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Herbert Marcuse, Erich Fromm, Max Horkheimer, Franz Neumann, Theodor Adorno, Leo Lowenthal--the impact of the Frankfurt School on the sociological, political, and cultural thought of the twentieth century has been profound. The Dialectical Imagination is a major history of this monumental cultural and intellectual enterprise during its early years in Germany and in the United States. Martin Jay has provided a substantial new preface for this edition, in which he reflects on the continuing relevance of the work of the Frankfurt School.

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Although successive generations of the Frankfurt School have attempted to adapt Critical Theory to new circumstances, the work done by its founding members continues in the twenty-first century to unsettle conventional wisdom about culture, society and politics. Exploring unexamined episodes in the school's history and reading its work in unexpected ways, these essays provide ample evidence of the abiding relevance of Horkheimer, Adorno, Benjamin, Marcuse, Löwenthal, and Kracauer in our troubled times. Without forcing a unified argument, they range over a wide variety of topics, from the uncertain founding of the School to its mixed reception of psychoanalysis, from Benjamin's ruminations on stamp collecting to the ironies in the reception of Marcuse's One-Dimensional Man, from Löwenthal's role in Weimar's Jewish Renaissance to Horkheimer's involvement in the writing of the first history of the Frankfurt School. Of special note are their responses to visual issues such as the emancipation of colour in modern art, the Jewish prohibition on images, the relationship between cinema and the public sphere, and the implications of a celebrated Family of Man photographic exhibition. The collection ends with an essay tracing the still metastasising demonisation of the Frankfurt School by the so-called Alt Right as the source of "cultural Marxism" and "political correctness," which has gained alarming international resonance and led to violence by radical right-wing fanatics.

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Michel Foucault’s The History of Sexuality—the first volume of which was published in 1976—exerts a vast influence across the humanities and social sciences. However, Foucault’s interest in the history of sexuality began as early as the 1960s, when he taught two courses on the subject. These lectures offer crucial insight into the development of Foucault’s thought yet have remained unpublished until recently.This book presents Foucault’s lectures on sexuality for the first time in English. In the first series, held at the University of Clermont-Ferrand in 1964, Foucault asks how sexuality comes to be constituted as a scientific body of knowledge within Western culture and why it derived from the analysis of “perversions”—morbidity, homosexuality, fetishism. The subsequent course, held at the experimental university at Vincennes in 1969, shows how Foucault’s theories were reoriented by the events of May 1968; he refocuses on the regulatory nature of the discourse of sexuality and how it serves economic, social, and political ends. Examining creators of political and literary utopias in the nineteenth and twentieth centuries, from Sade to Fourier to Marcuse, who attempted to integrate “natural” sexualities, including transgressive forms, into social and economic life, Foucault elaborates a double critique of the naturalization and the liberation of sexuality. Together, the lectures span a range of interests, from abnormality to heterotopias to ideology, and they offer an unprecedented glimpse into the evolution of Foucault’s transformative thinking on sexuality.

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Gentrification and displacement of low-income communities of color are major issues in New York City and the city’s zoning policies are a major cause. Race matters but the city ignores it when shaping land use and housing policies. The city promises “affordable housing” that is not truly affordable. Zoned Out! shows how this has played in Williamsburg, Harlem and Chinatown, neighborhoods facing massive displacement of people of color. It looks at ways the city can address inequalities, promote authentic community-based planning and develop housing in the public domain. Tom Angotti and Sylvia Morse frame the revised edition of this seminal work with a tribute to the late urbanist and architect Michael Sorkin and his progressive and revolutionary approaches to cities as well as a new preface about changes in city policy since Mayor Bill de Blasio left office and what rights citizens need to defend. The book includes a foreword by the late, distinguished urban planning educator Peter Marcuse and individual chapters by community activist Philip DePaola, housing policy analyst Samuel Stein, and both the editors.

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How have politics and activism been transformed by digital media, including digital television, online social networking and mobile computing? Since the emergence of new technologies, new modes of cooperation, deliberation and representation have risen to the fore, @ is for Activism maps out how political relationships have been reconfigured and new have emerged through the use of new technologies. A host of critical thinkers populate the study, from Martin Heidegger and Herbert Marcuse criticism of technology's close relation to capitalism, to media networks' actualising the Habermasian ideal of collective communicative action, Hands delineates the potentials and the pitfalls of a technologised politics. From anti-war activism, to global justice movements, peer production and 'Twitter' activism, we see how politics is being shaped by the new technological environment.

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Get Classical Sociological Theory, Fourth Edition and Contemporary Sociological Theory, Fourth Edition in a combined set This combined set includes the newly revised fourth edition of two world-class introductions to sociological debates: Classical Sociological Theory and Contemporary Sociological Theory. For a generation of students, these two anthologies have provided a definitive guide to the theoretical foundations of sociology and the continuing impact of early theorists, as well as a thorough introduction to current perspectives and approaches in sociology and social science. Classical Sociological Theories features readings by leading scholars like Marx, Durkheim, Weber, Mead, Simmel, Freud, Du Bois, Adorno, Marcuse, Parsons, and Merton, also including the most influential theories arising out of the Enlightenment era and the work of de Tocqueville. Contemporary Sociological Theories offers in-depth yet accessible sources that examine micro-sociological analysis, symbolic interactionism, network theory, phenomenology, critical theory, structuralism, feminist theory, debates over modernity and postmodernity, and more. This set is the most accessible and complete overview of sociological theory available. Both volumes: Feature a collection of readings carefully selected based on their theoretical sophistication and accessibility Present substantial primary source texts with detailed introductions, rather than brief excerpts and basic overviews Provide historical and intellectual perspective to each selected reading in the book Include extensive references to further readings and resources Ideal for undergraduate courses in social and sociological theory as well as courses in wider social science programs such as human geography, anthropology, criminology, and urban studies, Classical Sociological Theory and Contemporary Sociological Theory, together offer a perfect combination for a thorough overview of sociological theory. Each volume can be purchased on its own or in a set with the textbook.

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Designing Cities is the first reader to be published in the thriving field of urban design. It has been assembled to appeal to a broad range of readers interested in how the design of cities comes about. Provides a complex and integrated perspective on the field of urban design. Carefully structured, so that students will gain an understanding of the theoretical context from which urban design has emerged. Includes work by Manuel Castells, David Harvey, Christian Norberg-Schultz, Peter Marcuse and others.

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Reframing American Landscape: Women, Land, + Art illuminates the accomplishments of Susie Barstow and her circle, who painted the landscape in the nineteenth century and places them in conversation with women-identifying artists working today who expand and challenge how we think about “land” and “landscape” in our contemporary moment. Engaging diverse multigenerational perspectives and creative practices, this publication launches an expanded narrative around land and art that strongly positions women in the canon of American landscape art. It includes a deep look at the nineteenth-century landscape painter conversation with artists working today. For the first time, the nineteenth-century landscape painter Susie Barstow is given a solo exhibition and an in-depth publication. Well known during her lifetime, Barstow was written out of art history, but this book, which accompanies an exhibition of the same name, illuminates the significant accomplishments of the artist, and in doing so redefines the history of the Hudson River School. This book further explores how artists working today continue to engage landscape using multi-disciplinary artistic practices and diverse critical perspectives, that at times challenge art and historical narratives. Artists such as Ebony G. Patterson, Mary Mattingly, Tanya Marcuse, Anna Plesset, Wendy Red Star, Jaune Quick-to-See Smith, Kay WalkingStick, Saya Woolfalk, Cecilia Vicuña, and others, complicate and redefine how we now understand land through art.

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Since the linguistic turn in Frankfurt School critical theory during the 1970s, philosophical concerns have become increasingly important to its overall agenda, at the expense of concrete social-scientific inquiries. At the same time, each of the individual social sciences especially economics and psychology, but also political science and sociology have been moving further and further away from the challenge key representatives of the so-called first generation of Frankfurt School critical theorists (Adorno, Horkheimer, and Marcuse) identified as central to the promise and responsibility of social science: to illuminate those dimensions of modern societies that prevent the reconciliation of facts and norms. As professional disciplines, each individual social science, and even philosophy, is prone to ignoring both the actuality and the relevance for research of alienation and reification as the mediating processes that constitute the reference frames for critical theory. Consequently, mainstream social-scientific research tends to progress in the hypothetical: we study the social world as if alienation, reification, and more recent incarnations of those mediating processes had lost their shaping forcewhile, in the context of globalization, their manifestations are ever more apparent, and tangible. The chapters included in this volume of "Current Perspectives in Social Theory" highlight the problematic nature of mainstream perspectives, and the growing need to reaffirm how the specific kind of critique the early Frankfurt School theorists advocated is not less, but far more important today. Contributions examine the links between political geographies and globalization; Marxism and public sociology; anti-Semitic workers and Jewish stereotypes; governmental rationality and state power; restricted eros and contemporary politics; Marcuse and the psycho-politics of transformation; contemporary theory and consumer society; and the theory of C. Wright Mills. This book includes nine chapters from some of the most respected personalities in the field and a broad and diverse look at social science and critical theory.

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Gentrification and displacement of low-income communities of color are major issues in New York City and the city’s zoning policies are a major cause. Race matters but the city ignores it when shaping land use and housing policies. The city promises “affordable housing” that is not truly affordable. Zoned Out! shows how this has played in Williamsburg, Harlem and Chinatown, neighborhoods facing massive displacement of people of color. It looks at ways the city can address inequalities, promote authentic community-based planning and develop housing in the public domain. Tom Angotti and Sylvia Morse frame the revised edition of this seminal work with a tribute to the late urbanist and architect Michael Sorkin and his progressive and revolutionary approaches to cities as well as a new preface about changes in city policy since Mayor Bill de Blasio left office and what rights citizens need to defend. The book includes a foreword by the late, distinguished urban planning educator Peter Marcuse and individual chapters by community activist Philip DePaola, housing policy analyst Samuel Stein, and both the editors.

Read more less

Designing Cities is the first reader to be published in the thriving field of urban design. It has been assembled to appeal to a broad range of readers interested in how the design of cities comes about. Provides a complex and integrated perspective on the field of urban design. Carefully structured, so that students will gain an understanding of the theoretical context from which urban design has emerged. Includes work by Manuel Castells, David Harvey, Christian Norberg-Schultz, Peter Marcuse and others.

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Members of the Frankfurt School have had an enormous effect on Western thought, beginning soon after Max Horkheimer became the director of the Institute for Social Research at the University of Frankfurt am Main, in 1930. Also known as the Horkheimer Circle, the group included such eminent intellectuals as Theodor Adorno, Herbert Marcuse, Erich Fromm, Leo Lowenthal, and Friedrich Pollock. Fleeing Nazi oppression, Horkheimer moved the Institute and many of its affiliated scholars to Columbia University in 1934, where it remained until 1950. Until now, the conventional portrayal of the Institute has held that its members found refuge by relocating to Columbia but that they had little contact with, or impact on, American intellectual life. With insight and clarity, Thomas Wheatland demonstrates that the standard account is wrong. Based on deep archival research in Germany and in the United States, and on interviews conducted with luminaries such as Daniel Bell, Bernadine Dohrn, Peter Gay, Todd Gitlin, Nathan Glazer, Tom Hayden, Robert Merton, and others, Wheatland skillfully traces the profound connections between the Horkheimer Circle’s members and the intellectual life of the era. Reassessing the group’s involvement with the American New Left in the 1960s, he argues that Herbert Marcuse’s role was misunderstood in shaping the radical student movement’s agenda. More broadly, he illustrates how the Circle influenced American social thought and made an even more dramatic impression on German postwar sociology. Although much has been written about the Frankfurt School, this is the first book to closely examine the relationship between its members and their American contemporaries. The Frankfurt School in Exile uncovers an important but neglected dimension of the history of the Frankfurt School and adds immeasurably to our understanding of the contributions made by its émigré intellectuals to postwar intellectual life.

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Theodor Adorno (1903-69) was undoubtedly the foremost thinker of the Frankfurt School, the influential group of German thinkers that fled to the US in the 1930s, including such thinkers as Herbert Marcuse and Max Horkheimer. His work has proved enormously influential in sociology, philosophy and cultural theory. Aesthetic Theory is Adorno's posthumous magnum opus and the culmination of a lifetime's investigation. Analysing the sublime, the ugly and the beautiful, Adorno shows how such concepts frame and distil human experience and that it is human experience that ultimately underlies aesthetics. In Adorno's formulation ‘art is the sedimented history of human misery'.

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The first philosophers of the Frankfurt School famously turned to the psychoanalytic theories of Sigmund Freud to supplement their Marxist analyses of ideological subjectification. Since the collapse of their proposed "marriage of Marx and Freud," psychology and social theory have grown apart to the impoverishment of both. Returning to this union, Benjamin Y. Fong reconstructs the psychoanalytic "foundation stone" of critical theory in an effort to once again think together the possibility of psychic and social transformation. Drawing on the work of Hans Loewald and Jacques Lacan, Fong complicates the famous antagonism between Eros and the death drive in reference to a third term: the woefully undertheorized drive to mastery. Rejuvenating Freudian metapsychology through the lens of this pivotal concept, he then provides fresh perspective on Theodor Adorno, Max Horkheimer, and Herbert Marcuse's critiques of psychic life under the influence of modern cultural and technological change. The result is a novel vision of critical theory that rearticulates the nature of subjection in late capitalism and renews an old project of resistance.

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This book traces the genealogy of ideas of reason, self and sexuality in the West, opening the way to a richer and more diverse understanding of sexual experience. Western philosophy and religion have distorted and continue to distort our experience of sex and love through three far-reaching constellations of reason, self and sexuality. Thinkers like Plato, Aquinas and Kant helped to fashion an ascetic ideal of reason hostile to bodily pleasures and sexual diversity. By contrast, philosophical hedonism advocates a less demanding conception of rationality and defends sexual pleasure. But this approach of thinkers like Hume, Bentham, La Mettrie and de Sade is still one-sided and limiting. A third constellation, Romanticism avoids the limitations of both forms of rationalism, but in the name of a religion of love and passion that ultimately threatens the integrity of the self. In Reason and Sexuality in Western Thought, a richer understanding of sexual experience is traced to a dissident philosophical tradition. In their different ways Montaigne, Spinoza, Hegel and Kierkegaard, Marcuse and Foucault contribute to a more holistic, multi-layered and open conception of reason, sexuality and the self. This book will be essential reading for all students of philosophy and gender studies.

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Through engaging interviews, testimonials, and anecdotes from photographers, curators, printers, and colleagues, Object Lesson: On the Influence of Richard Benson pays homage to a legendary figure whose name is synonymous with the evolving history and philosophy of photographic reproduction. From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, Object Lesson stands as a testament to Benson’s wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world. Text, image, and interview contributions by Michele Abeles, Marion Belanger, Barbara Benson, Richard Benson, Dawoud Bey, Andrew Borowiec, Lois Conner, Matthew Connors, Tim Davis, Benjamin Donaldson, Dru Donovan, Martina Droth, Shannon Ebner, Lucas Foglia, Peter Galassi, John Gambell, Jon Goodman, Bryan Graf, Gail Albert Halaban, Gary Haller, Heyward Hart, Robert J. Hennessey, Peter Kayafas, Lisa Kereszi, Justin Kimball, David La Spina, John Lehr, Susan Lipper, Salvatore Lopes, Peter MacGill, Tanya Marcuse, Lesley A. Martin, Miko McGinty, Sue Medlicott, Sarah Meister, Paul Messier, Andrea Modica, Matthew Monteith, Abelardo Morell, Arthur Ou, Thomas Palmer, Tod Papageorge, Ted Partin, Bradley Peters, John Pilson, Kristine Potter, Caitlin Teal Price, Sergio Purtell, Jock Reynolds, John Robinson, Jeff L. Rosenheim, Sasha Rudensky, Gary Schneider, David Benjamin Sherry, Steve Smith, Mark Steinmetz, Sarah Stolfa, Ka-Man Tse, James Welling, and Jeff Whetstone

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A world-class introduction to the historical and continuing impact of classical theory on sociological debate The latest edition of Classical Sociological Theory offers students a definitive guide to the theoretical foundations of sociology and the continuing impact of the ideas explored by early theorists, including Marx, Durkheim, Weber, Mead, Simmel, Freud, Du Bois, Adorno, Marcuse, Parsons, and Merton. The prestigious editors have integrated several readings on the most influential theories arising out of the Enlightenment era and the work of de Tocqueville. Readers are introduced to seminal works in classical sociological theory by way of editorial introductions that lend historical and intellectual perspective to the included readings. The readings themselves have been selected based on their combinations of theoretical sophistication and accessibility. From analyses of self and society to examinations of critical theory and structural-functional analysis, Classical Sociological Theory remains the gold standard in classical theory readers. The Fourth Edition of this widely taught book includes: Selections that trace the history of classical sociological theory, from its undisciplined roots to its modern influence on contemporary sociological debate Readings describing the “pre-history” of sociology, including ideas from the Enlightenment and de Tocqueville Editorial introductions that place selected works firmly in their intellectual, philosophical, and historical contexts for the benefit of the student A distinguished and scholarly team of editors with a wide and deep range of expertise Perfect for undergraduate and graduate students of social and sociological theory, Classical Sociological Theory is also a thought-provoking resource ideal for use in courses taught in human geography, anthropology, criminology, and urban studies programs.

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The first philosophers of the Frankfurt School famously turned to the psychoanalytic theories of Sigmund Freud to supplement their Marxist analyses of ideological subjectification. Since the collapse of their proposed "marriage of Marx and Freud," psychology and social theory have grown apart to the impoverishment of both. Returning to this union, Benjamin Y. Fong reconstructs the psychoanalytic "foundation stone" of critical theory in an effort to once again think together the possibility of psychic and social transformation. Drawing on the work of Hans Loewald and Jacques Lacan, Fong complicates the famous antagonism between Eros and the death drive in reference to a third term: the woefully undertheorized drive to mastery. Rejuvenating Freudian metapsychology through the lens of this pivotal concept, he then provides fresh perspective on Theodor Adorno, Max Horkheimer, and Herbert Marcuse's critiques of psychic life under the influence of modern cultural and technological change. The result is a novel vision of critical theory that rearticulates the nature of subjection in late capitalism and renews an old project of resistance.

Read more less

Michel Foucault’s The History of Sexuality—the first volume of which was published in 1976—exerts a vast influence across the humanities and social sciences. However, Foucault’s interest in the history of sexuality began as early as the 1960s, when he taught two courses on the subject. These lectures offer crucial insight into the development of Foucault’s thought yet have remained unpublished until recently.This book presents Foucault’s lectures on sexuality for the first time in English. In the first series, held at the University of Clermont-Ferrand in 1964, Foucault asks how sexuality comes to be constituted as a scientific body of knowledge within Western culture and why it derived from the analysis of “perversions”—morbidity, homosexuality, fetishism. The subsequent course, held at the experimental university at Vincennes in 1969, shows how Foucault’s theories were reoriented by the events of May 1968; he refocuses on the regulatory nature of the discourse of sexuality and how it serves economic, social, and political ends. Examining creators of political and literary utopias in the nineteenth and twentieth centuries, from Sade to Fourier to Marcuse, who attempted to integrate “natural” sexualities, including transgressive forms, into social and economic life, Foucault elaborates a double critique of the naturalization and the liberation of sexuality. Together, the lectures span a range of interests, from abnormality to heterotopias to ideology, and they offer an unprecedented glimpse into the evolution of Foucault’s transformative thinking on sexuality.

Read more less

Since the linguistic turn in Frankfurt School critical theory during the 1970s, philosophical concerns have become increasingly important to its overall agenda, at the expense of concrete social-scientific inquiries. At the same time, each of the individual social sciences especially economics and psychology, but also political science and sociology have been moving further and further away from the challenge key representatives of the so-called first generation of Frankfurt School critical theorists (Adorno, Horkheimer, and Marcuse) identified as central to the promise and responsibility of social science: to illuminate those dimensions of modern societies that prevent the reconciliation of facts and norms. As professional disciplines, each individual social science, and even philosophy, is prone to ignoring both the actuality and the relevance for research of alienation and reification as the mediating processes that constitute the reference frames for critical theory. Consequently, mainstream social-scientific research tends to progress in the hypothetical: we study the social world as if alienation, reification, and more recent incarnations of those mediating processes had lost their shaping forcewhile, in the context of globalization, their manifestations are ever more apparent, and tangible. The chapters included in this volume of "Current Perspectives in Social Theory" highlight the problematic nature of mainstream perspectives, and the growing need to reaffirm how the specific kind of critique the early Frankfurt School theorists advocated is not less, but far more important today. Contributions examine the links between political geographies and globalization; Marxism and public sociology; anti-Semitic workers and Jewish stereotypes; governmental rationality and state power; restricted eros and contemporary politics; Marcuse and the psycho-politics of transformation; contemporary theory and consumer society; and the theory of C. Wright Mills. This book includes nine chapters from some of the most respected personalities in the field and a broad and diverse look at social science and critical theory.

Read more less

From 'Covfefe' to #FraudNewsCNN and #FakeNews, Donald Trump's tweets have caused an international frenzy. He is a reality TV and Twitter-President, who uses digital and entertainment culture as an ideological weapon - as an expression of his authoritarianism. This book delves into new political-economic structures as expressed through political communication to explain the rise of authoritarian capitalism, nationalism and right-wing ideology throughout the world. Christian Fuchs does this through updating Marxist theory and the Frankfurt School's critical theory. He re-invigorates the works on authoritarianism of Franz L. Neumann, Theodor W. Adorno, Erich Fromm, Herbert Marcuse, Max Horkheimer, Wilhelm Reich, Leo Lowenthal and Klaus Theweleit in the age of Trump and Twitter. In the age of big data and social media, Digital Demagogue studies the expressions of ideology, nationalism and authoritarianism today and discusses prospects for overcoming capitalism and renewing the Left.

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Environmental movements are the subject of increasingly rigorous political theoretical study. Can the Frankfurt School's critical frameworks be used to address ecological issues, or do environmental conflicts remain part of the "failed promise" of this group? Critical Ecologies aims to redeem the theories of major Frankfurt thinkers-Theodor Adorno, Max Horkheimer, and Herbert Marcuse, among others-by applying them to contemporary environmental crises. Critical Ecologies argues that sustainability and critical social theory have many similar goals, including resistance to different forms of domination. Like the Frankfurt School itself, the essays in this volume reflect a spirit of interdisciplinarity and draw attention to intersections between environmental, socio-political, and philosophical issues. Offering textual analyses by leading scholars in both critical theory and environmental politics, Critical Ecologies underscores the continued relevance of the Frankfurt School's ideas for addressing contemporary issues.

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From 'Covfefe' to #FraudNewsCNN and #FakeNews, Donald Trump's tweets have caused an international frenzy. He is a reality TV and Twitter-President, who uses digital and entertainment culture as an ideological weapon - as an expression of his authoritarianism. This book delves into new political-economic structures as expressed through political communication to explain the rise of authoritarian capitalism, nationalism and right-wing ideology throughout the world. Christian Fuchs does this through updating Marxist theory and the Frankfurt School's critical theory. He re-invigorates the works on authoritarianism of Franz L. Neumann, Theodor W. Adorno, Erich Fromm, Herbert Marcuse, Max Horkheimer, Wilhelm Reich, Leo Lowenthal and Klaus Theweleit in the age of Trump and Twitter. In the age of big data and social media, Digital Demagogue studies the expressions of ideology, nationalism and authoritarianism today and discusses prospects for overcoming capitalism and renewing the Left.

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No project holds a more prominent place in the development of modern European thought than the critical theory. Usually associated with various members of the Frankfurt Institute for Social Research of the 1920s and 1930s, critical theory has been enormously influential and quite controversial in its manifold claims. Of Critical Theory and Its Theorists provides unique interpretations of critical theory's most important representatives: Georg Lukacs, Walter Benjamin, Theodor W. Adorno, Herbert Marcuse, Erich Fromm, Jürgen Habermas, and others. Inspired by the interdisciplinary character of the original enterprise, Stephen Bronner ranges across many fields, from philosophy and aesthetics to politics and anthropology, reconstructing the radical aims of critical theory, and evaluating its success, its failings and its legacy. Of Critical Theory and its Theorists offers a panoramic view of an exciting tradition, and a bold new perspective, from one of America's most prominent analysts of continental politics and philosophy.

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The first and exhaustive biography of twentieth-century leftist philosopher Andre Gorz. Recognized as one of the most lucid and innovative critics of contemporary capitalism, Andre Gorz (1923-2007) was known for asking fundamental questions regarding the meaning of life and work. This first biography of a unique figure operating at the confluence of literature, philosophy, and journalism revisits half a century of intellectual and political life. Born Gerhart Hirsch in Vienna, he studied in Switzerland before opting to live and work in France. A self-taught existentialist thinker, he was constantly revising his view of the world, unafraid to break new theoretical ground in doing so. Influenced by Marx, Husserl, Sartre, and Illich, he had very close affinities with the new thinking on the Left that was coming out of Italy in the 1960s and 70s. He was also one of the first thinkers to shape political ecology and to advocate de-growth. The intellectual on the editorial board of Sartre's journal Les Temps Modernes, Gorz was also a mainstream journalist. He wrote in L'Express under the sobriquet Michel Bosquet before joining others in the creation of Le Nouvel Observateur. Through Gorz's life journey, we meet not only Sartre and de Beauvoir, but also Herbert Marcuse, Fidel Castro, Daniel Cohn-Bendit, Ivan Illich, Felix Guattari, Antonio Negri, and many others. Beyond his poignant autobiographical narratives, The Traitor and Letter to D, which attest to his deep humanity, Gorz remains a precious guide for all who believe that another world is still possible.

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In this accomplished, sophisticated and up-to-date account of the state of critical social theory today, Craig Browne explores the key concepts in critical theory (like critique, ideology, and alienation), and crucially, goes on to relate them to major contemporary developments such as globalization, social conflict and neo-liberal capitalism. Critical theory here is not solely the work of Adorno, Horkheimer, Marcuse and Habermas. The book begins with the Frankfurt School but uses this as a base to then explore more contemporary figures such as: Nancy Fraser Axel Honneth Luc Boltanski Cornelius Castoriadis Ulrich Beck Anthony Giddens Pierre Bourdieu Hannah Arendt A survey of critical social theory for our times, this is an essential guide for students wishing to grasp a critical understanding of social theory in the modern world.

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We live in a world of technical systems designed in accordance with technical disciplines and operated by personnel trained in those disciplines. This is a unique form of social organization that largely determines our way of life, but the actions of individuals and social protest still play a role in developing and purposing these rational systems. In Technosystem, Andrew Feenberg builds a theory of both the threats of technocratic modernity and the potential for democratic change.Feenberg draws on the tradition of radical social criticism represented by Herbert Marcuse and the Frankfurt School, which recognized the social effects of instrumental rationality but did not advance a convincing alternative to the new forms of domination imposed by rational systems. That is where the fine-grained analyses of Science, Technology, and Society (STS) studies can contribute. Feenberg uses these approaches to reconcile the claims of rationality with the agency of a public increasingly mobilized to intervene in technically based decisions. The resulting social theory recognizes emerging forms of resistance, such as protests and hacking, as essential expressions of public life in the “rational society.”Combining the most salient insights from critical theory with the empirical findings of STS, Technosystem advances the philosophical debate over the nature and practice of reason in modern society.

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This unorthodox account of 1960s Black thought rigorously details the field’s debts to German critical theory and explores a forgotten tradition of Black singularity. Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century Black writers and thinkers, including the growing interest in German philosophy and critical theory. Mark Christian Thompson analyzes this shift in intellectual focus across the post-war decades, placing Black Power thought in a philosophical context. Prior to the 1960s, sociologically oriented thinkers such as W. E. B. Du Bois had understood Blackness as a singular set of socio-historical characteristics. In contrast, writers such as Amiri Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were drawn to notions of an African essence, an ontology of Black being. With these perspectives, literary language came to be seen as the primary social expression of Blackness. For this new way of thinking, the works of philosophers such as Adorno, Habermas, and Marcuse were a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of Black religious thought. Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of Blackness—a “Black aesthetic dimension” wherein aspirational models for Black liberation might emerge.

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Notions of self-determination are central to modern politics, yet the relationship between the self-determination of individuals and peoples has not been adequately addressed, nor adequately allied to cosmopolitanism. Transcendence seeks to rectify this by offering an original theory of self and society. It highlights overlooked affinities between existentialism and pragmatism and compares figures central to these traditions. The book's guiding thread is a unique model of the social development of the self that is indebted to the pragmatist George Herbert Mead. Drawing on the work of thinkers from both sides of the Atlantic—Hegel, William James, Dewey, Du Bois, Sartre, Marcuse, Bourdieu, Rorty, Neil Gross, and Jean-Baker Miller—and according supporting roles to Adam Smith, Habermas, Herder, Charles Taylor, and Simone de Beauvoir, Aboulafia combines European and American traditions of self-determination and cosmopolitanism in a new and persuasive way.

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In 1923, a group of young radical German thinkers and intellectuals came together to at Victoria Alle 7, Frankfurt, determined to explain the workings of the modern world. Among the most prominent members of what became the Frankfurt School were the philosophers Walter Benjamin, Theodor Adorno, Max Horkheimer, and Herbert Marcuse. Not only would they change the way we think, but also the subjects we deem worthy of intellectual investigation. Grand Hotel Abyss combines biography, philosophy, and storytelling to reveal how the Frankfurt thinkers gathered in hopes of understanding the politics of culture during the rise of fascism. Some of them, forced to escape the horrors of Nazi Germany, later found exile in the United States. By taking popular culture seriously as an object of study-whether it was film, music, ideas, or consumerism-the Frankfurt School elaborated upon the nature and crisis of our mass-produced, mechanised society. Grand Hotel Abyss shows how much these ideas still tell us about our age of social media and runaway consumption.

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Hospitalized following a mental health crisis in 1929, Louis Marcussen (1894—1985) begins a spectacular journey. He fills his room at the psychiatric institution with artworks, with tall and eloquent cut-out female figures, and he seems to invest himself deeply in his work and visions. He dissolves into a swirl of male, female, animal and divine identities. He discards the name ‘Louis’ and takes the name ‘Ovartaci’.The present book reads Ovartaci’s work through psychoanalytical notions of madness and psychosis. It is the first major monograph on an artist that through highly original artistic practices invented a new way of living.Brian Benjamin Hansen is a postdoctoral researcher at Aarhus University and senior associate professor at VIA University College.Ovartaci is increasingly recognized as one of the most enthralling Danish artists of the 20th century. At the 2022 Venice Biennale, the art of Ovartaci is part of the main exhibition and displayed in the Central Pavilion.

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A unique and definitive reader on our national passionbuying stuffand its consequences for American society. We are citizens, owners and workers, believers and heathens, but today more than anything else we are consumers. How this came to be and its consequences for us all is the subject of this pioneering reader on the riseand continued riseof consumerism. The Consumer Society Reader features a range of key works on the nature and evolution of consumer society. It includes classics such as the Frankfurt School writers Adorno, Horkheimer, and Marcuse on the Culture Industry; Thorstein Veblen''s oft-cited writings on conspicuous consumption; Betty Friedan on the housewife''s central role in consumer society; and John Kenneth Galbraith''s influential analysis of the affluent society. The book also includes much-discussed recent work by such leading critics as Pierre Bourdieu, Thomas Frank, bell hooks, Bill McKibben, and Janice Radway. A landmark in social criticism, The Co

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This widely acclaimed book is a comprehensive and authoritative account of the history and ideas of the Frankfurt School - the most important and influential group of leftist intellectuals, philosophers and social theorists in Germany this century. Wiggershaus traces the history of the School from its establishment in the early years of the Weimar Republic, through the period of exile in America, to the post-war phase in Frankfurt and the emergence of a younger generation of critical theorists in the 1960s. He combines biographical profiles of the key figures in the Frankfurt School - including Horkheimer, Adorno, Benjamin, Marcuse, Fromm, Neumann, Pollock, Kirchheimer and Habermas - with a rigorous analysis of their main theories and ideas. Through the careful use of documentary material, much of which has only recently become available, Wiggershaus is able to shed new light on internal disputes and controversies among members of the School. The Frankfurt School will be welcomed by students and researchers in the social sciences and philosophy, modern history and German studies, as well as anyone interested in the history and influence of the Frankfurt School.

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Shows German Science Fiction's connections with utopian thought, and how it attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future. Since its beginnings, German Science Fiction (or SF) has engaged with social change and technological progress, often drawing from utopian thought. The writer Kurd Laßwitz challenged the authoritarian Wilhelmine order; later, film director Fritz Lang provided a searing critique of Weimar society. Meanwhile utopian thinkers like Ernst Bloch and Herbert Marcuse insisted on the possibility of hope, even in the face of totalitarianism. During the Cold War, German utopian writing and filmmaking were vital both as a warning and as a creative imagining of possible futures. More recently, as rapid scientific and technological advances have continued, literary and cinematic responses have become increasingly dystopian in outlook, reflecting fears connected with globalization, advances in artificial intelligence and genetic engineering, and persistent challenges like climate change, hunger, migration, and terrorism. This book explores German SF's responses to the question how humanity can match technological advances with social, ethical, and moral progress. It surveys German utopian thought and the German SF tradition-both literary and cinematic-providing close readings of selected works that paradoxically reflect boundless optimism for the possibility of change and increasing pessimism in its likelihood. English translations are provided throughout. Building on its rich tradition but now confidently entering the mainstream, German SF attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future.

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"At the hands of a minor talent, profiles are often flat, two-dimensional outlines of a thinker’s intellectual physiognomy. At the hands of a master like Jürgen Habermas, they can become something far more substantial and profound. With astonishing economy, Habermas sketches his impressions of the giants of recent German thought, several of whom were his personal mentors. For those of his readers accustomed to the demandingly abstract level of his theoretical work, the results will prove a welcome surprise. Without sacrificing any of the rigor and brilliance of those longer studies, he displays a remarkable ability to combine depth with brevity. Philosophical-Political Profiles not only adds a new dimension to our understanding of the intellectual odyssey of Germany’s leading contemporary thinker but also provides a series of stunning insights into the thought of the generation that preceded him." Martin Jay, University of California, Berkley "With enormous sensitivity, judiciousness, and critical insight, Habermas engages in dialogue with many of the leading German-trained intellectuals of our time-including Heidegger, Jaspers, Löwith, Bloch, Adorno, Benjamin, Marcuse, Arendt, Gadamer, Scholem, and others. These essays range over the most central and vital issues of contemporary life. Whether dealing with Jewish mysticism or critiques of modernity, Habermas is always illuminating and incisive. These essays can serve as an excellent introduction to his thinking. They also help to situate his theoretical work by revealing his deepest concerns." Richard Bernstein, The New School for Social Research

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A harrowing account of the profoundly consequential decisions American universities made about refugee scholars from Nazi-dominated Europe--a finalist for a 2020 National Jewish Book Award The United States’ role in saving Europe’s intellectual elite from the Nazis is often told as a tale of triumph, which in many ways it was. America welcomed Albert Einstein and Enrico Fermi, Hannah Arendt and Herbert Marcuse, Rudolf Carnap and Richard Courant, among hundreds of other physicists, philosophers, mathematicians, historians, chemists, and linguists who transformed the American academy. Yet for every scholar who survived and thrived, many, many more did not. To be hired by an American university, a refugee scholar had to be world-class and well connected, not too old and not too young, not too right and not too left, and, most important, not too Jewish. Those who were unable to flee were left to face the horrors of the Holocaust. In this rigorously researched book, Laurel Leff rescues from obscurity scholars who were deemed “not worth saving” and tells the riveting, full story of the hiring decisions universities made during the Nazi era.

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When it was published twenty-five years ago, this book captured a huge audience of Vietnam War protesters, dropouts, and rebels - and their baffled elders. Theodore Roszak found common ground between 1960s student radicals and hippie dropouts in their mutual rejection of what he calls the technocracy - the regime of corporate and technological expertise that dominates industrial society. He traces the intellectual underpinnings of the two groups in the writings of Herbert Marcuse and Norman O. Brown, "Allen Ginsberg" and "Paul Goodman". In a new introduction, Roszak reflects on the evolution of counter culture since he coined the term in the sixties. Alan Watts wrote of "The Making of a Counter Culture" in the "San Francisco Chronicle" in 1969, 'If you want to know what is happening among your intelligent and mysteriously rebellious children, this is the book. The generation gap, the student uproar, the New Left, the beats and hippies, the psychedelic movement, rock music, the revival of occultism and mysticism, the protest against our involvement in Vietnam, and the seemingly odd reluctance of the young to buy the affluent technological society - all these matters are here discussed, with sympathy and constructive criticism, by a most articulate, wise, and humane historian.

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Utopia Limited is an original, engaging account of how postmodernism emerged from the political and cultural upheaval of the 1960s. Marianne DeKoven argues that aspects of sixties radical politics and culture simultaneously embodied the full, final flowering of the modern and the beginning of the postmodern. Analyzing classic sixties texts, DeKoven shows where the utopian master narratives underlying the radical and countercultural movements gave way to the “utopia limited” of the postmodern as a range of competing political values and desires came to the fore. She identifies the pivots where the modern was superseded by the nascent postmodern: where modern mass culture was replaced by postmodern popular culture, modern egalitarianism morphed into postmodern populism, and modern individualism fragmented into postmodern politics and cultures of subjectivity.DeKoven rigorously analyzes a broad array of cultural and political texts important in the sixties—from popular favorites such as William S. Burroughs’s Naked Lunch to political manifestoes including The Port Huron Statement, the founding document of SDS (Students for a Democratic Society). She examines texts that overtly discuss the conflict in Vietnam, Black Power, and second-wave feminism—including Frances FitzGerald’s Fire in the Lake, James Baldwin’s The Fire Next Time, and Shulamith Firestone’s The Dialectic of Sex; experimental pieces such as The Living Theatre’s Paradise Now; influential philosophical works including Roland Barthes’s Mythologies and Herbert Marcuse’s One-Dimensional Man; and explorations of Las Vegas, the prime location of postmodernity. Providing extensive annotated bibliographies on both the sixties and postmodernism, Utopia Limited is an invaluable resource for understanding the impact of that tumultuous decade on the present.

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The first book to challenge modern philosophy’s case against idleness, revealing why the idle state is one of true freedomFor millennia, idleness and laziness have been regarded as vices. We're all expected to work to survive and get ahead, and devoting energy to anything but labor and self-improvement can seem like a luxury or a moral failure. Far from questioning this conventional wisdom, modern philosophers have worked hard to develop new reasons to denigrate idleness. In Idleness, the first book to challenge modern philosophy's portrayal of inactivity, Brian O'Connor argues that the case against an indifference to work and effort is flawed--and that idle aimlessness may instead allow for the highest form of freedom.Idleness explores how some of the most influential modern philosophers drew a direct connection between making the most of our humanity and avoiding laziness. Idleness was dismissed as contrary to the need people have to become autonomous and make whole, integrated beings of themselves (Kant); to be useful (Kant and Hegel); to accept communal norms (Hegel); to contribute to the social good by working (Marx); and to avoid boredom (Schopenhauer and de Beauvoir).O'Connor throws doubt on all these arguments, presenting a sympathetic vision of the inactive and unserious that draws on more productive ideas about idleness, from ancient Greece through Robert Burton's Anatomy of Melancholy, Schiller and Marcuse's thoughts about the importance of play, and recent critiques of the cult of work. A thought-provoking reconsideration of productivity for the twenty-first century, Idleness shows that, from now on, no theory of what it means to have a free mind can exclude idleness from the conversation.

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The Reification of Desire takes two critical perspectives rarely analyzed together—formative arguments for Marxism and those that have been the basis for queer theory—and productively scrutinizes these ideas both with and against each other to put forth a new theoretical connection between Marxism and queer studies. Kevin Floyd brings queer critique to bear on the Marxian categories of reification and totality and considers the dialectic that frames the work of Georg Lukács, Herbert Marcuse, and Fredric Jameson. Reading the work of these theorists together with influential queer work by such figures as Michel Foucault and Judith Butler, and alongside reconsiderations of such texts as The Sun Also Rises and Midnight Cowboy, Floyd reformulates these two central categories that have been inseparable from a key strand of Marxist thought and have marked both its explanatory power and its limitations. Floyd theorizes a dissociation of sexuality from gender at the beginning of the twentieth century in terms of reification to claim that this dissociation is one aspect of a larger dynamic of social reification enforced by capitalism. Developing a queer examination of reification and totality, Kevin Floyd ultimately argues that the insights of queer theory require a fundamental rethinking of both.

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For more than thirty years, Fredric Jameson has been one of the most productive, wide-ranging, and distinctive literary theorists in the United States and the Anglophone world. Marxism and Form provided a pioneering account of the work of the major European Marxist theorists--T. W. Adorno, Walter Benjamin, Herbert Marcuse, Ernst Bloch, Georg Lukacs, and Jean-Paul Sartre--work that was, at the time, largely neglected in the English-speaking world. Through penetrating readings of each theorist, Jameson developed a critical mode of engagement that has had tremendous in.uence. He provided a framework for analyzing the connection between art and the historical circumstances of its making--in particular, how cultural artifacts distort, repress, or transform their circumstances through the abstractions of aesthetic form. Jameson's presentation of the critical thought of this Hegelian Marxism provided a stark alternative to the Anglo-American tradition of empiricism and humanism. It would later provide a compelling alternative to poststructuralism and deconstruction as they became dominant methodologies in aesthetic criticism. One year after Marxism and Form, Princeton published Jameson's The Prison-House of Language (1972), which provided a thorough historical and philosophical description of formalism and structuralism. Both books remain central to Jameson's main intellectual legacy: describing and extending a tradition of Western Marxism in cultural theory and literary interpretation.

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