Search results for ""Author Sixth"

The crusades influenced western European society in the middle ages far beyond the military campaigns themselves. Reactions and involvement did not always follow the assumptions of ideology or supporters, medieval or modern. In this wide ranging collection of articles spanning thirty years, Christopher Tyerman explores the relationships between action and perception, ambition and practice, propaganda and support. One section concentrates on the role the crusade played in the politics and elite culture of the early fourteenth century, particularly in France. A further series of essays examines the nature of crusading as a phenomenon from the twelfth to the sixteenth centuries, notably the contrasts between official, literary and popular reception, and how it was variously understood by contemporaries and promoted by apologists in England, continental Europe and the Baltic. Finally, the structure of crusading armies is explored in a sequence that analyses the organisation of expeditions, including communal decision-making on the First Crusade, the sociology of recruitment and, in a previously unpublished major study, the importance of pay to crusaders from 1096 onwards.The crusades influenced western European society in the middle ages far beyond the military campaigns themselves. Reactions and involvement did not always follow the assumptions of ideology or supporters, medieval or modern. In this wide ranging collection of articles spanning thirty years, Christopher Tyerman explores the relationships between action and perception, ambition and practice, propaganda and support. One section concentrates on the role the crusade played in the politics and elite culture of the early fourteenth century, particularly in France. A further series of essays examines the nature of crusading as a phenomenon from the twelfth to the sixteenth centuries, notably the contrasts between official, literary and popular reception, and how it was variously understood by contemporaries and promoted by apologists in England, continental Europe and the Baltic. Finally, the structure of crusading armies is explored in a sequence that analyses the organisation of expeditions, including communal decision-making on the First Crusade, the sociology of recruitment and, in a previously unpublished major study, the importance of pay to crusaders from 1096 onwards.

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The eight essays in The Recovery of Old English consider major aspects of the progress of Anglo-Saxon studies from their Tudor beginnings until their coming of age in the second half of the seventeenth century.

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Adding her stimulating and finely framed ethnography to recent work in the anthropology of the senses, Kathryn Geurts investigates the cultural meaning system and resulting sensorium of Anlo-Ewe-speaking people in southeastern Ghana. Geurts discovered that the five-senses model has little relevance in Anlo culture, where balance is a sense, and balancing (in a physical and psychological sense as well as in literal and metaphorical ways) is an essential component of what it means to be human. Much of perception falls into an Anlo category of seselelame (literally feel-feel-at-flesh-inside), in which what might be considered sensory input, including the Western sixth-sense notion of 'intuition', comes from bodily feeling and the interior milieu. The kind of mind-body dichotomy that pervades Western European-Anglo American cultural traditions and philosophical thought is absent. Geurts relates how Anlo society privileges and elaborates what we would call kinesthesia, which most Americans would not even identify as a sense. After this nuanced exploration of an Anlo-Ewe theory of inner states and their way of delineating external experience, readers will never again take for granted the 'naturalness' of sight, touch, taste, hearing, and smell.

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This immensely practical sixth book in the Crystal Prescriptions series covers crystals for karmic clearing, soul integration and healing the family tree. In addition to our own karma, we are hampered by ancestral memories, attitudes and beliefs that are not necessarily 'ours' but we have inherited them and, all too unconsciously, replay them time and again. They are carried in our 'junk DNA', and we have to work with them until cleared. Many people in incarnation now came in with the intention of being lineage breakers: healers for the collective and the ancestral line in addition to their personal karmic past. Fortunately some extraordinary new crystals have appeared which help us to do exactly that quickly, easily and without having to relive the trauma and dramas of karmic history. With the assistance of these crystals, and some old favourites, it is possible to heal far back into the genealogical line and our own karmic past. The healing is then projected forward into the future so that the generations to come can have the benefit of garnered soul and ancestral wisdom but without the baggage. An A-Z directory of appropriate crystals assists you to identify exactly the right crystal for your needs.

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A poignant memoir of a rough-and-tumble boyhood on the streets of Toronto’s Cabbagetown.When the Burke family left Ireland, in 1959, they thought they were leaving the trials and tribulations of the Dublin slums behind. Instead, Molly, Bill, and their nine children found the same poverty and hardship awaiting them in the east end of Toronto.For their sixth-born son, Terry, growing up in Cabbagetown was a daily struggle to survive. Whether it was the bullies on the street or the gangs in Regent Park, fights were an everyday occurrence. School should have been a refuge, but some of the priests and nuns were more terrifying than any street bully. The only escape for Terry was to find his way down into the Don Valley, where he could search the river for muskrat or imagine himself escaping on one of the freight trains, chucking north, up the valley floor.But a childhood in Cabbagetown didn’t seem to last very long. Forced into adulthood and driven from home in the wake of tragedy, Terry struggled to survive on his own and find a way back to his family.In this touching memoir, Terry Burke tells a poignant story of hunger, pain, love, and loss, and the enduring bonds of family.

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Histories of American rock music and the 1960s counterculture typically focus on the same few places: Woodstock, Monterey, Altamont. Yet there was also a very active college circuit that brought edgy acts like the Jefferson Airplane and the Velvet Underground to different metropolitan regions and smaller towns all over the country. These campus concerts were often programmed, promoted, and reviewed by students themselves, and their diverse tastes challenged narrow definitions of rock music. Rockin’ in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s. Analyzing campus archives and college newspapers, historian James Carter traces connections between rock fandom and the civil rights protests, free speech activism, radical ideas, lifestyle transformations, and anti-war movements that revolutionized universities in the 1960s. Furthermore, he finds that these progressive students refused to segregate genres like folk, R&B, hard rock, and pop. Rockin’ in the Ivory Tower gives readers a front-row seat to a dynamic time for the music industry, countercultural politics, and youth culture.

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Contents Acknowledgements Introduction Language of the Texts Tapsir The Texts Glossary Photographs of the Texts Bibliography and Abbreviations

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The Venetian courtesan has long captured the imagination as a female symbol of sexual license, elegance, beauty, and unruliness. What then to make of the "cortigiana onesta" - the honest courtesan who recast virtue as intellectual integrity and offered wit and refinement in return for patronage and a place in public life? Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a passionate support of defenseless women, strong convictions about inequality, and, in the eroticized language of her epistolary verses, the seductive political nature of all poetic contests. It is Veronica Franco's insight into the power conflicts between men and women - and her awareness of the threat she posed to her male contemporaries - that makes her literary works and her dealings with Venetian intellectuals so pertinent today. Combining the resources of biography, history, literary theory, and cultural criticism, this interdisciplinary work presents an eloquent and often moving account of one woman's life as an act of self-creation and as a complex response to social forces and cultural conditions.

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.

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This readable textbook offers a clear and accessible guide to the diagnosis and treatment of patients suffering from medical conditions that affect the way they walk. The book describes both normal and pathological gait and covers the range of simple and complex methods available to perform gait analysis. It will help the reader differentiate the gait cycle phases and pathological gait patterns, identify related factors, and direct therapy precisely. Now in its sixth edition, Whittle's Gait Analysis has been fully updated by a small team of expert contributors to include the latest thinking on methods of gait analysis and its role in the clinic, making it an ideal text for undergraduate students through to practising allied health professionals. Highly accessible, readable, and logically sequenced - suitable for undergraduates Covers gait and clinical considerations around functional difficulties in people with neurological and musculoskeletal disorders Summary/study aid boxes to support learning Online resources containing supplementary content for Chapter 1, video clips, 3D animations, gait data supported by MCQs, and 30 cases studies Chapter on running gait, including the biomechanics of running, common running-related injuries, and clinical considerations Expanded chapter on neurological conditions

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A BBC Radio 4 full-cast drama starring Derek Martin, the precursor to the popular TV series and novels. Jack Frost is disheveled, disorganised and disrespectful. His superiors don't like him. He has a habit of doing things his way – and getting results. But when Denton CID is faced with a spate of major crimes, Frost finds himself under pressure. A young woman becomes the sixth victim of a multiple rapist, a teenage girl goes missing, there's a robbery at the Purple Parrot nightclub, and an old man is injured in a hit-and-run. With all this on his plate, Frost has little time and less patience for paperwork – but if he doesn't submit the overtime reports, there will be hell to pay. Has Frost bitten off more than he can chew? A Touch of Frost gave rise to a hugely successful TV series that ran between 1992 and 2010. This gritty drama, first broadcast on Radio 4 in 1982, features Derek Martin as Jack Frost, with a supporting cast including Haydn Wood, Stephen Thorne and Alan Dudley. Classic Radio Crime: presenting vintage detectives for your investigation! Duration: 1 hour 25 mins approx.

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Poems of love and battle by Arabia’s legendary warrior From the sixth-century highlands of Najd in the Arabian peninsula, on the eve of the advent of Islam, come the strident cries of a legendary warrior and poet. The black outcast son of an Arab father and an Ethiopian slave mother, 'Antarah ibn Shaddad struggled to win the recognition of his father and tribe. He defied social norms and, despite his outcast status, loyally defended his people. 'Antarah captured his tumultuous life in uncompromising poetry that combines flashes of tenderness with blood-curdling violence. His war songs are testaments to his life-long battle to win the recognition of his people and the hand of 'Ablah, the free-born woman he loved but who was denied him by her family. War Songs presents the poetry attributed to 'Antarah and includes a selection of poems taken from the later Epic of 'Antar, a popular story-cycle that continues to captivate and charm Arab audiences to this day with tales of its hero’s titanic feats of strength and endurance. 'Antarah’s voice resonates here, for the first time in vibrant, contemporary English, intoning its eternal truths: commitment to one’s beliefs, loyalty to kith and kin, and fidelity in love. An English-only edition.

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Bir Umm Fawakhir is a fifth-sixth century AD Coptic/Byzantine gold-mining town located in the central Eastern Desert of Egypt. The Bir Umm Fawakhir Project of the Oriental Institute of the University of Chicago carried out four seasons of archaeological survey at the site, in 1992, 1993, 1996, and 1997; one season of excavation in 1999; and one study season in 2001. This volume is the final report on the 1996 and 1997 seasons. The goals of the 1996 and 1997 field seasons were to complete the detailed map of the main settlement, to continue the investigation of the outlying clusters of ruins or "Outliers" and to address some specific questions such as the ancient gold-extraction process. The completion of these goals makes the main settlement at Bir Umm Fawakhir one of the only completely mapped towns of the period in Egypt. Not only is the main settlement plotted room for room and door for door but also features such as guardposts, cemeteries, paths, roads, wells, outlying clusters of ruins and mines are known and some of these are features not always readily detectable archaeologically. This volume presents the pre-Coptic material; a detailed discussion of the remains in the main settlement, outliers and cemeteries; the Coptic/Byzantine pottery, small finds and dipinti; as well as a study of ancient mining techniques.

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In The Sicilian Method, Andrea Camilleri's twenty-sixth novel in the Inspector Montalbano mystery series, a troubling murder invesitgation may see Montalbano find his answers on a theatre's stage . . .'[E]ven the contents of his fridge are described with the wit and gusto that make this narrator the best company in crime fiction today' – GuardianMimi Augello is visiting his lover when the woman's husband unexpectedly returns to the apartment. Hurriedly he climbs out the window and into the downstairs apartment, but finds himself swinging from one danger to another. In the dark he sees a body lying on the bed.Shortly afterwards another body is found and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the methods he has developed for his actors: digging into their complexes to unleash their talent, a traumatic experience for all. Are the two deaths connected? Catalanotti scrupulously kept notes and comments on all the actors he worked with – as well as strange notebooks full of figures, dates and names . . .Inspector Montalbano finds all of Catalanotti's dossiers and plays, the notes on the characters and the notes on his final drama, Dangerous Turn. Indeed, it is in the theatre where he feels the solution lies.

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First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

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In histories of ancient Jews and Judaism, the Roman Empire looms large. For all the attention to the Jewish Revolt and other conflicts, however, there has been less concern for situating Jews within Roman imperial contexts; just as Jews are frequently dismissed as atypical by scholars of Roman history, so Rome remains invisible in many studies of rabbinic and other Jewish sources written under Roman rule. Jews, Christians, and the Roman Empire brings Jewish perspectives to bear on long-standing debates concerning Romanization, Christianization, and late antiquity. Focusing on the third to sixth centuries, it draws together specialists in Jewish and Christian history, law, literature, poetry, and art. Perspectives from rabbinic and patristic sources are juxtaposed with evidence from piyyutim, documentary papyri, and synagogue and church mosaics. Through these case studies, contributors highlight paradoxes, subtleties, and ironies of Romanness and imperial power. Contributors: William Adler, Beth A. Berkowitz, Ra'anan Boustan, Hannah M. Cotton, Natalie B. Dohrmann, Paula Fredriksen, Oded Irshai, Hayim Lapin, Joshua Levinson, Ophir Münz-Manor, Annette Yoshiko Reed, Hagith Sivan, Michael D. Swartz, Rina Talgam.

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The sixth edition of The Knossos Tablets brings for now to completion nearly 120 years of the study of the texts of the Linear B inscriptions from the preeminent Cretan palatial site of the late Minoan Bronze Age. Based on his career-long mastery of the many scholarly tools needed to interpret the contents and historical meaning of Mycenaean Greek clay tablet inscriptions, José L. Melena, with assistance on find-spots from Richard Firth and a check of the accuracy of each and every text by an editorial team of the Program in Aegean Scripts and Prehistory, offers here definitive readings of these archaeologically, linguistically and historically important records. The book presents accurate information on tablet joins, find-spots, assignments of texts to scribes, sets of texts identified by subject matter and administrative purpose, and conjectural readings of partially preserved texts. The systems of reference to tablets by inventory numbers and to coherent sets of tablets by alphabetic prefixes have been streamlined. Helpful appendices make clear the classification of series and sets, tablet find locations, and the history of reconstruction of tablets through fragment joins. The volume closes with an up-to-date overall ground plan and close-up sector plans of the Palace of Minos at Knossos keyed to tablet find-spots.

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After the techno-futurism of the 1950s and the utopian 1960s vision of a “great society,” the 1970s saw Americans turning to the past as a source for both nostalgic escapism and serious reflection on the nation’s history. While some popular works like Grease presented the relatively recent past as a more innocent time, far away from the nation’s post-Vietnam, post-Watergate malaise, others like Roots used America’s bicentennial as an occasion for deep soul-searching. Happy Days investigates how 1970s popular culture was obsessed with America’s past but often offered radically different interpretations of the same historical events and icons. Even the figure of the greaser, once an icon of juvenile delinquency, was made family-friendly by Henry Winkler’s Fonzie at the same time that he was being appropriated in more threatening ways by punk and gay subcultures. The cultural historian Benjamin Alpers discovers similar levels of ambivalence toward the past in 1970s neo-noir films, representations of America’s founding, and neo-slave narratives by Alex Haley and Octavia Butler. By exploring how Americans used the 1970s to construct divergent representations of their shared history, he identifies it as a pivotal moment in the nation’s ideological fracturing.

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In the sixteenth century hundreds of thousands of indios—indigenous peoples from the territories of the Spanish empire—were enslaved and relocated throughout the Iberian world. Although various laws and decrees outlawed indio enslavement, several loopholes allowed the practice to continue. In Global Indios Nancy E. van Deusen documents the more than one hundred lawsuits between 1530 and 1585 that indio slaves living in Castile brought to the Spanish courts to secure their freedom. Because plaintiffs had to prove their indio-ness in a Spanish imperial context, these lawsuits reveal the difficulties of determining who was an indio and who was not—especially since it was an all-encompassing construct connoting subservience and political personhood and at times could refer to people from Mexico, Peru, or South or East Asia. Van Deusen demonstrates that the categories of free and slave were often not easily defined, and she forces a rethinking of the meaning of indio in ways that emphasize the need to situate colonial Spanish American indigenous subjects in a global context.

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A valuable sourcebook for costume designers, dressmakers and those involved in historical reenactments, this book contains all the information you need to create authentic clothes from the Tudor period. Computer-generated, historically accurate patterns enable you to make a wide range of garments, such as doublets, hose, bodices, skirts, hats and headdresses – even underwear. There are also plenty of ideas for decoration and embellishment such as ruffs, cuffs, collars, embroidery and other surface decoration. The full range of Tudor society is represented, including lower- and middle-class clothing as well as the more sumptuous costumes from the courts of Henry VIII and Elizabeth I. There is also information on how to store and look after your finished clothing. In addition to the patterns, there are detailed drawings of each costume and information about historical context, including original paintings and source material.

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Healing, Disease and Placebo in Graeco-Roman Asclepius Temples narrates a story of religious healing that took place at sanctuaries dedicated to the ancient Greek god Asclepius, the so called asclepieia. The Asclepius cult, which attracted supplicants afflicted by various illnesses, appeared in Greece in the sixth century BCE, thrived in the Hellenistic period and spread throughout the Graeco-Roman world only declining during the final dominance of Christianity in the fifth century CE. This study analyses inscriptions from the asclepieia which were supposed to record personal stories of healing. Using the archaeological and historical evidence it looks at the placebo effect and the role it may have played in healing at the Asclepius sanctuaries in light of contemporary theories and neurocognitive research on placebo effects. It explores the specific biological, cognitive, and psychological processes as well as the external cultural and social influences that would have shaped personal healing experiences. It is the first historical study of the Asclepius cult which integrates theoretical insights into the human mind provided by neurocognitive sciences. It can be considered a cognitive historiography of patients who visited the asclepieia as supplicants which aims to deepen our understanding of past minds and, more generally, of human cognition.

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The sixth iteration of the Los Angeles biennial, highlighting themes of the vernacular, the urban, the performative and the collective Taking its cues from the ethos of the city and situating art as an expanded field of culture that is entangled with the everyday, community networks, queer affect and indigenous and diasporic histories, Made in L.A. 2023 proposes a network of artistic affinities through intergenerational constellations. These artists suggest art can be an act of preservation and memorialization as well as a space for playfulness, satire and sheer wildness. Artists include: Marcel Alcalá, Michael Alvarez, AMBOS, Jackie Amézquita, Teresa Baker, Luis Bermudez, Sula Bermúdez-Silverman, Jibz Cameron, Melissa Cody, Emmanuel Louisnord Desir, Victor Estrada, Nancy Evans, Jessie Homer French, Pippa Garner, Ishi Glinsky, Vincent Enrique Hernandez, Dan Herschlein, Akinsanya Kambon, Kyle Kilty, Young Joon Kwak, Kang Seung Lee, Tidawhitney Lek, Los Angeles Contemporary Archive, Maria Maea, Erica Mahinay, Mas Exitos, Dominique Moody, Paige Jiyoung Moon, Esteban Ramón Pérez, Page Person, Roksana Pirouzmand, Ryan Preciado, Devin Reynolds, Miller Robinson, Guadalupe Rosales, Christopher Suarez, Joey Terrill, Chiffon Thomas, Teresa Tolliver.

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'Funny, engaging and beautifully written' M. L. StedmanSometimes getting it wrong is the only way to get it right . . . Frances Pilgrim's father went missing when she was five, and ever since all sorts of things have been going astray: car keys, promotions, a series of underwhelming and unsuitable boyfriends . . . Now here she is, thirty-bloody-nine, teaching Shakespeare to rowdy sixth formers and still losing things. But she has a much more pressing problem. Her mother, whose odd behaviour Frances has long put down to eccentricity, is slowly yielding to Alzheimer's, leaving Frances with some disturbing questions about her father's disappearance, and the family history she's always believed in. Frances could really do with someone to talk to. Ideally Jackson: fellow teacher, dedicated hedonist, erstwhile best friend. Only they haven't spoken since that night last summer when things got complicated . . . As the new school year begins, and her mother's behaviour becomes more and more erratic, Frances realises that she might just have a chance to find something for once. But will it be what she's looking for?

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Looking across the cultural landscape of the twenty-first century, its literature, film, television, comic books, and other media, we can see multiple examples of what Shelley S. Rees calls a “changeling western,” what others have called “weird westerns,” and what Michael K. Johnson refers to as “speculative westerns”—that is, hybrid western forms created by merging the western with one or more speculative genres or subgenres, including science fiction, fantasy, horror, and alternate history.Speculative Wests investigates both speculative westerns and other speculative texts that feature western settings. Just as “western” refers both to a genre and a region, Johnson’s narrative involves a study of both genre and place, a study of the “speculative Wests” that have begun to emerge in contemporary texts such as the zombie-threatened California of Justina Ireland’s Deathless Divide (2020), the reimagined future Navajo nation of Rebecca Roanhorse’s Sixth World series (2018–19), and the complex temporal and geographic borderlands of Alfredo Véa’s time travel novel The Mexican Flyboy (2016). Focusing on literature, film, and television from 2016 to 2020, Speculative Wests creates new visions of the American West.

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Using archive photos from the nineteenth and twentieth centuries, matched with the same viewpoint today, Cincinnati Then and Now traces the city's rich history. Beginning at Fountain Square, the heart of the city, the book rolls out to the riverfront, then back downtown and outwards, eventually to the locations outside of the city center. Essential Cincinnati highlights include: Roebling Suspension Bridge, Fountain Square, Union Terminal, Music Hall, and Carew Tower, Mount Adams Incline, the canal, and Old Main Library. The book shows many stark changes; historic ballpark Crosley Field is long gone, while Over-the-Rhine is a neighborhood that was pretty tough and dirty and has been upscaled to a trendy neighborhood, particularly Vine Street. For Star Wars action figure aficionados there is no greater place of interest than the former Kenner Toys factory in the Kroger Building. Sites include: Albee Theater, Shubert Theater, Arnolds Bar, City Hall, Post Office, Nasty Corner, Taft Museum, Enquirer Building, Sixth Street Market, Union Terminal, Lincoln Park, Rookwood Pottery, Eden Park Reservoir, Gwynne Building, Contemporary Arts Center, Baldwin Piano Company, Convention Center and the Plum Street Temple.

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Mick Shoebottom was the type of play every Rugby League side wants in its ranks. Tough, durable, fast, skilful and with an incredible will to win, he was the ultimate players' player in the toughest of team sports. Hunslet-born, he was an integral part of the great Leeds side which swept all before them in the late 1960s and early '70s, becoming the first and only player in the code's history to represent his country in Test matches in four different starting positions, such was his value and versatility.A key member of the last Great Britain side to win the Ashes in Australia in 1970, he went on two tours and won every domestic medal available until tragedy struck and he was grievously injured scoring perhaps the most infamous try witnessed at his beloved Headingley. This is the story of his remarkable career, illustrated with around 100 images and mementoes taken from his scrapbooks and featuring reminiscences from a number of his former teammates.The sixth book written about the Leeds club by Phil Caplan and with a foreword by Alan Smith and John Atkinson, it commemorates what would have been the sixtieth birthday of one of Rugby League's true greats.

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With sexually transmitted infections (STIs) a major cause of morbidity and mortality throughout the world, the new edition of ABC of Sexually Transmitted Infections is a much-needed introduction and reference guide providing concise and practical information on a range of conditions. This sixth edition includes the latest guidance on the prevalence, prevention and treatment of STIs, screening programmes and new testing methods. It features new chapters on service modernisation and new care providers, high risk and special needs groups, the use of the internet for information and education, systemic manifestations and sexually transmitted infections in resource-poor settings. Contraception is also covered, reflecting the increasing integration of STI and contraceptive services. With an international authorship, the ABC of Sexually Transmitted Infections is an authoritative guide and reference for all practitioners, especially those providing community based STI diagnosis and management such as GPs, primary care physicians and contraceptive service providers. Junior doctors, medical students, and nurses working in community or specialist services will also find it a valuable resource as will those working in the fields of obstetrics and gynaecology and public health. This new edition also provides information useful for new STI care providers such as pharmacists, those in the voluntary sector and providers of STI services in resource-poor settings.

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Distributed by the University of Nebraska Press for Whale and Star Press In the mid-1990s philosopher and cultural critic Richard Whittaker founded the art journal Works and Conversations to fill a gap in the contemporary discourse. Conversations with important artists have played a central role in the magazine, where Whittaker’s understated but perceptive questions have allowed artists to comment on their work, their philosophies, their influences, the difficulty of creating art, and the failures that are part of the creative process. The result of Whittaker’s attentive dialogue has been a series of fascinating and highly personal interviews that frequently contradict what others have said elsewhere about these artists. The Conversations brings together what Whittaker considers the sixteen most relevant interviews, providing remarkable insight into the individual artist’s work, mistakes, and philosophies as well as the social and cultural values in which these artists work. The artists interviewed are Richard Berger, Jim Campbell, Squeak Carnwath, James Doolin, Viola Frey, James Hubbell, Enrique Martínez Celaya, Michael C. McMillen, Nathan Oliveira, David Parker, Judy Pfaff, Irene Pijoan, Jane Rosen, Katherine Sherwood, James Turrell, and Ursula von Rydingsvard.

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In the late 16th century, the French royal court was mobile. To distinguish itself from the rest of society, it depended more on its cultural practices and attitudes than on the royal and aristocratic palaces it inhabited. Using courtly song - or the "air de cour" - as a window, Jeanice Brooks offers an unprecedented look into the culture of this itinerant institution. Brooks concentrates on a period in which the court's importance in projecting the symbolic centrality of monarchy was growing rapidly and considers the role of the "air" in defining patronage hierarchies at court and in enchancing courtly visions of masculine and feminine virtue. Her study illuminates the court's relationship to the world beyond its own confines, represented first by Italy, then by the countryside. In addition to the 40 editions of "airs de cour" printed between 1559 and 1589, Brooks draws on memoirs, literary works, and iconographic evidence to present a rounded vision of French Renaissance culture. The first book-length examination of the history of "air de cour", this work also sheds new light on a formative moment in French history.

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At the beginning of the decade renowned historian Sheila Rowbotham was a rebellious sixteen-year-old at a Methodist boarding school in the north-east of England, reading Sartre and dreaming of Paris. By the end of the sixties she was a seasoned political activist, planning Britain's first-ever women's liberation conference, and beginning to find her voice as a writer.Her story of the intervening years moves from coffee bars in Leeds to the Sorbonne and Oxford University, where she arrives wearing frayed Levis and clutching a volume of Rimbaud. A participant in the Campaign for Nuclear Disarmament, she was also a member of the editorial board of the notorious revolutionary newspaper Black Dwarf.While faithful to the exhilaration and enthusiasm of the sixties, Rowbotham is also wryly amusing about her younger self. When Jean-Luc Godard wanted to film her in the nude, she dithered between principle and vanity. Wearing the shortest of mini skirts she argued passionately for women's liberation.Promise of a Dream is a moving, witty and poignant recollection of a time when young women were breaking all the rules about sex, politics and their place in the world. Sheila Rowbotham was, and remains, one of their most effective and endearing voices.

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What is it that typifies the decade of the 1960s? Looking back, those of us who are old enough to have experienced those years will have their own special memories as to how that era changed our lives. The ‘Sixties was a revolution of sorts; on the one hand we were living under the shadow of the Cold War, and the ‘Hot’ War in South-East Asia, while at the same time there were new-found freedoms, particularly for the music of the younger generation. Then, the weekly singles chart covering the sales of 45rpm records, played an important part in the chase to be No. 1. Before 1969 there was no official singles chart but several publications — the New Musical Express which had the largest circulation — Record Retailer, Melody Maker and Record Mirror all produced charts, and the BBC aggregated the results to announce its own Pick of The Pops chart. The most successful group of the decade was without question the Beatles who reached No. 1 spot with 17 singles, She Loves You becoming the best-selling record of the 1960s. In this book we will explore the salient features of each year from 1960 to 1969, illustrated in our usual theme of ‘then and now’ photographs.

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HARRY DRESDEN IS BACK AND READY FOR ACTION, in the new entry in the #1 New York Times bestselling Dresden Files.When the Supernatural nations of the world meet up to negotiate an end to ongoing hostilities, Harry Dresden, Chicago's only professional wizard, joins the White Council's security team to make sure the talks stay civil. But can he succeed, when dark political manipulations threaten the very existence of Chicago - and all he holds dear?

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BIRTH OF A PSYCHEDELIC CULTURE shines a bright light on the exploratory culture of the time and experiments undertaken by Professors Timothy Leary, Richard Alpert (Ram Dass) and, then-graduate student, Ralph Metzner. Based on a series of recent (2003 to 2005) conversations between the survivors of that distinguished trio, Metzner and Alpert, facilitated by psychiatrist/writer Gary Bravo, the book describes their initial experiments with mind-altering substances while at Harvard. It goes on to cover experiments they conducted after being dismissed from Harvard, their trips to India and their reflections looking back through time at all of the above. It is filled with intriguing photographs marking and illuminating the events brought to life through the text. Experiment advisors, supporters and participants who appear in the pages of this astonishing account include Aldous Huxley, Allen Ginsberg, Peter Orlovsky, Jack Kerouac, Neal Cassady, Arthur Koestler, William Burroughs and many other well-known personalities from that time period. No understanding of the history of the sixties would be complete without some grasp of the work of Leary, Alpert and Metzner, the backlash to their experiments and the way in which drug use became absorbed into society thereafter. Nor can any diligent attempt to study the spectrum of the human mind exclude what we have learned from them about the impact of psychedelic drugs.

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The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesises existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the volumes. Sixteenth-Century British Poetry features a history of the birth moment of modern 'English' poetry in greater detail than previous studies. It examines the literary transitions, institutional contexts, artistic practices, and literary genres within which poets compose their works. Each chapter combines an orientation to its topic and a contribution to the field. Specifically, the volume introduces a narrative about the advent of modern English poetry from Skelton to Spenser, attending to the events that underwrite the poets' achievements: Humanism; Reformation; monarchism and republicanism; colonization; print and manuscript; theatre; science; and companionate marriage. Featured are metre and form, figuration and allusiveness, and literary career, as well as a wide range of poets, from Wyatt, Surrey, and Isabella Whitney to Ralegh, Drayton, and Mary Herbert. Major works discussed include Sidney's Astrophil and Stella, Spenser's Faerie Queene, Marlowe's Hero and Leander, and Shakespeare's Sonnets.

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Honorable Mention, 2021 LASA Mexico Humanities Book Prize, Latin American Studies Association, Mexico SectionIn the sixteenth century, the Franciscan friar Bernardino de Sahagún and a team of indigenous grammarians, scribes, and painters completed decades of work on an extraordinary encyclopedic project titled General History of the Things of New Spain, known as the Florentine Codex (1575–1577). Now housed in the Biblioteca Medicea Laurenziana in Florence and bound in three lavishly illustrated volumes, the codex is a remarkable product of cultural exchange in the early Americas.In this edited volume, experts from multiple disciplines analyze the manuscript’s bilingual texts and more than 2,000 painted images and offer fascinating, new insights on its twelve books. The contributors examine the “three texts” of the codex—the original Nahuatl, its translation into Spanish, and its painted images. Together, these constitute complementary, as well as conflicting, voices of an extended dialogue that occurred in and around Mexico City. The volume chapters address a range of subjects, from Nahua sacred beliefs, moral discourse, and natural history to the Florentine artists’ models and the manuscript’s reception in Europe. The Florentine Codex ultimately yields new perspectives on the Nahua world several decades after the fall of the Aztec empire.

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Unlike their rock 'n' roll predecessors, many rock musicians of the mid-sixties came to consider themselves as artists--self-consciously presenting themselves as creators of a new sonic medium.Sixties Rock offers a provocative look at these artists and their innovations in two pivotal rock genres: garage rock and psychedelic music. Delving into everything from harmony to hardware, Michael Hicks shows what makes this music tick and what made it unique in its time. Looking at bands like the Doors, the Rolling Stones, the Yardbirds, and Love, Hicks puts legends and flashes in the pan alike through a rigorous analysis that places their music within rock history while exploring its place in the oft-swirling contexts of the time.

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JAMES BOND AND THE SIXTIES SPY CRAZE

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This is the proceedings of the conference 'Higher dimensional algebraic geometry — in honour of Professor Yujiro Kawamata's sixtieth birthday'. This volume consists of 20 inspiring research papers on birational algebraic geometry, minimal model program, derived algebraic geometry, classification of algebraic varieties, transcendental methods and so on, by very active top level of mathematicians all over the worlds. We believe that this volume will be useful for researchers in these area as well as those who are studying algebraic geometry.Published by Mathematical Society of Japan and distributed by World Scientific Publishing Co. for all markets except North America

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Methods in Dialectology is a venerable institution, having started in 1972 in London, Western Ontario, Canada. This book is a collection of papers presented at Methods XVI in Tachikawa, Japan, in 2017. It was the first time Methods took place in Asia. In this volume, the emphasis is on diverse methods and diverse research questions. Many of the papers focus on language innovation, language change, corpus studies and linguistic atlas from different perspectives. At the same time, methodological innovation is very much in focus. Its emphasis meant that several papers showcased cutting-edge quantitative techniques that allow dialectologists to address questions that had been thought impossible to answer only a few years ago.

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