Search results for ""author jan"

‘I love Sarah’s novels because they are a burst of pure happiness’ Cathy Kelly ‘A gorgeous Christmas gift of a book – big-hearted, cosy and joyful’ Lucy Diamond ‘Unputdownable and gorgeous, I adored Snowed in for Christmas. It’s the ultimate feel-good festive novel’ Phillipa Ashley ‘Sarah is so bloody good at creating worlds and characters you fall instantly and hopelessly in love with, and Snowed In For Christmas is no different. Heartfelt, evocative and romantic’ Laura Jane Williams * * * She’s snowed in with the family. The only problem? They’re not her family. A family gatheringThis Christmas the Miller siblings have one goal – to avoid their family’s well-meaning questions. Ross, Alice and Clemmie have secrets that they don’t intend to share, and they are relying on each other to deflect attention. An uninvited guestLucy Clarke is facing a Christmas alone, and the prospect of losing her job – unless she can win a major piece of business from Ross Miller. She’ll deliver her proposal to his family home in the Scottish Highlands and then leave. After all, she wouldn’t want to intrude on the Miller’s perfect family Christmas. A Christmas to rememberWhen Lucy appears on the Miller’s snow-covered doorstep, she is mistaken for Ross’s girlfriend. But by the time the confusion is cleared up, a storm has hit and Lucy is stuck. As everyone settles in for a snowed-in Christmas, tensions bubble to the surface and suddenly Lucy finds herself facing a big family fallout with a family that isn’t hers… * * * Readers have fallen head over heels for Sarah Morgan! ‘For me, Sarah Morgan really knows how to write the perfect Christmas book’ Reader review, ⭐⭐⭐⭐⭐ ‘A book you can’t put down. Loved every minute of it’ Reader review, ⭐⭐⭐⭐⭐ ‘A gorgeous, feel-good festive treat of a read’ Reader review, ⭐⭐⭐⭐⭐ ‘A magical read that deserves at least a ten-star rating’ Reader review, ⭐⭐⭐⭐⭐

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'Ackroyd makes history accessible to the layman' - Ian Thomson, IndependentThe penultimate volume of Peter Ackroyd’s masterful History of England series, Dominion begins in 1815 as national glory following the Battle of Waterloo gives way to post-war depression, spanning the last years of the Regency to the death of Queen Victoria in January 1901.In it, Ackroyd takes us from the accession of the profligate George IV whose government was steered by Lord Liverpool, who was firmly set against reform, to the reign of his brother, William IV, the 'Sailor King', whose reign saw the modernization of the political system and the abolition of slavery. But it was the accession of Queen Victoria, aged only eighteen, that sparked an era of enormous innovation. Technological progress – from steam railways to the first telegram – swept the nation and the finest inventions were showcased at the first Great Exhibition in 1851. The emergence of the middle classes changed the shape of society and scientific advances changed the old pieties of the Church of England, and spread secular ideas across the nation. But though intense industrialization brought boom times for the factory owners, the working classes were still subjected to poor housing, long working hours and dire poverty.It was a time that saw a flowering of great literature, too. As the Georgian era gave way to that of Victoria, readers could delight not only in the work of Byron, Shelley and Wordsworth but also the great nineteenth-century novelists: the Brontë sisters, George Eliot, Mrs Gaskell, Thackeray, and, of course, Dickens, whose work has become synonymous with Victorian England.Nor was Victorian expansionism confined to Britain alone. By the end of Victoria’s reign, the Queen was also an Empress and the British Empire dominated much of the globe. And, as Ackroyd shows in this richly populated, vividly told account, Britannia really did seem to rule the waves.

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The Times Thrillers of the Year 2020 ’Superbly crafted with heart-stopping twists and chills galore. A new star has arrived in the thriller firmament’ The Times, Book of the Month Gabriela is a senior negotiator in the Foreign Office. When she returns to her young family after a seven-month stint in Moscow, something doesn’t seem right. Isobel is a journalist on the local paper in Camden. After witnessing a violent attack, she starts to investigate. But someone saw her watching, and is making themselves known in increasingly frightening ways. As Gabriela’s life begins to unravel, Isobel gets closer to the truth, and the two women’s lives converge in this deeply chilling examination of deceit. Reader reviews for A Double Life ‘A sensational story packed full of twists. What an unbelievable book, I'm absolutely flabbergasted by the ending… it's a cliffhanger, so I hope Philby is already working on a sequel because I NEED to know what happens next’ ⭐⭐⭐⭐⭐ ‘A riveting and tense thriller exploring the actions of two women whose lives are about to collide’ ⭐⭐⭐⭐⭐ ‘Can’t wait for book 3!’ ⭐⭐⭐⭐⭐ ‘Great read’ ⭐⭐⭐⭐⭐ Amazingly brilliant’ ⭐⭐⭐⭐⭐ ‘Loved loved LOVED! I was hooked after the very first chapter. Engrossed in the story all the way through. The end hit me like a tonne of bricks!!! CANNOT WAIT for the 3rd book!!' ⭐⭐⭐⭐⭐ ‘Complex, chilling, fascinating. LOVED it’ ⭐⭐⭐⭐⭐ ‘Addictive’ ⭐⭐⭐⭐⭐ ‘Chilling’ ⭐⭐⭐⭐⭐ ‘Gripping’ ⭐⭐⭐⭐⭐ Praise for A Double Life ‘I was utterly gripped’ LUCY FOLEY ‘I fell into the vivid, frightening world Charlotte Philby creates so skilfully and didn't resurface until long after I'd turned the last page’ JANE CASEY ‘A Double Life confirms Charlotte Philby as the master of a sub-genre she basically invented’ ERIN KELLY ‘Brilliantly executed and tense’ SUNDAY TIMES ‘Terribly compelling… persuasive and absorbing’ OBSERVER ‘A pacy, gripping read that kept us on the edge of our seats’ INDEPENDENT

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It's well known that human beings are allergic to change. This is nowhere more true than of human beings in organizations. Organization Development initiatives, Leadership Development programs, and Business Transformation plans all founder too often on our resistance and reluctance, on the tendency of people and things to slip back to how they were before. For a long time, Systems Thinkers in general (and Power+Systems pioneer Barry Oshry in particular) have understood that the problem lies with our failure to look at the surrounding organizational structures and dynamics, at the wider picture, at the context. Barry Oshry draws on a lifetime's experience to explain the nature of the problem with our organizational structures, and the ways in which we can dissolve the problem. This book is written in play-form: a simple briefing conversation between a recently hired team member and the Chief Contextual Thinker for a Business Consultancy firm. They discuss the change initiative they are running for a key client. The conversational format allows Oshry to introduce the relevant theory clearly and in sequence, while addressing questions and misunderstandings as they arise. The result is a guide to Systems Thinking for Organizations that's as short, clever, engaging, bright, and helpful as any business book you have ever picked up. This is a story with the potential to transform any organization and it is written for anyone interested in the workings and structures of human organizations: from Board Directors and Chief Executives, through Middle Managers to interested workers. *** "Exceptionally well written, organized and presented, 'Context, Context, Context' is unreservedly recommended for personal, professional, corporate, community, and academic library Systems Thinking, Organization Development, Sociology, and Business Management collections and supplemental studies reading lists." --The Midwest Book Review, Library Bookwatch, The Sociology Shelf, January 2018 [Subject: Systems Thinking, Organization Development, Sociology, Business]

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FOURTEEN DAYS, THREE SISTERS AND THE MOTHER OF ALL LIES'Radhika has the ability to create characters who make us laugh while pulling on our heartstrings. This book is a joy' Jane Fallon'A heartwarming novel' Sheila O'Flanagan'Whip-smart, laugh out loud hilarious, and has so much heart' Beth Reekles-----Reeva Mehta is thriving. Consumed in her career as one of London's top divorce lawyers, she doesn't bat an eyelid when her mum calls to tell her that her dad is dead. Because he's been dead since she was five . . . hasn't he?If finding out her dad was alive - until last week - wasn't bad enough, his last request was for his daughters to spend fourteen days in mourning at his house. Which means Reeva must spend a fortnight stuck with the people who betrayed her when she needed them the most - her sisters.Navigating her absent Bollywood megastar mother, newly dead father and scheming sisters with only a temperamental boyfriend - and even more temperamental cat - by her side, it's no wonder Reeva's hair is falling out. Could confronting the truth help the Mehtas put aside their differences, or will attending a funeral be the death of this family?A fresh, funny and oh-so-relatable novel about trying to be the grown up when your magnificently messy family seems set to sabotage everything. Get ready to laugh, cry and fall in love with this addictive read.'Hilariously funny, totally heartfelt and completely original' Laura Price'I absolutely loved it! It was like a glorious warm hug of a book!' Harriet Minter'Such a gorgeous read' Poorna BellREADERS ARE LOVING I WISH WE WEREN'T RELATED:'This book had me hooked' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW'Relatable, raw and riotously witty' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW'Absolutely brilliant' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW'Full of heart and so funny in the most awkwardly relatable ways' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW

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Feel chills down your spine with the thrilling third novel in Nicci French's bestselling killer series . . . Ruth Lennox is found by her daughter in a pool of her own blood. But who would want to murder an ordinary housewife? And why? 'Undeniably at the top of British psychological suspense writing' OBSERVER'Frieda's thinking keeps you gripped and adds twists that most people wouldn't imagine' 5***** READER REVIEW­__________Psychotherapist Frieda Klein wasn't ready for a case to get this personal.When her niece befriends Ruth Lennox's son, Ted, she finds herself in the difficult position of confidant to both Ted, and DCI Karlsson.Soon it's clear that Ruth was leading a secret life. Her family close ranks.And Karlsson needs Frida's help more than ever before . . .But Frieda is distracted. Having survived an attack on her life, she's struggling to stay focused when a patient's chance remark rings alarm bells.Suddenly Frieda finds herself chasing the path of a suspected serial killer.Or is it merely a symptom of her own increasingly fragile mind? . . .__________'A roller coaster of emotions . . . Truly brilliant writing' 5***** READER REVIEW'The storyline is gripping with twists and turns along the way' 5***** READER REVIEW'Had me gripped from the first few pages. Lots of twists and turns' 5***** READER REVIEWPraise for Nicci French: 'Sophisticated, compassionate, gripping . . . Not many books are as insightful as they are addictive; Nicci French's are' Sophie Hannah 'A brilliantly crafted new crime series' Daily Mirror 'Terrific. The writing is pacy, the jaw-dropping twists are plentiful' Short List 'One of French's hardest-to-put-down novels' Sunday Express 'French is undeniably at the top of British psychological suspense writing, expert in the unguessable twist, supremely skilled at ratcheting up the tension' Observer 'A nerve-jangling and addictive read' Daily Express

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Blanks, Print, Space, and Void in English Renaissance Literature is an inquiry into the empty spaces encountered not just on the pages of printed books in c.1500-1700, but in Renaissance culture more generally. The book argues that print culture in the sixteenth and seventeenth centuries helped to foster the modern idea of the 'gap' (where words, texts, images, and ideas are constructed as missing, lost, withheld, fragmented, or perhaps never devised in the first place). It re-imagines how early modern people reacted not just to printed books and documents of many different kinds, but also how the very idea of emptiness or absence began to be fashioned in a way which still surrounds us. Jonathan Sawday leads the reader through the entire landscape of early modern print culture, discussing topics such as: space and silence; the exploration of the vacuum; the ways in which race and racial identity in early modern England were constructed by the language and technology of print; blackness and whiteness, together with lightness, darkness, and sightlessness; cartography and emptiness; the effect of typography on reading practices; the social spaces of the page; gendered surfaces; hierarchies of information; books of memory; pages constructed as waste or vacant; the genesis of blank forms and early modern bureaucracy; the political and devotional spaces of printed books; the impact of censorship; and the problem posed by texts which lack endings or conclusions. The book itself ends by dwelling on blank or empty pages as a sign of human mortality. Sawday pays close attention to the writings of many of the familiar figures in English Renaissance literary culture - Sidney, Shakespeare, Donne, Jonson, and Milton, for example - as well as introducing readers to a host of lesser-known figures. The book also discusses the work of numerous women writers from the period, including Aphra Behn, Ann Bradstreet, Margaret Cavendish, Lady Jane Gray, Lucy Hutchinson, Æmelia Lanyer, Isabella Whitney, and Lady Mary Wroth.

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The Gin Drinker's Year is a celebration of all things gin and is packed with cocktails, food and gin-fusion recipes.With everything from 150 gin cocktails and gin-infusions, plus 30 delectable gin-spiked food recipes such as Penne alla Gin or Minty G&T Lollies, to heartfelt tributes to Snoop Dogg's 'Gin and Juice', the sozzled wit and wisdom of renowned gin soak Dorothy Parker and the rules of Gin Pong and Ten-Gin Bowling, there's an entry for every day of the year. You'll also discover fascinating snippets of gin-eral knowledge such as the history of vermouth, the Christmas gift that the beefeaters of the Tower of London are given every year, and why you most definitely should be celebrating National Gingerbread Day.So let the festivities be-gin. This is every gin lover's handbook to the best year ever.Highlights include:January - New Year's resolutions, Burns Night, Al Capone and a celeriac gin-fusion.February - Spin the Bottle, National Toast Day, Pancake Day and the Leap Day Cocktail.March - Gin Snap, White Day, St Patrick's Day, Earl Grey and some rather questionable poetry.April - Shakespeare's birthday, National Raisin Day and a Great Gatsby inspired Gin Rickey.May - Dick Bradsell's birthday, a Delft Donkey, a little opera and International Tea Day.June - Strawberry Fields, World Gin Day, Father's Day, a load of cobblers and floral foraging.July - Independence Day, genever, National Pi a Colada Day and garden games.August - Lychees, Dorothy Parker, Ogden Nash, World Oyster Day and Dubonnet.September - Hedgerows, Florida, International Talk Like a Pirate Day and directions to Park LaneOctober -International Gin & Tonic Day, the Beer Flood, spooky concoctions and Sake.November -Albert Camus, National Espresso Day and the anniversary of Casablanca.December - Humphrey Bogart's birthday, Roald Amundsen, Gin Pong and fizzy bubbles.

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This book comprises twenty-two articles devoted to First Millennium Egypt, all intended to honour Antony Leahy, whose interest in this period is well known to scholars of this period. Both archaeology and philology are represented in this volume as well as studies on history and material culture. The interlocking interpretation of texts and objects is also noteworthy. The paper by Karl Jansen-Winkeln re-examines the question of the Libyan or Egyptian nature/origin/ethnic identity of the Third Intermediate Period, whilst others are more specific in their scope. Chronological discussions concerning the order of the kings of the 25th Dynasty in Egypt and Nubia are presented by Gerard Broekman and Roberto Gozzoli. Several objects belonging to a king Djehutyemhat are described by Troy Sagrillo. Statues belonging to the Memphite governor, chancellor and scribe to the king Horsematuyemhat; the Theban governor Nesptah A; the admiral Hor, who presumably lived in Tell el Yahudiya; and the royal tutor Ankhefensenmut from Permanu are discussed by Mélanie Cressent, Frédéric Payraudeau, Campbell Price and Oliver Perdu respectively, with the latter arguing for an identification of Permanu with Kom Firin. The Theban choachytes of the Third Intermediate Period are studied by Cynthia Sheikoleslami, whilst Maria Cannata reports on the remains of an embalmer’s cache from the Saite Period. The minor arts of the First Millenium BC are addressed by Claus Jurman, who writes on a number of seals, Julia Budka, who deals with Twenty-fifth Dynasty votive pottery from Abydos, Benjamin Hinson, who reports on the presence of bells in First Millennium private tombs, and John Taylor, who discusses two lost Twenty-second Dynasty Theban cartonnages. Other studies examine the possibility of a third large Twenty-first dynasty cache at Thebes (David Aston); the possible location of the tomb of Osorkon III at Thebes (Michinori Ohshiro); the use of Pyramid texts in Twenty-fifth and Twenty-sixth Dynasty tombs (Antonio Morales); Saite warfare (Alan Lloyd) and Thirtieth Dynasty Apis burials (Didier Devauchelle). The volume also comprises philologically orientated contributions on Glorification Texts (Martin Bommas) and the Horus Throne in djet and neheh (Stephen Gregory). The collection of articles is rounded off by Günter Vittmann’s account of a previously unpublished letter written in abnormal hieratic from Amheida in the Dakhleh Oasis.

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PUBLISHED BY EUREKA PRESS, TOKYO, AND DISTRIBUTED BY ROUTLEDGE OUTSIDE JAPAN.The scholar and diplomat Sir Ernest Satow was the best-known Westerner who lived in Meiji Japan. Although he rose to become British Minister to Japan, the most interesting part of his career was the start of it, when he witnessed, and in a small way influenced, the fall of the bakufu and the Meiji Restoration. He wrote an account of this in a memoir called A Diplomat in Japan in 1921, which was based on the diaries transcribed in this volume. These diaries, hitherto unpublished, reveal the original material from which he crafted his memoir, as well as the material (about one-third of the diaries in total) he omitted. In various respects, the memoir is a sanitized account, written partly in Bangkok in the 1880s, and completed in retirement at the urging of younger relatives. In A Diplomat in Japan, Satow comes across as an assured young statesman, who, with his excellent Japanese and ability to make contact with the key players, was able to perceive the direction that the turbulent and confused events he witnessed was taking. In the diaries, he is a little less assured and not quite so percipient and interspersed with tales of meeting the likes of Saigō Takamori and Sakamoto Ryōma, are stories such as that of the paternity claim against him by a Japanese woman in Nagasaki. The part of the diaries relating to Satow’s stay in China (Shanghai and Peking from January to August 1862) has never before been transcribed or published, and is the most interesting part on a human level. It was an environment in which Satow, aged just 18, was forced to grow up fast, and we see him and his fellow student interpreters behaving badly on numerous occasions. Yet we also see the breadth of his intellect in the books he was reading and his informed interest in everything he saw around him. The editors have added extensive annotations and explanations to these diaries, making this book an indispensable reference work for students of bakumatsu Japan, and indeed anybody who wants to understand the story of how a very young, very clever, but rather awkward Englishman could have penetrated the very highest levels of the Japanese hierarchy to witness the transformation of the country from a feudal, inward-looking society to one that would become a major industrialized power to shock the world.

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'The last line will make you literally shout with shock' Good Housekeeping'Terrifically twisty ... hooks from the first page' Sunday TimesOn a bright morning in the London suburbs, a family moves into the house they’ve just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn’t sell it.FOR BETTER, FOR WORSE. When Fi Lawson arrives home to find strangers moving into her house, she is plunged into terror and confusion. She and her husband Bram have owned their home on Trinity Avenue for years and have no intention of selling. How can this other family possibly think the house is theirs? And why has Bram disappeared when she needs him most?FOR RICHER, FOR POORER. Bram has made a catastrophic mistake and now he is paying. Unable to see his wife, his children or his home, he has nothing left but to settle scores. As the nightmare takes grip, both Bram and Fi try to make sense of the events that led to a devastating crime. What has he hidden from her – and what has she hidden from him? And will either survive the chilling truth – that there are far worse things you can lose than your house? TILL DEATH US DO PART.Praise for Our House: 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible’ Clare Mackintosh ‘I raced through it this weekend. Such a smart idea. Twisty, warped, credible. Brilliantly plotted and compelling. Deserves to be such a hit’ Sarah Vaughan ‘Louise Candlish is a great writer;she inhaled me into her nightmarish world where everything we think we know is ripped from under our feet’ Fiona Barton ''A masterfully plotted, compulsive page-turner' Guardian 'Keeps you guessing to the end - and beyond' Stylist 'Whip-smart, knowing and brilliantly plotted' India Knight 'A corker' Evening Standard 'Terrific premise' New York Times 'Wonderfully plotted' Jane Garvey, Woman's Hour 'A blood pressure-raising thriller' Red ‘Gripping and heartbreaking with an undercurrent of unease running through it’ Louise Jensen ‘What a book! Fast, edge-of-your-seat stuff. Each time I set the book down I had to remind myself to breathe’ broadbeanbooks ‘Oh Louise Candlish, you are a genius! Our House is just brilliant. Scarily believable with the BEST ending I have read in a long time. I devoured it!’ Claire Frost, Fabulous magazine

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A journalist who has followed the rise of QAnon explains what it is, how it has gained a mainstream following among Republican lawmakers and ordinary citizens, the threat it poses to democracy, and how we can reach those who have embraced the conspiracy and are disseminating its lies.Over the last year, as the Covid-19 pandemic spread worldwide, so too did the pro-Trump cabal known as QAnon. What began as a fringe online conspiracy in the mid 2000s is now embraced by millions of Americans across the country—and the globe—including new members of Congress and the thousands of Trump followers, armed with guns and a variety of makeshift weapons, who attacked the United States Capitol on January 6, 2021, searching for lawmakers including the Vice President, shouting “hang Mike Pence.”Following internet clues from a mysterious figure named “Q”—who has claimed to be a high-level government insider with a Q-level clearance—QAnon adherents, fueled by paranoia and hatred of the left, believe that Donald Trump has been anointed by God to stop evil Democrats who sexually abuse, kill, and eat children; that Trump won the 2020 election that was stolen from him and will soon order mass executions of Democrats, including Hillary Clinton, the Obamas, George Soros, and many others. QAnon believers continue to spout lies and disinformation about politics and the pandemic; their beliefs have ruptured friendships and family bonds and caused untold damage.While in office, Trump praised QAnon believers as “people who love our country,” invited them to the White House, and retweeted their crazed messages on a near-daily basis. Though he is gone, the threat of widespread violence from his acolytes—“the Storm is coming”—remains high. What can we do about Q's growing platform? Daily Beast reporter Will Sommer has been reporting on the QAnon conspiracy for years and has been targeted by the group. In this timely and essential book, he explains the genesis of QAnon, his experience covering its members online and in the real world, Q’s lies and how they are spread, how Q has overshadowed politics, and what the nation must do to address this growing danger—including how to help friends and family who have fallen under Q’s pernicious sway.

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Are you ready to fill your life with more peace, power, and joy?We Should All Be Millionaires details a realistic, achievable, step-by-step path to creating the support, confidence, and plan you need to own your success and become the millionaire the world needs you to be.Only 10 percent of the world’s millionaires are women, making it difficult for women to wield the economic power that will create lasting equality. Whatever is stopping you from having seven figures in the bank—whether it’s shaky confidence, knowledge gaps when it comes to wealth building tactics, imposter syndrome, a janky mindset about money (it’s okay, we’ve all been there!), or simply not knowing where to begin—this book shows you how to clear every obstacle in your way, show up, and glow up.We Should All Be Millionaires will forever change the way you think about money and your ability to earn it.In this book, Rachel Rodgers— a Black woman, mother of four, attorney, business owner, and self-made millionaire— shares the lessons she’s learned both in her own journey to wealth and in coaching hundreds of women through their own journeys to seven figures.Inside, you’ll learn: Why earning more money is not “selfish” or “greedy” but in fact, a revolutionary act that brings the economy into balance and creates a better world for all. Why most of the financial advice you’ve heard in the past (like “skip your daily latte to save money”) is absolute, patriarchal nonsense. An eye-opening history lesson on how women and people of color have been shut out of the ability to build wealth for centuries—and how we can fix this. How to stop making broke-ass decisions that leave you feeling emotionally and financially depleted and start making million-dollar decisions instead. Why aiming to earn $100K per year is not enough, and why you need to be setting your goals much higher. Strategies to bring more money in the door and fatten your bank account immediately. (Including Rodgers’$10K in 10 Days Challenge which hundreds of women have completed—with incredible results.) It’s time to construct an entirely new attitude about money, claim your power, and build the financial security that you need and deserve — so you can stop just surviving, and start thriving. Let’s begin.

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When parents disagree on how to care for their child, is it justifiable to take extreme measures?Emily and Paul have a glorious home, money in the bank and two beautiful children. Since leaving Scotland for Paul to play football for an Australian team they have been blessed. But sadness lies behind the picture-perfect family - sixteen-year-old Cameron has battled with health troubles his entire life. There’s no name for what he has, but his disruptive behaviour, OCD and difficulty in social situations is a constant source of worry.When Paul’s career comes to a shuddering halt, he descends into a spiral of addiction, gambling away the family’s future. By the time he seeks help, it’s his new boss Damien who recommends and pays for a rehab facility.While Paul is away, Emily has to make a tough decision about their son. She keeps it from Paul knowing he’ll disapprove. And when a terrible accident reveals the truth, Paul takes his son and goes on the run, leaving Emily to care for fourteen-year-old Tilly, who unbeknown to her parents is fighting battles of her own.Can the family join together for the sake of their loved ones, or will their troubles tear them apart?What people are saying about More than Us:‘Dawn Barker has the reader enthralled and reading as quickly as possible to find out what happens to the complex, flawed, yet endearing main characters.’ Reader review‘I couldn’t put it down.’ Bookworm and Shutterbugs‘It grips you from the start… emotional.’ Reader review‘I was hooked and stayed up late to finish it… Wonderful characterisation of a modern day family coping with issues we find all around us.’ Reader review‘Another excellent book from Dawn Barker.’ Reader review‘I was gripped by this book.’ Reader review‘What a fantastic book. I could not put this down.’ Reader review‘The book touched on an interesting subject that is debated so often’ Reader review‘A wonderful read, breathtaking in places with superb pacing, keeping me glued to see just what happened next, wondering if there was a way this lovely, loving family could stay together, get through the problems they had’ Blogger Jennie Zelos‘An enjoyable and thought provoking read’ Reader review‘A powerful Australian family drama’ Reader review‘A sensitively written story that examines mental health issues in children and parents and how they are perceived and resolved’ Jane Hunt Writer Blog

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The Book of Sand: the first novel in an epic series created by one of the most gifted and invented storytellers of the twenty-first century.'Shocking and satisfying ...a compelling, absorbingly different quest fantasy' Guardian'An utterly original novel from an extraordinarily creative mind' Karin Slaughter'Unique and fearless' Mark Billingham'I inhaled it! It's beautifully written and utterly compelling' Harriet Tyce'Fearless and compelling, lyrical and devastating by turns, the story never slackens pace.' Jane Corry______________SAND. A hostile world of burning sun.Outlines of several once-busy cities shimmer on the horizon. Now empty of inhabitants, their buildings lie in ruins.In the distance a group of people - a family - walk towards us.Ahead lies shelter: a 'shuck' the family call home and which they know they must reach before the light fails, as to be out after dark is to invite danger and almost certain death.To survive in this alien world of shifting sand, they must find an object hidden in or near water. But other families want it too. And they are willing to fight to the death to make it theirs.It is beginning to rain in Fairfax County, Virginia when McKenzie Strathie wakes up. An ordinary teenage girl living an ordinary life - except that the previous night she found a sand-lizard in her bed, and now she's beginning to question everything around her, especially who she really is ...Two very different worlds featuring a group of extraordinary characters driven to the very limit of their endurance in a place where only the strongest will survive.______________More praise for The Book of Sand ...'Audacious, extraordinary and absolutely awesome' Alex North'A future classic that exists between darkness and light. I was completely entranced by it' Christopher Fowler'A huge and brilliant and engaging read. It feels like a place I have been to rather than words on a page' Alice Jolly'A remarkable achievement' Shots Magazine'What we have here is a fantasy about faith and the search for spiritual certainty... [an] ambitious religious parable.' FT______________Readers love The Book of Sand ...'This was the best reading experience of a lifetime. I fear the words haven't yet been invented to describe how good the book is. It deserves to be a huge bestseller.''I would absolutely die for a movie adaptation of this one in the future!' 'The Book of Sand is dazzling, lyrical, surreal and a beautiful legacy.''An absolute must read!''I did not want to put it down at any point.''A gripping read.''Couldn't put it down. 5*.''This was a page turner that was totally original in concept.'

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'With smoking hot chemistry, next to no angst, and a friend group that is literally squad goals, Rochon has written another winner' - The Dating Playbook is one of Vulture's Best Romances of 2021! If you love Helen Hoang, Abby Jimenez and Talia Hibbert, you'll LOVE Farrah Rochon, whose books are always witty, hot, and engaging (BuzzFeed)!'A total knockout: funny, sexy, and full of heart' KirkusWhat happens when three women discover, thanks to the live tweeting of a disastrous date, that they've all been duped by the same man? They become friends of course!The dating game is on. And the rules just went out the window. When it comes to personal training, Taylor Powell kicks serious butt. Unfortunately, her bills are piling up, rent is due, and the money situation is dire. Taylor needs more than the support of her new best friends, Samiah and London. She needs a miracle. And Jamar Dixon might just be it. The oh-so-fine former footballer wants to get back into the NFL, and he wants Taylor to train him. There's just one catch - no one can know what they're doing. But when they're accidentally outed as a couple, Taylor's game plan is turned completely upside down. Is Jamar just playing to win...or is he playing for keeps?Raves for Farrah Rochon:'Relatable and real... I smiled the whole time I was reading' Andie J. Christopher'The free-spirited, tell-it-like-it-is page-turner you've been looking for!' Kwana Jackson'A multilayered story about friendship, love, and following your dreams - all of it told with heart and emotion' Nalini Singh'Funny, fresh, sexy, and heartfelt. This is my new favorite romance series' Suzanne Brockmann'A smart, funny digital-age romance about real women living in the real world. Couldn't put it down!' Abby Jimenez'A masterpiece of modern-day Jane Austen with effortless, razor-sharp social commentary, romance, and humor. Farrah Rochon is one of the absolute best romance writers today. Period' Kristan Higgins'Swoon-worthy romance, the power of true friendship, and a grand gesture that makes your heart sigh with pure satisfaction. Absolutely a must-read summer romance!' Priscilla Oliveras'Rochon is a romance master who adeptly writes interesting and dynamic characters... A richly layered conflict adds depth and complexity to this charming workplace romance' Kirkus

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Repentant Monk: Illusion and Disillusion in the Art of Chen Hongshou is the first U.S. exhibition focusing solely on Chen Hongshou (1599-1652), a major figure in Chinese painting. Chen has long been regarded as one of the most visually exciting artists of his time as evidenced in this exhibition by a careful selection of his best extant work including figure, landscape, and bird and flower paintings drawn from collections world-wide. Chen's iconic manner of painting figures in the styles of ancient masters lends an aura of antiquity to his work which is equally charged by distinct expressions of irony, humor, and pathos. In his landscape paintings we recognize his vast knowledge of past traditions while in his bird and flower paintings we see a remarkable freshness and modernity that has tremendous popular appeal. Repentant Monk addresses the need for a greater historical understanding of this artist's work and breadth of paintings made during the transitional period of the late Ming and early Qing dynasties (early to mid- seventeenth century). The title refers to the sobriquet that Chen adopted in 1646, and goes to the heart of the exhibition content. Chen used "Repentant Monk" (Hui Seng) in seals and signature for a short period of time but his paintings reflected his personal state of mind throughout his later period. His withdrawal from society and adoption of this name make public both his disappointment with the Ming as well as his own regret at surviving and carrying on into the new Qing dynasty rather than following other loyalists to death by their own hands. The exhibition will include work from major museums worldwide and includes strategic loans such as Elegant Gathering (1646-47) from the Shanghai Museum, Scenes from the Life of Tao Yuanming (1650) from the Honolulu Museum of Art, and The Mountain of Five Cataracts (1624) from The Cleveland Museum of Art. The catalogue includes an introduction by exhibition curator Julia M. White with essays by Tamara Bentley, Shi-yee Liu, Richard Vinograd, Hiromitsu Kobayashi, and Patricia Berger. Transcriptions and translations are compiled by Julia Jaw. Published in association with The Berkeley Art Museum and Pacific Film Archive (BAMPFA). Exhibition dates: October 25, 2017-January 28, 2018

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Known as the Forgotten War, the "police action" in Korea resulted in almost as many American combat deaths in three years as the Vietnam War did in ten. Yet for many Americans today, the Korean War brings to mind nothing more than the television series "M*A*S*H." William Dannenmaier served in Korea with the U.S. Army from December 1952 to January 1954, first as a radioman and then as a radio scout with the Fifteenth Infantry Regiment. Eager to serve a cause in which he fervently believed—the safeguarding of South Korea from advancing Chinese Communists—he enlisted in the army with an innocence that soon evaporated. His letters from the front, most of them to his sister, Ethel, provide a springboard for his candid and wry observations of the privations, the boredom, and the devastation of infantry life. At the same time these letters, designed to disguise the true danger of his tasks and his dehumanizing circumstances, reflect a growing failure to communicate with those outside the combat situation. Woven through the letters is Dannenmaier's narrative account of his combat experiences, including a vivid re-creation of the bloody battle for Outpost Harry, which he describes as "trivial and insignificant—except to the men who fought it."A high-intensity, eight-day battle for a hill American forces would abandon three months later with the signing of the truce, Outpost Harry was largely ignored by the press despite heavy casualties and many official citations for heroism. From his vantage point as an Everyman, Dannenmaier describes the frustration of men on the front lines who never saw their commanding superiors, the exhaustion of soldiers whose long-promised leaves never materialized, the transitory friendships and shared horrors that left indelible memories. Endangered by minefields and artillery fire, ground down by rumors and constant tension, these men returned—if they returned at all—profoundly and irrevocably changed. This intimate, revealing memoir, a rare account by a common soldier, is a tribute to the Americans who served in a conflict that has only recently begun to gain a place in official public memory.

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On January 15, 1903, South Carolina lieutenant governor James H. Tillman shot and killed Narciso G. Gonzales, editor of South Carolina's most powerful newspaper, the State. Blaming Gonzales's stinging editorials for his loss of the 1902 gubernatorial race, Tillman shot Gonzales to avenge the defeat and redeem his ""honor"" and his reputation as a man who took bold, masculine action in the face of an insult.James Lowell Underwood investigates the epic murder trial of Tillman to test whether biting editorials were a legitimate exercise of freedom of the press or an abuse that justified killing when camouflaged as self-defense. This clash--between the revered values of respect for human life and freedom of expression on the one hand and deeply engrained ideas about honor on the other--took place amid legal maneuvering and political posturing worthy of a major motion picture. One of the most innovative elements of Deadly Censorship is Underwood's examination of homicide as a deterrent to public censure. He asks the question, ""Can a man get away with murdering a political opponent?"" Deadly Censorship is courtroom drama and a true story.Deadly Censorship is a painstaking recreation of an act of violence in front of the State House, the subsequent trial, and Tillman's acquittal, which sent shock waves across the United States. A specialist on constitutional law, James Lowell Underwood has written the definitive examination of the court proceedings, the state's complicated homicide laws, and the violent cult of personal honor that had undergirded South Carolina society since the colonial era.

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In June of 1881, on the very night of their wedding in Searsport, Maine, Captain Lincoln Alden Colcord and his new wife, Jane Sweetser Colcord, departed for sea to begin a two-year voyage on the bark Charlotte A. Littlefield. The voyage would take them around the world and witness the birth of their daughter Joanna amid the South Sea Islands and young Lincoln's arrival during a treacherous winter storm off Cape Horn.Fifth generation seafarers, Joanna and Lincoln Colcord spent their youth at sea aboard their fathers' ships. Years later, looking back at his seafaring childhood Lincoln wrote, "I know no other home than a ship's deck, except the distant home in Maine that we visited for a few weeks every year or two. My countryside was the ocean floor, where I could roam only with the spyglass; my skyline was the horizon, broken by the ghostly silhouettes of passing vessels, or at intervals by the coasts of many continents, as we sailed the world."The Colcords' richly detailed "journal letters" to family members ashore, their logbooks, photographs, and later correspondence all give us a splendid window into the life of a seafaring family. We share their exhilaration in catching the trades under fair skies yet are ever conscious of the uncertainties of sea life: illness, the threat of typhoons and dismastings, wrecks and financial disaster. Life's tasks emerge as the family forges a home aboard ship, raises and educates the children, and seeks companionship in foreign ports, all while trying to eke out a living under sail.

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Illustrated with never-before-published artifacts from the unique treasures in the museum's Northwest Coast collections, Listening to Our Ancestors profiles native communities of the Pacific Northwest and showcases the region's rich cultural history and artwork.Sophisticated in conception and execution and rich with symbolism, the totem poles, painted housefronts, masks, dance regalia, feast bowls, and elaborately decorated boxes made by the native people of the North Pacific Coast have long been recognized as masterworks of art. Here, in a series of community self-portraits, cultural figures from eleven Northwest Coast nations discuss the ways in which these masterpieces, as well as everyday tools and utensils from the museum's collections, connect them with their forbears, who made and used these beautiful objects. Kwakwaka'wakw Chief Robert Joseph and the community curators contrast the approach anthropologists and art historians have taken to the treasures of the Northwest with Native people's perspective on their cultural legacy. In addition, Mary Jane Lenz explores the Northwest as a crossroads of native and non-native worlds in the nineteenth and early twentieth centuries, when many of these works were collected, and today.With its striking images and community self-portraits, Listening to Our Ancestors invites readers to appreciate Northwest Coast art as its native inheritors do—for the spirit with which it is endowed.Official companion to the exhibition opening at the National Museum of the American Indian in November 2005.

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A FLAME TREE POCKET NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Tove Jansson was a Finnish-Swedish writer and artist who created the Moomin family and their friends. She first started painting Moomintrolls in 1935 and her last Moomin book was published in 1970; but her stories live on and continue to be adapted and enjoyed by many generations. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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On January 2, 1959, Fidel Castro, the rebel comandante who had just overthrown Cuban dictator Fulgencio Batista, addressed a crowd of jubilant supporters. Recalling the failed popular uprisings of past decades, Castro assured them that this time “the real Revolution” had arrived. As Jonathan Brown shows in this capacious history of the Cuban Revolution, Castro’s words proved prophetic not only for his countrymen but for Latin America and the wider world.Cuba’s Revolutionary World examines in forensic detail how the turmoil that rocked a small Caribbean nation in the 1950s became one of the twentieth century’s most transformative events. Initially, Castro’s revolution augured well for democratic reform movements gaining traction in Latin America. But what had begun promisingly veered off course as Castro took a heavy hand in efforts to centralize Cuba’s economy and stamp out private enterprise. Embracing the Soviet Union as an ally, Castro and his lieutenant Che Guevara sought to export the socialist revolution abroad through armed insurrection.Castro’s provocations inspired intense opposition. Cuban anticommunists who had fled to Miami found a patron in the CIA, which actively supported their efforts to topple Castro’s regime. The unrest fomented by Cuban-trained leftist guerrillas lent support to Latin America’s military castes, who promised to restore stability. Brazil was the first to succumb to a coup in 1964; a decade later, military juntas governed most Latin American states. Thus did a revolution that had seemed to signal the death knell of dictatorship in Latin America bring about its tragic opposite.

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LA+ WILD explores the concept of WILD and its role in design, large-scale habitat and species conservation, scientific research, the human psyche, and aesthetics. This issue of LA+ includes contributions drawn from disciplines as diverse as evolutionary ecology, biology, visual arts, bioengineering, landscape architecture, planning, architecture, climatology, environmental history, philosophy, and literature. It features essays by Timothy Mousseau and Anders Moller, Timothy Morton, Paul Carter, Richard Weller, Julian Raxworthy, Emma Marris, Stefan Rahmstorf, Stephen Pyne, Nina-Marie Lister, and Orkan Telhan, among others. It also includes a review of the New York s Rebuild by Design competition, and interviews with eminent ecologists Richard T.T. Forman and Daniel Janzen. The feature artist for this issue is Viennese bio-artist Sonja Baumel. LA+ (Landscape Architecture Plus) Journal from the University of Pennsylvania School of Design is the first truly interdisciplinary journal of landscape architecture. Within its pages you hear not only from designers, but also from historians, artists, lawyers, ecologists, planners, scientists, philosophers, and many more besides. LA+ aims to reveal connections and build collaborations between landscape architecture/urban design and other disciplines by exploring each issue's theme from multiple perspectives. The journal features a range of contribution types including essays, interviews, design criticism, graphic features, illustrations, and short-form pieces designed to provoke and inspire readers. LA+ Journal brings you a rich collection of contemporary thinkers and designers in two lavishly illustrated issues annually."

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In December 1943, Eisenhower was Supreme Commander of Allied forces in Europe with General Carl Spaatz in command of all US Army Air Force. In January 1944, M/G James Doolittle replaced M/G Ira Eaker to lead the Eighth Air Force. The air battle strategy scenario soon changed. Air strategy at the Casablanca Conference was to take out the Luftwaffe before D-Day. The modified P-51 was now one had in good numbers. Doolittle made a key decision to turn his fighters loose. They would no longer fly with bomber formation but now in fighter sweeps to hit Luftwaffe installations and destroy Luftwaffe fighters as they formed for the intercept. Spaatz and Doolittle prayed for one week of good weather in which massive bomber raids could be launched to flush out get German fighters. During that week, five such bomber attacks attacked key targets. It worked, but at high cost to both sides. Eighth Air Force, Fifteenth Air Force and the RAF lost 369 aircrafts, but the Luftwaffe Fighter Command lost an estimated two thirds of its strength. The Luftwaffe did not show up on D-Day except for a few furtive attacks on the beachheads. The battle for air supremacy was won by the Allies and the progressive decline of the Luftwaffe ensued thereafter. The book will provide insight into a pilot's mind who flew such missions and try to give the reader not only the historic background, but a sense of what it must have been like to fly such missions.

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An inside view of Chinese academia and what it reveals about China’s political systemOn January 1, 2017, Daniel Bell was appointed dean of the School of Political Science and Public Administration at Shandong University—the first foreign dean of a political science faculty in mainland China’s history. In The Dean of Shandong, Bell chronicles his experiences as what he calls “a minor bureaucrat,” offering an inside account of the workings of Chinese academia and what they reveal about China’s political system. It wasn’t all smooth sailing—Bell wryly recounts sporadic bungles and misunderstandings—but Bell’s post as dean provides a unique vantage point on China today.Bell, neither a Chinese citizen nor a member of the Chinese Communist Party, was appointed as dean because of his scholarly work on Confucianism—but soon found himself coping with a variety of issues having little to do with scholarship or Confucius. These include the importance of hair color and the prevalence of hair-dyeing among university administrators, both male and female; Shandong’s drinking culture, with endless toasts at every shared meal; and some unintended consequences of an intensely competitive academic meritocracy. As dean, he also confronts weightier matters: the role at the university of the Party secretary, the national anticorruption campaign and its effect on academia (Bell asks provocatively, “What’s wrong with corruption?”), and formal and informal modes of censorship. Considering both the revival of Confucianism in China over the last three decades and what he calls “the Communist comeback” since 2008, Bell predicts that China’s political future is likely to be determined by both Confucianism and Communism.

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Featured in Stylist's guide to 2019's best non-fiction booksThe true story of the fierce band of women who battled Washington - and Hanoi - to bring their husbands home from the jungles of Vietnam.On 12 February, 1973, one hundred and sixteen men who, just six years earlier, had been high flying Navy and Air Force pilots, shuffled, limped, or were carried off a huge military transport plane at Clark Air Base in the Philippines. These American servicemen had endured years of brutal torture, kept shackled and starving in solitary confinement, in rat-infested, mosquito-laden prisons, the worst of which was The Hanoi Hilton.Months later, the first Vietnam POWs to return home would learn that their rescuers were their wives, a group of women that included Jane Denton, Sybil Stockdale, Louise Mulligan, Andrea Rander, Phyllis Galanti, and Helene Knapp. These women, who formed The National League of Families, would never have called themselves 'feminists', but they had become the POW and MIAs most fervent advocates, going to extraordinary lengths to facilitate their husbands' freedom - and to account for missing military men - by relentlessly lobbying government leaders, conducting a savvy media campaign, conducting covert meetings with antiwar activists, and most astonishingly, helping to code secret letters to their imprisoned husbands.In a page-turning work of narrative non-fiction, Heath Hardage Lee tells the story of these remarkable women for the first time. The League of Wives is certain to be on everyone's must-read list.

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'A tremendous novel that combines powerfully moving moments with hilarious satire' Daily Mail'Eva Thorvald is the new Olive Kitteridge' Elisabeth Egan'Kitchens of the Great Midwest is terrific' Jane Smiley, GuardianHave you met Eva Thorvald?To her father, a chef, she's a pint-sized recipe tester and the love of his life. To the chilli chowdown contestants of Cook County, Illinois, she's a fire-eating demon. To the fashionable foodie goddess of supper clubs, she's a wanton threat. She's an enigma, a secret ingredient that no one can figure out. Someday, Eva will surprise everyone. One by one, they tell their story; together, they tell Eva's. Joyful, quirky and heartwarming, this is a novel about the family you lose, the friends you make and the chance connections that make a life.On the day before her eleventh birthday, she's cultivating chilli peppers in her wardrobe like a pro. Abandoned by her mother, gangly and poor, Eva arms herself with the weapons of her unknown heritage: a kick-ass palate and a passion bordering on obsession. Over the years, her tastes grow, and so do her ambitions. One day Eva will be the greatest chef in the world. But along the way, the people she meets will shape her - and she, them - in ways unforgettable, riotous and profound. So she - for one - knows exactly who she is by the time her mother returns.Special paperback edition with questions for reading groups, interview, guide to the Midwest, recipes and more!

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This book provides a comprehensive analysis of the opponents of Britain’s first attempt to join the European Economic Community (EEC), between the announcement of Harold Macmillan’s new policy initiative in July 1961 and General de Gaulle’s veto of Britain’s application for membership in January 1963. In particular, this study examines the role of national identity in shaping both the formulation and articulation of arguments put forward by these opponents of Britain’s policy. To date, studies of Britain’s unsuccessful bid for entry have focused on high political analysis of diplomacy and policy formulation. In most accounts, only passing reference is made to domestic opposition. This book redresses the balance by providing a more complete depiction of the opposition movement and a distinctive approach that proceeds from a ‘low political’ viewpoint. As such, the book emphasises protest and populism of the kind exercised by, among others, Fleet Street crusaders at the Daily Express, pressure groups such as the Anti-Common Market League and Forward Britain Movement, expert pundits like A. J. P. Taylor, Sir Arthur Bryant and William Pickles, as well as constituency activists, independent parliamentary candidates, pamphleteers, letter writers and maverick MPs. In its consideration of a group largely overlooked in previous accounts, the book provides essential insights into the intellectual, structural, populist and nationalist dimensions of early Euroscepticism. The book will be of significant interest to both scholars and students of national identity, Britain’s relationship with Europe and the Commonwealth, pressure groups and party politics, and the trajectory of the Eurosceptic phenomenon.

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It has been called a "Noble Possession", abused as "A Nest of Corsairs" and extolled as "The Pearl of the Mediterranean". This city of Tripoli, one of the oldest on both the Mediterranean and the fringes of the Sahara, and never deserted, has meant many different things to many different people over the past 2,500 years. To its first outside visitors, the trading Phoenicians, it was a safe haven and a market. To its later Roman colonizers it was an outlet for the low grade pastoral produce of its Saharan hinterland. Under Muslim Arab rule it became a wealthy transit market, trading with three continents, while under its Turkish and Karamanli rulers, it was notorious for its corsair galleys that preyed on the merchant shipping of the Central and Eastern Mediterranean. After the Napoleonic Wars the city took on a new role as a base for the trans-Saharan exploration and penetration of inner Africa, with British pioneers followed by Germans, French and Italians. In 1911 Italy invaded this last remaining Turkish possession in North Africa, soon transforming a neglected exiles' outpost into an imposing capital symbolizing Fascist imperial pretensions. Tripoli's fall to the British Eighth Army in January 1943 was seen as a turning point in World War Two, while in 1951 its role as joint capital of the newly-independent Kingdom of Libya marked the start of Africa's post- colonial era. Oil found in Libya in the 1950s and 1960s made Tripoli rich - and a prize that fell in 1969 to the rising forces of Arab nationalism personified by Colonel Muammar Gaddafi. During his 42 years of eccentric rule, Tripoli was transformed into a mega-city, one hundred times greater in extent and population that it had been a century earlier. But by 2015 continuing post-Gaddafi anarchy and depleting oil reserves made the city's future seem as precarious and uncertain as ever it had been. Mixing personal observation and research with accounts from foreign travellers and residents, John Wright reveals the reality of this unique, remarkable and ever-vibrant city: a city with special social, cultural and linguistic "flavours" that not even visitors from other parts of the Arab World can always understand or define.

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More than two years after the U.S. invasion of Iraq, a loosely organized insurgency continues to target American and Coalition soldiers, as well as Iraqi security forces and civilians, with devastating results. In this sobering account of the ongoing violence, Ahmed Hashim, a specialiston Middle Eastern strategic issues and on irregular warfare, reveals the insurgents behind the widespread revolt, their motives, and their tactics. The insurgency, he shows, is not a united movement directed by a leadership with a single ideological vision. Instead, it involves former regime loyalists, Iraqis resentful of foreign occupation, foreign and domestic Islamist extremists, and elements of organized crime. These groups have cooperated with one anotherin the past and coordinated their attacks; but the alliance between nationalist Iraqi insurgentson the one hand and religious extremists has frayed considerably.The U.S. led offensive to retake Fallujah in November 2004 and the success of the elections for the Iraqi National Assembly in January 2005 have led more 'mainstream' insurgent groups to begin thinking of reinforcing the political arm of their opposition movement and to seek political guarantees for the Sunni Arab community in the new Iraq. Hashim begins by placing the Iraqi revolt in its historical context. He next profiles the various insurgent groups, detailing their origins, aims, and operational and tactical modi operandi. He concludes with an unusually candid assessment of the successes and failures of the Coalition's counter-insurgency campaign. Looking ahead, Hashim warns that ethnic and sectarian groups may soon be pitted against one another in what will be a fiercely contested fight over who gets what in the new Iraq.Evidence that such a conflict is already developing does not augur well for Iraq's future stability. Both Iraq and the United States must work hard to ensure that slow but steady success over the insurgency is not overshadowed by growing ethno-sectarian animositiesas various groups fight one another for the biggest slice of the political and economic pie. In place of sensational headlines, official triumphalism, and hand-wringing, "Insurgency and Counter-Insurgency in Iraq" offers a clear-eyed analysis of the increasingly complex violence that threatens the very future of Iraq.

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THE SUNDAY TIMES BESTSELLER'Tessa Dunlop...succeeds in weaving a rich tapestry of experiences.' Independent‘A warm-hearted and engaging read, The Century Girls is replete with wonderful characters.’ Sunday Express'A delightful book... all about women and women's lives.' Jane Garvey, Radio 4 Woman's Hour 'It’s a brilliant book… It’s fantastic!' Chris Evans, Radio 2 Breakfast ShowA celebration of the one-hundred years since British women got the vote, told, in their own voices, by six centenarians: Helena, Olive, Edna, Joyce, Ann and Phyllis – The Century Girls​In 2018, Britain celebrated the centenary of some women getting the vote. The intervening ten decades have witnessed staggering change, and The Century Girls features six women born in 1918 or before who haven’t just witnessed that change, they’ve lived it. Empire shrank, war came and went, and modern society demanded continual readjustment.... the Century Girls lasted the course, and this book weaves together their lifetime’s adventures – what they were taught, how they were treated, who they loved, what they did and where they are now. With stories that are intimately knitted into the history of the British Isles, this is a time-travel epic featuring our oldest, most precious national treasures. Edna, 102, was a domestic servant born in Lincolnshire. Helena is 101 years old and the eldest of eight born into a Welsh farming family. Olive, 102, began life as a child of empire in British Guiana and was one of the first women to migrate to London after the war. There’s Ann, a 103-year-London bohemian; 100-year-old Phyllis, daughter of the British Raj, who has called Edinburgh home for nearly eighty years; and finally ‘young’ Joyce – a 99-year-old Cambridge classicist who’s still at work.It is through the prism of these women’s very long lives that The Century Girls provides a deeply personal account of British history over the past one hundred years. Their story is our story too.

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'This page-turning series never lets the reader down’ HARLAN COBENIN A PROFESSION LIKE THIS, YOU'RE BOUND TO MAKE ENEMIES . . . It all starts when Dr Temperance Brennan finds a box on her porch. Inside is a fresh human eyeball with GPS coordinates etched into it. They lead her to a macabre discovery in a Benedictine Monastery, and soon after she discovers a mummified corpse in a state park. There seems to be no pattern to these killings, except that each mimics a killing connected to something a younger Tempe experienced, or barely escaped. Someone is targeting her, and she needs to figure out why before they strike again. And then her daughter Katy disappears. Someone is playing a dangerous game with Tempe. And they won’t stop until they have taken everything from her . . .Electrifying, heart-stopping and compulsive, this is Tempe’s most personal and dangerous case yet . . .PRAISE FOR KATHY REICHS ‘A thing of clever beauty – smart, scary, complicated, and engrossing from the first sentence' MICHAEL CONNELLY ‘Reanimates all the ghosts from Temperance Brennan’s forensic past until they thoroughly haunt her present . . . This page-turning series never lets the reader down’ HARLAN COBEN ‘Masterfully constructed’ J.A. JANCE 'A mystery within a mystery that invites you to get into the action, complete with twisting turns and heart-stopping dives into the unknown . . . The crowning achievement of a master storyteller' NELSON DeMILLE 'I await the next Kathy Reichs’ thriller with the same anticipation I have for the new Lee Child or Patricia Cornwell' JAMES PATTERSON 'Over the course of twenty books, Kathy Reichs and Tempe Brennan have thrilled readers with pacey, mazey tales . . . We readers are truly grateful' IAN RANKIN ‘Reichs, skilfully using the conventions of the mystery novel, forces the reader to face up to the obscene realities of death time and time again. At work and a play she gets under your skin’ THE TIMES 'A thrilling read from one of my favorite writers' KARIN SLAUGHTER 'One of the absolute best thrillers of the year! I can’t recall when this many twists have been so masterfully woven into a novel.' JEFFERY DEAVER 'The Queen of forensic crime' EVENING STANDARD

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees

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Yugoslavia, Rwanda, Liberia, Somalia, Azerbaijan, El Salvador, Northern Ireland, Lebanon, Cambodia -- all provide bloody evidence that civil wars continue to have a powerful impact on the international scene. Because they tear at the very fabric of a society and pit countryman against countryman, civil wars are often the most brutal and difficult to extinguish -- witness the American Revolution. And yet, civil wars do inevitably end. England is no longer criss-crossed by warring armies representing York and Lancaster or King and Parliament. The French no longer kill one another over the divine right of kings. Argentines seem reconciled to living in a single state, rather than several. The ideologies of the Spanish Civil War now seem largely irrelevant. And the possibility of Southern secession is an issue long-buried in the American past. The question then begs itself: how do people who have been killing one another with considerable enthusiasm and success come together to form a common government? How can individuals and factions work together, politically and economically, with others who have killed their friends, parents, children and lovers? How are armed societies disarmed? What effect does a total military victory have on a lasting peace? In sum, how are civil societies constructed from civil violence and chaos? This is the central concern of Stopping the Killing. In this highly original and much needed volume, a distinguished group of experts on civil wars discuss both specific conflicts and broader theoretical issues. Individual chapters examine civil wars in Colombia, the Sudan, Yemen, America, Greece, and Nigeria, and analyze the causes of peace, the relationship between the battlefield and the negotiating table, and issues of settlement. An introduction and conclusion by the editor unify the volume. Contributors include: Jonathan Hartlyn (Univ. of North Carolina), Caroline Hartzell (Univ. of California, Davis), Jane E. Holl (U.S. Military Academy), John Iatrides (Southern Connecticut State University), James O'Connell (University of Bradford), Donald Rothchild (Univ. of California, Davis), Stephen John Stedman (Johns Hopkins Univ.), Robert Harrison Wagner (Univ. of Texas, Austin), Harvey Waterman (Rutgers Univ.), Manfred Wenner (Northern Illinois Univ.), and I. William Zartman (Johns Hopkins Univ.).

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On January 21, 2017, massive demonstrations in Washington DC and sister marches held in over 600 American cities drew crowds of over four million people. Popularly called 'The Women's March,' it became the largest single-day protest in American history. The feminism that shaped the consciousness of millions in 2017 had distinct roots in the 1990s. In They Didn't See Us Coming, historian Lisa Levenstein argues we have missed much of the past quarter century of the women's movement because the conventional wisdom is that the '90s was the moment when the movement splintered into competing factions. But by showcasing voices and stories long overlooked by popular culture and scholars, They Didn't See Us Coming shows that this decade was actually a time of intense and international coalition building. This activism centered around the growing influence of women of color, women with disabilities, women from the global South, and people of ranging gender expressions and identities. Together, they built a movement from the margins. Exclusion sparked action. Moments like the 1995 Beijing Women's Conference, whose major players included Betty Friedan and Bella Abzug and where Hillary Clinton famously declared, 'Women's rights are human rights,' were also stages for less-remembered but no less important calls to action. Wheelchair riders staged a 'crawl in' protest when a panel on disabilities was held on the third floor of a building with no elevator-a consciousness-raising moment that informed much of the work around disabilities for the remainder of the decade. Meanwhile, new tools like e-mail, listservs, and discussion boards brought people with common purpose into instant contact; activists working on campuses and in culture, like Riot Grrls and Guerilla Girls, organized in ad hoc and less visible ways, without figureheads but with clarity of purpose. All this work reveals a thriving (but changing) women's movement. A necessary and fresh understanding of a transformative period in the history of American and international feminism, They Didn't See Us Coming also offers an urgent road map for thinking about organizing today and continuing to build on the work of these extraordinary activists.

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Among the great figures of Progressive Era reform, Edith and Grace Abbott are perhaps the least sung. Peers, companions, and coworkers of legendary figures such as Jane Addams and Sophonisba Breckinridge, the Abbott sisters were nearly omnipresent in turn-of-the-century struggles to improve the lives of the poor and the working-class people who fed the industrial engines and crowded into diverse city neighborhoods. Grace's innovative role as a leading champion for the rights of children, immigrants, and women earned her a key place in the history of the social justice movement. As her friend and colleague Eleanor Roosevelt wrote, Grace was "one of the great women of our day ...a definite strength which we could count on for use in battle." A Sister's Memories is the inspiring story of Grace Abbott (1878-1939), as told by her sister and social justice comrade, Edith Abbott (1876-1957). Edith recalls in vivid detail the Nebraska childhood, impressive achievements, and struggles of her sister who, as head of the Immigrants' Protective League and the U.S. Children's Bureau, championed children's rights from the slums of Chicago to the villages of Appalachia. Grace's crusade can perhaps be best summed up in her well-known credo: "Justice for all children is the high ideal in a democracy." Her efforts saved the lives of thousands of children and immigrants and improved those of millions more. These trailblazing social service works led the way to the creation of the Social Security Act and UNICEF and caused the press to nickname her "The Mother of America's 43 Million Children." She was the first woman in American history to be nominated to the presidential cabinet and the first person to represent the United States at a committee of the League of Nations. Edited by Abbott scholar John Sorensen, A Sister's Memories is destined to become a classic. It shapes the diverse writings of Edith Abbott into a cohesive narrative for the first time and fills in the gaps of our understanding of Progressive Era reforms. Readers of all backgrounds will find themselves engrossed by this history of the unstoppable, pioneer feminist Abbott sisters.

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New from the Winner of the Writers' Trust of Canada Marian Engel Award and the Governor General's Award for English Fiction Once touted as compendiums of human knowledge, the encyclopedias and handbooks of bygone eras now read quaintly, if not comically--yet within their musty pages are often found phrases of uncanny evocative power. Scrupulously stitching such fragments together, in a sequel to the Governor General's Award-winning Forms of Devotion, By The Book is a collection of verbal and visual collages whose alchemies transform long-dead texts into tales of enduring vitality. With her visually witty full-colour artwork and stories like "What Is A Hat? Where Is Constantinople? Who Was Sir Walter Raleigh? And Many Other Common Questions, Some With Answers, Some Without," and "Consumptives Should Not Kiss Other People: A Handy Guide to the Care and Maintenance of Your Family's Good Health," Schoemperlen's irreverent and ironic brand of nostalgia combines vintage kitsch with comic, creepy, unexpectedly moving yarns. Praise for By The Book "Diane Schoemperlen's By The Book is a bravura performance. Fragments, collage, assemblage, found poetry - none of the conventional words cover it for they miss the fantastic wit, the energy of humour, the divine ability to find comedic ore in the print detritus of our culture. She doesn't rescue texts; with her wicked sense of irony, she actually puts thought where there was none. She infects the banal with the virus of her own brain and makes it into art. Then she makes a picture of it--oh, dwell upon the details; there are whole novels lurking in the details."--Douglas Glover Praise for Diane Schoemperlen "Schoemperlen's inventive language and narrative structures encourage readers to be free 'from the prison of everyday thinking."--New York Times Book Review "Lovely, clever [and] imaginative."--Wall Street Journal "Cuttingly witty ...Schoemperlen could almost form a school of piquant and inventive fiction with Julie Hecht, Janet Kauffman, and Lydia Davis."--Booklist "There is no mistaking a Schoemperlen story--devoted to form, faithful to the mysteries of the everyday."--The Globe & Mail

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THE INSTANT SUNDAY TIMES BESTSELLER 'Landslide cuts deeper than any previous book about this president, indeed about any president' The Times'First there was Fire and Fury, then there was Siege, now there is Landslide. The third is the best of the three . . . Required reading' Guardian 'Michael Wolff concludes his Trump trilogy - with the best book yet . . . Unforgettable' Telegraph'Wolff is the shrewdest chronicler of Trump' Sunday Times__________________________________________'We won. Won in a landslide. This was a landslide.'President Donald J. Trump, 6 January 2021Politics has given us some shocking and confounding moments but none have come close to the careening final days of Donald Trump's presidency: the surreal stage management of his re-election campaign, his audacious election challenge, the harrowing mayhem of the storming of the Capitol and the buffoonery of the second impeachment trial. But what was really going on in the inner sanctum of the White House during these calamitous events? What did the president and his dwindling cadre of loyalists actually believe? And what were they planning?Drawing on an exclusive and wide range of sources who took part in or witnessed Trump's closing moments, Michael Wolff finds the Oval Office more chaotic and bizarre than ever before, a kind of Star Wars bar scene. At all times of the day, Trump, hunched behind the Resolute desk, is surrounded by schemers and unqualified sycophants who spoon-feed him the 'alternative facts' he hungers to hear - about COVID-19, Black Lives Matter protests, and, most of all, his chance of winning re-election. In this extraordinary telling of a unique moment in history, Wolff gives us front row seats as Trump's circle of plotters whittles down to the most enabling and the least qualified - and the president overreaches the bounds of democracy, entertaining the idea of martial law and balking at calling off the insurrectionist mob that threatens the hallowed seat of democracy itself.Michael Wolff pulled back the curtain on the Trump presidency with his globally bestselling blockbuster Fire and Fury. Now, in Landslide, he closes the door on the presidency with a final, astonishingly candid tale.

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“This book offers a broad and helpful definition of inclusive education – one which centres upon high quality, relevant and evidenced teaching and support.”Graeme Douglas, Professor of Disability and Special Educational Needs, University of Birmingham, UK“This book is a must-have for every teacher in primary and secondary schools and should be compulsory literature on all teacher training courses.”Marleen J. Janssen, Ph.D., Professor Inclusive and Special Needs Education, University of Groningen Institute for Deafblindness, The NetherlandsSupporting learners with Multisensory Impairment (MSI) (Deafblindness) requires a range of strategies and this book offers a synthesis of best practice with the latest theory and research. At a time when we are urgently calling for inclusive and equitable quality education and lifelong learning opportunities for all, there are significant gaps in research on educating children and young people with MSI and complex needsTo address this gap, this book brings together theoretical literature, the latest research studies, and a combination of best practices and effective educational strategies for learners with MSI and complex needs. Leda Kamenopoulou ensures the central focus is on learners with the most complex needs, for whom inclusion in education can be very challenging to achieve without bespoke strategies, flexibility and creativity.This book:•Provides a multitude of resources for those teaching learners with MSI and complex needs•Expands the understanding of inclusive education and advocates for a focus on the ‘quality of provision’•Features illustrative case studies, tools, and bespoke activities •Raises awareness and contributes to the current knowledge base around an under-explored disability•Presents evidence and practice-based strategies for including learners with MSI in any educational settingThis is a much-needed resource for student teachers, professionals, post-graduate researchers and academics in the field of MSI, sensory and complex needs, and all those interested in making inclusive and equitable quality education a reality for all. Leda Kamenopoulou is an Associate Professor at the Department of Psychology and Human Development, IOE, UCL’s Faculty of Education and Society, UK. Her teaching, research and publications focus on Multisensory Impairment (Deafblindness), inclusive education within different contexts, and preparing teaching professionals for meeting the needs of all learners.

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‘Lovely heart-warming story! I smiled a lot and laughed… Loved every minute of it!’ NetGalley reviewer,⭐⭐⭐⭐⭐ One lost engagement ring. One chance encounter. A summer that changes Ruby’s life forever… After years of dating losers, cheats and one guy who did something unrepeatable to her kettle, Ruby has all but given up on romance. But then a stranger sits next to her on a train to London and explains his plan to propose to the woman of his dreams. Maybe true love does exist after all? When the man accidentally leaves the engagement ring behind, Ruby is determined to save the day. But she hasn't counted on fellow passenger Curtis stepping in and insisting he should be the one to track the stranger down. As summer closes in, the unlikely pair make a promise to reunite the ring with its owner. But can they find their own happy ever after along the way? The absolutely perfect summer read you’ve been waiting for! Fans of Cathy Bramley, Katie Fforde and Milly Johnson will be totally hooked! Winner of the Jane Wenham-Jones Award for Romantic Comedy 2022 The Promise of Summer was originally published as a four-part serial. This is the complete story in one package. Readers love The Promise of Summer! ‘Fantastic read! A hilarious and heart-warming read that I couldn’t have loved anymore!… Perfect, feel good, summer read.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘I loved this book! It makes you feel all warm and fuzzy inside… A perfect summer read.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘Fantastic… I read this book in two days, I couldn’t put it down… I would recommend this to all my friends.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘If I could give more than 5⭐I would… It’ll keep you turning the pages.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘I devoured this book in one sitting!’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘As sweet as summer pudding, this book brims with fun, romance and friendship.’ Milly Johnson ‘It’s been a long time since the love story in a book has given me butterflies in my tummy and a lump in my throat, but this wonderful book delivered.’ NetGalley reviewer, ⭐⭐⭐⭐⭐

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THE BOOK AT THE TOP OF THEIR CHRISTMAS LIST**Selected for BBC 2 Between the Covers 2023****WINNER Crime Novel of the Year, Irish Book Awards 2023**Sally Diamond cannot understand why what she did was so strange. She was only doing what her father told her to do, to put him out with the rubbish when he died.Now Sally is the centre of attention, not only from the hungry media and police detectives, but also a sinister voice from a past she cannot remember. As she begins to discover the horrors of her childhood, Sally steps into the world for the first time, making new friends and big decisions, and learning that people don't always mean what they say.But who is the man observing Sally from the other side of the world? And why does her neighbour seem to be obsessed with her? Sally's trust issues are about to be severely challenged . . .*****'In Sally Diamond, Nugent has given us an astounding creation with a singular voice . . . an absorbing, twisty, compulsive psychological thriller with surprising humour and pathos' Sunday Independent'Strikingly well-observed and consistently surprising' The Times'Incredible' Sara Cox'Strange indeed . . . and smart, too! Shocking, disturbing and utterly original, Strange Sally Diamond will grip you from first page to last' Paula Hawkins'Irresistibly compelling, this dark story is shocking yet endearing. A brilliant read that will suck you in' Crime Monthly'Liz Nugent has outdone herself. Twisted and twisty, dark and gripping, no one is going to forget Sally Diamond in a hurry!' Graham Norton'It creeped me out (in a good way) . . . Terrific' Ian Rankin'Dark, compelling and deeply moving' Ruth Ware'So, so good! Sally gets under your skin and worms her way into your heart. I didn't want it to end' Jane Fallon'I'm lost in admiration for Liz and her writing . . . vivid, pacy, taut but so very moving' Marian Keyes'Jaw-droppingly clever . . . One of the best books I've read in a long, long time. I can't stop thinking about it' Lucy Foley'An outstanding achievement which transforms the dark psychological thriller map with both bravura and delicacy. One for the ages' Maxim Jakubowski

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A missing woman. A husband suspected.The truth will … Take Your Breath Away Linwood Barclay is… ‘A suspense master’ Stephen King ‘In a class of his own’ T.M. Logan‘One of the finest thriller writers in the world’ Mark Billingham It’s always the husband, isn’t it? When his wife Brie vanishes from their home one night, never to be seen again, people assume Andy got away with murder. The police can’t build a case against him, but still his friends and neighbours abandon him. Six years later, Andy’s life is back on track, and he’s settled with a new girlfriend. And when he hears his old house has been bulldozed and rebuilt, he’s not bothered. Things are good. But then one day, a woman who looks like Brie shows up at their old address, screaming ‘Where’s my house? What happened to my house?’ before vanishing as quickly as she appeared. And as dark suspicions resurface, Andy’s future depends on discovering what the hell is going on. The trick is staying alive long enough to find out… PRAISE FOR LINWOOD BARCLAY: ‘A suspense master’ STEPHEN KING ‘A full-throttle powerhouse of a thriller – Linwood Barclay is in a class of his own’ T.M. LOGAN ‘One of the finest thriller writers in the world’ MARK BILLINGHAM ‘The twists keep coming’ THE TIMES 'No one can thrill you and chill you better than Barclay' TESS GERRITSEN ‘Another lightning-paced page-turner with a twist that really did take my breath away. Absolutely classic Linwood’ MARK EDWARDS ‘Gripping, propulsive, and surprising – he wasn’t kidding, I’m breathless’ DAVID KOEPP ‘If you want someone to jangle your nerves and mess with your mind, Barclay’s your man’ SAGA 'Nothing is more satisfying than tucking into a new Linwood Barclay novel' SHARI LAPENA ‘[Exhibits] Barclay’s remarkable strengths in plotting and characterisation. Perhaps only John Grisham is his equal in creating show-stealing supporting characters’ SUNDAY TIMES ‘Linwood Barclay is a stone-cold pro’ JOE HILL ‘A fast-moving, high-concept thriller from the talented Barclay … a rip-roaring rollercoaster of a ride’ DAILY MAIL

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A interdisciplinary collection of readings that answers the question: How do men and women practice consumer culture differently? What is the relationship between gender and consumerism? Jennifer Scanlon gathers a collection of readings and archival materials to explore the multiple and contradictory ways in which women and men consume. Interdisciplinary and cross-cultural in scope, The Gender and Consumer Culture Reader introduces the reader to some of the most compelling issues and arguments in this growing field of study. In questioning traditional ways of analyzing the relationships between gender and consumer culture, these essays analyze the liberatory and oppressive nature of consumer culture in both historical and contemporary contexts. The scholars gathered here look at the gendered relationship between the home and consumer culture, individual and group identity through purchasing, the supply side of consumer culture, and the ways in which consumers embrace, resist, and manipulate the messages and the activities of consumer culture. Topics range from white middle-class female shoplifters to the gendered depiction of Native Americans in nineteenth-century advertising, from gay men's acquisition of domestic space in early twentieth-century New York to black and Latino men's cultural resistance through dress. Archival materials link the essays in each section, creating a further historical context, and providing a connection between the readings and larger questions and issues currently being debated about gender and consumer culture. Contributors include Andrew Heinze, Erika Rappaport, George Chauncey, Steven M. Gelber, Jeffrey Steele, Ann McClintock, Robert E. Weems, Jr., Lillian Faderman, Malcolm Gladwell, Jennifer Scanlon, Lizabeth Cohen, Jane Bryce, Susan J. Douglas, Kenon Breazeale, Kathy Peiss, Elaine S. Abelson, Natasha B. Barnes, Danae Clark, Stuart Cosgrove.

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Edgar Poe was born the son of itinerant actors on January 19th, 1809 in Boston, Massachusets. Abandoned by his father and the later death of his mother, he was taken into the foster care of John Allan, a Virginia tobacco farmer. Now styled as Edgar Allan Poe, he distinguished himself at the University of Virginia but was equally adept at collecting debts from his assiduous gambling. His stepfather's disapproval shattered their fragile relationship and Poe left home to seek his fortune. In 1836 he married his cousin Virginia but despite his prolific activities - journalism, poetry, lecturing, short stories, publishing, criticism and experimentation with fictional genres, including the detective novel which he virtually invented with the publication of The Murders in the Rue Morgue (1841) - he received scant recognition for his efforts until the publication of The Raven in 1845. The poem's instant popularity gave him a new visibility in literary circles, but his personal situation remained desperate: poverty, illness, drink, and the physical decline and ultimate death of Virginia in 1847 led to his untimely and premature decline. In 1849 he was found sick, injured and semi-conscious in a Baltimore tavern. Taken to hospital, he lingered on for four days, but never recovered and on October 7th Edgar Allan Poe died at the age of 40. He was one of the most original writers in the history of American letters - a genius who, thanks to his dire reputation, was tragically misunderstood during his lifetime. It was not until Baudelaire enthusiastically translated his work that he found a wider audience in Europe, and became not only an enormous influence on modern French literature but also on the acclaimed work of writers such as Dostoevsky, Conan Doyle and Jules Verne.

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In an “eye-opening memoir” (People) “as beautiful as it is discomfiting” (The New Yorker), award-winning writer Apricot Irving untangles her youth on a missionary compound in Haiti.Apricot Irving grew up as a missionary’s daughter in Haiti. Her father was an agronomist, a man who hiked alone into the deforested hills to preach the gospel of trees. Her mother and sisters spent their days in the confines of the hospital compound they called home. As a child, this felt like paradise to Irving; as a teenager, it became a prison. Outside of the walls of the missionary enclave, Haiti was a tumult of bugle-call bus horns and bicycles that jangled over hard-packed dirt, road blocks and burning tires triggered by political upheaval, the clatter of rain across tin roofs, and the swell of voices running ahead of the storm. Poignant and explosive, Irving weaves a portrait of a missionary family that is unflinchingly honest: her father’s unswerving commitment to his mission, her mother’s misgivings about his loyalty, the brutal history of colonization. Drawing from research, interviews, and journals—her parents’ as well as her own—this memoir in many voices evokes a fractured family finding their way to kindness through honesty. Told against the backdrop of Haiti’s long history of intervention, it grapples with the complicated legacy of those who wish to improve the world, while bearing witness to the defiant beauty of an undefeated country. A lyrical meditation on trees and why they matter, loss and privilege, love and failure. The Gospel of Trees is a “lush, emotional debut...A beautiful memoir that shows how a family altered by its own ambitious philanthropy might ultimately find hope in their faith and love for each other, and for Haiti.” (Publishers Weekly, starred review).

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In this riveting popular history, the creator of You Must Remember This probes the inner workings of Hollywood’s glamorous golden age through the stories of some of the dozens of actresses pursued by Howard Hughes, to reveal how the millionaire mogul’s obsessions with sex, power and publicity trapped, abused, or benefitted women who dreamt of screen stardom.In recent months, the media has reported on scores of entertainment figures who used their power and money in Hollywood to sexually harass and coerce some of the most talented women in cinema and television. But as Karina Longworth reminds us, long before the Harvey Weinsteins there was Howard Hughes—the Texas millionaire, pilot, and filmmaker whose reputation as a cinematic provocateur was matched only by that as a prolific womanizer.His supposed conquests between his first divorce in the late 1920s and his marriage to actress Jean Peters in 1957 included many of Hollywood’s most famous actresses, among them Billie Dove, Katharine Hepburn, Ava Gardner, and Lana Turner. From promoting bombshells like Jean Harlow and Jane Russell to his contentious battles with the censors, Hughes—perhaps more than any other filmmaker of his era—commoditized male desire as he objectified and sexualized women. Yet there were also numerous women pulled into Hughes’s grasp who never made it to the screen, sometimes virtually imprisoned by an increasingly paranoid and disturbed Hughes, who retained multitudes of private investigators, security personnel, and informers to make certain these actresses would not escape his clutches.Vivid, perceptive, timely, and ridiculously entertaining, The Seducer is a landmark work that examines women, sex, and male power in Hollywood during its golden age—a legacy that endures nearly a century later.

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“A seriously stylish, hugely compelling mystery… I was utterly gripped.” – Lucy Foley Gabriela is a senior negotiator in the Foreign Office. When she returns to her young family after a seven-month stint in Moscow, something doesn’t seem right. Isobel is a journalist on the local paper in Camden. After witnessing a violent attack, she starts to investigate. But someone saw her watching, and is making themselves known in increasingly frightening ways. As Gabriela’s life begins to unravel, Isobel gets closer to the truth, and the two women’s lives converge in this deeply chilling examination of deceit. Reader reviews for A Double Life ‘A sensational story packed full of twists. What an unbelievable book, I'm absolutely flabbergasted by the ending… it's a cliffhanger, so I hope Philby is already working on a sequel because I NEED to know what happens next’ ⭐⭐⭐⭐⭐ ‘A riveting and tense thriller exploring the actions of two women whose lives are about to collide’ ⭐⭐⭐⭐⭐ ‘Can’t wait for book 3!’ ⭐⭐⭐⭐⭐ ‘Great read’ ⭐⭐⭐⭐⭐ Amazingly brilliant’ ⭐⭐⭐⭐⭐ ‘Loved loved LOVED! I was hooked after the very first chapter. Engrossed in the story all the way through. The end hit me like a tonne of bricks!!! CANNOT WAIT for the 3rd book!!' ⭐⭐⭐⭐⭐ ‘Complex, chilling, fascinating. LOVED it’ ⭐⭐⭐⭐⭐ ‘Addictive’ ⭐⭐⭐⭐⭐ ‘Chilling’ ⭐⭐⭐⭐⭐ ‘Gripping’ ⭐⭐⭐⭐⭐ Praise for A Double Life ‘I was utterly gripped’ LUCY FOLEY ‘I fell into the vivid, frightening world Charlotte Philby creates so skilfully and didn't resurface until long after I'd turned the last page’ JANE CASEY ‘A Double Life confirms Charlotte Philby as the master of a sub-genre she basically invented’ ERIN KELLY ‘Brilliantly executed and tense’ SUNDAY TIMES ‘Terribly compelling… persuasive and absorbing’ OBSERVER ‘A pacy, gripping read that kept us on the edge of our seats’ INDEPENDENT

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