Search results for ""Author Jan"

'Heady, exhilarating, often astonishing' New York Times 'Iridescently original, deeply disorientating and yet somehow radically hopeful ... worth reading and rereading' Brian Eno 'Be prepared to re-evaluate your relationship with the amazing life forms with whom we share the planet. Fascinating, innovative and thought provoking: I thoroughly recommend Ways of Being' Dr Jane Goodall, DBERecent years have seen rapid advances in 'artificial' intelligence, which increasingly appears to be something stranger than we ever imagined. At the same time, we are becoming more aware of the other intelligences which have been with us all along, unrecognized. These other beings are the animals, plants, and natural systems that surround us, and are slowly revealing their complexity and knowledge - just as the new technologies we've built are threatening to cause their extinction, and ours.In Ways of Being, writer and artist James Bridle considers the fascinating, uncanny and multiple ways of existing on earth. What can we learn from these other forms of intelligence and personhood, and how can we change our societies to live more equitably with one another and the non-human world? From Greek oracles to octopuses, forests to satellites, Bridle tells a radical new story about ecology, technology and intelligence. We must, they argue, expand our definition of these terms to build a meaningful and free relationship with the non-human, one based on solidarity and cognitive diversity. We have so much to learn, and many worlds to gain.

Read more less

THE GRIPPING GOTHIC THRILLERCharlotte, Emily and Anne Brontë are rather losing interest in detecting until they hear of a shocking discovery: the bones of a child have been found interred within the walls of a local house, Top Withens Hall, home to the scandalous and brutish Bradshaw family. When the sisters set off to find out more, they are confronted with an increasingly complex and sinister case, which leads them into the dark world of orphanages, and onto the trail of other lost, and likely murdered children. After another local boy goes missing, Charlotte, Emily and Anne vow to find him before it's too late. But in order to do so, they must face their most despicable and wicked adversary yet - one that would not hesitate to cause them the gravest of harm . . .Praise for Bella Ellis and the series:'Brontë aficionados are sure to enjoy the accurate characterization and context, the twists turns and Gothic touches of the plot, and the strong feminist streak that manifests itself throughout, but most triumphantly at the end. Happily, more Brontë mysteries are to be expected.' The Times Literary Supplement'A splendid adventure' Guardian'A delight' The Wall Street Journal'Brilliantly entertaining and original' CL Taylor'Insightful, moving and inspiring . . . an absolute treat from start to finish' Jane Casey'Elegant, witty and compulsively readable - I think the Brontë sisters would have been delighted' Rosie Walsh

Read more less

'Made me scream laughing. I enjoyed it SO much' Marian Keyes'Have you ever messed up so badly you had to leave the country? This feelgood journey contains one of the best vagina jokes ever. We didn't want it to end' Heat MagazineAlice is turning thirty and is stuck in a rut. Her friends are all coupling up and settling down, while she's still working as a temp, trying (and failing) not to shag her terrible ex, getting thrown out of clubs, and accidentally sexting her boss...She decides to throw caution to the wind and jets off on a round-the-world adventure to #FindTheFun and find herself. Of course, she's no more likely to find the answer to true happiness on the beach in Thailand than she is at the electric beach in Tooting, but at least in Thailand there's paddleboard yoga.Can Alice find happiness on her travels? Or is she more likely to lose herself all over again...?'Really, really funny, but also kind of heart wrenching' Sophie Kinsella'Hilarious and touching' Louise O'Neill 'Warning: read this book and you will doubtless snort with laughter in inappropriate public places. Quite simply, #brilliant' Ella Dove'Her best work yet: it's funner, it's more tender . . . You need to have this in your beach bag' Laura Jane Williams'I tore through this quicker than a duty-free Toblerone . . . Wickedly funny and painfully perceptive' Lauren Bravo'Utterly addictive and utterly charming...her best yet' Daisy Buchanan'A bawdy breath of fresh air' Sunday Mirror

Read more less

This is the story of a crucial year in the history of England, brimming with great political and social upheaval: the year 1603. 1603 was a time of last goodbyes and new beginnings; of waning customs and fresh political and constitutional visions. It saw an aged queen die and a king from the far north rise as sovereign over a foreign nation. It also witnessed an unprecedented outbreak of bubonic plague, which began in London and spread indiscriminately through the provinces, killing up to 30,000 people. Catholicism was a second major disease doing the rounds in 1603. Its presence would lead to an attempt to dethrone King James I in the very first months of his reign, culminating in a trial staged at Winchester Castle in November. One of the candidates the conspirators had in mind to replace him was the would-be queen Lady Arbella Stuart. Indeed, Arbella would bring her own dramas to an already crowded and politically and socially charged year. The present work considers the entirety of the year 1603 in England, from January to December. In this same spirit, it also pays attention to the lives of ordinary men and women, as well as the lives of the great and powerful of the land. How aware were so-called common folk of the significant national episodes playing out around them? Did they even care? The answers are both fascinating and unexpected, and raise important questions about the interrelationship between the ordinary and the extraordinary in seventeenth-century England.

Read more less

'Joyful, heartwarming and utterly charming' JUDY MURRAY'Charming, poignant and as comforting as a tin of royal shortbread. Delightful' VERONICA HENRYThree strangers. Ten miles. One life-changing day...Suzie is 69 and has been keeping a secret for most of her life. She'd do anything to have her beloved Colin with her today, of all days, but she's hoping that the long walk ahead will be a first chapter in a new life without him.Tim is 42 and is joining the queue out of a sense of duty. It's for his mum, who adored the Queen, but she can't be there. He's lived his whole life by the book, putting facts before feelings, trying to fit in but always sticking out. Perhaps he can change that today, by becoming part of history?Abbie is 19, desperately hungover and isn't sure how she ended up in the queue at all. Her 'big move' to London hasn't exactly gone to plan - surrounded by millions of people, she's never felt more lonely, and her dreams feel further away than ever. Yet today, she feels closer to her queue family than she does her real one.As the unlikely trio wind along the Thames, edging ever closer to Westminster and the Queen, it becomes clear that when they finally leave the queue their worlds will never be the same again...More praise for The Queue'A love letter to London!' GEORGINA MOORE'A sharp, joyous, soulful book. Alan Bennett but sexy and modern and female' EMMA JANE UNSWORTH'A gorgeous story' FABULOUS magazine

Read more less

'A raw, honest rollercoaster that touches the heart' *****'Kate and her family's courageous battle is told with such candour' *****'Written from the heart with the will never to give up hope' *****........................In March 2020, Kate Garraway's husband, Derek Draper, contracted Covid-19 and was placed in a medically-induced coma. Thought to be the UK's longest-fighting Covid-19 patient, he spent more than a year in hospital before returning home to be with Kate and their children, Darcey and Billy. However he continued to suffer the devastating after-effects of COVID and passed away at the start of January 2024.In this intimate book, Kate shares her deeply personal story. As well as recounting how the illness took hold of their lives, she writes about coping with uncertainty, how she's supporting her children through this traumatic time, how she has found strength in community and how she strives to hold on to hope even at the darkest of times. Covid-19 has affected everyone across the country in so many ways and Kate hopes that by revealing her own personal experience, it will give comfort to others. By sharing the lessons she has learnt along the way, it will help us all begin to try to re-build our lives.Kate's exceptional courage, positivity and warmth shine through on every page, making The Power of Hope a truly inspiring read that will resonate with all of us whose lives continue to be touched by the virus.WRITTEN IN 2021 THIS EDITION WAS UPDATED IN 2022 WITH NEW MATERIAL ABOUT CARING FOR DEREK AT HOME.

Read more less

‘Bath is not only one of the best cities in the world to explore on foot; it is also surrounded on all sides by unspoilt countryside whose beauty is matched by its variety.’ This new edition of the best-selling walking guide to the city does full justice to that unique inheritance. As well as featuring its main attractions, it leads the reader to hidden corners and panoramic views over Bath and beyond. As well as tracing some of Jane Austen’s expeditions around the city, it also looks at the rigours of eighteenth-century social life, the architecture of John Wood and his successors, the city’s industrial heritage and the story of how window tax affected the design of its buildings. Finally, a postscript looks at the transformation of the city since the opening of Thermae Bath Spa in 2006. This new edition has not only been fully revised and updated; the opportunity has also been taken to improve some of the walks. As a result, the first walk now includes a visit to a newly accessible courtyard overlooked by one of Bath’s finest buildings, Walk 5 includes a riverside path and Walk 9 takes advantage of a recently-opened path with superb views. Walk 10 has been rerouted across a new footbridge to the historic Newark Works, and several other walks have been rerouted to include hidden gems or follow paths through green fields rather than city streets. Much new information has also been included, along with many new photographs.

Read more less

Winner, Alan Bray Memorial Book Award 2022 Lammy Finalist, LGBTQ Studies Can queer theory be erotophobic? This book proceeds from the perplexing observation that for all of its political agita, rhetorical virtuosity, and intellectual restlessness, queer theory conforms to a model of erotic life that is psychologically conservative and narrow. Even after several decades of combative, dazzling, irreverent queer critical thought, the field remains far from grasping that sexuality’s radical potential lies in its being understood as “exogenous, intersubjective and intrusive” (Laplanche). In particular, and despite the pervasiveness and popularity of recent calls to deconstruct the ideological foundations of contemporary queer thought, no study has as yet considered or in any way investigated the singular role of psychology in shaping the field’s conceptual impasses and politico-ethical limitations. Through close readings of key thinkers in queer theoretical thought—Eve Kosofsky Sedgwick, Leo Bersani, Lee Edelman, Judith Butler, Lauren Berlant, and Jane Gallop—Homo Psyche introduces metapsychology as a new dimension of analysis vis-à-vis the theories of French psychoanalyst Jean Laplanche, who insisted on “new foundations for psychoanalysis” that radically departed from existing Freudian and Lacanian models of the mind. Staging this intervention, Ashtor deepens current debates about the future of queer studies by demonstrating how the field’s systematic neglect of metapsychology as a necessary and independent realm of ideology ultimately enforces the complicity of queer studies with psychological conventions that are fundamentally erotophobic and therefore inimical to queer theory’s radical and ethical project.

Read more less

'A twisting, turning story of revenge and redemption' STYLISTIt was the three of them. Always the three of them. Until it wasn't.Dara and Marie were trained as ballet dancers by their glamorous mother, founder of the Durant School of Dance. After their parents died in a tragic accident nearly a dozen years ago, the sisters took over running the school together with Charlie, Dara's husband and once their mother's prized student. But when a suspicious accident occurs, just at the onset of the school's annual performance of The Nutcracker - a season of competition, anxiety, and exhilaration - an interloper arrives and threatens their delicate balance.The instant New York Times bestseller'Impossible to put down, creepy and claustrophobic. It's WHATEVER HAPPENED TO BABY JANE in ballet shoes' STEPHEN KING'Compulsively readable' RUTH WARE 'A book you will not be able to forget' MARK BILLINGHAM 'My thriller of the year' JAKE KERRIDGE, DAILY TELEGRAPH, BEST BOOKS OF THE YEAR 'The feeling of menace grows stronger with every page' GUARDIAN 'Slow-burning and feverish, with all the intensity of a classic American film noir' MAIL ON SUNDAY 'Charged with foreboding, the novel throbs with gothic tension' IRISH TIMES 'Dark and juicy and tinged with horror' NEW YORK TIMES 'Dark and mesmerising' HARRIET TYCE 'This is Megan Abbott working at the absolute height of her talent' ATTICA LOCKE 'There's no one who captures the atmosphere of a tight-knit hothouse world, in all its feverish beauty and brutality, quite like Megan Abbott' TANA FRENCH

Read more less

THE GRIPPING GOTHIC THRILLERCharlotte, Emily and Anne Brontë are rather losing interest in detecting until they hear of a shocking discovery: the bones of a child have been found interred within the walls of a local house, Top Withens Hall, home to the scandalous and brutish Bradshaw family. When the sisters set off to find out more, they are confronted with an increasingly complex and sinister case, which leads them into the dark world of orphanages, and onto the trail of other lost, and likely murdered children. After another local boy goes missing, Charlotte, Emily and Anne vow to find him before it's too late. But in order to do so, they must face their most despicable and wicked adversary yet - one that would not hesitate to cause them the gravest of harm . . .Praise for Bella Ellis and the series:'Brontë aficionados are sure to enjoy the accurate characterization and context, the twists turns and Gothic touches of the plot, and the strong feminist streak that manifests itself throughout, but most triumphantly at the end. Happily, more Brontë mysteries are to be expected.' The Times Literary Supplement'A splendid adventure' Guardian'A delight' The Wall Street Journal'Brilliantly entertaining and original' CL Taylor'Insightful, moving and inspiring . . . an absolute treat from start to finish' Jane Casey'Elegant, witty and compulsively readable - I think the Brontë sisters would have been delighted' Rosie Walsh

Read more less

THE TWISTY NEW THRILLER AND TOP 5 SUNDAY TIMES BESTSELLERIN A VILLAGE WITH THIS MANY SECRETS, A MURDER IS JUST THE BEGINNING . . .On New Year's Eve, Rhys Lloyd has a house full of guests.He's celebrating the success of his lakeside holiday homes, and has generously invited the village to drink champagne with their wealthy new neighbours.By midnight, Rhys will be floating dead in the freezing waters of the lake.On New Year's Day, DC Ffion Morgan has a village full of suspects.She grew up in the tiny community, so the murder suspects are her neighbours, friends and family - and Ffion has her own secrets to protect.With a lie uncovered at every turn, soon the question isn't who wanted Rhys dead . . . but who finally killed him.A GAME OF LIES, THE NEXT DC FFION MORGAN THRILLER, IS OUT NOW!'Superb, devilishly clever, with echoes of Agatha Christie' PATRICIA CORNWELL'Wickedly enjoyable' THE TIMES'Mackintosh is just getting better and better with every book' PETER JAMES'Leo and Ffion make a storming debut in this twisty tale' BELINDA BAUER'A dark delight of a murder mystery!' JANICE HALLETT'Warm, atmospheric, ingenious - this is the new crime series you need in your life' WILL DEAN'Insanely gripping' ERIN KELLY'Mackintosh is a genius' FIONA CUMMINS'An absolute triumph' CLAIRE DOUGLAS'Brilliant, so atmospheric' RUTH WARE'Whipsmart' LINWOOD BARCLAY'DC Ffion Morgan is complicated, funny and very sweary' LOUISE CANDLISH'Twists that blindside you all the way' MARI HANNAH'Every chapter ends on a cliff hanger' GOOD HOUSEKEEPING

Read more less

Compared to the People’s Liberation Army Air Force and Naval Aviation, the PLA’s Army Aviation is the least known und understood of the country’s air arms. Its formation was only approved in 1986 and it was established as the Army Aviation Corps in January 1988, using helicopters inherited from the Air Force. Beginning as a single regiment, the first true Army Aviation brigade was formed in 2009 and the force has now expanded to around a dozen frontline units operating hundreds of different helicopters. In its current form, Army Aviation has established itself as a major force in support of the PLA Ground Forces.In April 2017 – and in parallel with China’s other two air arms – the Army Aviation began a dramatic reorganisation. The former PLA Group Armies were restructured, and the aviation units have undergone major changes. This trend has included not only the introduction of larger numbers of more modern helicopters, but also the establishment of newly numbered aviation brigades. Consequently, while the PLA Ground Forces generally face a reduction in numbers, the Army Aviation brigades will probably see expansion, not only in size but also in operational importance.Complementing Harpia’s two fully revised volumes dedicated to the PLAAF and Naval Aviation, this uniquely compact yet comprehensive directory provides a magnificently illustrated, in-depth analysis and directory of modern Chinese Army Aviation air power. It is organised in four parts: the most important military aircraft and their weapons in service today; aircraft markings and serial number systems; recent modernisation efforts and structural reforms and orders of battle for the PLA’s Army Aviation.

Read more less

The sixteenth Parker novel, "Butcher's Moon" is more than twice as long as most of the master heister's adventures and absolutely jammed with the action, violence, and nerve-jangling tension readers have come to expect. Back in the corrupt town where he lost his money, and nearly his life, in Slayground, Parker assembles a stunning cast of characters from throughout his career for one gigantic, blowout job: starting - and finishing - a gang war. It feels like the Parker novel to end all Parker novels, and for nearly twenty-five years that's what it was. After its publication in 1974, Donald Westlake said, 'Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone.' And readers waited. But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, 'suddenly, he came back from the dead, with a chalky prison pallor' - and the resulting novel, "Comeback", showed that neither Stark nor Parker had lost a single step. Knocking over a highly lucrative religious revival show, Parker reminds us that not all criminals don ski masks - some prefer to hide behind the wings of fallen angels. Backflash followed soon after, and it found Parker checking out the scene on a Hudson River gambling boat. Parker's no fan of either relaxation or risk, however, so you can be sure he's playing with house money - and he's willing to do anything to tilt the odds in his favor. Featuring three new introductions by Westlake's close friend and writing partner Lawrence Block, these classic Parker adventures deserve a place of honor on any crime fan's bookshelf.

Read more less

Bridgerton is the runaway Netflix success that has captured the hearts and imaginations of its biggest ever global audience. Producers Chris Van Dusen and Shonda Rhimes have ripped up the Regency drama rulebook to create a series that speaks to a modern audience. Apart from the intense sexual chemistry, inspired casting and a lavish costume budget, what sets Bridgerton apart is the extensive use of location shooting. Step forward Bath: the Georgian architectural jewel gets to play many different parts of fashionable London. Bridgerton’s Bath takes you on a tour of all these locations from No.1 The Royal Crescent (the Featherington’s house on Grosvenor Square) to Abbey Green (Covent Garden) and the Abbey Deli (Modiste couturier) on Abbey Street. Bridgerton intersects with Jane Austen’s world at the Assembly Rooms where one of the early balls takes place, while the 18th-century Bath Guildhall also gets a place on the series’ dance card. A key character in the drama is Lady Danbury, played by Adjoa Andoh, and her grand mansion is Bath’s former Sydney Hotel, today the Holburne Museum. Gunter’s Tea Room was a celebrated London patisserie and in Bridgerton it can be found on Trim Street. Many Bath streets feature regularly, including Beauford Square, a place for regular carriage trips and the Royal Crescent, which in Series One, reverberated to the sound of galloping hooves as our heroine (or her stunt double) raced to stop a duel. The book includes a feature on how the series was filmed in the city, and includes a detailed map so you can follow your own Bridgerton Walking Tour of this beautiful city, which has more to offer besides.

Read more less

Discover 100 life-changing travel experiences. Familiar faces from the world of travel, plus Lonely Planet writers, share their most remarkable, poignant and memorable experiences from the road - moments that changed them as individuals and reshaped their perspective on the world. Tales includes a Rwandan gorilla encounter, reincarnation on the Ganges, horse riding with Patagonian gauchos, witnessing Nelson Mandela's first free speech, watching a space shuttle launch, crossing the Gobi desert on foot, and a son journeying with his mother back to Alexandria, the city of her childhood. Destinations include Monument Valley Navajo Tribal Park in Utah, Cape Town, Gir National Park in India, the Western Wall in Jerusalem, Carnival in Rio de Janeiro, the Trans-Siberian Railway, Antarctica, Samburu National Reserve in Kenya, Samye Monastery in Tibet and Madagascan forests. With each story, you'll get a powerful account of how the experience unfolded and what it was like to be there, right at that moment. A 'Build Up' and 'Take Away' complete the story, detailing how the moment made a lasting impact on the contributor's life. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more.

Read more less

'Tense, gripping and atmospheric' - CHRIS WHITAKER'Gripped me from its shocking start' - SARAH YARWOOD-LOVETT'I highly recommend it' - LYNDA LA PLANTE CBE________________TWO MISSING BACKPACKERS. ONE VAST OUTBACK.DS Lucas Walker is on leave in his hometown, Caloodie, taking care of his dying grandmother. When two young German backpackers, Berndt and Rita, vanish from the area, he finds himself unofficially on the case.But why all the interest from the Federal Police when they have probably just ditched the heat and dust of the outback for the coast? Working in the organised crime unit has opened Walker's eyes to the growing drug trade in Australia's remote interior - and he becomes convinced there is more at play.As the number of days since the couple's disappearance climbs, Walker is joined by Rita's older sister. A detective herself with Berlin CID, she has flown to Australia - desperate to find her sister.Their search becomes ever more urgent as temperatures soar. Even if Walker does find the young couple, will it be too late?This deeply atmospheric thriller is the gripping opening of a new crime series for fans of The Dry by Jane Harper, Cara Hunter and Chris Whitaker.________________Praise for Outback'Tense, atmospheric and gripping. I eagerly await the next DS Walker thriller' - CHRIS WHITAKER'A hot read. I highly recommend it.' - LYNDA LA PLANTE CBE'A tense, twisty read that gripped me from its shocking start, immersed me in its sun-scorched landscape, then raced to its satisfying conclusion' - SARAH YARWOOD-LOVETT'Nail-bitingly tense. A startlingly well-accomplished debut.' - JOHN MARRS'A setting so vivid it's almost a character within itself' - BECCA DAY

Read more less

I know you want to punish me, trying to make me live. In 1995 Sarah Kane's first full-length play Blasted sent shockwaves throughout the theatrical world. Making front-page headlines, the play outraged critics with its depiction of rape, torture and violence in civil war. However, from being roundly condemned by the critics the play is now considered a seminal work of European theatre and has defined an entire era of stage writing. In an expensive hotel room in Leeds, Ian, a middle-aged tabloid journalist, sits with his teenage lover Cate who he attempts to seduce and eventually rapes. As reality dissipates, the room becomes embroiled in civil war as a soldier invades the space and the play descends into apocalyptic scenes of brutality. Blasted's canonical status reflects the raw beauty and terror of Kane's writing. Probing the brutality people inflict upon one another, the suffering and violation, the play also looks at the role of love and the redemption it offers. Unafraid to delve into darkness, this is a provocative, fragmenting piece full of significance and power. Blasted premiered at the Royal Court Theatre Upstairs in January 1995. Methuen Drama’s iconic Modern Plays series began in 1959 with the publication of Shelagh Delaney’s A Taste of Honey and has grown over six decades to now include more than 1000 plays by some of the best writers from around the world. This new special edition hardback of Blasted was published to celebrate 60 years of Methuen Drama’s Modern Plays in 2019, chosen by a public vote and features a brand new foreword by Mel Kenyon.

Read more less

The Forest: Politics, Poetics, and Practice focuses on the forest as a theme in contemporary art. The full-color catalog accompanies one of the inaugural exhibitions at the new Nasher Museum of Art at Duke University, on view from October 2, 2005, through January 29, 2006. The show features contemporary works of art by more than thirty artists from North and South America, Europe, Asia, Africa, and Australia. It includes drawings, prints, sculpture, photography, film, video, digital imagery, and sound art. Starting with “politics”—the first of its three organizing themes—the exhibition examines works that take a political approach to the forest and nature. Germany’s Joseph Beuys’s lithograph Save the Woods (1972) anchors a contemporary collection of works—by An-My Le (Vietnam), Rosemary Laing (Australia) and Collier Schorr (U.S.), and Zwelethu Mthethwa (South Africa), among others—that look at issues of war, nuclear threat, colonialism, industrialization, and deforestation.“Poetics” investigates the psychological, mythical, spiritual, and literary aspects of the forest, inspired by the Grimms’ fairy tales, Celtic mythology, and European ghost stories. Among the artists showcased are Kiki Smith (U.S.), Wim Wenders (Germany), Yang FuDong (China), Petah Coyne (U.S.), and Paloma Varga Weisz (Germany). “Practice” focuses on artists who are actively engaged with issues of ecology. The exhibition marks the premiere of a webcam project by pioneering media artist Wolfgang Staehle. Other artists include Simon Starling (U.K.), Alan Sonfist (U.S.), and Carsten Holler (Germany).The Forest is cosponsored by the Nicholas School of the Environment and Earth Sciences at Duke University.

Read more less

"We thought the study of women would be a temporary phase; eventually we would all go back to our disciplines."—Gloria Bowles, From the AfterwordSince the 1970s, Women's Studies has grown from a volunteerist political project to a full-scale academic enterprise. Women's Studies on Its Own assesses the present and future of the field, demonstrating how institutionalization has extended a vital, ongoing intellectual project for a new generation of scholars and students.Women’s Studies on Its Own considers the history, pedagogy, and curricula of Women’s Studies programs, as well as the field’s relation to the managed university. Both theoretically and institutionally grounded, the essays examine the pedagogical implications of various divisions of knowledge—racial, sexual, disciplinary, geopolitical, and economic. They look at the institutional practices that challenge and enable Women’s Studies—including interdisciplinarity, governance, administration, faculty review, professionalism, corporatism, fiscal autonomy, and fiscal constraint. Whether thinking about issues of academic labor, the impact of postcolonialism on Women’s Studies curricula, or the relation between education and the state, the contributors bring insight and wit to their theoretical deliberations on the shape of a transforming field.Contributors. Dale M. Bauer, Kathleen M. Blee, Gloria Bowles, Denise Cuthbert, Maryanne Dever, Anne Donadey, Laura Donaldson, Diane Elam, Susan Stanford Friedman, Judith Kegan Gardiner, Inderpal Grewal, Sneja Gunew, Miranda Joseph, Caren Kaplan, Rachel Lee, Devoney Looser, Jeanette McVicker, Minoo Moallem, Nancy A. Naples, Jane O. Newman, Lindsey Pollak, Jean C. Robinson, Sabina Sawhney, Jael Silliman, Sivagami Subbaraman, Robyn Warhol, Marcia Westkott, Robyn Wiegman, Bonnie Zimmerman

Read more less

From the early days of second-wave feminism, motherhood and the quest for women's liberation have been inextricably linked. And yet motherhood has at times been viewed, by anti-feminists and select feminists alike, as somehow at odds with feminism. In reality, feminists have long treated motherhood as an organizing metaphor for women's needs and advancement. The mother has been regarded with suspicion at times, deified at others, but never ignored.The first book devoted to this complex relationship, Motherhood Reconceived examines in depth how the realities of motherhood have influenced feminist thought. Bringing to life the work of a variety of feminist writers and theorists, among them Jane Alpert, Mary Daly, Susan Griffin, Adrienne Rich, and Dorothy Dinnerstein, Umansky situates feminist discourses of motherhood within the social and political contexts of the 1960s. Charting an increasingly favorable view of motherhood among feminists from the late 1960s through the 1980s, Umansky reveals how African American feminists sought to redefine black nationalist discourses of motherhood, a reworking subsequently adopted by white radical and socialist feminists seeking to broaden the racial base of their movement. Noting the cultural left's conflicted relationship to feminism, that is, the concurrent demand for individual sexual liberation and the desire for community, Umansky traces that legacy through various stages of feminist concern about motherhood: early critiques of the nuclear family, tempered by strong support for day care; an endorsement of natural childbirth by the women's health movement of the early 1970s; white feminists' attempt to forge a multiracial movement by declaring motherhood a universal bond; and the emergence of psychoanalytic feminism, ecofeminism, spiritual feminism, and the feminist anti- pornography movement.

Read more less

Behind some of the most popular works of science fiction, fantasy, and horror there are forgotten stories of female creators. It's no secret that genres like science fiction, fantasy, horror, and more, have evolved from niche interest to mainstream staple in the last few decades. However, the countless women who have been instrumental in creating and shaping those genres for the last fifty-plus years have largely gone largely unrecognized -- until now. Pop Culture Pioneers explores and pays respect to the work and influence of the female creators who played a crucial role in creating and influencing of some of the most famous worlds and characters in pop culture from the early 70s through to 2010 including:* Creators like Bonnie Erickson (co-creator of Miss Piggy), Christy Marx (Jem! And The Holograms creator), Roberta Williams (creator of the adventure game genre), and Betty Cohen (founder of Cartoon Network)* Writers & Editors like Jeanette Khan (head of DC Comics), Alice Bradley Sheldon (writing as James Tiptree Jr.) and Malia Scotch Marno (screenwriter for Jurassic Park and Hook)* Animators & Artists like Vicky Jenson (animator and director of Shrek) and Brenda Chapman (animator and director of Brave)* Directors & Producers like Jean MacCurdy (producer of Batman: The Animated Series and Animaniacs), Denise Di Novi (co-producer of Batman Returns and The Nightmare Before Christmas), and Fran Walsh (co-producer of the Lord of the Rings trilogy)* As well as Yvonne Blake (costume designer for Superman), Marlene Clark (Blaxploitation actress), Jane Feinberg (casting director for Blade Runner, E.T., The Goonies, and Indiana Jones), and so many more!

Read more less

*A TIMES AND SPECTATOR BOOK OF THE YEAR*'[Owolade's] argument has needed saying for years' Janan Ganesh, Financial Times'Compelling and admirable' Sunday Times'Passionate and timely' Observer'Excellent' Telegraph'Illuminating' The Times'Timely [and] engaging' Guardian***Chosen as a non-fiction highlight of 2023 in The Times, Guardian, Observer, Irish Times and New Statesman***Across the West, racial injustice has become one of the most divisive issues of our age. In the rush to address inequality and prejudice, and to understand concerns around identity, immigration and colonial history, Britain has followed the lead of the world's dominant power: America. We judge ourselves by America's standards, absorb its arguments and follow its agenda. But what if we're looking in the wrong place?This is Not America is built on the idea that black Britons are British first and foremost, and thus are likely to have more in common with other Britons than with black people in other parts of the world. It argues that too much of the conversation around race in Britain today is viewed through the prism of American ideas that don't reflect the history, challenges and achievements of increasingly diverse black populations at home. To build a long-lasting and more effective anti-racist agenda we must acknowledge that crucial differences exist between Britain and America, and that we are talking about distinct communities and cultures, distinguished by language, history, class, religion and national origin. Humane, empirical and passionate, this book provides a bold new framework for understanding race in Britain today.

Read more less

The Tet Offensive of January 1968 was the most important military campaign of the Vietnam War. The ancient capital city of Hue, once considered the jewel of Indochina’s cities, was a key objective of a surprise Communist offensive launched on Vietnam’s most important holiday. But when the North Vietnamese launched their massive invasion of the city, instead of the general civilian uprising and easy victory they had hoped for, they faced a devastating battle of attrition with enormous casualties on both sides. In the end, the battle for Hue was an unambiguous military and political victory for South Vietnam and the United States. In Fire in the Streets, the dramatic narrative of the battle unfolds on an hour-by-hour, day-by-day basis. The focus is on the U.S. and South Vietnamese soldiers and Marines–from the top commanders down to the frontline infantrymen–and on the men and women who supported them. With access to rare documents from both North and South Vietnam and hundreds of hours of interviews, Eric Hammel, a renowned military historian, expertly draws on first-hand accounts from the battle participants in this engrossing mixture of action and commentary. In addition, Hammel examines the tremendous strain the surprise attack put on the South Vietnamese-U.S. alliance, the shocking brutality of the Communist “liberators,” and the lessons gained by U.S. Marines forced to wage battle in a city–a task for which they were utterly unprepared and which remains highly relevant today. Re-issued in the fiftieth anniversary year of the battle, with an updated photo section and maps this is the only complete and authoritative account of this crucial landmark battle.

Read more less

A revealing, no-holds-barred portrait of the legendary Eileen Ford-the entrepreneur who transformed the business of modeling and helped invent the celebrity supermodel. Working with her husband, Jerry, Eileen Ford created the twentieth century's largest and most successful modeling agency, representing some of the fashion world's most famous names-Suzy Parker, Carmen Dell'Orefice, Lauren Hutton, Rene Russo, Christie Brinkley, Jerry Hall, Christy Turlington, and Naomi Campbell. Her relentless ambition turned the business of modeling into one of the most glamorous and desired professions, helping to convert her stable of beautiful faces into millionaire superstars. Model Woman chronicles the Ford Modeling Agency's meteoric rise to the top of the fashion and beauty business, and paints a vibrant portrait of the uncompromising woman at its helm in all her glittering, tyrannical brilliance. Outspoken and controversial, Ford was never afraid to offend in defense of her stringent standards. When she chose, she could deliver hauteur in the grand tradition of fashion's battle-axes, from Coco Chanel to Diana Vreeland-just ask John Casablancas or Janice Dickinson. But she was also a shrewd businesswoman with a keen eye for talent and a passion for serving her clients. Drawing on more than four years of intensive interviews with Ford and her intimates, associates, and rivals, as well as exclusive access to agency documents and memorabilia, Robert Lacey weaves an unforgettable tale of a determined entrepreneur and the empire she built-a story of beauty, ambition, business, and popular culture as powerful and complex as the woman at its center.

Read more less

In these pages you will encounter gamblers and adventurers, conmen and conwomen, rodomontades and ragamuffins, outright fools and outrageous liars. Scalawags, the lot of them. But you can be an adventurer, a conman or conwoman, a fool, liar, gambler, rodomontade or ragamuffin and not be a scalawag. Many adventurers are not even interesting, come to think of it, let alone scalawags. There is an ineffable quality, an indefinable something or other that sets some people apart, places themin the special category that Jim Christy calls "scalawag." You might call them something else: nuts, perhaps. And quite frankly in many instances-George Francis Train, for instance, or Louis De Rougemont-you'd probably be right. But likewise you don't have to be a crackpot to be a scalawag: Two Gun Cohen, for instance, or Lady Jane Digby. What you have to be is outrageous with a bit of what Andre Malraux, an adventurer and liar, perhaps-;but not a scalawag-designated, in reviving an old French word, farfelu. It means that you are willing to risk everything, whether on a grand or small scale, on the craziest of schemes, the wildest of notions. "Curious cases of cannibalism, extreme sado-masochism, and generally irrational behaviour abound, making 'Scalawags' the perfect balm anyone attempting to cloister their desires in a bid for self improvement." - Steven Schelling "My advice: Keep your copy of 'Scalawags' in the bathroom. Or on your bedside table. Or in the bag you carry on thebus. It's perfectly suited to those times when you're seeking a momentary escape. There's nothing like outrageous lives and flamboyant characters to take you out of your dreary day-to-day." - Robert J. Wiersema, The Vancouver Sun

Read more less

Hollywood’s Africa after 1994 investigates Hollywood’s colonial film legacy in the postapartheid era, and contemplates what has changed in the West’s representations of Africa. How do we read twenty-first-century projections of human rights issues—child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation—within the contexts of celebrity humanitarianism, “new” military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamond, The Last King of Scotland, The Constant Gardener, Shake Hands with the Devil, Tears of the Sun, and District 9, construct explicit and implicit arguments about the effects of Western intervention in Africa. Do the emphases on human rights in the films offer a poignant expression of our shared humanity? Do they echo the colonial tropes of former “civilizing missions?” Or do human rights violations operate as yet another mine of sensational images for Hollywood’s spectacular storytelling? The volume provides analyses by academics and activists in the fields of African studies, English, film and media studies, international relations, and sociology across continents. This thoughtful and highly engaging book is a valuable resource for those who seek new and varied approaches to films about Africa. Contributors Harry Garuba and Natasha Himmelman Margaret R. Higonnet, with Ethel R. Higgonet Joyce B. Ashuntantang Kenneth W. Harrow Christopher Odhiambo Ricardo Guthrie Clifford T. Manlove Earl Conteh-Morgan Bennetta Jules-Rosette, J. R. Osborn, and Lea Marie Ruiz-Ade Christopher Garland Kimberly Nichele Brown Jane Bryce Iyunolu Osagie Dayna Oscherwitz

Read more less

"This richly varied text offers generous support for every aspect of the teacher's role, while constantly reminding us that mathematical activity is not a de-contextualised skill that children possess, but part of their identity, their way of being in the world, engaged with the world, energetically - and playfully - trying to make sense of it."Mary Jane Drummond, formerly of the Faculty of Education, University of Cambridge, UKTeaching and Learning Early Number is a bestselling guide for all trainee and practising Early Years teachers and classroom assistants. It provides an accessible guide to a wide range of research evidence about the teaching and learning of early number.Major changes in the primary mathematics curriculum over the last decade - such as the National Numeracy Strategy, the Primary National Strategy, the Early Years Foundation Stage and the Williams Review - have greatly influenced the structure of this new edition. The book includes: A new introductory chapter to set the scene Six further new chapters - including Mathematics through play, Children's mathematical graphics and Interview-based assessment of early number knowledge Six completely re-written chapters and two updated chapters A new concluding chapter looking to the future The chapters can be read in a standalone fashion and many are cross referenced to other parts of the book where specific ideas are dealt with in a different manner. Issues addressed include: new research on the complex process of counting and on children's written mathematical marks; counting in the home environment and play in the school setting; the importance of mathematical representations and of ICT in children's understanding of number; errors and misconceptions and the assessment of children’s number knowledge.

Read more less

THE NEW THRILLER FROM THE NO.1 SUNDAY TIMES BESTSELLERThey say the camera never lies.But on this show, you can't trust anything you see.Stranded in the Welsh mountains, seven reality show contestants have no idea what they've signed up for.Each of these strangers has a secret. If another player can guess the truth, they won't just be eliminated - they'll be exposed live on air. The stakes are higher than they'd ever imagined, and they're trapped.The disappearance of a contestant wasn't supposed to be part of the drama. Detective Ffion Morgan has to put aside what she's watched on screen, and find out who these people really are - knowing she can't trust any of them.And when a murderer strikes, Ffion knows every one of her suspects has an alibi . . . and a secret worth killing for.'Twisty and clever . . . another deeply enjoyable mystery from a talented storyteller' KARIN SLAUGHTER'Sharply written, wickedly fun, and smartly plotted - A GAME OF LIES is a joy from beginning to end' LUCY CLARKE'Great fun - clever plot, engaging characters and smart, sharp writing' SHARI LAPENAPraise for The Last Party (a DC Ffion Morgan thriller):'Superb, with echoes of Agatha Christie' PATRICIA CORNWELL'A dark delight of a murder mystery' JANICE HALLETT'Detectives Leo and Ffion make a storming debut' BELINDA BAUER'Mackintosh is just getting better and better' PETER JAMES'An absolute triumph' CLAIRE DOUGLAS'I fell in love with courageous, complicated DC Ffion Morgan' RUTH WARE'This is the new crime series you need in your life' WILL DEAN'Expertly plotted and relentlessly gripping' LUCY CLARKE

Read more less

Longlisted for the New Blood Dagger Award 2021 'A darkly gripping and addictive read. I tore through it in a few days’ ESTHER FREUD 'Deeply engrossing … an exquisite literary thriller’ PHILIPPA EAST ‘Emotionally wrenching’ WALL STREET JOURNAL ‘Impossible to put down’ TREVOR WOOD A missing woman 30 years ago, in the suffocating heat of a Sydney summer, the Greens’ next-door neighbour Mandy disappeared without a trace. A cold case reopened In 1997, in a basement flat in Hackney, Isla Green is awakened by a call in the middle of the night: her father is under suspicion of Mandy’s murder. A devastating secret How well does Isla know her father? Is he capable of doing something terrible? And is there another secret in their community – a conspiracy of silence which stretches deep into Australia’s past? –––––––––––––––––––––––––––––– ‘An atmospheric, convincing portrayal of the way that the decisions we make, both individually and collectively, reverberate down the years’ GUARDIAN ‘Allott uses the scandal of Australia’s stolen children to devastating effect in this memorable debut’ SUNDAY TIMES 'A riveting mystery, beautifully unwound. The Silence excavates dark, decades-old secrets buried in human hearts, in families and in nations. I read it in one weekend’ ERIN KELLY ‘An impressive and beautifully written, Australian-set debut with the devastating subject of the Stolen Generation at its core’ FIONA MITCHELL ‘Tense, atmospheric and brilliantly paced. The Silence is fraught with disturbing secrets and powerful emotions. I loved it’ FRANCESCA JAKOBI ‘A brooding, suspenseful debut’ SUNDAY MIRROR ‘A suspenseful, beautifully crafted debut for fans of Celeste Ng and Jane Harper’ TELEGRAPH AUSTRALIA ‘Intricate and suspenseful… [a] stellar debut’ NEW YORK JOURNAL OF BOOKS

Read more less

'A sparkling debut...this is a very good plot-driven thriller dressed in a glittery jumpsuit.' GUARDIAN'I couldn't stop turning the pages . . . a debut you won't want to miss' MEGAN ABBOTT'A wild, energetic gem of a novel' DAILY MAIL Intoxicating, compulsive and blackly funny, Other People's Clothes is the thrilling novel from Berlin-based American artist Calla Henkel.2009. Berlin. Two art students arrive from New York, both desperate for the city to solve their problems.Zoe is grieving for her high school best friend, murdered months before in her hometown in Florida.Hailey is rich, obsessed with the exploits of Lindsay Lohan and Britney Spears and wants to be a Warholian legend.Together they rent a once-magnificent apartment from eccentric crime writer Beatrice Becks. With little to fill their time, they spend their nights twisting through Berlin's club scene and their days hungover. Soon inexplicable things start happening in the apartment and the two friends suspect they are being watched by Beatrice. Convinced that their landlord is using their lives as inspiration for her next thriller novel, they decide to beat her at her own game. The girls start hosting wild parties in the flat and quickly gain notoriety, with everyone clamouring for an invite to 'Beatrice's.' But ultimately they find themselves unable to control the narrative and it spirals into much darker territory . . .'Thrilling' Cosmopolitan'Full of delicious layers . . . I felt drunk reading it.' Emma Jane Unsworth'Other People's Clothes feels like reading a thriller by your most acerbic friend' Rowan Hisayo Buchanan

Read more less

Previously published as PeacemakersBetween January and July 1919, after the war to end all wars, men and women from all over the world converged on Paris for the Peace Conference. At its heart were the leaders of the three great powers - Woodrow Wilson, Lloyd George and Clemenceau. Kings, prime ministers and foreign ministers with their crowds of advisers rubbed shoulders with journalists and lobbyists for a hundred causes - from Armenian independence to women's rights. Everyone had business in Paris that year - T.E. Lawrence, Queen Marie of Romania, Maynard Keynes, Ho Chi Minh. There had never been anything like it before, and there never has been since. For six extraordinary months the city was effectively the centre of world government as the peacemakers wound up bankrupt empires and created new countries. They pushed Russia to the sidelines, alienated China and dismissed the Arabs, struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews. The peacemakers, so it has been said, failed dismally; failed above all to prevent another war. Margaret MacMillan argues that they have unfairly been made scapegoats for the mistakes of those who came later. They tried to be evenhanded, but their goals - to make defeated countries pay without destroying them, to satisfy impossible nationalist dreams, to prevent the spread of Bolshevism and to establish a world order based on democracy and reason - could not be achieved by diplomacy. Paris 1919 (originally published as Peacemakers) offers a prismatic view of the moment when much of the modern world was first sketched out.

Read more less

'Riveting and thrilling in equal measure. I didn't come up for air until the very last page. Filled with fantastic characters who find themselves in terrifying and unexpected situations. I kept asking myself, what would I do if it was me? A fantastic read with so many great twists. The best book from Louise Phillips so far.' Patricia Gibney'Compelling and clever. They All Lied grips you from the opening page and doesn't let you go.' Brian McGilloway When Nadine Fitzmaurice, a manager in an insurance company, gets a distressed phone call from her eighteen-year-old daughter, Becca, telling her she's killed someone, Nadine's life is turned upside down.Now Becca is being held against her will and, determined to save her daughter, Nadine finds herself dragged into the underworld of organised crime - and under the scrutiny of Detective Sergeant Wren Moore.But the more Nadine gets sucked in by those holding Becca, elements of her past, and a 'TRUTH or DARE' game that went terribly wrong years before, come to the surface.Eighteen years earlier, teenager Evie Nolan went missing. She never came home.One day Becca was there, and now she is gone too.But can Nadine help her daughter before it's too late?'One of the most original and distinctive voices in Irish crime fiction.' Jane Casey'Cleverly plotted and deftly woven, with surprises at every turn.' Andrea Mara'An explosive thriller with brilliant twists.' Anthony Quinn'From the opening psychological dilemma to the breathtaking denouement, They All Lied is Louise Phillips' best yet' Sharon Dempsey

Read more less

Lovers challenge destiny and risk their lives in the new Carpathian novel by the #1 New York Times bestselling 'queen of paranormal romance.' (J.R. Ward)Gabrielle has had enough of battles, of wars, of seeing Gary Jansen, the man she loves nearly lose his life when it isn't even his fight. Once he was a gentle and very human researcher. Now he's a fearless and lethal Carpathian warrior with the blood of an ancient lineage coursing through his veins-a man Gabrielle still needs and desires and dreams of with every breath she takes. All she wants is a life far away from the Carpathian mountains, far from vampires and the shadows cast by the crumbling monastery that hides so many terrible secrets. But Gabrielle soon learns that promises made in the dark can pierce the heart like a dagger.And she isn't the only one in search of answers in the corners of the unknown.... Trixie Joanes has come to the Carpathian mountains in search of her wayward granddaughter, fearing that she has been lured there by something unspeakable. Instead, Trixie has stumbled into the path of a desperate man and a woman in love and on the run. And they're all fated for the lair of a mysterious ancient with revenge in his soul and the undying power to make bad dreams come true.'After Bram Stoker, Anne Rice and Joss Whedon, Christine Feehan is the person most credited with popularizing the neck gripper.'Time'Feehan has a knack for bringing vampiric Carpathians to vivid, virile life in her Dark Carpathian novels.'Publishers Weekly

Read more less

Villette is Charlotte Brontë's powerful autobiographical novel of one woman's search for true love, edited with an introduction by Helen M. Cooper in Penguin Classics.With neither friends nor family, Lucy Snowe sets sail from England to find employment in a girls' boarding school in the small town of Villette. There, she struggles to retain her self-possession in the face of unruly pupils, the hostility of headmistress Madame Beck, and her own complex feelings - first for the school's English doctor and then for the dictatorial professor Paul Emanuel. Drawing on her own deeply unhappy experiences as a governess in Brussels, Charlotte Brontë'sautobiographical novel, the last published during her lifetime, is a powerfully moving study of loneliness and isolation, and the pain of unrequited love, narrated by a heroine determined to preserve an independent spirit in the face of adverse circumstances. Helen M. Cooper's new introduction places the novel in the context of Brontë's life and career and argues for the importance of the novel as an exploration of imperialism.Charlotte Brontë (1816-55), eldest of the Brontë sisters, was born in Thornton, West Yorkshire. Jane Eyre was first published in 1847 under the pen-name Currer Bell, and was followed by Shirley (1848) and Vilette (1853). In 1854 Charlotte Brontë married her father's curate, Arthur Bell Nicholls. She died during her pregnancy on 31 March 1855 in Haworth, Yorkshire. The Professor was posthumously published in 1857.If you liked Villette, you may enjoy Elizabeth Gaskell's Cranford, also available in Penguin Classics.'I am only just returned to a sense of real wonder about me, for I have been reading Villette' George Eliot'Her finest novel'Virginia Woolf

Read more less

Presents a fully interdisciplinary approach with a stronger emphasis on polymers and composites than traditional materials books Materials science and engineering is an interdisciplinary field involving the properties of matter and its applications to various areas of science and engineering. Polymer materials are often mixed with inorganic materials to enhance their mechanical, electrical, thermal, and physical properties. Materials: Introduction and Applications addresses a gap in the existing textbooks on materials science. This book focuses on three Units. The first, Foundations, includes basic materials topics from Intermolecular Forces and Thermodynamics and Phase Diagrams to Crystalline and Non-Crystalline Structures. The second Units, Materials, goes into the details of many materials including Metals, Ceramics, Organic Raw Materials, Polymers, Composites, Biomaterials, and Liquid Crystals and Smart Materials. The third and final unit details Behavior and Properties including Rheological, Mechanical, Thermophysical, Color and Optical, Electrical and Dielectric, Magnetic, Surface Behavior and Tribology, Materials, Environment and Sustainability, and Testing of Materials. Materials: Introduction and Applications features: Basic and advanced Materials concepts Interdisciplinary information that is otherwise scattered consolidated into one work Links to everyday life application like electronics, airplanes, and dental materials Certain topics to be discussed in this textbook are more advanced. These will be presented in shaded gray boxes providing a two-level approach. Depending on whether you are a student of Mechanical Engineering, Electrical Engineering, Engineering Technology, MSE, Chemistry, Physics, etc., you can decide for yourself whether a topic presented on a more advanced level is not important for you—or else essential for you given your professional profile Witold Brostow is Regents Professor of Materials Science and Engineering at the University of North Texas. He is President of the International Council on Materials Education and President of the Scientific Committee of the POLYCHAR World Forum on Advanced Material (42 member countries). He has three honorary doctorates and is a Member of the European Academy of Sciences, Member of the National Academy of Sciences of Mexico, Foreign Member of the National Academy of Engineering of Georgia in Tbilisi and Fellow of the Royal Society of Chemistry in London. His publications have been cited more than 7200 times. Haley Hagg Lobland is the Associate Director of LAPOM at the University of North Texas. She is a Member of the POLYCHAR Scientific Committeee. She has received awards for her research presented at conferences in: Buzios, Rio de Janeiro, Brazil; NIST, Frederick, Maryland; Rouen, France; and Lviv, Ukraine. She has lectured in a number of countries including Poland and Spain. Her publications include joint ones with colleagues in Egypt, Georgia, Germany, India, Israel, Mexico, Poland, Turkey and United Kingdom.

Read more less

When the British Labour party announced the withdrawal of British forces from the Persian Gulf in January 1968, the United States faced a potential power vacuum in the area. The incoming Nixon administration, preoccupied with the Soviet Union and China, and the war in Vietnam, had no intention of replacing the British in the Gulf. To avoid further military commitments, the US encouraged Iran and Saudi Arabia to maintain area security. A critical policy decision, overlooked by most scholars, saw Nixon and Kissinger engineer the rise in oil prices between 1969 and 1972 to enable Saudi Arabia and Iran to purchase the necessary military hardware to serve as guardians of the Gulf. For all their bluster about reversing Labour's withdrawal decision, after their surprise victory in the election of June 1970 the Conservatives adhered to Labour's policy. But in contrast to Labour's wish to cut the umbilical cord of empire, the Tories wanted to retain influence in the Persian Gulf, pursuing policies largely independent of the US by the creation of the United Arab Emirates, deposing the sultan of Oman, and trying to solve the dispute over the Buraimi oasis with Saudi Arabia. By trying to maintain its empire on the cheap, Britain turned into an arms supplier supreme. But offering and selling arms does not a foreign policy make, leaving Britain in the long run with less influence in regional affairs. This was true also for the US, whose arms sales were to prove no realistic an alternative to foreign policy. The US hid under the Iranian security blanket for almost a decade. Given the weakness of the regime and the Shah's nonsensical dreams of turning Iran into one of the top five industrial and military powers in the world, the policy was cavalierly irresponsible. Similarly, leaving Saudi Arabia wallowing in oil money and medieval stupor -- a seedbed for Islamic fundamentalists -- created major future problems for the United States, as evinced by 9/11.

Read more less

The first edition of Shaping Seattle Architecture, published in 1994, introduced readers to Seattle’s architects by showcasing the work of those who were instrumental in creating the region’s built environment. Twenty years later, the second edition updates and expands the original with new information and illustrations that provide an even richer exploration of Seattle architecture. The book begins with a revised introduction that brings the story of Seattle architecture into the twenty-first century and situates developments in Seattle building design within local and global contexts. The book’s fifty-four essays present richly illustrated profiles that describe the architects' careers, provide an overview of their major works, and explore their significance. Shaping Seattle Architecture celebrates a wide range of people who helped form the region's built environment. It provides updated information about many of the architects and firms profiled in the first edition. Four individuals newly included in this second edition are Edwin J. Ivey, a leading residential designer; Fred Bassetti, an important contributor to Northwest regional modernism; L. Jane Hastings, one of the region’s foremost women in architecture; and Richard Haag, founder of the landscape architecture program at the University of Washington and designer of Gas Works Park and the Bloedel Reserve. The book also includes essays on the buildings of the Coast Salish people, who inhabited Puget Sound prior to Euro-American settlement; the role that architects played in speculative housing developments before and after World War II; and the vernacular architecture built by nonprofessionals that makes up a portion of the fabric of the city. Shaping Seattle Architecture concludes with a substantial reference section, updated to reflect the last twenty years of research and publications. A locations appendix offers a geographic guide to surviving works. The research section directs interested readers to further resources, and the appendix “Additional Significant Seattle Architects” provides thumbnail sketches of nearly 250 important figures not included in the main text.

Read more less

In the closing months of World War II, with Budapest’s fall on 12 February 1945 and the breakout attempt by the IX SS-Gebirgskorps having failed, the only thing the IV. SS-Panzerkorps could do was fall back to a more defensible line and fortify the key city of Stuhlweissenburg. Exhausted after three relief attempts in January 1945 and outnumbered by the ever-increasing power of Marshal Tolbukhin’s Third Ukrainian Front, SS-Obergruppenführer Gille’s veterans dug in for a lengthy period of defensive warfare.However, Adolf Hitler had not forgotten about the Hungarian theatre of operations nor the country’s rich oilfields and was sending help. To the detriment of the defence of Berlin, SS-Oberstgruppenführer Sepp Dietrich’s legendary 6. Panzerarmee was on its way, not to retake Budapest, but to encircle and destroy Tolbukhin’s forces and completely reverse the situation in south-eastern Europe in Hitler’s favour. This overly ambitious offensive, known as Frühlingserwachen (Spring Awakening), was soon bogged down in the face of resolute Soviet defences aided by the springtime thaw. Heralded as Nazi Germany’s last great offensive of World War II, it resulted in great losses to Hitler’s last armoured reserve in exchange for only minor gains. Though it played a supporting role during the battle, the IV. SS-Panzerkorps was soon caught up in its aftermath, after the Red Army launched its Vienna Operation that nearly swept the armies of Heeresgruppe Süd from the battlefield.Withdrawing into Austria, Gille’s battered corps attempted to bar the route into Germany, while the Red Army bore down on Vienna. Forced to endure relentless Soviet attacks as well as the caustic leadership of the 6. Armee commander, General Hermann Balck, the men of the IV. SS-Panzerkorps fought their way through Austria to reach the safety of the demarcation line where it finally surrendered to U.S. forces on 9 May 1945 after nearly a year of relentless campaigning.

Read more less

NATIONAL BESTSELLER“Elie Honig has written much more than a compelling takedown of an unfit attorney general; he also offers a blueprint for how impartial and apolitical justice should be administered in America.”—Preet Bharara“An essential analysis for anyone committed to understanding the abuses of the Trump administration so we can ensure they never happen again.”—Joyce White Vance“Essential reading for all who cherish the rule of law in America.”—George Conway"Written with all the color and pacing of a legal thriller."—VarietyCNN Senior Legal Analyst Elie Honig exposes William Barr as the most corrupt attorney general in modern U.S. history, with stunning new scandals bubbling to the surface even after Barr's departure from office. In Hatchet Man, former federal prosecutor Elie Honig uncovers Barr’s unprecedented abuse of power as Attorney General and the lasting structural damage done to the Justice Department. Honig uses his own experience as a prosecutor at DOJ to show how, as America’s top law enforcement official, Barr repeatedly violated the Department’s written rules, and those vital, unwritten norms and principles that comprise the “prosecutor’s code.”Barr was corrupt from the beginning. His first act as AG was to distort the findings of Special Counsel Robert Mueller, earning a public rebuke for his dishonesty from Mueller himself and, later, from a federal judge. Then, Barr tried to manipulate the law to squash a whistleblower’s complaint about Trump’s dealings with Ukraine—the report that eventually led to Trump’s first impeachment. Barr later intervened in an unprecedented manner to undermine his own DOJ prosecutors on the cases of Michael Flynn and Roger Stone, both political allies of the President. And then Barr fired the U.S. Attorney for the Southern District of New York under false pretenses. Finally, Barr amplified baseless theories about massive mail-in ballot fraud, pouring gasoline on the dumpster fire battle over the 2020 election results and contributing to the January 6 insurrection that led to Trump’s second impeachment.In Hatchet Man, Honig proves that Barr trampled the two core virtues that have long defined the department and its mission: credibility and independence – ultimately in service of his own deeply-rooted, extremist legal and personal beliefs. Honig shows how Barr corrupted the Justice Department and explains what we must do to prevent this from ever happening again.

Read more less

COMPARATIVE URBANISM ‘Comparative Urbanism fully transforms the scope and purpose of urban studies today, distilling innovative conceptual and methodological tools. The theoretical and empirical scope is astounding, enlightening, emboldening. Robinson peels away conceptual labels that have anointed some cities as paradigmatic and left others as mere copies. She recalibrates overly used theoretical perspectives, resurrects forgotten ones long in need of a dusting off, and brings to the fore those often marginalised. Robinson’s approach radically re-distributes who speaks for the urban, and which urban conditions shape our theoretical understandings. With Comparative Urbanism in our hands, we can start the practice of urban studies anywhere and be relevant to any number of elsewheres.’ Jane M. Jacobs, Professor of Urban Studies, Yale-NUS College, Singapore ‘How to think the multiplicity of urban realities at the same time, across different times and rhythmic arrangements; how to move with the emergences and stand-stills, with conceptualisations that do justice to all things gathered under the name of the urban. How to imagine comparatively amongst differences that remain different, individualised outcomes, but yet exist in-common. No book has so carefully conducted a specifically urban philosophy on these matters, capable of beginning and ending anywhere.’ AbdouMaliq Simone, Senior Research Fellow, Urban Institute, University of Sheffield The rapid pace and changing nature of twenty-first century urbanisation as well as the diversity of global urban experiences calls for new theories and new methodologies in urban studies. In Comparative Urbanism: Tactics for Global Urban Studies, Jennifer Robinson proposes grounds for reformatting comparative urban practice and offers a wide range of tactics for researching global urban experiences. The focus is on inventing new concepts as well as revising existing approaches. Inspired by postcolonial and decolonial critiques of urban studies she advocates for an experimental comparative urbanism, open to learning from different urban experiences and to expanding conversations amongst urban scholars across the globe. The book features a wealth of examples of comparative urban research, concerned with many dimensions of urban life. A range of theoretical and philosophical approaches ground an understanding of the radical revisability and emergent nature of concepts of the urban. Advanced students, urbanists and scholars will be prompted to compose comparisons which trace the interconnected and relational character of the urban, and to think with the variety of urban experiences and urbanisation processes across the globe, to produce the new insights the twenty-first century urban world demands.

Read more less

For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema “grew up” in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, the renowned film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations. Whether examining the arch artistry of Last Tango in Paris, the on-screen orgasms of Jane Fonda, or the anal sex of two cowboys in Brokeback Mountain, Williams illuminates the forms of pleasure and vicarious knowledge derived from screening sex.Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the “tasteful” Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. She considers Last Tango in Paris and Deep Throat, two 1972 films unapologetically all about sex; In the Realm of the Senses, the only work of 1970s international cinema that combined hard-core sex with erotic art; and the sexual provocations of the mainstream movies Blue Velvet and Brokeback Mountain. She describes art films since the 1990s, in which the sex is aggressive, loveless, or alienated. Finally, Williams reflects on the experience of screening sex on small screens at home rather than on large screens in public. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies.Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Porn Studies, also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the “Frenzy of the Visible.”A John Hope Franklin Center BookNovember424 pages129 illustrations6x9 trim sizeISBN 0-8223-0-8223-4285-5paper, $24.95ISBN 0-8223-0-8223-4263-4library cloth edition, $89.95ISBN 978-0-8223-4285-4paper, $24.95ISBN 978-0-8223-4263-2library cloth edition, $89.95

Read more less

Our perception of women's roles has changed dramatically since 1945. In this collection Joy Parr has brought together ten studies from a variety of disciplines examining changing ideas about women. Mariana Valverde writes about teenage girls in the immediate postwar years and finds that stereotypes of a supposedly simple, secure, politically quiescent, and sexually conformist life do not really hold. Joy Parr follows women shoppers of the early 1950s, in their sometimes comical encounters with male designers, manufacturers, and retailers, in search of the tools and totems of modernity for their homes. Increasingly these homes were in suburban subdivisions, whose pleasures and possibilities for women Veronica Strong-Boag reconsiders. Joan Sangster reminds us that wage-earning mothers were numerous in the fifties and sixties, and through a juxtaposition of their own stories with contemporary studies tells much about these self-denying women's lives. Franca Iacovetta discusses the experiences of immigrant and refugee women in northwestern and south-central Ontario, experiences that were interpreted through their starkly different European wartime memories. Based upon her work among the rural women of southwestern Ontario, Nora Cebotarev charts the changes that transformed farm families and finances from the sixties to the eighties. Ester Reiter compares the recollections of women who had worked together during the 1960s in an auto parts plant in the Niagara Peninsula with contemporary newspaper accounts of a strike, and leads us into a complex narrative of gender and militancy. Nancy Adamson reconsiders the diversity of feminist organizing within the province over the decades since second-wave feminism began; she tracks the different needs and paths that brought women to the women's liberation movement and the ways in which their feminist analysis arose from their experience as community activists. Linda Cardinal writes about Franco-Ontarian women, charting the ways in which feminist activists challenged and were challenged as they worked with traditional farm and church-based women's groups in northern and eastern Ontario. Marlene Brant Castellano and Janice Hill introduce us to four aboriginal women: Edna Manitowabi, Jeannette Corbiere Lavell, Sylvia Maracle, and Emily Faries, whose work has been to reclaim and build upon the knowledge and responsibilities long entrusted to the women of Ontario's First Nations.

Read more less

Surrealist writer Andre Breton praised hysteria for being the greatest poetic discovery of the nineteenth century, but many physicians have since viewed it as the "wastebasket of medicine," a psychosomatic state that defies attempts at definition and cure and that can be easily mistaken for other pathological conditions. In light of a resurgence of critical interest in hysteria, leading feminist scholar Elisabeth Bronfen reinvestigates medical writings and cultural performance to reveal the continued relevance of a disorder widely thought to be a romantic formulation of the past. Through a critical rereading, she develops a new concept of hysteria, one that challenges traditional gender-based theories linking it to dissatisfied feminine sexual desire. Bronfen turns instead to hysteria's traumatic causes, particularly the fear of violation, and shows how the conversion of psychic anguish into somatic symptoms can be interpreted today as the enactment of personal and cultural discontent. Tracing the development of cultural formations of hysteria from the 1800s to the present, this book explores the writings of Freud, Charcot, and Janet together with fictional texts (Radcliffe, Stoker, Anne Sexton), opera (Mozart, Wagner), cinema (Cronenberg, Hitchcock, Woody Allen), and visual art (Marie-Ange Guilleminot, Cindy Sherman). Each of these creative works attests to a particular relationship between hysteria and self-fashioning, and enables us to read hysteria quite literally as a language of discontent. The message broadcasted by the hysteric is one of vulnerability: vulnerability of the symbolic, of identity, and of the human body itself. Throughout this work, Bronfen not only offers fresh approaches to understanding hysteria in our culture, but also introduces a new metaphor to serve as a theoretical tool. Whereas the phallus has long dominated psychoanalytical discourse, the image of the navel--a knotted originary wound common to both genders--facilitates discussion of topics relevant to hysteria, such as trauma, mortality, and infinity. Bronfen's insights make for a lively, innovative work sure to interest readers across the fields of art and literature, feminism, and psychology. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Read more less

Assessment of mental health problems is a challenging area of practice that covers a range of symptoms and behaviours – and involves building a trust relationship with service users while also using specialist skills. Using a values-based approach focused on engaging and working in partnership with the service user, this book is designed to take you from the core building blocks of assessment through to practice-based guidance about mental health behaviours, and concludes with case studies 'on the ground'. The first section of the book explores core aspects of assessment such as communication skills and engaging the service user, and explores how assessment guides the nursing process as a whole. The next section will be ideal for quick reference during practice and looks at 23 different clinical behaviours that nurses will assess, under 4 categories: Physical factors in mental health Behavioural aspects in mental health The role of thoughts in mental health Feelings in mental health The final section gives 4 case studies of different assessment stories which relate to the different types of clinical behaviour you will encounter. This practical book is essential reading for student nurses and all healthcare staff involved in the assessment of people with mental health problems.“I would highly recommend this book to all mental health nursing students. Whilst the focus is on assessment and care planning; knowledge and skills on a range of essential areas are present in this text. It is an essential handbook for key mental health nursing skills. Case studies are presented with clarity, and Nick Wrycraft is clearly committed to nurses learning from service users, which is essential for values-based practice.”Julia Terry, Senior Lecturer in Mental Health Nursing, Swansea University, UK "This text is a good fit for mental health nursing students new to assessment and care planning, providing a practical rather than academic approach to these important aspects of the role.”Dr Janine Archer Lecturer School of Nursing, Midwifery & Social Work, University of Manchester, UK "Dr. Nick Wrycraft has done tremendously in making available the maiden edition of this book. Assessment and Care Planning in Mental Health Nursing will be a valued reference book for mental health student nurses who are new to the process of assessment and care planning. The book will therefore go a long way to provide educational and learning support to pre-registration nursing students as well as the newly qualified mental health nurses in practice." Kike Abioye, Mental Health Student Nurse, Anglia Ruskin University, UK

Read more less

When the official investigation into the murder of a respectable local businessman fails to add up, and personal problems start to play havoc with her state of mind, New Zealand's favourite young detective Sam Shephard turns vigilante... 'Fast-moving New Zealand procedural ... the Edinburgh of the south has never been more deadly' Ian Rankin ‘New Zealand's answer to Siobhan Clarke’ The Times 'A sassy heroine, fabulous sense of place, and rip-roaring stories with a twist. Perfect curl-up-on-the-sofa reading' Kate Mosse __________________ The New Zealand city of Dunedin is rocked when a wealthy and apparently respectable businessman is murdered in his luxurious home while his wife is bound and gagged, and forced to watch. But when Detective Sam Shephard and her team start investigating the case, they discover that the victim had links with some dubious characters. The case seems cut and dried, but Sam has other ideas. Weighed down by her dad's terminal cancer diagnosis, and by complications in her relationship with Paul, she needs a distraction, and launches her own investigation. And when another murder throws the official case into chaos, it's up to Sam to prove that the killer is someone no one could ever suspect. __________________ Praise for the Sam Shephard series ‘A really strong mystery with a twist that works very nicely … The family dynamic and Sam’s dealing with the trauma are brilliantly observed’ NB Magazine 'If you like taut, pacy thrillers with a wonderful sense of place, this is the book for you' Liam McIlvanney 'Vanda Symon's work resembles Janet Evanovich's Stephanie Plum series she knows how to tell a good story and the NZ setting adds spice' The Times 'Atmospheric, emotional and gripping' Foreword Reviews 'A plot that grabs the reader's attention with a heart-stopping opening and doesn't let go' Sunday Times 'Powerful, coolly assured, and an absolute belter of a read' LoveReading 'It is Symon's copper Sam, self-deprecating and very human, who represents the writer's real achievement' Guardian 'Fans of The Dry will love Vanda Symon' Red Magazine 'With a twisty plot, a protagonist who shines and beautifully written observations of the cruellest things this is crime fiction at its best' Kiwi Crime 'Reads like the polished effort of a genre veteran. More, please' Booklist 'Atmospheric, gripping and incredibly satisfying' Anne Cater, Random Things through My Letterbox

Read more less

'The last line will make you literally shout with shock' Good Housekeeping'Terrifically twisty ... hooks from the first page' Sunday TimesOn a bright morning in the London suburbs, a family moves into the house they’ve just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn’t sell it.FOR BETTER, FOR WORSE. When Fi Lawson arrives home to find strangers moving into her house, she is plunged into terror and confusion. She and her husband Bram have owned their home on Trinity Avenue for years and have no intention of selling. How can this other family possibly think the house is theirs? And why has Bram disappeared when she needs him most?FOR RICHER, FOR POORER. Bram has made a catastrophic mistake and now he is paying. Unable to see his wife, his children or his home, he has nothing left but to settle scores. As the nightmare takes grip, both Bram and Fi try to make sense of the events that led to a devastating crime. What has he hidden from her – and what has she hidden from him? And will either survive the chilling truth – that there are far worse things you can lose than your house? TILL DEATH US DO PART.Praise for Our House: 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible’ Clare Mackintosh ‘I raced through it this weekend. Such a smart idea. Twisty, warped, credible. Brilliantly plotted and compelling. Deserves to be such a hit’ Sarah Vaughan ‘Louise Candlish is a great writer;she inhaled me into her nightmarish world where everything we think we know is ripped from under our feet’ Fiona Barton ''A masterfully plotted, compulsive page-turner' Guardian 'Keeps you guessing to the end - and beyond' Stylist 'Whip-smart, knowing and brilliantly plotted' India Knight 'A corker' Evening Standard 'Terrific premise' New York Times 'Wonderfully plotted' Jane Garvey, Woman's Hour 'A blood pressure-raising thriller' Red ‘Gripping and heartbreaking with an undercurrent of unease running through it’ Louise Jensen ‘What a book! Fast, edge-of-your-seat stuff. Each time I set the book down I had to remind myself to breathe’ broadbeanbooks ‘Oh Louise Candlish, you are a genius! Our House is just brilliant. Scarily believable with the BEST ending I have read in a long time. I devoured it!’ Claire Frost, Fabulous magazine

Read more less

Packaged in a deluxe, shrink-wrapped keepsake box—featuring a magnetic closure, ribbon, and guidebook—an innovative and stunning full-color feminist tarot deck that connects 78 notable women from history with the traditional archetypes and meanings associated with each tarot card.A groundbreaking blend of history, feminism, and the mystical arts, Our Tarot is a unique, specially designed tarot deck with cards that feature an intricate collage portrait of dozens of powerful women who have helped shape history. Each card conveys the energy, messages, and symbolism its figure brings to the deck. The set includes a full-color guidebook that offers a concise history of the tarot deck, an explanation of the deck and the significance of the cards, and tips on interpreting each, with instructive sample spreads to guide you. It explains the Major Arcana and Minor Arcana and their chronology, offers biographies that link each woman’s life story, accomplishments, and traits with the card she represents, and explains the card’s relevance in a reading. Originally self-published, Our Tarot was praised by the Huffington Post, which called it “a stunning deck . . . [that] honors a wide range of intersectional feminist champions.” This fully revised edition includes 25 new entries; a refreshed design; and a full-color printing. In addition, each card from the deck serves as an interior portrait. Each card in Our Tarot is inspired by the traditional meanings of the mystic Tarot and is represented by a woman (or group of women) who has influenced the world. These diverse women come from all eras in history, from 1300 BCE to the late twentieth century, and represent many ethnicities, creeds, socioeconomic classes, sexualities, ages, and abilities. Some of the women honored include Jane Addams, Benazir Bhutto, Lucrezia Borgia, Anne Frank, Frida Kahlo, Beatrix Potter, Florence Nightingale, nefertari, Elizabeth I, Cleopatra, Marie Curie, Zora Neale Hurston, Sophie Scholl, Cleopatra, Eleanor Roosevelt, and Ida B. Wells. Contents include: Four-color, high-quality gift box with magnetic closure Four-color tarot deck in card box, set into an interior well with lift-out ribbon Four-color guidebook featuring biographies of all 78 women and their relevance to the deck with 5 black-and-white illustrations and 85 full-color images throughout Sheet with image of the components

Read more less

'A masterclass in psychological suspense' Claire Douglas'A gripping new thriller' Shari Lapena'A superbly plotted' Lucy Clarke'A one-sit read' Sarah Pearse'Twisty and propulsive' Harriet Tyce______________________________Be careful what you wish for...Nicole and Tom's lives are changed overnight by a ten-million-pound lottery win.Before they know it they've moved into a state-of-the-art Glass Barn conversion in the stunning grounds of Lancaut Manor in Gloucestershire.But their dream quickly turns into a nightmare when Tom is found dead in the swimming pool, with a wound on his head.Someone close to home must be responsible. But other than the young couple who live in the Manor, and their housekeeper in the Coach House next door, there's no one around for miles.Who among them is capable of murder?_____________________________Praise for Gilly Macmillan:'Gilly Macmillan writes with verve and emotional acuity' New York Times'Brilliantly written, completely unputdownable, absolutely unmissable' Tim Weaver'A smart, well-told story that allows us to indulge our sneaky curiosity about what instant money can do to people's lives' Daily Mail'Plenty of twists and turns in this truly layered novel. Cleverly put together, it'll have you thinking long after you've finished reading' Belfast Telegraph'Great characters and a clever plot make for a highly engaging read. Storytelling at its best!' B.A. Paris'A truly excellent read' Jane Shemilt'Full of devious twists and turns' Cara Hunter'White-knuckled suspense' Tess Gerritsen'This is another winner for me. Absolutely loved it. Gripping, page turning and so cleverly plotted. I had real sympathy for the characters (some of them at least!)' Emma Curtis'What a tangly, twisting story! The Fall is completely unpredictable, and absolutely un-putdownable' Ava Glass'The Fall is an out-and-out winner! Hugely enjoyable, flawlessly crafted, beautifully written. This is a superior mystery of the highest order' C.M. Ewan'Brilliantly crafted' Woman & Home'Cleverly put together, it'll have you thinking long after you've finished reading' Press Association'Its intense plot, relatable characters and plethora of exciting twists and turns will leave readers gasping. I devoured each and every delicious page' Mystery and Suspense'Gilly Macmillan [is] one of the best writers of dark and twisty thrillers currently at work' Shots Magazine

Read more less