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'City Style' is a guide to the world's most fashionable cities, curated by their most stylish residents. From the runways of New York and Paris to the streets of Tokyo and the club scene of London, our expert guides give you a behind-the-scenes glimpse into the local look and how to get it, complete with required reading (magazines and blogs), street style photos and a comprehensive designer guide with photos. In addition, interviews with designers, stylists and other industry insiders answer the question: What makes each city uniquely stylish? REVIEWS: Get schooled in international fashion. We admit it: one of the best parts about travelling is getting to scope out another city's style culture. But sometimes, it's harder than it looks to adopt the fashion sense of a foreign place without seeming like an overeager tourist. In City Style: A Field Guide to Global Fashion Capitals, looking like a (stylish) local is made easy. The guidebook-slash-fashion magazine includes must-see hotspots for cities like New York, Paris, Stockholm, and Sydney. It has tons of pictures, features on up-and-coming stores, and lists of local blogs and magazines. But the book isn't just about shopping. You can also check out interviews with local tastemakers, read about iconic designers, and even brush up on each city's fashion history (for instance, did you know that Prada dates back to 1913 in Milan?). It's the perfect companion for anyone who is travelling to a cool new place and wants to get an insiders look before they go. And even if you're not planning a trip in the near future, who cares? You can still dress the part. --NYLON magazine BOOK CLUB What could be more fun for fashionistas than a guide to the eight fashion capitals of the world? Each city section provides an insider's look at what's in, with an emphasis on useful information for the visitor. As stated in the guide's foreword, 'Like it or not, fashion is the one art form we encounter every day.... All over the world, our clothing says something about who we are in the local visual language...and those symbols change from city to city'; There are listings of required reading (both magazines and blogs), neighbourhoods, and hot spots; designer directories; and lots of illustrative photos. At the end of the list, preceded by New York, Paris, Milan, London, Tokyo, Stockholm, and Sydney, Los Angeles gets short shrift (owing, in part, to its non-seasonal climate). Verdict: Although this guide may have limited appeal for most travellers, its comprehensive nature makes it a valuable resource for anyone interested in today's world of fashion. -- Janet Ross --Library Journal ILLUSTRATIONS Illustrated throughout

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'A total delight. Witty and fresh - I absolutely loved it!' MILLY JOHNSONIn the modern tech-fuelled world of dating, is it possible to find true love? Hannah lives life on the edge. Never one to pass up on a new adventure, she has truly been living her best life. But once the adrenaline wears off, she wishes she had someone to spend the quieter moments with too. Learning that her best friend’s online dating business has taken a hit, she comes up with an idea that just might solve both of their problems... Jess has been with her husband for twenty years. They have a stable marriage, great kids and run their own businesses. But what looks like a perfect life from the outside has its own problems within, and with her business on the brink Jess can’t help but wonder where the spark has gone in her life, and whether settling down is all it’s cracked up to be. When Hannah embarks upon her latest scheme: finding a man using Jess’s dating app and meeting him for the first time at the altar, both women start to realise the grass isn't always greener. Can Hannah help her friend save her failing business or will Jess stop her from making what could be the biggest mistake of her life? 'A very funny, feel-good read' HOLLY MILLER‘Fun, feelgood, fab!’ KATE EBERLEN'Refreshing, brilliantly-written and highly addictive! HELLY ACTON'A witty, warm, wonderful read!' SOPHIE COUSENS'Fresh, funny, and wonderfully timely – it's feel-good fiction at its finest!' LAURA JANE WILLIAMS'Funny, feel good and full of warmth, love and friendship' LAURA KEMP'A witty, tender story that packs a real emotional punch. I loved it!' NICOLA GILL‘A heart-warming and joyous page-turner. Impossible to put down!’ HOLLY MARTIN'If you’re looking for a story to make you giggle, shed a few tears and cheer, this is the one!' MIRANDA DICKINSON'Enthralling and entertaining!' HEIDI SWAIN'I couldn’t put it down. What a wonderful, warm, wise and witty book!' ALEX BROWN'Fresh, funny and romantic, I totally loved it' SARAH MORGAN'Fresh, funny, and the perfect tonic for these gloomy times' LIA LOUIS'Witty, fun and fresh, Married at First Swipe is the perfect book to lift your spirits and put a smile on your face' PHAEDRA PATRICK'A fabulously fun, heart-warming novel' ANNA BELL'Heartwarming, insightful and very, very funny' KATIE MARSH

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Friday, January 6, 2017: On that day, as always, John Brennan’s alarm clock was set to go off at 4:15 a.m. But nothing else about that day would be routine. That day marked his first and only security briefing with President-elect Donald Trump. And it was also the day John Brennan said his final farewell to Owen Brennan, his father, the man who had taught him the lessons of goodness, integrity, and honour that had shaped the course of an unparalleled career serving his country from within the intelligence community. In this brutally honest memoir, Brennan, the son of an Irish immigrant who settled in New Jersey, describes the life that took him from being a young CIA recruit enamoured with the mystique of spy work, secretly defiant enough to drive a motorcycle and sport a diamond earring, and invigorated by his travels in the Middle East to being the most powerful individual in American intelligence. He details his experiences with very different presidents and what it’s been like to bear responsibility for some of the nation’s most crucial and polarising national security decisions. He pulls back the curtain on the inner workings of the Agency, describing the selfless, patriotic, and invisible work of the women and men involved in national security. He also examines the insularity, arrogance, and myopia that have, at times, undermined its reputation in the eyes of the American people and of members of other branches of government. Through topics ranging from George W. Bush’s intervention in Iraq to his thoughts on the CIA’s controversial use of enhanced interrogation techniques to his eye-opening account of the planning of the raid that resulted in Bin Ladin’s death to his realisation that Russia had interfered with the 2016 election, Brennan brings the reader behind the scenes of some of the most crucial moments in recent U.S. history. He also candidly discusses the times he has failed to live up to his own high standards and the very public fallouts that have resulted. With its behind-the-scenes look at how major U.S. national security policies and actions unfolded during his long and distinguished career - especially during his eight years in the Obama administration - John Brennan’s memoir is a work of history with strong implications for the future of America and our country’s relationships with other world powers.

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Among the most fascinating animals in the world's oceans are the more than 2,000 species of starfish. Called "Asteroids" by scientists who study them (after their taxonomic name, Asteroidea) - or sea stars in some parts of the world-starfish are easily recognized because of their star-like form. "Starfish" is a comprehensive volume devoted to the integrative and comparative biology and ecology of starfish. Written by the world's leading experts on starfish, the integrative section covers topics such as reproduction, developmental biology and ecology, larval ecology, and the ecological role of starfish as a group. The comparative section considers the biology and ecology of important species such as Acanthaster planci, Heliaster helianthoides, Asterias amurensis, and Pisaster ochraceus. Replete with detailed, scientifically accurate illustrations and the latest research findings, "Starfish" examines the important role of these invertebrates in the marine environment, a topic of great interest because of their impact on the food web. As major predators that are able to evert their stomach and wrap it around their prey, starfish can have a significant impact on commercial fisheries. "Starfish" are of interest not only to echinoderm specialists but also to marine biologists and invertebrate zoologists in general and, increasingly, to the medical community. A starfish's ability to regenerate body parts is almost unequalled in the animal world, making them ideal models for basic science studies on the topic. Contributors: Charles D. Amsler, Bill J. Baker, Mario Barahona, Michael F. Barker, Maria Byrne, Juan Carlos Castilla, Katharina Fabricius, Patrick Flammang, Andrew S. Gale, Carlos F. Gaymer, Jean-Francois Hamel, Elise Hennebert, John H. Himmelman, Michel Jangoux, John M. Lawrence, Tatiana Manzur, James B. McClintock, Bruce A. Menge, Annie Mercier, Anna Metaxas, Sergio A. Navarette, Timothy D. O'Hara, John S. Pearse, Carlos Robles, Eric Sanford, Robert E. Scheibling, Richard L. Turner, Carlos Renato R. Ventura, Kristina M. Wasson, and Stephen A. Watts.

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The Millennium Development Goals, adopted at the UN Millennium Summit in 2000, are the world's targets for dramatically reducing extreme poverty in its many dimensions by 2015 income poverty, hunger, disease, exclusion, lack of infrastructure and shelter while promoting gender equality, education, health and environmental sustainability. These bold goals can be met in all parts of the world if nations follow through on their commitments to work together to meet them. Achieving the Millennium Development Goals offers the prospect of a more secure, just, and prosperous world for all. The UN Millennium Project was commissioned by United Nations Secretary-General Kofi Annan to develop a practical plan of action to meet the Millennium Development Goals. As an independent advisory body directed by Professor Jeffrey D. Sachs, the UN Millennium Project submitted its recommendations to the UN Secretary General in January 2005. The core of the UN Millennium Project's work has been carried out by 10 thematic Task Forces comprising more than 250 experts from around the world, including scientists, development practitioners, parliamentarians, policymakers, and representatives from civil society, UN agencies, the World Bank, the IMF, and the private sector. In this report the UN Millennium Project Task Force on Water and Sanitation outlines the bold yet practical actions that are needed to increase access to water and sanitation. The report underscores the need to focus on the global sanitation crisis, which contributes to the death of 3900 children each day, improve domestic water supply, and invest in integrated development and management of water resources, all of which are necessary for countries to reduce poverty and hunger, improve health, advance gender equality and ensure environmental sustainability. Implementing the recommendations of this report will allow all countries to halve the proportion of people without access to safe water and sanitation by 2015.

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ONE OF THE GUARDIAN'S BEST CRIME/THRILLERS OF 2023**DON'T MISS CASSIE RAVEN'S NEWEST MYSTERY, DEAD FALL, AVAILABLE TO PRE-ORDER NOW!**'I LOVE THIS SERIES!' ELLY GRIFFITHS'TIMELY, GRITTY AND DARK' PAULA HAWKINS'THIS SERIES IS NOT TO BE MISSED' THE GUARDIANWhen the dead are silent, she will be their voice . . .Goth-girl mortuary technician Cassie Raven has seen thousands of dead bodies but when a drowned man knocks against the hull of her canalboat, it's a bit too close to home.Cassie is grappling with the loss of her 'gift' - her conviction that she could sense the last thoughts of the dead - and at first the mystery man with the golden-green eyes isn't sharing his secrets.But the case gets under her skin and when Cassie joins forces with Detective Phyllida Flyte, together they start to dredge up secrets from the past . . .Yet someone is watching, someone who's ready to kill to stop those secrets coming to the surface.FEATURED IN HEAT MAGAZINE, THE SUNDAY TIMES AND THE GUARDIAN.PRAISE FOR THE CASSIE RAVEN SERIES:'Spellbinding storytelling' Val McDermid'Like Silent Witness but more believable' Susi Holliday 'Blackly humorous, with a fabulously one-of-a-kind protagonist' Heat Magazine'Ingenious and sardonically written' Financial Times'[A] gritty novel with an engaging heroine' Sunday Times'A terrific, well-placed plot' Spectator'Cassie Raven is a lot of fun to spend time with' Big Issue'Excellent fun, compulsive and Cassie Raven is a protagonist I want to meet again soon' James Oswald'Cassie Raven is a blast of fresh air, striding onto the crime scene like a punk superstar' Sarah Hilary'Move over Silent Witness - Cassie Raven is an utterly compelling contemporary forensic heroine' Isabelle Grey'A fresh and exciting new series' Claire McGowan'One of the best series openers I've read in years' Jane Casey

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At the end of the eighteenth century, a massive slave revolt rocked French Saint Domingue, the most profitable European colony in the Americas. Under the leadership of the charismatic former slave François Dominique Toussaint Louverture, a disciplined and determined republican army, consisting almost entirely of rebel slaves, defeated all of its rivals and restored peace to the embattled territory. The slave uprising that we now refer to as the Haitian Revolution concluded on January 1, 1804, with the establishment of Haiti, the first "black republic" in the Western Hemisphere. The Haitian Revolution cast a long shadow over the Atlantic world. In the United States, according to Matthew J. Clavin, there emerged two competing narratives that vied for the revolution's legacy. One emphasized vengeful African slaves committing unspeakable acts of violence against white men, women, and children. The other was the story of an enslaved people who, under the leadership of Louverture, vanquished their oppressors in an effort to eradicate slavery and build a new nation. Toussaint Louverture and the American Civil War examines the significance of these competing narratives in American society on the eve of and during the Civil War. Clavin argues that, at the height of the longstanding conflict between North and South, Louverture and the Haitian Revolution were resonant, polarizing symbols, which antislavery and proslavery groups exploited both to provoke a violent confrontation and to determine the fate of slavery in the United States. In public orations and printed texts, African Americans and their white allies insisted that the Civil War was a second Haitian Revolution, a bloody conflict in which thousands of armed bondmen, "American Toussaints," would redeem the republic by securing the abolition of slavery and proving the equality of the black race. Southern secessionists and northern anti-abolitionists responded by launching a cultural counterrevolution to prevent a second Haitian Revolution from taking place.

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This beautifully illustrated and exquisitely designed volume of paintings, sculpture, medals, and drawings celebrates the extraordinary flowering of female portraiture, mainly in Florence, beginning in the latter half of the fifteenth century. Included are many of the finest portraits of women (and a few of men) by Filippo Lippi, Domenico Ghirlandaio, Antonio Pollaiuolo, Botticelli, Verrocchio, and Leonardo da Vinci--whose remarkable double-sided portrait of Ginevra de' Benci, which departs notably from tradition, is the focus of special attention. It was in Florence during this period that portraiture expanded beyond the realm of rulers and their consorts to encompass women of the merchant class. This phenomenon, long known to scholars, is here presented to a larger audience for the first time. The catalogue, which accompanies an exhibition at the National Gallery of Art, traces how the humanist praise of women influenced and enlivened their depiction. It also considers how meaningful costumes and settings were chosen. Works from outside Florence by such masters as Pisanello, Rogier van der Weyden, and Ercole Roberti shed additional light on the evolution of female portraiture during the century from c. 1440 to c. 1540. An introduction by editor and exhibition organizer David Alan Brown and four engaging essays by other experts on Renaissance art--Dale Kent, Joanna Woods-Marsden, Mary Westerman Bulgarella and Roberta Orsi Landini, and Victoria Kirkham--perfectly complement the more than one hundred illustrations, which include ninety-seven full-color plates. The catalogue entries are concise while revealing the key aspects of each portrait--from style and sources to ongoing scholarly debates. This elegant, enlightening book is itself a telling portrait not only of the art but also of the broader issues of women's freedom, responsibility, and individuality in a most exceptional era. EXHIBITION SCHEDULE National Gallery of Art, Washington, D.C. September 30, 2001-January 6, 2002

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FEATURED ON THE SUNDAY TIMES' CRIME BOOKS OF THE YEAR LIST - 'SUPERB' JOAN SMITH, SUNDAY TIMES**DON'T MISS CASSIE RAVEN'S NEWEST MYSTERY, DEAD FALL, AVAILABLE TO PRE-ORDER NOW!**'I LOVE THIS SERIES!' ELLY GRIFFITHS'ENGROSSING, SHARP, UTTERLY ORIGINAL' TAMMY COHEN'A MUST-READ SERIES' JAMES OSWALD'CASSIE RAVEN IS MY FAVOURITE NEW CHARACTER' WILLIAM SHAW'WARM, ENGAGING AND ORIGINAL' MARI HANNAH'AN ENGROSSING AND INTRIGUING READ' FAITH MARTIN 'TWISTY AND TREMENDOUS' MARA TIMONCamden mortuary technician Cassie Raven returns to solve another ingenious forensic mystery. Perfect for fans of Tess Gerritsen, Patricia Cornwell and Kathy Reichs. Mortuary technician Cassie Raven believes the last thoughts of the dead linger like static in the air...Cassie has always had a strange affinity with death, ever since her parents were killed in a car crash when she was four. At least that's what she grew up believing...But that was a lie. Cassie's father is alive. He was convicted of murdering her mother and spent years behind bars. Now he's out - and he's looking for her.He swears he didn't do it. And Cassie wants to believe him.To find the truth, she must turn detective. As she seeks answers, help is to be found in inexplicable places - for the dead are ready to talk.PRAISE FOR THE CASSIE RAVEN SERIES:'Spellbinding storytelling' Val McDermid'Like Silent Witness but more believable' Susi Holliday'Blackly humorous, with a fabulously one-of-a-kind protagonist' Heat Magazine'[A] gritty novel with an engaging heroine' Sunday Times'Ingenious and sardonically written' Financial Times'Cassie Raven is an utterly compelling contemporary forensic heroine' Isabelle Grey'A fresh and exciting new series' Claire McGowan'One of the best series openers I've read in years' Jane Casey'Cassie Raven is a blast of fresh air, striding onto the crime scene like a punk superstar' Sarah Hilary

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An easy-to-use, beautifully illustrated book to help you know the key things to do in your garden through 2023.How soon can I sow my sweet peas? When should I prune my clematis? What can I do to add plenty of winter colour to my borders? Is there anything to do in January? Find the answers to all these questions and more with Your Gardening Year 2023 - a book that every gardener should have as they embark on a new year of planting, sowing, pruning, and growing. This easy-to-use gardening guide is packed with essential tasks and top tips for every month of the year, with sections on general garden care, growing fruit and vegetables, and getting the best out of containers. Discover which plants will look their best each month and mark the progression of the seasons with a dedicated note section so you can record your garden successes and make plans for next year. With beautiful illustrations to accompany each month, Your Gardening Year 2023 is a must-have resource for all gardeners--whether you're looking for a handy at-a-glance guide for yourself or a gift for a green-fingered loved one.Get your gardening gloves on and join the journey as you explore: - Twelve chapters, one for each month, featuring the following content- 'Around the Garden' pages offer short, easy-to-follow garden tasks for a range of subjects, including 'General Care',- 'Trees, Shrubs, and Climbers', 'Perennials, Annuals, Bulbs, and Bedding', and 'Containers', alongside a series of 'Ten-minute Tasks' to help readers make best use of their time in the garden- Dedicated pages on 'The Kitchen Garden', with 'Harvest Highlights' showcasing the very best produce that month.- Illustrated 'At Their Best' profile spreads showcase five plants with seasonal appeal.- 'Get Ahead' activities for readers wanting to make the most of their time.- A notes page for readers to record their gardening successes and observations.- At-a-glance crop planner showing when to sow, plant out, and harvest popular vegetables and fruits.- Beautiful illustrations to add a timely and inspirational reminder of the garden that month.A must-have volume for the novice gardener looking for tips and tricks as they get into the rhythm of the gardening year, and doubling up as great gift purchase for the gardening lover in your life!

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The Armed Conflict Survey is the annual review of the political, military and humanitarian dimensions of all active conflicts from the International Institute for Strategic Studies. It offers in-depth analysis of the drivers, dynamics and outlook of 34 current armed conflicts along with detailed information on conflict parties and more than 60 full-colour maps and infographics. The Armed Conflict Survey is an essential resource for those involved in security, foreign and humanitarian policymaking, and an indispensable handbook for anyone conducting serious analysis of armed conflict.Key features· Essays on global trends in armed conflict, with a focus on the changing nature of third-party intervention, the long aftermath of armed conflicts, and economic migration and forced displacement in a COVID-19 world.· Overviews of key events and political and military developments from January 2020–February 2021 for each conflict.· Strategic analysis of national and regional drivers and conflict outlooks.· Regional analyses with unique insights into the geopolitical and geo-economic threads linking conflicts across regions and globally.· Expanded information on conflict parties.· The Armed Conflict Global Relevance Indicator (ACGRI), an IISS proprietary indicator that combines measures of incidence and human impact with geopolitical impact to assess the global salience of armed conflicts.· Analysis of the humanitarian, social and economic impact of conflicts.· Conflict-specific trends, strategic implications and prospects for peace.· More than 60 full-colour maps, tables and infographics highlighting key conflict developments and data.· Key statistics on violent events, fatalities, military power, geopolitical salience, refugees and internally displaced persons.· The 2021 Chart of Armed Conflict, presenting information on conflict start dates, typologies and relevant refugee flows, as well as providing a visual overview of each conflict’s geopolitical relevance, looking at 2020 UN Security Council resolutions, multilateral missions and the involvement of third-party countries.

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Finalist, CCBC Marilyn Baillie Picture Book Award Finalist, Janet Savage Blachford Prize for Children's and Young Adult Literature Sydney and his friends gather outside to play, transforming one by one to climb, leap, lumber and soar into a shared jungle of their imagination. Hanging upside down in a tree, Sydney imagines he is a sleepy, sun-bathing sloth. And that's where Sami finds him. Sami thinks sloths are too slow, so she scampers up the tree and becomes a spider monkey. “Fast is fun!” she chatters. “Fast is best!” And that’s where Edward finds them… One after another, the neighborhood kids wander by and slip into a shared imaginative world where leaves and giant flowers unfurl, playing, laughing, teasing and bickering, until Edward the elephant fills up his trunk and—WHOOSH!—sends the children “galloping home like a herd of small wet animals.” As always, Marie-Louise Gay’s writing and artwork are wonderfully pitched to young readers, capturing the effortless way that children travel back and forth between the worlds of real life and make believe. With its sun-dappled watercolors, depiction of time spent outdoors with friends, and quiet, wistful ending, I’m Not Sydney perfectly illustrates the slow-moving magic of a childhood summer. Key Text Features illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses. CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events.

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The Millennium Development Goals, adopted at the UN Millennium Summit in 2000, are the world's targets for dramatically reducing extreme poverty in its many dimensions by 2015 income poverty, hunger, disease, exclusion, lack of infrastructure and shelter while promoting gender equality, education, health and environmental sustainability. These bold goals can be met in all parts of the world if nations follow through on their commitments to work together to meet them. Achieving the Millennium Development Goals offers the prospect of a more secure, just, and prosperous world for all. The UN Millennium Project was commissioned by United Nations Secretary-General Kofi Annan to develop a practical plan of action to meet the Millennium Development Goals. As an independent advisory body directed by Professor Jeffrey D. Sachs, the UN Millennium Project submitted its recommendations to the UN Secretary General in January 2005. The core of the UN Millennium Project's work has been carried out by 10 thematic Task Forces comprising more than 250 experts from around the world, including scientists, development practitioners, parliamentarians, policymakers, and representatives from civil society, UN agencies, the World Bank, the IMF, and the private sector. Coming to Grips with Malaria in the New Millennium presents an innovative strategic framework for relieving the burden that malaria imposes on society through the implementation of tried and tested anti-malarial interventions designed to improve health nationally and to promote economic development locally. Recommendations include early diagnosis, treatment with effective anti-malarial medicines, the use of insecticide treated nets, indoor residual spraying, managing the environment, improving housing, extending health education and improving monitoring and evaluation systems.

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This volume of Research in Economic Anthropology, which presents ten peer-reviewed anthropological papers, celebrates the 40th anniversary of the series by taking a close look at human vulnerability: the ways in which people attempt to cope with it and barriers to successfully overcoming it. The two leading articles both take up the issue of microfinance; Daniel Murphy examines the influences of this in the lives of pastoralists in Mongolia, and Megan Hinrichsen explores related processes among vendors in Quito, Ecuador. Next, Elena Sischarenco looks at ways of dealing with vulnerability in the northern Italian construction industry. Sarah Lyon investigates smallholders’ experiences with, and adaptations to, the coffee rust disaster in Oaxaca, Mexico, as well as the functions of fair trade organizations. Rounding out the first half of the volume is Raja Swamy’s analysis of post-tsunami reconstruction in Tamil Nadu, India. The second half starts with Janneke Verheijen’s investigation of women’s survival strategies in rural Malawi, southeast Africa, and Lai Wo’s study of intimate relationships and transactions between Western men and Southeast Asian women in Hong Kong. Courtney Lewis explores political and economic sovereignty among the Eastern Band of Cherokee Indians in North Carolina, USA. Finally, the volume turns to the past with Kari Henquinet’s examination of the evolution of American faith-based overseas development aid projects in the 20th century, and with Serge Svizzero’s and Clement Tisdell’s analysis of Early Bronze Age desert kite use for trapping gazelles in parts of Southwest Asia. Ultimately, it is hoped that this and other scholarly investigations into human vulnerability will lead to better preventive and curative measures, for an imperfect world.

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In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past quarter century has used the trope of masculinity to mirror the profound sociopolitical changes in the country. Since 1980, South Korea has transformed from an insular, authoritarian culture into a democratic and cosmopolitan society. The transition has fueled anxiety about male identity, and amid this tension, empowerment has been imagined as remasculinization. Kim argues that the brutality and violence ubiquitous in many Korean films is symptomatic of Korea’s on-going quest for modernity and a post-authoritarian identity.Kim offers in-depth examinations of more than a dozen of the most representative films produced in Korea since 1980. In the process, he draws on the theories of Jacques Lacan, Slavoj Zizek, Gilles Deleuze, Rey Chow, and Kaja Silverman to follow the historical trajectory of screen representations of Korean men from self-loathing beings who desire to be controlled to subjects who are not only self-sufficient but also capable of destroying others. He discusses a range of movies from art-house films including To the Starry Island (1993) and The Day a Pig Fell into the Well (1996) to higher-grossing, popular films like Whale Hunting (1984) and Shiri (1999). He considers the work of several Korean auteurs—Park Kwang-su, Jang Sun-woo, and Hong Sang-su. Kim argues that Korean cinema must begin to imagine gender relations that defy the contradictions of sexual repression in order to move beyond such binary struggles as those between the traditional and the modern, or the traumatic and the post-traumatic.

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The defeat of South Vietnam was arguably America's worst foreign policy disaster of the 20th Century. Yet a complete understanding of the endgame--from the 27 January 1973 signing of the Paris Peace Accords to South Vietnam's surrender on 30 April 1975--has eluded us. Black April addresses that deficit. A culmination of exhaustive research in three distinct areas: primary source documents from American archives, North Vietnamese publications containing primary and secondary source material, and dozens of articles and numerous interviews with key South Vietnamese participants, this book represents one of the largest Vietnamese translation projects ever accomplished, including almost one hundred rarely or never seen before North Vietnamese unit histories, battle studies, and memoirs. Most important, to celebrate the 30th Anniversary of South Vietnam's conquest, the leaders in Hanoi released several compendiums of formerly highly classified cables and memorandum between the Politburo and its military commanders in the south. This treasure trove of primary source materials provides the most complete insight into North Vietnamese decision-making ever complied. While South Vietnamese deliberations remain less clear, enough material exists to provide a decent overview. Ultimately, whatever errors occurred on the American and South Vietnamese side, the simple fact remains that the country was conquered by a North Vietnamese military invasion despite written pledges by Hanoi's leadership against such action. Hanoi's momentous choice to destroy the Paris Peace Accords and militarily end the war sent a generation of South Vietnamese into exile, and exacerbated a societal trauma in America over our long Vietnam involvement that reverberates to this day. How that transpired deserves deeper scrutiny.

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Each pilot and bombardier/navigator sat side by side in an all-weather jet built for low-level bombing runs, precision targeting, and night strikes. Their success—and their very lives—depended on teamwork in flying their versatile A-6 Intruders. And when the North Vietnamese mounted a major offensive in 1972, they answered the call.Carol Reardon chronicles the operations of Attack Squadron 75, the "Sunday Punchers," and their high-risk bombing runs launched off the U.S.S. Saratoga during the famous LINEBACKER campaigns. Based on unparalleled access to crew members and their families, her book blends military and social history to offer a unique look at the air war in Southeast Asia, as well as a moving testament to the close-knit world of naval aviators.Theirs was one of the toughest jobs in the military: launching off the carrier in rough seas as well as calm, flying solo and in formation, dodging dense flak and surface-to-air missiles, delivering ordnance on target, and recovering aboard safely. Celebrating the men who climbed into the cockpits as well as those who kept them flying, Reardon takes readers inside the squadron's ready room and onto the flight decks to await the call, "Launch the Intruders!" Readers share the adrenaline-pumping excitement of each mission—as well as those heart-stopping moments when a downed aircraft brought home to all, in flight and on board, that every aspect of their lives was constantly shadowed by danger and potential death.More than a mere combat narrative, Launch the Intruders interweaves human drama with familial concerns, domestic politics, and international diplomacy. Fliers share personal feelings about killing strangers from a distance while navy wives tell what it's like to feel like a stranger at home. And as the war rages on, headlines like Jane Fonda's visit to Hanoi and the Paris Peace Accords are all viewed through the lens of this heavily tasked, hard-hitting attack squadron.A rousing tale of men and machines, of stoic determination in the face of daunting odds, Reardon's tale shines a much-deserved light on group of men whose daring exploits richly deserve to be much better known.

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'Absolutely wonderful. I feel as though I've been on holiday’ – Jane Lovering The perfect escapist romance. Let yourself be whisked away to sun-drenched Spain for a holiday you won't forget. For fans of Rosanna Ley, Jennifer Bohnet and Lucy Coleman. Piano teacher Marina Meyer is delighted when her mother offers to help buy her own place in London, even though it means returning to Spain to sell the family holiday home. Cala Turquesa may be beautiful, but it also holds painful memories of Marina's father, who tragically died there in a boating accident. When Marina befriends turtle-saving vet Mati, it's hard to believe she could have stayed away so long. And then there's handsome property developer Agustín, who has set his sights on more than just the real estate... But as Marina clears out her father's belongings, memories resurface, along with troubling questions about the circumstances of his death. Can Marina overcome these to find happiness in the Spanish Cove? Perfect for fans of Rosanna Ley, Jennifer Bohnet and Lucy Coleman. Readers love The Spanish Cove! 'Wow wow wow! What a wonderful delightful read... It simply is the best summer read' NetGalley 5* Review 'Amazing summer read...I consumed this book in one sitting' NetGalley 5* Review 'Truly stunning book from Cherry; her books get better and better... Beautifully written with lovely descriptions' NetGalley 5* Review 'Amazing... The characters and scenery quickly hooked me in and it was tough to put down' NetGalley 5* Review 'Love, love this book... Great holiday read!' NetGalley 5* Review 'Perfect for taking on holiday and reading by the pool or on the beach! Full of love, loss, romance and sunshine. A very easy read that you will not want to put down' NetGalley 5* Review 'Hugely enjoyable... The perfect summertime read!!' NetGalley 5* Review 'Absolutely brilliant... I just wish I could give it more than five stars! I couldn't stop reading till I found out how it would end!' NetGalley 5* Review 'Oh my. Read in an afternoon... Just have to read it' NetGalley 5* Review 'Perfect beach read which whisked me off to Spain!' NetGalley 4* Review

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A major new urban history of the design and development of postwar San Francisco Designing San Francisco is the untold story of the formative postwar decades when U.S. cities took their modern shape amid clashing visions of the future. In this pathbreaking and richly illustrated book, Alison Isenberg shifts the focus from architects and city planners--those most often hailed in histories of urban development and design--to the unsung artists, activists, and others who played pivotal roles in rebuilding San Francisco between the 1940s and the 1970s. Previous accounts of midcentury urban renewal have focused on the opposing terms set down by Robert Moses and Jane Jacobs--put simply, development versus preservation--and have followed New York City models. Now Isenberg turns our attention west to colorful, pioneering, and contentious San Francisco, where unexpectedly fierce battles were waged over iconic private and public projects like Ghirardelli Square, Golden Gateway, and the Transamerica Pyramid. When large-scale redevelopment came to low-rise San Francisco in the 1950s, the resulting rivalries and conflicts sparked the proliferation of numerous allied arts fields and their professionals, including architectural model makers, real estate publicists, graphic designers, photographers, property managers, builders, sculptors, public-interest lawyers, alternative press writers, and preservationists. Isenberg explores how these centrally engaged arts professionals brought new ideas to city, regional, and national planning and shaped novel projects across urban, suburban, and rural borders. San Francisco's rebuilding galvanized far-reaching critiques of the inequitable competition for scarce urban land, and propelled debates over responsible public land stewardship. Isenberg challenges many truisms of this renewal era--especially the presumed male domination of postwar urban design, showing how women collaborated in city building long before feminism's impact in the 1970s. An evocative portrait of one of the world's great cities, Designing San Francisco provides a new paradigm for understanding past and present struggles to define the urban future.

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This unprecedented exhibition reintroduces three trailblazing Japanese American artists of the pre–World War II generations. Pictures of Belonging: Miki Hayakawa, Hisako Hibi, and Miné Okubo brings together over ninety works by three pioneering Japanese American artists from the pre–World War II era. Despite long careers and critical acclaim, Miki Hayakawa, Hisako Hibi, and Miné Okubo have largely been overlooked in traditional American art history. This groundbreaking exhibition reintroduces their work and explores their deep connections with each other for the first time. Through three chronological sections, the exhibition traces the careers of these artists from the 1920s to the 1990s. "Faces & Communities" presents pre–World War II portraiture and figurative works, while "Belongings & (dis)Locations" showcases landscapes and still lifes from the prewar and wartime periods. The final section, "Explorations & Rediscoveries," features postwar abstractions. Pictures of Belonging foregrounds the rich and heterogeneous oeuvres of Hayakawa, Hibi, and Okubo, which spanned eight decades and four states, highlighting the diverse communities in which these trailblazing artists flourished before, during, and after World War II. Published in conjunction with the exhibition of the same name, this book shifts the spotlight from the injustice and tragedy of Japanese American incarceration toward a broader picture of the so-called American experience through the compelling, divergent lives and artworks of these women of Japanese descent. Published by the Japanese American National Museum in association with University of California Press and with support from the Terra Foundation for American Art and the National Endowment for the Arts. Exhibition dates: February 24 to June 30, 2024, at the Utah Museum of Fine Arts, Salt Lake City, Utah November 15, 2024, to August 17, 2025, at the Smithsonian American Art Museum, Washington, District of Columbia October 2, 2025, to January 4, 2026, at the Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania February 5, 2026, to April 19, 2026, at the Monterey Museum of Art, Monterey, California Fall 2026 at the Japanese American National Museum, Los Angeles, California

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In the wilderness, it’s kill or be killed… MISSINGWhen Gemma Kline is reported missing after setting off on a solo hike in the remote Pennines, her sister, Sarah, is dumbfounded. How can someone disappear without a trace? PRESUMEDTravelling to the isolated town where Gemma was last seen, Sarah discovers it’s not the first time a young woman has vanished from the hills in mysterious circumstances. As she digs deeper, it quickly becomes apparent that neither disappearance is what it first seems – especially when unwelcoming locals share chilling tales about what’s really lurking on the moors… MURDEREDWhatever has happened to her sister, one thing is clear: this town has secrets someone would kill to keep. But even on the fells, nothing stays buried forever… A gripping and atmospheric crime thriller set in one of the most remote corners of the British wilderness, perfect for fans of Chris Hammer, Jane Harper and Michael Connelly. Readers love The Hiker: ‘Now this was GOOD! What a story! Brilliantly gripping!’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘I loved this book… gripping with atmosphere and tension. Twisty, creepy, and unpredictable.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘Full of unexpected twists and turns… it really keeps you guessing till the last page.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘Engaging and menacing… nothing and nobody are what they seem.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘So, so, so good! Eerie, beautiful, haunting, shocking… the writing was absolutely superb, bringing the incredible setting and shock-factor alive. Excellent thriller!’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘This twisty storyline had me hooked and I tore through the pages… kept me on the edge of my seat.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘Dark and foreboding… A great read.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘An excellent crime thriller… held my attention from start to finish.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘A real page turner! Five stars.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘This book kept me on the edge of my seat with twists and turns throughout… impossible to put down!’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘A fantastic read full of mystery and suspense. And that ending…. I did not see that coming! Highly recommended.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘The many twists and turns had me gasping aloud. I could not put this book down… And I have firmly decided I will never be going on a solo hike again!’ NetGalley Reviewer, ⭐⭐⭐⭐⭐

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The Sunday Times bestseller Shortlisted for the Women’s Prize for Fiction Longlisted for the Booker Prize ‘It is a book not read, but lived’ Telegraph ‘Her Cromwell novels are, for my money, the greatest English novels of this century’ Observer The bestselling sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Wolf Hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it?’ England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. A Guardian Book of the Year • A Times Book of the Year • A Daily Telegraph Book of the Year • A Sunday Times Book of the Year • A New Statesman Book of the Year • A Spectator Book of the Year Sunday Times Bestseller (08/03/2020)

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Situated in a dress circle position on the slopes of the village of Les Avants, overlooking Lake Geneva in Switzerland, Chalet Monet is the magnificent home of Dame Joan Sutherland OM AC DBE and her husband, Maestro Richard Bonynge AC CBE. In his charming, eloquent, conversational style, Richard Bonynge takes us inside the home he has shared with Dame Joan, and in so doing provides rare insight into the lives of two of the greatest international cultural icons in opera of all time. The Chalet was introduced to Dame Joan and Richard by their close friend Noël Coward who resided in the neighbouring property. The opulence of each of the distinctive rooms over the four floors and vistas from the Chalet is artfully captured in stunning photography. Paintings and objets dart line the walls and fill the cabinets, each with their own provenance; presented by royalty or celebrities, embroided by Dame Joan or collected by Richard. Through the stories of these artefacts, told by Richard in eloquent conversational style, we learn about the life and times of two of the most formidable figures associated with opera in the 20th century. "For those fortunate enough to have discovered and experienced the thrill of opera and all the larger than life characters associated with it, to enter Chalet Monet is somewhat of a fairy tale experience that could be taken right out of a Cinderella story ... Chalet Monet is a house with a thousand stories. It is living history, theatrical, a beautiful home with enormous spirit like its owners. It radiates grandeur yet intimacy with places to sit and contemplate, views to linger over, books to be read, paintings to admire and music to listen to. It is a treasure trove for the senses where many a story has been told orbegun. Only its walls and its owners remember the decades of music making here and possibly the oddneighbour and the cows on the grassy slopes ... Thank you, Richard for allowing us to enter your private and colourful world." From the Preface by Fiona Janes, Artistic Director/General Manager Joan Sutherland & Richard Bonynge Foundation. This sumptuously produced coffee table book captures the essence of the fairy tale that is Chalet Monet.

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**Winner of the Rugby Book of the Year at the Sports Book Awards 2022**Prince Alexander Sergeevich Obolensky made his name on a cold January day at Twickenham in 1936, his achievements captured for posterity by the newsreels of the time. On his England debut, having already scored one exhilarating try, the striking blond winger collected a pass on the right and, path blocked, veered left at such a pace that a line of opponents were left grasping at thin air. It was a historic try, unrivalled in skill and speed - and it inspired England's first ever victory over the All Blacks.Born to a noble family in St Petersburg in 1916, he had been due a life of wealth and privilege, until revolution forced the Obolenskys to flee Russia. Arriving in Britain with just a handful of possessions, they were reduced to relying on handouts, little Alex's very education resting on the charity of others. But as the young boy began his new life in a strange country, it was his natural sporting ability that would bring him lasting fame. The controversial selection for England of a Russian-born prince was a huge story in the press, stirring up xenophobia as well as excitement at the 19-year-old Oxford student's sheer pace. His later exploits on and off the field would keep his name in the papers, yet Alex was destined to win only four international caps, despite touring with the Lions and appearing for the Barbarians. After joining the RAF to serve his adopted king and country, he died at the controls of a Hurricane in March 1940.Bringing a fascinating era to life, The Flying Prince explores the mystery and mythology surrounding Alexander Obolensky, and for the first time tells the full story of the sporting hero who died too young.*****'Well-researched . . . a pleasure to read. There are plenty of colourful characters' - THE TIMES'The fascinating tale of the Russian-born aristocrat who helped England beat the All-Blacks for the first time' JOHN AIZLEWOOD, I NEWS'A first biography from Hugh Godwin, rugby correspondent of the i, and a fine fist he's made of it too' - BEST RUGBY BOOKS 2021'Expertly fills in the gaps . . . Now we have a biography his story deserves' - THE RUGBY PAPER

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Jane Grigson wrote of Italian Food ‘Basil was no more than the name of bachelor uncles, courgette was printed in italics as an alien word, and few of us knew how to eat spaghetti or pick a globe artichoke to pieces. ... Then came Elizabeth David like sunshine, writing with brief elegance about good food, that is, about food well contrived, well cooked. She made us understand that we could do better with what we had.’ Published in 1954 the importance of this book, which required a full year's research in Italy, can only be appreciated when you realise that she was working in a post-rationing England which regarded Italian cuisine as nothing more than variations on pasta and veal. What she discovered was an enormous wealth of regional diversity in ingredients, methods, and even language, where the same pasta shape can be called three or four names in different parts of the country. She understood that all Italian cooking is regional; there is no 'national' cuisine and so there are eight recipes for aubergines, fourteen for artichokes, five for fennel and seven for lentils, all from different regions. But if such descriptions seem to today’s reader overly thorough it is because many of her 1950's audience would have never heard of risotto, gorgonzola, prosciutto or even olive oil, let alone been able to purchase them. This is a critical and analytical look at Italian food – her personality and point of view come out on almost every page – organised by type of dish rather than by region and is full of details of kitchens and cooking by painters from the 14th, 15th and 18th centuries. The book is filled with asides and quotes from Italian writers and thinkers and as confirmation that this is more a work of scholarship than a simple book on cookery, there are appendices of bibliographies and notes on wine. If you want to explore the authentic regional roots of the Italian kitchen, Elizabeth David's masterpiece is the place to start. And the joy and relevance of this book today is that recipes that could only be read 60 years ago can now be cooked and savoured. Elizabeth David’s acclaimed writings are often cited as an inspiration by many of today’s leading chefs, as well as home cooks, and are essential to any serious cookery book collection.

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Two months after D-Day, just as the battle of Normandy was reaching its climax, with all eyes on the Falaise Pocket, the Allies unleashed the second invasion of France not in the Pas de Calais but the French Riviera. Immaculately planned, effectively undertaken, the Allies quickly broke out of their bridgehead, drove 400 miles into France in three weeks, and liberated 10,000 square miles of French territory while inflicting 143,250 German casualties. On September 10 they linked up with Patton’s Third Army and advanced into the Vosges Mountains, taking Strasbourg and holding the area against the Germans’ final big attack in the west: Operation Nordwind in January 1945. US Seventh Army and 6th Army Group undertook a successful campaign placing a third Allied army group with its own independent supply lines, in northeastern France at a time when the two northern Allied army groups were stretched to the limit. Without this force the Allies would have struggled to hold the frontage to Switzerland and Third Army would have been exposed to attack in its southern flank—something that could have had disastrous repercussions particularly during the Ardennes offensive of December 1944.The images of palm trees and azure seas obscure our view of this campaign. It was no cakewalk. The Germans knew the Allies were coming and had strong defences in the area. A shortage of landing craft, vehicles, and matériel meant that the US Seventh and French First armies were restricted in the assault. The heavy fog and anti-glider defences made for a difficult airborne assault, but it was carried out effectively, the amphibious assault was textbook in execution and the invasion of southern France ended up as a significant victory. But the story of 6th Army Group wasn’t finished. Taking up a position on the east flank of Third Army it fought its way through the Vosges and withstood the Germans’ last throw: Operation Nordwind—the vain attempt to relieve pressure on the Ardennes assault by attacking in the Vosges. Heavy fighting pressed hard towards Strasbourg but the Allies were ultimately victorious, inflicting severe losses on the Germans.

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'A guide to the mind of one of the great English novelists of the last half-century' Guardian'Like hearing the voice of an old friend' Observer'Extraordinary . . . a quality of timelessness and prescience' New Statesman, Book of the Year'Magical . . . Here we meet not just Mantel the Cromwell-catcher, but Mantel the quill-sharp critic of contemporary life' The Times, Book of the YearAs well as her celebrated career as a novelist, Hilary Mantel long contributed to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. This strand of her writing was an integral part of how she thought of herself. 'Ink is a generative fluid,' she explains. 'If you don't mean your words to breed consequences, don't write at all.' A Memoir of My Former Self collects the finest of this writing over four decades. Mantel's subjects are wide-ranging. She discusses nationalism and her own sense of belonging; our dream life flopping into our conscious life; the mythic legacy of Princess Diana; the many themes that feed into her novels - revolutionary France, psychics, Tudor England - and other novelists, from Jane Austen to V. S. Naipaul. She writes about her father and the man who replaced him; she writes fiercely and heartbreakingly about the battles with her health she endured as a young woman, and the stifling years she found herself living in Saudi Arabia. Here, too, is a selection of her film reviews - from When Harry Met Sally to RoboCop - and, published for the first time, her stunning Reith Lectures, which explore the process of art bringing history and the dead back to life.From her unique childhood to her all-consuming fascination with Thomas Cromwell that grew into the Wolf Hall Trilogy, A Memoir of My Former Self reveals the shape of Hilary Mantel's life in her own dazzling words, 'messages from people I used to be.' Compelling, often very funny, always luminous, it is essential reading from one of our greatest writers.'A smart, deft, meticulous, thoughtful writer, with such a grasp of the dark and spidery corners of human nature' Margaret Atwood'Mantel was a queen of literature . . . her reign was long, varied and uncontested' Maggie O'Farrell

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THE SUNDAY TIMES NUMBER ONE BESTSELLER!What if winning means losing everything?‘A gripping story of greed, lies and dark family secrets’ Lisa Jewell‘Utterly engrossing and brilliant’ Lucy Foley‘Addictive, provocative… brilliantly crafted’ TM Logan It’s the stuff dreams are made of – a lottery win so big, it changes everything. For fifteen years, Lexi and Jake have played the same six numbers with their friends, the Pearsons and the Heathcotes. Over dinner parties, fish & chip suppers and summer barbecues, they’ve discussed the important stuff – the kids, marriages, jobs and houses – and they’ve laughed off their disappointment when they failed to win anything more than a tenner. But then, one Saturday night, the unthinkable happens. There’s a rift in the group. Someone doesn’t tell the truth. And soon after, six numbers come up which change everything forever. Lexi and Jake have a ticket worth £18 million. And their friends are determined to claim a share of it. Sunday Times Number One bestseller Adele Parks returns with a riveting look at the dark side of wealth in this gripping take on friendship, money and betrayal, and good luck gone bad… Praise for Just My Luck: ‘Adele Parks never takes her foot off the gas, every book is tighter, faster, better than the last. Just My Luck is a gripping story of greed, lies and dark family secrets. I read it in a two-day frenzy’ Lisa Jewell ‘Utterly engrossing and brilliant’ Lucy Foley ‘A compelling take on one of those “what if” scenarios that we’ve all wondered about. Addictive, provocative and thoroughly relatable – a brilliantly crafted reminder to be careful what you wish for’ TM Logan ‘An absolute joy: gripping, shocking and surprising. A cautionary tale about what one couple’s sudden wealth can do to old friendships’ Jane Fallon ‘Fabulous… her best yet’ Daily Mail ‘Stupendous! I read this totally compelling modern-day morality tale over a weekend – I couldn’t put it down. As ever, Adele Parks does not disappoint – you’ll love it’ Ruth Jones ‘Like a deft magician, this book reveals its twists only at the very end, I was completely astonished’ Rosamund Lupton

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From the former Treasury Secretary, the definitive account of the unprecedented effort to save the U.S. economy from collapse in the wake of the worst global financial crisis since the Great DepressionOn 26 January, 2009, during the depths of the financial crisis and having just completed five years as President of the Federal Reserve Bank of New York, Timothy F. Geithner was sworn in by President Barack Obama as the seventy-fifth Secretary of the Treasury of the United States. Now, in a strikingly candid, riveting, and historically illuminating memoir, Geithner takes readers behind the scenes during the darkest moments of the crisis. Swift, decisive, and creative action was required to avert a second Great Depression, but policy makers faced a fog of uncertainty, with no good options and the risk of catastrophic outcomes.Stress Test: Reflections on Financial Crises takes us inside the room, explaining in accessible and forthright terms the hard choices and politically unpalatable decisions that Geithner and others in the Obama administration made during the crisis and recovery. He discusses the most controversial moments of his tenures at the Federal Reserve Bank of New York and at the Treasury, including the harrowing weekend Lehman Brothers went bankrupt; the searing crucible of the AIG bonuses controversy; the development of his widely criticized but ultimately successful plan in early 2009 to end the crisis; the bracing fight for the most sweeping financial reforms in seventy years; and the lingering aftershocks of the crisis, including high unemployment, the fiscal battles, and Europe’s repeated flirtations with the economic abyss. Geithner also shares his personal and professional recollections of key players such as President Obama, Ben Bernanke, Hank Paulson, and Larry Summers, among others, and examines the tensions between politics and policy that have come to dominate discussions of the U.S. economy. An insider’s account of how the Obama administration saved the economy but lost the American people, Stress Test reveals a side of Timothy Geithner that only few have seen.

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The New Yorker's award-winning war correspondent returns to his own country to chronicle a story of mounting civic breakdown and violent disorder, in a vivid eyewitness narrative of revelatory explanatory power.'This is a searing book, exquisitely reported, lyrically told, and so vivid it will make your heart stop-a dark journey into what ails America' Patrick Radden KeefeOn the morning of January 6, a gallows was erected on the National Mall in Washington, D.C. A little after noon, as thousands of Trump supporters marched past the structure, some paused to climb its wooden steps and take pictures of the US Capitol framed within an oval noose. Up ahead, the dull thud of stun grenades could be heard, accompanied by bright flashes. Several people carried Confederate flags. Others had Tasers, baseball bats, bear spray, and truncheons. 'They need help!' a man shouted. 'It's us versus the cops!' No one seemed surprised by what was taking place. There was an eerie sense of inexorability, mixed with nervous hesitation. It reminded me of combat: the slightly shocked, almost bashful moment when bravado, fantasy, and training crash against reality.In early 2020, Luke Mogelson, who had been living in France and covering the Global War on Terrorism, returned home to report on the social discord that the pandemic was bringing to the fore in the US. Soon, he found himself embedded with militias descending on the Michigan state capitol. From there, the story swept him on to Minneapolis, then to Portland, and ultimately to Washington, D.C. His stories for The New Yorker were hailed as essential first drafts of history. They were just the tip of the iceberg.The Storm Is Here is the definitive eyewitness account of how--during a season of sickness, economic uncertainty, and violence--a large segment of Americans became convinced that they needed to rise up against dark forces plotting to take their country away from them, and then did just that. It builds month by month, through vivid depictions of events on the ground, from the onset of the pandemic to the attack on the US Capitol--during which Mogelson was in the Senate chamber with the insurrectionists--and its aftermath. Bravely reported and beautifully written, Mogelson's book follows the tradition of some of the essential chronicles of war and unrest of our time.

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**Winner of the Rugby Book of the Year at the Sports Book Awards 2022**Prince Alexander Sergeevich Obolensky made his name on a cold January day at Twickenham in 1936, his achievements captured for posterity by the newsreels of the time. On his England debut, having already scored one exhilarating try, the striking blond winger collected a pass on the right and, path blocked, veered left at such a pace that a line of opponents were left grasping at thin air. It was a historic try, unrivalled in skill and speed - and it inspired England's first ever victory over the All Blacks.Born to a noble family in St Petersburg in 1916, he had been due a life of wealth and privilege, until revolution forced the Obolenskys to flee Russia. Arriving in Britain with just a handful of possessions, they were reduced to relying on handouts, little Alex's very education resting on the charity of others. But as the young boy began his new life in a strange country, it was his natural sporting ability that would bring him lasting fame. The controversial selection for England of a Russian-born prince was a huge story in the press, stirring up xenophobia as well as excitement at the 19-year-old Oxford student's sheer pace. His later exploits on and off the field would keep his name in the papers, yet Alex was destined to win only four international caps, despite touring with the Lions and appearing for the Barbarians. After joining the RAF to serve his adopted king and country, he died at the controls of a Hurricane in March 1940.Bringing a fascinating era to life, The Flying Prince explores the mystery and mythology surrounding Alexander Obolensky, and for the first time tells the full story of the sporting hero who died too young.*****'Well-researched . . . a pleasure to read. There are plenty of colourful characters' - THE TIMES'The fascinating tale of the Russian-born aristocrat who helped England beat the All-Blacks for the first time' JOHN AIZLEWOOD, I NEWS'A first biography from Hugh Godwin, rugby correspondent of the i, and a fine fist he's made of it too' - BEST RUGBY BOOKS 2021'Expertly fills in the gaps . . . Now we have a biography his story deserves' - THE RUGBY PAPER

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On 1 April 1942, less than four months after the world had been stunned by the attack upon Pearl Harbor, sixteen US aircraft took to the skies to exact retribution. Their objective was not merely to attack Japan, but to bomb its capital. The people of Tokyo, who had been told that their city was invulnerable' from the air, would be bombed and strafed - and the shock waves from the raid would extend far beyond the explosions of the bombs. The raid had first been suggested in January 1942 as the US was still reeling from Japan's pre-emptive strike against the US Pacific Fleet at Pearl Harbor. The Americans were determined to fight back and fight back as quickly as possible. The 17th Bomb Group (Medium) was chosen to provide the volunteers who would crew the sixteen specially-modified North American B-25 bombers. As it was not possible to reach Tokyo from any US land bases, the bombers would have to fly from aircraft carriers, but it was impossible for such large aircraft to land on a carrier; the men had to volunteer for a one-way ticket. Led by Lieutenant Colonel Jimmy' Doolittle, the seventy-one officers and 130 enlisted men embarked on the USS Hornet which was shielded by a large naval task force. However, the ships were spotted by a Japanese ship. The decision was therefore made to take-off before word of the task force's approach reached Tokyo, even though the carrier was 170 miles further away from Japan than planned and in the knowledge that the B-25s would not have enough fuel to reach their intended landing places in China. The raid was successful, and the Japanese were savagely jolted out of their complacency. Fifteen of the aircraft crash-landed in, or their crews baled-out over, China; the sixteenth managed to reach the Soviet Union. Only three men were killed on the raid, with a further eight being taken prisoner by the Japanese, three of whom were executed and one died of disease. The full story of this remarkable operation, of the men and machines involved, is explored through this fascinating collection of images.

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Born on 17 June 1900, Martin Ludwig Bormann became one of the most powerful and most feared men in the Third Reich. An obsessive bureaucrat, it was Bormann who helped steer Hitler's apparatus of terror so effectively that he became the clandestine ruler of Nazi Germany. After joining the Nazi Party in 1927 Bormann rose through its ranks. Indeed, by July 1933 Bormann had manoeuvered himself into the position where he became the Chief of Cabinet in the Office of the Deputy F hrer, Rudolf Hess. In this role Bormann gradually consolidated his power base, so that when Hess carried out his infamous flight to the United Kingdom in 1941, Bormann stepped into his shoes. As the head of the Party Chancellery, Bormann duly took control of the Nazi Party. By the end of 1942, he was in effect Hitler's deputy and his closest collaborator. With the F hrer increasingly preoccupied with military matters, Hitler came to rely more and more on Bormann to handle Germany's domestic affairs. On 12 April 1943, Bormann was appointed Personal Secretary to the F hrer. Feared by ministers, Gauleiters, civil servants, judges and generals alike, Bormann identified strongly with Hitler's ideas on racial politics, destruction of the Jews and forced labour and made himself indispensable as the F hrer's executioner. Cold as ice, he decided the fate of millions of people. In January 1945, with the Third Reich collapsing, Bormann returned to the F hrerbunker with Hitler. Following Hitler's suicide on 30 April, Bormann was named as Party Minister, thus officially confirming his rise to the top of the Party. Late the following day he fled from the bunker in an attempt to escape the encircling Red Army; his fate remaining a mystery for many years. In October 1946 he was found guilty in absentia by the International Military Tribunal at Nuremberg and sentenced to death. Drawing heavily on recently declassified documents and files, the historian and journalist Volker Koop reveals the full story of the most faithful member of Hitler's inner circle, an individual who, whilst little known to the German people, became the second most powerful man in the Third Reich.

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'A guide to the mind of one of the great English novelists of the last half-century' Guardian'Like hearing the voice of an old friend' Observer'Extraordinary . . . a quality of timelessness and prescience' New Statesman, Book of the Year'Magical . . . Here we meet not just Mantel the Cromwell-catcher, but Mantel the quill-sharp critic of contemporary life' The Times, Book of the YearAs well as her celebrated career as a novelist, Hilary Mantel long contributed to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. This strand of her writing was an integral part of how she thought of herself. 'Ink is a generative fluid,' she explains. 'If you don't mean your words to breed consequences, don't write at all.' A Memoir of My Former Self collects the finest of this writing over four decades. Mantel's subjects are wide-ranging. She discusses nationalism and her own sense of belonging; our dream life flopping into our conscious life; the mythic legacy of Princess Diana; the many themes that feed into her novels - revolutionary France, psychics, Tudor England - and other novelists, from Jane Austen to V. S. Naipaul. She writes about her father and the man who replaced him; she writes fiercely and heartbreakingly about the battles with her health she endured as a young woman, and the stifling years she found herself living in Saudi Arabia. Here, too, is a selection of her film reviews - from When Harry Met Sally to RoboCop - and, published for the first time, her stunning Reith Lectures, which explore the process of art bringing history and the dead back to life.From her unique childhood to her all-consuming fascination with Thomas Cromwell that grew into the Wolf Hall Trilogy, A Memoir of My Former Self reveals the shape of Hilary Mantel's life in her own dazzling words, 'messages from people I used to be.' Compelling, often very funny, always luminous, it is essential reading from one of our greatest writers.'A smart, deft, meticulous, thoughtful writer, with such a grasp of the dark and spidery corners of human nature' Margaret Atwood'Mantel was a queen of literature . . . her reign was long, varied and uncontested' Maggie O'Farrell

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The editors and contributors to Color of Violence ask: What would it take to end violence against women of color? Presenting the fierce and vital writing of organizers, lawyers, scholars, poets, and policy makers, Color of Violence radically repositions the antiviolence movement by putting women of color at its center. The contributors shift the focus from domestic violence and sexual assault and map innovative strategies of movement building and resistance used by women of color around the world. The volume's thirty pieces—which include poems, short essays, position papers, letters, and personal reflections—cover violence against women of color in its myriad forms, manifestations, and settings, while identifying the links between gender, militarism, reproductive and economic violence, prisons and policing, colonialism, and war. At a time of heightened state surveillance and repression of people of color, Color of Violence is an essential intervention. Contributors. Dena Al-Adeeb, Patricia Allard, Lina Baroudi, Communities Against Rape and Abuse (CARA), Critical Resistance, Sarah Deer, Eman Desouky, Ana Clarissa Rojas Durazo, Dana Erekat, Nirmala Erevelles, Sylvanna Falcón, Rosa Linda Fregoso, Emi Koyama, Elizabeth "Betita" Martínez, maina minahal, Nadine Naber, Stormy Ogden, Julia Chinyere Oparah, Beth Richie, Andrea J. Ritchie, Dorothy Roberts, Loretta J. Ross, s.r., Puneet Kaur Chawla Sahota, Renee Saucedo, Sista II Sista, Aishah Simmons, Andrea Smith, Neferti Tadiar, TransJustice, Haunani-Kay Trask, Traci C. West, Janelle White

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'Hugely enjoyable' Steve Cavanagh'Ridiculously entertaining' Tom Hindle'I didn't want it to end' Heidi Perks______________________*NUMBER ONE SUNDAY TIMES BESTSELLER**RICHARD & JUDY BOOK CLUB PICK*ONE MURDER. ONE IMPOSSIBLE CASE. WHO IS GUILTY?When hero policeman Grant Cliveden dies from a poisoning in the Old Bailey, it threatens to shake the country to its core.The evidence points to one man. Jimmy Knight has been convicted of multiple offences before and defending him will be no easy task. Not least because this is trainee barrister Adam Green's first case.But it will quickly become clear that Jimmy Knight is not the only person in Cliveden's past with an axe to grind.The only thing that's certain is that this is a trial which will push Adam - and the justice system itself - to the limit. . .** ROB RINDER'S SECOND ADAM GREEN NOVEL, THE SUSPECT, IS AVAILABLE TO PRE-ORDER NOW.**______________________What readers are saying about THE TRIAL:'This is a courtroom cracker''Brilliantly plotted with enough twists and turns to keep you guessing''The courtroom scenes and interactions are electric''It's a must read and hope there will be a sequel - loved it!''Rinder's own career as criminal barrister shines through'Praise for THE TRIAL: 'Strong storytelling with a murder mystery at its heart makes it one to treasure' Daily Mail'A pacy and gripping read!' The Sun'An exciting start to what promises to be an excellent series, with an appealing central character' The Guardian'Such fantastic characters and such a fun read. I loved it' Phillipa Perry'This is a book that takes you to the dark heart of the criminal justice system... I haven't enjoyed a legal thriller this much since Grisham's The Firm' Tony Parsons'A terrific, pacy read' Susanna Reid'A brilliant rollercoaster of a read' Louise Minchin'The Trial is in the best tradition of John Mortimer's Rumpole series. A hugely enjoyable Britishcourtroom drama' Steve Cavanagh'Rinder's personal experiences as a barrister shine through in a cracking courtroom drama packed with tension and sharp wit' Sunday Express'A classic whodunnit with a sensational twist' The Independent'Energetic, warm, laced with humour with a truly inventive mode of murder' Sarah Vaughan'Brilliant courtroom drama, humorous as you would expect from Rob, and one that I had to read slowly because I did not want it to end' Heidi Perks'This one will have you hooked' Glamour'The Trial is whip-smart, stylish and gripping, both murder mystery and courtroom drama, shot through with tension, humour and a dark dissection of corruption, status and justice' Gilly Macmillan'A ridiculously entertaining whodunit. The Trial is sharp, witty and has a huge amount of heart' Tom Hindle'Rob Rinder has penned his first novel, a legal thriller, and it doesn't disappoint' Jewish News 'An engrossing read by someone who clearly knows their subject matter well. I didn't see the ending coming!' Faith Martin'The book is gripping from the first page' Northern Echo'A classic whodunnit with a sensational twist' Yorkshire PostNumber 1 Sunday Times bestseller, July 2023Richard and Judy Book Club Pick, January 2024

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Digitised facsimiles, with notes and transcription, of the earliest printed texts produced in Scotland. In 1508 the partnership of Andrew Myllar and Walter Chepman brought printing to Scotland. Their early publications brought into print works by two of medieval Scotland's most celebrated poets, Robert Henryson and William Dunbar, Walter Kennedy and Robert Henryson; they also contain less well-known but important poems and prose in Scots and in English by other writers. The prints feature a wide variety of genres: romance; fable; advice to princes; chivalrictreatise; lyric; dream vision; along with a classic example (by Dunbar and Walter Kennedy) of the Scots genre of `flyting', a stylised but scurrilous exchange of poetic insults. In celebration of the anniversary, the Scottish Text Society, in association with the National Library for Scotland, has published a DVD of prints produced by Chepman and Myllar in or close to 1508, containing digitised facsimiles of each of the twenty printed items. Eachfacsimile is accompanied by a headnote, explaining the print's literary significance and technical features, and a transcription. There is also an introduction by the general editor, SALLY MAPSTONE, which sets the Chepman and Myllar press within the context of early sixteenth-century Scotland and Scottish book history. The edition thus gives readers informative access to Scotland's earliest texts; easily navigable, it will become a vital teaching and research tool. CONTRIBUTORS: PRISCILLA BAWCUTT, A.S.G. EDWARDS, JANET HADLEY WILLIAMS, RALPH HANNA, BRIAN HILLYARD, LUUK HOUWEN, EMILY LYLE, SALLY MAPSTONE, JOANNA MARTIN, NICOLE MEIER, RHIANNON PURDIE

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The last survivor of Hitler's bunker speaks for the first timeThe last survivor of the end days of Hitler's bunker tells his story publicly for the first time. Von Loringhoven was aide-de-camp to Hitler's last two chiefs of staff, Guderian and Krebs, and the link between the armies at the fronts and Hitler in his Berlin bunker. For the last nine months of the Third Reich he was present at the daily military briefings between Hitler and Marshals Keital and Goring, General Jodl and Admiral Donitz, along with Goebbels, Bormann, Ribbentrop, Himmler and Fegelein.Von Lorninghoven was witness to the ever-growing gap between the reality of reports outside the bunker and Hitler's misunderstanding of the calamity that was encircling the regime. As the Third Reich spiralled downwards, he watched and recorded Hitler's catastrophic strategic mistakes and the paralysis in which he held his generals. Hitler's reason was twisted by his need for vengeance after the assissination attempt; he was searching for an impossible theatrical victory from an empire in total ruin. The final week of the regime saw Loringhoven living wholly in the bunker, watching the deteriorating relations among the inmates, military and civilian, as the atmosphere poisoned to an inevitable end. When radio-telephone communications finally broke down on 29 April he escaped the bunker - amazingly with Hitler's blessing - crossed the Russian lines and was picked up and taken prisoner by the Americans. He was released in January 1948.

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One of our great essayists and journalists-the Dean of American Rock Critics, Robert Christgau-takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock 'n' roll before Elvis, settled east of Manhattan's Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago '68, and the first abortion speak-out. He's caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin's A Walker in the City, E. B. White's Here Is New York, Joseph Mitchell's Up in the Old Hotel, and Patti Smith's Just Kids, it is a loving portrait of a lost New York. It's an homage to the city of Christgau's youth from Queens to the Lower East Side-a city that exists mostly in memory today. And it's a love story about the Greenwich Village girl who roamed this realm of possibility with him.

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'It's not a high concept movie, there's actually no story there really. It’s what happens in between the story that’s important' – Bill Forsyth The story of an American businessman sent to buy the Scottish village of Ferness with the aim of turning it into an oil refinery, Local Hero is one of Scotland’s most beloved, and most misunderstood, films. When Bill Forsyth’s incredible success with the low-budget That Sinking Feeling and Gregory’s Girl found him collaborating with Britain’s best-known film producer, David Puttnam, he soon found his independent ethos clashing with Hollywood’s desire for superstar actors and a happy ending. Jonathan Melville checks into the MacAskill Arms and looks back at Bill Forsyth’s career with the help of new and archive interviews, before spending time with the cast and crew, including stars Peter Riegert and Denis Lawson, who made Local Hero on location in Houston and Scotland in 1982. With access to early drafts of the Local Hero script (including hand-written notes) that reveal more about Mac and mermaids, excerpts from a previously unpublished interview in which Bill Forsyth explains why he refuses to call his film 'feel-good', and a look at long-lost deleted scenes with exclusive commentary from those involved, this is the definitive history of the Scottish classic. ‘Genuine fairy tales are rare; so is film-making that is thoroughly original in an unobtrusive way. Bill Forsyth's quirky disarming Local Hero is both . . . it demonstrates Mr. Forsyth's uncanny ability for making an audience sense that something magical is going on, even if that something isn't easily explained’ – Janet Maslin, The New York Times 'Local Hero is kind of transcendent. It's poetic in a way that most films can't hope to be' – Frank Cottrell-Boyce 'Local Hero is one my favourite films of all time . . . A timeless masterpiece' – Mark Kermode

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On 14 January 1930, Horst Wessel, a young and ambitious member of the SA was shot at close range at his home in Berlin. Although the crime was never completely solved, the murder was most likely committed by a group of communists with close ties to the city's gangland. Wessel later died from his injuries. Joseph Goebbels, whose attention had already been drawn to Wessel as a possible future Nazi leader, was the first to recognize the propaganda potential of the case. 'A young martyr for the Third Reich' he wrote in his diary on 23 February 1930 immediately after receiving the news of Wessel's death. This was the beginning of the myth-making that transformed an ordinary individual into a masculine role model for an entire generation. Two months later, thousands of people lined the streets for Wessel's funeral parade and Goebbels delivered a graveside eulogy. In the years that followed - and as Nazi power increased - Horst Wessel became the hero of the Nazi movement - with his elaborate memorial quickly becoming a site of pilgrimage. The song Die Fahne Hoch for which Wessel had written the lyrics (and which subsequently became popularly known as the Horst Wessel Song) became the official Nazi party anthem and the Berlin district of Friedrichshain, where Wessel was murdered was renamed Horst-Wessel-Stadt in his honour. Numerous biographies and films followed. Using previously unseen material, Daniel Siemens provides a fascinating and gripping account of the background to Horst Wessel's murder and uncovers how and why the Nazis made him a political hero. He examines the Horst Wessel 'cult' which emerged in the aftermath of Wessel's death and the murders of revenge, particularly against Communists, committed by the SA and Gestapo after 1933. At the same time, the story of Horst Wessel provides a portrait of the Nazi propaganda machine at its most effective and most chilling.

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A vital contribution to environmental humanities that explores artistic responses to the plastic age Since at least the 1960s, plastics have been a defining feature of contemporary life. They are undeniably utopian—wondrously innovative, cheap, malleable, durable, and convenient. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are piling up in landfills, floating in oceans, and contributing to climate change and cancer clusters. They are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. Plastic reshapes our cultural and social imaginaries. With impressive breadth and compelling urgency, the essays in Life in Plastic examine the arts and literature of the plastic age. Focusing mainly on post-1960s North America, the collection spans a wide variety of genres, including graphic novels, superhero comics, utopic and dystopic science fiction, poetry, and satirical prose, as well as vinyl records and visual arts. Essays by a remarkable lineup of cultural theorists interrogate how plastic—as material and concept—has affected human sensibilities and expression. The collection reveals the place of plastic in reshaping how we perceive, relate to, represent, and re-imagine bodies, senses, environment, scale, mortality, and collective well-being.Ultimately, the contributors to Life in Plastic think through plastic with an eye to imagining our way out of plastic, moving toward a postplastic future.Contributors: Crystal Bartolovich, Syracuse U; Maurizia Boscagli, U of California, Santa Barbara; Christopher Breu, Illinois State U; Loren Glass, U of Iowa; Sean Grattan, U of Kent; Nayoung Kim, Brandeis U; Jane Kuenz, U of Southern Maine; Paul Morrison, Brandeis U; W. Dana Phillips, Towson U in Maryland and Rhodes U in Grahamstown, South Africa; Margaret Ronda, UC-Davis; Lisa Swanstrom, U of Utah; Jennifer Wagner-Lawlor, Pennsylvania State U; Phillip E. Wegner, U of Florida; Daniel Worden, Rochester Institute of Technology.

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WOOD DETERIORATION, PROTECTION AND MAINTENANCE Wood has low embodied energy, is a renewable resource and can perform extremely well in a range of construction applications, so it is not surprising that there is growing interest in the use of wood in new buildings. As a natural material, wood can be subject to degradation by a range of environmental factors, insects, bacteria or fungi. Advances in the understanding of the degradation processes caused by these factors, as well as increased knowledge about boundary environmental conditions and the extractives that suppress the development of timber pests, have led to new methods of structural, physical and chemical protection of wood and wooden composites. The result is that wood can deliver high-performance, long-life buildings and structures with low environmental impact at relatively modest cost. Wood Deterioration, Protection and Maintenance provides an up-to-date discussion of the natural durability of wood, wood degradation processes, and methods of structural, physical and chemical protection of wood. The important information relating to wood degradation by abiotic and biotic agents in the context of the basic structure of wood is fully discussed, showing how structural changes in damaged wood relate to physical and mechanical properties. Modern active substances in wood protection and the relationships between preservative properties, the anatomical structure and moisture content of wood, and protective processes involving pressure and/or diffusion driving forces are fully illustrated. Mentioned also are principles of wood maintenance, together with modes of damaged wood identification, sterilization and reconstruction. OTHER BOOKS OF INTEREST Wood Modification: Chemical, Thermal and Other Processes Callum A. S. Hill Hardback ISBN 9780470021729 January 2006, Wiley Wood in Construction: How to Avoid Costly Mistakes Jim Coulson Paperback ISBN 9780470657775 March 2012, Wiley Blackwell Structural Timber Design to Eurocode 5, 2nd Edition Jack Porteous, Abdy Kermani Paperback ISBN 9780470675007 May 2013, Wiley Blackwell

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When we think of literature and film about farm workers, The Grapes of Wrath may come to mind, but Farm Worker Futurism reveals that the historical role of technology, especially new media, has in fact had much more to do with depicting the lives of farm laborers—Mexican migrants in particular—in the United States. From the late 1940s, when Ernesto Galarza led a strike in the San Joaquin Valley, to the early 1990s, when the United Farm Workers (UFW) helped organize a fast in solidarity with janitors at Apple Computers in the Santa Clara Valley, this book explores the friction between agribusiness and farm workers through the lens of visual culture.Marez looks at how the appropriation of photography, film, video, and other media technologies expressed a “farm worker futurism,” a set of farm worker social formations that faced off against corporate capitalism and government policies. In addition to drawing fascinating links between the worlds envisioned in UFW videos on the one hand and visions of Cold War geopolitics on the other, he demonstrates how union cameras and computer screens put the farm worker movement in dialogue with futurist thinking and speculative fictions of all sorts, including the films of George Lucas and the art of Ester Hernandez. Finally Marez examines the legacy of farm worker futurism in recent cinema and literature, contemporary struggles for immigrant rights, management–labor conflicts in computer hardware production, and the antiprison movement.In contrast with cultural histories of technology that take a top-down perspective, Farm Worker Futurism tells the story from below, showing how working-class people of color have often been early adopters and imaginative users of new media. In doing so, it presents a completely novel analysis of speculative fiction’s engagements with the farm worker movement in ways that illuminate both.

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‘The word “mesmerising” is frequently applied to memoirs, but seldom as deservedly as in the case of Girl With Dove’ Financial Times ‘Reading is a form of escape and an avid reader is an escape artist…’ Brilliantly original, funny and clever Honor Clark, Spectator, Book of the Year Growing up in a dilapidated house by the sea where men were forbidden, Sally’s childhood world was filled with mystery and intrigue. Hippies trailed through the kitchen looking for God – their leader was Aunt Di, who ruled the house with charismatic force. When Sally’s baby brother vanishes from his pram, she becomes suspicious of the activities going on around her. What happened to Baby David and the woman called Poor Sue? And where did all the people singing and wailing prayers in the front room suddenly go? Disappearing into a world of books and reading, Sally adopts the tried and tested methods of Miss Marple. Taking books for hints and clues, she turns herself into a reading detective. Her discovery of Jane Eyre marks the beginning of a vivid journey through Victorian literature where she also finds the kind, eccentric figure of Charles Dickens’ Betsey Trotwood. These characters soon become her heroines, acting as a part of an alternative family, offering humour and guidance during many difficult moments in Sally’s life. Combining the voices of literary characters with those of her real-life counterparts, Girl With Dove reads as a magical series of strange encounters, climaxing with a comic performance of Shakespeare in the children’s home where Sally is eventually sent. Weaving literary classics with a young girl’s coming of age story, this is a book that testifies to the transformative power of reading and the literary imagination. Mixing fairy tale, literary classics, nursery rhymes and folklore, it is the story of a child’s adventure in wonderland and search for truth in an adult world often cast in deep shadow.

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Mirsad Hadžkadić never planned for a life in politics. Yet, in 2018, he decided to run for the Bosniak presidential council seat in Bosnia and Herzegovina. Mirsad made the life-changing decision to run, despite the fact that he had a successful, thirty-year career as a professor at the University of North Carolina at Charlotte and very little experience in politics outside of academia. However, a conversation with a dear friend from Sarajevo planted the idea in his mind. Samir Avdakovi suggested that he run for office because "there may never be another election in Bosnia and Herzegovina, and the country as we know it will probably disintegrate." The words rumbled within Mirsad's mind for the next several months, and he thought to himself, "if what Samir says is so, who am I, because of the comforts I have, to decide not to even try?" After announcing his intentions on national TV in January of 2018, Mirsad began this journey in earnest in May of 2018 by building a campaign from the ground up with the hope of instilling a vision of hope and change and shifting the country's political discourse. However, he soon learned that the odds were stacked against him. He only had five months and limited funds to prove to the citizens of Bosnia and Herzegovina that he deserved their votes. And so, he took his meager funds, limited time, and infinite passion to do just that. He toured the country, meeting and talking with citizens, to share his vision of hope and change. Though Mirsad was not victorious on October 7th, his results were deemed historic and unprecedented. A relatively unknown, underfunded independent candidate managed to receive 60,000 votes or ten percent of the total votes cast. And, despite the defeat, Mirsad succeeded in spearheading a democratic movement, resulting in the formation of the Platform for Progress political organization in November of 2018 and the official dawning of The Odyssey for Democracy.

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From long lost paintings to ephemeral sculptures; from whimsical performances to iconic public murals; and from independent films to landmark design objects, the surprising and provocative contents of Moving Focus, India have been provided by a varied group of experts. A first of its kind, this book invited 54 artists, curators, historians and writers to each create a list of five works of art, made at any time since 1900, by artists living in India or identifying as part of its diaspora. With over 250 individual nominations, including artists whose works have been exhibited at venues as various as Houghton Hall (Anish Kapoor, 2020), the Asia Society Museum, New York (MF Husain, 2019) and the Piramal Museum of Art, Mumbai (SH Raza, 2018), the exercise produced thrilling and unexpected choices across many mediums. Drawing from a wide range of private and public collections, the selections reveal the diversity and inclusiveness of today’s art scene: an art scene that has embraced the progressive changes evident in society at large. In addition to these lists, the book includes reflections on collecting, curating and canon-formation from a range of important voices, by way of a roundtable discussion and a series of essays. Spread over two volumes and marked by an innovative and fresh design sensibility, whether you are familiar with modern and contemporary art from the subcontinent or looking for an introduction, Moving Focus, India contains a wealth of information. Lavishly illustrated with over 1,000 archival and freshly commissioned photographs, this book is an important and timely addition to the global art discourse and a key source of reference. Nominated artists include Ramkinkar Baij, Chittaprosad, VS Gaitonde, Amrita Sher Gil, Rummana Hussain, Bhupen Khakhar, Nasreen Mohamedi, Benode Behari Mukherjee, Meera Mukherjee, Mrinalini Mukherjee, Gieve Patel, Sudhir Patwardhan, Nilima Sheikh, Jangarh Singh Shyam, KG Subramanyan, Vivan Sundaram, Zarina and many more.

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On the Horizon of World Literature compares literary texts from asynchronous periods of incipient literary modernity in different parts of the world: Romantic England and Republican China. These moments were oriented alike by “world literature” as a discursive framework of classifications that connected and re-organized local articulations of literary histories and literary modernities. World literature thus provided—and continues to provide—a condition of possibility for conversation between cultures as well as for their mutual provincialization. The book offers readings of a selection of literary forms that serve also as textual sites for the enactment of new socio-political forms of life. The literary manifesto, the tale collection, the familiar essay, and the domestic novel function as testing grounds for questions of both literary-aesthetic and socio-political importance: What does it mean to attain a voice? What is a common reader? How does one dwell in the ordinary? What is a woman? In different languages and activating heterogeneous literary and philosophical traditions, works by Percy Bysshe Shelley, Lu Xun, Charles and Mary Lamb, Lin Shu, Zhou Zuoren, Jane Austen, and Eileen Chang explore the far-from-settled problem of what it means to be modern in different lifeworlds. Sun’s book brings to light the disciplinary-historical impact world literature has had in shaping literary traditions and practices around the world. The book renews the practice of close reading by offering the model of a deprovincialized close reading loosened from confinement within monocultural hermeneutic circles. By means of its own focus on England and China, the book provides methods useful for comparatists working between other Western and non-Western languages. It establishes the critical significance of Romanticism for the discipline of literary studies and opens up new paths of research in global Romanticism and global nineteenth-century studies. And it offers a new approach to analyzing the cosmopolitan character of the literary and cultural transformations of early twentieth-century China.

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