Search results for ""Author Christo"

A comprehensive new survey tracing the global history of urbanism and urban design from the industrial revolution to the present “An engaging read for urban planners and non-designer urbanists. . . . The extent and detail of Mumford’s geographical coverage of the topics are exceptional.”—Christopher Auffrey, Journal of Urban Affairs Written with an international perspective that encourages cross-cultural comparisons, leading architectural and urban historian Eric Mumford presents a comprehensive survey of urbanism and urban design since the industrial revolution. Beginning in the second half of the 19th century, technical, social, and economic developments set cities and the world’s population on a course of massive expansion. Mumford recounts how key figures in design responded to these changing circumstances with both practicable proposals and theoretical frameworks, ultimately creating what are now mainstream ideas about how urban environments should be designed, as well as creating the field called “urbanism.” He then traces the complex outcomes of approaches that emerged in European, American, and Asian cities. This erudite and insightful book addresses the modernization of the traditional city, including mass transit and sanitary sewer systems, building legislation, and model tenement and regional planning approaches. It also examines the urban design concepts of groups such as CIAM (International Congresses of Modern Architecture) and Team 10, and their adherents and critics, including those of the Congress for the New Urbanism, as well as efforts toward ecological urbanism. Highlighting built as well as unbuilt projects, Mumford offers a sweeping guide to the history of designers’ efforts to shape cities.

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The cross-cultural exchange of ideas that flourished in the Mediterranean during the sixteenth and seventeenth centuries profoundly affected European and Islamic society. Gardens of Renaissance Europe and the Islamic Empires considers the role and place of gardens and landscapes in the broader context of the information sharing that took place among Europeans and Islamic empires in Turkey, Persia, and India.In illustrating commonalities in the design, development, and people’s perceptions of gardens and nature in both regions, this volume substantiates important parallels in the revolutionary advancements in landscape architecture that took place during the era. The contributors explain how the exchange of gardeners as well as horticultural and irrigation techniques influenced design traditions in the two cultures; examine concurrent shifts in garden and urban landscape design, such as the move toward more public functionality; and explore the mutually influential effects of politics, economics, and culture on composed outdoor space. In doing so, they shed light on the complexity of cultures and politics during the Renaissance.A thoughtfully composed look at the effects of cross-cultural exchange on garden design during a pivotal time in world history, this thought-provoking book points to new areas in inquiry about the influences, confluences, and connections between European and Islamic garden traditions.In addition to the editor, the contributors include Cristina Castel-Branco, Paula Henderson, Simone M. Kaiser, Ebba Koch, Christopher Pastore, Laurent Paya, D. Fairchild Ruggles, Jill Sinclair, and Anatole Tchikine.

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The pioneering British modernist architect Richard Seifert was one of the most successful and influential architects of his generation. During the 1960s and '70s he changed the face and fabric of London with a powerful series of highly visible and uncompromising brutalist buildings, including - most famously - Centre Point, the Nat West Tower and King's Reach Tower. Seifert is often described as a modernist version of Christopher Wren in terms of his impact upon the capital, building hundreds of towers, office buildings and hotels in London but also working in other parts of the UK and internationally. An enigmatic and determined figure, Seifert achieved much in his lifetime yet has remained a controversial and divisive figure due to his unwavering commitment to modernism. Both Seifert and his buildings have been attacked, with his work described as 'notorious' for its brutalist aesthetic and an arguable lack of contextuality. Yet in recent years there has been a noticeable upsurge of interest in brutalist architecture in general along with the beginnings of a re-evaluation of Seifert's extraordinary contribution to mid-century architecture and design: a number of buildings by Seifert and his associates have been listed in recognition of their architectural importance. Beautifully illustrated, this book records, analyses and celebrates a considered selection of Seifert's buildings, including Centre Point, the Nat West and King's Reach Towers, Space House, the Euston Station Buildings, the Park Lane Tower Hotel, Drapers Gardens, the International Press Centre, all in London, Wembley Conference Centre and Sussex Heights in Brighton, within the most extensive survey of his work to date.

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The book addresses themes such as visual perception, perception of 3-D and stereo. With the event of the stereoscope and the theatre, dioramas and panoramas before it, vision and perception in the eighteenth and nineteenth century is seen to be marketed to a mass audience. As such the spectacle of the stereoscope and other optical devices can be seen as a precursor to mass media dissemination today. Yet artists use the stereoscope and VR to signify the spectacle, clairvoyance, vision and the mechanism of vision as well as a symbol for the act of looking, being looked at while looking and the gaze within an art new media practice. Other artists have used 3-D and virtual reality to address themes such as theories of consciousness or embodied consciousness, the human – machine relationship and the idea of mapping reality, alternative networked realities. The book includes an introduction and summary of chapters, 86 anaglyphic 3-D images and presents a survey of artists working in 3-D and virtual reality, VR art. The convergence of other fields such as new media art, video art and early virtual reality art is described through many examples within the scope of the book. Artists discussed include Mert Akbal, Zoe Beloff , Geoffrey Berliner, Lygia Clark, Dan Graham, Salvador Dali, Marcel Duchamp, Scott S. Fisher, Rebecca Hackemann, Perry Hoberman, Daniel Iglesia, Ken Jacobs, William Kentridge, Susan MacWilliam, Patrick Meagher, Rosa Menkman, Jim Naughten, Tony Ousler, Alfons Schilling, Joel Schlemowitz, Christopher Schneberger, Judith Sönniken, Ethan Turpin, Aga Ousseinov, Colleen Woolpert. 3-D glasses included with hardback book.

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A fascinating portrait of Reinhard Heydrich, one of the darkest figures of Hitler's elite, featuring words with those who knew him best, including in-depth and rare interviews with his wife, Lina. He was called the 'Hangman of the Gestapo' and the 'Butcher of Prague'. He had a reputation as a ruthlessly efficient killer and was known as an exemplar of Nazi ideals. He was the head of the SS and the Gestapo, second in command to Heinrich Himmler and supposedly in line to succeed the Fuhrer.His orders set in motion the Kristallnacht pogrom of 1938 and he was the lead planner of the Final Solution, which led to the murder of millions of Jews across Nazi-occupied Europe.Hitler called him 'the man with the iron heart'.This incredible biography explores who Reinhard Heydrich was, how he came to be and what led him to do what he did.Using in-depth research, Nancy Dougherty (and, following her death, Christopher Lehman-Haupt), paint a detailed picture of Heydrich as never seen before. Through extensive interviews with those who knew him best, including his wife Lina von Osten Heinrich, we hear about his rarefied musical family origins and ugly-duckling childhood, his failed Naval career and struggles to find employment, and finally his meteoric rise through the Nazi high command and his time within the Third Reich.The Man With the Iron Heart is an astonishing journey into the depths of Nazi evil and a powerful insight into one of humanity's darkest figures.

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Winner of the 2012 Roald Dahl Funny Prize!Thirteen-year-old schoolboy, Dirk Lloyd, has a dark secret - in fact he is a dark secret. Dirk - according to his own account - is the earthly incarnation of a Dark Lord, supreme ruler of the Darklands and leader of great armies of orcs and warriors, intent on destruction and bloody devastation. Following a colossal final battle between the forces of good and evil, the Dark Lord was defeated and hurled by his arch-foe's spells into the Pit of Uttermost Despair. At the bottom of the Pit lies...a supermarket car park in the municipal town of Whiteshields, somewhere in modern day England. And when he is found, and tries to explain that he is the Dark Lord, people think he means Dirk Lloyd. The fact that he's trapped in the puny body of a schoolboy doesn't help. And so begins Dirk's battle to recover his dignity, his power, and his lands... Along the way he faces the inconvenience of being fostered by a do-gooding family, the Purejoies; the torture of endless hours of drudgery at the Whiteshields Brainwashing Centre (aka school); a vengeful Headmaster; two interfering Psychotic Persecutors (psychotherapists); and constant laughter and disrespect when he attempts to marshall his lackeys and lickspittles (friends) to do what he wants them to.Dirk makes friends with the son of his foster family, Christopher, and the local Goth Girl, Sooz, and together they attempt to cast a spell that will transport Dirk back to his homeland. Inevitably, not everything goes to plan... But that's for book 2Roald Dahl Prize winner, 2012.

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'Melding noir with the fantasy genre, this is a rather clever read, one which feels especially prescient for our reality' SCIFINOW There's power in stories, but stories can be silenced. It's election year and the streets of Fenest are filled with people from every corner of the Union of Realms. But this year is different. The Wayward storyteller has been murdered. Detective Cora Gorderheim has found the man responsible, but now he's dead too, and it's clear that the silenced Wayward is just a small part of a much bigger tale. As her investigation digs ever deeper, Cora pieces together a conspiracy that will take her from the gutter dwellers of the Union right to the top. A conspiracy that will force her to return to her own story, to its very beginning, if she is to have any say in its end. Widow's Welcome, the first book in the Tales of Fenest trilogy, is available now. 'It's rare to find such a richly imagined world about the art of myth and storytelling' CHRISTOPHER FOWLER 'Like a Philip Pullman rendition of Cloud Atlas. Widow's Welcome is an irresistibly thrilling introduction to a world of stories within stories – and I can't wait for more' TIM MAJOR 'There is more than meets the eye in this gripping and inventive debut... Rife with intrigue, deceit and cultural tension' JAMES AITCHESON 'An utterly absorbing tale set in a fascinating world. A terrific start to the series' MICK FINLAY 'If you love storytelling, you'll love this' SIMON MORDEN

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A story of class and corruption, sex and the Sixties, for fans of A Very English Scandal and The Trial of Christine Keeler Nik felt the mistake in his bones. The man in the snakeskin suit reached down towards him and pulled Nik upright by the collar of his coat. Nik didn’t see what happened next but he felt the wall. He cried out and then someone hit him and he closed his eyes and waited for it to be over. London. 1967. Nik Christou has been a rent boy since he was 15. He knows the ins and outs of Piccadilly Circus, how to spot a pretty policeman and to interpret a fleeting glance. One summer night his life is turned upside down, first by violence and then by an accusation of murder. Anna Treadway, fleeing the ghosts of her past, works as a dresser in Soho’s Galaxy theatre. She has learned never to place too much trust in the long arm of the law and, convinced Nik is innocent she determines to find him an alibi. Merrian Wallis, devoted wife to an MP with a tarnished reputation, just wants proof that her husband couldn’t have been involved. But how do you recognise the truth when everyone around you is playing a role – and when any spark of scandal is quickly snuffed out by those with power? As Anna searches for clues amongst a cast of MPs, actors, members of gentlemen’s clubs and a hundred different nightly clients, will anyone be willing to come forward and save Nik from his fate?

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Your Last Breath: 1876 - Christopher leaves his young family behind to work in Norway. He will map the uncharted mountains for the very first time. 1999 - Anna's body freezes after an extreme skiing accident and her heart stops. But doctors gradually warm her until it miraculously starts beating again. 2011 - Freija, a successful business woman, has just lost her father. She travels to scatter his ashes in Norway. 2034 - Nicholas explains a medical breakthrough which saved his life as a baby, whereby the human body can be 'suspended in animation.' Spanning 150 years, Your Last Breath piece fuses movement, live piano score and video unravelling the landscapes of the heart and our own personal geographies. It was a Fringe First Winner in 2011 and will be touring, potentially to Scandinavia, in the Spring. After the Rainfall: Throughout history, the study of ants (myrmecology) has been used as an analogy for human behaviour. This piece uses myrmecology as a prism through which to view the present day. Navigating the arid Egyptian desert, continental Europe, the British Museum and a quiet village green, this piece is a patchwork of multidimensional narratives about the aftermath of the Empire. Curious Directive conjure a world where multimedia, movement and sound unpick Britain's relationship to artefacts, mining and the secret life of ants. An epic, thumping, passionate story asking questions about the relationship between our past, present and into eternity. A collaboration between Curious Directive, Watford Palace Theatre and Escalator East to Edinburgh, and it will play at the Edinburgh Festival (Pleasance Dome, 4-27 August) followed by a run at the Watford Palace Theatre. Olfactory: Over 10,000 different smells drift across our planet in various configurations. Olfactory gives you a choice to craft your identity and to decode the invisible molecules floating through the air. Who do you want to be in the future? This miniature explores our invisible relationship with perfumes and smell.

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Winner of the Newfoundland and Labrador Writers' Association Prize for Non-FictionMary Pratt is famous throughout Canada for her luminous paintings and prints. Her 1995 exhibition, The Art of Mary Pratt: The Substance of Light, drew record-breaking crowds on its tour of Canada. It also resulted in an unprecedented amount of press coverage on the biographical content of her work. The accompanying book by Tom Smart sold more than 6,000 copies and made almost every "best book of the year" list in Canada.Mary Pratt: A Personal Calligraphy features Mary's own writings, drawn and adapted from her personal journals, the essays that she has written for numerous publications ranging from The Globe and Mail to The Glass Gazette, and the lectures that she has given at many public events. For the first time, Mary has written her own book in her own words, rather than rely on others to write about her. Treating both public and private issues, she writes of her childhood in Fredericton — her connection to her family, life in Salmonier as a young mother, her decision to pursue her own career as an artist, and her complicated relationship with her husband, Christopher. She writes about public issues — the death of Joey Smallwood, the 50th anniversary of Newfoundland's entry into Confederation, and the cod fishery. She writes about the images that interest her and influence her art, and the process of painting. Like her paintings, Pratt's writing packs a sucker punch. At first it appears to be a paean to the pleasures of house and home, until the more disturbing aspects subtly reveal themselves. Ironing shirts become an erotic act; a memory of visiting the local market with her grandmother conjures images of violence; dead chickens, meticulously plucked, and carcasses of cattle, meticulously flayed, suggest rituals of sacrifice.In Spring of 2001, Mary Pratt was awarded the Newfoundland and Labrador Writers' Association prize for Non-fiction for A Personal Calligraphy.

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*SHORTLISTED FOR THE RSL CHRISTOPHER BLAND PRIZE 2023**SHORTLISTED FOR THE POLARI FIRST BOOK PRIZE 2023*'I read the book in one go. I laughed and cried like a baby, and was transported back to a time of innocence, clouded by the enormity of the harsh reality . . . Just amazing' CATHERINE ZETA JONES'As it happens, I was also a Jill in the eighties - but not half as good a Jill as real Jill' DAWN FRENCH'Jill met the crisis head on . . . She held the hands of so many men. She lost them, and remembered them, and somehow kept going' RUSSELL T DAVIESA heartbreaking, life-affirming memoir of love, loss and cabaret through the AIDS crisis, from IT'S A SIN's Jill NalderWhen Jill Nalder arrived at drama school in London in the early 1980s, she was ready for her life to begin. With her band of best friends - of which many were young, talented gay men with big dreams of their own - she grabbed London by the horns: partying with drag queens at the Royal Vauxhall Tavern, hosting cabarets at her glamorous flat, flitting across town to any jobs she could get.But soon rumours were spreading from America about a frightening illness being dubbed the 'gay flu', and Jill and her friends now found their formerly carefree existence under threat.In this moving memoir, IT'S A SIN's Jill Nalder tells the true story of her and her friends' lives during the AIDS crisis -- juggling a busy West End career while campaigning for AIDS awareness and research, educating herself and caring for the sick. Most of all, she shines a light on those who were stigmatised and shamed, and remembers those brave and beautiful boys who were lost too soon.'Thank God for people like [Jill] . . . I cannot recommend this book highly enough' MICHAEL BALL'An engaging, moving account' TIMES SATURDAY REVIEW'Simultaneously devastating and uplifting' GRAZIA'Engrossing, heart-breaking and inspiring' MATT CAIN

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*SHORTLISTED FOR THE RSL CHRISTOPHER BLAND PRIZE 2023**SHORTLISTED FOR THE POLARI FIRST BOOK PRIZE 2023*'I read the book in one go. I laughed and cried like a baby, and was transported back to a time of innocence, clouded by the enormity of the harsh reality . . . Just amazing' CATHERINE ZETA JONES'As it happens, I was also a Jill in the eighties - but not half as good a Jill as real Jill' DAWN FRENCH'Jill met the crisis head on . . . She held the hands of so many men. She lost them, and remembered them, and somehow kept going' RUSSELL T DAVIESA heartbreaking, life-affirming memoir of love, loss and cabaret through the AIDS crisis, from IT'S A SIN's Jill NalderWhen Jill Nalder arrived at drama school in London in the early 1980s, she was ready for her life to begin. With her band of best friends - of which many were young, talented gay men with big dreams of their own - she grabbed London by the horns: partying with drag queens at the Royal Vauxhall Tavern, hosting cabarets at her glamorous flat, flitting across town to any jobs she could get.But soon rumours were spreading from America about a frightening illness being dubbed the 'gay flu', and Jill and her friends now found their formerly carefree existence under threat.In this moving memoir, IT'S A SIN's Jill Nalder tells the true story of her and her friends' lives during the AIDS crisis -- juggling a busy West End career while campaigning for AIDS awareness and research, educating herself and caring for the sick. Most of all, she shines a light on those who were stigmatised and shamed, and remembers those brave and beautiful boys who were lost too soon.'Thank God for people like [Jill] . . . I cannot recommend this book highly enough' MICHAEL BALL'An engaging, moving account' TIMES SATURDAY REVIEW'Simultaneously devastating and uplifting' GRAZIA'Engrossing, heart-breaking and inspiring' MATT CAIN

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'D'Ancona makes his case well... The book is well written and thoughtful' -- The Times'A heartfelt attempt to renew liberal ideals for the coming decades... How sorely our public debate needs others to express themselves similarly.' -- Henry Mance, Financial Times'An urgent and exhilarating account of how populism, prejudice & polarisation have corrupted objective truth and public discourse. D'Ancona's sparkling prose provides an explanation of how we got here and, crucially, how we might get out.' -- James O'Brien'A book so rich in thought, wisdom and persuasion I find myself sharing the ideas within it with everyone I meet... In the much-mourned absence of Christopher Hitchens, d'Ancona is fast becoming the voice of enlightenment for our bewildered age.' -- Emily Maitlis'A tonic for our times that blows open any complacency following Trump's defeat that the demise of populism and nativism is inevitable. In beautifully written prose, D'Ancona puts forward hopeful ideas and timely inspiration for a progressive politics to replace it.' -- David Lammy'A brilliant, lucid, fearless tract, just what the historical moment ordered.' -- Andrew O'Hagan'D'Ancona's regular practical suggestions help to take it beyond mere theory and into the real world... Decision-makers would do well to read it.' -- Charlotte Henry, TLS***This is a call to arms. The old tools of political analysis are obsolete - they have rusted and are no longer fit for purpose. We've grown lazy, wedded to the assumption that, after ruptures such as Brexit, the pandemic, and the rise of the populist Right, things will eventually go 'back to normal'.Award-winning political writer Matthew d'Ancona invites you to think afresh: to seek new ways of challenging political extremism, bombastic populism and democratic torpor on both Left and Right. In this ground-breaking book, he proposes a new way of understanding our era and plots a way forward. With rigorous analysis, he argues that we need to understand the world in a new way, with a framework built from the three I's: Identity, Ignorance and Innovation.

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Das Verhältnis von Christologie und Theologie ist in der Vergangenheit häufig aus der Perspektive der Theologie bestimmt worden. Der älteste Evangelist aber schlägt den entgegengesetzten Weg ein: Er geht von Jesus Christus aus und erzählt von dessen Auftreten und Wirken. So wahrgenommen, erscheint das Markusevangelium als eine bestimmte Form narrativer Theologie; es ist eine "Theologie als Erzählung". Für die Analyse des ältesten Evangeliums wendet Christian Rose deshalb narratologische und rezeptionsästhetische Fragestellungen an; einen Schwerpunkt bildet Gérard Genettes "Die Erzählung", einen anderen zwei neuere rezeptionsorientiert arbeitende exegetische Entwürfe von Moises Mayordomo-Marín und Detlef Dieckmann. Die Literaturwissenschaft weist dem Anfang eines Textes besondere Bedeutung zu; der Anfang einer Erzählung hat Basisfunktion für die ganze Erzählung. Dieser Anfang liegt im Markusevangelium in Mk 1,1-15. Hier erarbeitet der Erzähler die Grundlagen für das, was er im folgenden Text berichten wird. Neben einer genauen Analyse dieser Verse werden als weitere exemplarische Textabschnitte Mk 1,21-28; 2,1-12; 9,2-13 und 15,33-41 untersucht, um die Bezüge zum Anfang aufzuzeigen. Dabei wird deutlich, daß nicht nur Markus der Erzähler des Evangeliums ist, sondern daß durch die bewußt polyvalente Formulierung von Mk 1,1 auch Jesus Christus selbst als Erzähler des Evangeliums Gottes (Mk 1,14f.) gelten muß.

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The Austrian tradition in economic thought had a profound influence on the development of post-war economics including neoclassical orthodoxy, game theory, public choice, behavioral economics, experimental economics and complexity economics. Much of what was once unique to the Austrian school has become part of the cognitive DNA of work-a-day economists. Because these Austrian roots have gone largely unrecognized, economists often wonder quite sincerely what the fuss is about when it comes to the Austrian school. In this sense, the Austrian school has been a victim of its own success. The papers in this volume reveal that the riches of the Austrian school have not been exhausted and further inquiry in the Austrian tradition will continue to yield much that is new and valuable. The volume publishes a carefully selected subset of papers presented at the inaugural Wirth Institute Conference on the Austrian School of Economics. The contributors are Lawrence H White; Hansjorg Klausinger; Martin Gregor; Peter Boettke, Christopher Coyne, & Peter Leeson; Roger Koppl, Torsten Niechoj, Steven Horwitz; and, Peter Lewin. These scholars explore issues in economic policy, applied economics, and pure theory from a variety of perspectives. Their explorations of the frontiers of Austrian economics reveal a rich tradition of scholarship with continuing relevance to social thought is all its dimensions.

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Since the late 1970s, theologians have been attempting to integrate mimetic theory into different fields of theology, yet a distrust of mimetic theory persists in some theological camps. In René Girard, Unlikely Apologist: Mimetic Theory and Fundamental Theology, Grant Kaplan brings mimetic theory into conversation with theology both to elucidate the relevance of mimetic theory for the discipline of fundamental theology and to understand the work of René Girard within a theological framework. Rather than focus on Christology or atonement theory as the locus of interaction between Girard and theology, Kaplan centers his discussion on the apologetic quality of mimetic theory and the impact of mimetic theory on fundamental theology, the subdiscipline that grew to replace apologetics. His book explores the relation between Girard and fundamental theology in several keys. In one, it understands mimetic theory as a heuristic device that allows theological narratives and positions to become more intelligible and, by so doing, makes theology more persuasive. In another key, Kaplan shows how mimetic theory, when placed in dialogue with particular theologians, can advance theological discussion in areas where mimetic theory has seldom been invoked. On this level the book performs a dialogue with theology that both revisits earlier theological efforts and also demonstrates how mimetic theory brings valuable dimensions to questions of fundamental theology.

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Through a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect—all of which are viewed as critical components of live performance—can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of "slow cinema," Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema.

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Through a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect—all of which are viewed as critical components of live performance—can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of "slow cinema," Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema.

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When Sophia Dorothea of Celle married her first cousin, the future King George I, she was an unhappy bride. Filled with dreams of romance and privilege, she hated the groom she called pig snout and wept at news of her engagement. In the austere court of Hanover, the vibrant young princess found herself ignored and unwanted. Bewildered by dusty protocol and regarded as a necessary evil by her husband, Sophia Dorothea grew lonely as he gallivanted with his mistress under her nose. When Sophia Dorothea plunged headlong into a passionate and dangerous affair with Count Phillip Christoph von K nigsmarck, the stage was set for disaster. This dashing soldier was as celebrated for his looks as his bravery, and when he and Sophia Dorothea fell in love, they were dicing with death. Watched by a scheming and manipulative countess who had ambitions of her own, it was only a matter of time before scandal gripped the House of Hanover and tore the marriage of the heir to the British throne and his unhappy wife apart. Divorced and disgraced, Sophia Dorothea was locked away in a gilded cage for 30 years, whilst her lover faced an even darker fate. The story of Sophia:Mother of Kings haunted George I to his dying day.

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This volume collects over 350 works created by Francesco Jodice – artist, photographer and filmmaker – over 25 years of his career. His entire production is accompanied by texts by 65 critics, curators and artists. Photographs, films, maps and installations bring about a kaleidoscopic fresco of our time. Texts by: Cecilia Andersson, Gabriele Basilico, Marcella Beccaria, Stefano Boeri, Ilaria Bonacossa, Annelie Bortolotti, Silvia Camporesi, Raúl Cárdenas Osuna, Luca Cerizza, Laura Cherubini, Antonella Crippa, Denis Curti, Catherine David, Anna Dethridge, Giacinto Di Pietrantonio, Sergio Edelsztein, Emiliano Gandolfi, Walter Guadagnini, Anna Maria Guash, Rafael Doctor Roncero, Patrick Henry, Horacio Hernandez, Mimmo Jodice, Filippo Maggia, Rem Koolhaas, Bruno Latour, Amparo Lozano, Gianfranco Maraniello, Thomas Mayr, Massimo Melotti, Marco Meneguzzo, Francesca Alfano Miglietti, Juan José Millás, Luca Molinari, Roberto Murgia, Nobuo Nakamura, Franziska Nori, Rosa Olivares, Costanza Paissan, Cristiana Perrella, Saverio Pesapane, Sandro Petraglia, Christopher Phillips, Rafael Pinilla, Andrea Pinkets, Carlo Artuto Quintavalle, Letizia Ragaglia, Cathy Rémy, Eleonora Roaro, Carlo Sala, Francesco Sala, Gabriele Sassone, Gabi Scardi, Thomas Seelig, Marta Sesé, Angela tecce, The Cool Couple, Roberta Valtorta, Lea vergine, Eugenio Viola, Paul Virilio, Arianna Visani, Francesco Zanot, and Miguel Zugaza.

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Few figures tower over twentieth-century art like Salvador Dali and Andy Warhol. Their works were ground-breaking and incalculably influential, yet at the same time both artists were wildly popular in their lifetime and have only become more so in the decades since their deaths. Despite the striking differences in their art and personalities, the two men nonetheless had a lot in common the most obvious being a strong sense of the power of publicity and an affinity for eccentricity and extravagance. They also shared a love of New York, which both men made the heart of their social lives; it was there, in the 1960s, that they met for the first time. This book offers the first-ever direct juxtaposition of Dali and Warhol as personalities and artists. Torsten Otte builds his account through perceptive analyses of similarities in their lives and work, and reconstructs their many encounters based on first-hand accounts by some 120 people who knew and worked with the men. Around sixty images, many of them published here for the first time, by eminent photographers such as Richard Avedon, David Bailey, Philippe Halsman, Christopher Makos, Man Ray, or Robert Whitaker, round out the book.

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'[Selznick is] a postmodern hero of middle-grade children’s fiction... Those who revel in puzzles, philosophical conundrums and musings on transience, time and grief will adore this challenging read’ The Times ‘The most perfect feat of storytelling’ Scott Evans, The Reader Teacher ‘It has touched me in a way I can’t express… Breath-taking’ Ceridwen Eccles, primary teacher and blogger at Teacher Glitter A ship. A garden. A library. In Kaleidoscope, the incomparable Brian Selznick presents the story of two people bound to each other through time and space, memory and dreams. At the centre of their relationship is a mystery about the nature of grief and love which will look different to each reader. Kaleidoscope is a feat of storytelling that illuminates how even the wildest tales can help us in the hardest times. Brian Selznick's first book, The Invention of Hugo Cabret, was the winner of the esteemed Caldecott Medal, the first novel to do so, as the Caldecott Medal is for picture books Released as a live-action film Hugo in 2011, directed by Martin Scorsase and starring Asa Butterfield, Ben Kingsley, Jude Law, Sacha Baron Cohen, Richard Griffiths, Ray Winstone, and Christopher Lee. Brian Selznick's second book, Wonderstruck, was also made into a feature film, starring Julianne Moore and Michelle Williams

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The Anglican Communion stands at a crossroads. Some want Anglicanism to be exclusive of gays, especially gay priests and bishops. The Windsor Report is seen as the means of achieving this by centralising the Anglican Communion, and bringing wayward provinces, like ECUSA, to heel. In this collection of essays, distinguished academics from the UK and the US offer lively, thoughtful and scholarly critiques of the Windsor Report. What unites this collection is the view that Windsor does not provide a way forward for Anglicanism. Contributors write from a variety of standpoints, including justice for gays, opposition to centralisation, and/or the need for legitimate moral diversity within Anglicanism. This timely collection offers a means of grappling with what has become one of the most controversial issues within Anglicanism, and also a way of reflecting on the future shape of the Church, and how inclusive that Church is going to be. CONTRIBUTORS: Marilyn McCord Adams is Regius Professor of Divinity at the University of Oxford and Canon of Christ Church, Oxford. Thomas Breidenthal has been Dean of Religious Life and of the Chapel at Princeton University since January 2002. Anthony M. Coxon is currently Honorary Professorial Fellow at the University of Edinburgh and Emeritus Professor of Sociological Research Methods, University of Wales. Robin Gill is the Michael Ramsey Professor of Modern Theology in the University of Kent. Sean Gill is Senior Lecturer in Theology and Religious Studies at the University of Bristol. Elaine Graham is the Samuel Ferguson Professor of Social and Pastoral Theology at the University of Manchester. Rowan A. Greer is Professor of Anglican Studies Emeritus at Yale Divinity School. Charles Hefling is a Faculty Member of the Theology Department and the Honours Programme at Boston College, Massachusetts; Editor of the Anglican Theological Review; and the Examining Chaplain to the Bishop of Massachusetts. Carter Heyward is the Howard Chandler Robbins Professor of Theology at Episcopal Divinity School in Cambridge, Massachusetts. Lisa Isherwood is Professor of Feminist Liberation Theologies at the College of St Mark & St John, Plymouth. Gareth Jones studied Theology at Cambridge University, completing his PhD on Bultmann in 1988. Philip Kennedy studied music at the University of Melbourne before joining the Dominican Order in 1977. Richard Kirker is Director of the Lesbian and Gay Christian Movement, a post held since 1979. Christopher Lewis is Dean of Christ Church, Oxford. Andrew Linzey is a member of the Faculty of Theology in the University of Oxford, and Senior Research Fellow of Blackfriars Hall, Oxford. George Pattison is Lady Margaret Professor of Divinity in the University of Oxford. Carolyn J. Sharp is Assistant Professor of Old Testament at Yale Divinity School. Vincent Strudwick is currently Chamberlain of Kellogg College and Associate Chaplain of Corpus Christi College, Oxford. Adrian Thatcher taught Theology at the College of St Mark & St John, Plymouth, from 1977 until his retirement in August 2004.

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L'édition de l'épître de saint Paul aux Philippiens ici offerte est un premier fruit du programme de recherches La Bible en ses traditions. La finalité et les principes essentiels de ce programme ont été publiés il y a quelques années dans un Volume de démonstration, disponible sur l'internet à l'adresse suivante: http://www.bibletraditions.org/demonstrationvolume. Moins doctrinale que d'autres textes de Paul, l'épître aux Philippiens est une lettre d'amitié et d'exhortation. L'Apôtre, tout en consolidant son partenariat économique et spirituel avec la communauté de Philippes, l'appelle à persévérer dans l'obéissance et dans la joie. La formule de Philippiens 1,27 condense bien son intention profonde: axiôs tou euaggeliou tou Christou politeuesthe. Sa traduction littérale pourrait être: «Vivez seulement en citoyens selon l'Évangile du Christ». L'écart entre cette traduction et son rendu traditionnel en latin ou en syriaque - «Conduisez vous selon l'Évangile du Christ» - donne une idée de la distance entre le contexte originel de l'épître, au temps de l'empire romain, et l'application que ne cessent d'en faire les communautés de lecteurs au fil des siècles... Car l'enseignement paulinien demeure: aux membres d'une Église qu'il avait lui-même fondée, Paul se donnait en exemple pour adresser un appel bouleversant à aimer jusqu'à se vider de soi-même, en suivant le Christ.

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Many fans of Robin Hardy’s The Wicker Man (1973) may know that this classic is considered a fine sample of folk horror. Few will consider that it’s also a prime example of holiday horror. Holiday horror draws its energy from the featured festive day, here May Day. Sergeant Neil Howie (Edward Woodward), a “Christian copper,” is lured to the remote Scottish island Summerisle where, hidden from the eyes of all, a thriving Celtic, pagan religion holds sway. His arrival at the start of the May Day celebration is no accident. The clash between religions, fought on the landscape of the holiday, drives the story to its famous conclusion. In this Devil’s Advocate, Steve A. Wiggins delineates what holiday horror is and surveys various aspects of “the Citizen Kane of horror movies” that utilize the holiday. Beginning with a brief overview of Beltane and how May Day has been celebrated, this study considers the role of sexuality and fertility in the film. Conflicting with Howie’s Christian principles, this leads to an exploration of his theology as contrasted with that of Lord Summerisle (Christopher Lee) and his tenants. Such differences in belief make the fiery ending practically inevitable.

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For Pulitzer Prize–winning historian Joseph J. Ellis, The Cause marks the culmination of a lifetime of engagement with the founding era, completing a trilogy of books that began with Founding Brothers. Here Ellis, countering popular histories that romanticize the “Spirit of ’76,” demonstrates through “evocative profiles of British loyalists, slaves, Native Americans and soldiers uncertain of what was being founded” (Christopher Borrelli, Chicago Tribune) that the rebels fought not for a nation but under the mantle of “The Cause,” a mutable, conveniently ambiguous principle all but destined to give rise to the warring factions of later American history. Combining action-packed tales of North American military campaigns with characteristically trenchant insight, The Cause “deftly foreshadows all the issues that would complicate America’s trajectory” (Richard Stengel, New York Times Book Review), forcing us to finally reconsider the story we have long told ourselves about our origins—as a people, and as a nation. “At the intersection of his expertise and our need for coherence about our national founding arrives historian Joseph J. Ellis. . . . Ellis is no apologist, but he is a chronicler of the entire revolution, its best aspirations, its worst contradictions, and its ongoing dilemmas.” —Hugh Hewitt, Washington Post

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Written while Federico Garcia Lorca was a student at Columbia University in 1929-30, Poet in New York is one of the most important books he produced, and certainly one of the most important books ever published about New York City. Indeed, it is a book that changed the direction of poetry in both Spain and the Americas, a path breaking and defining work of modern literature. Timed to coincide with the citywide celebration of Garcia Lorca in New York planned for 2013, this edition, which has been revised once again by the renowned Garcia Lorca scholar Christopher Maurer, includes thrilling material -new photographs, new and emended letters - that has only recently come to light. Complementing these additions are Garcia Lorca's witty and insightful letters to his family describing his feelings about America and his temporary home there (a dorm room in Columbia's John Jay Hall), the annotated photographs that accompany those letters, a prose poem, extensive notes, and an interpretive lecture by Garcia Lorca himself. An excellent introduction to the work of a key figure of modern poetry, this bilingual edition of Poet in New York, a strange, timeless, vital book of verse, is also an exposition of the American city in the twentieth century.

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The Elizabethan age was a tumultuous time, when long-cherished certainties were crumbling and life was exhilaratingly uncertain. Shakespeare's Restless World uncovers the extraordinary stories behind twenty objects from the period to re-create an age at once distant and yet surprisingly familiar. From knife crime to belief in witches, religious battles to the horizons of the New World, Neil MacGregor brings the past to life in a fresh, unexpected portrait of a dangerous and dynamic era.'Fascinating ... filled with anecdotes and insights, eerie, funny, poignant and grotesque ... another brilliant vindication of MacGregor's understanding of physical objects to enter deep into our fore­fathers' mental and spiritual world' Christopher Hart, Sunday Times'Enjoyable and intriguing, an absorbing evocation ... he draws us into the minds of the Elizabethan and Jacobean audience. Next time you see one of the plays reading this book will make those first audiences seem real to you' Peter Lewis, Daily Mail'How gripping are these tales from a lost world. And what a world Shakespeare's was - adventurous, melancholy, rich and plagued by beggary, courteous and quarrelsome, sceptical and credulous' Daily Telegraph 'Elegant, informative ... provides stimulating insights' Anne Somerset, Spectator

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The evolution of Latin American literature. A Companion to Latin American Literature offers a lively and informative introduction to the most significant literary works produced in Latin America from the fifteenth century until the present day. It shows how the press, and its product the printed word, functioned as the common denominator binding together, in different ways over time, the complex and variable relationship between the writer, the reader and the state. The meandering story of the evolution of Latin American literature - from the letters of discovery written by Christopher Columbus and Vaz de Caminha, via the Republican era at the end of the nineteenth century when writers in Rio de Janeiro as much as inBuenos Aires were beginning to live off their pens as journalists and serial novelists, until the 1960s when writers of the quality of Clarice Lispector in Brazil and García Márquez in Colombia suddenly burst onto the world stage- is traced chronologically in six chapters which introduce the main writers in the main genres of poetry, prose, the novel, drama, and the essay. A final chapter evaluates the post-boom novel, testimonio, Latino and Brazuca literature, gay, Afro-Hispanic and Afro-Brazilian literature, along with the Novel of the New Millennium. This study also offers suggestions for further reading. STEPHEN M. HART is Professor of Hispanic Studies, UniversityCollege London, and Profesor Honorario, Universidad de San Marcos, Lima.

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Despite the prodigious inventiveness of the Middle Ages, the era is often characterized as deeply suspicious of novelty. But if poets and philosophers urged caution about the new, Patricia Clare Ingham contends, their apprehension was less the result of a blind devotion to tradition than a response to radical expansions of possibility in diverse realms of art and science. Discovery and invention provoked moral questions in the Middle Ages, serving as a means to adjudicate the ethics of invention and opening thorny questions of creativity and desire. The Medieval New concentrates on the preoccupation with newness and novelty in literary, scientific, and religious discourses of the twelfth through sixteenth centuries. Examining a range of evidence, from the writings of Roger Bacon and Geoffrey Chaucer to the letters of Christopher Columbus, and attending to histories of children's toys, the man-made marvels of romance, the utopian aims of alchemists, and the definitional precision of the scholastics, Ingham analyzes the ethical ambivalence with which medieval thinkers approached the category of the new. With its broad reconsideration of what the "newfangled" meant in the Middle Ages, The Medieval New offers an alternative to histories that continue to associate the medieval era with conservation rather than with novelty, its benefits and liabilities. Calling into question present-day assumptions about newness, Ingham's study demonstrates the continued relevance of humanistic inquiry in the so-called traditional disciplines of contemporary scholarship.

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Since 1990, more than 10 million people have been killed in the civil wars of failed states, and hundreds of millions more have been deprived of fundamental rights. The threat of terrorism has only heightened the problem posed by failed states. When States Fail is the first book to examine how and why states decay and what, if anything, can be done to prevent them from collapsing. It defines and categorizes strong, weak, failing, and collapsed nation-states according to political, social, and economic criteria. And it offers a comprehensive recipe for their reconstruction. The book comprises fourteen essays by leading scholars and practitioners who help structure this disparate field of research, provide useful empirical descriptions, and offer policy recommendations. Robert Rotberg's substantial opening chapter sets out a theory and taxonomy of state failure. It is followed by two sets of chapters, the first on the nature and correlates of failure, the second on methods of preventing state failure and reconstructing those states that do fail. Economic jump-starting, legal refurbishing, elections, the demobilizing of ex-combatants, and civil society are among the many topics discussed. All of the essays are previously unpublished. In addition to Rotberg, the contributors include David Carment, Christopher Clapham, Nat J. Colletta, Jeffrey Herbst, Nelson Kasfir, Michael T. Klare, Markus Kostner, Terrence Lyons, Jens Meierhenrich, Daniel N. Posner, Susan Rose-Ackerman, Donald R. Snodgrass, Nicolas van de Walle, Jennifer A. Widner, and Ingo Wiederhofer.

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Many writers, from Aristophanes to Joseph Heller, have written about politics. But at certain periods in history, often at times of conflict and turmoil, writers have consciously used their literary talents to support or oppose a specific cause. The 1930s, a decade of widespread social and political breakdown, was such a period.Today the Struggle examines the political involvement of those leading British writers who dedicated their talents to the defense of Nationalists or Loyalists during the Spanish Civil War and who saw that war as symbolic of their own Right-Left dialogue.Conservatives like William Butler Yeats and T. S. Eliot and Roman Catholics like Evelyn Waugh were passionately anti-Communist. They viewed fascism as a bulwark against communism but were unwilling to support the Franco cause actively. Other pro-Nationalists were not so hesitant: Roy Campbell and Wyndham Lewis were ardent participants in the fight against the British left wing.Pro-Loyalists, united only in their antifascism, ranged from conservative to anarchist in political commitment. Their literary contributions included fine poems by W. H. Auden and Stephen Spender, experimental drama by Auden and Christopher Isherwood, and impassioned prose by Rex Warner, George Orwell, and Aldous Huxley.Katharine Hoskins’s principal interest in Today the Struggle is to discover how and why certain writers supported specific political actions, to ascertain the effectiveness of their efforts, and to evaluate the influence of these efforts on their work.

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This book explores how writers adhered to, played with, and subverted the formulaic precepts of educational transformation in the German Democratic Republic. Perhaps never before has a state emphasized education to citizenship more than in the new nation founded in 1949 as the German Democratic Republic. For forty years, educational and cultural policy played a pivotal role in effortsto build and sustain a socialist state on German soil. Party and state held teachers and writers responsible for demonstrating the superiority of socialism, infusing pupils and readers with a commitment to the emerging state, andproviding persuasive role models of der neue Mensch each was challenged to become. Utilizing an innovative triangular framework, this book demonstrates how mentor-protegé(e) rubrics, traditionally associated with the socialist Bildungsroman, came to characterize text-external and text-internal relations within diverse narrative forms. Thus, leading writers such as Hermann Kant, Christa Wolf, Brigitte Reimann, and Christoph Hein played with the genre's patterns of transformation as they engaged with the intellectual, societal, and aesthetic dilemmas of GDR life. This book shows that understanding representations of educational transformation in GDR literature, a topic largely overlooked by critics, is central to an aesthetic appreciation of that literature more broadly.

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A Biography of Power explores the changing nature of power and identity from the Iron Age to Roman period in Britain. Presenting detailed excavation results and integrating a range of comprehensive specialist studies, the book provides fresh insights into the origins and nature of one of the lesser-known, but perhaps most significant, Late Iron Age oppida in Britain: Bagendon in Gloucestershire. Combining the results of a large-scale geophysical survey with analysis of both historic and new excavations, this volume reassesses Iron Age occupation at Bagendon. It reveals evidence for diverse artisanal activities and complex regional exchange networks that saw livestock, and people, travelling to Bagendon from west of the Severn. The results of the excavation of two morphologically unusual, banjo-like enclosures, and of one of the previously unexamined dykes, has revealed that the Bagendon oppidum had earlier origins and more complex roles than previously envisaged. The volume also provides new insights into the nature of the Iron Age and Roman landscape in which Bagendon was situated. Detailing the discovery of two, previously unknown, Roman villas at Bagendon demonstrates the continued significance of this landscape in the early Roman province. This volume redefines Bagendon as a landscape of power, offering important insights into the changing nature of societies from the Middle Iron Age to the Roman period. It calls for a radical reassessment of how we define oppida complexes and their socio-political importance at the turn of the 1st millennium BC. Contains contributions from Sophia Adams, Michael J. Allen, Sam Bithell, Cameron Clegg, Geoffrey Dannell, Lorne Elliott, Elizabeth Foulds, Freddie Foulds, Christopher Green, Darren Gröcke, Derek Hamilton, Colin Haselgrove, Yvonne Inall, Tina Jakob, Mandy Jay, Sally Kellett, Robert Kenyon, Mark Landon, Edward McSloy, Janet Montgomery, J.A. Morley-Stone, Geoff Nowell, Charlotte O’Brien, Chris Ottley, Cynthia Poole, Richard Reece, Harry Robson, Ruth Shaffrey, John Shepherd, Jane Timby, Dirk Visser, D.F. Williams, Steven Willis.

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A COMPANION TO SATIRE A COMPANION TO SATIRE “This book forms a substantial contribution to literary studies and is likely to be the standard work on the subject for a decade or two …. The chapters are densely detailed, the vocabulary elevated.”Reference Reviews “This sturdy volume should be of use to a variety of readers from advanced undergraduates to scholars seeking refresher (or crash) courses on either major” Studies in English Literature 1500-1900 “Offering a valuable contribution to the critical study of satire, Quintero has assembled insightful essays by an impressive roster of scholars...This book serves as a cogent, instructive overview of satire.”Choice “This book obviously brings to readers a dazzling variety of topics relating to satire. There is a rich abundance of material here, surely something for everyone. Indeed, the quality of these essays is uniformly high.” Notes and Queries This collection of twenty-nine original essays surveys satire from its emergence in Western literature to the present. The Companion is extraordinary in its historical scope, tracking satire from its first appearances in the prophetic books of the Old Testament through the Renaissance and the English tradition in satire to Michael Moore’s satirical movie Fahrenheit 9/11. While many essays explore literary developments in satire from an historical view, other essays reflect directly on topics such as irony and satire, modes of satirical mockery, the mock-biblical, and the character sketch. All of the contributors are experts published in their field, and all are experienced teachers who can treat complex and rich subjects with insight and clarity. Contributors to this volume: Joseph F. Bartolomeo, W. Scott Blanchard, Frank Boyle, Peter Brier, Valentine Cunningham, Edwin M. Duval, James Engell, Alberta Gatti, Russell Goulbourne, Dustin Griffin, Christopher J. Herr, Thomas Jemielity, Ejner J. Jensen, Steven E. Jones, Claudia Thomas Kairoff, Catherine Keane, Laura Kendrick, José Lanters, Jean I. Marsden, Linda A. Morris, Frank Palmeri, Blanford Parker, Ronald Paulson, Zoja Pavlovskis-Petit, Ruben Quintero, Melinda Alliker Rabb, Timothy Steele, Michael F. Suarez, David F. Venturo.

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The Great Irish Famine of 1845–52 was the defining event in the history of modern Ireland. At least one million people died, and double that number fled the country within a decade. The Great Irish Famine surveys the history of this great tragedy through the testimonies of four key contemporaries, conveying the immediacy of the unfolding disaster as never before. They are: John MacHale—the Catholic Archbishop of Tuam John Mitchel—the radical nationalist Elizabeth Smith—the Scottish-born wife of a Wicklow landlord Charles E. Trevelyan—the assistant secretary to the Treasury Each brings a unique perspective, influenced by who they were, what they witnessed, and what they stood for. It is an intimate and compelling portrayal of these hungry years. The book shows how misguided policies inspired by slavish adherence to ideology worsened the effects of a natural disaster of catastrophic proportions. Reviews: 'A significant and sophisticated addition to the historiography of the Famine' - Christopher Cusack, Times Literary Supplement 'Delaney’s approach to the story is innovative … (it will be found) in the hands of those who appreciate first-rate history…a very impressive book'- Breandán Mac Suibhne, Dublin Review of Books ‘ … a genuinely original and illuminating perspective on a subject too often dealt with by means of second-hand narrative and unexamined clichés.’ - Roy Foster, Professor of Irish History, Oxford University 'There are many books on this terrible event, but this is one of the most fluent and original. Although it is based on large amounts of primary research its style is accessible and engaging, and the result is a valuable study of a truly harrowing crisis'. - The Times Higher Education Supplement '… an extraordinarily important subject … focusing on four fascinating characters' - Ryan Tubridy 'Delaney offers an insinghtful, readable overview of this overwhelming disaster … highly recommended.' - 'Choice', America's Library Association publication 'Enda Delaney’s The Great Irish Famine: A History in Four Lives does not break fresh ground in research, but it is riveting, insightful and pacy, and, far from appearing tired, it invigorates standard historical methodology.' – Niamh O’Sullivan, The Irish Times

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NEW YORK TIMES BESTSELLER Power couple Marlo Thomas and Phil Donahue have created a compelling and intimate collection of intriguing conversations with famous couples about their enduring marriages and how they have made them last through the challenges we all share.What makes a marriage last? Who doesn’t want to know the answer to that question? To unlock this mystery, iconic couple Marlo Thomas and Phil Donahue crisscrossed the country and conducted intimate conversations with forty celebrated couples whose long marriages they’ve admired—from award-winning actors, athletes, and newsmakers to writers, comedians, musicians, and a former U.S. president and First Lady. Through these conversations, Marlo and Phil also revealed the rich journey of their own marriage. What Makes a Marriage Last offers practical and heartfelt wisdom for couples of all ages, and a rare glimpse into the lives of husbands and wives we have come to know and love. Marlo and Phil’s frequently funny, often touching, and always engaging conversations span the marital landscape—from that first rush of new love to keeping that precious spark alive, from navigating hard times to celebrating triumphs, from balancing work and play and family to growing better and stronger together. At once intimate, candid, revelatory, hilarious, instructive, and poignant, this book is a beautiful gift for couples of every age and stage.Featuring interviews with:Alan and Arlene Alda • Kevin Bacon and Kyra Sedgwick President Jimmy and Rosalynn Carter • James Carville and Mary Matalin Deepak and Rita Chopra • Patricia Cornwell and Staci Gruber Bryan Cranston and Robin Dearden • Billy and Janice Crystal Jamie Lee Curtis and Christopher Guest • Ted Danson and Mary Steenburgen Viola Davis and Julius Tennon • Gloria and Emilio EstefanMichael J. Fox and Tracy Pollan • Chip and Joanna Gaines Sanjay and Rebecca Gupta • Mariska Hargitay and Peter Hermann Neil Patrick Harris and David Burtka • Ron and Cheryl Howard Jesse and Jacqueline Jackson • Elton John and David Furnish John and Justine Leguizamo • LL COOL J and Simone I. Smith Melissa McCarthy and Ben Falcone • John McEnroe and Patty Smyth Mehmet and Lisa Oz • Rodney and Holly Robinson Peete Letty Cottin Pogrebin and Bert Pogrebin • Rob and Michele Reiner Kelly Ripa and Mark Consuelos • Al Roker and Deborah Roberts Ray and Anna Romano • Tony Shalhoub and Brooke Adams Judges Judy and Jerry Sheindlin • George Stephanopoulos and Ali Wentworth Sting and Trudie Styler • Capt. Chesley “Sully” and Lorrie Sullenberger Lily Tomlin and Jane Wagner • Judith and Milton Viorst Judy Woodruff and Al Hunt • Bob Woodward and Elsa Walsh

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This monograph considers not so much the moments, thoughts, speculations with which the so-called 'Cappadocian Fathers' agreed and proposed a unified doctrine, but the points and moments, the doctrines in which they disagreed. Thus, it is not a new book on the Cappadocian Fathers considered as a unity, which surely would have come to a huge dimension, but asks the question: Is it possible to speak of agreement and, at the same time, of differentiation between these Fathers? Is it useful to change, at least in part, an established opinion, that of the 'Cappadocian theology'? The examination of the various problems leads to an affirmative answer. Concordia discors might be the true sense. So far, studies have mostly focused on the religious aspects and have shown little or no interest in the Cappadocians’ output as literature. Cultivated people with a background in paideia, which was the same as for non-Christian writers, these Fathers wished to have access to the literary forms that were most useful for their didactic activities (homilies), or also rhetorical use (epistolography or poetry): thus, literary activity should not be considered as extraneous to their speculative thought. Their interest in philosophy can be traced to their openness to pagan paideia, which had a long tradition in Christianity. Another question that arises is the need to clarify who exactly the ‘Cappadocian Fathers’ were. Naturally, Amphilochius, due to his relations with Basil and Gregory of Nazianzus, but as it is justified by the similarities of many doctrines and by his biography, also Evagrius Ponticus, even though his personal affairs and the end of his life place him more within Egyptian rather than Cappadocian monasticism. A sketch of the Cappadocian’s Nachleben in the West, with a provisional edition of a Latin translation (6th century) of some Gregory of Nazianzus’ homilies and Christological epistles concludes the volume.

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'A masterful storyteller with an intricate knowledge of his subject.' The Daily Telegraph 'Alan Judd knows more about the secret world than any other writer living. To have him turn his expert eye on the world of Christopher Marlowe – and on Francis Walsingham, the Elizabethan George Smiley – is a special kind of literary treat.' Mick Herron‘Absolutely spellbinding. I gobbled it up in two days and could not stop' Miranda Seymour Danger and dissent stalk the streets and taverns of Elizabethan England. The Queen’s chief spymaster, Francis Walsingham, and his team of agents must maintain the highest levels of vigilance to ward off Catholic plots and the ever-present threat of invasion. One operative in particular - a young Cambridge undergraduate of humble origins, controversial beliefs and literary genius who goes by the name of Kit Marlowe - is relentless in his pursuit of intelligence for the Crown. When he is killed outside an inn in Deptford, his mysterious death becomes the subject of rumours and suspicion that are never satisfactorily resolved. Years later, Thomas Phelippes, a former colleague of Marlowe’s and a man once much valued by Walsingham, finds himself imprisoned in the Tower. When he is visited by an emissary of the new king, however, it becomes clear that his long fall from favour may be reversed if he will furnish his monarch with every detail he is able to recall about his murdered friend’s life and death. But just what is it that so fascinates King James about the famously mercurial playwright-spy, and does Phelippes know enough to secure his own redemption? Virtuosic, gripping and meticulously researched, award-winning writer Alan Judd turns is at the peak of his powers in this remarkable novel about a literary genius whose short-life and violent death composed one of the most fascinating unresolved mysteries of all time.

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Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogues between 1992 and 2010. Far from your ordinary dealer catalog, Leiber's catalogs paid homage to the kind of historic printed matter that he bought and sold, mimicking iconic publications like Wallace Berman's Semina journal and the exhibition catalog for Documenta V (1972). Leiber's reputation spread via these unique volumes, which included works by John Baldessari, Lynda Benglis, Ray Johnson, Lucy Lippard, Allan Kaprow, Yayoi Kusama, Claes Oldenburg, Ed Ruscha, Lawrence Weiner and many more. Across 252 pages, this book documents the full set of 52 dealer catalogs produced by Steven Leiber between 1992 and 2010. Inspired by Leiber's often humorous borrowing for his catalog designs, the book's format references Sol Lewitt's Autobiography and includes an essay and contextual notes by SFMOMA Head Librarian David Senior. Additional contributors include Ann Butler, Christophe Cherix, Marc Fischer, Tom Patchett, David Platzker, Marcia Reed, Lawrence Rinder and Robin Wright. Steven Leiber (1957 2012) began to buy and sell ephemera while working as a private dealer selling prints, drawings and multiples in the early 1980s. Scrupulously organized and cataloged, Leiber's collection housed in his grandmother's basement became an important resource for scholars, curators and other enthusiasts. The collection included the work of some 1,000 artists and represented basically every major movement within late 20th-century avant-garde practice, including Fluxus, conceptual art, land art, mail art, performance and video.

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Though little known, the name of the judge Roland Freisler is inextricably linked to the judiciary in Nazi Germany. As well as serving as the State Secretary of the Reich Ministry of Justice, he was the notorious president of the People s Court , a man directly responsible for more than 2,200 death sentences; with almost no exceptions, cases in the People s Court had predetermined guilty verdicts. It was Freisler, for example, who tried three activists of the White Rose resistance movement in February 1943\. Along with Christoph Probst, Sophie and Hans Scholl were arrested for their part in an anonymous leaflet and graffiti campaign which called for active opposition against the Nazi regime. Found guilty of treason, Freisler sentenced the trio to death by beheading; a sentence carried out the same day by guillotine. In August 1944, Freisler played a central role in the show trials that followed the failed attempt to assassinate Adolf Hitler on 20 July that year a plot known more commonly as Operation Valkyrie. Many of the ringleaders were tried by Freisler in the People s Court . The proceedings were filmed, the intention being to use the images as propaganda in newsreels. Freisler could be seen alternating between clinical interrogations of the defendants through to his yelling of personalized and theatrically enraged abuse at them from the bench. Nearly all of those found guilty were sentenced to death by hanging, the sentences being carried out within two hours of the verdicts being passed. Roland Freisler s mastery of legal texts and dramatic court-room verbal dexterity made him the most feared judge in the Third Reich. In this in-depth examination, Helmut Ortner not only investigates the development and judgments of the Nazi tribunal, but the career of Freisler, a man who was killed in February 1945 during an Allied air raid.

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LONGLISTED FOR THE ORWELL PRIZE 2018 NEW STATESMAN BOOKS OF THE YEAR 2017'The kind of vision the world needs right now...Pankaj Mishra shouldn't stop thinking' Christopher de Bellaigue, Financial Times'This is the most astonishing, convincing, and disturbing book I've read in years' Joe Sacco'Urgent, profound and extraordinarily timely' John BanvilleHow can we explain the origins of the great wave of paranoid hatreds that seem inescapable in our close-knit world - from American 'shooters' and ISIS to Trump, from a rise in vengeful nationalism across the world to racism and misogyny on social media? In Age of Anger, Pankaj Mishra answers our bewilderment by casting his gaze back to the eighteenth century, before leading us to the present.He shows that as the world became modern those who were unable to fulfil its promises - freedom, stability and prosperity - were increasingly susceptible to demagogues. The many who came late to this new world or were left, or pushed, behind, reacted in horrifyingly similar ways: intense hatred of invented enemies, attempts to re-create an imaginary golden age, and self-empowerment through spectacular violence. It was from among the ranks of the disaffected that the militants of the 19th century arose - angry young men who became cultural nationalists in Germany, messianic revolutionaries in Russia, bellicose chauvinists in Italy, and anarchist terrorists internationally.Today, just as then, the wider embrace of mass politics, technology, and the pursuit of wealth and individualism has cast many more millions adrift in a literally demoralized world, uprooted from tradition but still far from modernity - with the same terrible resultsMaking startling connections and comparisons, Age of Anger is a book of immense urgency and profound argument. It is a history of our present predicament unlike any other.

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The words most commonly associated with the environmental movement—save, recycle, reuse, protect, regulate, restore—describe what we can do to help the environment, but few suggest how we might transform ourselves to better navigate the sudden turns of the late Anthropocene. Which words can help us to veer conceptually along with drastic environmental flux? Jeffrey Jerome Cohen and Lowell Duckert asked thirty brilliant thinkers to each propose one verb that stresses the forceful potential of inquiry, weather, biomes, apprehensions, and desires to swerve and sheer. Each term is accompanied by a concise essay contextualizing its meaning in times of resource depletion, environmental degradation, and global climate change.Some verbs are closely tied to natural processes: compost, saturate, seep, rain, shade, sediment, vegetate, environ. Many are vaguely unsettling: drown, unmoor, obsolesce, power down, haunt. Others are enigmatic or counterintuitive: curl, globalize, commodify, ape, whirl. And while several verbs pertain to human affect and action—love, represent, behold, wait, try, attune, play, remember, decorate, tend, hope—a primary goal of Veer Ecology is to decenter the human. Indeed, each of the essays speaks to a heightened sense of possibility, awakening our imaginations and inviting us to think the world anew from radically different perspectives. A groundbreaking guide for the twenty-first century, Veer Ecology foregrounds the risks and potentialities of living on—and with—an alarmingly dynamic planet.Contributors: Stacy Alaimo, U of Texas at Arlington; Joseph Campana, Rice U; Holly Dugan, George Washington U; Lara Farina, West Virginia U; Cheryll Glotfelty, U of Nevada, Reno; Anne F. Harris, DePauw U; Tim Ingold, U of Aberdeen; Serenella Iovino, U of Turin; Stephanie LeMenager, U of Oregon; Scott Maisano, U of Massachusetts, Boston; Tobias Menely, U of California, Davis; Steve Mentz, St. John’s U; J. Allan Mitchell, U of Victoria; Timothy Morton, Rice U; Vin Nardizzi, U of British Columbia; Laura Ogden, Dartmouth College; Serpil Opperman, Hacettepe U, Ankara; Daniel C. Remein, U of Massachusetts, Boston; Margaret Ronda, U of California, Davis; Nicholas Royle, U of Sussex; Catriona Sandilands, York U; Christopher Schaberg, Loyola U; Rebecca R. Scott, U of Missouri; Theresa Shewry, U of California, Santa Barbara; Mick Smith, Queen’s U; Jesse Oak Taylor, U of Washington; Brian Thill, Golden West College; Coll Thrush, U of British Columbia, Vancouver; Cord J. Whitaker, Wellesley College; Julian Yates, U of Delaware.

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As the Olympic athletes discovered this summer, the secret to winning a gold medal is not just starting well, it's finishing well. We usually start our Christian race with great enthusiasm, but the challenge is to finish faithfully. How can we keep motivated for service, maintain our commitment to mission, persevere under pressure and grow in our spiritual lives? The theme for the 2012 Keswick Convention was 'Going the Distance: Living in the Light of the Future'. During the three weeks of convention we looked at the Bible's promises of Christ's return and our future glory, and considered how these Bible truths equip us for discipleship and encourage us to keep running the Christian race well. This yearbook includes a selection of talks given during the 2012 Convention: Bible teaching from Simon Manchester, Christopher Ash, Mike Raiter, Chris Sinkinson, Dominic Smart, Calisto Odede and Ian Coffey to help you run your race and keep 'Going the Distance'.

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WARRIORS AND SOLDIERS TIED TOGETHER THROUGHOUT TIME AND SPACE. From the distant past to the far future, those who carry the sword rack up commendations for bravery. They are men and women who, like the swords they carry, have been forged in blood. These are their stories. In medieval Japan, a surly ronin is called upon to defend a village against a thieving tax collector who soon finds out it's not wise to anger an old, tired man. In the ugliest fighting in the Pacific Theater, an American sergeant and a Japanese lieutenant must face each other, and themselves. A former US Marine chooses sides with outnumbered Indonesian refugees against an invading army from Java. When her lover is stolen by death, a sergeant fighting on a far-flung world vows vengeance that will become legendary. And, when a planet fragments in violent chaos, seven Freeholders volunteer to help protect another nation's embassy against a horde. Featuring all-new stories by Michael Z. Williamson, Larry Correia, Tom Kratman, Tony Daniel, Micahel Massa, Peter Grant, John F. Holmes, and many more. Contributors: Zachary Hill Larry Correia Michael Massa John F. Holmes Rob Reed Dale Flowers Tom Kratman Leo Champion Peter Grant Christopher L. Smith Jason Cordova Tony Daniel Kacey Ezell Michael Z. Williamson About Michael Z. Williamson: “A fast-paced, compulsive read . . . will appeal to fans of John Ringo, David Drake, Lois McMaster Bujold, and David Weber.”—Kliatt “Williamson's military expertise is impressive.”—SF Reviews Novels of Michael Z. Williamson's Freehold Universe: Freehold series Freehold The Weapon The Rogue Contact with Chaos Angeleyes Freehold: Forged in Blood Ripple Creek series Better to Beg Forgiveness . . . Do Unto Others . . . When Diplomacy Fails . . . Standalone A Long Time Until Now

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How should Christians read the Old Testament today? Answers to this question gravitate between two poles. On the one hand, some pay little attention to the gap between the Old Testament and today, reading the Old Testament like a devotional allegory that points the Christian directly to Jesus. On the other hand, there are folks who prioritize an Old Testament passage's original context to such an extent that it is by no means clear if and how a given Old Testament text might bear witness to Christ and address the church.This volume is a tribute to Willem A. VanGemeren, an ecclesial scholar who operated amidst the tension between understanding texts in their original context and their theological witness to Christ and the church. The contributors in this volume share a conviction that Christians must read the Old Testament with a theological concern for how it bears witness to Christ and nourishes the church, while not undermining the basic principles of exegesis.Two questions drive these essays as they address the topic of reading the Old Testament theologically. Christology. If the Old Testament bears witness to Christ, how do we move from an Old Testament text, theme, or book to Christ? Ecclesiology. If the Old Testament is meant to nourish the church, how do scriptures originally given to Israel address the church today? The volume unfolds by first considering exegetical habits that are essential for interpreting the Old Testament theologically. Then several essays wrestle with how topics from select Old Testament books can be read theologically. Finally, it concludes by addressing several communal matters that arise when reading the Old Testament theologically.

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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, decor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.

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