Search results for ""Author Christo"

A collection of the most significant articles in castle studies, with contributions from scholars in history, archaeology, historic buildings and landscape archaeology. The castles of the late medieval period represent some of the finest medieval monuments in Britain, with an almost infinite capacity to fascinate and draw controversy. They are also a source of considerable academic debate. The contents of this volume represent key works in castle scholarship. Topics discussed include castle warfare, fortress customs, architectural design and symbolism, spatial planning and the depiction of castles in medieval romance. The contributions also serve to highlight the diversity of approaches to the medieval castle, ranging from the study of documentary and literary sources, analysis of fragmentary architectural remains and the recording of field archaeology. The result is a survey that offers an in-depth analysis of castle building from the thirteenth to the fifteenth centuries, and places castles within their broader social, architectural and political contexts. Robert Liddiard is Professor of History, University of East Anglia. Contributors: Nicola Coldstream, Charles Coulson, Philip Dixon, Graham Fairclough, P.A. Faulkner, John Goodall, Beryl Lott, Charles McKean, T.E. McNeill, Richard K. Morris, Michael Prestwich, Christopher Taylor, Muriel A. Whitaker.

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Nominated for the 2019 Hammett Prize Autumn 1915. The First World War is raging across Europe. Woodrow Wilson has kept Americans out of the trenches, although that hasn't stopped young men and women from crossing the Atlantic to volunteer at the front. Christopher Marlowe 'Kit' Cobb, a Chicago reporter and undercover agent for the US government is in Paris when he meets an enigmatic nurse called Louise. Officially in the city for a story about American ambulance drivers, Cobb is grateful for the opportunity to get to know her. Soon his intelligence handler, James Polk Trask, extends his mission and he is active again. Parisians are meeting 'death by dynamite' in a new campaign of bombings, and the German-speaking Kit seems just the man to discover who is behind this - possibly a German operative who has infiltrated with the waves of refugees? And so begins a pursuit that will test Kit Cobb, in all his roles, to the very limits of his principles, wits and talents for survival. Fleetly plotted and engaging with political and cultural issues that resonate deeply today, Paris in the Dark is a page-turning novel of unmistakable literary quality.

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Classic hardback edition of the second volume of The Lord of the Rings, featuring Tolkien’s original unused dust-jacket design. Includes special packaging and the definitive edition of the text, with fold-out map. Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in the battle with an evil spirit in the Mines of Moria; and at the Falls of Rauros, Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape the rest of the company were attacked by Orcs. Now they continue their journey alone down the great River Anduin – alone, that is, save for the mysterious creeping figure that follows wherever they go. This classic hardback features Tolkien’s original unused dust-jacket design, and its text has been fully restored with almost 400 corrections – with the full co-operation of Christopher Tolkien – making it the definitive version, and as close as possible to the version that J.R.R. Tolkien intended. Also included is the original red and black map of the Shire as a foldout sheet.

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During the scientific revolution, the dominant Aristotelian picture of nature, which cohered closely with common sense and ordinary perceptual experience, was completely overthrown. Although we now take for granted the ideas that the earth revolves around the sun and that seemingly solid matter is composed of tiny particles, these concepts seemed equally counterintuitive, anxiety provoking, and at odds with our ancestors' embodied experience of the world. In Losing Touch with Nature, Mary Thomas Crane examines the complex way that the new science's threat to intuitive Aristotelian notions of the natural world was treated and reflected in the work of Edmund Spenser, Christopher Marlowe, William Shakespeare, and other early modern writers. Crane breaks new ground by arguing that sixteenth-century ideas about the universe were actually much more sophisticated, rational, and observation-based than many literary critics have assumed. The earliest stages of the scientific revolution in England were most powerfully experienced as a divergence of intuitive science from official science, causing a schism between embodied human experience of the world and learned explanations of how the world works. This fascinating book traces the growing awareness of that epistemological gap through textbooks and natural philosophy treatises to canonical poetry and plays, presciently registering and exploring the magnitude of the human loss that accompanied the beginnings of modern science.

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Ten years after an attack on the US diplomatic mission in Benghazi killed Ambassador Christopher Stevens and three other Americans, cries of "Benghazi!" still echo across America. But instead of a landmark event to be taken seriously, it has become a punchline, an empty word, or a code for controversy and political theatre. In this thrilling retelling, Ethan Chorin reveals Benghazi as?a watershed moment in American history, one that helped create the world America lives in today: polarized, fearful, and dangerously unstable.Here, Benghazi is not a story contained in 13 hours, but a decades-long history beginning with the rise of Muammar Gaddafi, stretching through 9/11, the War on Terror, and the Arab Spring, and reaching into the present day, as the impact of the attack and ensuing controversy remain visible in America and around the world. Chorin draws on his own bone-chilling experience during the Benghazi attack, his expertise as a former diplomat and scholar of Libyan history, and new interviews with Libyan insiders, eyewitnesses, and key players like Hillary Clinton and Ben Rhodes. With this ambitious, engaging narrative, Chorin makes clear why Benghazi still matters so much ten years later-and why we can't afford to continue overlooking and misunderstanding it.

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Contributions by Christopher Baker, Cristina Borgioli, Louisa M. Connor Bulman, Antonella Capitanio, Marco Collareta, Peter Davidson, Francisco Freddolini, Cristiano Giometti, John Harris, Elisabeth Kieven, and Cinzia Maria Sicca This handsome book is the only full-length study of John Talman (1677–1726), first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th-century Britain. Prominent scholars discuss the history of Talman’s acquisitions, shedding light on the competitive nature, social practices, and aesthetic ideas of connoisseurship both in England and abroad. Talman’s collection, amassed in England, Florence, and Rome between the 1690s and 1719, focused on Italian medieval art, architecture, and textiles as well as Renaissance and Baroque architecture and sculpture. It reflected the tastes and preoccupations of artistic and intellectual élites in pre-enlightenment Europe. A vehicle for disseminating aesthetic and historical ideas, the collection became not only an extraordinary document of the state of ancient and modern Italian monuments but also a history of architecture and culture at large that provided visual evidence of buildings and rituals lost through time. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art

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This is the first volume concerned solely with the archaeology of a major late 17th-century building in London, and the major changes it has undergone. St Paul's Cathedral in the City of London was built in 1675–1711 to the designs of Sir Christopher Wren and has been described as an iconic building many times.In this major new account, John Schofield examines the cathedral from an archaeological perspective, reviewing its history from the early 18th to the early 21st century, as illustrated by recent archaeological recording, documentary research and engineering assessment. A detailed account of the construction of the cathedral is provided based on a comparison of the fabric with voluminous building accounts which have survived and evidence from recent archaeological investigation. The construction of the Wren building and its embellishments are followed by the main works of later surveyors such as Robert Mylne and Francis Penrose.The 20th century brought further changes and conservation projects, including restoration after the building was hit by two bombs in World War II, and all its windows blown out. The 1990s and first years of the present century have witnessed considerable refurbishment and cleaning involving archaeological and engineering works. Archaeological specialist reports and an engineering review of the stability and character of the building are provided.

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Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously.Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi

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The British have always been a nation of gardeners. Our gardening history began even before the Romans, who brought Mediterranean plants which still flourish across Britain. Gardening grew in the sixteenth century and a distinctively British style became a major export in the eighteenth century. Today, the annual Chelsea Flower Show is an international festival, and our garden designers are in demand all over the world. This book traces the history of British gardening over 450 years through the stories of twenty-six key figures, showing what drove them, and their role in the evolution of Britain’s gardens. Their work reveals changes in taste and society down the centuries. Familiar names are featured, such as ‘Capability’ Brown, Humphry Repton, Gertrude Jekyll, Vita Sackville-West and Christopher Lloyd, together with less generally known figures such as John Gerard, whose Herball of 1597 inspired generations of plantsmen, the Tradescants, pioneer plant hunters, and J. C. Loudon, nineteenth-century champion of smaller gardens. In the present day, we meet Beth Chatto, advocate of the right plant in the right place, and John Brookes, who did for gardening what Elizabeth David did for cooking. Their achievements provide a colourful history and inspiration to every gardening enthusiast.

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This volume contains the Proceedings of the 25th Congress of the Union Européenne des Arabisants et Islamisants (Naples, September 8-12, 2010) on Islam and Globalisation: Historical and Contemporary Perspectives. Besides a general view on globalisation (Agostino Cilardo) and the history of the Union on the occasion of its fiftieth anniversary (Urbain Vermeulen), the contributions concern History (Axel Havemann, Pasquale Macaluso, Antonino Pellitteri, Maria Giovanna Stasolla, Maria Vidyasova), Islam (Roswitha Badry, Marek M. Dziekan, Dmitry Frolov, Christopher Melchert, Katarzyna Pachniak, Orsolya Varsanyi), Islamic Law (María Arcas Campoy, Reiner Brunner, Ana María Carballeira Debasa & Camilo Álvarez De Morales, Agostino Cilardo, Vasco Fronzoni, Wilferd Madelung), Literature & Linguistics (Abdessamad Belhaj, Julia Bray, Hélène Condylis, Francesca Maria Corrao, Adelya Gaynutdinova, Ali Kadem Kalati, Vladimir Lebedev, Ewa Machut-Mendecka, Mariangela Masullo, Barbara Michalak-Pikulska, Christina Ossipova, Arie Schippers, Krystyna Skarzynska-Bochenska, Ludmila Torlakova, Urbain Vermeulen, Monika Winet), Travel (Oriana Capezio, Roberta Denaro, Maria Grazia Sciortino, Richard van Leeuwen), Philosophy & Science (Carmela Baffioni, Daniel De Smet, Montse Díaz-Fajardo, Paulina B. Lewicka, Miklós Maróth, Juan Martos Quesada & María del Carmen Escribano Ródenas, Antonella Straface, Johannes Thomann), Art (Vincenza Grassi, Eva-Maria von Kemnitz).

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Since the late 1970s, theologians have been attempting to integrate mimetic theory into different fields of theology, yet a distrust of mimetic theory persists in some theological camps. In René Girard, Unlikely Apologist: Mimetic Theory and Fundamental Theology, Grant Kaplan brings mimetic theory into conversation with theology both to elucidate the relevance of mimetic theory for the discipline of fundamental theology and to understand the work of René Girard within a theological framework. Rather than focus on Christology or atonement theory as the locus of interaction between Girard and theology, Kaplan centers his discussion on the apologetic quality of mimetic theory and the impact of mimetic theory on fundamental theology, the subdiscipline that grew to replace apologetics. His book explores the relation between Girard and fundamental theology in several keys. In one, it understands mimetic theory as a heuristic device that allows theological narratives and positions to become more intelligible and, by so doing, makes theology more persuasive. In another key, Kaplan shows how mimetic theory, when placed in dialogue with particular theologians, can advance theological discussion in areas where mimetic theory has seldom been invoked. On this level the book performs a dialogue with theology that both revisits earlier theological efforts and also demonstrates how mimetic theory brings valuable dimensions to questions of fundamental theology.

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Explores contemporary art that challenges deadly desires for mastery and dominion. Amid times of emboldened cruelty and perpetual war, Rosalyn Deutsche links contemporary art to three practices that counter the prevailing destructiveness: psychoanalytic feminism, radical democracy, and war resistance. Deutsche considers how art joins these radical practices to challenge desires for mastery and dominion, which are encapsulated in the Eurocentric conception of the human that goes under the name “Man” and is driven by deadly inclinations that Deutsche calls masculinist. The masculinist subject—as an individual or a group—universalizes itself, claims to speak on behalf of humanity, and meets differences with conquest. Analyzing artworks by Christopher D’Arcangelo, Robert Filliou, Hans Haacke, Mary Kelly, Silvia Kolbowski, Barbara Kruger, Louise Lawler, Martha Rosler, James Welling, and Krzysztof Wodiczko, Deutsche illuminates the diverse ways in which they expose, question, and trouble the visual fantasies that express masculinist desire. Undermining the mastering subject, these artworks invite viewers to question the positions they assume in relation to others. Together, the essays in Not-Forgetting, written between 1999 and 2020, argue that this art offers a unique contribution to building a less cruel and violent society.

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When Allied troops fell into enemy hands, one secret and ingenious branch of military intelligence was tasked with their rescue. M.I.9 created and supported a network of escape and evasion lines across war-torn Europe to ensure the safe return of Allied fighters. These escape lines were essential in the Total War against Nazi Germany. Every individual was vital to the fight, and failure wasn't an option. Published for the first time since its creation in 1942, this 'most secret' facsimile reveals the many marvellous escape aids created by M.I.9 to help Allied personnel both evade capture and escape from prisoner of war camps. From silk maps designed for concealment in garments to tiny radio receivers hidden in cigar boxes, these gadgets and inventions were the brainchild of Christopher Clayton Hutton – the eccentric M.I.9 inventor who inspired many of Q's creations in James Bond. Most Secret offers a rare look at the most highly classified and clandestine tools of British intelligence. An accompanying introduction uncovers the history of this secret volume and traces the origin and use of escape aids from their emergence in the First World War to their development and wider use in the Second World War.

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Postcolonialism Revisited is a ground-breaking book, the first to explore and analyse Anglophone Welsh writing, both literary and otherwise, in the context of contemporary thinking about colonial and post-colonial cultures. Kirsti Bohata considers how far the paradigms of postcolonial theory may be usefully adopted and adapted to provide an illuminating exploration of Welsh writing in English, while simultaneously considering the challenges that such writing might offer to the field of postcolonial theory. In addition to dealing with a range of theorists in the field, including Frantz Fanon, Albert Memmi, Charlotte Williams and Homi Bhabha, the book looks at how Wales has been constructed as a colonized nation in nineteenth- and twentieth-century writing. Themed chapters include the treatment of place in English- and Welsh-language writing of the 1950s and 1960s; hybridity and assimilation; the position of the Welsh as 'outsiders inside'; the women's movement in Wales during the fin de siecle; and postcolonial understanding of linguistic power struggles. A variety of forgotten writers have been unearthed in this study and are considered alongside more famous names such as R. Thomas, Margiad Evans, Arthur Machen, Christopher Meredith and Rhys Davies. Written in an accessible style, Postcolonialism Revisited will be required reading for those involved in the study of Welsh writing in English.

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SHORTLISTED FOR THE MAN BOOKER PRIZE 2018 WINNER OF THE GILLER PRIZE SHORTLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD 2020 FINALIST FOR THE CARNEGIE MEDAL AND THE ROGERS WRITERS TRUST FICTION PRIZE LONGLISTED FOR THE WALTER SCOTT PRIZE 2019 New York Times Top Ten Book of the Year 2018 Sunday Times Paperback of the Year 2019 'A masterpiece' Attica Locke 'Strong, beautiful and beguiling' Observer 'Destined to become a future classic ... that rare book that should appeal to every kind of reader' Guardian When two English brothers take the helm of a Barbados sugar plantation, Washington Black - an eleven-year-old field slave - finds himself selected as personal servant to one of them. The eccentric Christopher 'Titch' Wilde is a naturalist, explorer, scientist, inventor and abolitionist, whose single-minded pursuit of the perfect aerial machine mystifies all around him. Titch's idealistic plans are soon shattered and Washington finds himself in mortal danger. They escape together, but then Titch disappears and Washington must make his way alone, following the promise of freedom further than he ever dreamed possible. Inspired by a true story, Washington Black is an extraordinary tale of a world destroyed and made whole again.

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Europe where the sun dares scarce appear For freezing meteors and congealed cold.' - Christopher Marlowe In this innovative and compelling work of environmental history, Philipp Blom chronicles the great climate crisis of the 1600s, a crisis that would transform the entire social and political fabric of Europe. While hints of a crisis appeared as early as the 1570s, by the end of the sixteenth century the temperature plummeted so drastically that Mediterranean harbours were covered with ice, birds literally dropped out of the sky, and ‘frost fairs’ were erected on a frozen Thames – with kiosks, taverns, and even brothels that become a semi-permanent part of the city. Recounting the deep legacy and sweeping consequences of this ‘Little Ice Age’, acclaimed historian Philipp Blom reveals how the European landscape had ineradicably changed by the mid-seventeenth century. While apocalyptic weather patterns destroyed entire harvests and incited mass migrations, Blom brilliantly shows how they also gave rise to the growth of European cities, the appearance of early capitalism, and the vigorous stirrings of the Enlightenment. A sweeping examination of how a society responds to profound and unexpected change, Nature’s Mutiny will transform the way we think about climate change in the twenty-first century and beyond.

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These four stories or 'nouvelles' date from 1945, though all were published much later, in French and subsequently in English. All make use of a first-person narrator, and relish its vagaries - the inability to remember facts, the uncertainty as to why he is speaking in the first place, the loss of heart when explanations seem called for... Above all, the stories crisply plot the narrator's plotless descent into vagrancy, the steeper as it approaches The End. Out of these short works and their patient procedures grew the large canvases of Molloy and Malone Dies.My bench was still there. It was shaped to fit the curves of the seated body. It stood beside a watering trough, gift of a Mrs Maxwell to the city horses, according to the inscription. During the short time I rested there, several horses took advantage of the monument. The iron shoes approached and the jingle of the harness. Then silence. That was the horse looking at me. Then the noise of pebbles and mud that horses make when drinking. Then the silence again. That was the horse looking at me again. Then the pebbles again. Then the silence again. Till the horse had finished drinking or the driver deemed it had drunk its fill.Edited by Christopher Ricks

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‘When I am disturbed, even angry, gardening has been a therapy. When I don't want to talk I turn to Plot 29, or to a wilder piece of land by a northern sea. There, among seeds and trees, my breathing slows; my heart rate too. My anxieties slip away.’ As a young boy in 1960s Plymouth, Allan Jenkins and his brother, Christopher, were rescued from their care home and fostered by an elderly couple. There, the brothers started to grow flowers in their riverside cottage. They found a new life with their new mum and dad. As Allan grew older, his foster parents were never quite able to provide the family he and his brother needed, but the solace he found in tending a small London allotment echoed the childhood moments when he grew nasturtiums from seed. Over the course of a year, Allan digs deeper into his past, seeking to learn more about his absent parents. Examining the truths and untruths that he’d been told, he discovers the secrets to why the two boys were in care. What emerges is a vivid portrait of the violence and neglect that lay at the heart of his family. A beautifully written, haunting memoir, Plot 29 is a mystery story and meditation on nature and nurture. It’s also a celebration of the joy to be found in sharing food and flowers with people you love.

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Berlin, in the words of Philip Hensher, editor of this anthology, 'has always been a city of desperate modernity', both in terms of urban architecture - largely a creation of the progressive 19th century, laid waste by World War II, temporary home of the infamous Wall - and in ways of living and behaving. As early as the 1920s it was the gay capital of Europe; the Communist East/free West barrier presented unique problems for a divided population; and in the 1990s, in the aftermath of reunification, the cheap, run-down city became a vibrant centre for creative artists. 'The sense of making it up as you go along is never far away in Berlin.' The stories in this volume are the product of this series of multiple rebirths from the viewpoint of both insiders and outsiders. From pre- 1914 there are contributions from Theodor Fontane and Robert Walser; from the Weimar Republic, Alexander Döblin, Vladimir Nabokov, Erich Kästner, Ernst Haffner, Irmgeud Keun and Christopher Isherwood; from the Third Reich, Thomas Wolfe, Hans Fallada and Heinz Rein; from the Cold War era, Peter Schneider, Thomas Brussig, Len Deighton, Christa Wolf and Ian McEwan; from post-reunification, Günter Grass, Wladimir Kaminer, Chloe Aridjis, Uwe Timm, Kevin Barry, Jean-Philippe Toussaint and Jenny Erpenbeck.

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1666 was a watershed year for England. The outbreak of the Great Plague, the eruption of the second Dutch War and the Great Fire of London all struck the country in rapid succession and with devastating repercussions.Shedding light on these dramatic events, historian Rebecca Rideal reveals an unprecedented period of terror and triumph. Based on original archival research and drawing on little-known sources, 1666: Plague, War and Hellfire takes readers on a thrilling journey through a crucial turning point in English history, as seen through the eyes of an extraordinary cast of historical characters. While the central events of this significant year were ones of devastation and defeat, 1666 also offers a glimpse of the incredible scientific and artistic progress being made at that time, from Isaac Newton's discovery of gravity to Robert Hooke's microscopic wonders. It was in this year that John Milton completed Paradise Lost, Frances Stewart posed for the now-iconic image of Britannia, and a young architect named Christopher Wren proposed a plan for a new London - a stone phoenix to rise from the charred ashes of the old city.With flair and style, 1666 shows a city and a country on the cusp of modernity, and a series of events that forever altered the course of history.

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Selections from the "Pandemic Files" published by The Yale Review, the preeminent journal of literature and ideas“If only our response to the pandemic on other fronts could have been as speedy and potent as this literary one.”—Kirkus Reviews, starred review In beautifully written and powerfully thought prose, A World Out of Reach offers a crucial record of COVID-19 and the cataclysmic spring of 2020—a record for us and for posterity—in the arresting voices of poets, essayists, scholars, and health care workers. Ranging from matters of policy and social justice to ancient history and personal stories of living under lockdown, this vivid compilation from The Yale Review presents a first draft of one of the most tumultuous periods in recent history.Contributors: Katie Kitamura • Laura Kolbe • Nitin Ahuja • Rena Xu • Alicia Christoff • Miranda Featherstone • Maya C. Popa • Major Jackson • John Witt • Octávio Luiz Motta Ferraz • Joan Naviyuk Kane • Nell Freudenberger • Briallen Hopper • Brandon Shimoda • Yusef Komunyakaa • Laren McClung • Eric O’Keefe-Krebs • Sean Lynch • Millicent Marcus • Meghana Mysore • Rachel Jamison Webster • Emily Ziff Griffin • Rowan Ricardo Philips • Kathryn Lofton • Monica Ferrell • Russell Morse • Randi Hutter Epstein • Noreen Khawaja • Victoria Chang • Joyelle McSweeney • Khameer Kidia • Emily Greenwood • Elisa Gabbert • Emily Bernard • Hafizah Geter • Emily Gogolak • Roger Reeves

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This book shows how Irenaeus creatively selects and develops distinctive Matthean material, within his interpretive networks of other biblical texts in order to verbally and conceptually oppose the theses of the heretics and provide helpful language for his expression of the church's faith. He is attracted to this Matthean material not because it holds an extraordinary place in the canon, but because in his view each gospel makes a distinctive, but equal contribution to the church's canon and polemic. Irenaeus sees some of Matthew's distinctive contributions in terms of language which emphasizes Christ's humanity and virgin birth, explains the theological and economical unity of the two covenants, and opposes the heretics' cosmological, anthropological, Christological, theological, and economical dualism. Although the bishop works within the framework of the church's tradition, the interpretive inter-textual networks he builds, his magnification of particular terms, and his polemic against dualism demonstrate his creative, anti-heretic innovation. Rarely, does he ever merely repeat the thought of a predecessor. Irenaeus exegetes Matthew for the church within a particular milieu, using a methodology of inter-textual connection common to his milieu, and developing theological language which counters the heretics of his milieu.

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An in-depth study of Romans from today's foremost interpreter of Paul.Romans is often and for good reason considered a crux of Christian thought and theology, the greatest of Paul's letters. And within Romans, chapter 8 is one of the most spectacular pieces of early Christian writing.But to many readers, Romans can be a deceptively difficult book. Its scope and basic meaning may be clear, but it can be hard to see how it all fits together into a cohesive, if complex, doctrinal argument.N. T. Wright—widely regarded as the most influential commentator and interpreter of Paul—deftly unpacks this dense and sometimes elusive letter, detailing Paul's arguments and showing how it illuminates the Gospel from the promises to Abraham through the visions of Revelation. Wright takes a deep dive into Romans 8, showing how it illuminates so much else that God reveals in Scripture: God the Father, Christology, and the Spirit; Jesus' Messiahship, cross, resurrection, and ascension; salvation, redemption, and adoption; suffering and glory; holiness and hope.Into the Heart of Romans will help you become familiar with the book of Romans in a deeper way that will also deepen your understanding and appreciation of the Gospel itself.

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Bradley's stunning volume offers a surprising and delightful glimpse behind the scenes of New York history, and invites readers into the world of Diedrich Knickerbocker, the antihero who surprised everyone by becoming the standard-bearer for the city's exceptional sense of self, or what we now call a New York "attitude." A 2010 AAUP Best of the Best title “A briskly engaging book.” —Christopher Benfey, New York Review of Books “This is cultural history at its best.” —Journal of American Culture “Elizabeth L. Bradley sorts, catalogues and deciphers the shifting Knickerbocker currents in a metropolis constantly reinventing itself. She does the sturdy Dutchman proud in a scholarly and polished rendition.” —Star-Ledger “Bradley creates an engaging account of the city through the fictional Knickerbocker, who was a steady presence ‘over two centuries of wrenching urban transformation, from the post-colonial to the postmodern.’ Bradley is a perceptive and lively writer and does a superb job of tracing the many strands of the Knickerbocker myth. She provided the historical context necessary to illustrate the ways the Knickerbocker brand was invoked and provides deft analysis of the cultural meanings it accrued.” —Bookforum

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An all-new Star Trek adventure—the first novel based on the thrilling Paramount+ TV series Star Trek: Strange New Worlds!When an experimental shuttlecraft fails, Captain Christopher Pike suspects a mechanical malfunction—only to discover the very principles on which Starfleet bases its technology have simply stopped functioning. He and his crewmates are forced to abandon ship in a dangerous maneuver that scatters their party across the strangest new world they’ve ever encountered. First Officer Una finds herself fighting to survive an untamed wilderness where dangers lurk at every turn. Young cadet Nyota Uhura struggles in a volcanic wasteland where things are not as they seem. Science Officer Spock is missing altogether. And Pike gets the chance to fulfill a childhood dream: to live the life of a cowboy in a world where the tools of the 23rd century are of no use. Yet even in the saddle, Pike is still very much a starship captain, with all the responsibilities that entails. Setting out to find his crewmates, he encounters a surprising face from his past—and discovers that one people’s utopia might be someone else’s purgatory. He must lead an exodus—or risk a calamity of galactic proportions that even the Starship Enterprise is powerless to stop....

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The letter to the Colossians offers great insight into the faith, life, and problems of an early Christian church. Understanding this letter to be one of Paul's prison epistles but aware of the differences between this and his other writings, Jerry Sumney shows how the church struggled with expressing its new faith in the diverse settings of the Greco-Roman world. Paying special attention to the ways of forgiveness and salvation through the power of Christ, this fine commentary shows Colossians' expansive Christology and expectant eschatology.The New Testament Library offers authoritative commentary on every book and major aspect of the New Testament, as well as classic volumes of scholarship. The commentaries in this series provide fresh translations based on the best available ancient manuscripts, offer critical portrayals of the historical world in which the books were created, pay careful attention to their literary design, and present a theologically perceptive exposition of the text.

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THE FIVE-DAY WORKING WEEK MUST CHANGE: HERE'S HOW.Fingers crossed that this book will shake up the five-day working week.' - Sir Christopher Pissarides, 2010 Nobel Laureate in EconomicsFriday is the New Saturday makes a compelling, provocative and timely case for societal change. Drawing on an eclectic range of economic theory, history and data, Dr Pedro Gomes argues that a four-day working week will bring about a powerful economic renewal for the benefit of all society. It will stimulate demand, productivity, innovation and wages, whilst reducing unemployment and crushing populist movements. The arguments come from both the left and right of the political spectrum to show that a polarised society can still find common ground.In the 1800s, people in the West worked six days each week, resting on Sundays. In the 1900s, firms began to give workers Saturdays off as well, realising that a two-day weekend helped the

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These sketchbooks have an extraordinary story behind them, created as they were in 1942, Alfred Wallis’s final year, when he lived in the Penzance poorhouse. They shine new light on his contribution to the development of modern art in Britain. A Cornish mariner and scrap metal dealer, he was self-taught and started to paint in around 1925 following the death of his wife three years earlier. A potent influence in the late 1920s for artists Winifred and Ben Nicholson and Christopher Wood, his simple and direct style communicated a truth of experience that also came to personify the overriding character of St Ives as an art community that valued his authenticity of expression. The legacy of his art continues to inspire artists today. This book brings together the contents of three sketchbooks that Wallis filled with drawings. With an introduction by curator Andrew Wilson, it offers a remarkable insight into Wallis’s art of memory made tangible. 'No, I don’t think a good Wallis is representational it is simply REAL.’ - Ben Nicholson.

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With its laser-focus on the verbal and visual infrastructure of narrative, The Metanarrative Hall of Mirrors is the first sustained comparative study of how image patterns are tracked in prose and cinema. In film examples ranging from Citizen Kane through Apocalypse Now to Blade Runner 2049, then on to Christopher Nolan’s 2020 Tenet, Garrett Stewart follows the shift from celluloid to digital cinema through various narrative manifestations of the image, from freeze-frames to computer-generated special effects. By bringing cinema alongside literature, Stewart discovers a common tendency in contemporary storytelling, in both prose and visual narrative, from the ongoing trend of “mind-game” films to the often puzzling narrative eccentricities of such different writers as Nicholson Baker and Richard Powers—including the latter’s eerie mirroring of reader empathy in his 2021 Bewilderment.

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A compelling alternative account of the history of knowledge from the Renaissance to the EnlightenmentUntil now the history of knowledge has largely been about formal and documented accumulation, concentrating on systems, collections, academies, and institutions. The central narrative has been one of advancement, refinement, and expansion. Martin Mulsow tells a different story. Knowledge can be lost: manuscripts are burned, oral learning dies with its bearers, new ideas are suppressed by censors. Knowledge Lost is a history of efforts, from the Renaissance to the Enlightenment, to counter such loss. It describes how critics of ruling political and religious regimes developed tactics to preserve their views; how they buried their ideas in footnotes and allusions; how they circulated their tracts and treatises in handwritten copies; and how they commissioned younger scholars to spread their writings after death.Filled with exciting stories, Knowledge Lost follows the trail of precarious knowledge through a series of richly detailed episodes. It deals not with the major themes of metaphysics and epistemology, but rather with interpretations of the Bible, Orientalism, and such marginal zones as magic. And it focuses not on the usual major thinkers, but rather on forgotten or half-forgotten members of the “knowledge underclass,” such as Pietro della Vecchia, a libertine painter and intellectual; Charles-César Baudelot, an antiquarian and numismatist; and Johann Christoph Wolf, a pastor, Hebrew scholar, and witness to the persecution of heretics.Offering a fascinating new approach to the intellectual history of early modern Europe, Knowledge Lost is also an ambitious attempt to rethink the very concept of knowledge.

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“The lowdown on what it’s like to be raised by a legend. Frequently funny and consistently intimate. . . . A great read.” —BookPage “Those searching for a moving Father’s Day gift need look no further.”—Publishers Weekly Men like John Wayne and John Lennon, Nolan Ryan and Bruce Lee, Cesar Chavez, Christopher Reeve, and Miles Davis have touched the lives of millions. But at home, to their children, they were not their public personas. They were Dad. Maybe Davis didn’t leave the office at five o’clock to come home and play catch with his son Erin, but the man we see through Erin’s eyes is so alive, so real, so not the “king of cool” (he taught his son to box, made a killer pot of chili, watched MTV alongside him) that it brings us to a whole new appreciation for the artist. Each of these forty first-person narratives—intimate, heartfelt, unvarnished, surprising, and profoundly universal—shows us not only a very different view of a figure we thought we knew but also a wholly fresh and moving idea of what it means to be a father.

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In Sensing Sound Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions how we think about sound, music, and listening. Eidsheim shows how sound, music, and listening are dynamic and contextually dependent, rather than being fixed, knowable, and constant. She uses twenty-first-century operas by Juliana Snapper, Meredith Monk, Christopher Cerrone, and Alba Triana as case studies to challenge common assumptions about sound—such as air being the default medium through which it travels—and to demonstrate the importance a performance's location and reception play in its contingency. By theorizing the voice as an object of knowledge and rejecting the notion of an a priori definition of sound, Eidsheim releases the voice from a constraining set of fixed concepts and meanings. In Eidsheim's theory, music consists of aural, tactile, spatial, physical, material, and vibrational sensations. This expanded definition of music as manifested through material and personal relations suggests that we are all connected to each other in and through sound. Sensing Sound will appeal to readers interested in sound studies, new musicology, contemporary opera, and performance studies.

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A comprehensive examination of the past, present and future prospects of the Anglo-Scottish Union, this book is written by the cream of the academic talent in modern Scottish history and Scottish politics. It appeals to a wide readership while conforming to the highest standards of scholarship and no other volume considers the entire 300-year experience of Union - from its origins in the early 18th century to the historic parliamentary victory of the SNP in May 2007. All the key themes and questions are covered here: " why the Union took place " its growing acceptance in the eighteenth century " the central role of the Scots in the British Empire and the impact on Scotland " the politics of unionism " the challenge of nationalism " Thatcherism and the Union " Devolution and prospects for the future. Contributions come from Christopher A. Whatley, Allan I. Macinnes, Karen Bowie, Alexander J. Murdoch, Ewen A. Cameron, William L. Miller, Richard Findlay, Brian Ashcroft, Charlie Jeffrey, John Curtice and Neal Ascherson. This is the essential text for understanding one of the most burning issues in British public life today.

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In today’s scattering world, challenged as it is by climate change, pollution and other forms of environmental degradation, developing an adequate theology of creation is not just an armchair luxury, but a vital task, a mission in which we are implicated whether we like it or not. Such an adequate theology of creation should allow theologians and believers in general to enter into processes of personal and social transformation that bring about justice between human beings and a sustainable relationship of humankind with non-human reality. The contributions to this volume take up the difficult task of developing an adequate theology of creation for our times. They seek to reflect on creation in our scattering world from multiple and diverse perspectives, engaging Scripture, old and new traditions, philosophy, ethics, science, Christology, ecclesiology, sacraments and the liturgy. The wealth and heterogeneity of perspectives gathered in this collection is a gift to be explored and cherished. The articles gathered in this book contribute to an urgently needed re-articulation of the idea of creation and offer to theologians the occasion to sound their own voice in the forum of those who attempt to answer the great challenges posed by the times in which we live.

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Any student of the New Testament must be conscious of the competing expectations in ancient Jewish thought of what and who the Messiah would be. In King and Messiah, Aage Bentzen offers a fascinating glimpse into this topic, which preoccupied the most eminent Scandinavian biblical scholars of the mid-twentieth century. Beginning with the Messiah described in many of the Psalms, representing a demythologised form of the Oriental concept of kingship, Bentzen proceeds to the eschatological Messiah of Isaiah and Micah. He next discusses the later, prophetic-Messianic Moses Redivivus of Deutero-Isaiah, reaching the final stage of Old Testament Messianic thought in the description of the Son of Man in Daniel 7, which carries the 'eschatologising' process still further. Bentzen shows how all of these Old Testament types are synthesised in the Christology of the New Testament - Jesus is the new Adam, the present Messiah, the suffering Prophet, the new Moses and the future Divine King - and yet simultaneously superseded. The Christian 'myth' adds its own adornment to the complex question of Jesus' identity.

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An award-winning study of England’s unique and peculiarly insular variant of modernism. While the battles for modern art and society were being fought in France and Spain, it has seemed a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea-shops. In this multi-award-winning book, Alexandra Harris tells a different story. In the 1930s and 1940s, artists and writers explored what it meant to be alive in England. Eclectically, passionately, wittily, they showed that ‘the modern’ need not be at war with the past. Constructivists and conservatives could work together, and even the Bauhaus émigré, László Moholy-Nagy, was beguiled into taking photographs for Betjeman’s nostalgic Oxford University Chest. This modern English renaissance was shared by writers, painters, gardeners, architects, critics, tourists and composers. John Piper, Virginia Woolf, Florence White, Christopher Tunnard, Evelyn Waugh, E. M. Forster and the Sitwells are part of the story, along with Bill Brandt, Graham Sutherland, Eric Ravilious and Cecil Beaton.

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Politicians and philosophers presenting themselves as the ultimate bearers of truth and reality have created unprecedented technological, cultural, and political framings. This new order conspires to undermine the interpretive practices of open-ended critique, normalizing a sense of threat to preserve control. The greatest emergency has become the absence of emergencies. Tracing an intellectual alliance between academics such as Jordan Peterson and Christina Hoff Sommers and right-wing populist politicians such as Donald Trump and Marine Le Pen, this book denounces framings that make a claim to objectivity. With the help of contemporary thinkers including Bruno Latour, Judith Butler, and Giorgio Agamben, as well as discussion of the Cambridge Analytica whistleblower Christopher Wylie and the emergency of biodiversity loss due to climate change, Santiago Zabala illustrates that the twenty-first-century question is not whether we can be free, but how to be at large - unconstrained by the new realist order. Being at Large demonstrates the anarchic power of hermeneutics, calling for interpretive disruptions of the authoritarian narrative as a way of reclaiming freedom in the age of alternative facts.

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LEGO® Minifigures don’t play around when it comes to matters of the heart! We Just Click is a sweet and humorous look at love within the zany LEGO universe. Fifty pairs of iconic Minifigures answer the timeless question: “I knew we clicked when . . . ,” sharing heartwarming moments of romance, friendship, and love. • We Just Click features a different diverse relationship on each spread. • Highlights what our favorite Minifigures love about each other with delightful, punny humor • Has a little something for the LEGO lover in each of us We Just Click is a lighthearted, humorous exploration of love within the LEGO universe, in all of its forms. It’s almost as if Minfigures were made to fit together. • Features a diverse range of relationships and representation of love • Perfect lighthearted gift for friends, parents, and children—celebrates love in all its forms • Great for nostalgic LEGO lovers, newfound fans, and those who loved The LEGO Movie • Add it to the shelf with books like I Lego N.Y. by Christoph Niemann, A Lovely Love Story by Edward Monkton, and Unlikely Loves: 43 Heartwarming True Stories from the Animal Kingdom by Jennifer S. Holland.

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Rowland showcases here the dominant contemporary approaches to doing Catholic theology. Chapter 1 offers a summary of the two International Theological Commission (ITC) documents on the discipline of Catholic theology. These documents set out the general principles which should govern any approach to Catholic theology (at least according to the ITC). The subsequent chapters each focus on one of four different approaches frequently found in contemporary Catholic academies: the approach of Thomists, members of the Communio milieu, members of the Concilium milieu and promoters of different varieties of Liberation Theology. Rowland's work is pitched at the level of first time students of theology who are trying to make sense of the methodological choices which undergird the different approaches to Catholic theology. Rowland concludes with four appendices: a list of all Doctors of the Church, a list of all encyclicals since the 19th century, a list of the documents of the Second Vatican Council, and a list of definitions of the various Christological heresies which were the subject of the debates of the early Church Councils. These appendices will provide useful reference tables for young scholars, including seminarians.

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At ninety years old, Mary Soames is the only surviving child of Winston and Clementine Churchill. A Daughter’s Tale follows her early life from an idyllic childhood in her own ‘Garden of Eden’ at Chartwell to her ATS service in mixed anti-aircraft batteries during the war. With glimpses into her fascinating personal diary, published here for the first time, she draws us into a world where the experiences of a packed family, social and romantic life unfold against a background of cataclysmic events.When Chamberlain’s declaration of war in 1939 shatters Mary’s world, she begins to share the anxieties and stresses suffered by her family through her father’s position. The mutual love between Mary and her parents is evident on every page, from her Chartwell years to Winston’s defeat at the 1945 general election, when she recounts her own devastation on her father’s behalf. As she meets her future husband Christopher Soames at the end of this charming memoir, it is clear that, at twenty-four, Mary has lived a full life and is well prepared for her future as wife and mother.

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THE ACTION-PACKED FINAL VOLUME IN THE EPIC TRILOGY THAT FANTASY FANS EVERYWHERE ARE TALKING ABOUT 'Unflinchingly bloodthirsty and outrageously entertaining' Christopher Brookmyre 'It simply grabbed me by the throat and wouldn't let go' Bibliosanctum 'Gore soaked and profanity laden - full of visceral combat and earthy humor' Publishers Weekly 'Would I read the next one? Yes, absolutely. Bring me my hammer, bring my beer, bring it on!' SF Crowsnest 'Fun and addictive' Fantasy Faction Invaders have massacred and pillaged their way through neighbouring kingdoms and loom on the far side of the sea, ready to descend upon the fortress of Maidun - with them are an unstoppable legion of men twisted by dark magic. Somehow Queen Lowa's army must repel the invasion, although their best general is dead and their young druid powerless. She faces impossible odds, but when the alternative is death or slavery, a warrior queen will do whatever it takes to save her people. Look out now for YOU DIE WHEN YOU DIE - first in a new series from Angus Watson.

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A dynamic social history of shadow capitalism spanning the late nineteenth and twentieth centuries Observers see free markets, the relentless pursuit of profit, and the unremitting drive to commodify everything as capitalism's defining characteristics. These most visible economic features, however, obscure a range of other less evident, often unmeasured activities that occur on the margins and in the concealed corners of the formal economy. The range of practices in this large and diverse hidden realm encompasses traders in recycled materials and the architects of junk bonds and shadow banking. It includes the black and semi-licit markets that allow wealthy elites to avoid taxes and the unmeasured domestic and emotional labor of homemakers and home care workers. By some estimates, the unmeasured economic activity that occurs within the household, informal market, and underground economy amounts to a substantial portion of all economic activity in the world, as much as 30 percent in some countries. Capitalism's Hidden Worlds sheds new light on this shadowy economic landscape by reexamining how we think about the market. In particular, it scrutinizes the missed connections between the official, visible realm of exchange and the uncounted and invisible sectors that border it. While some hidden markets emerged in opposition to the formal economy, much of the obscured economy described in this volume operates as the other side of the legitimate, state-sanctioned marketplace. A variety of historical actors—from fortune tellers and forgers to tax lawyers and black market consumers—have constructed this unseen world in tandem with the observable public world of transactions. Others, such as feminist development economists and government regulators, have worked to bring the darkened corners of the economy to light. The essays in Capitalism's Hidden Worlds explore how the capitalist marketplace sustains itself, how it acquires legitimacy and even prestige, and how the marginalized and the dispossessed find ways to make ends meet. Contributors: Bruce Baker, Eileen Boris, Eli Cook, Hannah Frydman, James Hollis, Owen Hyman, Anna Kushkova, Christopher McKenna, Kenneth Mouré, Philip Scranton, Bryan Turo.

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The letter is a powerfully evocative form that has gained in resonance as the habits of personal letter writing have declined in a digital age. But faith in the letter as evidence of the intimate thoughts of individuals underplays the sophisticated ways letters functioned in the past. In Cultures of Correspondence in Early Modern Britain leading scholars approach the letter from a variety of disciplinary perspectives to uncover the habits, forms, and secrets of letter writing. Where material features of the letter have often been ignored by past generations fixated on the text alone, contributors to this volume examine how such elements as handwriting, seals, ink, and the arrangement of words on the manuscript page were significant carriers of meaning alongside epistolary rhetorics. The chapters here also explore the travels of the letter, uncovering the many means through which correspondence reached a reader and the ways in which the delivery of letters preoccupied contemporaries. At the same time, they reveal how other practices, such as the use of cipher and the designs of forgery, threatened to subvert the surveillance and reading of letters. The anxiety of early modern letter writers over the vulnerability of correspondence is testament to the deep dependence of the culture on the letter. Beyond the letter as a material object, Cultures of Correspondence sheds light on textual habits. Individual chapters study the language of letter writers to reveal that what appears to be a personal and unvarnished expression of the writer's thought is in fact a deliberate, skillful exercise in managing the conventions and expectations of the form. If letters were a prominent and ingrained part of the cultural life of the early modern period, they also enjoyed textual and archival afterlives whose stories are rarely told. Too often studied only in the case of figures already celebrated for their historical or literary significance, the letter in Cultures of Correspondence emerges as the most vital and wide-ranging material, textual form of the early modern period. Contributors: Nadine Akkerman, Mark Brayshay, Christopher Burlinson, James Daybell, Jonathan Gibson, Andrew Gordon, Arnold Hunt, Lynne Magnusson, Michelle O'Callaghan, Alan Stewart, Andrew Zurcher.

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Having reunited his companions, the Doctor decides to lift their spirits by treating each of them to a trip to their home world. On Kaldor Liv is confronted by a face from her past, and on Earth Helen must summon all her skill and knowledge to help save her friends from eternal damnation. But try as they might to stay out of danger, dark forces are emerging. Dark enough to strike fear into the hearts of a Time Lord. 2.1 Escape from Kaldor by Matt Fitton. Returning to a home world she'd rather forget, Liv reluctantly accompanies Helen to the grand opening of a luxury shopping mall. But when a glitch in the system sends the Robots of Death on a rampage, Liv's past comes crashing down about her. 2.2 Better Watch Out by John Dorney. The Doctor hopes to take Liv's mind off recent events by treating his companions to a traditional European Christmas. But not everybody is full of the spirit of Christmas when a wave of misery follows the Krampus as they run through the streets of Salzburg.2.3 Fairytale of Salzburg by John Dorney With the Doctor and most of the population condemned to hell, Liv and Helen race against time to discover the source of all this chaos, and to find the one man who can save the people of Salzburg from eternal damnation. 2.4 Seizure by Guy Adams. As if it wasn't enough to be trapped in the labyrinth of a dying TARDIS and pursued by a ghost, the team find themselves face to face once more with the Eleven. But the Doctor has bigger things to worry about when he discovers they're being hunted by the only creature to strike fear into the hearts of a Time Lord: The Ravenous. Big Finish's run of Eighth Doctor adventures star Paul McGann reprising his much loved portrayal of the Eighth incarnation of TV's Time Lord, and cover both single adventures and epic boxed set arcs! This new set kicked off with Series 1, including a return for one of the Doctor's most grisly foes: the Kandyman, while this set includes fan favourite the Robots of Death! CAST: Paul McGann (The Doctor), Nicola Walker (Liv Chenka), Hattie Morahan (Helen Sinclair), Mark Bonnar (The Eleven), Claire Rushbrook (Tula Chenka / SV111 / SV23), Richard Popple( Kit Laver), David Rintoul (Galla Posca),Tracy Wiles(Hadway / Salma / V75),John Dorney (Sol / Security Guard / Comtech / V21 / V616), Jamie Newall (Shafranek),Carla Mendonca (Waltraud Raither / Imp 1), Kate Rawson (Inge / Imp 2),Ewan Goddard (Christophe / Krampus Runner), Robert Whitelock (Bruno / Vagabond / Priest), Siân Phillips (Pilgrim), Raad Rawi (Bishop) Kate Duchêne(AntoniaWerner), Susan Hingley (Maria Werner), Pippa Haywood (Jaxa), George Asprey (Ravenous).

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European expansion into the New World fundamentally altered Indigenous populations. The collision between East and West led to the most recent human adaptive transition that spread around the world. Paradoxically, these are some of the least scientifically understood processes of the human past. Representing a new generation of contact and colonialism studies, this volume expands on the traditional focus on the health of conquered peoples by considering how extraordinary biological and cultural transformations were incorporated into the human body and reflected in behavior, identity, and adaptation.By examining changes in diet, mortuary practices, and diseases, these globally diverse case studies demonstrate that the effects of conquest reach further than was ever thought before—to both the colonized and the colonizers. People on all sides of colonial contact became entangled in cultural and biological transformations of social identities, foodways, social structures, and gene pools at points of contact and beyond. Contributors to this volume illustrate previously unknown and variable effects of colonialism by analyzing skeletal remains and burial patterns from never-before-studied regions in the Americas to the Middle East, Africa, and Europe. The result is the first step toward a new synthesis of archaeology and bioarchaeology.Contributors: Rosabella Alvarez-Calderón, Elliot H. Blair, Maria Fernanda Boza, Michele R. Buzon, Romina Casali, Mark N. Cohen, Danielle N. Cook, Marie Elaine Danforth, J. Lynn Funkhouser, Catherine Gaither, Pamela García Laborde| Ricardo A. Guichón, Rocio Guichón Fernández, Heather Guzik, Amanda R. Harvey, Barbara T. Hester, Dale L. Hutchinson, Kristina Killgrove | Haagen D. Klaus | Clark Spencer Larsen | Alan G. Morris | Melissa S. Murphy, Alejandra Ortiz, Megan A. Perry, Emily S. Renschler, Isabelle Ribot, Melisa A. Salerno, Matthew C. Sanger, Paul W. Sciulli, Stuart Tyson Smith, Christopher M. Stojanowski, David Hurst Thomas, Victor D. Thompson, Vera Tiesler, Jason Toohey, Lauren A. Winkler, Pilar Zabala

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Text in English & German. Rob Krier, perhaps the only urban-planning artist among Germany's architects, has, for the first time in 30 years, completed a major urban project in his home country of Luxembourg. With regard to its authorship, this is a true "family project". With the significant contribution of his brother Léon to the masterplan for the site, which is situated opposite his parental home, Krier has, in his own words, fulfilled a "youthful dream". Krier's son-in-law and office partner, Christoph Kohl was involved in the execution, as was his distant relation and Luxembourgian contact architect, Jean Herr. The concept reaches far beyond Luxembourg's borders in its significance, as Krier's crew has formulated something of a manifesto for classical European urban architecture. Rather than a further high-rise for this European city, an entire quarter has been created with public roads, lanes and squares in which the various judicial departments are distributed across eight buildings. The plot structure, small-sized units and traditional plasterwork façades with their three-dimensional sculpted details all enhance the quarter's vitality, as does the masterful treatment of spatial divisions. This new approach is decisive in solving an ever more complex construction problem in contemporary urban planning: the integration of major administration complexes into the existing make-up of the city. In Luxembourg, the Kriers have succeeded in providing model evidence that, even today, this task can be achieved by means of top-quality architecture, without having to forfeit anything in terms of the modernity of equipment, the parsimony of economical execution, the reduction of energy consumption, or in the basic demands of public proximity. With this publication, Rob Krier has created a novelty in architectural literature. It is the first volume in sketchbook format of a series which document the design process from the first hand-drawn sketches, right through to realisation. Here, the entire spectrum of the creative process and its irrepressible joy for variation are revealed.

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This volume provides a comprehensive resource for those wishing to understand the German theologian, pastor, and resistance conspirator Dietrich Bonhoeffer (1906-1945) and his writings. During his lifetime he made important contributions to many of the major areas of theology: ecclesiology, creation, Christology, discipleship, and ethics. The Oxford Handbook of Dietrich Bonhoeffer surveys, assesses, and presents the field of research and debates of Bonhoeffer and his legacy, as well as of previous Bonhoeffer scholarship. Featuring contributions from leading Bonhoeffer scholars, historians, theologians, and ethicists, many essays draw attention to Bonhoeffer's positive contributions, while several essays also identify limits and problems with his thinking as it stands. Divided into five parts, the first section provides a detailed outline of Bonhoeffer's biography and the contexts that gave rise to his theology. The contributors explore the dynamic relationship between Bonhoeffer's life and theology. Section two provides rigorous engagements with and assessments of Bonhoeffer's theology on its own terms. Part three demonstrates how Bonhoeffer's ethical claims and engagements are deeply integrated with theological commitments. The fourth section showcases some of the best work drawing upon Bonhoeffer for engaging contemporary challenges, including feminism, race, public theology in South Africa, and contemporary philosophy. In recent decades, Bonhoeffer's theology has provoked significant critical reflection on social and cultural issues. The essays in this section exemplify how his writings can continue to contribute to such reflection today. The fifth and final section consists of essays on resources for the contemporary study of Bonhoeffer and his theology, including sources and texts, biographies and portraits, and readings and receptions. These essays also address pressing historiographical issues and problems surrounding writing about Bonhoeffer's life and theology. This authoritative collection draws together and assesses the very best of existing research on Bonhoeffer and promotes new avenues for research on Bonhoeffer.

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This is the first English translation of the last two theological works of Eusebius of Caesarea, Against Marcellus and On Ecclesiastical Theology. The first text was composed after the deposition of Marcellus of Ancyra in 336 to justify the action of the council fathers in ordering the deposition on the grounds of heresy, contending that Marcellus was “Sabellian” (or modalist) on the Trinity and a follower of Paul of Samosata (hence adoptionist) in Christology. Relying heavily upon extensive quotations from a treatise Marcellus wrote against Asterius the Sophist, this text provides important information about ecclesiastical politics in the period before and just after the Council of Nicea, and endeavors to demonstrate Marcellus’s erroneous interpretation of several key biblical passages that had been under discussion since before the council. In doing so, Eusebius criticizes Marcellus’s inadequate account of the distinction between the persons of the Trinity, eschatology, and the Church’s teaching about the divine and human identities of Christ.On Ecclesiastical Theology, composed circa 338/339 just before Eusebius’s death, and perhaps in response to the amnesty for deposed bishops enacted by Constantius after the death of Constantine in 377 and the possibility of Marcellus’s return to his see, continues to lay out the criticisms initially put forward in Against Marcellus, again utilizing quotations from Marcellus’s book against Asterius. However, we see in this text a much more systematic explanation of Eusebius’s objections to the various elements of Marcellus’s theology and what he sees as the proper orthodox articulation of those elements.Long overlooked for statements at odds with later orthodoxy, even written off as heretical because allegedly “semi-Arian,” recent scholarship has demonstrated the tremendous influence these texts had on the Greek theological tradition in the fourth century, especially on the orthodox understanding of the Trinity. In addition to their influence, they are some of the few complete texts that we have from Greek theologians in the immediate period following the Council of Nicea in 325, thus filling a gap in the materials available for research and teaching in this critical phase of theological development.

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