Search results for ""Author Christo"

The Anglican Communion stands at a crossroads. Some want Anglicanism to be exclusive of gays, especially gay priests and bishops. The Windsor Report is seen as the means of achieving this by centralising the Anglican Communion, and bringing wayward provinces, like ECUSA, to heel. In this collection of essays, distinguished academics from the UK and the US offer lively, thoughtful and scholarly critiques of the Windsor Report. What unites this collection is the view that Windsor does not provide a way forward for Anglicanism. Contributors write from a variety of standpoints, including justice for gays, opposition to centralisation, and/or the need for legitimate moral diversity within Anglicanism. This timely collection offers a means of grappling with what has become one of the most controversial issues within Anglicanism, and also a way of reflecting on the future shape of the Church, and how inclusive that Church is going to be. CONTRIBUTORS: Marilyn McCord Adams is Regius Professor of Divinity at the University of Oxford and Canon of Christ Church, Oxford. Thomas Breidenthal has been Dean of Religious Life and of the Chapel at Princeton University since January 2002. Anthony M. Coxon is currently Honorary Professorial Fellow at the University of Edinburgh and Emeritus Professor of Sociological Research Methods, University of Wales. Robin Gill is the Michael Ramsey Professor of Modern Theology in the University of Kent. Sean Gill is Senior Lecturer in Theology and Religious Studies at the University of Bristol. Elaine Graham is the Samuel Ferguson Professor of Social and Pastoral Theology at the University of Manchester. Rowan A. Greer is Professor of Anglican Studies Emeritus at Yale Divinity School. Charles Hefling is a Faculty Member of the Theology Department and the Honours Programme at Boston College, Massachusetts; Editor of the Anglican Theological Review; and the Examining Chaplain to the Bishop of Massachusetts. Carter Heyward is the Howard Chandler Robbins Professor of Theology at Episcopal Divinity School in Cambridge, Massachusetts. Lisa Isherwood is Professor of Feminist Liberation Theologies at the College of St Mark & St John, Plymouth. Gareth Jones studied Theology at Cambridge University, completing his PhD on Bultmann in 1988. Philip Kennedy studied music at the University of Melbourne before joining the Dominican Order in 1977. Richard Kirker is Director of the Lesbian and Gay Christian Movement, a post held since 1979. Christopher Lewis is Dean of Christ Church, Oxford. Andrew Linzey is a member of the Faculty of Theology in the University of Oxford, and Senior Research Fellow of Blackfriars Hall, Oxford. George Pattison is Lady Margaret Professor of Divinity in the University of Oxford. Carolyn J. Sharp is Assistant Professor of Old Testament at Yale Divinity School. Vincent Strudwick is currently Chamberlain of Kellogg College and Associate Chaplain of Corpus Christi College, Oxford. Adrian Thatcher taught Theology at the College of St Mark & St John, Plymouth, from 1977 until his retirement in August 2004.

Read more less

Für die Interpretation der johanneischen Schriften galt seit Bultmann ein tiefgreifender Dualismus als bestimmende Kategorie. Dieser wurde religionsgeschichtlich entweder aus gnostischen oder aus frühjüdisch-qumranischen Kreisen hergeleitet. Enno Edzard Popkes arbeitet demgegenüber exegetisch heraus, daß das Netzwerk der vielfältigen Aussagen über die Liebe Gottes zur Welt, Jesu zu den Jüngern oder der Jünger untereinander die Tragweite der dualistischen Aussagen einschränkt und einen anderen Schlüssel zum Verständnis sowohl der Johannesbriefe als auch des Johannesevangeliums bietet. Der Autor erstellt eine ausführliche Analyse aller durch dualistische und liebessemantische Motive geprägten Texte der johanneischen Schriften und stützt das erhobene Verständnis durch sorgfältige religionsgeschichtliche Vergleiche ab. So zeigt sich die "Theologie der Liebe Gottes" im ersten Johannesbrief und die narrativ ausgestaltete "dramaturgische Christologie der Liebe Gottes" im Johannesevangelium, durch die deutlich wird, inwiefern das Leben und der Tod Jesu in österlicher Perspektive als ein Geschehen der Liebe Gottes verstanden werden können.

Read more less

Containing the complete and annotated texts of six pamphlets written between 1609 and 1620, "Custome Is an Idiot" makes an invaluable contribution to the scholarship on early modern British cultural history, specifically on competing opinions about the role of women in society. During the early seventeenth century a fierce debate raged in British intellectual society regarding the role of women, how much is ordained by God, and how much is merely custom. The pamphlets that circulated at the time reveal a great deal about the terms of the debate, and these six constitute a significant body of primary literature, allowing the contending voices to be heard anew. Included here are two pamphlets about gossips by Samuel Rowlands, William Heale's treatise against wife-beating, Christopher Newstead's argument for the superiority of women, and Hic Mulier and Haec Vir, two pamphlets that address the theme of cross-dressing. Introductions by Susan Gushee O'Malley place each pamphlet in a wider context, and detailed annotations shed light on the individual texts.

Read more less

Over the centuries South London has witnessed literally thousands of murders: those included within the pages of this book have shocked, fascinated and enthralled the public and commentators for generations. Some of them were milestones in the annals of crime detection sucha s those in which fingerprinting and DNA testing were used for the first time. Well-remembered crimes are featured alongside those that have been forgotten for centuries - from St Alphege's murder in Greenwich in the eleventh century, to the seedy murder of Christopher Marlowe, playwright and secret agent, in Deptford in the late sixteenth century, and from the murders of Lambeth prostitutes by a crazed hospital doctor at around the same time as Jack the Ripper, to Croydon's notorious Craig and Bentley case in 1952. Based on original documents, trial and inquest transcripts, personal stories and contemporary newspaper reports, as well as visits to the crime scenes today, South London Murders in a study of cases that have shocked both capital and country.

Read more less

Focusing on the past, present, and future of American eighteenth-century studies.In a section commemorating the fiftieth anniversary of the American Society for Eighteenth-Century Studies, Howard D. Weinbrot, Felicity A. Nussbaum, and Heather McPherson trace the history of the Society. Logan J. Connors, Jason H. Pearl, Jessica Zimble, Adam Schoene, Rebecca Messbarger, and Morgan Vanek then assess the disciplinary divides that still stymie the field. Melissa Hyde's Presidential Address recovers the lives and careers of two female artists in Paris. Laurent Dubois's Clifford Lecture examines the centrality of theater to political action in Saint-Domingue.In the next section, "Consumption and Remediation," Alison DeSimone, Amy Dunagin, Erica Levenson, and Julia Hamilton consider the reception in England of foreign music and theater, including Italian opera, French comic troupes, and abolitionist "African" songs. These are followed by Michael Edson's investigation of marginalia in Anne Hamilton's Epics of the Ton and Anaclara Castro-Santana's rethinking of the relation between Sophia Western and the Jacobite celebrity Jenny Cameron in Tom Jones.In "Teaching Tough Texts," Anne Greenfield, Holly Faith Nelson and Sharon Alker, and W. Scott Howard offer innovative tactics for engaging students. The penultimate section, "Eighteenth-Century Bodies," features essays by Olivia Carpenter on the politics of The Woman of Colour and Meghan Kobza on masquerade costumes. The final section, "Disability in the Eighteenth Century," assembles work by Travis Chi Wing Lau, Madeline Sutherland-Meier, D. Christopher Gabbard, Jason S. Farr, Hannah Chaskin, and Declan Kavanagh that aims to push the field forward toward more historically nuanced interpretations of disability.

Read more less

Julian Künstler comes from New York City to L.A. like many a lost twenty-something: to find a job writing in the entertainment industry. But this is 2020 and his temporary visit turns into an extended stay, trapped by the lockdown in a little house in Venice with his glamorous, eccentric, and ancient grandmother. Ninety-three-years old, Mamie came to Los Angeles from Vienna at eleven with her parents in 1939 among a wave of Jewish musicians, directors, and intellectuals escaping Hitler. As the months roll on, she begins to tell Julian her stories of the eminent emigres she’s known and the magical world they inhabited as their old world was destroyed - people like Arnold Schoenberg, Christopher Isherwood, and Greta Garbo. Not quite all her stories, however. The pandemic isolates Julian from his world, but from Mamie he learns of the world that came before him and how much the past holds of the future. A tender, sharply wrought comic novel about exile, the power of stories handed down and handed on, and the power of stories held secretly in the heart.

Read more less

If the sky was the limit, what would you do to become the best educator that you can be? In 2016, Ollie Lovell asked himself this same question, and concluded that asking the world’s foremost leaders in education what they do would be a great place to start.And so he did just that. Over the past five years, Ollie has spoken to sixty of the world’s most prominent teachers, leaders, and education researchers. With guests including John Hattie, Tom Sherrington, Anita Archer, Dylan Wiliam, Jim Knight, Judith Hochman, Jay McTighe, Tom Bennett, Daisy Christodoulou, Bill Rogers, Daniel Willingham, and many more, Ollie digs deep to work out what works in education, and what doesn’t. This book aims to share those insights with you. It summarises the most useful techniques, tactics and mental models from these sixty conversations, and presents them in a clear, practical, and actionable form for you to start improving your teaching and learning from the first page. Tools for Teachers will help you to teach, lead, and learn like the world’s best educators.

Read more less

We no longer inhabit a world governed by international coordination, a unified NATO bloc, or an American hegemon. Traditionally, the decline of one empire leads to a restoration in the balance of power, via a struggle among rival systems of order. Yet this dynamic is surprisingly absent today; instead, the superpowers have all, at times, sought to promote what Jason Pack terms the 'Enduring Disorder'. He contends that Libya's ongoing conflict--more so than the civil wars in Yemen, Syria, Venezuela or Ukraine--constitutes the ideal microcosm in which to identify the salient features of this new era of geopolitics. The country's post-Qadhafi trajectory has been moulded by the stark absence of coherent international diplomacy; while Libya's incremental implosion has precipitated cross-border contagion, further corroding global institutions and international partnership. Pack draws on over two decades of research in and on Libya and Syria to highlight the Kafkaesque aspects of today's global affairs. He shows how even the threats posed by the Arab Spring, and the Benghazi assassination of US Ambassador J. Christopher Stevens, couldn't occasion a unified Western response. Rather, they have further undercut global collaboration, demonstrating the self-reinforcing nature of the progressively collapsing world order.

Read more less

In 1960, Japanese scholar of Chinese literature Takeuchi Yoshimi gave a pair of lectures titled “Asia as Method,” in which he considered how one might engage with Western theory from an East Asian perspective. Since then, it has been fashionable to use the “X as method” formulation to take what might have otherwise been an object of analysis and use it to elaborate an innovative methodology. Drawing inspiration from the numerous recent books and articles built around that formulation, contributors to this issue propose breaking the linkage between methodologies and objects or phenomena that inspired them and then applying them to a broader array of topics. Essays address the meanings that get left out in the process of translation, artistic representations of garbage, indigenous eco-fiction from Inner Mongolia, the role of cannibalism in a popular Hong Kong television series, and the implications of Taiwan legalizing same-sex marriage. The issue focuses on topics related to China in hopes of reassessing the assumptions that have come to define the concept of "China" and its relationship to the West. Contributors. Yomi Braester, Hsiao-hung Chang, Margaret Hillenbrand, Chun-kit Ko, Belinda Kong, Petrus Liu, Laikwan Pang, Christopher Rea, Carlos Rojas, Shuang Shen, Robin Visser, Lorraine Wong

Read more less

In this book, Mark Johnston argues that God needs to be saved not only from the distortions of the "undergraduate atheists" (Richard Dawkins, Christopher Hitchens, and Sam Harris) but, more importantly, from the idolatrous tendencies of religion itself. Each monotheistic religion has its characteristic ways of domesticating True Divinity, of taming God's demands so that they do not radically threaten our self-love and false righteousness. Turning the monotheistic critique of idolatry on the monotheisms themselves, Johnston shows that much in these traditions must be condemned as false and spiritually debilitating. A central claim of the book is that supernaturalism is idolatry. If this is right, everything changes; we cannot place our salvation in jeopardy by tying it essentially to the supernatural cosmologies of the ancient Near East. Remarkably, Johnston rehabilitates the ideas of the Fall and of salvation within a naturalistic framework; he then presents a conception of God that both resists idolatry and is wholly consistent with the deliverances of the natural sciences. Princeton University Press is publishing Saving God in conjunction with Johnston's forthcoming book Surviving Death, which takes up the crux of supernaturalist belief, namely, the belief in life after death.

Read more less

Volume 97 of Harvard Studies in Classical Philology is a special issue, entitled “Greece in Rome,” comprising revised versions of papers presented at a Loeb Classical Conference on the question of the Greek influence on Roman culture, with a particular though not exclusive emphasis on the Augustan period. The papers reflect the complexity of the relationship between the cultures involved—Greek, Roman, and Italic—and span many fields: history, literature, philosophy, linguistics, religion, and the visual arts.Contributors include: G. W. Bowersock, “The Barbarism of the Greeks”; John Scheid, “Graeco Ritu: A Typically Roman Way of Honoring the Gods”; Calvert Watkins, “Greece in Italy outside Rome”; Gisela Striker, “Cicero and Greek Philosophy”; Brad Inwood, “Seneca in His Philosophical Milieu”; Bettina Bergmann, “Greek Masterpieces and Roman Recreative Fictions”; Elaine K. Gazda, “Roman Sculpture and the Ethos of Emulation: Reconsidering Repetition”; Ann Kuttner, “Republican Rome Looks at Pergamon”; Cynthia Damon, “Greek Parasites and Roman Patronage”; Richard F. Thomas, “Vestigia Ruris: Urbane Rusticity in Virgil’s Georgics”; R. J. Tarrant, “Greek and Roman in Seneca’s Tragedies”; Christopher P. Jones, “Graia Pandetur ab Urbe”; Albert Henrichs, “Graecia Capta: Roman Views of Greek Culture”; and Sarolta A. Takács, “Alexandria in Rome.”

Read more less

An authoritative account of the life and work of Francis Poulenc, one of the most prolific and striking figures in twentieth-century classical music"An assured overview of Poulenc’s life and work."—Alex Ross, New Yorker“Essential reading for anyone interested in the French musical culture of Poulenc’s time. This is the biography the composer deserves.”—Christopher Dingle, BBC Music Magazine, Named one of the Best Books on Classical Music in 2020 by BBC Music Magazine Francis Poulenc is a key figure in twentieth-century classical music, as well as an unorthodox and striking individual. Roger Nichols draws upon Poulenc's music and other primary sources to write an authoritative life of this great artist. Although associated with five other French composers in what came to be called “Les Six”, Poulenc was very much sui generis in personality and in his music, where he excelled over a wide repertoire—opera, songs, ballet scores, chamber works, piano pieces, sacred and secular choral works, orchestral works and concertos. This book fully covers this wide range, while also describing the vicissitudes of Poulenc's life and the many important relationships he had with major figures such as Satie, Ravel, Stravinsky, Diaghilev, Cocteau and others.

Read more less

The meat-eating dinosaurs, or Theropoda, include some of the fiercest predators that ever lived. Some of the group's members survive to this day—as birds. The theropod/bird connection has been explored in several recent works, but this book presents 17 papers on a variety of other topics. It is organized into three parts. Part I explores morphological details that are important for understanding theropod systematics. Part II focuses on specific regions of theropod anatomy and biomechanics. Part III examines various lines of evidence that reveal something about theropods as living creatures.The contributors are Ronan Allain, Rinchen Barsbold, Kenneth Carpenter, Karen Cloward, Rodolfo A. Coria, Philip J. Currie, Peter M. Galton, Robert Gay, Donald M. Henderson, Dong Huang, James I. Kirkland, Yoshitsugu Kobayashi, Eva B. Koppelhus, Peter Larson, Junchang Lü, Lorrie A. McWhinney, Clifford Miles, Ralph E. Molnar, N. Murphy, John H. Ostrom, Gregory S. Paul, Licheng Qiu,J. Keith Rigby, Jr., Bruce Rothschild, Christopher B. Ruff, Leonardo Salgado, Frank Sanders, Julia T. Sankey, Judith A. Schiebout, David K. Smith, Barbara R. Standhardt, Kathy Stokosa, Darren H. Tanke, François Therrien, David Trexler, Kelly Wicks, Douglas G. Wolfe, and Lowell Wood.

Read more less

Die hier vereinten Beiträge, von denen mehr als ein Drittel unveröffentlicht und das Übrige verstreut publiziert war, schlagen die Brücke von theologischer Grundlagenbesinnung in weite Bereiche der Dogmatik. Nachdem die Lehre von Gott schon im zweiten Band den Schwerpunkte gebildet hatte, fällt nun auf Soteriologie und Ekklesiologie das Hauptgewicht. Dabei umfaßt "Soteriologie", dem Wortsinn gemäß, die Lehre von der Sünde und die Christologie ebenso wie auch Pneumatologie und Eschatologie. Die Ekklesiologie bildet einen besonderen Komplex. In ihm werden die Beziehungen zwischen dem Grundgeschehen von Kirche und ihren geschichtlich bedingten Lebensäußerungen bedacht. Die voranstehenden Beiträge zur Fundamentaltheologie sind für alle weiteren Aufsätze wegweisend. Mit dem Thema "Erfahrung" schlägt der erste Aufsatz den Grundton des Ganzen an. Dementsprechend rücken immer wieder die Probleme in den Brennpunkt, die durch die Neuzeit aufgebrochen sind. Für deren Behandlung ist charakteristisch, daß die vorherrschende Orientierung an Luther und Schleiermacher zu kritischer Offenheit für Grundfragen heutigen Denkens (in Anthropologie, Psychotherapie oder Politik) befähigt. So wird der Leser zu konzentriertem Mitdenken im theologischen Spannungsfeld überlieferter und gegenwärtiger Erfahrung eingeladen.

Read more less

"A design isn't dozens of little objects, or hungry-looking rectangular windowpanes: it is something that becomes a design by repeating, giving you something that a single pattern doesn't give you. " - (Phyllis Barron, Dartington 1964) During the 1920s and 1930s, Phyllis Barron (1890-1964) and Dorothy Larcher (1882-1952) were at the forefront of a revival in hand block-printing in Britain. As designer-makers they formed a unique partnership, producing innovative textiles and seeing the entire process through from beginning to end. Using whatever materials they could muster - fabric ranging from balloon cotton to prison sheets and velvet, and everyday items such as combs and car mats for printing - and pushing the boundaries of what could be achieved with predominantly natural dyes, these two remarkable women ran a successful business that lasted from 1923 until the outbreak of World War II. Nearly one hundred years on, another special collaboration between the Craft Studies Centre in Farnham, Christopher Farr Cloth and Ivo Prints, has brought a selection of Barron and Larcher's work back into production. The warm welcome they have received across the globe is a testament to the timeless quality of great design.

Read more less

'Impossible to read without smiling - escapist romantic comedy at its finest' Lauren Layne'Once you start reading, you won't be able to put it down' Lyssa Kay AdamsWhat happens when your love life becomes the talk of the town?As birthdays go, this year Everly Dean has hit rock bottom. If catching her boyfriend cheating with his assistant wasn't enough, Everly's rant about Simon the Snake, a.k.a. Cheating Ex, accidentally being broadcast live on the radio really sealed the deal... When public humiliation turns her into a viral sensation with a string of potential dates, and suddenly there's some serious chemistry with her cute but until now distant boss Chris, Everly - the woman who could win a gold medal in people-avoidance - is going to have to dig deep. They say fake it till you make it, and Everly's making a list: The Ten Rules for Faking It. Because sometimes making the rules can find you happiness when you least expect it.'This is a Hallmark movie in book form' Helen Hoang'A funny, sweet rom com from a fresh, sparkling new voice' Andie J. Christopher

Read more less

Writers' relationships with their surroundings are seldom straightforward. While some, like Jane Austen and Thomas Mann, wrote novels set where they were staying (Lyme Regis and Venice respectively), Victor Hugo penned Les Misérables in an attic in Guernsey and Noël Coward wrote that most English of plays, Blithe Spirit, in the Welsh holiday village of Portmeirion.Award-winning BBC drama producer Adrian Mourby follows his literary heroes around the world, exploring 50 places where great works of literature first saw the light of day. At each destination - from the Brontës' Yorkshire Moors to the New York of Truman Capote, Christopher Isherwood's Berlin to the now-legendary Edinburgh café where J.K. Rowling plotted Harry Potter's first adventures - Mourby explains what the writer was doing there and describes what the visitor can find today of that great moment in literature.Rooms of One's Own takes you on a literary journey from the British Isles to Paris, Berlin, New Orleans, New York and Bangkok and unearths the real-life places behind our best-loved works of literature.

Read more less

Your Last Breath: 1876 - Christopher leaves his young family behind to work in Norway. He will map the uncharted mountains for the very first time. 1999 - Anna's body freezes after an extreme skiing accident and her heart stops. But doctors gradually warm her until it miraculously starts beating again. 2011 - Freija, a successful business woman, has just lost her father. She travels to scatter his ashes in Norway. 2034 - Nicholas explains a medical breakthrough which saved his life as a baby, whereby the human body can be 'suspended in animation.' Spanning 150 years, Your Last Breath piece fuses movement, live piano score and video unravelling the landscapes of the heart and our own personal geographies. It was a Fringe First Winner in 2011 and will be touring, potentially to Scandinavia, in the Spring. After the Rainfall: Throughout history, the study of ants (myrmecology) has been used as an analogy for human behaviour. This piece uses myrmecology as a prism through which to view the present day. Navigating the arid Egyptian desert, continental Europe, the British Museum and a quiet village green, this piece is a patchwork of multidimensional narratives about the aftermath of the Empire. Curious Directive conjure a world where multimedia, movement and sound unpick Britain's relationship to artefacts, mining and the secret life of ants. An epic, thumping, passionate story asking questions about the relationship between our past, present and into eternity. A collaboration between Curious Directive, Watford Palace Theatre and Escalator East to Edinburgh, and it will play at the Edinburgh Festival (Pleasance Dome, 4-27 August) followed by a run at the Watford Palace Theatre. Olfactory: Over 10,000 different smells drift across our planet in various configurations. Olfactory gives you a choice to craft your identity and to decode the invisible molecules floating through the air. Who do you want to be in the future? This miniature explores our invisible relationship with perfumes and smell.

Read more less

Winner of the Newfoundland and Labrador Writers' Association Prize for Non-FictionMary Pratt is famous throughout Canada for her luminous paintings and prints. Her 1995 exhibition, The Art of Mary Pratt: The Substance of Light, drew record-breaking crowds on its tour of Canada. It also resulted in an unprecedented amount of press coverage on the biographical content of her work. The accompanying book by Tom Smart sold more than 6,000 copies and made almost every "best book of the year" list in Canada.Mary Pratt: A Personal Calligraphy features Mary's own writings, drawn and adapted from her personal journals, the essays that she has written for numerous publications ranging from The Globe and Mail to The Glass Gazette, and the lectures that she has given at many public events. For the first time, Mary has written her own book in her own words, rather than rely on others to write about her. Treating both public and private issues, she writes of her childhood in Fredericton — her connection to her family, life in Salmonier as a young mother, her decision to pursue her own career as an artist, and her complicated relationship with her husband, Christopher. She writes about public issues — the death of Joey Smallwood, the 50th anniversary of Newfoundland's entry into Confederation, and the cod fishery. She writes about the images that interest her and influence her art, and the process of painting. Like her paintings, Pratt's writing packs a sucker punch. At first it appears to be a paean to the pleasures of house and home, until the more disturbing aspects subtly reveal themselves. Ironing shirts become an erotic act; a memory of visiting the local market with her grandmother conjures images of violence; dead chickens, meticulously plucked, and carcasses of cattle, meticulously flayed, suggest rituals of sacrifice.In Spring of 2001, Mary Pratt was awarded the Newfoundland and Labrador Writers' Association prize for Non-fiction for A Personal Calligraphy.

Read more less

*SHORTLISTED FOR THE RSL CHRISTOPHER BLAND PRIZE 2023**SHORTLISTED FOR THE POLARI FIRST BOOK PRIZE 2023*'I read the book in one go. I laughed and cried like a baby, and was transported back to a time of innocence, clouded by the enormity of the harsh reality . . . Just amazing' CATHERINE ZETA JONES'As it happens, I was also a Jill in the eighties - but not half as good a Jill as real Jill' DAWN FRENCH'Jill met the crisis head on . . . She held the hands of so many men. She lost them, and remembered them, and somehow kept going' RUSSELL T DAVIESA heartbreaking, life-affirming memoir of love, loss and cabaret through the AIDS crisis, from IT'S A SIN's Jill NalderWhen Jill Nalder arrived at drama school in London in the early 1980s, she was ready for her life to begin. With her band of best friends - of which many were young, talented gay men with big dreams of their own - she grabbed London by the horns: partying with drag queens at the Royal Vauxhall Tavern, hosting cabarets at her glamorous flat, flitting across town to any jobs she could get.But soon rumours were spreading from America about a frightening illness being dubbed the 'gay flu', and Jill and her friends now found their formerly carefree existence under threat.In this moving memoir, IT'S A SIN's Jill Nalder tells the true story of her and her friends' lives during the AIDS crisis -- juggling a busy West End career while campaigning for AIDS awareness and research, educating herself and caring for the sick. Most of all, she shines a light on those who were stigmatised and shamed, and remembers those brave and beautiful boys who were lost too soon.'Thank God for people like [Jill] . . . I cannot recommend this book highly enough' MICHAEL BALL'An engaging, moving account' TIMES SATURDAY REVIEW'Simultaneously devastating and uplifting' GRAZIA'Engrossing, heart-breaking and inspiring' MATT CAIN

Read more less

*SHORTLISTED FOR THE RSL CHRISTOPHER BLAND PRIZE 2023**SHORTLISTED FOR THE POLARI FIRST BOOK PRIZE 2023*'I read the book in one go. I laughed and cried like a baby, and was transported back to a time of innocence, clouded by the enormity of the harsh reality . . . Just amazing' CATHERINE ZETA JONES'As it happens, I was also a Jill in the eighties - but not half as good a Jill as real Jill' DAWN FRENCH'Jill met the crisis head on . . . She held the hands of so many men. She lost them, and remembered them, and somehow kept going' RUSSELL T DAVIESA heartbreaking, life-affirming memoir of love, loss and cabaret through the AIDS crisis, from IT'S A SIN's Jill NalderWhen Jill Nalder arrived at drama school in London in the early 1980s, she was ready for her life to begin. With her band of best friends - of which many were young, talented gay men with big dreams of their own - she grabbed London by the horns: partying with drag queens at the Royal Vauxhall Tavern, hosting cabarets at her glamorous flat, flitting across town to any jobs she could get.But soon rumours were spreading from America about a frightening illness being dubbed the 'gay flu', and Jill and her friends now found their formerly carefree existence under threat.In this moving memoir, IT'S A SIN's Jill Nalder tells the true story of her and her friends' lives during the AIDS crisis -- juggling a busy West End career while campaigning for AIDS awareness and research, educating herself and caring for the sick. Most of all, she shines a light on those who were stigmatised and shamed, and remembers those brave and beautiful boys who were lost too soon.'Thank God for people like [Jill] . . . I cannot recommend this book highly enough' MICHAEL BALL'An engaging, moving account' TIMES SATURDAY REVIEW'Simultaneously devastating and uplifting' GRAZIA'Engrossing, heart-breaking and inspiring' MATT CAIN

Read more less

'D'Ancona makes his case well... The book is well written and thoughtful' -- The Times'A heartfelt attempt to renew liberal ideals for the coming decades... How sorely our public debate needs others to express themselves similarly.' -- Henry Mance, Financial Times'An urgent and exhilarating account of how populism, prejudice & polarisation have corrupted objective truth and public discourse. D'Ancona's sparkling prose provides an explanation of how we got here and, crucially, how we might get out.' -- James O'Brien'A book so rich in thought, wisdom and persuasion I find myself sharing the ideas within it with everyone I meet... In the much-mourned absence of Christopher Hitchens, d'Ancona is fast becoming the voice of enlightenment for our bewildered age.' -- Emily Maitlis'A tonic for our times that blows open any complacency following Trump's defeat that the demise of populism and nativism is inevitable. In beautifully written prose, D'Ancona puts forward hopeful ideas and timely inspiration for a progressive politics to replace it.' -- David Lammy'A brilliant, lucid, fearless tract, just what the historical moment ordered.' -- Andrew O'Hagan'D'Ancona's regular practical suggestions help to take it beyond mere theory and into the real world... Decision-makers would do well to read it.' -- Charlotte Henry, TLS***This is a call to arms. The old tools of political analysis are obsolete - they have rusted and are no longer fit for purpose. We've grown lazy, wedded to the assumption that, after ruptures such as Brexit, the pandemic, and the rise of the populist Right, things will eventually go 'back to normal'.Award-winning political writer Matthew d'Ancona invites you to think afresh: to seek new ways of challenging political extremism, bombastic populism and democratic torpor on both Left and Right. In this ground-breaking book, he proposes a new way of understanding our era and plots a way forward. With rigorous analysis, he argues that we need to understand the world in a new way, with a framework built from the three I's: Identity, Ignorance and Innovation.

Read more less

A vital contribution to environmental humanities that explores artistic responses to the plastic age Since at least the 1960s, plastics have been a defining feature of contemporary life. They are undeniably utopian—wondrously innovative, cheap, malleable, durable, and convenient. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are piling up in landfills, floating in oceans, and contributing to climate change and cancer clusters. They are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. Plastic reshapes our cultural and social imaginaries. With impressive breadth and compelling urgency, the essays in Life in Plastic examine the arts and literature of the plastic age. Focusing mainly on post-1960s North America, the collection spans a wide variety of genres, including graphic novels, superhero comics, utopic and dystopic science fiction, poetry, and satirical prose, as well as vinyl records and visual arts. Essays by a remarkable lineup of cultural theorists interrogate how plastic—as material and concept—has affected human sensibilities and expression. The collection reveals the place of plastic in reshaping how we perceive, relate to, represent, and re-imagine bodies, senses, environment, scale, mortality, and collective well-being.Ultimately, the contributors to Life in Plastic think through plastic with an eye to imagining our way out of plastic, moving toward a postplastic future.Contributors: Crystal Bartolovich, Syracuse U; Maurizia Boscagli, U of California, Santa Barbara; Christopher Breu, Illinois State U; Loren Glass, U of Iowa; Sean Grattan, U of Kent; Nayoung Kim, Brandeis U; Jane Kuenz, U of Southern Maine; Paul Morrison, Brandeis U; W. Dana Phillips, Towson U in Maryland and Rhodes U in Grahamstown, South Africa; Margaret Ronda, UC-Davis; Lisa Swanstrom, U of Utah; Jennifer Wagner-Lawlor, Pennsylvania State U; Phillip E. Wegner, U of Florida; Daniel Worden, Rochester Institute of Technology.

Read more less

There were plans for an official welcome. It was to take place the following Sunday. But those who came to the rectory on Father Pennant's second day were the ones who could not resist seeing him sooner. Here was the man to whom they would confess the darkest things. It was important to feel him out. Mrs Young, for instance, after she had seen him eat a piece of her macaroni pie, quietly asked what he thought of adultery. Andre Alexis brings a modern sensibility and a new liveliness to an age-old genre, the pastoral. For his very first parish, Father Christopher Pennant is sent to the sleepy town of Barrow. With more sheep than people, it's very bucolic--too much Barrow Brew on Barrow Day is the rowdiest it gets. Bu things aren't so idyllic for Liz Denny, whose fiance doesn't want to decide between Liz and his more worldly mistress Jane, and for Father Pennant himself, who greets some miracles of nature--mayors walking on water, talking sheep--with a profound crisis of faith. 'It's been clear since his debut novel, Childhood, that Alexis is one of our most distinctive and exacting prose stylists, and at its highest pitch, as in the breathtaking final paragraph, these are sentences that attain the level of the best music.' - Montreal Gazette Praise for Andre Alexis's previous books: "Astonishing ...an irresistible, one-of-a-kind work."--Quill & Quire "Alexis [has an] astute understanding of the madly shimmering, beautifully weaving patterns created by what we have agreed to call memory."--Ottawa Citizen Andre Alexis was born in Trinidad and grew up in Canada. His debut novel, Childhood, won the Books in Canada First Novel Award, the Trillium Book Award, and was shortlisted for the Giller Prize and the Writers' Trust Fiction Prize. His books include Asylum and Ingrid and the Wolf.

Read more less

When Owl’s house is blown down in a blusterous storm there’s only one Small Animal who can save the day. This story first appeared in A.A.Milne’s The House at Pooh Corner, accompanied by E.H.Shepard’s original, iconic decorations. Classic Winnie-the-Pooh Story Piglet Does a Very Grand Thing – With The Original Text By A.A.Milne And Decorations By E.H.Shepard It’s A Timeless Gift For Fans Of All Ages. Collect The Range. When Owl’s house is blown down in a blusterous storm there’s only one Small Animal who can save the day. This story first appeared in A.A.Milne’s The House at Pooh Corner. This book is all the more special due to E.H.Shepard’s decorations, which are shown in full, glorious colour. They contributed to him being known as ‘the man who drew Pooh’. Look out for all the titles in the collection: Winnie-the-Pooh and the Wrong Bees Winnie-the-Pooh: Pooh Goes Visiting Winnie-the-Pooh: Piglet Meets a Heffalump Winnie-the-Pooh: Piglet Does a Very Grand Thing Winnie-the-Pooh: Eeyore Has a Birthday Winnie-the-Pooh: A House is Built for Eeyore Winnie-the-Pooh: Pooh Invents A New Game Winnie-the-Pooh: Eeyore Loses a Tail The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

Read more less

Dieses Buch zeigt, wie neue Health-as-a-Service-Geschäftsmodelle zu einer besseren Patientenerfahrung und zugleich Kostensenkungen beitragen können. Im Gesundheitssektor entstehen neue digitale Geschäftsmodelle der Plattformökonomie, die Vorteile für alle am Markt der Gesundheitsdienstleistung Beteiligten Akteuren – inklusive des Patienten – bringen können. Digitale, datengetriebene Gesundheitsangebote werden zu einer messbaren Verbesserung der Behandlungsqualität führen und zugleich die Effizienz der Leistungserbringung steigern. Dazu werden vermehrt auch Methoden der Künstlichen Intelligenz und des Maschinellen Lernens eingesetzt. Zudem erwarten Patienten, die in der Zukunft mehrheitlich der Gruppe der Digital Natives angehören werden, zunehmend eine individuelle Betreuung (Patienten-Journey). Alle Leistungsanbieter im Gesundheitsbereich müssen systematisch prüfen, welche Health-as-a-Service-Geschäftsmodelle entwickelt und wie diese erfolgreich umgesetzt werden können. Dieses Buch bietet dafür den fundierten Leitfaden.Inhalte aus folgenden Themenbereichen Die Grundlagen der Plattformökonomie für das Gesundheitswesen verstehen Wie Plattformen und Marktplätze das Gesundheitswesen verändern Erfolgsfaktoren von Plattform-Geschäftsmodellen im Gesundheitswesen KI als Enabler für Plattform-Geschäftsmodelle der Zukunft Mit Beiträgen von: Dr. med. Henri Michael von Blanquet – Precision Medicine Alliance, Föhr, Deutschland Tobias Chrobok – Erlangen, Deutschland Timo Frank – Ada Health GmbH, Berlin, Deutschland Julian Gansen – Mementor GmbH, Berlin, Deutschland Clemens von Guenther – Universität Augsburg, Augsburg, Deutschland Anisa Idris – Ada Health GmbH, Berlin, Deutschland Dr. Florian Koerber – Flying Health GmbH, Berlin, Deutschland Dr. Lara Maier – goetzpartners Holding AG, München, Deutschland Marius Mainz – GET.ON Institut für Online Gesundheitstrainings GmbH, Berlin, Deutschland Manon Mandel – München, Deutschland Prof. Dr. Alessandro Monti – CBS International Business School, Köln, Deutschland Prof. Dr. Volker Nürnberg – BearingPoint GmbH, Frankfurt, Deutschland Prof. Dr. Erika Raab – MSH Medical School Hamburg, Hamburg, Deutschland Prof. Dr. Christoph Rasche – Universität Potsdam, Potsdam, Deutschland Prof. Dr. Dominik Rottenkolber – Alice Salomon Hochschule Berlin, Berlin, Deutschland Dr. Alexander Schachinger – EPatient Analytics GmbH, Berlin, Deutschland Frank Stratmann – SMARTR.care, Schmallenberg, Deutschland Sophia Strube – Ada Health GmbH, Berlin, Deutschland Mario Unterbrunner – CHECK24 Vergleichsportal, München, Deutschland Stephanie Widmaier – BearingPoint GmbH, Frankfurt, Deutschland Henry Alexander Wittke – Helmut-Schmidt-Universität, Hamburg

Read more less

'A dazzling chronicle, a bracing challenge to modernity's smug assumptions' - Bryce Christensen, Booklist'O what a world of profit and delightOf power, of honour and omnipotenceIs promised to the studious artisan.'Christopher Marlowe, Dr FaustusBetween the Renaissance and the Enlightenment, Europe changed out of all recognition. Particularly transformative was the ardent quest for knowledge and the astounding discoveries and inventions which resulted from it. The movement of blood round the body; the movement of the earth round the sun; the velocity of falling objects (and, indeed, why objects fall) - these and numerous other mysteries had been solved by scholars in earnest pursuit of scientia. This fascinating account of the profound changes undergone by Europe between the Renaissance and the Enlightenment will cover ground including folk religion and its pagan past; Catholicism and its saintly dogma; alchemy, astrology and natural philosophy; Islamic and Jewish traditions; and the discovery of new countries and cultures.By the mid-seventeenth century 'science mania' had set in; the quest for knowledge had become a pursuit of cultured gentlemen. In 1663 The Royal Society of London for Improving Natural Knowledge received its charter. Three years later the French Academy of Sciences was founded. Most other European capitals were not slow to follow suit. In 1725 we encounter the first use of the word 'science' meaning 'a branch of study concerned either with a connected body of demonstrated truths or with observed facts systematically classified'. Yet, it was only nine years since the last witch had been executed in Britain - a reminder that, although the relationship of people to their environment was changing profoundly, deep-rooted fears and attitudes remained strong.

Read more less

WARRIORS AND SOLDIERS TIED TOGETHER THROUGHOUT TIME AND SPACE. From the distant past to the far future, those who carry the sword rack up commendations for bravery. They are men and women who, like the swords they carry, have been forged in blood. These are their stories. In medieval Japan, a surly ronin is called upon to defend a village against a thieving tax collector who soon finds out it's not wise to anger an old, tired man. In the ugliest fighting in the Pacific Theater, an American sergeant and a Japanese lieutenant must face each other, and themselves. A former US Marine chooses sides with outnumbered Indonesian refugees against an invading army from Java. When her lover is stolen by death, a sergeant fighting on a far-flung world vows vengeance that will become legendary. And, when a planet fragments in violent chaos, seven Freeholders volunteer to help protect another nation's embassy against a horde. Featuring all-new stories by Michael Z. Williamson, Larry Correia, Tom Kratman, Tony Daniel, Micahel Massa, Peter Grant, John F. Holmes, and many more. Contributors: Zachary Hill Larry Correia Michael Massa John F. Holmes Rob Reed Dale Flowers Tom Kratman Leo Champion Peter Grant Christopher L. Smith Jason Cordova Tony Daniel Kacey Ezell Michael Z. Williamson About Michael Z. Williamson: “A fast-paced, compulsive read . . . will appeal to fans of John Ringo, David Drake, Lois McMaster Bujold, and David Weber.”—Kliatt “Williamson's military expertise is impressive.”—SF Reviews Novels of Michael Z. Williamson's Freehold Universe: Freehold series Freehold The Weapon The Rogue Contact with Chaos Angeleyes Freehold: Forged in Blood Ripple Creek series Better to Beg Forgiveness . . . Do Unto Others . . . When Diplomacy Fails . . . Standalone A Long Time Until Now

Read more less

How the actions of a few in Europe destroyed the prosperity of the many (and how it's happening again now in America) After the fall of the Roman Empire, vicious barbaric tribes including the Hunds lead by Atilla, the Mongols, Charlemagne and the Vikings invaded Europe, plundering property and destroying homes. But, they didn't just steal and destroy property in the villages; they also stole and destroyed any prosperity the villagers had previously enjoyed. What's worse is the barbarians of the Dark Ages did all of this not out of any deeply held religious or political belief, but, rather, for the oldest reason in the book – their own personal financial gain. Some things never change. Barbarians of Wealth examines how the greedy, self-serving decisions of a select group of politicians and financial institutions negatively impacts the economy and, ultimately, destroys America's prosperity and the American way of life. Compelling and engaging, the book Details how Goldman Sachs peddled mortgage backed securities up and down Wall Street while secretly betting against their demise Discusses how Sanford Weill, founder of Citigroup spent $100 million lobbying for the repeal of the Glass-Steagall Act that prevented the merger of commercial and investment banks and got his way. Examines Christopher Dodd, head of the U.S. Senate Banking Committee, has enriched himself while driving down the prosperity of his constituents Offers up examples of other modern barbarians, including the Federal Reserve, Alan Greenspan, Hank Paulson, and Timothy Geithner. Highlights greed driven tactics of Wall Street corporations including JP Morgan, Merrill Lynch, and Salomon Brothers. Barbarians of Wealth is a timely must read for hard-working Americans concerned with their prosperity, as well as for those fascinated with the inner workings of Washington and Wall Street.

Read more less

This monograph considers not so much the moments, thoughts, speculations with which the so-called 'Cappadocian Fathers' agreed and proposed a unified doctrine, but the points and moments, the doctrines in which they disagreed. Thus, it is not a new book on the Cappadocian Fathers considered as a unity, which surely would have come to a huge dimension, but asks the question: Is it possible to speak of agreement and, at the same time, of differentiation between these Fathers? Is it useful to change, at least in part, an established opinion, that of the 'Cappadocian theology'? The examination of the various problems leads to an affirmative answer. Concordia discors might be the true sense. So far, studies have mostly focused on the religious aspects and have shown little or no interest in the Cappadocians’ output as literature. Cultivated people with a background in paideia, which was the same as for non-Christian writers, these Fathers wished to have access to the literary forms that were most useful for their didactic activities (homilies), or also rhetorical use (epistolography or poetry): thus, literary activity should not be considered as extraneous to their speculative thought. Their interest in philosophy can be traced to their openness to pagan paideia, which had a long tradition in Christianity. Another question that arises is the need to clarify who exactly the ‘Cappadocian Fathers’ were. Naturally, Amphilochius, due to his relations with Basil and Gregory of Nazianzus, but as it is justified by the similarities of many doctrines and by his biography, also Evagrius Ponticus, even though his personal affairs and the end of his life place him more within Egyptian rather than Cappadocian monasticism. A sketch of the Cappadocian’s Nachleben in the West, with a provisional edition of a Latin translation (6th century) of some Gregory of Nazianzus’ homilies and Christological epistles concludes the volume.

Read more less

'A masterful storyteller with an intricate knowledge of his subject.' The Daily Telegraph 'Alan Judd knows more about the secret world than any other writer living. To have him turn his expert eye on the world of Christopher Marlowe – and on Francis Walsingham, the Elizabethan George Smiley – is a special kind of literary treat.' Mick Herron‘Absolutely spellbinding. I gobbled it up in two days and could not stop' Miranda Seymour Danger and dissent stalk the streets and taverns of Elizabethan England. The Queen’s chief spymaster, Francis Walsingham, and his team of agents must maintain the highest levels of vigilance to ward off Catholic plots and the ever-present threat of invasion. One operative in particular - a young Cambridge undergraduate of humble origins, controversial beliefs and literary genius who goes by the name of Kit Marlowe - is relentless in his pursuit of intelligence for the Crown. When he is killed outside an inn in Deptford, his mysterious death becomes the subject of rumours and suspicion that are never satisfactorily resolved. Years later, Thomas Phelippes, a former colleague of Marlowe’s and a man once much valued by Walsingham, finds himself imprisoned in the Tower. When he is visited by an emissary of the new king, however, it becomes clear that his long fall from favour may be reversed if he will furnish his monarch with every detail he is able to recall about his murdered friend’s life and death. But just what is it that so fascinates King James about the famously mercurial playwright-spy, and does Phelippes know enough to secure his own redemption? Virtuosic, gripping and meticulously researched, award-winning writer Alan Judd turns is at the peak of his powers in this remarkable novel about a literary genius whose short-life and violent death composed one of the most fascinating unresolved mysteries of all time.

Read more less

Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

Read more less

Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogues between 1992 and 2010. Far from your ordinary dealer catalog, Leiber's catalogs paid homage to the kind of historic printed matter that he bought and sold, mimicking iconic publications like Wallace Berman's Semina journal and the exhibition catalog for Documenta V (1972). Leiber's reputation spread via these unique volumes, which included works by John Baldessari, Lynda Benglis, Ray Johnson, Lucy Lippard, Allan Kaprow, Yayoi Kusama, Claes Oldenburg, Ed Ruscha, Lawrence Weiner and many more. Across 252 pages, this book documents the full set of 52 dealer catalogs produced by Steven Leiber between 1992 and 2010. Inspired by Leiber's often humorous borrowing for his catalog designs, the book's format references Sol Lewitt's Autobiography and includes an essay and contextual notes by SFMOMA Head Librarian David Senior. Additional contributors include Ann Butler, Christophe Cherix, Marc Fischer, Tom Patchett, David Platzker, Marcia Reed, Lawrence Rinder and Robin Wright. Steven Leiber (1957 2012) began to buy and sell ephemera while working as a private dealer selling prints, drawings and multiples in the early 1980s. Scrupulously organized and cataloged, Leiber's collection housed in his grandmother's basement became an important resource for scholars, curators and other enthusiasts. The collection included the work of some 1,000 artists and represented basically every major movement within late 20th-century avant-garde practice, including Fluxus, conceptual art, land art, mail art, performance and video.

Read more less

Though little known, the name of the judge Roland Freisler is inextricably linked to the judiciary in Nazi Germany. As well as serving as the State Secretary of the Reich Ministry of Justice, he was the notorious president of the People s Court , a man directly responsible for more than 2,200 death sentences; with almost no exceptions, cases in the People s Court had predetermined guilty verdicts. It was Freisler, for example, who tried three activists of the White Rose resistance movement in February 1943\. Along with Christoph Probst, Sophie and Hans Scholl were arrested for their part in an anonymous leaflet and graffiti campaign which called for active opposition against the Nazi regime. Found guilty of treason, Freisler sentenced the trio to death by beheading; a sentence carried out the same day by guillotine. In August 1944, Freisler played a central role in the show trials that followed the failed attempt to assassinate Adolf Hitler on 20 July that year a plot known more commonly as Operation Valkyrie. Many of the ringleaders were tried by Freisler in the People s Court . The proceedings were filmed, the intention being to use the images as propaganda in newsreels. Freisler could be seen alternating between clinical interrogations of the defendants through to his yelling of personalized and theatrically enraged abuse at them from the bench. Nearly all of those found guilty were sentenced to death by hanging, the sentences being carried out within two hours of the verdicts being passed. Roland Freisler s mastery of legal texts and dramatic court-room verbal dexterity made him the most feared judge in the Third Reich. In this in-depth examination, Helmut Ortner not only investigates the development and judgments of the Nazi tribunal, but the career of Freisler, a man who was killed in February 1945 during an Allied air raid.

Read more less

LONGLISTED FOR THE ORWELL PRIZE 2018 NEW STATESMAN BOOKS OF THE YEAR 2017'The kind of vision the world needs right now...Pankaj Mishra shouldn't stop thinking' Christopher de Bellaigue, Financial Times'This is the most astonishing, convincing, and disturbing book I've read in years' Joe Sacco'Urgent, profound and extraordinarily timely' John BanvilleHow can we explain the origins of the great wave of paranoid hatreds that seem inescapable in our close-knit world - from American 'shooters' and ISIS to Trump, from a rise in vengeful nationalism across the world to racism and misogyny on social media? In Age of Anger, Pankaj Mishra answers our bewilderment by casting his gaze back to the eighteenth century, before leading us to the present.He shows that as the world became modern those who were unable to fulfil its promises - freedom, stability and prosperity - were increasingly susceptible to demagogues. The many who came late to this new world or were left, or pushed, behind, reacted in horrifyingly similar ways: intense hatred of invented enemies, attempts to re-create an imaginary golden age, and self-empowerment through spectacular violence. It was from among the ranks of the disaffected that the militants of the 19th century arose - angry young men who became cultural nationalists in Germany, messianic revolutionaries in Russia, bellicose chauvinists in Italy, and anarchist terrorists internationally.Today, just as then, the wider embrace of mass politics, technology, and the pursuit of wealth and individualism has cast many more millions adrift in a literally demoralized world, uprooted from tradition but still far from modernity - with the same terrible resultsMaking startling connections and comparisons, Age of Anger is a book of immense urgency and profound argument. It is a history of our present predicament unlike any other.

Read more less

Die hier zusammengestellten Abhandlungen Reinhard Feldmeiers zu Texten und Themen der hellenistischen Religionsgeschichte, des Antiken Judentums und des Neuen Testaments sind bei aller Unterschiedenheit verbunden durch ihr gemeinsames Thema, die von Juden, Christen und Heiden immer wieder neu gestellte Frage nach Gott. Neben exegetischen und religionsgeschichtlichen Untersuchungen wurden dabei auch Vorträge aufgenommen, die auf Tagungen, vor Pfarrkapiteln oder in Gemeinden gehalten wurden.Titel und Untertitel deuten schon an, dass es um den biblischen Gottesglauben geht, der im Kontext der antiken Religionsgeschichte und Philosophie in einem fortwährenden dialektischen Prozess von Anpassung und Abgrenzung, Abstoßung und Aneignung, Überbietung und Überformung immer wieder neu zur Sprache gebracht wurde. Gerade die Auseinandersetzung mit den 'Heiden' und die sorgfältige Beachtung der Außenperspektive (die nicht zu verwechseln ist mit der ahistorischen Konstruktion eines Kontrastbildes) verhilft dazu, die Konturen des biblischen Zeugnisses umso schärfer wahrzunehmen.Systematisch ist der Band in drei Hauptteile gegliedert. Der erste widmet sich der Religionsgeschichte der kaiserzeitlichen Antike mit Schwerpunkt auf Plutarch. Der zweite Hauptteil zeichnet nach, wie Juden und Christen in diesem Kontext ihren Glauben an den Gott Israels und den Vater Jesu Christi reflektiert und auf neue Weise zur Sprache gebracht haben. Im dritten Teil ist vor allem die Verbindung des Gottesglaubens mit der Christologie und hier vor allem mit der Passion im Blick."Feldmeiers Überlegungen inspirieren ausdrücklich nicht nur diejenigen, die einen Faible für antike Philosophie und Religionsgeschichte haben, sondern alle, die an einem theologischen Urteil in Kohärenz zu den biblischen Gedanken interessiert sind."Simon Blatz in ichthys 32 (2016), S. 203-205

Read more less

Die Diskussionen um Kontinuitäten und Umbrüche zwischen dem späten Mittelalter und der Reformationszeit nötigen zu einer Klärung der historiographischen Stellung der Reformation. Im Zentrum der einzelnen Studien dieses Buches steht die Frage nach dem "Anfang" der Reformation als eines in sich komplexen Ereignisses. Dabei zeigt sich, dass die literarischen Akteure der reformatorischen Bewegung, allen voran Luther, Traditionen konstruierten, in denen sie ihre Anliegen legitimierten und plausibilisierten. An den "Anfängen" der Reformation stehen auch bestimmte Traditionskonstruktionen der vorreformatorischen Ketzergeschichte, des Bibelgebrauchs und der reform- und der politiktheoretischen Literatur des 15. Jahrhunderts.Ein weiterer Schwerpunkt in Thomas Kaufmanns Studien liegt auf den Kommunikationsdynamiken, die die Reformation mittels "neuer Medien" über den Bereich der akademischen Diskussionen in eine breitere Öffentlichkeit getragen haben. Lehrbildungen und Identitätsentwürfe, die den inneren Zusammenhang und die Dissoziationsprozesse der reformatorischen Bewegung darstellen, bilden einen weiteren Fokus. Dem Verfasser geht es im Kern darum, Luther und die unterschiedlichen Rezeptionen, die ihm zuteilwurden, aufeinander zu beziehen. Dies wird vornehmlich an Texten und Sachverhalten der frühen 1520er Jahre aufgezeigt."Ein unglaublich gelehrtes, in viele Einzelheiten der frühen Neuzeit einführendes Buch, weit über theologische Fragen hinausgehend und doch immer nach der Relevanz für die Theologie fragend. […] Der Stand der Forschung, die Fülle der Quellen, spannende Ergebnisse. Spitzenforschung."Christoph Auffarth auf http://buchempfehlungen.blogs.rip-virtuell.net (02/2013)"Ein großes Werk des Göttinger Kirchenhistorikers Thomas Kaufmann."Karl-Friedrich Wiggermann in PV-aktuell Nr. 3 (2012), S. 9"Mit diesem Werk legt Kaufmann erneut ein sorgfältig recherchiertes Buch vor, das zahlreiche Anknüpfungspunkte für eine fruchtbringende Diskussion bietet."Jan Martin Lies in Ebernburg-Hefte 48 (2014), S. 318-320

Read more less

Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations.Issue 27 is particularly international—even for Copper Nickel—and features an expansive folio of younger and less-established Irish and UK poets, including Irish poets Martin Dyar, Elaine Feeney, Victoria Kennefick, Conor O'Callaghan, Paul Perry, Stephen Sexton, Lorna Shaughnessy, and Jessica Traynor; and UK poets James Byrne, Vahni Capildeo, Manuela Moser, Sam Riviere, Zoë Brigley Thompson, and Chrissy Williams. The oldest poet in the folio was born in 1968; the youngest poets were born in the 1990s. Issue 27 also features three translation folios (which are a regular feature in Copper Nickel): (1) a group of five prose poems by Danish poet Carsten Rene Nielsen (b. 1966), translated and introduced by David Keplinger; (2) three longer poems by Mexican poet Cristina Rivera Garza (b. 1964), translated by Julia Leverone; and (3) four poems by Mauritian poet Khal Torabully (b. 1956), translated and introduced by Nancy Naomi Carlson. This issue also includes fiction by Farah Ali, Amy Stuber, Jyotsna Sreenivasan, and Jacinda Townsend. Nonfiction includes a personal essay on Günter Grass by poet and German translator Stuart Friebert, a lyric essay on hexes by Laughlin award winner Kathryn Nuernberger, and a lyric essay on hide-and-seek by Ira Sukrungruang. Poets in issue 27 include two-time Pushcart Prize winner T. R. Hummer, NEA Fellow Christopher Kempf, Kingsley Tufts Award winner John Koethe, Whitman Award winner Emily Skaja, Best American Poetry contributor Corey Van Landingham, Jenny Boychuk, Juan Morales, Paul Otremba, Paige Quiñones, Arthur Russell, Francis Santana, and Chelsea Wagenaar. The cover features work by Denver-based photographer Kristen Hatgi Sink.

Read more less

Hereford Cathedral is proud of its four stained-glass windows commemorating Traherne, but these volumes are as glorious a memorial. DAILY TELEGRAPH [Christopher Howse] Thomas Traherne (1637?-1674), a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were first printed. There have beensince only miscellaneous publications of his poetry and devotional writings. The Works of Thomas Traherne brings together for the first time all Traherne's extant works, including his notebooks, in a definitive, printed edition. The poems in this volume are independent, not extracted from Traherne's prose, and demonstrate the range of his imagination. Each poem has its own unique form, line numbers, meter and rhyme, and they are personal in nature with a didactic purpose, filled with joy and thanksgiving. They are also new transcriptions from four manuscripts, held variously at the Bodleian, the British Library, and the Folger Shakespeare Library. They include thirty-seven autograph poems from the "Dobell Folio"; Poems of Felicity, taken from Philip Traherne's incomplete edition of his brother's poems; The Ceremonial Law, an incomplete, autograph, narrative poem in rhyming couplets, wherein Traherne not only gives a reading of events in the Old Testament as types fulfilled in the New, but also interprets his own spiritual journey in terms of the stories from Pentateuch; and the "Early Notebook", made up ofnotes from various sources, probably from Thomas's undergraduate days, as well as five autograph poems. Included in the Appendix are the "Manuscript foliation of Poems" and "The Story of the Traherne MSS. by their Finder" byWilliam T. Brooke; a glossary and index of titles and first lines complete the volume.

Read more less

The City of London was always going to be an obvious target for German bombers during the Second World War. What better way for Nazi Germany to spread fear and panic amongst the British people than by attacking their capital city?Although not vastly populated in the same way that a bigger city or larger town would be, there were still enough people working there during the day for attacks on it to take their toll. The city's ancient and iconic buildings also bore the brunt of the German bombs, including churches designed by Sir Christopher Wren after the Great Fire in 1666. The book looks at the effects of war on the City of London, including the damage caused by the 8 months of the Blitz between September 1940 and May 1941. The most devastating of the raids took place on 29 December 1940, with both incendiary and explosive bombs causing a firestorm so intense it was known as the Second Great Fire of London. It also looks at the bravery of the staff at St Bart's Hospital, which was one of the medical facilities that remained open during the course of the war. Other stories include the sterling work carried out by the City's civilian population and the different voluntary roles that they performed to help keep the city safe, including the Home Guard and the Fire Watchers, who spent their nights on the city's rooftops looking out for incendiary devices dropped by the German Luftwaffe. Despite the damage to its buildings and its population, by the end of the war the City of London was able to rise, like a phoenix, from the flames of destruction, ready to become the vibrant and flourishing borough that it is today.

Read more less

Premiering the day after the JFK assassination, Doctor Who humbly launched one of the entertainment world's first super-brands. We begin with a look at TV programming of the day and the original pitch documents before delving into the Daleks, which almost didn't make the cut but inspired many monsters to follow. After three years, First Doctor William Hartnell left, prompting the BBC to recast their hit rather than end it, giving us the first "regeneration" and making TV history. We follow the succession of Doctors—including Third Doctor Jon Pertwee, exiled to Earth and targeted by the Master—and see how the program reflected the feminism of the 1970s while gaining mainstream popularity with Fourth Doctor Tom Baker . . . until declining support from the BBC eventually led to cancelation. Fan outcry saved the series only for it to suffer a repeat cancelation. Yet many continued to enjoy the Whoniverse in syndication, novels, audio dramas, and Doctor Who Magazine. Paul McGann impressed many as the Eighth Doctor in a 1996 TV movie, but it failed to reignite the series. A new age dawned in 2005 with Ninth Doctor Christopher Eccleston and a serious special effects budget before Tenth Doctor David Tennant helped rocket the series to international popularity and a new era of spinoffs. With Eleventh Doctor Matt Smith, the show became a bona fide success here in America. Following the program's fiftieth anniversary, Whovians will meet the Twelfth Doctor, ushering in yet another era for the unstoppable Time Lord.Featuring discussions of concepts and characters, with insights from producers, writers, and actors from across the years, here is a rich, behind-the-camera investigation into the dazzling multiverse of Doctor Who.

Read more less

A dramatic new interpretation of the encounter between Europe and the Americas that reveals the crucial role of animals in the shaping of the modern world.When the men and women of the island of Guanahani first made contact with Christopher Columbus and his crew on October 12, 1492, the cultural differences between the two groups were vaster than the oceans that had separated them. There is perhaps no better demonstration than the divide in their respective ways of relating to animals. In The Tame and the Wild, Marcy Norton tells a new history of the colonization of the Americas, one that places wildlife and livestock at the center of the story. She reveals that the encounters between European and Native American beliefs about animal life transformed societies on both sides of the Atlantic.Europeans’ strategies and motives for conquest were inseparable from the horses that carried them in military campaigns and the dogs they deployed to terrorize Native peoples. Even more crucial were the sheep, cattle, pigs, and chickens whose flesh became food and whose skins became valuable commodities. Yet as central as the domestication of animals was to European plans in the Americas, Native peoples’ own practices around animals proved just as crucial in shaping the world after 1492. Cultures throughout the Caribbean, Amazonia, and Mexico were deeply invested in familiarization: the practice of capturing wild animals—not only parrots and monkeys but even tapir, deer, and manatee—and turning some of them into “companion species.” These taming practices not only influenced the way Indigenous people responded to human and nonhuman intruders but also transformed European culture itself, paving the way for both zoological science and the modern pet.

Read more less

*NOW A MAJOR SKY TV SERIES. Read the novel Season 2 is based on.*Fall deeper under the spell of Diana and Matthew in the captivating second volume of the No.1 internationally bestselling ALL SOULS series, following A DISCOVERY OF WITCHES. Perfect for fans of Neil Gaiman, Diana Gabaldon and J. K. Rowling.---In a world of witches, daemons and vampires the fragile balance of peace is unravelling. Diana and Matthew's forbidden love has broken the laws dividing creatures. To discover the manuscript which holds their hope for the future, they must now travel back to the past.When Diana Bishop, descended from a line of powerful witches, discovered a significant alchemical manuscript in the Bodleian Library, she sparked a struggle in which she became bound to long-lived vampire Matthew Clairmont. Now the coexistence of witches, daemons, vampires and humans is dangerously threatened.Seeking safety, Diana and Matthew travel back in time to London, 1590. But they soon realise that the past may not provide a haven. Reclaiming his former identity as poet and spy for Queen Elizabeth, the vampire falls back in with a group of radicals known as the School of Night. Many are unruly daemons, the creative minds of the age, including playwright Christopher Marlowe and mathematician Thomas Harriot.Together Matthew and Diana scour Tudor London for the elusive manuscript Ashmole 782, and search for the witch who will teach Diana how to control her remarkable powers...Praise for Deborah Harkness:'Rich, thrilling . . . captivating' E L James'Intelligent and off-the-wall' The Sunday Times'I could lose myself in here and never want to come out' Manda Scott'A bubbling cauldron of illicit desire' Daily Mail

Read more less

Patrick Hennessey's The Junior Officers' Reading Club is a lucid, witty account of all the horror, boredom and exhilaration of war. Patrick Hennessey is pretty much like any other member of Generation X: he spent the first half of the noughties reading books at university, going out, listening to house music and watching war films. He also, as an officer in the Grenadier guards, fought in some of the most violent combat the British army has seen in decades. Telling the story of how a modern soldier is made, from the testosterone-heavy breeding ground of Sandhurst to the nightmare of Iraq and Afghanistan, The Junior Officers' Reading Club is already being hailed as a modern classic. 'Soldiers who can write are as rare as writers who can strip down a machinegun in 40 seconds' Christopher Hart, Sunday Times 'An extraordinary memoir ... Hennessey has a reporter's eye for detail and a soldier's nose for bullshit' John Shirley, Guardian 'High tempo, full-on, honest and revealing' Patrick Bishop, Evening Standard 'The most accomplished work of military witness to emerge from British war-fighting since 1945' Boyd Tonkin, Independent 'Remarkable ... conveys vividly what it's like to experience combat' Jeremy Paxman, Daily Telegraph, Books of the Year Patrick Hennessey (b. 1982) joined the Army in January 2004, undertaking officer training at the Royal Military Academy Sandhurst where he was awarded the Queen's Medal and commissioned into The Grenadier Guards. He served as a Platoon Commander and later Company Operations Officer from the end of 2004 to early 2009 in the Balkans, Africa, South East Asia and the Falkland Islands and on operational tours to Iraq in 2006 and Afghanistan in 2007, where he became the youngest Captain in the Army and was commended for gallantry.

Read more less

“The lowdown on what it’s like to be raised by a legend. Frequently funny and consistently intimate. . . . A great read.” —BookPage “Those searching for a moving Father’s Day gift need look no further.”—Publishers Weekly Men like John Wayne and John Lennon, Nolan Ryan and Bruce Lee, Cesar Chavez, Christopher Reeve, and Miles Davis have touched the lives of millions. But at home, to their children, they were not their public personas. They were Dad. Maybe Davis didn’t leave the office at five o’clock to come home and play catch with his son Erin, but the man we see through Erin’s eyes is so alive, so real, so not the “king of cool” (he taught his son to box, made a killer pot of chili, watched MTV alongside him) that it brings us to a whole new appreciation for the artist. Each of these forty first-person narratives—intimate, heartfelt, unvarnished, surprising, and profoundly universal—shows us not only a very different view of a figure we thought we knew but also a wholly fresh and moving idea of what it means to be a father.

Read more less

In Sensing Sound Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions how we think about sound, music, and listening. Eidsheim shows how sound, music, and listening are dynamic and contextually dependent, rather than being fixed, knowable, and constant. She uses twenty-first-century operas by Juliana Snapper, Meredith Monk, Christopher Cerrone, and Alba Triana as case studies to challenge common assumptions about sound—such as air being the default medium through which it travels—and to demonstrate the importance a performance's location and reception play in its contingency. By theorizing the voice as an object of knowledge and rejecting the notion of an a priori definition of sound, Eidsheim releases the voice from a constraining set of fixed concepts and meanings. In Eidsheim's theory, music consists of aural, tactile, spatial, physical, material, and vibrational sensations. This expanded definition of music as manifested through material and personal relations suggests that we are all connected to each other in and through sound. Sensing Sound will appeal to readers interested in sound studies, new musicology, contemporary opera, and performance studies.

Read more less

A comprehensive examination of the past, present and future prospects of the Anglo-Scottish Union, this book is written by the cream of the academic talent in modern Scottish history and Scottish politics. It appeals to a wide readership while conforming to the highest standards of scholarship and no other volume considers the entire 300-year experience of Union - from its origins in the early 18th century to the historic parliamentary victory of the SNP in May 2007. All the key themes and questions are covered here: " why the Union took place " its growing acceptance in the eighteenth century " the central role of the Scots in the British Empire and the impact on Scotland " the politics of unionism " the challenge of nationalism " Thatcherism and the Union " Devolution and prospects for the future. Contributions come from Christopher A. Whatley, Allan I. Macinnes, Karen Bowie, Alexander J. Murdoch, Ewen A. Cameron, William L. Miller, Richard Findlay, Brian Ashcroft, Charlie Jeffrey, John Curtice and Neal Ascherson. This is the essential text for understanding one of the most burning issues in British public life today.

Read more less

How should Christians read the Old Testament today? Answers to this question gravitate between two poles. On the one hand, some pay little attention to the gap between the Old Testament and today, reading the Old Testament like a devotional allegory that points the Christian directly to Jesus. On the other hand, there are folks who prioritize an Old Testament passage's original context to such an extent that it is by no means clear if and how a given Old Testament text might bear witness to Christ and address the church.This volume is a tribute to Willem A. VanGemeren, an ecclesial scholar who operated amidst the tension between understanding texts in their original context and their theological witness to Christ and the church. The contributors in this volume share a conviction that Christians must read the Old Testament with a theological concern for how it bears witness to Christ and nourishes the church, while not undermining the basic principles of exegesis.Two questions drive these essays as they address the topic of reading the Old Testament theologically. Christology. If the Old Testament bears witness to Christ, how do we move from an Old Testament text, theme, or book to Christ? Ecclesiology. If the Old Testament is meant to nourish the church, how do scriptures originally given to Israel address the church today? The volume unfolds by first considering exegetical habits that are essential for interpreting the Old Testament theologically. Then several essays wrestle with how topics from select Old Testament books can be read theologically. Finally, it concludes by addressing several communal matters that arise when reading the Old Testament theologically.

Read more less