity for effective governance and Americans' expectations for reform—are veering in opposite directions. Contributors to Public Service and Good Governance for the Twenty-First Century explore these central ideas by addressing such questions as: what is the state of government today? Can future disruptions of governance and public service be anticipated? What forms of government will emerge from the past and what institutions and structures will be needed to meet future challenges? And lastly, and perhaps most importantly, what knowledge, skills, and abilities will need to be fostered for tomorrow's civil servants to lead and execute effectively? Public Service and Good Governance for the Twenty-First Century offers recommendations for bending the trajectories of governance capacity and reform expectations toward convergence, including reversing the trend of administrative disinvestment, developing talent for public leadership through higher education, creating a federal civil service to meet future needs, and rebuilding bipartisanship so that the sweeping changes needed to restore good government become possible. Contributors: Sheila Bair, William W. Bradley, John J. DiIulio, Jr., Angela Evans, Francis Fukuyama, Donald F. Kettl, Ramayya Krishnan, Paul C. Light, Shelley Metzenbaum, Norman J. Ornstein, James L. Perry, Norma M. Riccucci, Paul R. Verkuil, Paul A. Volcker.

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The Mediterranean island of Corsica, a French territory, experiences mobility in the form of locals’ mass exodus to the Continent, the arrival of immigrants at rates similar to Paris, and a booming tourist industry with millions of visitors each year. What, then, are the multilingual dynamics on the island—languages emerging from above (French), a middle ground (Corsican), and sideways (languages of immigrants and tourists)? What multilingual subjectivities are articulated? Mendes analyzes competing conceptualizations of linguistic multiplicity, what he calls countervocalities, in which languages are constantly rearranging in variously imagined hierarchies. Countervocalities explores different dimensions of institutional multilingualism, namely those related to policies, practices, and ideologies within and extending from education settings. The chapters address reclamation, imposition, and erasure of different languages on Corsica, moving from inside the school, to artefacts from the schoolscape, to discourses about language teaching. The study fruitfully analyzes an array of interactional and artefactual data types. This productive alternation offers a cross-section of attitudes toward and representations of multilingual dynamics while foregrounding the role of mobility and language in understandings of place and what counts as local.

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Early Anglo-Saxon Christian Reliquaries presents a corpus and discussion of a group of Anglo-Saxon copper-alloy containers dating to the seventh and possibly eighth centuries, and variously described as work boxes, needle cases, amulet containers or Christian reliquaries. Seventy-one boxes, some incomplete or fragmentary, have been recorded from forty-nine sites across Anglo-Saxon England. A typology, material specification, drawings, design and construction principles are provided, and a nomenclature applicable to these containers is outlined. Catalogue entries give details of site location, description, decorative features and references. Three box types are identified, and a concluding discussion suggests that boxes of Types I and II had a Christian function and should be considered as reliquaries. Type III boxes had a secular function, and their purpose remains enigmatic.

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A city with a reputation to maintain, Melbourne is famous variously for being Australia’s coffee capital, the Europe of Australia and consistently ranked amongst the top most liveable cities in the world. CultureShock! Melbourne takes both long- and short-term residents through the city’s inner workings. The city offers world-class urban landscapes and experiences, spiced with a uniquely Melburnian spirit: a stroll along the Yarra River surrounded by a glittering skyline and artisanal sandwich in hand, top-drawer entertainment, restaurants helmed by celebrity chefs, or even a simple breakfast of toast with smashed avo’ and a flat white at a legendary café along a boulevard. Get the most out of your stay in Melbourne with this essential guide to one of the jazziest, most cosmopolitan cities in the world.

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Romany Gypsies have been variously portrayed as exotic strangers or as crude, violent delinquents; this book is the first real history of the Romany people, from the inside. Jeremy Harte vividly portrays the hardships of the travelling life, the skills of woodland crafts, the colourful artistic traditions, the mysteries of a lost language and the flamboyant displays of weddings and funerals, which are all still present in this secretive culture. Travellers through Time tells the dramatic story of life on the margin of society from Tudor times to today, offering vivid insights into the hidden world of England’s large Gypsy population. It will appeal to those who are curious about other cultures, as well as those who want to understand the reality behind the prejudice.

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The authoritative, practical guide to internal control after COSO(Committee on Sponsoring Organizations of the TreadwayCommission) Beyond COSO unravels the complexities of the COSO Report whileproviding clear-cut guidelines on how to implement the variousinternal controls it mandates. Just as important, it builds on theCOSO framework to provide a more rigorous system that corporateexecutives and directors can use to transform the internal controlfunction into a valuable strategic tool for leveraging corporatestrengths and improving performance. The first practical guide to complying with COSO Report mandates,Beyond COSO: * Clearly explains the intricacies of the COSO Report * Describes proven techniques for complying with COSOrequirements * Provides a detailed account of the internal control oversightprocess * Offers expert recommendations on how to carry out internalcontrol responsibilities more efficiently * Supplies a wealth of ready-to-use internal controldocumentation Beyond COSO is an invaluable working resource for internal andexternal auditors, CFOs, members of audit committees, and corporatedirectors. www.wiley.com/accounting

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