Search results for ""crown""

Now a major TV series on Prime Video The thirteenth novel in the Wheel of Time series - one of the most influential and popular fantasy epics ever published.The Last Battle has started. The seals on the Dark One's prison are crumbling. The Pattern itself is unravelling, and the armies of the Shadow have begun to spill out of the Blight.Perrin Aybara is haunted by spectres from his past. To prevail, he must find a way to master the wolf within him or lose himself to it for ever.Meanwhile, Matrim Cauthon prepares for the most difficult challenge of his life. The Tower of Ghenjei awaits, and its secrets will reveal the fate of a friend long lost.The end draws near. It's time to roll the dice.'Epic in every sense' Sunday Times'With the Wheel of Time, Jordan has come to dominate the world that Tolkien began to reveal' New York Times'[The] huge ambitious Wheel of Time series helped redefine the genre' George R. R. Martin'A fantasy phenomenon' SFXThe Wheel of Time series:Book 1: The Eye of the WorldBook 2: The Great HuntBook 3: The Dragon RebornBook 4: The Shadow RisingBook 5: The Fires of HeavenBook 6: Lord of ChaosBook 7: A Crown of SwordsBook 8: The Path of DaggersBook 9: Winter's HeartBook 10: Crossroads of TwilightBook 11: Knife of DreamsBook 12: The Gathering StormBook 13: Towers of MidnightBook 14: A Memory of LightPrequel: New SpringLook out for the companion book: The World of Robert Jordan's The Wheel of Time

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‘Will undoubtedly become a classic narrative of this scenically magnificent, legend-rich and geologically unique part of Scotland’ Cameron McNeish, The Herald Rising a kilometre out of the storm-scoured waters around Scotland’s Isle of Skye is a dark battlement of pinnacles and ridgelines: the Cuillin. Plagued by ferocious weather and built from rock that tears skin and confounds compasses, a crossing of the Cuillin is the toughest mountaineering expedition in the British Isles. But the traverse is only part of its lure. Hewn from the innards of an ancient volcano, this mountain range stands like a crown on an island drenched in intrigue. While nineteenth-century climbers flocked to the Alps, the ridge lay untrodden and unyielding. When a generation of mountaineers did come, they found a remarkable prize: the last peaks of Britain to be climbed – peaks that would be named after those who climbed them. Along the way, many others, from artists and poets to mystics and wanderers, have been lured by the Cuillin’s haunting beauty and magic. Those who have been seduced by the deadly magic of these mountains attest to the complexity of humans’ relationship with the intrigue of our wildest, most dangerous places. The Black Ridge is a journey through the history and into the heights of the Cuillin of Skye – from the ridge’s violent birth to the tales of its pioneers, its thrills, its myths and its monsters. From a night spent in a cave beneath its highest peak to the ascent of its most infamous pinnacle, this is an adventure on foot through all seasons across the most mesmerising mountain range in Britain.

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This book is the story of an extraordinary survivor from the Alhambra palace in Granada, Spain: the Alhambra cupola, now in the Museum of Islamic Art in Berlin. The cupola, a ceiling crafted from carved and painted wood, was made to crown an exquisite mirador in one of the earliest palace buildings of the Alhambra. The book is the cupola’s biography from its medieval construction to its imminent redisplay in Berlin. It traces the long history of the Alhambra through the prism of the cupola, from the Muslim craftsmen who built it, to its adaptation by the Christian conquerors after the fall of Granada in 1492, to its creation as a heritage site. The cupola was sketched by artists from across Europe, before it was dismantled by a German financier and taken to Berlin in the 19th century. It witnessed the dramatic events of the 20th century in Germany and was eventually bought by the Museum in 1978. In recent decades, the new visibility of the cupola to the wider public has prompted questions about the object and its movement from Granada to Berlin. Its removal from the Alhambra and the complex reasons behind this loss are central to this biography. Setting the cupola within the wider context of Islamic heritage, it considers the role of collecting practices in the transformation of living monuments into heritage sites in the 20th century. This book presents a focused study of this unique object that cuts across academic disciplines and geographic boundaries to reveal a new perspective on the legacy of Islamic art in Europe and its continuing relevance today.

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Unpicking the ecopolitics of Shakespeare's plays at the Stuart court, Shakespeare Beyond the Green World establishes that the playwright was remarkably attentive to the environmental issues of his era. As a court dramatist, he designed his plays to captivate a patron deeply involved in both the conservation and exploitation of a burgeoning empire's natural resources. Spurred by James' campaign to unify his kingdoms, the Jacobean Shakespeare ventures beyond the green and pleasant lowlands of England to chart the wild topographies of an expansionist Great Britain: the blasted heath in Macbeth, the caves and mines of Timon of Athens, the overfished North Sea in Pericles, the Welsh mountains in Cymbeline, the Arctic fur country in The Winter's Tale, the fens in The Tempest, overcrowded London and empty Ulster in Measure for Measure and Coriolanus, and the night in Antony and Cleopatra and King Lear. While these plays often simulate a monarch's-eye-view of the natural world, they also reveal that Crown policies were fiercely contested from below. In addition to trekking beyond verdant landscapes, Shakespeare Beyond the Green World seeks to mitigate the Anglocentric and anthropocentric bias of the archive by putting the plays into conversation with texts in which the subaltern wild growls back. Combining deep dives into environmental history with close readings of Shakespearean wordplay, original typography, and original performance conditions, this study re-wilds the Renaissance stage. It spotlights Shakespeare's tendency to humanize beasts and bestialize allegedly godlike monarchs, debunking fantasies of human exceptionalism. By clarifying how the Jacobean plays expose monarchical dominion as ecological tyranny, this study remains scrupulously historicist while reasserting Shakespearean drama's scorching relevance in the Anthropocene.

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Glacier National Park, known as the Crown of the Continent, is a stunningly beautiful mountain landscape adorned with glaciers and snowfields. Combined with its sister park, Waterton Lakes Park in southern Alberta, the two become Waterton-Glacier International Peace Park, the first of its kind in the world. These wild places are the realm of the grizzly and the mountain goat, along with the diminutive pika and delicate, yet exceptionally hardy, wildflowers that put on a dazzling display in the short season between the months of snow. As a result, it’s not surprising that Glacier and Waterton are some of the most-loved parks in the National Park system. In 2017, Glacier broke attendance records welcoming over 3.3 million visitors, and with another record-breaking start to the 2018 (May surpassed the previous record in 2016 with over 195,000 people), it appears these numbers are trending consistently upward. Last July, Glacier even surpassed Yellowstone’s July visitation with over 1 million guests passing through its gates. And the much smaller Waterton receives over a half-million visitors each season. Visitors to Glacier and Waterton have a lot of questions, and there isn’t a ranger around every corner to answer them. The Nature Guide to Glacier and Waterton National Parks will be their handy resource to what they want to know, whether they want to identify the beautiful butterfly flitting through their campsite, or how to tell the difference between a black bear and grizzly. As with the other titles in the series, the Nature Guide to Glacier and Waterton will allow readers to quickly and easily understand the unique residents and features of the park.

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**From the co-author of the No.1 bestselling Wilbur Smith novel, WAR CRY**The fate of England hangs in the balance of a fight between brothers...In DEVIL, David Churchill writes with the immediacy of Conn Iggulden, the epic ambition of Bernard Cornwell and the plotting of CJ Sansom. The Leopards of Normandy trilogy tells the story of William the Conqueror in all its wild, intoxicating, unfailingly dramatic glory.The noble families of Europe are tearing themselves apart in their lust for power and wealth.Emma, Queen of England, is in agony over the succession to her husband Canute's throne ... while her brother, the Duke of Normandy's sons battle in the wake of his death.Robert, the younger son, has been cheated of Normandy's mightiest castle and sets out to take it by force. He emerges from a bloody siege victorious and in love with a beautiful - and pregnant - peasant girl.Robert's child will be mocked as William the bastard. But we have another name for him... Conqueror.David Churchill paints a world seething with rivalry and intrigue, where assassins are never short of work. The fight for the Royal Crown of England continues in the second and third books of the Leopards of Normandy trilogy, DUKE and CONQUEROR.What readers are saying about DEVIL:'This is a most remarkable book, full of wonderful storytelling and historical details. Absolutely outstanding, immaculate and thrilling' 'An exciting and well-told story, backed up by first class research, an extreme attention to detail and strong characterisation which also fits with the historical record. I thoroughly enjoyed it from cover to cover'

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SHORTLISTED FOR THE HISTORICAL WRITERS' ASSOCIATION GOLD CROWN AWARD 2022. A disgraced warrior must navigate a course between honour and shame, his people and the Roman Empire, in the first of a trilogy set in the second century AD from the author of Smile of the Wolf. AD173. The Danube has frozen. On its far banks gather the clans of Sarmatia. Winter-starved, life ebbing away on a barren plain of ice and snow, to survive they must cross the river's frozen waters. There's just one thing in their way. Across the ice lies the Roman Empire, and deployed in front of them, one of its legions. The Sarmatians are proud, cast as if from the ice itself. After decades of warfare they are the only tribe still fighting the Romans. They have broken legions in battle before. They will do so again. They charge... Sarmatian warrior Kai awakes on a bloodied battlefield, his only company the dead. The disgrace of his defeat compounded by his survival, Kai must now navigate a course between honour and shame, his people and the Empire, for Rome hasn't finished with Kai or the Sarmatians yet. Reviews for Tim Leach: 'Roman military adventure at its best. Ranks with the best historical fiction available today.' Simon Turney 'The characters feel rounded and real, and the Sarmatians' attempts to keep their world alive are heartbreaking.' The Times 'Tim Leach writes beautifully. Lyrical and thoughtful.' For Winter Nights 'Recommended.' Historical Novel Society 'Magnificent.' Historia 'A poetic, absorbing narrative.' Sunday Times 'Brilliantly atmospheric, utterly compelling and beautifully written.' Caroline Lea 'The storytelling is rich with imagery. It deserves huge success.' David Gilman

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'If you've ever wondered what would happen if limitless money met limitless power, wonder no longer, it's all here ... Terrifying, disturbing and ghastly' Oliver Bullough, author of Moneyland'Explosive' The Times'[A] Crisp page-turner of a book teeming with telling detail ... Splendid' Financial Times'The fascinating and highly entertaining tale ... Fly-on-the-wall reporting and palace intrigue worthy of Machiavelli' John Carreyrou, author of Bad BloodLonglisted for the 2020 Financial Times / McKinsey Business Book of the YearBlood and Oil the explosive untold story of how Mohammed bin Salman and his entourage grabbed power in the Middle East and acquired a network of Western allies - including well-known US bankers, Hollywood figures, and politicians - all eager to help the charming and crafty crown prince.Through astonishing interviews with powerful insiders, Blood and Oil tells how MBS's cabal played the Saudi economy and capitalised on the omnipotence of feudal power while effectively stamping out dissent, before allegations of his extreme brutality and excess began to slip out. A story of breathtaking dealings that range from Riyadh to London, Paris to America, this is a thrilling and brutal investigation into extreme wealth, one of the world's most decisive and dangerous new leaders, and the bid for Saudi transformation that is reverberating around the world.'This is as close to the truth, to the real story of the corruption, vulgarities, horrors, and lies of the Kingdom and its current despot as we are likely to get. It also can be read as a Shakespearean story of utter greed' Seymour Hersh, author of Chain of Command

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‘Riveting. This highly readable and entertaining book ... finally sets the record straight on the history of the Koh-i-Noor’ Tarquin Hall, Sunday Times ‘Dynamic, original and supremely readable’ Maya Jasanoff, Guardian The first comprehensive and authoritative history of the Koh-i-Noor, arguably the most celebrated and mythologised jewel in the world. On 29 March 1849, the ten-year-old maharaja of the Punjab was ushered into the magnificent Mirrored Hall at the centre of the great fort in Lahore. There, in a public ceremony, the frightened but dignified child handed over great swathes of the richest country in India in a formal Act of Submission to a private corporation, the East India Company. He was also compelled to hand over to the British monarch, Queen Victoria, perhaps the single most valuable object on the subcontinent: the celebrated Koh-i-Noor diamond. The Mountain of Light. The history of the Koh-i-Noor may have been one woven together from gossip of Delhi bazaars, but it was to become the accepted version. Only now is it finally challenged, freeing the diamond from the fog of mythology that has clung to it for so long. The resulting history is one of greed, murder, torture, colonialism and appropriation told through an impressive slice of south and central Asian history. It ends with the jewel in its current controversial setting: in the crown of Queen Elizabeth the Queen Mother, which was deemed too contentious to be used by Camilla, the Queen Consort, in King Charles’s coronation. Masterly, powerful and erudite, this is history at its most compelling and invigorating.

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'Will hold you captive until the brilliant ending' Shari Lapena, author of Someone We Know **THE UNMISSABLE THRILLER FROM THE QUEEN OF THE MODERN-DAY MURDER MYSTERY** Snow is falling in the exclusive alpine ski resort of Saint Antoine, as the shareholders and directors of Snoop, the hottest new music app, gather for a make or break corporate retreat to decide the future of the company. At stake is a billion-dollar dot com buyout that could make them all millionaires, or leave some of them out in the cold. The clock is ticking on the offer, and with the group irrevocably split, tensions are running high. When an avalanche cuts the chalet off from help, and one board member goes missing in the snow, the group is forced to ask - would someone resort to murder, to get what they want? _________________________ PRAISE FOR RUTH WARE'S ADDICTIVE THRILLERS: 'Atmospheric and eerie with Agatha Christie vibes' Prima 'Ruth Ware just gets better and better' Lisa Jewell, author of The People Upstairs 'A dark tale by one of the best thriller writers around' Independent'The sense of dread deepens as the snow falls in Ruth Ware's tensely plotted and deliciously cast alpine thriller' Louise Candlish, bestselling author of Our House 'A real spine-chiller that confirms Ruth Ware as the true heir to Christie's crown' Erin Kelly, bestselling author of He Said, She Said _________________________ READERS LOVE ONE BY ONE: 'I devoured this in a day...eerie and creepy' ***** 'Terrifying and captivating' ***** 'Had me on the edge of my seat' ***** 'Utterly brilliant' ***** 'Clever, chilling, addictive...a must-read!' ***** 'Strong Agatha Christie vibes' *****

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Now a major TV series on Prime Video The tenth novel in the Wheel of Time series - one of the most influential and popular fantasy epics ever published.Fleeing from Ebou Dar with the kidnapped Daughter of the Nine Moons, Mat Cauthon learns that he can neither keep her nor let her go, for both the Shadow and the might of the Seanchan empire are now in deadly pursuit. At Tar Valon, Egwene al'Vere lays siege to the White Tower. She must win quickly, with as little bloodshed as possible, for unless the Aes Sedai are reunited only the male Asha'man will remain to defend the world against the Dark One. Meanwhile, Rand al'Thor must gamble again, with himself at stake - not knowing which of his allies are really enemies.'Epic in every sense' Sunday Times'With the Wheel of Time, Jordan has come to dominate the world that Tolkien began to reveal' New York Times'[The] huge ambitious Wheel of Time series helped redefine the genre' George R. R. Martin'A fantasy phenomenon' SFXThe Wheel of Time series:Book 1: The Eye of the WorldBook 2: The Great HuntBook 3: The Dragon RebornBook 4: The Shadow RisingBook 5: The Fires of HeavenBook 6: Lord of ChaosBook 7: A Crown of SwordsBook 8: The Path of DaggersBook 9: Winter's HeartBook 10: Crossroads of TwilightBook 11: Knife of DreamsBook 12: The Gathering StormBook 13: Towers of MidnightBook 14: A Memory of LightPrequel: New SpringLook out for the companion book: The World of Robert Jordan's The Wheel of Time

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Now a major TV series on Prime Video The fourth novel in the Wheel of Time series - one of the most influential and popular fantasy epics ever published.The Stone of Tear, invulnerable fortress of legend, has fallen. The Children of the Dragon have risen to the call of prophecy and march to the aid of the Light. Callandor, the Sword That Is Not a Sword, is held by Rand al'Thor, the man proclaimed as the Dragon Reborn.But still the shadows lengthen and still the Forsaken grow in strength. If he is to fight them, Rand must master the male half of the True Source, a power corrupted by the Dark One, a power that drives men to madness, a power that may save or damn the world.'Epic in every sense' Sunday Times'With the Wheel of Time, Jordan has come to dominate the world that Tolkien began to reveal' New York Times'[The] huge ambitious Wheel of Time series helped redefine the genre' George R. R. Martin'A fantasy phenomenon' SFXThe Wheel of Time series:Book 1: The Eye of the WorldBook 2: The Great HuntBook 3: The Dragon RebornBook 4: The Shadow RisingBook 5: The Fires of HeavenBook 6: Lord of ChaosBook 7: A Crown of SwordsBook 8: The Path of DaggersBook 9: Winter's HeartBook 10: Crossroads of TwilightBook 11: Knife of DreamsBook 12: The Gathering StormBook 13: Towers of MidnightBook 14: A Memory of LightPrequel: New SpringLook out for the companion book: The World of Robert Jordan's The Wheel of Time

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Shortlisted for The Sunday Times Young Writer of the Year 2015, Ben Fergusson's critically acclaimed debut, The Spring of Kasper Meier, was the winner of the Betty Trask Prize 2015 and the HWA 2015 Debut Crown Award. The Other Hoffmann Sister is a gripping, evocative read about two sisters set in pre-WW1 Germany which will appeal to fans of The Essex Serpent by Sarah Perry.For Ingrid Hoffmann the story of her sister's disappearance began in their first weeks in Southwest Africa...Ingrid Hoffmann has always felt responsible for her sister Margarete and when their family moves to German Southwest Africa in 1902, her anxieties only increase. The casual racism that pervades the German community, the strange relationship between her parents and Baron von Ketz, from whom they bought their land, and the tension with the local tribes all culminate in tragedy when Baron von Ketz is savagely murdered. Baroness von Ketz and their son, Emil, flee with the Hoffmanns as the Baron's attackers burn down the family's farm.Both families return to Berlin and Ingrid's concerns about Margarete are assuaged when she and Emil von Ketz become engaged on the eve of the First World War. But Margarete disappears on her wedding night at the von Ketz's country house. The mystery of what happened to her sister haunts Ingrid, but as Europe descends into chaos, her hope of discovering the truth becomes ever more distant.After the war, in the midst of the revolution that brings down the Kaiser and wipes out the aristocracy that her family married into, Ingrid returns to the von Ketzes' crumbling estate determined to find out what really happened to her sister.

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Shortlisted for The Sunday Times Young Writer of the Year 2015, Ben Fergusson's critically acclaimed debut, The Spring of Kasper Meier, was the winner of the Betty Trask Prize 2015 and the HWA 2015 Debut Crown Award. The Other Hoffmann Sister is a gripping, evocative read about two sisters set in pre-WW1 Germany which will appeal to fans of The Essex Serpent by Sarah Perry.For Ingrid Hoffmann the story of her sister's disappearance began in their first weeks in Southwest Africa...Ingrid Hoffmann has always felt responsible for her sister Margarete and when their family moves to German Southwest Africa in 1902, her anxieties only increase. The casual racism that pervades the German community, the strange relationship between her parents and Baron von Ketz, from whom they bought their land, and the tension with the local tribes all culminate in tragedy when Baron von Ketz is savagely murdered. Baroness von Ketz and their son, Emil, flee with the Hoffmanns as the Baron's attackers burn down the family's farm.Both families return to Berlin and Ingrid's concerns about Margarete are assuaged when she and Emil von Ketz become engaged on the eve of the First World War. But Margarete disappears on her wedding night at the von Ketz's country house. The mystery of what happened to her sister haunts Ingrid, but as Europe descends into chaos, her hope of discovering the truth becomes ever more distant.After the war, in the midst of the revolution that brings down the Kaiser and wipes out the aristocracy that her family married into, Ingrid returns to the von Ketzes' crumbling estate determined to find out what really happened to her sister.

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Martyn Crucefix’s new collection of poems trace the forensic unfolding of two landscapes – contemporary Britain post-2016 and the countryside of the Marche in central, eastern Italy. Both places are vividly evoked – the coffee shops, traffic tailbacks, shopping malls, tourist-dotted hillsides and valleys of modern Britain appear in stark contrast to the hilltop villages, church spires, deep gorges, natural history and Classical ruins of Italy. Both landscapes come to represent psychic journeys: closer to home there is division everywhere – depicted in both tragic and comic detail – that only a metaphorical death of the self seems able to counteract. Closer to the Mediterranean, the geographical and personal, or romantic, divisions are also shown ultimately to offer possibilities of transcendence. The poems of the longer sequence, ‘Works and Days’, are startlingly free-wheeling, allusive – brilliantly deploying source materials and inspiration from Hesiod’s original and the 10/12th century Indian vacana poems – all bound together by the repeated refrain of bridges breaking down. The Italian poems, as a crown of sonnets, are more formally controlled but the repeating of first and last lines of the individual poems likewise serves to suggest the presence of an overarching unity. In the end, both sequences travel towards death which – while not denying the reality of human mortality, the passage of time – is intended to represent a challenge to the powerful dividing walls between Thee and Me, the liberation of empathetic feeling, even the Daoist erasure of the assumed gulf between self and not-self: ‘these millions of us aspiring to the condition / of ubiquitous dust on the fiery water’.

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An examination of kings' courts and lords' courts in Normandy that opens a new chapter in the debate over absolutism, sovereignty, and the nature of the state in early modern France. Hidden deep in the countryside of France lay early modern Europe's largest bureaucracy: twenty- to thirty-thousand royal bailiwick and seigneurial courts that served more than eighty-five percent of the king's subjects. The crowncourts and lords' courts were far more than arenas of litigation, in the modern sense. They had become the nexus of local governance by the middle of the seventeenth century, a rich breeding ground for men who controlled the villages, towns, and bailiwicks of France. Yet even as the centralizing state was reaching its zenith under Louis XIV, the king's largest permanent bureaucracy became increasingly alienated and cut adrift from the crown, many decades before the French Revolution. In The King's Bench, Zoë Schneider vividly brings to life the teeming world of the local courts, with their magistrates and jailers, townspeople and peasants. Together they contested that vital border where the private world of families and property collided with the public commonwealth. Schneider chronicles the transformation of local governance after the mid-seventeenth century, as judges and their courts became the face of public order in the countryside. With this richly detailed local study of Normandy in the seventeenth and early-eighteenth centuries, Zoë Schneider opens a new chapter in the debate over absolutism, sovereignty, and the nature of the state in early modern France. Zoë A. Schneider has taught at Georgetown University and with the Smithsonian Institution in Washington, D.C.

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Catholicism, as it developed in colonial Mexico, helped to create a broad and remarkably inclusive community of Christian subjects, while it also divided that community into countless smaller flocks. Taking this contradiction as a starting point, Matthew D. O’Hara describes how religious thought and practice shaped Mexico’s popular politics. As he shows, religion facilitated the emergence of new social categories and modes of belonging in which individuals—initially subjects of the Spanish crown, but later citizens and other residents of republican Mexico—found both significant opportunities for improving their place in society and major constraints on their ways of thinking and behaving. O’Hara focuses on interactions between church authorities and parishioners from the late-colonial era into the early-national period, first in Mexico City and later in the surrounding countryside. Paying particular attention to disputes regarding caste status, the category of “Indian,” and the ownership of property, he demonstrates that religious collectivities from neighborhood parishes to informal devotions served as complex but effective means of political organization for plebeians and peasants. At the same time, longstanding religious practices and ideas made colonial social identities linger into the decades following independence, well after republican leaders formally abolished the caste system that classified individuals according to racial and ethnic criteria. These institutional and cultural legacies would be profound, since they raised fundamental questions about political inclusion and exclusion precisely when Mexico was trying to envision and realize new forms of political community. The modes of belonging and organizing created by colonialism provided openings for popular mobilization, but they were always stalked by their origins as tools of hierarchy and marginalization.

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The life of Count Harry Kessler (1868-1937), the famous Anglo-German art patron, writer, and activist, offers a vivid and engrossing perspective on the tumultuous transformation of art and politics that took place in modern Europe between 1890 and 1930. In the first half of his career Kessler was one of the most ardent and well-known champions of aesthetic modernism in Imperial Germany, becoming a friend and patron to pioneering artists and writers of his day, most notably French sculptor Aristide Maillol, Belgian architect Henry van de Velde, English theater designer Gordon Craig, and Austrian poet and playwright Hugo von Hofmannsthal and, in his capacity as director of the Museum of Arts and Crafts in Weimar and vice-president of the German Artists League, served as a spokesman and lightning rod for embattled modern art. In the aftermath of the First World War, in which he served as a soldier, propagandist, and secret agent, Kessler embarked on a public career as a committed internationalist and pacifist, a stance that led ultimately to his exile from Germany upon the Nazi seizure of power. Making use of the recently discovered portions of Kessler's extensive diaries, one of the most remarkable journals ever written, Laird Easton explains the reasons for this startling metamorphosis, showing for the first time the continuities between Kessler's prewar aestheticism and his postwar politics and highlighting his importance within the larger history of the rise of modern art and politics. This lively narrative, the first English-language biography of Harry Kessler, provides a rich and fascinating portrait of the man whom W. H. Auden called 'a crown witness of our times.'

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This account of the final years of Britain's long war against Revolutionary and Napoleonic France places the conflict in a new—and wholly modern—perspective. Rory Muir looks beyond the purely military aspects of the struggle to show how the entire British nation played a part in the victory. His book provides a total assessment of how politicians, the press, the crown, civilians, soldiers, and commanders together defeated France. Beginning in 1807 when all of continental Europe was under Napoleon's sway, the author traces the course of the war through the Spanish uprising of 1808, the campaigns of the Duke of Wellington and Sir John Moore in Portugal and Spain, and the crossing of the Pyrenees by the British army, to the invasion of southern France and the defeat of Napoleon at the Battle of Waterloo. Muir sets Britain's military operations on the Iberian Peninsula within the context of the wider European conflict, and he examines how diplomatic, financial, military, and political considerations combined to shape policy and priorities. Just as political factors influenced strategic military decisions, Muir contends, fluctuations of the war affected British political decisions. The book is based on a comprehensive investigation of primary and secondary sources, and on a thorough examination of the vast archives left by the Duke of Wellington. Muir offers vivid new insights on the personalities of Canning, Castlereagh, Perceval, Lord Wellesley, Wellington, and the Prince Regent, along with fresh information on the financial background of Britain's campaign. This vigorous narrative account will appeal to general readers and enthusiasts of the Napoleonic era, as well as academics with an interest in early nineteenth-century British political or military history.

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The Andean Hybrid Baroque is the first comprehensive study of the architecture and architectural sculpture of Southern Peru in the late colonial period (1660s-1820s), an enduring and polemical subject in Latin American art history. In the southern Andes during the last century and a half of colonial rule, when the Spanish crown was losing its grip on the Americas and Amerindian groups began organizing into activist and increasingly violent political movements, a style of architectural sculpture emerged that remains one of the most vigorous and creative outcomes of the meeting of two cultures. The Andean Hybrid Baroque (also known as "Mestizo Style"), was a flourishing school of carving distinguished by its virtuoso combination of European late Renaissance and Baroque forms with Andean sacred and profane symbolism, some of it originating in the pre-Hispanic era. The Andean Hybrid Baroque found its genesis and most comprehensive iconographical expression in the architecture of Catholic churches, chapels, cloisters, and conventual buildings. Drawing on hundreds of primary documents and on ethno-historical and anthropological literature that has rarely been applied to an art-historical subject, Gauvin Alexander Bailey provides the most substantial study of colonial Peruvian architecture in decades. The product of five years of photographic surveys in Peru, Bolivia, and Argentina, as well as research in governmental and ecclesiastical archives in Latin America and Europe, Bailey's richly illustrated study examines the construction history and decoration of forty-four churches. It offers a fundamentally new understanding of the chronology, regional variations, and diffusion of the Andean Hybrid Baroque style, as well as a fresh interpretation of its relationship to indigenous Andean culture.

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Is administrative law unlawful? This provocative question has become all the more significant with the expansion of the modern administrative state. While the federal government traditionally could constrain liberty only through acts of Congress and the courts, the executive branch has increasingly come to control Americans through its own administrative rules and adjudication, thus raising disturbing questions about the effect of this sort of state power on American government and society. With Is Administrative Law Unlawful?, Philip Hamburger answers this question in the affirmative, offering a revisionist account of administrative law. Rather than accepting it as a novel power necessitated by modern society, he locates its origins in the medieval and early modern English tradition of royal prerogative. Then he traces resistance to administrative law from the Middle Ages to the present. Medieval parliaments periodically tried to confine the Crown to governing through regular law, but the most effective response was the seventeenth-century development of English constitutional law, which concluded that the government could rule only through the law of the land and the courts, not through administrative edicts. Although the US Constitution pursued this conclusion even more vigorously, administrative power reemerged in the Progressive and New Deal Eras. Since then, Hamburger argues, administrative law has returned American government and society to precisely the sort of consolidated or absolute power that the US Constitution-and constitutions in general-were designed to prevent. With a clear yet many-layered argument that draws on history, law, and legal thought, Is Administrative Law Unlawful? reveals administrative law to be not a benign, natural outgrowth of contemporary government but a pernicious-and profoundly unlawful-return to dangerous pre-constitutional absolutism.

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Nta'tugwaqanminen provides evidence that the Mi'gmaq of the Gespe'gewa'gi (Northern New Brunswick and the Gaspé Peninsula) have occupied their territory since time immemorial. They were the sole occupants of it prior to European settlement and occupied it on a continuous basis. This book was written through an alliance between the Mi'gmaq of Northern Gespe'gewa'gi (Gaspé Peninsula), their Elders and a group of eminent researchers in the field with the aim of reclaiming their history, both oral and written, in the context of what is known as knowledge re-appropriation. It also provides non-Aboriginal peoples with a view of how Mi'gmaq history looks when it is written from an Indigenous perspective.There are two voices in the book - that of the Mi'gmaq of the Gespe'gewa'gi, including the Elders, as they act as narrators of the collective history, and that of the researchers, who studied all possible aspects of this history, including advanced investigation on place names as indicators of migration patterns.Nta'tugwaqanminen speaks of the Gespe'gewa'gi Mi'gmaq vision, history, relation to the land, past and present occupation of the territory and their place names and what they reveal in terms of ancient territorial occupation. It speaks of the treaties they agreed to with the British Crown, the respect of these treaties on the part of the Mi'gmaq people and the disrespect of them from the various levels of governments. This book speaks about the dispossession the Mi'gmaq of Gespe'gewa'gi had to endure while the European settlers illegally occupied and developed the Gaspé Peninsula to their own advantage and the rights and titles the Mi'gmaq people still have on their lands.

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Winner of the 1979 Governor General's Award for fiction, Antonine Maillet's virtuoso creation, The Tale of Don L'Orignal, is now back in print. Maillet's tale begins one day, not so very long ago but back in the youth of the world, when a hay-covered island materialized off shore, an island populated by fleas who soon took human form. The leader of this uncouth crew of have-nots, Don l'Orignal, wore a moose-antler crown as his badge of office. At his right hand were his brave lieutenants: his son, Noume, and his general, Michel-Archange. The general's wife, the doughty charwoman, spy, and rabble-rouser La Sagouine, had one finger in every pie and one raised to her neighbour, La Sainte. The Flea Islanders were constantly at odds with the almost as clever but far more civilized upper crust of the mainland village: the mayoress, the schoolteacher, the merchant, the banker. When they invaded and tried to steal a keg of molasses, the outcome of the mock-heroic battle was unclear, except that La Sainte's son, the hapless young Citrouille, and Adeline, the merchant's lovely daughter, had fallen in love. With the insider's accumulation of oral history, gossip, and shrewd hindsight, Antonine Maillet has conjured up a fictional Acadia that her ancestors would relish. Perhaps those who could read it would have even understood it: she wrote Don l'Orignal in a version of 16th-century domestic French that she adapted for modern readers. In this far-fetched, but always entertaining fable, Maillet holds up a mirror to Acadian history and to an all too fallible human nature.

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With a foreword by Carl FogartyJoey Dunlop's story is one of towering triumphs and desperate tragedies in almost equal measure. Born poor - dirt poor - with no running water, no electricity, he was the definition of the everyman hero, earning the title 'King of the Roads' in what must be considered one of the world's most extreme sports - motorcycle road racing. And as well as being voted Northern Ireland's greatest ever sportsman, he remains the most loved and most successful road racer of all time. Joey Dunlop won the hearts and minds of millions during his thirty-one-year career, culminating in his greatest triumph in the year 2000 at the Isle of Man TT when, grey-haired, bespectacled, and approaching fifty years of age, he reclaimed his reputation as the greatest TT rider in history by defeating a whole new generation of talent and regaining the F1 crown for the first time in twelve years.But in road racing, tragedy is never very far away. Joey lost his life in a racing accident in July of 2000. It was just weeks after his final TT victory. More than 60,000 people attended Joey's funeral. Over twenty years after his untimely death, the sport has never truly recovered from his loss. Everyone with an interest in motorcycling knows the legend of Joey Dunlop but now, for the first time, they can get to know the man himself. This definitive new biography is the most comprehensive ever written on the man. In turns hilarious, triumphant and tragic, this is Dunlop's story as it has never been told before - by those who were part of it.

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***LONGLISTED: THE HWA GOLD CROWN 2021*** ***A Sunday Times BOOK OF THE YEAR 2021: "An ambitious, epic debut."*** ***A NEW YORK TIMES BEST BOOK OF THE YEAR 2021*** A Times BOOK OF THE MONTH: "Beautifully written and profoundly insightful." “A memorable tapestry of politics, religion and conflicting human desires.” —The Sunday Times “Cathedral is a masterpiece, one of the best historical novels I’ve read in a long time. Spellbinding and so evocative of place and time. A triumph.”—Dan Jones "Fascinating, fun, and gripping to the very end."—Roddy Doyle A sweeping story about obsession, mysticism, art, and earthly desire. At the centre of this story, is the Cathedral. Its design and construction in the 12th and 13th centuries in the fictional town of Hagenburg unites a vast array of unforgettable characters whose fortunes are inseparable from the shifting political factions and economic interests vying for supremacy. From the bishop to his treasurer to local merchants and lowly stonecutters, everyone, even the town’s Jewish denizens, is implicated and affected by the slow rise of Hagenburg’s Cathedral, which in no way enforces morality or charity. Around this narrative core, Ben Hopkins has constructed his own monumental edifice, a choral novel that is rich with the vicissitudes of mercantilism, politics, religion, and human enterprise. Ambitious, immersive, a remarkable feat of imagination, Cathedral deftly combines historical fiction, the literary novel of ideas, and a tale of adventure and intrigue. Fans of authors like Umberto Eco, Elif Shafak, Hilary Mantel, Ken Follett and Jose Saramago will delight at the atmosphere, the beautiful prose, and the vivid characters of Ben Hopkins’s Cathedral.

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Why has power in the West assumed the form of an "economy," that is, of a government of men and things? If power is essentially government, why does it need glory, that is, the ceremonial and liturgical apparatus that has always accompanied it? In the early centuries of the Church, in order to reconcile monotheism with God's threefold nature, the doctrine of Trinity was introduced in the guise of an economy of divine life. It was as if the Trinity amounted to nothing more than a problem of managing and governing the heavenly house and the world. Agamben shows that, when combined with the idea of providence, this theological-economic paradigm unexpectedly lies at the origin of many of the most important categories of modern politics, from the democratic theory of the division of powers to the strategic doctrine of collateral damage, from the invisible hand of Smith's liberalism to ideas of order and security. But the greatest novelty to emerge from The Kingdom and the Glory is that modern power is not only government but also glory, and that the ceremonial, liturgical, and acclamatory aspects that we have regarded as vestiges of the past actually constitute the basis of Western power. Through a fascinating analysis of liturgical acclamations and ceremonial symbols of power—the throne, the crown, purple cloth, the Fasces, and more—Agamben develops an original genealogy that illuminates the startling function of consent and of the media in modern democracies. With this book, the work begun with Homo Sacer reaches a decisive point, profoundly challenging and renewing our vision of politics.

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The image of Catherine of Aragon has always suffered in comparison to the heir-providing Jane Seymour or the vivacious eroticism of Anne Boleyn. But when Henry VIII married Catherine, she was an auburn-haired beauty in her twenties with a passion she had inherited from her parents, Isabella and Ferdinand, the joint-rulers of Spain who had driven the Moors from their country.This daughter of conquistadors showed the same steel and sense of command when organising the defeat of the Scots at the Battle of Flodden and Henry was to learn, to his cost, that he had not met a tougher opponent on or off the battlefield when he tried to divorce her.Henry VIII introduced four remarkable women into the tumultuous flow of England's history: Catherine of Aragon and her daughter 'Bloody' Queen Mary; and Anne Boleyn and her daughter, the Virgin Queen Elizabeth. 'From this contest, between two mothers and two daughters, was born the religious passion and violence that inflamed England for centuries,' says David Starkey. Reformation, revolution and Tudor history would all have been vastly different without Catherine of Aragon.Giles Tremlett's new biography is the first in more than four decades to be dedicated entirely and uniquely to the tenacious woman whose marriage lasted twice as long as those of Henry's five other wives put together. It draws on fresh material from Spain to trace the dramatic events of her life through Catherine of Aragon's own eyes. 'Enthralling biography . . . this lively and richly detailed book . . . describing the queen's fierce battle to retain her crown, Tremlett brilliantly breathes life into the shadowy figure of a stubborn and finally heroic woman.' Daily Telegraph

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A gripping, edge-of-your-seat historical novel from the bestselling author of The Alice Network and The Huntress! *Winner of Historical Novel of the Year in NetGalley UK’s Books of 2021* *Editors’ Pick Best Mystery, Thriller & Suspense, Amazon US* ‘A terrific book bursting with vivid atmosphere’ Dinah Jefferies, #1 bestselling author of The Tea-Planter’s Wife ’Wonderful…A hugely satisfying and thrilling read’ Fern Britton, #1 bestselling author of Daughters of Cornwall ‘Immersive, thrilling and packed with wonderful characters…I absolutely loved every page of this incredible book’ Jill Mansell, bestselling author of Maybe This Time 1940, Bletchley Park, Buckinghamshire. Three very different women are recruited to the mysterious Bletchley Park, where the best minds in Britain train to break German military codes. Vivacious debutante Osla has the dashing Prince Philip of Greece sending her roses – but she burns to prove herself as more than a society girl, working to translate decoded enemy secrets. Self-made Mab masters the legendary codebreaking machines as she conceals old wounds and the poverty of her East-End London upbringing. And shy local girl Beth is the outsider who trains as one of the Park’s few female cryptanalysts. 1947, London. Seven years after they first meet, on the eve of the royal wedding between Princess Elizabeth and Prince Philip, disaster threatens. Osla, Mab and Beth are estranged, their friendship torn apart by secrets and betrayal. Yet now they must race against the clock to crack one final code together, before it’s too late, for them and for their country. If you loved The Crown, don’t miss this riveting historical novel!

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The No. 1 Sunday Times bestselling series set during the reign of Queen Elizabeth I, perfect for fans of Hilary Mantel’s Wolf Hall trilogy and Netflix’s The Crown ‘Gripping’ Sunday Times ‘Fast-paced and entertaining’ Mail on Sunday A TREASONOUS PLOTEngland, 1586. Giordano Bruno, heretic turned spy, passes on vital information to spymaster Sir Francis Walsingham. A band of Catholic Englishmen are plotting to kill Queen Elizabeth and install Mary, Queen of Scots, on the English throne. A DEADLY TRAPWalsingham, already aware of the plot, is allowing it to progress. He hopes that Mary will put her support in writing – and condemn herself to a traitor's death. A QUEEN IN DANGER Bruno must go undercover, join the conspirators and stop them. A queen is destined to die; Bruno must make sure it is the right one… Praise for Execution ‘A brilliantly realised fictionalisation of the Babington plot against Elizabeth 1’ Observer ‘Execution has an atmospheric sense of place. The plot twists and turns’ The Times ‘Immaculate… the depth of period detail, the all-enveloping sense of time and place, and the sheer gory drama’ Metro ‘Sumptuous’ New York Times ‘Parris’s attention to the details of Elizabethan life and her ability to create characters of depth are again on display in a gripping narrative’ The Sunday Times ‘Fast-paced and entertaining’ Mail on Sunday ‘Parris is one of the stars of historical crime fiction and this, her sixth Giordano Bruno novel, is among her best’i ‘Superbly plotted, shimmeringly written, it will have you on the edge of your seat’ Kate Williams, author of The Storms of War ‘An impressive feat’ Marisa Haetzman, also writes as Ambrose Parry

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The Potsdam Conference (officially known as the "Berlin Conference"), was held from 17 July to 2 August 1945 at Cecilienhof Palace, the home of Crown Prince Wilhelm, in Brandenburg, and saw the leaders of the United Kingdom, the Soviet Union and the United States, gathered together to decide how to demilitarise, denazify, decentralise, and administer Germany, which had agreed to unconditional surrender on 8 May (VE Day). They determined that the remaining German populations in Poland, Czechoslovakia and Hungary - both the ethnic (Sudeten) and the more recent arrivals (as part of the long-term plan for the domination of Eastern Europe) - should to be transferred to Germany, but despite an undertaking that these would be effected in an orderly and humane manner, the expulsions were carried out in a ruthless and often brutal manner. Land was seized with farms and houses expropriated; the occupants placed into camps prior to mass expulsion from the country. Many of these were labour camps already occupied by Jews who had survived the concentration camps, where they were equally unwelcome. Further cleansing was carried out in Romania and Yugoslavia, and by 1950, an estimated 11.5 million German people had been removed from Eastern Europe with up to three million dead. The number of ethnic Germans killed during the 'cleansing' period is suggested at 500,000, but in 1958, Statistisches Bundesamt (the Federal Statistical Office of Germany) published a report which gave the figure of 1.6 million relating to expulsion-related population losses in Poland alone. Further investigation may in due course provide a more accurate figure to avoid the accusation of sensationalism.

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The life of King James VI who united England and Scotland under one crown and became James I in 1603 is marked by contradictions. Generally praised as a good king of Scotland and a poor English one, James was a deep theological thinker, but he also inspired a superstitious frenzy which resulted in the North Berwick witch hunt and trials in the 1590s. Scholar and pedant, he was in his own view God's appointed ruler, yet also a foul mouthed sloven and forever tarnished with the title of the Wisest Fool in Christendom. The most glaring contrast in his personal life was between his image as a married family man and as a ruler who lavished indiscreet affection on a series of men whom he invested with considerable power. This book approaches James through the lens of his relationships with his major favourites. First was Anglo-French lord Esme D'Aubigny, then Scottish squire Robert Carr (later Earl of Somerset), and finally the consummate nobleman George Villiers, Duke of Buckingham. 'A king will have need to use secrecy in many things,' the king wrote in one of his books. Although his private life was sometimes astonishingly visible, there are still many mysteries about James I as a man rather than a ruler. This work tracks the king's life from a barren childhood through a succession of plots, intrigues and conspiracies in Scotland which largely forged, or deformed, his character. Beyond his complex and disputed connection with these men the book looks at his relationship with his wife, sponsorship of the arts, and contains a reappraisal of the first and most neglected historical mystery of his first reign, the Gowrie Conspiracy.

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Like Cromwell and Wolsey before him, William Paget came from nowhere to become one of Henry VIII's most powerful 'new men'. After serving as ambassador to the Court of Francis I of France, he became Henry's most influential foreign policy advisor and developed a close relationship with Emperor Charles V. He had the king's ear in Henry's later years, was the key player in drafting his will ( was it a forgery?) and in enabling Somerset to become Lord Protector in the reign of the boy king, Edward VI. For a while, he was Somerset's 'right-hand man'. When Somerset fell, Paget was imprisoned in the Tower and nearly executed. But he survived and regained power. He had a major role in delivering the Crown to the Catholic queen, Mary, and in arranging her marriage to Philip II of Spain, whom he then advised on English politics. He kept in with the Protestant princess Elizabeth and survived to have influence when she came to the throne. William was the founder of the aristocratic Paget family - Barons of Beaudesert, Earls of Uxbridge and Marquesses of Anglesey. From records of the mansion that he built on a site next to today's Heathrow Airport, a picture has been created of how life was actually lived in a Tudor household at the personal family level. The story is partly told from previously unexamined family letters. It is an exciting narrative of dramatic ups and downs: from rags to riches, plague to plenty, and prison to peerage. Court intrigues, conspiracies, rebellions and coups, follow one after the other. William is usually in the thick of it, the power behind the throne.

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'A gritty, heart-pounding tale of betrayal and bloody vengeance' John Gwynne on The PariahTimes have changed for Alwyn Scribe. Once an outlaw, he's now a spymaster and sworn protector of Lady Evadine Courlain, whose visions of a demonic apocalypse have earned her the fanatical devotion of the faithful.Yet Evadine's growing fame has put her at odds with both Crown and Covenant. As trouble brews in the kingdom, both seek to exploit her position for their own ends.Sent to the Duchy of Alundia to put down a rebellion, Alwyn must rely on old instincts to fight for his new cause. Deadly feuds and ancient secrets are laid bare as war erupts, a war that will decide the fate of the Kingdom of Albermaine and, perhaps, prevent the coming of the prophesied Second Scourge.The Martyr is the sequel to The Pariah and continues the ruthless and gripping fantasy epic from New York Times bestseller Anthony Ryan, whose books have sold more than a million copies worldwide.Praise for the series'The Pariah is Anthony Ryan at his best. A fast-paced, brutal fantasy novel with larger-than-life characters and a plot full of intrigue and suspense' Grimdark Magazine 'Gritty and well-drawn, this makes a rich treat for George R. R. Martin fans' Publishers Weekly (starred review)Books by Anthony RyanRaven's ShadowBlood SongTower LordQueen of FireRaven's BladeThe Wolf's CallThe Black SongDraconis MemoriaThe Waking FireThe Legion of FlameThe Empire of AshesThe Covenant of SteelThe PariahThe MartyrThe TraitorWriting as A. J. RyanRed River Seven

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Padrón reveals the evolution of Spain’s imagining of the New World as a space in continuity with Asia. Narratives of Europe’s westward expansion often tell of how the Americas came to be known as a distinct landmass, separate from Asia and uniquely positioned as new ground ripe for transatlantic colonialism. But this geographic vision of the Americas was not shared by all Europeans. While some imperialists imagined North and Central America as undiscovered land, the Spanish pushed to define the New World as part of a larger and eminently flexible geography that they called las Indias, and that by right, belonged to the Crown of Castile and León. Las Indias included all of the New World as well as East and Southeast Asia, although Spain’s understanding of the relationship between the two areas changed as the realities of the Pacific Rim came into sharper focus. At first, the Spanish insisted that North and Central America were an extension of the continent of Asia. Eventually, they came to understand East and Southeast Asia as a transpacific extension of their empire in America called las Indias del poniente, or the Indies of the Setting Sun.The Indies of the Setting Sun charts the Spanish vision of a transpacific imperial expanse, beginning with Balboa’s discovery of the South Sea and ending almost a hundred years later with Spain’s final push for control of the Pacific. Padrón traces a series of attempts—both cartographic and discursive—to map the space from Mexico to Malacca, revealing the geopolitical imaginations at play in the quest for control of the New World and Asia.

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This book sets out to explain the very particular characteristics of Spanish infrastructure policy. The capital city of Madrid plays a central role. It not only achieved the status of economic capital of Spain in recent decades but together with its status as administrative and political capital Madrid endowed itself as absolute capital. The challenge is to understand why such development has taken place. First: radial policies in transport infrastructure, which were primarily subordinate to political and administrative objectives, could not be supported by the dynamics of economic activity. For that reason these policies demanded the use of extensive budgetary resources in the form of subsidies and grants that made possible what legislation alone could not achieve. Second: these policies respond to a regular and continuing historical pattern in Spanish politics, which began with the accession to the Spanish Crown of the Bourbon dynasty in the early eighteenth century. The new dynasty tried hard to translate into practice the vision of building a Nation like France, with a Capital like Paris. Third: the enduring strength of this historical pattern allows us to understand why infrastructural policies in Spain today are so unique and different from those of surrounding and comparable countries. Originally published to great acclaim in Spanish and Catalan, Professor Bel places the historical perspective in contemporary viewpoint in discussing the Spanish enthusiasm for high-speed railway, with the prospect of Madrid being connected with all provincial capitals, albeit while freight by train has been neglected; a fully centralised model of airport management that is unmatched among comparable countries; and a mixed (toll and toll-free motorways) and highly asymmetric territorial highway funding model for motorways.

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Spain’s American empire began as the serendipitous outgrowth of the search for a shortcut to China. That search derived from two mid-fifteenth-century developments: the Ming Dynasty’s decision to adopt a silver standard for its medium of exchange and the Ottoman Turks’ capture of Constantinople in 1453. China’s great demand for silver and the disruption of the Silk Road drove the need to find alternative access to China. King John II of Portugal sent explorers southward along the coast of Africa and thence to the Orient, but Ferdinand and Isabella sent Christopher Columbus westward, believing he would find a shorter route.A persistent if disorderly push by Spanish conquistadors led to the discovery of previously unknown civilizations, including the empires of the Aztecs and the Incas. The search for a short-cut to China became bound up with the seizure of the riches held by native populations. Although the conquistadors were vastly outnumbered, their superior technology—steel swords, armor, war horses, and firearms—concomitant with diseases that accompanied them, enabled them to subdue native American peoples and confiscate their wealth.The aftermath was fraught with complications and strife. Crown- appointed governors came into conflict with the conquistadors. Distances were great, and the governors tended to place their interests over those of the King. Cortez conquered the Aztecs despite the governor’s attempts to prevent his campaign. Bureaucratic interference bedeviled Francisco Pizzaro’s campaign against the Incas, which, nonetheless, contributed more to the wealth of his country than any other conquistador’s exploits. Ultimately, the vast wealth of the Americas would fuel Spain and its Empire for nearly two centuries.

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A young girl makes her way through a variety of career possibilities—dancer, doctor, superhero, plumber—in a variety of costumes. She can be graceful, creative, brave, caring, silly, and even scary. She can wear braids or glasses, a crown or a beret. No matter what she chooses, her puppy is twirling, painting, and hammering right beside her, often with an accessory of his own. The story is simple and yet suggests infinite, limitless opportunities and the little girl’s right to choose who and what she wants to be. The message is one of exploration, choice, and self-expression. And ultimately another option for the little girl is to be “just me.”From the author and illustrator of Paint Me! comes a new story that teaches children to explore and to be open-minded. Featuring simple text but an inspiring story and lovely, detailed illustrations, Dress Me! is sure to charm young readers and parents alike. This book is perfect for early readers and for reading out loud.Sky Pony Press, with our Good Books, Racehorse and Arcade imprints, is proud to publish a broad range of books for young readers—picture books for small children, chapter books, books for middle grade readers, and novels for young adults. Our list includes bestsellers for children who love to play Minecraft; stories told with LEGO bricks; books that teach lessons about tolerance, patience, and the environment, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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Detailed investigation of the key role played by Admiral Saumarez in the continuing naval warfare against Napoleon. The maritime war against Napoleon did not end with the Battle of Trafalgar, but continued right up to 1815, with even more British ships and sailors deployed after 1805 than before. One key theatre was the Baltic, where the British commander was Admiral Saumarez. He had had a highly successful career as a post-Captain, notably at the two battles of Algeciras as a newly-promoted Rear-Admiral. For five years from 1808 as Commander-in-Chief of a large Balticfleet, he played a very skilful diplomatic role, combining firmness and restraint, and working with Sweden contrary to the instincts of his superiors in London, even when she declared war. Despite the determined efforts of Denmark's gunboats and privateers, he successfully kept British trade flowing in and out of the Baltic, undermining Napoleon's 'Continental System' - the economic blockade of Britain - and leading to Napoleon's fateful decision to invadeRussia in 1812. This book, based on extensive original research in both British and Scandinavian archives and making considerable use of Saumarez' unpublished correspondence, charts the maritime and political history of thewar in the Baltic. It illustrates the highly successful, highly esteemed role the Admiral played and looks at the nature and motivation of the man himself revealed in his letters and in the private letters of Count von Rosen, Governor of Gothenburg and chief link between Saumarez and former French Marshal Bernadotte, Crown Prince of Sweden, later to be crowned King Karl XIV Johan. TIM VOELCKER gained his PhD in maritime history at the University of Exeter.

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In this action-packed new Bernicia Chronicles adventure from Matthew Harffy, Beobrand finds himself in a dangerous foreign land, caught between warring factions of royalty and the Church. AD 652. Beobrand has been ordered to lead a group of pilgrims to the holy city of Rome. Chief among them is Wilfrid, a novice of the church with some surprisingly important connections. Taking only Cynan and some of his best men, Beobrand hopes to make the journey through Frankia quickly and return to Northumbria without delay, though the road is long and perilous. But where Beobrand treads, menace is never far behind. The lands of the Merovingian kings are rife with intrigue. The queen of Frankia is unpopular and her ambitious schemes, though benevolent, have made her powerful enemies. Soon Wilfrid, and Beobrand, are caught up in sinister plots against the royal house. After interrupting a brutal ambush in a forest, Beobrand and his trusted gesithas find their lives on the line. Dark forces will stop at nothing to seize control of the Frankish throne, and Beobrand is thrown into a deadly race for survival through foreign lands where he cannot be sure who is friend and who is foe. The only certainty is that if he is to save his men, thwart the plots, and unmask his enemies, blood will flow. Reviews for Matthew Harffy 'A brilliant characterization of a difficult hero in a dangerous time. Excellent!' Christian Cameron 'He is really proving himself the rightful heir to Gemmell's crown.' Jemahl Evans 'A genuinely superb novel.' Steven McKay 'Beobrand is the warrior to follow.' David Gilman

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A valuable resource on the social and economic life of medieval England Inquisitions post mortem are the single most important source for the history of medieval English landed society and are indispensable to social, economic, and political historians of the later middle ages; they were compiled with the help of jurors from the area, as a county-by-county record of a deceased individual's land-holdings and associated rights, where the individual held land directly of the crown. It is this explicit connection with land and locality - in economic, social, political, and topographical terms - that makes these documents of such comprehensive interest. This volume calendars the inquisitions and related documents from the short reigns of Edward V and Richard III, from the protectorate to the battle of Bosworth (1483-1485). It looks at 101 individuals across 181 inquisitions and includes valuable information and detailed returns on the estates of the greater aristocracy, among them Henry Bourchier, earl of Essex and William Lord Hastings [d. 1483], alongside lesser landholders, jurors' names and full manorial extents. The volume incorporates not only inquisitions post mortem but also assignments of dower and a proof of age from across the counties of England and the Marches of Wales. It is especially rich in inquisitions relating to the lands of the royal justices and widowed dowagers and documents how many landholders had conveyed lands to trustees, thus escaping royal wardship and prompting remedial legislation by Richard's parliament. Standard information includes medieval descriptions of towns and villages and the charting of land and its descent at all social levels. The volume also provides comprehensive indexes of jurors, persons, places, and subjects.

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SHORTLISTED FOR THE HISTORICAL WRITERS' ASSOCIATION CROWN AWARDS 2022 ‘Compelling and often horrifying’ THE TIMES Best Paperbacks of 2022 The epic, moving stories of Britain's search to recover, identify and honour the missing soldiers of the First World War By the end of the First World War, the whereabouts of more than half a million British soldiers were unknown. Most were presumed dead, lost forever under the battlefields of northern France and Flanders. In The Searchers, Robert Sackville-West brings together the extraordinary, moving accounts of those who dedicated their lives to the search for the missing. These stories reveal the remarkable lengths to which people will go to give meaning to their loss: Rudyard Kipling's quest for his son's grave; E.M. Forster’s conversations with traumatised soldiers in hospital in Alexandria; desperate attempts to communicate with the spirits of the dead; the campaign to establish the Tomb of the Unknown Warrior; and the exhumation and reburial in military cemeteries of hundreds of thousands of bodies. It was a search that would span a century: from the department set up to investigate the fate of missing comrades in the war’s aftermath to the present day, when DNA profiling continues to aid efforts to recover, identify and honour these men. As the rest of the country found ways to repair and move on, countless families were consumed by this mission, undertaking arduous, often hopeless, journeys to discover what happened to their husbands, brothers and sons. Giving prominence to the personal battles of those left behind, The Searchers brings the legacy of war vividly to life in a testament to the bravery, compassion and resilience of the human spirit.

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The cinematographer must translate the ideas and emotions contained in a script into something that can be physically seen and felt onscreen, helping the director to fulfil the vision of the film. The shots may look good, but they will not serve the story until the composition, lenses, and lighting express, enhance, and reveal the underlying emotions and subtext of the story. By making physical the ideas and emotions of the story, the cinematographer supports blocking as a visual form of the story through these tools.Rather than delve into technical training, Basic Cinematography helps to train the eye and heart of cinematographers as visual storytellers, providing them with a strong foundation for their work, so that they’re ready with creative ideas and choices on set in order to make compelling images that support the story.The book includes tools, tables, and worksheets on how to enhance students and experienced filmmakers with strong visual storytelling possibilities, including such features as: Dramatic script analysis that will help unlock blocking, composition, and lighting ideas that reveal the visual story Ten tools of composition Psychological impact of lenses, shot sizes, and camera movement Six elements of lighting for visual storytelling What to look for beneath the "hood" of cameras, including using camera log, RAW, and LUTs Dramatic analysis chart and scene composition chart to help plan your shoots Case studies from such visually cinematic shows and documentaries as Netflix’s Godless, Jessica Jones, The Crown, and Chef’s Table, as well as examples from classroom exercises Features insights from the DP of Jessica Jones, Manuel Billeter, and the DP of Chef’s Table, Adam Bricker.

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‘Henry III is generally classed among the weakest and most incompetent of England’s medieval kings. Darren Baker tells a different story.’- Michael Clanchy, author of England and Its Rulers, 1066–1307‘A personal and detailed narrative…bring[s] alive the glamour and personalities of thirteenth-century England.’- Huw Ridgeway, author of ‘Henry III’, Oxford Dictionary of National Biography‘Enterprising, original and engaging.’ - David Carpenter, author of The Reign of King Henry IIIHenry III (1207–72) reigned for 56 years, the longest-serving English monarch until the modern era. Although knighted by William Marshal, he was no warrior king like his uncle Richard the Lionheart. He preferred to feed the poor to making war and would rather spend time with his wife and children than dally with mistresses and lord over roundtables. He sought to replace the dull projection of power imported by his Norman predecessors with a more humane and open-hearted monarchy. But his ambition led him to embark on bold foreign policy initiatives to win back the lands and prestige lost by his father King John. This set him at odds with his increasingly insular barons and clergy, now emboldened by the protections of Magna Carta. In one of the great political duels of history, Henry struggled to retain the power and authority of the crown against radical reformers like Simon de Montfort. He emerged victorious, but at a cost both to the kingdom and his reputation among historians. Yet his long rule also saw extraordinary advancements in politics and the arts, from the rise of the parliamentary state and universities to the great cathedrals of the land, including Henry’s own enduring achievement, Westminster Abbey.

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A gripping historical adventure from the international #1 bestselling author of the OUTLANDER series.______________The year is 1757. On a bright June day, Lord John Grey emerges from his club, his mind in turmoil. A nobleman and a high-ranking officer in His Majesty's Army, Grey has just witnessed something shocking. But his efforts to avoid a scandal that might destroy his family are interrupted by something still more urgent: the Crown appoints him to investigate the brutal murder of a comrade-in-arms, who might well have been a traitor.Obliged to pursue two inquiries at once, Major Grey finds himself ensnared in a web of treachery and betrayal that touches every level of society - and threatens all he holds dear. From the bawdy-houses of London's night world to the drawing rooms of the nobility, from the blood of a murdered corpse to the thundering seas of the East India Company, Lord John follows the elusive trail of the woman in green who may hold the key to everything - or to nothing at all.The early days of the Seven Years War come brilliantly to life in this historical adventure mystery by the acclaimed author whose unique and compelling storytelling has engrossed millions of readers worldwide.______________Readers can't get enough of Lord John And The Private Matter . . .***** 'This was a fun, suspenseful, historically interesting read.'***** 'Good read for Outlander fans.'***** 'If you love Gabaldon's writing and murder mystery novels, then this is the book for you.'***** 'I was skeptical to start this series but once I started I couldn't put it down. I now have a book hangover.'***** 'Great! Funny and gripping, totally entertaining.'

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This is the first time that many of these bindings have been shown and photographed Features specialist writers from the UK, France and Spain The exhibition that this book accompanied, took place in April 2012, bringing together two hundred and fifty bound volumes selected from Spain's National Heritage collections, making up an exceptional and unrepeatable exhibition of these astonishing works of art. These are works that were created for the monarch's own use, beginning in the days of Charles V and Philip II, offering us a marvellous insight into the Royal Libraries of the House of Hapsburg and the House of Bourbon. We also come across items from a number of extraordinary complete collections that were treasured by conspicuous patrons and ending up by enriching the King's library, thus endowing the Crown with the enormous intellectual prestige enjoyed by their owners for having gathered together such works. Contents: La encuadernacion, lenguaje artistico - Victor Nieto Alcalde Lo humilde entre lo egregio - Carlos Claveria Claves evolutivas de la encuadernacion heraldica de Patrimonio Nacional Valentin - Moreno Gallego Libros para leer. Encuadernaciones comerciales en pergamino y papel en la epoca de la imprenta manual - Nicholas Pickwoad Diego Hurtado de Mendoza - Anthony Hobson Tres aspectos de la encuadernacion francesa en las colecciones patrimoniales - Isabelle De Conihout and Pascal Ract-Madoux Encuadernaciones bodonianas - Pedro Catedra Eadem sed aliter: uniformidad y singularidad en la encuadernacion de Camara - Maria Luisa Lopez-Vidriero De la industria al arte. Dos cambios de siglo en la encuadernacion de la Real Biblioteca - Dolores Baldo Bibliografia tematica de la encuadernacion en Espana (siglos xix-xxi): historiografia de sus estudios contemporaneos Concha Lois

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Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders (1400-1800). In 1993, she was conferred O Grão Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula. This manuscript investigates Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter of the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429 when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided in the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analyzed with regard to King João I's conquest of Ceuta, achieved by his sons who were hailed as an"illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania 's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henrique the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy.

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Introduction to Dental Materials discusses and explains the science of clinical and laboratory dental materials. It will help you understand the properties, limitations and safe usage of different materials, and how to navigate this rapidly changing field to choose the most appropriate materials for your patients. Written in an engaging and accessible way, and featuring updated images and photographs as well as "clinical relevance" highlights, this book is perfectly tailored to the needs of the busy student of dentistry or dental therapy. Written for the benefit of the developing clinician, not the materials scientist perfect for busy students Covers essential facts relating to chemical bonding, metals, ceramics and polymers Explains the terminology used in the description of material behaviour Explores the use of clinical dental materials including the traditional and contemporary materials and associated techniques Covers issues relating to pulpal protection and endodontic materials Describes the use of laboratory and related dental materials to enable better communication with the laboratory team Updated to include dedicated sections on digital dentistry and digital workflows in particular in relation to crown and bridge Revised structure adopted to demystify contemporary ceramics Fully updated content Covers modern restorative materials, the extensive uses of 3D printing and CAD-CAM in dentistry Covers modern direct and indirect adhesive systems Provides the evidence base in relation to the decline in use of dental amalgam An enhanced eBook version is included with your purchase. The eBook allows you to access all the text, figures, and references, with the ability to search, customise your content, make notes and highlights, and have content read aloud.

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From Sunday Times bestseller Anne O’Brien . . . To those around her she was a loyal subject. In her heart she was a traitor. 1399: England’s crown is under threat. King Richard II holds onto his power by an ever-weakening thread, with exiled Henry of Lancaster back to reclaim his place on the throne. For Elizabeth Mortimer, there is only one rightful King – her eight-year-old nephew, Edmund. Only he can guarantee her fortunes, and protect her family’s rule over the precious Northern lands bordering Scotland. But many, including Elizabeth’s husband, do not want another child-King. Elizabeth must hide her true ambitions in Court, and go against her husband’s wishes to help build a rebel army. To question her loyalty to the King places Elizabeth in the shadow of the axe. To concede would curdle her Plantagenet blood. This is one woman’s quest to turn history on its head. ‘O’Brien is now approaching Philippa Gregory status’ Reader’s Digest ‘O’Brien is a terrific storyteller’ Daily Telegraph ‘O’Brien cleverly intertwines the personal and political’ The Times Praise for Queen of the North: ‘Once more Anne O’Brien takes her readers on an emotional rollercoaster ride…Elizabeth Mortimer’s story joins the growing list of female lives Anne has gloriously rescued from history’s recycling skip’ Joanna Hickson ‘Enthralling … with masterful skill Anne O'Brien takes the reader on an action packed journey back to the tumultuous and uncertain days of the fifteenth century. A medieval masterpiece’ Nicola Tallis ‘With Anne O’Brien’s trademark attention to period detail, it’s a fascinating read’ Woman’s Weekly ‘Imaginative, rich in detail and immaculately researched’ Lancashire Post

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