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Despite being America’s most produced bomber, the Consolidated B-24 Liberator has forever flown in the shadow of its more famous and glamorous B-17 rival. The workmanlike B-24 performed multiple unheralded roles in all theatres beyond its also multiple offensive missions, making it the war’s most versatile heavy bomber. Besides its offensive bombing, anti-submarine, and mining missions, the Liberator performed many little known “inoffensive” duties. Undoubtedly the most colourful of all Liberators were the so-called assembly ships of the Groups of the 2nd Air Division. Their unique paint schemes of stripes, polka dots, and checkerboard, were designed to make them ultra-conspicuous for their task of acting as leaders on which a Group formation could assemble their combat formations more quickly for a combat mission The Consolidated F-7 was a photographic reconnaissance version of the B-24 Liberator. The F-7 saw service in most theatres of the war. The long range of the Liberator also made it well suited to mapping missions during the war and post-war. Beginning in early 1944, to aid the Allied liberation of Europe, Carpetbagger B-24s were utilized to parachute spies, called “Joes” or “Janes”, or provide aerial supply of weapons and other matériel to resistance fighters in occupied Europe. Liberators also participated in the dropping of 2.75 billion propaganda leaflets using various techniques and delivery devices. Electronic Warfare played an important part in Allied global pre-invasion plans to discover the location of enemy radars, and, if possible, destroy them. This interception and analysis of an enemy electronic radiation was the origin of present day ELINT (ELectonicINTelligence). Modified RAF B-24D Airborne Electronic Reconnaissance Liberators, codenamed Ferret, were Radio Counter Measures and Electronic Intelligence aircraft that played a major role in European air opera¬tions. During 1942 the AAF became interested in aerial refueling as a means to bombing Japan. A shorter-range B-17E was selected as the receiver aircraft while the more spacious B-24D acted as the tanker. Although these tests were considered to be successful, the availability of longer-ranging B-29s and bases ever closer to Japan diminished the urgency of wartime aerial refueling. During the war, eighty-three B-24s crashed or made forced landings in Switzerland, sixty in Sweden, and several in Russia, Spain, Portugal, and Turkey. Many of these Liberators landed undamaged or were repaired to be flown by these nations. Of particular interest are the six Liberators that were captured and flown by the Luftwaffe. Packed with a unique collection of photographs. Special Operations Consolidated B-24 Liberators reveals the most unusual and little-known facets of the Second World War’s most versatile bomber.

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'City Style' is a guide to the world's most fashionable cities, curated by their most stylish residents. From the runways of New York and Paris to the streets of Tokyo and the club scene of London, our expert guides give you a behind-the-scenes glimpse into the local look and how to get it, complete with required reading (magazines and blogs), street style photos and a comprehensive designer guide with photos. In addition, interviews with designers, stylists and other industry insiders answer the question: What makes each city uniquely stylish? REVIEWS: Get schooled in international fashion. We admit it: one of the best parts about travelling is getting to scope out another city's style culture. But sometimes, it's harder than it looks to adopt the fashion sense of a foreign place without seeming like an overeager tourist. In City Style: A Field Guide to Global Fashion Capitals, looking like a (stylish) local is made easy. The guidebook-slash-fashion magazine includes must-see hotspots for cities like New York, Paris, Stockholm, and Sydney. It has tons of pictures, features on up-and-coming stores, and lists of local blogs and magazines. But the book isn't just about shopping. You can also check out interviews with local tastemakers, read about iconic designers, and even brush up on each city's fashion history (for instance, did you know that Prada dates back to 1913 in Milan?). It's the perfect companion for anyone who is travelling to a cool new place and wants to get an insiders look before they go. And even if you're not planning a trip in the near future, who cares? You can still dress the part. --NYLON magazine BOOK CLUB What could be more fun for fashionistas than a guide to the eight fashion capitals of the world? Each city section provides an insider's look at what's in, with an emphasis on useful information for the visitor. As stated in the guide's foreword, 'Like it or not, fashion is the one art form we encounter every day.... All over the world, our clothing says something about who we are in the local visual language...and those symbols change from city to city'; There are listings of required reading (both magazines and blogs), neighbourhoods, and hot spots; designer directories; and lots of illustrative photos. At the end of the list, preceded by New York, Paris, Milan, London, Tokyo, Stockholm, and Sydney, Los Angeles gets short shrift (owing, in part, to its non-seasonal climate). Verdict: Although this guide may have limited appeal for most travellers, its comprehensive nature makes it a valuable resource for anyone interested in today's world of fashion. -- Janet Ross --Library Journal ILLUSTRATIONS Illustrated throughout

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'A total delight. Witty and fresh - I absolutely loved it!' MILLY JOHNSONIn the modern tech-fuelled world of dating, is it possible to find true love? Hannah lives life on the edge. Never one to pass up on a new adventure, she has truly been living her best life. But once the adrenaline wears off, she wishes she had someone to spend the quieter moments with too. Learning that her best friend’s online dating business has taken a hit, she comes up with an idea that just might solve both of their problems... Jess has been with her husband for twenty years. They have a stable marriage, great kids and run their own businesses. But what looks like a perfect life from the outside has its own problems within, and with her business on the brink Jess can’t help but wonder where the spark has gone in her life, and whether settling down is all it’s cracked up to be. When Hannah embarks upon her latest scheme: finding a man using Jess’s dating app and meeting him for the first time at the altar, both women start to realise the grass isn't always greener. Can Hannah help her friend save her failing business or will Jess stop her from making what could be the biggest mistake of her life? 'A very funny, feel-good read' HOLLY MILLER‘Fun, feelgood, fab!’ KATE EBERLEN'Refreshing, brilliantly-written and highly addictive! HELLY ACTON'A witty, warm, wonderful read!' SOPHIE COUSENS'Fresh, funny, and wonderfully timely – it's feel-good fiction at its finest!' LAURA JANE WILLIAMS'Funny, feel good and full of warmth, love and friendship' LAURA KEMP'A witty, tender story that packs a real emotional punch. I loved it!' NICOLA GILL‘A heart-warming and joyous page-turner. Impossible to put down!’ HOLLY MARTIN'If you’re looking for a story to make you giggle, shed a few tears and cheer, this is the one!' MIRANDA DICKINSON'Enthralling and entertaining!' HEIDI SWAIN'I couldn’t put it down. What a wonderful, warm, wise and witty book!' ALEX BROWN'Fresh, funny and romantic, I totally loved it' SARAH MORGAN'Fresh, funny, and the perfect tonic for these gloomy times' LIA LOUIS'Witty, fun and fresh, Married at First Swipe is the perfect book to lift your spirits and put a smile on your face' PHAEDRA PATRICK'A fabulously fun, heart-warming novel' ANNA BELL'Heartwarming, insightful and very, very funny' KATIE MARSH

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Like many others of my generation, I first read Camus in high school. I carried him in my backpack while traveling across Europe, I carried him into (and out of) relationships, and I carried him into (and out of) difficult periods of my life. More recently, I have carried him into university classes that I have taught, coming out of them with a renewed appreciation of his art. To be sure, my idea of Camus thirty years ago scarcely resembles my idea of him today. While my admiration and attachment to his writings remain as great as they were long ago, the reasons are more complicated and critical.—Robert Zaretsky On October 16, 1957, Albert Camus was dining in a small restaurant on Paris's Left Bank when a waiter approached him with news: the radio had just announced that Camus had won the Nobel Prize for Literature. Camus insisted that a mistake had been made and that others were far more deserving of the honor than he. Yet Camus was already recognized around the world as the voice of a generation—a status he had achieved with dizzying speed. He published his first novel, The Stranger, in 1942 and emerged from the war as the spokesperson for the Resistance and, although he consistently rejected the label, for existentialism. Subsequent works of fiction (including the novels The Plague and The Fall), philosophy (notably, The Myth of Sisyphus and The Rebel), drama, and social criticism secured his literary and intellectual reputation. And then on January 4, 1960, three years after accepting the Nobel Prize, he was killed in a car accident. In a book distinguished by clarity and passion, Robert Zaretsky considers why Albert Camus mattered in his own lifetime and continues to matter today, focusing on key moments that shaped Camus's development as a writer, a public intellectual, and a man. Each chapter is devoted to a specific event: Camus's visit to Kabylia in 1939 to report on the conditions of the local Berber tribes; his decision in 1945 to sign a petition to commute the death sentence of collaborationist writer Robert Brasillach; his famous quarrel with Jean-Paul Sartre in 1952 over the nature of communism; and his silence about the war in Algeria in 1956. Both engaged and engaging, Albert Camus: Elements of a Life is a searching companion to a profoundly moral and lucid writer whose works provide a guide for those perplexed by the absurdity of the human condition and the world's resistance to meaning.

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Friday, January 6, 2017: On that day, as always, John Brennan’s alarm clock was set to go off at 4:15 a.m. But nothing else about that day would be routine. That day marked his first and only security briefing with President-elect Donald Trump. And it was also the day John Brennan said his final farewell to Owen Brennan, his father, the man who had taught him the lessons of goodness, integrity, and honour that had shaped the course of an unparalleled career serving his country from within the intelligence community. In this brutally honest memoir, Brennan, the son of an Irish immigrant who settled in New Jersey, describes the life that took him from being a young CIA recruit enamoured with the mystique of spy work, secretly defiant enough to drive a motorcycle and sport a diamond earring, and invigorated by his travels in the Middle East to being the most powerful individual in American intelligence. He details his experiences with very different presidents and what it’s been like to bear responsibility for some of the nation’s most crucial and polarising national security decisions. He pulls back the curtain on the inner workings of the Agency, describing the selfless, patriotic, and invisible work of the women and men involved in national security. He also examines the insularity, arrogance, and myopia that have, at times, undermined its reputation in the eyes of the American people and of members of other branches of government. Through topics ranging from George W. Bush’s intervention in Iraq to his thoughts on the CIA’s controversial use of enhanced interrogation techniques to his eye-opening account of the planning of the raid that resulted in Bin Ladin’s death to his realisation that Russia had interfered with the 2016 election, Brennan brings the reader behind the scenes of some of the most crucial moments in recent U.S. history. He also candidly discusses the times he has failed to live up to his own high standards and the very public fallouts that have resulted. With its behind-the-scenes look at how major U.S. national security policies and actions unfolded during his long and distinguished career - especially during his eight years in the Obama administration - John Brennan’s memoir is a work of history with strong implications for the future of America and our country’s relationships with other world powers.

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In October 1962, when the Soviet Union deployed nuclear missiles in Cuba, the most dangerous confrontation of the Cold War ensued, bringing the world close to the brink of nuclear war. Over two tense weeks, U.S. president John F. Kennedy and Soviet premier Nikita Khrushchev managed to negotiate a peaceful resolution to what was nearly a global catastrophe.Drawing on the best recent scholarship and previously unexamined documents from the archives of the former Soviet Union, this introductory volume examines the motivations and calculations of the major participants in the conflict, sets the crisis in the context of the broader history of the global Cold War, and traces the effects of the crisis on subsequent international and regional geopolitical relations.Selections from twenty primary sources provide firsthand accounts of the frantic deliberations and realpolitik diplomacy between the U.S., the U.S.S.R., and Fidel Castro's Cuban regime; thirteen illustrations are also included.CONTENTS:Introduction: The Making of a global Crisis The Origins of the Cold War A New Front in the Cold War The Cold War in Latin America The Cuban Revolution and the Soviet Union U.S. and Regional Responses to the Cuban Revolution Operation Zapata: The Bay of Pigs Operation Anadyr: Soviet Missiles in Cuba Crisis Dénouement: The Missiles of November Evaluating the Leadership on All Sides of the Crisis Nuclear Fallout: Consequences of the Missile Crisis The Future of Cuban-Soviet Relations Latin American Responses to the Missile Crisis Conclusion: Lessons of the Cuban Missile Crisis Historiography of the Cuban Missile Crisis Documents Memorandum for McGeorge Bundy from Arthur Schlesinger, Jr., April 10, 1961 State Department White Paper, April 1961 From the Cable on the Conversation between Gromyko and Kennedy, October 18, 1962 Telegram from Soviet Foreign Minister Gromyko to the CC CPSU, October 20, 1962 President John F. Kennedy’s speech to the Nation, October 22, 1962 Resolution Adopted by the Council of the Organization of American States Acting Provisionally as the Organ of Consultation, October 23, 1962 Message from Mexican President Adolfo López Mateos to Cuban President Osvaldo Dorticós, October 23, 1962 Letter from Khrushchev to John F. Kennedy, October 24, 1962 Telegram from Soviet Ambassador to the USA Dobrynin to the USSR MFA, October 24, 1962 Memorandum for President Kennedy from Douglas Dillon, October 26, 1962 Telegram from Fidel Castro to N.S. Khrushchev, October 26, 1962 Letter from Khrushchev to Fidel Castro, October 28, 1962 Cable from USSR Ambassador to Cuba Alekseev to Soviet Ministry of Foreign Affairs, October 28, 1962 Telegram from Soviet Deputy Foreign Minister Kuznetsov and Ambassador to the U.N. Zorin to USSR Foreign Ministry (1), October 30, 1962 Premier Khrushchev’s Letter to Prime Minister Castro, October 30, 1962 Prime Minister Castro’s Letter to Premier Khrushchev, October 31, 1962 Meeting of the Secretary of the Communist Party of Cuba with Mikoyan in the Presidential Palace, November 4, 1962 Brazilian Foreign Ministry Memorandum, “Question of Cuba,” November 20, 1968 Letter from Khrushchev to Fidel Castro, January 31, 1963 “I Know Something About the Caribbean Crisis,” Notes from a Conversation with Fidel Castro, November 5, 1987 Select Bibliography

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What role do objects play in crafting the religions of Southeast Asia and shaping the experiences of believers? The Spirit of Things explores religious materiality in a region marked by shifting boundaries, multiple beliefs, and trends toward religious exclusivism. While most studies of religion in Southeast Asia focus on doctrines or governmental policy, contributors to this volume recognize that religious "things"—statues, talismans, garments, even sacred automobiles—are crucial to worship, and that they have a broad impact on social cohesion. By engaging with religion in its tangible forms, faith communities reiterate their essential narratives, allegiances, and boundaries, and negotiate their coexistence with competing belief systems. These ethnographic and historical studies of Southeast Asia furnish us with intriguing perspectives on wider debates concerning the challenges of secularization, pluralism, and interfaith interactions around the world. In this volume, contributors offer rich ethnographic analyses of religious practices in the Philippines, Thailand, Malaysia, Vietnam, Indonesia, and Burma that examine the roles materiality plays in the religious lives of Southeast Asians. These essays demonstrate that religious materials are embedded in a host of practices that enable the faithful to negotiate the often tumultuous experience of living amid other believers. What we see is that the call for plurality, often initiated by government, increases the importance of religious objects, as they are the means by which the distinctiveness of a particular faith is "fenced" in a field of competing religious discourses. This project is called "the spirit of things" to evoke both the "aura" of religious objects and the power of material things to manifest "that which is fundamental" about faith and belief. Contributors: Julius Bautista, National University of Singapore; Sandra Cate, San Jose State University, California; Margaret Chan, Singapore Management University; Liana Chua, Brunel University, London; Cecilia S. de la Paz, University of the Philippines (Diliman); Alexandra de Mersan, Centre Asie du Sud-Est (Paris) and Institut National des Langues et Civilisations Orientales; Johan Fischer, Roskilde University, Denmark; Janet Hoskins, University of Southern California; Klemens Karlsson, KTH Royal Institute of Technology, Stockholm; Laurel Kendall, American Museum of Natural History and Columbia University, New York City; H. Leedom Lefferts, Drew University and Asian Civilisations Museum, Singapore; Nguyên Thi Thu Huong, Academic Council of the National Museum of History, Hanoi, and Vietnam Museum of Ethnology; Anthony Reid, Australian National University, University of California–Los Angeles, and National University of Singapore; Richard A. Ruth, United States Naval Academy; Kenneth Sillander, University of Helsinki; Vu Thi Thanh Tâm, Vietnam Museum of Ethnology; and Yeoh Seng Guan, Monash University, Malaysia

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When a university student is murdered in Dunedin’s university district, newly transferred young female police officer Sam Shephard is drawn into the investigation … The heart-stoppingly tense next instalment in the page-turning, international bestselling Sam Shephard series ‘Finally, UK readers get to discover New Zealand’s own Queen of Crime. Vanda Symon is a big talent and everything she writes is fast, intelligent and utterly gripping. This one’s a cracker’ Liam McIlvanney ‘Fast-moving New Zealand procedural … the Edinburgh of the south has never been more deadly’ Ian Rankin ‘It is Symon’s copper Sam, self-deprecating and very human, who represents the writer’s real achievement’ Guardian ‘Antipodean-set crime is riding high thanks to the likes of Jane Harper and fans of The Dry will also love Vanda Symon’s The Ringmaster’ Red Magazine –––––––––––––––––––––––––––––– Death is stalking the South Island of New Zealand Marginalised by previous antics, Sam Shephard, is on the bottom rung of detective training in Dunedin, and her boss makes sure she knows it. She gets involved in her first homicide investigation, when a university student is murdered in the Botanic Gardens, and Sam soon discovers this is not an isolated incident. There is a chilling prospect of a predator loose in Dunedin, and a very strong possibility that the deaths are linked to a visiting circus… Determined to find out who’s running the show, and to prove herself, Sam throws herself into an investigation that can have only one ending… Rich with atmosphere, humour and a dark, shocking plot, The Ringmaster marks the return of passionate, headstrong police officer, Sam Shephard, in the next instalment of Vanda Symon’s bestselling series. –––––––––––––––––––––––––––––– ‘An absolute must-have’ Daily Express ‘A sassy heroine, fabulous sense of place, and rip-roaring stories with a twist’ Kate Mosse ‘Vanda Symon is part of a new wave of Kiwi crime writers … her talent for creating well-rounded characters permeates throughout’ Crime Watch ‘Lively evocation of small-town life, with a plot that grabs the reader’s attention with a heart-stopping opening and doesn’t let go’ The Times ‘An absolute beauty of a read, well-written, absorbing, and extremely enjoyable’ LoveReading ‘Fast-moving New Zealand procedural … the Edinburgh of the south has never been more deadly’ Ian Rankin ‘Full of action and plenty of plot twists, but the star of the show is always the small but mighty Sam Shephard. With her dry sense of humor, indomitable spirit, and constant need to prove herself, Sam is the perfect heroine to root for … Atmospheric, emotional, and gripping’ Foreword Reviews ‘Symon follows up the terrific Overkill (2019) with this equally absorbing story … A fine thriller by a writer who deserves a larger audience in the US’ Booklist

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James Stewart was already a Hollywood star when the United States went to war in December 1941\. Having received an Academy Award for Best Actor in 1940 for his role in The Philadelphia Story, he had become a familiar face to movie goers by the time that the Japanese struck at Pearl Harbor. By that time Jimmy' had already received his private pilot's licence and when his name was drawn by the Drafting Commission on 29 October 1940, he applied to join the US Army Air Corps. He continued his pilot training and just twelve days before he received his draft, he had obtained his commercial pilot's licence. It was on 18 January 1942, that the Hollywood star was called into active duty. Jimmy was transferred to the 929th Bombardier Training School, based at Kirtland Field in New Mexico, on 19 August 1942\. There he served as a pilot almost until the end of the year. Though his film company had managed to secure a static personnel' role, Jimmy was determined to fly in combat. So it was that Captain James Maitland Stewart was appointed as the Commander of the 703rd Bombardment Squadron. Finally, on 17 November 1943, he landed in the UK and his operational war began. Flying in a Consolidated B-24 Liberator, Jimmy undertook his first bombing mission on 13 December 1943, the target on this occasion being the German U-boat facilities at Kiel. Just seven days later he was once again sent to attack a target in Germany, this time the port of Bremen. A further eighteen missions followed over the following fifteen months. Stewart took part in raids against targets across Germany, including Berlin, all of which are analysed in detail along with a fabulous collection of photographs of the aircraft Jimmy flew and the men he flew with. His contribution to victory over Germany was not confined to flying B-24 bombers, He also functioned as an Operations Officer for a period and led the Liberators of the 2nd Combat Bomb Wing to an attack on the railway marshalling yards at Halle from the navigator's seat of a de Haviland Mosquito. James Stewart rose to the rank of major from private in just four years, an achievement few can claim. He was awarded the Distinguished Flying Cross for his actions as deputy commander of the 2nd Bombardment Wing, and the Air Medal with three oak leaf clusters. The French bestowed him with the Croix de Guerre with palm. Having risen to the rank of lieutenant colonel, James Stewart returned to the silver screen after the war. He continued to play a role in the Army Air Forces reserve, during which period he was promoted to brigadier general. In so doing, Stewart became the highest-ranking actor in American military history.

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On a moonless night in January 1991, a dozen U.S. aircraft appeared in the skies over Baghdad. To the Iraqi air defenses, the planes seemed to come from nowhere. Their angular shape, making them look like flying origami, rendered them virtually undetectable. Each aircraft was more than 60 feet in length and with a wingspan of 40 feet, yet its radar footprint was the size of a ball bearing. Here was the first extensive combat application of Stealth technology. And it was devastating. Peter Westwick's new book illuminates the story behind these aircraft, the F-117A, also known as the Stealth Fighter, and their close cousin the B-2, also known as the Stealth Bomber. The development of Stealth unfolded over decades. Radar has been in use since the 1930s and was essential to the Allies in World War Two, when American investment in radar exceeded that in the Manhattan Project. The atom bomb ended the war, conventional wisdom has it, but radar won it. That experience also raised a question: could a plane be developed that was invisible to radar? That question, and the seemingly impossible feat of physics and engineering behind it, took on increasing urgency during the Cold War, when the United States searched for a way both to defend its airspace and send a plane through Soviet skies undetected. Thus started the race for Stealth. At heart, Stealth is a tale of not just two aircraft but the two aerospace companies that made them, Lockheed and Northrop, guided by contrasting philosophies and outsized personalities. Beginning in the 1970s, the two firms entered into a fierce competition, one with high financial stakes and conducted at the highest levels of secrecy in the Cold War. They approached the problem of Stealth from different perspectives, one that pitted aeronautical designers against electrical engineers, those who relied on intuition against those who pursued computer algorithms. The two different approaches manifested in two very different solutions to Stealth, clearly evident in the aircraft themselves: the F-117 composed of flat facets, the B-2 of curves. For all their differences, Lockheed and Northrop were located twenty miles apart in the aerospace suburbs of Los Angeles, not far from Disneyland. This was no coincidence. The creative culture of postwar Southern California-unorthodox, ambitious, and future-oriented-played a key role in Stealth. Combining nail-biting narrative, incisive explanation of the science and technology involved, and indelible portraits of unforgettable characters, Stealth immerses readers in the story of an innovation with revolutionary implications for modern warfare.

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The New York Times bestselling autobiography of former Vice President Mike Pence.Loyalty is a Vice President’s first duty; but there is a greater one—to God and the Constitution. Mike Pence spent more hours in the Oval Office than any of his predecessors. On the surface, the affable evangelical Christian from a gas-station-owning family in Indiana wouldn’t seem to have much in common with a brash real estate mogul from New York. But the unlikely duo formed a tight bond. Pence was at Donald Trump’s side when he enacted historic tax relief, when he decided to take more assertive stances toward China and North Korea, and when he appointed three Supreme Court justices. But the relationship broke down after the 2020 election. On January 6, 2021, as the president pressured him to overturn the election, a mob erected a gallows on Capitol Hill and its members chanted “Hang Mike Pence!” as they rampaged through the halls of Congress. The vice president refused to leave the Capitol, and once the riot was quelled, he reconvened Congress to complete the work of a peaceful transfer of power. So Help Me God is the chronicle of the events and people who forged Mike Pence’s character and led him to that historic moment. His father, a Korean War combat veteran, was a formidable influence, but so was the Indiana history professor who inspired his devotion to the Constitution. And it was in college and law school that he embraced his Christian faith and met the love of his life, Karen—the two pillars that support him every day. You will read how his early political career was full of missteps that humbled him and how, as a talk radio host, Pence found his voice and the path that led him to Congress, the governor’s office in Indiana, and back to Washington as vice president. This is the inside story of the Trump administration by its second highest official—what he said to the president and how he was tested. The relationship begins in Indiana, when Pence sees how Trump connects with working-class voters. After the election, the vice president comes to appreciate how Trump maintains that connection through unvarnished tweets and how his unorthodox style led to historic breakthroughs, from tax cuts to trade deals, from establishing the United States Space Force to the first new peace agreement in the Middle East in more than twenty-five years. This is the most robust defense of the Trump record of anyone who served in the administration. But it is also about the private moments when Pence pushed back forcefully, how he navigated through the Mueller investigation, his damage control after Charlottesville, and his work on healing racial rifts after the murder of George Floyd. Pence was at the forefront when “history showed up” in the form of a devastating pandemic, and he provides a detailed account of leading the task force that circumvented bureaucracies to slow the disease in its tracks. Yes, it sometimes involved brokering peace between a president with an itchy Twitter finger and an agitated New York governor, but above all, it meant giving states and America’s eager entrepreneurs the power to come up with the solutions we needed. The result was the fastest development of life-saving vaccines in history. In So Help Me God, Pence shows how the faith that he embraced as a young man guided his every decision. It is a faith that guided him on that historic day and that keeps him happily at peace, ready to accept the next challenge.

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A landmark work of bio-romanticism, Mephistos and Other Poems is the first completely new collection in five years from legendary Beat and SF Renaissance poet Michael McClure, reflecting his interests in mammal consciousness and ecological survival. The title sequence stems from McClure's ongoing "grafting" experiment, growing new poems from fragments of previously ones. "Some Fringes" is a series of haiku-like nature poems, while the seventeen-part "Rose Breaths" derives from the poet's practice of meditation. The freestanding poems grouped under the title "Being" pay homage to many of McClure's collaborators and fellow travelers like Bruce Conner, Terry Riley, and Dave Haselwood. The book climaxes with "Song Heavy," recounting McClure's recent encounter with a beached whale in Rockport, Massachusetts, and recalling his classic "For the Death of 100 Whales," which he read at the Six Gallery in 1955--the inaugural moment of American eco-poetics. Michael McClure is an award-winning American poet, playwright, songwriter, and novelist. After moving from Kansas to San Francisco as a young man, he was one of the five poets who participated in the Six Gallery reading that featured the public debut of Allen Ginsberg's landmark poem "Howl." A key figure of the Beat Generation, McClure is immortalized as Pat McLear in Jack Kerouac's novels The Dharma Bums and Big Sur. He also participated in the sixties counterculture alongside musicians like Janis Joplin and Jim Morrison. McClure remains active as a poet, essayist, and playwright and lives with his second wife, Amy, in the San Francisco Bay Area. Michael and I have been twisting the Dharma for twenty years now. He reads his poetry like a mad lion or a hummingbird or a soft evening tidal pool or a wild California thunderstorm...His words are of a new realm of love and joy and terror. What a pleasure to play with such a perceptive artist. It's always been my great joy to make music to his words."--Ray Manzarek [C]ertainly a genius in thought and writing it out ...McClure is one of the few contemporaries to have understood Kerouac as a literary poet--and learned some joyous classic invention therefrom ...Thus we have a McClure poet, a McClure natural philosopher, and a McClure prosateur and novelist. Hardly anyone in America with equal range and sharpness, liveness. What more?"--Allen Ginsberg Praise for Mephistos: In Mephistos we are again thrown into Michael McClure's lavish lair of forceful magic. Its actions are literal ones, handfuls of jewels disintegrate as a firewall rises to a solid prism. There is no poet more adept at calling forth the elements, only to fashion them later as eternal amulets for his readers. 'NEW MOON ((BLACK!)) /STAR CLOUDS/ HALOES/ Flashlight reflects/ into two small eyes.' You will find your body changed through the labyrinth these poems initiate."--Cedar Sigo "Close attention will be rewarded in kind. Keep Mephisto near at hand, read only a poem or two at a time, let the imagery possess you. It's okay, you can trust it. It's McClure: he'll never steer you wrong."--Robert Hunter, lyricist, poet, songwriter "He is such a sweet paradox! Like most of Shelley and the late poems of D.H. Lawrence, McClure turns the phenomenal world inside out, seeking Mind within mind."--Diane di Prima, poet "If you've enjoyed McClure's writings in the past, this volume ought to recapture your poetic heart and rekindle your imagination." --Jonah Raskin, New York Journal of Books "Mephistos is perhaps an open love letter to all of McClure's many fans who have followed him ever since he arrived in San Francisco from Kansas City more than half a century ago."--San Francisco Chronicle

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War was coming. Everyone knew that confrontation with Nazi Germany was inevitable and that London was likely to be a prime target of Hitler's bombers. So, in January 1939, Aylmer Firebrace, the Chief Officer of London Fire Brigade, was seconded to the Home Office to plan for the capital's fire defence. Before joining the Fire Brigade, Aylmer Firebrace had been a Royal Navy officer who had fought in the Battle of Jutland during the First World War. It was following the Armistice that, in 1919, he became principal officer in the London Fire Brigade. He was promoted to deputy chief and finally chief officer in June 1938.. That war struck London soon enough, but it was on 7 September 1940, that Firebrace's preparations were truly tested with the start of the Blitz. For the next fifty-seven days and nights London was subjected to the longest continuous bombing campaign in history. Then, as the Luftwaffe ranged wider and further across Britain's towns and cities, Firebrace was tasked with toured the nation to see the effects of the bombing, at which point he saw the need for a national response. The result was the creation of the National Fire Service. Formed in August 1941, by the amalgamation of some 1,600 separate brigades, this remarkable organisation had, at its peak, a strength of 370,000 men and women. It was led for its entire existence by Aylmer Firebrace. As the war continued, Firebrace became Chief of the Fire Staff and Inspector-in-Chief of the Fires Services, being the first and, to date, only person to head all the fire-fighting services in Britain. This body had to deal with the expansion of the Blitz as well as the so-called 'Baedeker' raids, the 'tip-and-run' attacks, Baby Blitz and V1 and V2 offensives of the later years of the war. In his fascinating account, written immediately the war, Firebrace reflects on the functioning of the fire service at its most testing time. This book is an essential addition to the understanding of the Blitz and how London and the rest of the country survived its darkest hour.

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The American Mayor offers a unique ranking of the nation's big-city mayors by expert scholars. Although the mayoralty is one of the most important political executive offices, it has escaped the kind of evaluations by which scholars have ranked American presidents. Now, thanks to Melvin Holli, we have a comparable survey of the "best" and "worst" mayors, covering some 730 mayors from the big-fifteen cities, from the beginning of the modern office in 1820 to the 1990s. The poll of historians, biographers, and social scientists produced a remarkably strong consensus. Who were our best mayors? The list ranges from Boston's "Great Mayor" Josiah Quincy (1823–1828) to New York City's Fiorello La Guardia (1934–1945), who is first on the all-time-best list. La Guardia, a stouthearted fireplug of a man, built modern New York, fought Murder Incorporated, read the comics to children over the air during a newspaper strike, and was a symbol of ethnic probity and honesty. Sandwiched between Quincy and La Guardia are several other outstanding mayors, including Cleveland's Tom Johnson (1901–1909), Pittsburgh's David Lawrence (1946–1959), Detroit's Hazen Pingree (1890–1897), and Los Angeles's Tom Bradley (1973–1993).Taking the first-worst prize among scoundrel mayors is Chicago's William H. "Big Bill" Thompson (1915–1923, 1927–1931), one of the most colorful mayors in the city's history, if not the most corrupt. Big Bill, also known as "Kaiser Bill" for his pro-German stand during World War I, accepted campaign funds from gangsters including Al Capone. Also among the "worst" is another Chicago mayor, Jane Byrne (1979–1983), the only woman on the list. Jersey City's Frank Hague (1917–1947) and Philadelphia's Frank Rizzo (1972–1980) are among the other notable rascals who have sat in city halls.The American Mayor presents complete findings of Holli's poll in jargon-free fashion. Holli explains the results of the survey, gives biographical sketches of the ten best mayors, as well as some attention to the worst, and then uses the findings of modern leadership studies to explore mayoral success and failure. He concludes with a chapter titled "Pathways to Power," in which he reviews the New York City political milieu that produced the nation's "best" mayor, Fiorello La Guardia, and also examines the career of the nation's most successful big-city mayor, Buffalo's Grover Cleveland, the only mayor to become president of the United States.

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Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony.Volume IV The Second Golden Age of the Viennese SymphonyBrahms, Bruckner, Dvorák, Mahler, and Selected ContemporariesAlthough during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.

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Over the course of the last few years, our healthcare system has begun a shift toward rewarding physicians for the quality of care rather than the quantity, and building off these efforts, providers, doctors, health systems, and payers are willing to explore new value-based arrangements and open the door to providing new benefits for their beneficiaries. The Medicare Access and CHIP Reauthorization Act began to shift Medicare towards being a more value-based payment system. Chapter 1 discusses the models that are working toward improve the quality of care and reducing cost. Total expenditures for the Medicare Part D drug program exceeded $100 billion in 2016. Part D plan sponsors may use a pharmacy benefit manager (PBM) to provide drug benefit management services for Part D coverage, such as negotiating drug rebates and other price concessions and paying pharmacy claims. Policymakers have sought a better understanding of PBMs' roles in the drug supply chain and plans' and PBMs' efforts to manage Part D drug spending and use. Chapter 2 examines, (1) the extent to which Part D plan sponsors use PBMs, (2) trends in rebates and other price concessions obtained by both PBMs and plan sponsors for Part D drugs, and (3) how PBMs earn revenue for services provided to Part D plans. The Social Security Act requires boards of trustees to issue reports to Congress by April 1 each year on the financial status of the Social Security and Medicare trust funds. Chapter 3 (1) describes how the boards of trustees develop the annual Trustees reports, and (2) examines the extent to which the boards of trustees have provided the reports to Congress by the April 1 deadline, and what factors account for any delays. The Centers for Medicare & Medicaid Services (CMS) implemented a competitive bidding program (CBP) for certain durable medical equipment (DME), such as wheelchairs and oxygen. The Patient Protection and Affordable Care Act required CMS to adjust fee-for-service payment rates for certain DME items in non-bid areas. On January 1, 2016, adjusted rates for 393 items went into effect in non-bid areas. Chapter 4 examines (1) payment rate reductions and any changes in the number of suppliers; (2) any changes in the utilization of rate-adjusted items; and (3) available evidence related to potential changes in beneficiaries' access to rate-adjusted items.

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A gorgeous, full-color illustrated cookbook and personal cultural history, filled with 100 mouthwatering recipes from around the world, that celebrates the culinary traditions of strong, empowering immigrant women and the remarkable diversity that is American food.Born in Italy, Anna Francese Gass came to the United States as a young child and grew up eating her mother’s Italian cooking. But when this professional cook realized she did not know how to make her family’s beloved meatballs—a recipe that existed only in her mother’s memory—Anna embarked on a project to record and preserve her mother’s recipes for generations to come. In addition to her recipes, Anna’s mother shared stories from her life in Italy that her daughter had never heard before, fascinating tales that whetted Anna’s appetite to learn more. So, Anna began reaching out to her friends whose mothers were also immigrants, and soon she was cooking with dozens of women who were eager to share their unique memories and the foods of their homelands.In Heirloom Kitchen, Anna brings together the stories and dishes of forty strong, exceptional women, all immigrants to the United States, whose heirloom recipes have helped shape the landscape of American food. Organized by region, the 100 tantalizing recipes include: Magda’s Pork Adobo from the Phillippines Shari’s Fesenjoon, a walnut and pomegranate stew, from Iran Tina’s dumplings from Northern China Anna’s mother’s meatballs from Southern Italy In addition to the dishes, these women share their recollections of coming to America—stories of hardship and happiness—that illuminate the power of food, and how cooking became a comfort and a respite in a new land for these women, as well as a tether to their native cultural identities.Accented with 175 photographs, including food shots, old family photographs, and ephemera of the cooks’ first years in America—such as Soon’s recipe book pristinely handwritten in Korean or the measuring cup Anke tucked into her suitcase before leaving Germany—Heirloom Kitchen is a testament to female empowerment and strength, perseverance, diversity, and inclusivity. It is a warm and inspiring reminder that the story of immigrant food is, at its core, a story of America.Profiled women and countries:Gina (Calabria, Italy)Maria (Calabria, Italy)Lisetta (Sardinia, Italy)Kanella (Greece)Stacey (Scotland)Emilia (Ukraine)Tsilia (Ukraine)Marina (Moscow)Bea (Serbia)Monika (Poland)Susanne (Hamburg, Germany)Anke (Berlin, Germany)Tina (North China)Daisy (South China)Chizuko (Japan)Soon (Korea)Magda (Philippines)Lydia (Philippines)Khurshed (India)Shobhana (India)Shari (Iran)Cheri (Iraq)Lucy (Armenia)Irene (Lebanon)Shekaiba (Afghanistan)Fethie (Palestine)Nikita (Haiti)Janet (Mexico)Haydee (Puerto Rico)Rocio (Peru)Angela (Cuba)Maria (Dominican Republic)Morgana (Brazil)Sheila (Panama)Jennipher (Ghana)Safoi (Morocco)Amina (Egypt)

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In a preface to this novel, Dickens described David Copperfield as his “favorite child,” and the story has remained among the favorites of Dickens’ readers, too, with the characters of Betsy Trotwood, Mr. Pegotty, Uriah Heep, and Wilkins Micawber as well as David himself becoming part of the fabric of Western culture. This facsimile reprint is of the Household Edition of the Works of Charles Dickens, published in the 1870s; the edition makes the work available again in a form in which tens of thousands of Victorians read it—in two-column format, interspersed with illustrations throughout.David Copperfield was originally published in nineteen monthly parts between May 1, 1849 and November 1, 1850.* Each part except the last was of roughly the same length; the final installment was approximately twice as long as the others (and sold for 2 shillings, twice the price of previous parts). For the original serial publication, as well as early publication in book form, David Copperfield was illustrated by Hablot Browne (more commonly known as “Phiz”).Shortly after Dickens’ death in 1870 the British publisher Chapman & Hall began to issue the Household Edition of the Works of Charles Dickens (not to be confused with the American Household Edition of the Works, which appeared in the 1860s). The principal illustrator for the edition was Fred Barnard, and the Dalziel brothers (the leading wood-engravers of the time) created the engravings from Barnard’s illustrations; they described The Household Edition as “by far the most important commission ever placed in our hands by Messrs. Chapman & Hall.” Volumes in The Household Edition began to appear in 1871, and the series was completed in 1879. Dickens’ works appeared in a great many Victorian editions (including numerous pirated ones). Scholars have understandably paid most attention to the earliest publication in serial form; The Household Edition may well have been the most popular form in which the novel appeared, however; the plates for The Household Edition were widely used for other editions as well, and it is certainly arguable that more Victorian readers would have read Dickens’ novels in this form than in any other. In 1911 the populist bibliophile J.A. Hammerton described The Household Edition as “the most important illustrated edition” of Dickens’ works.This is one of a series from Broadview Press of facsimile editions—editions that provide readers with a direct sense of these works as the Victorians themselves experienced them.The breaks were as follows: I – May 1849 (chs. 1–3); II – June 1849 (chs. 4–6); III – July 1849 (chs. 7–9); IV – August 1849 (chs. 10–12); V – September 1849 (chs. 13–15); VI – October 1849 (chs. 16–18); VII – November 1849 (chs. 19–21); VIII – December 1849 (chs. 22–24); IX – January 1850 (chs. 25–27); X – February 1850 (chs. 28–31); XI – March 1850 (chs. 32–34); XII – April 1850 (chs. 35–37); XIII – May 1850 (chs. 38–40); XIV – June 1850 (chs. 41–43); XV – July 1850 (chs. 44–46); XVI – August 1850 (chs. 47–50); XVII – September 1850 (chs. 51–53); XVIII – October 1850 (chs. 54–57); XIX-XX – November 1850 (chs. 58–64).

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India is back! With the country's general elections in 2014 resulting in a government formed by a new political party, the Bharatiya Janata Party, led by a business-friendly prime minister, Narendra Kumar Modi, the world's largest democracy is once again on the minds of business leaders the world over. The renewal of interest in India is all the greater because of what's happening in neighboring China. For over thirty years, China was the growth engine for many Western multinational companies, but the combination of a slowing economy, rising wages, and increasing political risk has most companies looking for the next China. No other country is better positioned to play that role than India. In the short term, though, India will remain a challenging market, with a well-deserved reputation for corruption, uncertainty, and stultifying bureaucracy. Those hurdles are unlikely to go away soon. Yet India may be on the verge of unprecedented growth. Can you afford to wait or should you plunge into this complex market today? What does it really take to win there? How do executives deal with India's volatility, uncertainty, and intense competition--and even prosper from it? Ravi Venkatesan, the former Chairman of Microsoft India and Cummins India, offers expert advice on how your company can overcome the unique challenges of the Indian market. He argues that India is in fact an archetype for most developing nations, many of which present similar challenges. Succeeding in India is important not just because it is a big market but also because it is a litmus test for your corporation's ability to succeed in other emerging markets. If you can win in India, you should be able to win anywhere. Hard as these frontier markets are, Venkatesan argues, the bigger hurdle may well be the internal culture and mind-set at a multinational's headquarters. The unwillingness to make a long-term commitment or to adequately trust local leadership, combined with the propensity to rigidly replicate the products, business models, and operating systems that have worked at home, drives many companies into a "midway trap." That often results in India remaining an irrelevantly small contributor to the company's global growth and profits. Combining personal experience and in-depth interviews with CEOs and senior leaders at dozens of companies--including Microsoft, GE, JCB, Dell, Honeywell, Volvo, Bosch, Deere, Unilever, and Nestle--Venkatesan shows you how to tackle political changes, policy uncertainty, and corruption and thrive in India. He proves that you can break through, but it takes a very different type of leadership, both locally and at corporate headquarters. If you want to succeed in the twenty-first century, you must succeed in emerging markets. This practical book, written by one of India's most respected CEOs, gives you the keys to win in India, other emerging markets, and, indeed, globally.

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So, you want to experience the ultimate overseas adventure? Whether you're a gap year student or young traveller, taking a sabbatical or career break, a parent or guardian wanting to travel with your children, or in retirement and looking for your next adventure - The Big Trip is for you. Advice and information in this comprehensive companion, now in its 4th edition, has been thoroughly revised and updated to include expert tips and recommendations that will help you create and enjoy a once-in-a-lifetime dream adventure abroad. We've also added a new section about how to use your time away to turn your life's passion into a new career, with advice on gaining professional accreditation in climbing, mountaineering, diving, sailing, snowsports, wildlife guiding and more. There's also a chapter on accessible travel by Martin Heng for specialist destination and travel advice for those with a disability. Improved accommodation advice now covers everything from cheap and cheerful digs for budget backpackers to higher-end hotels for those wishing to spend more. Experiences include: Blackwater rafting through eerie glow-worm-lit Waitomo Caves in New Zealand Attempting a Tibetan kora (pilgrimage) around Mt Kailash, Asia's most sacred mountain Surfing your way along Hawaii's best beach breaks Getting down and dirty at the Boryeong Mud Festival in Korea Discovering your top temple at Angkor Wat in Cambodia Volunteering on a marine conservation project off the coast of Madagascar Learning to speak Italian at an institute in the heart of Rome Stirring your soul along the sacred, ghat-lined Ganges in Varanasi, India Learning to make Balinese dishes worthy of paradise Climbing to Bhutan's iconic cliff-clinging monastery, Taktshang Goemba Taking a tandem hang-gliding flight from Pedra Bonita over Rio de Janeiro Qualifying to teach everything from English to skiing, diving and mountaineering The Big Trip is your ticket to all this and more: Essential pre-trip planning: health, safety, kit, costs, tickets (new tips such as five apps to keep you safe, nine best ways to save on air tickets online) Volunteering and working abroad: from freelancing and fruit picking to yacht-crewing and teaching Regional overviews, maps and a diverse range of road-tested itineraries Tips and stories from experts and travellers, who range from teenagers to seniors and those travelling with their kids Comprehensive directory of essential resources About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more.

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Don’t miss the new, totally addictive psychological thriller from Sarah Goodwin, with bombshell twists that will leave you stunned. Fans of The Sanatorium, The Paris Apartment and One of the Girls will be hooked from the very first page. You can't outrun the past… Summer, 2022. When Meg and Cat are forced to take a dangerous shortcut home one night, they notice two men silently following them. Suddenly running for their lives, they scramble into an abandoned building to hide and wait for help. …for what’s done in the dark will come to light… One year later. Attempting to escape the horrors of that fateful night, Meg barricades herself into a safehouse at the edge of a crumbling sea cliff. As a storm rages outside, a blackout plunges the house into darkness. But Meg’s not alone. …and someone wants revenge. This is a twisty locked-room thriller for fans of Sarah Pearse, Lucy Foley and Jane Harper that will leave you breathless. Readers are gripped by The Blackout: ‘I literally could not put this book down, it was heart wrenching, scary, claustrophobic and twisted. A great read.’ NetGalley review⭐⭐⭐⭐⭐ ‘Wow!!! Just finished this book and I am having to remind myself how to breathe. A definite must read for thriller lovers, The Blackout is full of twists and turns as well as moments of quiet reflection and sorrow. So pleased to have read this … now I think I need a lie down!!!’ NetGalley review⭐⭐⭐⭐⭐ ‘Sarah Goodwin's The Blackout is an absolute tour de force in the realm of gripping and atmospheric thrillers. From the very first page, readers will find themselves on a nerve-wracking rollercoaster ride, unable to tear their eyes away from the enthralling narrative.’ NetGalley review⭐⭐⭐⭐⭐ ‘I had promised myself I would only read a few chapters before I had to start dinner. I’m such a liar…. I got completely lost within the pages, I was at the edge of my seat, eyes bulging, fearing what lurked in the next chapter. I couldn't get there fast enough and there was no way in heck I was putting this one down.’ NetGalley review⭐⭐⭐⭐⭐ ‘This novel is a true gem, that keeps you guessing to the end.’ NetGalley review⭐⭐⭐⭐⭐ ‘WOW! If you are looking for a book that will grip you from the start and leave you breathless this is for you. NetGalley review⭐⭐⭐⭐⭐ ‘A fast and fun read, perfect for cuddling up with a blanket during a thunderstorm.’ NetGalley review⭐⭐⭐⭐⭐ ‘I sat up late and read in one sitting which is not something I have done for a long time. One of the best books I have read in a while.’ NetGalley review⭐⭐⭐⭐⭐ ‘This book was a wild rollercoaster of a read. It hooked me from the first page and I just held on till the end. I loved it!’ NetGalley review⭐⭐⭐⭐⭐

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Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social and political categories: not theatre, not dance, not visual art... and often wilfully anti-mainstream and anti-establishment. But as it has become an increasingly prevalent category in international festivals, major art galleries, diverse publications and higher education streams, it is time for a reassessment. This collection of essays, conversations, provocations and archival images takes the twentieth anniversary of the founding of one of the sector’s most committed champions, the Live Art Development Agency (LADA) in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Rather than defining the practices in oppositional terms – what they might be seeking to critique, reject or disrupt – this collection reframes these practices in terms of the relations and commitments they might be used to model or advocate. What kinds of care and recovery do they enable? What do they connect as well as reject? What do they make possible as they test the impossible? What ideas of success do they stand for as they risk failure? In this way, the central theme of the collection, and to which all contributors were invited to respond, is the idea of agency: the capacity for new kinds of thoughts, actions and energies as enacted by individual artists and groups. It seems appropriate that this question would be considered in relation to the history of one particular ‘agency’: LADA itself. These questions are explored in a unique conversational format, bringing together a diverse range of emerging and established practitioners, curators and leading figures in the field, each paired with another practitioner for a live conversation that has been sensitively edited for the page. Curated within a structure of five overlapping themes – Bodies, Spaces, Institutions, Communities and Actions – this format produces unexpected insights and accounts of the development of the field. Each theme also contains two provocative essays by leading scholars, thinkers and makers, exploring the conceptual frames in more detail. The result is a collection that is as heterogeneous, ambitious, contradictory and inspiring as the field of Live Art itself. Contributors: Aaron Williamson, Adrian Heathfield, Alan Read, Alastair MacLennan, Alexandrina Hemsley, Amelia Jones, Andrew Mottershead, Andy Field, Anne Bean, Barby Asante, Bryan Biggs, Cassils, Catherine Wood, David A. Bailey, Dominic Johnson, Gary Anderson, George Chakravarthi, Guillermo Gómez-Peña, Hayley Newman, Heike Roms, Helen Paris, James Leadbitter, Jamila Johnson-Small, Jane Trowell, Jen Harvie, Johanna Tuukkanen, John Jordan, John McGrath, Jordan McKenzie, Joshua Sofaer, Katherine Araniello, Kira O'Reilly, Lena Šimić, Leslie Hill, Lois Keidan, Lois Weaver, Manuel Vason, Martin O'Brien, Mary Paterson, Rajni Shah, Rebecca French, Richard Dedomenici, Ron Athey, RoseLee Goldberg, Selina Thompson, Simon Casson and Tim Etchells. Co-published with Live Art Development Agency. Winner of the 2021 TaPRA Edited Collection Prize

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In `The Working Class: Poverty, education and alternative voices`, Ian Gilbert unites educators from across the UK and further afield to call on all those working in schools to adopt a more enlightened and empathetic approach to supporting children in challenging circumstances. One of the most intractable problems in modern education is how to close the widening gap in attainment between the haves and the have-nots. Unfortunately, successive governments both in the UK and abroad have gone about solving it the wrong way. Independent Thinking founder Ian Gilbert's increasing frustration with educational policies that favour `no excuses' and `compliance', and that ignore the broader issues of poverty and inequality, is shared by many others across the sphere of education - and this widespread disaffection has led to the assembly of a diverse cast of teachers, school leaders, academics and poets who unite in this book to challenge the status quo. Their thought-provoking commentary, ideas and impassioned anecdotal insights are presented in the form of essays, think pieces and poems that draw together a wealth of research on the issue and probe and discredit the current view on what is best for children from poorer socio-economic backgrounds. Exploring themes such as inclusion, aspiration, pedagogy and opportunity, the contributions collectively lift the veil of feigned `equality of opportunity for all' to reveal the bigger picture of poverty and to articulate the hidden truth that there is always another way. This book is not about giving you all the answers, however. The contributors are not telling teachers or schools leaders how to run their schools, their classroom or their relationships - the field is too massive, too complex, too open to debate and to discussion to propose `off-the-shelf' solutions. Furthermore, the research referred to in this book is not presented in order to tell educators what to think, but rather to inform their own thinking and to challenge some of the dominant narratives about educating the `feckless poor'. This book is about helping educators to ask the right questions, and its starting question is quite simple: how can we approach the education of young people from disadvantaged backgrounds in a way that actually makes a difference for all concerned? Written for policy makers and activists as well as school leaders and educators, The Working Class is both a timely survey of the impact of current policies and an invaluable source of practical advice on what can be done to better support disadvantaged children in the school system. Edited by Ian Gilbert with contributions from Nina Jackson, Tim Taylor, Dr Steven Watson, Rhythmical Mike, Dr Ceri Brown, Dr Brian Male, Julia Hancock, Paul Dix, Chris Kilkenny, Daryn Egan-Simon, Paul Bateson, Sarah Pavey, Dr Matthew McFall, Jamie Thrasivoulou, Hywel Roberts, Dr Kevin Ming, Leah Stewart, (Real) David Cameron, Sir Al Aynsley-Green, Shona Crichton, Floyd Woodrow, Jonathan Lear, Dr Debra Kidd, Will Ryan, Andrew Morrish, Phil Beadle, Jaz Ampaw-Farr, Darren Chetty, Sameena Choudry, Tait Coles, Professor Terry Wrigley, Brian Walton, Dave Whitaker, Gill Kelly, Roy Leighton, Jane Hewitt, Jarlath O'Brien, Crista Hazell, Louise Riley, Mark Creasy, Martin Illingworth, Ian Loynd, David Rogers, Professor Mick Waters and Professor Paul Clarke. Click here to listen to The Working Class on Spotify - It covers all the music mentioned in the book plus a great deal more of working class music from across time and round the world!

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'This is where I begin. This blank page draws me nearer to you, the day sweltering, my courage quickens, the curtains billowing and the punkah swaying, the punkah rattling as I sit at my writing bureau ... it is a soothing sound.'Mina, a writer, is navigating her place in the world, balancing creativity, academia, her sexuality and the expectation that a wife and mother abandons herself for others. For her, like so many women of mixed ancestry, it is too easy to be erased. But her fire and intellect refuse to bow. She discovers 'the dark, adorable' Eurasian woman Daisy Simmons, whom Peter Walsh plans to marry in Virginia Woolf's Mrs Dalloway. Daisy disappeared from Woolf's pages, her story unfinished - never given a voice in the novel, nor a footnote in any of the admiring Woolf scholarship that followed.While dealing with the remains of another life, Mina decides to write Daisy's story. Travelling from Australia to England, India and China, freelancing and researching, she has to navigate cultural and race barriers, trying hard not to look back or flinch at the personal cost. Like Woolf, her writing both sustains and overwhelms her. But in releasing Daisy from her fictional destiny, Mina finds the stubbornness and strength to also break free.'An elegant meditation on race, class and privilege ... Daisy and Woolf not only brings us stories of brave, clever women in an eloquent way, it also leaves questions for us readers to think of our own trajectory of reading and influences' ArtsHub'Cahill writes beautifully ... Daisy and Woolf is a novel about reclamation. Highlighting the inadvertent racism inherent in much of the classical literary canon, it reinforces the the importance of Own Voices writing, and shines a light on the lives of people of colour that cannot be understood or expressed without their input' The Age'an impressive, ambitious postmodern novel that raises questions around race, class, feminism, Empire, the post-colonial voice and so much more ... a fascinating work, it's rare to see something of its kind in the Australian literary landscape' ReadingsPRAISE FOR MICHELLE CAHILL:'Her deftness and linguistic grace masks her purpose, till she reveals a shocking glimpse of the price that art can exact' - HILARY MANTEL'Traverses centuries, cultures and continents to deftly explore how race, gender and class have the power to shape a narrative' - MAXINE BENEBA CLARKE'A dauntless novel of empire, and its ever-replicating costs. There are echoes of Michael Ondaatje in this novel's lush and observant prose-craft. This is fiction at its most human and humane' - BEEJAY SILCOX'In luminous prose, she has brought an old world back to life. Her background as a poet is clear in her evocative and detailed descriptions of colonial India. Daisy's voice is perfectly tuned and her story is compelling' - MELANIE CHENG'At once critically acute and narratively rich, Daisy and Woolf shows us that there are always new ways to read the past in order to understand the present' - PATRICK FLANERY'Michelle Cahill deploys poetry and history in the most powerful manner possible to write back to Virginia Woolf, and expose the colonial gaze that did not (does not) acknowledge the full humanity of others. This novel will be to Mrs Dalloway what Wide Sargasso Sea was to Jane Eyre' - MEENA KANDASAMY

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Over its fifty-year existence, John F. Blair, Publisher, was known for its Southern folklore—its tales of ghosts, goblins, ghouls, spirits, witches, devils, phantoms, haints, boogers, boo-daddies, plat-eyes, demons, apparitions, Doppelgangers, banshees, disappearing hitchhikers, pirate legends, ghost dogs, dog ghosts, dogs who see ghosts . . . In recognition of its golden anniversary, the company published this volume of twenty stories culled from its folklore collections. Readers will likely be impressed at the timeless quality of the tales, some of which have never been out of print since they first appeared in the 1960s. And you may be surprised to learn of their broad appeal, the collections having sold a total of over six hundred thousand copies. Some of these tales are now being enjoyed by their third generation of readers. If you don’t know what a coffin baby is, read “Milk and Candy” by Randy Russell and Janet Barnett. If you’d like to meet a real-life pirate who’d make a better Hollywood character than any swashbuckler yet seen on celluloid, you’ll enjoy “Stede Bonnet” by Nancy Roberts. If there’s a place in your heart for a pair of lifesaving little dogs who’ve scampered on the same South Carolina beach for over a hundred years, try “Pawleys Island Terriers” by Elizabeth Robertson Huntsinger. If you prefer folklore with a historical touch, you can learn about Theodosia Burr Alston in Charles Harry Whedbee’s “Lady in Distress” and about Francis Marion in Daniel W. Barefoot’s “Ghostly Legacy of the Swamp Fox.” The folklorists included here claim stomping grounds from the high peaks and mountain hollows to the flatlands to the swamps to the barrier islands to the briny deep. What they share is a love of their subject and the ability to bring it to life on the page. This anthology was compiled by the staff of John F. Blair, Publisher.

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Friday, January 6, 2017: On that day, as always, John Brennan's alarm clock was set to go off at 4:15 a.m. But nothing else about that day would be routine. That day marked his first and only security briefing with Presidentelect Donald Trump. And it was also the day John Brennan said his final farewell to Owen Brennan, his father, the man who had taught him the lessons of goodness, integrity, and honor that had shaped the course of an unparalleled career serving his country from within the intelligence community. In this brutally honest memoir, Brennan, the son of an Irish immigrant who settled in New Jersey, describes the life that took him from being a young CIA recruit enamored with the mystique of spy work, secretly defiant enough to drive a motorcycle and sport a diamond earring, and invigorated by his travels in the Middle East, to being the most powerful individual in American intelligence. He details his experiences with very different presidents and what it's been like to bear responsibility for some of the nation's most crucial and polarizing national security decisions. He pulls back the curtain on the inner workings of the Agency, describing the selfless, patriotic, and invisible work of the women and men involved in national security. He also examines the insularity, arrogance, and myopia that have, at times, undermined its reputation in the eyes of the American people and of members of other branches of government. Through topics ranging from George W. Bush's intervention in Iraq to his thoughts on the CIA's controversial use of enhanced interrogation techniques to his eye-opening account of the planning of the raid that resulted in Bin Ladin's death to his realization that Russia had interfered with the 2016 election, Brennan brings the reader behind the scenes of some of the most crucial moments in recent U.S. history. He also candidly discusses the times he has failed to live up to his own high standards and the very public fallouts that have resulted. With its behind-the-scenes look at how major U.S. national security policies and actions unfolded during his long and distinguished career-especially during his eight years in the Obama administration-John Brennan's memoir is a work of history with strong implications for the future of America and our country's relationships with other world powers. Undaunted: My Fight Against America's Enemies, at Home and Abroad offers a rare and insightful look at the often-obscured world of national security, the intelligence profession, and Washington's chaotic political environment. But more than that, it is a portrait of a man striving for integrity; for himself, for the CIA, and for his country.

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This collection covers the period February 1862-March 1864, which constituted the final two years and one month that Rear-Admiral Sir Alexander Milne commanded the Royal Navy’s North America and West India Station. Its chief focus is upon Anglo-American relations in the midst of the American Civil War. Whilst the most high-profile cause of tension between the two countries — the Trent Affair — had been resolved in Britain’s favour by January 1862, numerous sources of discord remained. Most turned on American efforts to blockade the so-called Confederacy, efforts that often ran afoul of international law, not to mention British amour-propre. As commander of British naval forces in the theatre, Milne’s decisions and actions could and did have a major impact on the state of affairs between his government and that of the US.While noting in one private exchange with the British ambassador to Washington, Richard, Lord Lyons, that he had been "enjoined to abstain from any act likely to involve Great Britain in hostilities with the United States," Milne added ominously, "yet I am also instructed to guard our Commerce from all illegal interference" and it is plain from his correspondence that both he and the British government were prepared to use force in that undertaking. Thus, between apparently high-handed behaviour by the US Navy and Milne’s and the Palmerston government’s resolve not to be pushed beyond a certain point, the ingredients for a major confrontation between the two countries existed. Yet most of Milne’s efforts were directed toward preventing such a confrontation from occurring. In this endeavour he was joined by Lyons and by the British government. No vital British interest was at stake in the conflict raging between North and South, and thus the nation was unlikely to become directly involved in it unless provoked by rash US actions.Yet there was no shortage of such provocations: the seizure of British merchant vessels bound from one neutral port to another, detaining such ships without first conducting a search of their cargo for evidence of contraband of war, the de facto blockade of British colonial ports, apparent violations of British territorial waters, the seizure of British merchantmen off the neutral port of Matamoros, Mexico, and the use of neutral ports as bases of operations by US warships among them. In responding to these and other sources of dispute between the US and Britain, Milne proved adept at pouring oil on troubled waters, so much so that in a late 1863 letter to Foreign Secretary Lord Russell, Lyons lamented his impending departure from the station: "I am very much grieved at his leaving….No change of admirals could be for the better."This collection centres upon Milne’s private correspondence, especially that between him and Lyons, First Lord of the Admiralty the Duke of Somerset and First Naval Lord Vice Admiral Sir Frederick Grey. It also includes private letters to and from many of Milne’s other professional correspondents and important official correspondence with the Admiralty.

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Medicine management is an important and demanding aspect of nursing practice. It requires both clinical knowledge and the use of professional judgement. This accessible book is designed to help both practising and student nurses prepare to deal with the challenges of medicine management. It covers the principles and skills involved in a range of common medicine management scenarios and will help nursing students integrate their knowledge of physiology, pathophysiology, pharmacology and nursing care. This handy book: Is based on 21 practical case studies, which help you learn about effective medicine management and test your understanding of essential drug groups. Helps you gain confidence in your knowledge of pharmacology Highlights the nurse’s role in identifying the therapeutic and adverse effects of medicines on a patient Part of the Case Book series, Medicine Management for Nurses Case Book offers a unique way of relating theory to practice. The cases are ideal for preparing for exams, tests and working in practice, as each one includes self-test questions and answers. Whether you are preparing to qualify or studying medicine management after qualification, this case book is the ideal practical tool for you.Contributors: Diane Blundell, Abe Ginourie, Joy Parkes, Ruth Sadik, Pat Talbot, Janine Upton, Traci Whitfield, Christine Whitney-Cooper, Debbie Wyatt."The book offers a unique and engaging approach to an important subject that most students find daunting. Realistic case scenarios are used as a catalyst to introduce information and concepts that underpin practice. The presentation style supports the active participation of the student with the inclusion of questions at the beginning of each topic offering a platform to explore key areas whilst referring to the scenario. I highly recommend it to pre-registered student nurses."Kris Paget, Senior Lecturer, Faculty of Health, Social Work and Education, Kingston University, UK"This collection of case studies provides a unique and user friendly guide to commonly seen pharmacological therapies and treatment options across the lifespan. The case studies have been carefully selected to provide the diverse care needs of complex disease processes in a person centred way. Each case study is relevant to the role of the Nurse and will provide essential and core information whether nurses are working in either a medical or surgical clinical setting. Government Health Care Directives provide the essential clinical evidence based theory necessary to promote medicine adherence and each chapter provides the relevant pathophysiology which is essential to underpin the safe administration of medication therapies.The role of the nurse in medicine management with respect to patient education and the professional responsibilities of monitoring and evaluating complex medication therapies is presented in each case study. This provides an holistic approach to the care of patients receiving complex medication therapies."Barry Ricketts, Senior Lecturer, Adult Nursing, Oxford Brookes University, UK

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'A great book … fascinating' Jools Holland, Later With Jools Holland, BBC2 'If you are even remotely interested in guitars or the geniuses that play them you have to get a copy of Marr’s Guitars. A lush, mouthwatering masterpiece of a book' Shaun Keaveny 'A guitar book for people "who wouldn’t normally have guitar books"' Daily Mail 'What a love story this book is. The electric guitar - the greatest weapon ever given to the working class' Gary Kemp 'Marr’s Guitars is not just a love-letter to Marr’s beloved instrument; it’s a historical reference' Paste magazine 'A book for Marr fans, for Smiths fans, for fans of guitars, but also for appreciators of art and photography' SPIN 'Eye candy for music fans of all kinds ... Marr’s recollections transport the reader to a different time' Forbes A stunning photographic presentation of the guitars that defined the distinctive sounds and style of Johnny Marr with personal reflections and insights from the legendary guitarist himself. 'Guitars have been the obsession of my life ... they’ve been a mission and sometimes a lifeline' – Johnny Marr The guitarist’s guitarist, Johnny Marr redefined music for a generation. His ringing arpeggios and chordal innovations helped elevate The Smiths to be one of the most influential and important British bands of all time. Tracing Marr's career from his teenage years to his recent work on the Bond soundtrack, Marr’s Guitars showcases the most significant of Marr’s superb collection of electric and acoustic guitars, revealing through them the evolution of his iconic sound and style of playing. Each guitar is identified with a crucial moment, a specific song or a particular sound, and each embodies a key aspect of Marr’s lifelong passion. Renowned photographer Pat Graham presents each instrument as a full portrait, supported by micro shots highlighting the specific details that make each one unique, while Johnny Marr himself reveals in his accompanying commentary on what tracks and at which shows the guitars were played. Many of the guitars are closely associated with Marr, such as the Rickenbacker 330, the Gibson ES-355 and the Johnny Marr Signature Fender Jaguar. Some were passed down to him, including Nile Rodgers’ Stratocaster, Bryan Ferry’s Roxy Music Hagstrom and Bert Jansch’s Yamaha. Others are guitars once owned by Marr that have since been passed on to the next generation of guitar heroes, including the Stratocaster used by Noel Gallagher on ‘Wonderwall’ and the Gibson Les Paul Goldtop used on In Rainbows by Radiohead’s Ed O’Brien. Punctuating the photography of the guitars and the accompanying commentary are contextual studio, backstage and onstage shots. Together, they make Marr’s Guitars a unique cultural history of modern music and guitar playing told through the prism of Johnny Marr’s experiences and achievements.

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In commemoration of our 125th Anniversary, we are proud to present the Collector’s Edition Replica of the original first edition of the Machinery’s Handbook, published in January, 1914. It's the perfect gift for your favorite machinist or to add to your own collection. Own the book that helped industry build! For virtually its entire life in print, Machinery’s Handbook has been a world-renowned reference and “the Bible” of the metalworking and mechanical industries. While we are on this tradition with the publication of the 28th Edition, which includes the most comprehensive and up-to-date selection of practical technical information, data, and standards for these industries found between two covers anywhere, we hope you enjoy this very special Collector’s Edition. MATHEMATICAL TABLES PRINCIPAL METHODS AND FORMULAS IN ARITHMETIC AND ALGEBRA LOGARITHMS AND LOGARITHMIC TABLES AREAS AND VOLUMES SOLUTION OF TRIANGLES AND TRIGONOMETRICAL TABLES GEOMETRICAL PROPOSITIONS AND PROBLEMS PRINCIPAL METHODS AND FORMULAS IN THEORETICAL MECHANICS STRENGTH OF MATERIALS RIVETING AND RIVETED JOINTS STRENGTH AND PROPERTIES OF STEEL WIRE STRENGTH AND PROPERTDSS OF WIRE ROPE FORMULAS AND TABLES FOR SPRING DESIGN TORSIONAL STRENGTH — SHAFTING FRICTION PLAIN, ROLLER AND BALL BEARINGS KEYS AND KEYWAYS CLUTCHES AND COUPLINGS FRICTION BRAKES CAM DESIGN AND CAM MILLING SPUR GEARING BEVEL GEARING WORM GEARING SPIRAL AND HERRINGBONE GEARING. EPICYCLIC GEARING. BELTS AND PULLEYS — MACHINE TOOL DRIVES ROPE TRANSMISSION TRANSMISSION CHAIN AND CHAIN DRIVES CRANE CHAIN AND HOOKS. BOLTS, NUTS, SCREWS, WRENCHES, HANDLES, HANDWHEELS AND OTHER MACHINE DETAILS SPEEDS AND FEEDS FOR MACHINE TOOLS — TOOL GRINDING AUTOMATIC SCREW MACHINE PRACTICE TAPPING AND THREADING LUBRICANTS FOR MACHINING OPERATIONS RUNNING, SHRINKAGE AND FORCED FIT ALLOWANCES MEASURING INSTRUMENTS AND GAGING METHODS CHANGE GEARS FOR SPIRAL MILLING — LEADS AND CORRESPONDING ANGLES MILLING MACHINE INDEXING JIGS AND FIXTURES GRINDING AND GRINDING WHEELS — POLISHING AND LAPPING PUNCHES, DIES AND PRESS WORK — DROP-FORGING DIESBROACHES AND BROACHING OPERATIONS CLASSIFICATION, TESTING AND APPLICATION OF FILES SCREW THREAD SYSTEMS AND THREAD GAGES TAPS AND THREADING DIES MILLING CUTTERS REAMERS TWIST DRILLS, COUNTERBORES AND BORING BARS HEAT-TREATMENT OF STEEL — HARDENING, TEMPERING AND ANNEALING TESTING THE HARDNESS OF METALS PRINCIPLES OF IRON AND STEEL MANUFACTURE FOUNDRY AND PATTERN SHOP PRACTICE EXTRUSION OF METALS DIE CASTING FORGE SHOP EQUIPMENT FORGE SHOP WELDING METHODS AUTOGENOUS WELDING WELDING WITH THERMIT ELECTRIC WELDING SOLDERING AND BRAZING ETCHING AND ETCHING FLUIDS COLORING METALS HORSEPOWER REQUIRED FOR MACHINE TOOLS AND FORGING MACHINERY — ELECTRIC MOTOR DRIVE CARE OF ELECTRICAL MACHINERY — DYNAMO AND MOTOR TROUBLES PROPERTIES AND WEIGHTS OF MATERIALS COMPOSITION OF ALLOYS INFORMATION RELATING TO HEAT — COMPARISON OF THERMOMETER SCALES. PNEUMATICS — AIR COMPRESSION — FLOW OF AIR WATER PRESSURES AND FLOW OF WATER PIPE AND PIPE FITTINGS LUTES AND CEMENTS WEIGHTS AND MEASURES METRIC SYSTEM OF MEASUREMENTS AND CONVERSION TABLES MANUFACTURING PLANT APPRAISAL DRAWING, TRACING AND BLUEPRINT PAPERS PRINCIPAL PATENT LAW REGULATIONS INDEX Erik Valdemar Oberg, born 1881, died 1951.

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Bristol and Bath are two beautiful, closely connected cities. They are portrayed through the eyes of their artists in a delightful variety of styles in this stunning book. The Bristol and Bath Art Book portrays two very different cities. The beautiful images in the book capture the breath-taking landscape of rivers, hills and gorges which they share, but also the cities’ sights that are so unique. Bristol is painted as busy, quirky and vibrant, where Bath glows in more tranquil hues. These important cities in the history of the world are intimately connected. The river Avon that flows through both cities, gouges the spectacular Avon Gorge at Bristol, which is where its international maritime connections begin. The regenerated old docks (the ’floating harbour’), Wapping Wharf and the quayside are lovingly depicted by various artists. Now that the main docks are outside the city, the harbour-side now bustles with shops, bars and offices, but there are still cranes to be seen at the M shed. Underfall boatyard remains a home to maritime businesses and is also pictured in this lovely book, along with pleasure craft and houseboats in the harbour. John Cabot’s The Matthew is the ship that put America on the map. The reconstruction is depicted in drawings and paintings. She may have been a pirate ship at one time, too, as Bristol was the birthplace of Blackbeard and had a thriving piracy business. From this Atlantic connection, the list of items traded expanded from wool, wine and grain to tobacco and alas, to slaves. The profits from this trade endowed many of the fine public monuments drawn and painted here. Like many places, Bristol is undertaking a new reckoning with its history. The great engineer Isambard Kingdom Brunel designed the Clifton Suspension Bridge to span the deep Avon Gorge. In the book, there are many images of this vertiginous bridge: ringed by balloons, luminous in the gloaming, stark in the snow, or painted to resemble a cathedral arch from below. It is a much-loved, living monument to the great man. His Great Western Railway terminus at Temple Meads features here in drawings and prints, along with his pioneering Bristol-built steamship, the SS Great Britain. Crossing Brunel’s famous bridge over the Avon, you will find yourself in the tranquil Leigh woods, painted as a hotspot for bluebells in spring. The old Railway Path, flat, traffic-free and lined with greenery, takes you from Bristol to Bath, where you will find more gorgeous parks: the Georgian garden in the town centre, Alexandra Park with panoramas of the city and the Botanical Gardens with its aerial walkway. Bath is a UNESCO world heritage site because of its Roman remains and exquisite Georgian architecture. Its famous Roman Baths were built around a hot spring the Romans believed sacred to the Goddess Sulis and the city became a centre for health and an inspiration for artists. Its 18th-century architecture: The Royal Crescent, The Circus, Pulteney Bridge and Assembly Rooms, are all examples of Bath’s heyday as a Georgian spa town and are featured in the art book in stunning paintings, drawings and collages. They capture the Bath that Jane Austen would have known from her time in the city. Here, movies of some of her novels have been filmed, along with many other Regency era series e.g. the record-breaking series Bridgerton.

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'Funny, frank and empowering... a vital book for any woman who is at the beginning of her radicalisation journey, looking at her life and finally piecing together the personal and the political.' THE OBSERVER'Sam Baker is rewriting the narrative around menopause' WOMAN & HOME'rollicking read' MAIL ON SUNDAY'I loved it.. blazingly hopeful and beautifully written. This book is meant to be mainlined.' LISA TADDEO'If you're a woman over 40, ever going to be a woman over 40 or you've ever met a woman over 40 you should read this book' JANE FALLON'I NEED this book. We ALL need this book! If menopause happened to men, there would be CELEBRATIONS and parties every time one of them completed their change.' MARIAN KEYES'This gem is a guide to navigating your 40s and 50s and just generally being yourself. ... joyful, positive, and goes to ALL the places. Highly recommended.' JOJO MOYESThe essential manifesto for any woman staring the second half of their lives in the face and wondering, WTF is going on?* Invisible to society now you're past child-bearing age?* Tired of being disregarded, overlooked and underestimated?* Wondering what the hell is happening to your body, mind and internal thermostat?Women over forty are the most ignored demographic in society. And yet this is the time when you are likely to have the most freedom, power, confidence and self knowledge than ever before. Some serious life has been lived: there have been great loves, heartbreaks, births, marriages, careers, betrayals, bereavements and survival. So what now? What happens when the narrative given to you by society - husband, babies, house - runs out and you become storyless? Including chapters on menopause, sex, culture, work, rage and freedom, writer and journalist Sam Baker shares her experiences of life post 40 and shows how women to create their own story. This needn't herald the era of loose clothing and hair dye; or hot flashes and bad sleep (though there is that too). It's time women north of 40 took a leaf out of the millennial handbook and reinvented things our way. Sam hosts a podcast of the same name, now with over 50 thousand downloads. Harness your energy, opinions and power and create a liberating new narrative for the second half of life.'I am so glad The Shift exists. Sam's writing is a wonderful generous mixture of no-bullsh*t and a comforting hug. I'll be passing this book on to many women I know and love.' EMMA GANNON 'brilliant - powerful, brimming with integrity, inspiring, the politics of anger and what it means when we refuse to be invisible. Every woman (whatever her age) should buy, borrow, lend a copy' KATE MOSSE'This is such a painfully beautiful look at the menopause in all its complexity. As honest as it is insightful, this is the first book I've read about later womanhood that exchanges shame and fear for truth and celebration... does for 40-something women what the honest parenting movement did for mothers.' ANNA WHITEHOUSE, founder, Mother Pukka'great pace and feisty content. It will be a great help to women to see their lives mirrored and not feel like they are going mad... bold and funny.' CARYN FRANKLIN'[Sam] tackles the menopause with her customary wit and wisdom' i PAPER'Honest and witter account of life post-40. Makes for essential reading at any age.' - KATE WILLS, FABULOUS MAGAZINE'Insightful, thoughtful, inspirational - impressive work.' - VICTORIA DERBYSHIRE

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There is an urgent focus on education around the world, and this book is pushing directly into this territory. It will appeal to a wide range of readers – to anyone who is passionate about art and or education – and will have a strong international appeal as the contributors have international profiles and the book is poised to address global issues concerning contemporary art, education, and independent practice. In this collection of original essays, the writers engage with the work of the artists who took part in Art School. Each contribution provides a lens through which each writer can focus on specific moments within the evolution of Art School, working outwards to explore how these moments resonate with the wider fields of art-in-education and radical pedagogies. These texts respond to a widespread concern with art and its place in education, while retaining a committed and informed engagement with the phenomena they assess. Art School takes place as a series of independent projects, exhibitions, workshop and residency programmes, bringing active contemporary artists into educational systems to inspire and expand their teachings. Responding to a growing desire to rethink art education at all levels, it is for those committed to new forms of social imagination and social engagement in contemporary art. This book is for curators, schoolteachers and other educators, and also for artists and art students who wish to extend their practice beyond the gallery. Less a manifesto or a declaration of doctrine than an emergent set of experiments, Curriculum considers the school as a zone of artistic and curatorial practice, foregrounding the potential of contemporary art (understood in wide terms) to stimulate students’ creativity in original and open ways. Although the book focuses on a specific project in Ireland, that project exemplifies trends in art and education that are happening around the world and includes contributions from an international group of scholars all well-known in their field. Contributors: Clare Butcher, Gerard Byrne, Juan Canela, Helen Carey, Daniela Cascella, Fiona Gannon, Jennie Guy, Andrew Hunt, Hannah Jickling & Helen Reed, Alissa Kleist, Rowan Lear, Peter Maybury, Annemarie Ní Churreáin, Nathan O’Donnell, Sofia Olascoaga and Priscila Fernandes, Matt Packer and Sjoerd Westbroek. Artists: Sven Anderson, John Beattie, Clare Breen, Sarah Browne, Karl Burke, Rhona Byrne, Ella de Búrca, Vanessa Donoso Lopez, Priscila Fernandes, Hannah Fitz, Jane Fogarty, Kevin Gaffney, Adam Gibney, Fiona Hallinan, Elaine Leader, Maria McKinney, Maeve Mulrennan, Mark O’Kelly, Sarah Pierce, Naomi Sex and Orlaith Treacy. Primary interest will be among educators, artists, curators, academics and students, and others working or studying in a variety of settings including school, universities, museums, and other arts organisations. Of interest to these groups in the following ways: Artists: Learning about how other artists are working in sites of education. Curators: Reading about the curatorial mechanisms that support artists maintaining the ethics and integrity of their practice when working with younger audiences in schools. Gallerists: Extending the horizons of audience and public outreach. Museums: Considering new models of education, outreach, exhibition, and off-site events. Schools: Learning about new models of artist residencies and workshops. Students and Parents: Researching the potential of contemporary artists’ impact on education. Educators: Forming a critical perspective of how contemporary arts practice can be integrated in curricula. Local and National Arts Agencies: Learning about how independent curatorial and artistic practice can co-exist within sites of education. This publication was funded by the Arts Council of Ireland and the Arts Office of Wicklow County Council.

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Table of Contents Preface and Acknowledgments Introductory note Abbreviations A. OPENING LECTURE - Liv Helga DOMMASNES , Women in archaeology in Norway : twenty years of gendered archaeological practice and some thoughts about changes to come B. PLENARY SESSION ' A TRIBUTE TO PAUL REHAK: PAST AND PRESENT GENDER ISSUES, A STATE OF ART - Paul REHAK (ed. John YOUNGER), Some unpublished studies by Paul Rehak on gender in Aegean art - Alexandra ALEXANDRI, Envisioning gender in Aegean prehistory - Dimitra KOKKINIDOU and Marianna NIKOLAIDOU, Feminism and Greek archaeology: an encounter long over-due C. WORLDS OF WOMEN, MEN AND BEYOND: GENDER IDENTITIES, ROLES, INTERACTIONS, SYMBOLISMS Cyprus - Diane BOLGER, Beyond male/female: recent approaches to gender in Cypriot prehistory - Giorgos VAVOURANAKIS, A 'speared Aphrodite' from Bronze Age Audemou, Cyprus Jordan - Julia MULLER-CLEMM, Cemetery A of Tell el-Mazar, Jordan. A gender-critical relecture Spain - Paloma GONZALEZ-MARCEN and Sandra MONTON-SUBIAS, Time, women, identity and maintenance activities. Death and life in the Argaric communities of southeast Iberia - Margarita SANCHEZ-ROMERO, Women in Bronze Age southeast Iberian peninsula : daily life, relationships, identities Aegean and the Balkans - Christina MARANGOU, Gendered/sexed and sexless beings in prehistory: readings of the invisible gender Aegean - Louise A. HITCHCOCK, Knossos is burning: gender bending the Minoan genius - Penelope J.P. McGEORGE, Gender meta-analysis of Late Bronze Age skeletal remains: the case of Tomb 2 in the Pylona cemetery on Rhodes - Barbara A. OLSEN, Was there unity in Mycenaean gender practices? The women of Pylos and Knossos in the Linear B tablets - Kim S. SHELTON, Who wears the horns? Gender choices in Mycenaean terracotta figurines - Alexander UCHITEL, The Minoan Linear A sign for 'woman': a tentative identification - Judith WEINGARTEN, The Zakro master and questions of gender - Marika ZEIMBEKI, Gender, kinship and material culture in Aegean Bronze Age ritual D. FORMATION OF PAST GENDER: COMING OF AGE, CHILDHOOD, WOMANHOOD, MOTHERHOOD - Francoise AUDOUZE and Frederic JANNY, Can we hope to identify children's activities in Upper Palaeolithic settlements? - Anne P. CHAPIN, Constructions of male youth and gender in Aegean art: the evidence from Late Bronze Age Crete and Thera - Katerina KOPAKA, Mothers in Aegean stratigraphies? The dawn of ever-continuing engendered life cycles - Maia POMADERE, OA' sont les meres ? Representations et realites de la maternite dans le monde egeen protohistorique - John G. YOUNGER, 'We are woman': girl, maid, matron in Aegean art E. READING AEGEAN GENDER: THROUGH WOMEN'S AND MEN'S EYES - Isabelle BRADFER-BURDET, Phedre ou la Goulue : l'antiquite travestie. Les femmes de l'Age du Bronze mises a nu par les archeologues du XXeme siecle - Gerald CADOGAN, Gender metaphors of social stratigraphy in pre-linear B Crete , or Is 'Minoan gynaecocracy' (still) credible? - Lucy GOODISON, Gender, body and the Minoans: contemporary and prehistoric perceptions - Christine MORRIS, The iconography of the bared breast in Aegean Bronze Age art F. ENGENDERING AEGEAN FIELDWORK: THE CONTRIBUTION OF WOMEN ARCHAEOLOGISTS - Susan Heuck ALLEN, Excavating women: female pairings in early Aegean archaeology (1871-1918) - Anna Lucia D'AGATA, Women archaeologists and non-palatial Greece : a case-study from Crete'of the hundred cities' - Metaxia TSIPOPOULOU, Harriet Boyd's 'granddaughters': women directors of excavations and surveys in Crete at the end of the 20th and the beginning of the 21st century

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In her debut collection, Rosamund Taylor dares us across thresholds and invites us to glimpse the world as we've never seen it before. She boldly charts a journey of survival and transformation with poems on history reimagined, astronomy, sorcery, wild landscapes, talismanic creatures, and queer love. Taylor explores what it means to live in a female body that is not defined by lack, or want, or perpetual suffering, but is possessed by a real and defined sense of erotic autonomy. These poems burn from the inside out with possibility, and there is magic, mystery and reclamation at every turn. In Her Jaws is a landmark debut that extends and deepens the Irish tradition of writing the female perspective, while also breaking new ground. Praise for In Her Jaws: "A book of astonishments whose poems gaze towards the night sky and all that stirs in the dark below, swooping the reader through mysteries of desire and discovery. Taylor's voice is by turns tender, sharp, luminous; her poems are wondrous." - Doireann Ni Ghriofa "In these haunting, simmering metamorphoses, Rosamund Taylor's imagination is both intrepid and tender. Spanning the erotic and the traumatic, these poems root through the fibrous dark of our psyche. In Her Jaws is a breath-taking debut." - Sean Hewitt "Taylor's poems possess a talismanic quality. With lyric sorcery, she conjures encounters with a chorus of wild creatures: spectres and lovers, selves and others. Beneath the seductive gleam of her poetry lies an invitation to glimpse the fabulous. In Her Jaws will hold you in thrall." - Nidhi Zak/Aria Eipe "Rosamund Taylor's stunning debut reignites the lyric tradition with poems that movingly and daringly explore pain and despair, desire and belonging while evoking the more-than-human world anew. Her voice is ever original and ever beautiful." - Jane Clarke "In Her Jaws is an extraordinary achievement with poems gem-like in their intensity, clarity and precision - but make no mistake, there is wildness here too ... This is a debut that leaves bite marks in the most erotic and intoxicating sense ... In Her Jaws is here, finally, and it was certainly worth the wait." - Victoria Kennefick "Taylor's language, form and imagery exhibit a remarkable freshness, resulting in work that manages to create a space between the uncanny and the familiar. Her sexuality and her feminism are carried candidly and address universals through the specifics of queer love and the experiences of women through history. This is the Irish lyric tradition queered in the manifold and finest meanings of that word. Taylor's is a poetry I do not want to be without. We are all the richer for it." - Paul Maddern "In Her Jaws is by turns delicate and fierce; holding the reader gently in its muzzle, where we thrill to the awareness of teeth against our carotid. Taylor inhabits the natural world like no other writer working today; shapeshifting, questioning, and enthralling us with her curiosity. " - Jessica Traynor "The reader travels wild paths in skilled hands. Taylor's voice is evocative, assured and unforgettable. This is absolutely exquisite." - Deirdre Sullivan

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NOTE: This GMAT Official Prep is for a version of the GMAT that was discontinued on January 31, 2024. You will continue to have access to this GMAT Official Prep through May 31, 2024. Get supplemental quantitative practice in addition to the GMAT™ Official Guide 2022: Book + Online Question Bank! Add over 370 quantitative practice questions to your prep. Designed by the makers of the GMAT™ exam. Your official source of real GMAT™ questions from past exams. Set yourself up for success with extra practice on the quantitative section of the GMAT exam. Study with over 370 practice questions not included in the GMAT™ Official Guide 2022: Book + Online Question Bank! Study answer explanations to help improve your performance. GMAT practice questions are organized by difficulty level: easy, medium and hard. Start at the beginning and work your way up to the hard questions as you build upon your knowledge. All practice questions are from past GMAT™ exams. The GMAT™ Official Guide Quantitative Review 2022: Book + Online Question Bank provides 3 ways to study: Book: Know what to expect on the GMAT exam Learn the exam structure with an introductory review chapter followed by 25 practice questions. Review common formulas and concepts using quick reference sheets. Master quantitative reasoning with over 370 practice questions from past GMAT exams, organized by difficulty level. GMAT Online Prep Tools: Focus your studying – Bonus: included with purchase! Practice online with the same questions from the book. Create custom practice sets by difficulty level and by fundamental skill. Track your progress using performance metrics. Prepare for exam day by timing your practicing in exam mode. Test your knowledge of key concepts with flash cards. Prepare with the Online Question Bank, which includes online-exclusive questions filterable by difficulty level, question type, fundamental skills, and more. Study anytime, anywhere with the Mobile App: review and reattempt practice sets to improve performance in study or exam mode. Mobile App: Your GMAT prep on the go Study offline after downloading the question sets. Sync between devices. Start on your phone, finish on your computer. Add GMAT™ Official Guide Quantitative Review 2022: Book + Online Question Bank to your GMAT prep; the official source of practice questions from past GMAT exams. This product includes a print book with a unique code to access the GMAT exam Online Question Bank and mobile app.

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The new TikTok-hit rom-com! Adored The Love Hypothesis? You won't want to miss A Brush with Love, the most sparkling rom-com of the year!Mazey Eddings returns next year with another unique and swoony rom-com starring Indira in The Plus One, and don't miss Lizzie Blake's Best Mistake out now!Readers are giving A Brush with Love ⭐ ⭐ ⭐ ⭐ ⭐ SHINING STARS!'A Brush with Love is going to be a TOP romance of 2022. Calling it. In January''Oh my TOOTH FAIRY!! This book was so much more than I expected and swept me off my feet' 'Swoony, steamy, adorable . . . Read. This. Book. You won't be disappointed. It's a keeper and Mazey Eddings is on my auto-read list forever''There was so much to love about this book . . . Thank you to Mazey Eddings for this romance with its messy, true, and painfully real representation of anxiety . . . We need more books like this in the world'........................................Anxiously awaiting news from the residency program of her dreams, dental student Harper Horowitz is laser focused. So crashing (quite literally) into Dan Craige is exactly the sort of dreamy distraction that she is trying to avoid.First-year student Dan may not have the same passion for pulling teeth that Harper does, but he's instantly smitten. When Harper makes it clear that she's not interested in trading fillings for feelings anytime soon, they set out to be 'just friends' - a plan with the best of intentions and the poorest of follow-throughs.Late nights in the dental lab (and the rather unsubtle match-making efforts of their friends), draw Dan and Harper closer. Still, Harper can't shake the worry that a romance with Dan might risk everything she's worked so hard to build.Harper may have no trouble acing her studies, but falling in love is a whole new challenge.Nine out of ten dentists agree, A Brush with Love makes your smile brighter!**not scientifically proven........................................'Blends sweetness, breathless romance, and moments of striking vulnerability' HELEN HOANG'Prepare to smile, laugh, and cry your way through this witty, fast-paced rom-com starring a passionate heroine and a delicious cinnamon roll hero who knows how to love her just right' EVIE DUNMORE'Mazey Eddings stole my heart with this laugh-out-loud funny, almost unbearably cute debut (and she made me care about dentistry)' ROSIE DANAN'I'm obsessed with this book, and I fully intend to never stop yelling about it. With a shimmering voice and razor-sharp wit, Mazey Eddings has crafted a contemporary romance masterpiece that made me want to hug my dentist . . . The most intoxicating slow burn I've read in ages' RACHEL LYNN SOLOMON'Harper and Dan have my whole heart . . . A Brush with Love is funny and cute while also exploring serious topics, powerfully underscoring the truth that relationships require work, and that happy endings are for everyone' SARAH HOGLE'Tenderly written and oh-so-sexy, A Brush with Love brims with emotional depth, whip-smart banter, and sizzling chemistry' CHLOE LIESE

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In October 1962, when the Soviet Union deployed nuclear missiles in Cuba, the most dangerous confrontation of the Cold War ensued, bringing the world close to the brink of nuclear war. Over two tense weeks, U.S. president John F. Kennedy and Soviet premier Nikita Khrushchev managed to negotiate a peaceful resolution to what was nearly a global catastrophe.Drawing on the best recent scholarship and previously unexamined documents from the archives of the former Soviet Union, this introductory volume examines the motivations and calculations of the major participants in the conflict, sets the crisis in the context of the broader history of the global Cold War, and traces the effects of the crisis on subsequent international and regional geopolitical relations.Selections from twenty primary sources provide firsthand accounts of the frantic deliberations and realpolitik diplomacy between the U.S., the U.S.S.R., and Fidel Castro's Cuban regime; thirteen illustrations are also included.CONTENTS:Introduction: The Making of a global Crisis The Origins of the Cold War A New Front in the Cold War The Cold War in Latin America The Cuban Revolution and the Soviet Union U.S. and Regional Responses to the Cuban Revolution Operation Zapata: The Bay of Pigs Operation Anadyr: Soviet Missiles in Cuba Crisis Dénouement: The Missiles of November Evaluating the Leadership on All Sides of the Crisis Nuclear Fallout: Consequences of the Missile Crisis The Future of Cuban-Soviet Relations Latin American Responses to the Missile Crisis Conclusion: Lessons of the Cuban Missile Crisis Historiography of the Cuban Missile Crisis Documents Memorandum for McGeorge Bundy from Arthur Schlesinger, Jr., April 10, 1961 State Department White Paper, April 1961 From the Cable on the Conversation between Gromyko and Kennedy, October 18, 1962 Telegram from Soviet Foreign Minister Gromyko to the CC CPSU, October 20, 1962 President John F. Kennedy’s speech to the Nation, October 22, 1962 Resolution Adopted by the Council of the Organization of American States Acting Provisionally as the Organ of Consultation, October 23, 1962 Message from Mexican President Adolfo López Mateos to Cuban President Osvaldo Dorticós, October 23, 1962 Letter from Khrushchev to John F. Kennedy, October 24, 1962 Telegram from Soviet Ambassador to the USA Dobrynin to the USSR MFA, October 24, 1962 Memorandum for President Kennedy from Douglas Dillon, October 26, 1962 Telegram from Fidel Castro to N.S. Khrushchev, October 26, 1962 Letter from Khrushchev to Fidel Castro, October 28, 1962 Cable from USSR Ambassador to Cuba Alekseev to Soviet Ministry of Foreign Affairs, October 28, 1962 Telegram from Soviet Deputy Foreign Minister Kuznetsov and Ambassador to the U.N. Zorin to USSR Foreign Ministry (1), October 30, 1962 Premier Khrushchev’s Letter to Prime Minister Castro, October 30, 1962 Prime Minister Castro’s Letter to Premier Khrushchev, October 31, 1962 Meeting of the Secretary of the Communist Party of Cuba with Mikoyan in the Presidential Palace, November 4, 1962 Brazilian Foreign Ministry Memorandum, “Question of Cuba,” November 20, 1968 Letter from Khrushchev to Fidel Castro, January 31, 1963 “I Know Something About the Caribbean Crisis,” Notes from a Conversation with Fidel Castro, November 5, 1987 Select Bibliography

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A pregnant Sam Shephard investigates the murder of an expectant mother in Dunedin, as it becomes clear that the killer is ready to strike again … Queen of New Zealand Crime, Vanda Symon, returns with a shocking, twisty new Sam Shephard thriller… 'From the opening pages, this story left me gasping for breath' Michael Robotham ‘Chillingly intense with a finely honed sense of place … Vanda Symon knows Dunedin and brings it vibrantly to life in this fast-paced thriller’ Craig Robertson ‘An excellent thriller, definitely one of the best of this year. Vanda Symon is a master of characterisation, plot and dialogue … I loved every moment’ Liz Nugent 'New Zealand's modern Queen of Crime' Val McDermid _________________________________ A killer targeting pregnant women.A detective expecting her first baby… The shocking murder of a heavily pregnant woman throws the New Zealand city of Dunedin into a tailspin, and the devastating crime feels uncomfortably close to home for Detective Sam Shephard as she counts down the days to her own maternity leave. Confined to a desk job in the department, Sam must find the missing link between this brutal crime and a string of cases involving mothers and children in the past. As the pieces start to come together and the realisation dawns that the killer’s actions are escalating, drastic measures must be taken to prevent more tragedy. For Sam, the case becomes personal, when it becomes increasingly clear that no one is safe and the clock is ticking… _______________________ ‘Dark, chilling and utterly heartbreaking. A highly emotive and compelling thriller’ Michael Wood ‘New Zealand's answer to Siobhan Clarke’ The Times 'The Edinburgh of the south has never been more deadly' Ian Rankin ‘From the ominous and shocking beginning to the heart-pounding ending, Expectant had me in its grasp’ Nikki Crutchley 'A sassy heroine, fabulous sense of place, and rip-roaring stories with a twist. Perfect curl-up-on-the-sofa reading' Kate Mosse 'Fans of The Dry will love Vanda Symon' Red Magazine ‘A wonderful storyteller’ Helen FitzGerald Praise for Vanda Symon ***SHORTLISTED for the CWA John Creasey (New Blood) Dagger*** ***SHORTLISTED for Best Paperback in the Barry Awards*** 'If you like taut, pacy thrillers with a wonderful sense of place, this is the book for you' Liam McIlvanney 'Vanda Symon's work resembles Janet Evanovich's Stephanie Plum series she knows how to tell a good story and the NZ setting adds spice' The Times 'Atmospheric, emotional and gripping' Foreword Reviews 'A plot that grabs the reader's attention with a heart-stopping opening and doesn't let go' Sunday Times 'It is Symon's copper Sam, self-deprecating and very human, who represents the writer's real achievement' Guardian ‘Edgy, thrilling and terrifyingly realistic’ Lisa Hall ‘All the thrills of a brilliantly plotted crime novel with some interesting moral questions woven between the words. Fast, furious and intense' Helen Fields 'Completely gripping … a poignant study of how our society shapes unlikely saints and monsters' Eve Smith

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An exceptional storyteller with an analytical eye, Merrel Clubb has gathered the letters he sent his parents from the Pacific Theater of World War II and his subsequent reflections on that war and on his life into a kind of then-and-now memoir. The letters are a treasure trove of humor, anxiety, and hope, revealing a young man thrust into a war that he does not understand. Through this exceptional portal on the past, we learn of the tragic absurdity of war, of a soldier trained for naval warfare but sent into land battle with weapons he'd never before fired; of command post latrines at which even commanding officers were sitting ducks; of the ghoulish trophies and mementos that soldiers collected from the battlefields. The letters describe a vivid cast of characters, from Clubb's childhood friend who instilled a love of poetry in his comrades to the hillbilly singer and the prostitute with whom the young Clubb had varied amorous adventures. But the most compelling figure in this narrative is, of course, Clubb himself, an intellectual who carried Jane Austen and Joseph Conrad along with his tommy gun; who used books as a fortification for his foxhole, discovering upon waking one morning that "Ouspensky stopped a bullet"; and who, in a darkly humorous moment, wrote home that "Plato is pretty consoling, because I can always think that somewhere there is a perfect hell of a navy of which this is but an imitation or representation." Returning to these letters years later prompts Clubb to look again at the Second World War and at the atomic bomb that ended it. In an analysis as useful to understanding our own historical moment as it is to reconsidering the past, Clubb counters the conventional wisdom shared by veterans and civilians alike, particularly regarding the concept of a "just war." For Clubb, as for so many veterans, the war does not end with the victory over Japan. Despite the intervening years, Clubb finds that the haunting episodes experienced over half a century ago echo still. Even in the solitude of the forest, in the hunting parties he meets, in the animals he himself kills, he hears again the sound of battle, sees again the faces of the victims of war. Part letters, part memoir, and part scholarly analysis, this volume ranges over a vast, colorful, and weighted territory. From the battles and respites in the Pacific Islands, to the night clubs and call girls of mainland San Francisco and San Diego; from the relative quiet of his aptly named hometown, Stillwater, to the similarly quiet Montana backcountry, Clubb's narrative explores the psychological terrain of a life disturbed, and forever changed, by war.

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The Books We Love in 2016 - The New Yorker Best Poetry Collections of 2015 - The Washington Post Best Books 2015: Poetry - Library Journal Best Books of 2015 - NPR Books 16 Best Poetry Books of 2015 - BuzzFeed Books Juan Felipe Herrera, the first Latino Poet Laureate of the United States and son of Mexican immigrants, grew up in the migrant fields of California. Exuberant and socially engaged, reflective and healing, this collection of new work from the nation's first Latino Poet Laureate is brimming with the wide-open vision and hard-won wisdom of a poet whose life and creative arc have spanned chasms of culture in an endless crossing, dreaming and back again. "[This year] Juan Felipe Herrera's Notes on the Assemblage has been a ladder of hope ..."--Ada Limon, The New Yorker "Juan Felipe Herrera's family has gone from migrant worker to poet laureate of the United States in one generation. One generation. I am an adamant objector to the Horatio Alger myth of pulling oneself up by the bootstraps, but Herrera's story is one of epic American proportions. The heads carved into my own Mount Rushmas would be Cesar Chavez, Dolores Huerta, Frida Kahlo, El Chapulin Colorado, Selena, and Juan Felipe Herrera. Notes from the Assemblage further carves out Herrera's place in American letters."--David Tomas Martinez "At home with field workers, wage slaves, the homeless, little children, old folks, artists, traditionalists, the avant-garde, students, scholars and prisoners, the bilingual Juan Felipe Herrera is the real thing: a populist treasure. He will fulfill his appointment as U.S. Poet Laureate with the same high energy, savvy, passion, compassion, commitment and playfulness that his art and life's have always embodied. Bravo! Bravo!"--Al Young "While reporters can give you the what, when, and where of a war, a poet with the enormous gifts of Juan Herrera can give you its soul."--Ishmael Reed "I am proud that Juan Felipe Herrera has been appointed U.S. Poet Laureate, bringing his truthful, beautiful voice to all of us universally. As the first Chicano Laureate, he will empower all diverse cultures."--Janice Mirikitani "Herrera is ...a sometimes hermetic, wildly inventive, always unpredictable poet, whose work commands attention for its style alone . ..Many poets since the 1960s have dreamed of a new hybrid art, part oral, part written, part English, part something else: an art grounded in ethnic identity, fueled by collective pride, yet irreducibly individual too. Many poets have tried to create such an art: Herrera is one of the first to succeed."--The New York Times "Herrera has the unusual capacity to write convincing political poems that are as personally felt as poems can be."--National Public Radio

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As a child, Michael Charles Tobias encountered a wolf caged in a zoo. Gazing upon the pacing, desperate animal, Tobias asked his Father, "Why is he in jail?" For over half a century, Tobias has roamed the earth in search of an answer. This memoir is a testimony to Tobias' field research, expeditions, deliberations, and some answers to that haunting question. Systems ecologist, philosopher, historian of ideas, anthropologist, ethicist and philanthropist, Tobias has emerged as one of the most influential and far-reaching ecological philosophers of this generation. The Earth in Fragments: A Memoir by Michael Charles Tobias chronicles many of his most incisive areas of research, activism and philosophical inflections. Much of the data, conveyed in a personal and enlightening series of recollections, lends incisive clarity to the emergence and escalating challenges of the environmental and life sciences fields. Tobias shares glimpses into many of the often ethically-harrowing research conundrums confronting him and his wife, Jane Gray Morrison, as they have effectively endeavoured throughout the globe, focusing upon animal rights and conservation biology initiatives. Their more than 50 books and 75 films have shed a powerful spotlight on many of the most pressing issues of our time. The anecdotes pour forth, from an ancient monastery in the Sinai, across the Himalayas, to the Arctic and Antarctic, where Tobias was among the first to draw global attention to the crises mounting across the Last Continent. We see him behind the scenes, directing the ambitious ten-hour drama, "Voice of the Planet" in two-dozen countries, examining the Gaia Hypothesis; conducting a project in the heart of the 1989 catastrophic oil spill in Alaska; his irrepressible quest to understand the runaway train of human overpopulation across the planet in his book and accompanying PBS film "World War III." We follow his probing philosophical meditations-in-action as an animal liberationist from California, Mali, Kenya, China, Greece and Russia. We see his appeal for a "new human nature" in cutting-edge scientific research calling for an interspecies revolution that is at once pantheistic, ethically holistic, and as imaginative and ecologically paradoxical as it is pragmatic. The reader is led through a dazzling and provocative labyrinth of deeply moving eco-science in countries like New Zealand, Madagascar, Brazil, Chile's Rapa Nui, and throughout Europe, West Africa and Asia. From the Ecuadorian Amazon to Haiti; from Mozambique, Yemen, and Namibia to Borneo, Tobias and Morrison have worked to bring critical conservation strategies and policy priorities to government leaders and scientists throughout the world. With insights from palaeontology, Renaissance art history, deep demography, and the most recent advances in biodiversity conservation and biosemiotics, Tobias leads readers on an exquisite and uplifting journey that, while describing much devastation, provides hopeful glimpses into a near future that is not only possible, but essential for the well-being of the world, as viewed, lived and chronicled by one man at the heart of the Anthropocene.

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THE FOURTH NOVEL IN THE MULTIMILLION-COPY BESTSELLING ADAM DALGLIESH SERIES FROM THE 'QUEEN OF ENGLISH CRIME' (Guardian) 'Kept guessing until the final pages! Read in one go. Totally unputdownable. Ready to read the next one.' 5* reader review'Plenty of scrupulously laid false trails, credible detectives and a totally unexpected ending.' Sunday Telegraph'P. D. James at the top or her form, the twisting plot laid out with clarity and an acid wit.' 5* reader reviewPERFECT FOR FANS OF VAL MCDERMID, RUTH RENDELL AND ELLY GRIFFITHS__________________________________________________________________________________First, do no harm . . .On a crisp January morning, a group of third year nursing students gather in Nightingale House for a clinical lesson. One student will play the patient, while the others practice their nursing skills. But none of them is prepared for the demonstration to end in a gruesome murder. When a second student dies, this time by apparent suicide, Superintendent Adam Dalgliesh thinks the deaths must be connected, but in order to prove this and unmask the murderer, he must sweep away a cloud of secrets, lies and blackmail at the nursing school - before they can kill again.__________________________________________________________________________________'Probably the best Dalgliesh.' 5* reader review'Absolutely brilliant.' 5* reader review'An assured mystery, with a closed community and a great cast of characters.' 5* reader review'A very clever and accurate portrait of the strict, claustrophobic atmosphere of nursing sisters, nurse tutors in the training school and the student nurses in their care. Brilliant.' 5* reader review**Now a major Channel 5 series**__________________________________________________________________________________READERS LOVE THE ADAM DALGLEISH SERIES:'Adam Dalgleish is one of the best characters in modern detective fiction.' 5* reader review'If you are not already an Adam Dalgliesh fan, I urge you to become one . . . James can describe a scene or delineate a character with precision and depth, like no other writer I have read . . . I usually stay up all night to read a P. D. James novel once I start one.' 5* reader review'I would never give less than 5 stars to any P. D. James book. She is one of a kind, always constant, always wonderful writing, always great characters, and always a good mystery that you cannot put down.' 5* reader review'P. D. James writes mysteries for ordinary people. Her characters are relatable and her hero is dynamic. But don't expect cell phones or computers. Her stories are strictly old school, which is what I love about them.' 5* reader review'Crime writing at its very best!' 5* reader reviewPRAISE FOR P. D. JAMES:'A legend.' VAL MCDERMID'Masterful.' MICK HERRON'James manages a depth and intelligence that few in her trade can match.' THE TIMES'One of the literary greats. Her sense of place was exquisite, characterisation and plotting unrivalled.' MARI HANNAH'There are very few thriller writers who can compete with P. D. James at her best.' SPECTATOR'P. D. James [was] simply a wonderful writer.' NEW YORK TIMES'The queen of English crime.' GUARDIAN

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NOTE: This GMAT Official Prep is for a version of the GMAT that was discontinued on January 31, 2024. You will continue to have access to this GMAT Official Prep through May 31, 2024. Your official source of real GMAT practice questions. Study with practice questions from past GMAT exams. Your GMAT prep is comprised of comprehensive practice by studying with over 1,000 questions across quantitative and verbal reasoning, analytical writing, and integrated reasoning. Answer explanations are included so that you can study the reasoning behind the answers to help improve your performance. The questions in each section are organized by difficulty level: easy, medium and hard. Start at the beginning and work your way up to the hard questions as you build upon your knowledge. The GMAT Official Guide 2022: Book + Online Question Bank provides 3 ways to study: Book: Know what to expect on the GMAT exam Learn the exam structure: Start with the verbal and quantitative review chapters followed by practice questions. Review common quantitative formulas and concepts using quick reference sheets. Master verbal and quantitative reasoning by difficulty level and studying detailed answer explanations. GMAT Online Prep Tools: Focus your studying – Bonus: included with purchase! Prepare for the GMAT exam online. Take our Diagnostic Evaluation to discover your strengths and focus areas for each fundamental skill. Practice online with the same questions from the book PLUS 174 additional online-exclusive questions. Create custom practice sets by difficulty level and by fundamental skill. Track your progress using performance metrics. Prepare for exam day by timing your practicing in exam mode. Test your knowledge of key concepts with flash cards. Prepare with the Online Question Bank, which includes online-exclusive questions filterable by difficulty level, question type, fundamental skills, and more. Study anytime, anywhere with the Mobile App: review and reattempt practice sets to improve performance in study or exam mode. Mobile App: Your GMAT test prep on the go Study offline after downloading the question sets. Sync between devices. Start on your phone, finish on your computer. The GMAT Official Guide 2022: Book + Online Question Bank gives you all the tools you need to confidently prepare for test day. This product includes a print book with a unique PIN code to access the GMAT exam Online Question Bank and mobile app.

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PRAISE FOR Banking on Change "In this 140th Anniversary celebration book, The London Institute of Banking and Finance stick to their core function of educating us all, but especially aspirant bankers, on the role and concerns of (retail and commercial) banking in the UK. They have assembled a well-chosen group of practitioners from a range of professions to write clear and easily assimilable essays, no technical expertise required, on a wide variety of current banking issues. If you want to learn about the current practices and problems of UK retail banking, this book must be essential reading." —Charles Goodhart, emeritus professor of banking and finance at the London School of Economics "In this important book, a line from Bill Allen's contribution is key: 'Nobody can predict the ferocity of the gale of creative destruction' that faces the financial services sector. True; but if you read the many and varied contributions, you'll have a pretty good idea. Moreover, you'll understand how we (that is, bankers) got here – and what we should do to make the industry more competitive, fairer and more genuinely useful. It is a soup-to-nuts look at banking – from the early days of the Institute of Banking, through the go-go years of ifs, to a present and future that are likely to be dominated by technology. It is well-worth a long read." —Andrew Hilton, director, Centre for the Study of Financial Innovation "If you were to imagine what a book celebrating 140 years of financial knowledge might contain, you could not come up with a better selection than this. As well as a historic sweep – from no-tech to fintech, the decline of trust and the rise of competition – today's hot subjects are addressed, including sustainable investing, cultural diversity and digital identity. The cradle-to-grave nature of the industry is captured in pieces about financial education and pensions. And it's well written, setting the scene nicely for the next era." —Jane Fuller, Fellow of the Society of Investment Professionals Financial services are undergoing rapid, and potentially dramatic, change. What will happen in payments, in sustainable finance and in fintech? How can the industry boost financial inclusion and ensure that its workforce has the skills it needs to meet regulatory requirements and to compete with new entrants? Can trade finance rise to the challenge of underpinning global trade for all and help the developing world avoid "financial abandonment"? What do financial services need to do to protect our digital identities? Banking on Change provides insights by experts and influencers from across the financial services industry on these and other questions. Published to mark the 140th anniversary of The London Institute of Banking & Finance, this book is intended to be of lasting value to both students and professionals.

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In this beautiful, lyrical sequel to the critically acclaimed We Were the Salt of the Sea, Detective Moralès finds that a seemingly straightforward search for a missing fisherwoman off Quebec's Gaspé Peninsula is anything but… **SHORTLISTED for Crime Writers of Canada: Best French Crime Novel** **LONGLISTED for the CWA International Dagger** **NUMBER ONE BESTSELLER** 'A riveting story of old enmities, jealousies and friendships that come to light after a woman goes missing in a remote fishing village beautifully atmospheric' Gill Paul 'A haunting murder mystery about how human nature is every bit as dangerous and inscrutable as the sea draws out its suspense to the very last moment' Foreword Reviews _________________ It's not just the sea that holds secrets When an abandoned lobster trawler is found adrift off the coast of Quebec's Gaspé Peninsula, DS Joaquin Moralès begins a straightforward search for the boat's missing captain, Angel Roberts a rare female in a male-dominated world. But Moralès finds himself blocked at every turn by his police colleagues, by fisheries bureaucrats, and by his grown-up son, who has turned up at his door with a host of his own personal problems. When Angel's body is finally discovered, it's clear something very sinister is afoot, and Moralès and son are pulled into murky, dangerous waters, where old resentments run deep. Exquisitely written, with Bouchard's trademark lyrical prose, The Coral Bride evokes the power of the sea on the communities who depend on it, the never-ending struggle between the generations, and an extraordinary mystery at the heart of both. For fans of Ann Cleeves, Annie Proulx, Emma Stonex, Louise Penny and Jane Harper _________________ 'A police procedural like no other marvel at the clever plotting' Crime Fiction Lover 'An absolute joy to read, with as much tension as there is poetry' Le Journal de Montréal 'With a cast of characters you'll engage with and love and a mystery that will have you on edge, Bouchard pulls you into her world wonderful' Michael J. Malone 'Roxanne Bouchard is reinventing the crime novel' Quebec TV 'Emotive and tragically beautiful' Jen Med's Book Reviews 'This is a crime novel but it is also a story about fathers and sons, of strangers in a new land and of women in a man's world a work of distinction' Live & Deadly 'The captivating investigation also conjures up the tides and their mysteries, following the rhythm of the region, the icy course of its autumn tide' Le Devoir 'Beautiful, readable, unforgettable' From Belgium with Booklove 'Characters so vivid, you can hear their voices' The Reading Closet Praise for Roxanne Bouchard: 'Lyrical and elegiac, full of quirks and twists' William Ryan 'Asks questions right from page one' Quentin Bates 'An isolated Canadian fishing community, a missing mother, and some lovely prose. Very impressed by this debut so far' Eva Dolan 'A tour de force of both writing and translation' Su Bristow 'The translation from French has retained a dreamily poetic cast to the language, but it's det-fic for all that ' Sunday Times 'Characters are well-drawn, from Moralès, the cop, and his sturdy inspector, Marlène, to the husky fishermen who were Marie's devoted suitors three decades ago ... An exotic curiosity, raw nugget' Shots Mag

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Pocket Rough Guide RomeMake the most of your time on Earth with the ultimate travel guides.Entertaining, informative and stylish pocket guide, now with free eBook.Part of our UEFA Euro 2020 guidebook series. If you're planning to visit Stadio Olimpico in Rome to watch Euro 2020 matches, then this pocket guidebook provides all the information you need to make the most of your trip, from ready-made itineraries to help you explore the city when you're not at the game, to essential advice about getting around.Discover the best of Rome with this compact and entertaining pocket travel guide. This slim, trim treasure trove of trustworthy travel information is ideal for short-trip travellers and covers all the key sights (Villa Borghese, Roman Forum, Piazza Navona), restaurants, shops, cafés and bars, plus inspired ideas for day-trips, with honest and independent recommendations from our experts.Features of this travel guide to Rome:- Compact format: packed with practical information, this is the perfect travel companion when you're out and about exploring Rome- Honest and independent reviews: written with Rough Guides' trademark blend of humour, honesty and expertise, our writers will help you make the most of your trip- Incisive area-by-area overviews: covering the Centro Storico, Piazza Venezia, Ancient Rome and more, the practical 'Places' section provides all you need to know about must-see sights and the best places to eat, drink and shop- Handy pull-out map: with every major sight and listing highlighted, the pull-out map makes on-the-ground navigation easy- Time-saving itineraries: carefully planned routes will help inspire and inform your on-the-road experiences- Day-trips: venture further afield to Villa Borghese or the Vatican. This tells you why to go, how to get there, and what to see when you arrive- Travel tips and info: packed with essential pre-departure information including getting around, health, tourist information, festivals and events, plus an A-Z directory and handy language section and glossary- Attractive user-friendly design: features fresh magazine-style layout, inspirational colour photography and colour-coded maps throughout- The ultimate travel tool: download the free eBook to access all this from your phone or tablet- Covers: The Centro Storico; Campo de' Fiori, the Ghetto and around; Piazza Venezia and the Capitoline Hill; Ancient Rome; The Tridente, Trevi and Quirinale; Monti, Termini and the Esquiline; The Celian Hill and San Giovanni; The Aventine Hill and south; Trastevere and the Janiculum Hill; Villa Borghese and north; The Vatican; Day-tripsLooking for a comprehensive travel guide to Italy? Try The Rough Guide to Italy for an informative and entertaining look at all the country has to offer.About Rough Guides: Rough Guides have been inspiring travellers for over 35 years, with over 30 million copies sold. Synonymous with practical travel tips, quality writing and a trustworthy 'tell it like it is' ethos, the Rough Guides list includes more than 260 travel guides to 120+ destinations, gift-books and phrasebooks.

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THE NEW MILLY JOHNSON NOVEL, THE HAPPIEST EVER AFTER, IS OUT NOW!'Warm, funny and moving. One to curl up with and devour' Ruth JonesSandwich generation[noun]A generation of people, typically in their thirties or forties, responsible both for bringing up their own children and for the care of their ageing parents. Shay Bastable is the woman in the middle. She is part of the sandwich generation – caring for her parents and her children, supporting her husband Bruce, holding them all together and caring for them as best she can. Then the arrival of a large orange skip on her mother’s estate sets in motion a cataclysmic series of events which leads to the collapse of Shay’s world. She is forced to put herself first for a change. But in order to move forward with her present, Shay needs to make sense of her past. And so she returns to the little village she grew up in, to uncover the truth about what happened to her when she was younger. And in doing so, she discovers that sometimes you have to hit rock bottom to find the only way is up.The perfect novel to curl up with, or to buy for the woman in the middle in your life. Praise for The Woman in the Middle: 'One of those novels that draws you in to its world and makes you wish you could be friends with Shay. So layered and textured and had me frequently shouting ‘noooooo!!!’ when Shay was getting the rough deal yet again, bounced from pillar to post. A really good story that kept me wondering what was at the bottom of it all. A tantalizing juicy tale full of twists and turns that kept me gripped. Warm, funny and moving. One to curl up with and devour' Ruth Jones 'An unputdownable tale of redemption and hard-won wisdom, this is a book that speaks for us all wherever we are in our lives. Milly Johnson always delivers an absolutely cracking read' Katie Fforde ‘The main characters are wise, loveable and so relatable. The humour is down to earth, the emotions are real and the storyline compelling. No one else writes quite like Milly and, with The Woman in the Middle, she has produced yet another winner’’ Jill Mansell 'Written from the heart ... honest, inspirational and great fun ... I loved it' Janie Millman 'This book is delicious. As moreish as a freshly made sandwich, full of your favourite filling. It's well worth the wait and joyous to bite into' Jo Thomas ‘Immensely relatable, tender and wise; Milly’s magic sparkles from every page’ Cathy Bramley ‘A complex family drama with a big heart, a light touch and lots of surprises’ Veronica Henry 'The perfect pick-me-up that you won't be able to put down. I loved it' Matt Dunn 'Milly Johnson gets better and better with every novel she writes'S Magazine 'A heartwarming tale about loss, love and second chances, that many women will relate to' The Sun 'Warm and hugely relatable, this is a must-read' Fabulous Magazine 'This absorbing book reminds us to be honest and true to ourselves' Woman's Weekly 'A brilliant read' Bella 'If you need a page-turner, then look no further. . . Emotional and heartwarming, it’s another gem from Johnson' Heat 'With Milly’s trademark warm wit and wisdom' My Weekly Special

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