Search results for ""Sequence""

An Irish Times Best Poetry Books of 2021. In Collected Poems one of Ireland's best-loved contemporary poets brings together poems from her six principal collections, Oar (1990), The Parchment Boat (1997), Carrying the Songs (1907), Hands (2011), Keats Lives (2015) and Donegal Tarantella (2019) - more than three decades' work - a poetry of individual poems which compose a memorable, unpredictable sequence of discovery. The immediacy of our response to the beauty of our exploited planet inspire many of Moya Cannon's poems. The perfection of very early cave art she sees as testimony to the centrality of art in our evolution as humans. Geology, archaeology, history and music figure as gateways to a deeper understanding of our relationship with our past and the natural world. 'Whatever inspiration is,' she quotes Wislawa Szymborska as saying, 'it is born from a continuous 'I don't know',' from the confusion of adolescence to the very different confusions of adult life. There are dark confusions and those which are luminous and filled with joy - desperation and rapture are their extremes. Each poem makes a space in which the readers share experience and discover something uniquely their own as well. She regards herself as fortunate in having developed in a culture rapidly changing, in which the poetries of the world were becoming available, in which the situation of women was radically changing. She was at once a beneficiary and an agent of change and these poems retain that enabling agency.

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An ambitious history of Britain told through the stories of twenty-five notable structures, from the Iron Age fortification of Maiden Castle in Dorset to the Gherkin. Building Britannia is a chronicle of social, political and economic change seen through the prism of the country's built environment, but also a sequence of closely observed studies of a series of intrinsically remarkable structures: some of them beautiful or otherwise imposing; some of them more coldly functional; all of them with richly fascinating stories to tell. Steven Parissien tells both a national story, tracing how a growing sense of British nationhood was expressed through the country's architecture, and also examines how these structures were used by later generations to signpost, mythologise or remake British history. Rubbing shoulders with some 'expected' building choices – the Roman baths at Aquae Sulis, the early Gothic splendour of Lincoln Cathedral and the Tudor jewel that is Little Moreton Hall – are some striking inclusions that promise to open doors into what will be, for many readers, less familiar areas of social history: these include The Briton’s Protection, a Regency pub close in Manchester city centre and the Edwardian Baroque Electric Cinema in Notting Hill, one of the country's oldest working cinemas. Thus as well as identifying the relevance of certain iconic structures to the unfolding of the national story, Building Britannia finds fascination and meaning in the everyday and the disregarded.

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'So immersive, atmospheric and compelling' Marian Keyes'Kept me glued to the page' Alex Marwood'Achingly poignant . . . An absolutely brilliant read' Sunday Mirror_____________Beginnings, middles and ends; Peggy, Serena, Natasha and Bel. This is the room that binds them, this is how consequences work . . .In deepest Cornwall, the mansion Kittiwake has seen many pass through its doors since it was bought by American heiress Peggy Carmichael seventy years ago.Over the decades, the keys have been handed down through the family, and now it belongs to Bel's adoptive brother, Lance. It's where he'll be celebrating his fiftieth birthday, and Bel is invited.But Bel barely feels like she's holding it together as it is, and in going back to Kittiwake, she will be returning to the place where it all began - where, following the death of a child, a sequence of events was set in motion, the consequences of which are still rippling down through the generations . . .From Sunday Times bestselling author Jenny Eclair comes an utterly compelling new novel of family secrets that will stay with you long after you've turned the last page.______________PRAISE FOR JENNY ECLAIR:'Wonderfully written, insightful and riveting' Daily Mail'Compelling, compassionate and keenly observed' Independent'Both heart-rending and compelling' Clare Mackintosh'I loved it SO MUCH' Marian Keyes'Witty, moving, dark and absorbing' Jo Brand'An elegant, gripping and mesmeric read' Helen Lederer'An absolute page-turner of a story' Judy Finnigan

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Classical commentaries study each psalm on its own. However, there is a growing trend to look at the composition of the Psalter. The present commentary on the fifth and last “book” of psalms (Ps 107–150) carries out a systematic analysis of the composition of this set of forty-four psalms, at all levels of its organization: first each psalm on its own, followed by each subsequence formed of several psalms, then each sequence, each of the five subsections that constitute the fifth book, and finally the whole section, i.e., the book. The last five psalms (146–150) are, so to speak, outside the system, for they constitute the doxology that concludes not only the fifth book but also the entire Psalter. The composition is extremely elaborate. At the centre of the construction, Ps 119 which is a long meditation on the Law. It is preceded by the “Egyptian Hallel” which celebrates the exodus from the land of slavery (Ps 113–118) and followed by the “Psalms of Ascents” which sing and hope for the return from exile in Babylon (Ps 120–134). Finally, at the extremities, two subsections that correspond to each other: in the psalmist’s own words, “From the mouth of deceit to the thanksgiving of the righteous” (Ps 107–112), “From the venom of the serpent to the praise of the righteous” (Ps 135–145). The interpretation of each group of psalms allows us to reach a greater meaning, which clearly exceeds the sum of the interpretations of each of the units that make it up.

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"Easily ranks among the best fiction I've read this year.” —David Abrams “If you’ve come to look for America, it's here in The Big Impossible. Taut, urgent, emotionally powerful stories about the families, workers, and dreamers who are our neighbors, and Delaney’s range and sense of history make him the perfect writer to illuminate their lives.” —Christopher Castellani, author of Leading Men The short fiction in Ted Delaney's new collection explores guilt and redemption, aspiration and failure, and the stubbornness of modest hopes. The usual mileposts are fading, and choice is in the context of institutions and assumptions that are no longer holding steady. In “Clean,” a man waits for inevitable justice to come, as much as it will play against him. In “House of Sully,” a working-class family navigates the tumultuous year that 1968 was, as new perceptions shake long-held and dependable, if sometimes misguided, beliefs. Other stories examine the inner life of a school shooter, the comical posturing of writers at a literary party, a British veteran of The Great War living at a Florida retirement home but haunted by his losses, and a man’s bittersweet visits to past lives via Google Street View. In the sequence set in the West, an itinerant worker moves across the Great Plains, navigating stark landscapes, trying for foothold. The Atlantic’s C. Michael Curtis praised Ted Delaney’s debut collection for its “moral intensity . . . in the tradition of writers as varied as Ethan Canin and William Trevor.” Two decades later Delaney returns to the short fiction form with utter mastery.

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Serial killer’s message to PI Jake Longly: Two of those seven murders I confessed to are not mine—but I won’t tell you which two Jake Longly and Nicole Jamison are confronted with the most bizarre case yet. Serial killer Billy Wayne Baker now denies that two of his seven murders were actually his work. An anonymous benefactor, who believes Billy Wayne’s denials, has hired Longly Investigations to prove Billy Wayne right. Billy Wayne had confessed to all seven. Not only did the confessed serial killer have the motive, means, and opportunity for murder, but his DNA was found at each crime scene. Bizarre doesn’t quite cover it. Jake and Nicole travel to the small Gulf Coast town of Pine Key, Florida, where three of the murders occurred. The local police, FBI, state prosecutor, and crime lab each did their jobs, uncovered overwhelming evidence of Billy Wayne’s guilt—and even extracted a full confession. Is Billy Wayne simply trying to tweak the system to garner another fifteen minutes of fame? It’s likely all a game to him, but, if he’s being truthful—someone out there is getting away with multiple murders. How? Why? And most importantly, who? Dark clouds loom in the Sunshine State.Perfect for fans of Carl Hiaasen and Janet Evanovich While all of the novels in the Jake Longly Thriller Series stand on their own and can be read in any order, the publication sequence is:Deep Six A-List Sunshine State Rigged The OC (coming October 2021)

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Winner of the Shamus Award and Lefty AwardWould you risk your own soul to avenge the death of a loved one?A phone call thrusts Rick Cahill’s past and all its tragic consequences into his present. Krista Landingham, his former partner on the Santa Barbara Police Department, is dead. When Rick goes to the funeral in the city where his wife was murdered and where he is seen as guilty for her death in the eyes of the police, he discovers that Krista’s death may not have been a tragic accident, but murder. Hired by Krista’s sister, Leah, to investigate, Rick follows clues that lead him to the truth, not only about Krista’s death, but about the tragedy that ruined his life. Along the way, Leah shows him that his life can be salvaged, and he can feel love again if he can just move beyond his past. But the past is Rick’s present and will always be until he rights his one great wrong. In the end, Rick is left with a decision that forces him to confront the horrific actions he’ll need to take to exact revenge and achieve redemption.A hard-boiled PI thriller perfect for fans of Robert Crais and T. Jefferson ParkerWhile all of the novels in the Rick Cahill PI Crime Series stand on their own and can be read in any order, the publication sequence is:Yesterday’s EchoNight TremorsDark FissuresBlood TruthWrong LightLost TomorrowsBlind VigilLast RedemptionDoomed Legacy

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Finalist for the Macavity and Lefty AwardWhen bill collectors come calling, Rick Cahill desperately needs workPrivate Investigator Rick Cahill fears the next knock on his door will be a cop holding a warrant for his arrest. For murder. La Jolla Chief of Police Tony Moretti is convinced Rick killed a missing person. No body has been found, but the evidence that’s piling up says murder and it all points to Rick. With Moretti on his tail and the bank about to foreclose on his house, Rick takes a paying case that will stave off the bank, but pits him against Moretti and the La Jolla Police Department.Brianne Colton, a beautiful country singer, is convinced her estranged husband’s suicide was really murder. Rick is unconvinced, but the mortgage has to be paid. Each new piece of evidence convinces him she’s right. He breaks his number one rule and falls for Brianne even, as he begins to question her motives.As Moretti cinches the vise tighter, with Rick unable to trust the FBI, evil forces emerge from the shadows who will do anything, including torture and murder, to stop Rick from uncovering the truth.Hard-edged suspense with a heart for fans of Robert Crais and Michael Connelly While all of the novels in the Rick Cahill PI Crime Series stand on their own and can be read in any order, the publication sequence is:Yesterday’s EchoNight TremorsDark FissuresBlood TruthWrong LightLost TomorrowsBlind VigilLast RedemptionDoomed Legacy

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This anthology is the record of a revolution in Chinese poetry. As the Cultural Revolution gave way to the post-Mao era - years of political turmoil, economic boom and the return of Hong Kong - the present period has been one of extraordinary and deeply problematic growth. Chinese poets, driven by alienation, trauma and exile, have responded with one of the most thorough and exciting experiments in world poetry. Jade Ladder shows authoritatively for the first time in English the diversity of Chinese poetry as it renegotiates its relationship with Western modernist and postmodernist poetry, and re-engages with its Classical heritage. Misty, post-Misty, Fourth Generation; publication in samizdat, publication in exile, publication on the internet - in a nation of billions, it sometimes seems that there are a million ways to write poetry. This selection provides a concise series of perspectives on a proliferating scene. It focusses on key figures and key poems. It moves beyond the lyric to showcase an astonishing diversity of genres including narrative poetry, neo-Classical writing, the sequence, experimental poetry and the long poem. Through detailed introductions, it examines how contemporary poetry grew from both the fertile Classical tradition and the stony ground of the Communist period, only to rewrite that tradition, and resist that regime. Jade Ladder is the most comprehensive single volume guide to what has been happening and what is happening now in a culture of undeniably global significance. It is indispensable reading for anyone with an interest in the future not just of China, but of poetry.

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This collection of Chris Abani's longer poems, some previously published, the majority new, displays his astonishing energy, beauty of expression and range of reference to contemporary life, history, art and literature. Having this work together in one volume enables us to see the dialogue between a sense of the personal and an engagement with the public and historical, from 'Daphne's Lot' which explores the life of an Englishwoman (his mother) caught up in the madness of the Biafran civil war, or 'Buffalo Women', an epistolary sequence of poems between lovers caught up in the American civil war. The focus of Abani's poems is frequently on extreme situations where the unspeakable becomes too readily the doable, but where against the odds compassion and love remain and the individual determination to resist public madness. In 'Sanctificum' there is a profound meditation on the sacred, whether reached through religious ritual or through art, and the narrow dividing line between the urge to reach for mastery and transcendence and the abuses of power whether personal, contemporary or historical."In this eclectic and imaginative poetry book Chris Abani takes us on a time-travelling journey around the world. He explores history, war, myth, religion, relationships and a poet's personal and philosophical musings. His versatile voice is, variously, audacious, energetic, visual, oblique and always, always, thought-provoking."Bernardine EvaristoChris Abani is the author of 11 books, the recipient of numerous awards for his writing, and is currently holds the position of Professor at the University of California, Riverside.

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Provides for a selection of texts, together with scholarly introductions, from one of the world's great private libraries, covering a period from Elizabeth I to the Church's involvement in homosexual law reform. This volume of the Church of England Record Society, published in celebration of the 400th anniversary of the foundation of Lambeth Palace Library, is a tribute to the value of one of the world's great private libraries to the scholarly community and its importance for the history of the Church of England in particular. Thirteen historians, who have made considerable use of the Library in their research, have selected texts which together offer an illustration of the remarkable resources preserved by the Library for the period from the Reformation to the late twentieth century. A number of the contributions draw on the papers of the archbishops of Canterbury and bishops of London,which are among the most frequently used collections. Others come from the main manuscript sequence, including both materials originally deposited by Archbishop Sancroft and a manuscript published with the help of the Friends of Lambeth Palace Library in 2007. Another makes use of the riches to the papers of the Lambeth Conferences. Each text is accompanied by a substantial introduction, discussing its context and significance, and a full scholarly apparatus. The themes covered in the volume range from the famous dispute between Archbishop Grindal and Queen Elizabeth I, through the administration of the Church by Archbishop Laud and Archbishop Davidson's visit to the Western Frontduring World War I, to involvement of the Church in homosexual law reform.

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This is an intense and meticulously sourced study on the topic of nuclear weapons proliferation, beginning with America's introduction of the Atomic Age... His book provides a full explanation of America's policy with a time sequence necessarily focusing on the domino effect of states acquiring a nuclear weapons capability and the import of bureaucratic decisions on international political behavior.― Choice Stopping the Bomb examines the historical development and effectiveness of American efforts to prevent the spread of nuclear weapons. Nicholas L. Miller offers here a novel theory that argues changes in American nonproliferation policy are the keys to understanding the nuclear landscape from the 1960s onward. The Chinese and Indian nuclear tests in the 1960s and 1970s forced the US government, Miller contends, to pay new and considerable attention to the idea of nonproliferation and to reexamine its foreign policies. Stopping the Bomb explores the role of the United States in combating the spread of nuclear weapons, an area often ignored to date. He explains why these changes occurred and how effective US policies have been in preventing countries from seeking and acquiring nuclear weapons. Miller's findings highlight the relatively rapid move from a permissive approach toward allies acquiring nuclear weapons to a more universal nonproliferation policy no matter whether friend or foe. Four in-depth case studies of US nonproliferation policy—toward Taiwan, Pakistan, Iran, and France—elucidate how the United States can compel countries to reverse ongoing nuclear weapons programs. Miller's findings in Stopping the Bomb have important implications for the continued study of nuclear proliferation, US nonproliferation policy, and beyond.

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In Scandal Work: James Joyce, the New Journalism, and the Home Rule Newspaper Wars, Margot Gayle Backus charts the rise of the newspaper sex scandal across the fin de siècle British archipelago and explores its impact on the work of James Joyce, a towering figure of literary modernism. Based largely on archival research, the first three chapters trace the legal, social, and economic forces that fueled an upsurge in sex scandal over the course of the Irish Home Rule debates during James Joyce’s childhood. The remaining chapters examine Joyce’s use of scandal in his work throughout his career, beginning with his earliest known poem, “Et Tu, Healy,” written when he was nine years old to express outrage over the politically disastrous Parnell scandal. Backus’s readings of Joyce’s essays in a Trieste newspaper, the Dubliners short stories, Portrait of the Artist, and Ulysses show Joyce’s increasingly intricate employment of scandal conventions, ingeniously twisted so as to disable scandal’s reifying effects. Scandal Work pursues a sequence of politically motivated sex scandals, which it derives from Joyce's work. It situates Joyce within an alternative history of the New Journalism’s emergence in response to the Irish Land Wars and the Home Rule debates, from the Phoenix Park murders and the first Dublin Castle scandal to “The Maiden Tribute of Modern Babylon” and the Oscar Wilde scandal. Her voluminous scholarship encompasses historical materials on Victorian and early twentieth-century sex scandals, Irish politics, and newspaper evolution as well as providing significant new readings of Joyce’s texts.

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The most useful tool for reviewing mathematical methods for economics classes—now with more contentSchaum’s Outline of Calculus for Business, Economics and Finance, Fourth Edition is the go-to study guide for help in economics courses, mirroring the courses in scope and sequence to help you understand basic concepts and get extra practice in topics like multivariable functions, exponential and logarithmic functions, and more. With an outline format that facilitates quick and easy review, Schaum’s Outline of Calculus for Business, Economics and Finance, Fourth Edition supports the major bestselling textbooks in economics courses and is useful for a variety of classes, including Introduction to Economics, Economics, Econometrics, Microeconomics, Macroeconomics, Economics Theories, Mathematical Economics, Math for Economists and Math for Social Sciences. Chapters include Economic Applications of Graphs and Equations, The Derivative and the Rules of Differentiation, Calculus of Multivariable Functions, Exponential and Logarithmic Functions in Economics, Special Determinants and Matrices and Their Use in Economics, First-Order Differential Equations, and more.Features: NEW in this edition: Additional problems at the end of each chapter NEW in this edition: An additional chapter on sequences and series NEW in this edition: Two computer applications of Linear Programming in Excel 710 fully solved problems Outline format to provide a concise guide for study for standard college courses in mathematical economics Clear, concise explanations covers all course fundamentals Supplements the major bestselling textbooks in economics courses Appropriate for the following courses: Introduction to Economics, Economics, Econometrics, Microeconomics, Macroeconomics, Economics Theories, Mathematical Economics, Math for Economists, Math for Social Sciences

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After an immense process of careful restoration and conservation, the outstanding artistry of the Great East Window is revealed afresh through state-of-the art photography that captures the complete sequence of major panels, in corrected placements, for the very first time. At the size of a tennis court, it is the largest single expanse of medieval stained glass in Britain and one of the largest medieval windows ever made. This visual feast is brought to life by expert author Sarah Brown, who explores the history, artistry, meaning and restoration of the window, revealing new insights on a fragile masterpiece that has been described as England's Sistine Chapel. Ground breaking new research has shed exciting new light on the window's complex narratives, relating its story to the Minster's history and liturgy. The Great East Window of York Minster explores the window's biblical presentation of the beginning and end of time, the window's relationships with other media and the technical processes behind its creation. This stunning, illustrated hardback presents an engaging contextual analysis of the window's unequivocal position as an English masterpiece. "The Great East Window of York Minster tells the story of Time: from the Creation, Genesis, at the top, to the end of time, when a new heaven and a new earth is brought into being by Jesus Christ according to the Revelation of St John, at the bottom. It is a truly timeless masterpiece, with a message as relevant today as it was 600 years ago when it was painted." - John Sentamu, Archbishop of York

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Enlightenment critics from Dryden through Johnson and Wordsworth conceived the modern view that art and especially literature entails a double reflection: a reflection of the world, and a reflection on the process by which that reflection is accomplished. Instead “neoclassicism” and “Augustanism” have been falsely construed as involving a one-dimensional imitation of classical texts and an unselfconscious representation of the world. In fact these Enlightenment movements adopted an oblique perspective that registers the distance between past tradition and its present reenactment, between representation and presence. Two modern movements, Romanticism and modernism, have appropriated as their own these innovations, which derive from Enlightenment thought. Both of these movements ground their error in a misreading of “imitation” as understood by Aristotle and his Enlightenment proponents. Rightly understood, neoclassical imitation, constitutively aware of the difference between what it knows and how it knows it, is an experimental inquiry that generates a range of prefixes—“counter-,” “mock-,” “anti-,” “neo-”—that mark formal degrees of its epistemological detachment. Romantic ideology has denied the role of the imagination in Enlightenment imitation, imposing on the eighteenth century a dichotomous periodization: duplication versus imagination, the mirror versus the lamp. Structuralist ideology has dichotomized narration and description, form and content, structure and history. Poststructuralist ideology has propounded for the novel a contradictory “novel tradition”—realism, modernism, postmodernism, postcolonialism—whose stages both constitute a sequence and collapse it, each stage claiming the innovation of the stage that precedes it. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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What games can teach us about life, the universe and ourselves. If you shuffle a deck of cards what are the odds that the sequence is unique? What is the connection between dice, platonic solids and Newton's theory of gravity? What is more random: a dice tower or a number generator? Can you actually employ a strategy for a game as basic as Rock-Paper-Scissors? These are all questions that are thrown up in games and life. Games involve chance, choice, competition, innovation, randomness, memory, stand-offs and paradoxes - aspects that designers manipulate to make a game interesting, fun and addictive, and players try to master for enjoyment and winning. But they also provide a fascinating way for us to explore our world; to understand how our minds tick, our numbers add up, and our laws of physics work. This is a book that tackles the big questions of life through the little questions of games. With short chapters on everything from memory games to the Prisoner's Dilemma, to Goedel's theorems, GameTek is fascinating reading anyone for who wants to explore the world from a new perspective - and a must-read book for serious designers and players.PRAISE'Math, physics, psychology and all the other stuff you didn't even realise you were using while playing board games! Dr E has opened the door to the game under the game in fascinating, fun detail. Now you have NO reason to ever lose again! Rock!' Tommy Dean, board-gamer and stand-up comic

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Born to Walk is designed to help movement therapists, physiotherapists, osteopaths, chiropractors, massage therapists, and bodyworkers understand gait and its mechanics, and will appeal to anyone with an interest in evolution and movement. It offers a concise model for understanding the complexity of movement while gaining a deeper insight into the physiology and mechanics of the walking process. This second and revised edition provides new research on assessment, diagnosis, and treatment approaches to enhance gait efficiency. Changes include: * Updated information and research on myofascial continuities * More clearly arranged according to planes of movement * New informative illustrations based on phases of gait with EMG readings * Clear listing of the 'Essential Events' The ability to walk upright on two legs is one of the major traits distinguishing us as humans, In Born to Walk, author James Earls explores the mystery of walking's evolution by describing the complex mechanisms enabling us to be efficient in bipedal gait. His model uses the latest research in paleoanthropology, sports medicine and anatomy, coupled with a functional understanding of the human form, to demonstrate how the whole body collaborates as an interconnected unit in walking, Earls explores the efficiency which is part of our natural design, distilling the complex actions into a simple sequence of "essential events" that engage the myofascia and utilize its full potential. Born to Walk helps identify areas of the body that, if dysfunctional, may reduce efficiency of gait. With this knowledge we can help ourselves and our clients regain a flowing elasticity within gait.

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Lungeing and Long-Reining, published in association with The British Horse Society, is a step-by-step guide to training, exercising and suppling horses from the ground, written by Britain's leading exponent of the art. The book begins with advice on handling untrained youngsters and works through a logical training progression, culminating in advanced dressage movements. Straightforward guidance is given on: Training foals and young horses Lungeing equipment and technique Introducing long-reins and early lateral work Backing and riding young horses Lungeing over poles and fences Advanced long-reining; including cantering, rein-back, shoulder-in, travers, half pirouettes, half-pass, renvers, canter half-pass, canter pirouettes and tempi flying changes. Piaffe and passage Olympic dressage rider and trainer Jennie Loriston-Clarke has broken and schooled countless dressage and jumping horses, and initially uses lungeing and long-reining to establish the horse's basic education and create mutual respect between horse and handler. The knowledge she has gained over the years while working with novices and older 'difficult' horses sent for retraining, is distilled in this book into simple instructions, so that others can avoid making costly mistakes when training their horses. The goal throughout is to produce a horse that is confident, keen and happy in his work — which should be the aim of every trainer. Illustrated with specially commissioned sequence photographs, this book will prove particularly valuable in the early training of young horses, as well as in improving or retraining older horses, and refining dressage movements in advance horses.

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INTRODUCING A PRACTICAL MODEL OF PLAY THERAPY FOR TRAUMATIZED CHILDREN Some of the most rewarding work a therapist can do is help a child recover from a traumatic event. But where to begin? A growing body of play therapy literature offers many specific techniques and a variety of theoretical models; however, many therapists are still searching for a comprehensive model of treatment that incorporates solid theoretical constructs with effective play therapy interventions. Clinicians have long recognized that trauma therapy is not just a matter of techniques but a journey with a beginning, middle, and end. In a pioneering contribution to the field, Play Therapy with Traumatized Children: A Prescriptive Approach, the author codifies the process in her model, Flexibly Sequential Play Therapy (FSPT). Integrating non-directive and directive approaches, this components-based model allows for the uniqueness of each child to be valued while providing a safe, systematic journey towards trauma resolution. The FSPT model demystifies play-based trauma treatment by outlining the scope and sequence of posttraumatic play therapy and providing detailed guidance for clinicians at each step of the process. Dramatically demonstrating the process of healing in case histories drawn from fifteen years of clinical practice with traumatized children, Play Therapy with Traumatized Children addresses: Creating a safe place for trauma processing Augmenting the child’s adaptive coping strategies and soothing his or her physiology Correcting the child’s cognitive distortions Ensuring that caregivers are facilitative partners in treatment Inviting gradual exposure to trauma content through play Creating developmentally sensitive trauma narratives Using termination to make positive meaning of the post-trauma self

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'The mystery of Life, the mystery Of Death, I see Darkly as in a glass...' Christina Rossetti (1830-94) is perhaps the most contradictory of the great Victorian poets. She writes of the world's beauty, but fears that it may be deceptive, even deadly. She is a religious poet, but much of her work is driven by uncertainty. Her poems are restrained, even secretive, but they seek nothing less than the mystery of Life and Death. This edition contains Rossetti's strongest and most distinctive work: poetry (including 'Goblin Market', 'The Prince's Progress', and the sonnet sequence 'Monna Innominata'), stories (including the complete text of Maude), devotional prose (with nearly fifty entries from the 'reading diary' Times Flies), and personal letters. Those poems which Rossetti published, and those which she withheld from publication, are here brought together in chronological order, allowing the reader to observe her poetic trajectory. This edition also records the major revisions made by Rossetti when preparing her poems for publication. It brings together the fullest range of Rossetti's poetry and prose in one volume, and is an indispensable introduction to this entrancing writer. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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This volume contains twelve studies, all dealing with aspects of the literature and culture of Scotland during the Middle Ages and the Renaissance. Most of these contributions began life as papers delivered at an international conference on that subject, held at Rolduc Abbey, The Netherlands, in 2002. Much new light is shed on canonical Middle Scots writers: Alastair Fowler and David Parkinson, both on Gavin Douglas; David Moses on Robert Henryson; Ruben Valdes Miyares on William Dunbar. The essay by Rod Lyall, on the anonymous A"Three Prestis of Peblis, and that of Eleanor Commander, on the A"Originale ChronicleA" by Andrew Wyntoun, both illuminate unperceived aspects of well-known fifteenth-century texts. Both Janet Hadley Williams and Alan Swanson significantly advance our knowledge of the poet, Sir David Lyndsay. Women's contribution to culture is the subject of the essays by Marguerite Corporaal (on poetry by Queen Mary Stewart and by Mary Beaton) and of Marie-Claude Tucker (on the calligrapher Esther Inglis). In the area of Scottish Gaelic literature and culture, William Gillies explores the connections between a prose tale and poem on the topic of the land of the Little People. In the final study, Jamie Reid-Baxter contextualises and expounds a hitherto unknown Renaissance sonnet sequence, A"The Nyne MusesA", by John Dykes. In each of the contributions in this volume rhetoric and reality loom large; royalty, the third term of the title, is the ever-present final parameter of culture in the Middle Ages and Renaissance.

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“We don’t sell gardens; we sell images of gardens.” This observation on the part of a landscape architect makes it clear just how important it is that a design be effectively communicated to the community, clients, and the public. Drawings, models, simulations, and films communicate the designers’ proposed ideas and solutions, but they also convey their attitude toward the use of nature and the environment. With myriad possibilities – including computer programs as well as hand drawings and models, which continue to be widely used – and strong competition in the field, there is now a huge variety of visual representations, with agreed-upon rules but also a great deal of freedom. In three large sections, this books sifts through the currently commonplace and available techniques and evaluates them in terms of their informative value and persuasive power, always illustrating its points with analysis of examples from international firms. An introductory look at the development thus far is followed by a systematic presentation of modes of representation in two, three, and four dimensions – in the plane, in space, and in the temporal process. The second section deals with the sequence within the workflow: from the initial sketch through concept and implementation planning all the way to the finished product. The third section deals with the strategic use of visualizations in the context of competitions, future schemes, and large-scale landscape planning. The focus in this section is not on the familiar use of the relevant techniques, but rather on the methods and forms of visual representation in contemporary landscape architecture.

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Roger Arthur Smith’s spectacular debut, Echoes, asks, what happens when your fundamental nature is challenged, not by the many evils without, but by an unexpected awakening within?It’s 1960 in Hawthorne, Nevada, a desert town so secluded that the U.S. Navy stores munitions nearby. While the Cold war lumbers on, the town’s gossip mills and marriage-eligible bachelors and bachelorettes play a game of cat and mouse, a pastime, that if nothing else, manages to while away the hours. Attorney Will Dubykky keeps a watchful eye over Hawthorne, and it comes as no surprise that his interest is piqued by the sudden appearance of a strange boy. Why is this boy disfigured? Why does he have difficulty speaking? Why can’t some people seem to see him? As one of the initiated, Dubykky has an inkling; the boy is evil, an echo sent to rectify the wrongs of an indulgent murderer. The echo’s mission? Tempt, trap and eliminate the human monster that spawned it. If all goes according to evil’s intent, the echo will die fulfilling its destiny. This fatal sequence has persisted as long as evil itself, but before the dark circle can be closed, riddles must be solved. In a town this small, who is capable of committing a string of heinous crimes undetected? And, when the time comes will this echo, more naïve and innocent than any echo Dubykky has ever encountered, fulfill its gruesome destiny? Echoes, is a wildly entertaining, gloriously absorbing exploration of humanity, evil, and the stark environs in which both exist.

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Clive Wilmer's New and Collected Poems begins with a fable about the conception, building and destruction of a walled city. It ends with a recent translation of Osip Mandelstam's 'Hagia Sophia', where the great Byzantine basilica is described in terms that recall the heavenly Jerusalem. In between is assembled the work of more than four decades, most of it dominated by a passion for building, a horror at destruction and a fascination with both. In Wilmer's poetry, intense feeling and powerful images are united with a strong sense of order, which emerges in the intelligence and craftsmanship of the writing. Readers who think they know Clive Wilmer's work may be surprised by what they find here. For this volume he has pruned his first two Carcanet collections, given two others in their entirety and added two new books. King Alfred's Book & Other Poems, has been constructed from a fine group of poems in his 1995 Selected Poems and his small Worple Press collection, The Falls (2000). It centres on three epistolary poems to father figures, which - conversational in tone and formal in composition - make up a sequence here for the first time. Report from Nowhere & Other Poems is a collection of new work, mostly of a fragmentary character, compressed in form, austere in language and powerfully suggestive. To these collections have been added a handful of older poems not previously collected, two fine new occasional pieces and a generous selection of Wilmer's translations from several languages, notably Hungarian.

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Best-Selling and Award-Winning Author Sleepy Longboat Key comes alive with multiple crimes The quiet of Longboat Key, Florida, is shattered when an old man is shot to death and his murderer is killed while fleeing the police. Strange documents in German and Arabic are found in the killer's car, then an old friend of the murdered man disappears. The island's only detective, Jennifer Diane (J.D.) Duncan receives a text message with a picture taken that morning of a college friend whom she thought was dead. Matt Royal and J.D. are pursued by men who would do them harm, and Matt's best friend, Jock Algren, a shadowy operative of the U.S. government's most secretive intelligence agency, comes to visit the island. As the mystery deepens, a ragtag group of devious and dangerous characters intrudes on the lives of the islanders, creating a kind of havoc unusual for a sun-splashed island full of retirees and beach bums. Matt, J.D., and Jock rush to find the answer to why one old man was killed and another disappeared, the meaning of the photo sent to J.D. of her almost surely dead college friend, and why somebody is trying to kill them.Perfect for fans of Robert Parker and John Sanford While all of the novels in the Matt Royal Mystery Series stand on their own and can be read in any order, the publication sequence is:Blood Island Wyatt’s Revenge Bitter Legacy Collateral Damage Fatal Decree Found Chasing Justice Mortal Dilemma Vindication

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“The bond between Buddy and Earl is as strong as ever in their fourth book, as is the playful banter and cheerful artwork that capture their relationship so well.” Publishers Weekly, STARRED REVIEWBuddy and Earl know that with the right education they can become anything — even a dentist or a hot-dog vendor! So they eagerly gather their silly, smelly supplies and head to school.Soon after they arrive, their teacher, Miss Meredith, is called away and Professor Earl takes charge of the classroom. Buddy works hard at lessons like Sniffing Things, Tail Chasing and Scratching Itches. And when Professor Earl announces that one very special student is going to win a major award? Buddy cannot imagine who that lucky student might be…In this fourth book in the critically acclaimed Buddy and Earl series, the dog who likes to play by the rules and the hedgehog who knows no limits learn just how much fun school can be.Correlates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.K.1With prompting and support, ask and answer questions about key details in a text.CCSS.ELA-LITERACY.RL.K.3With prompting and support, identify characters, settings, and major events in a story.CCSS.ELA-LITERACY.RL.K.7With prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).CCSS.ELA-LITERACY.RL.3.3Describe characters in a story (e.g., their traits, motivations, or feelings) and explain how their actions contribute to the sequence of events.

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"Many artists seek to attain immortality through their art, but few would expect their work to outlast the human race and live on for billions of years. As Canadian poet Christian Bök has realized, it all comes down to the durability of your materials."—The Guardian Internationally best-selling poet Christian Bök has spent more than ten years writing what promises to be the first example of "living poetry." After successfully demonstrating his concept in a colony of E. coli, Bök is on the verge of enciphering a beautiful, anomalous poem into the genome of an unkillable bacterium (Deinococcus radiodurans), which can, in turn, "read" his text, responding to it by manufacturing a viable, benign protein, whose sequence of amino acids enciphers yet another poem. The engineered organism might conceivably serve as a post-apocalyptic archive, capable of outlasting our civilization. Book I of The Xenotext constitutes a kind of "demonic grimoire," providing a scientific framework for the project with a series of poems, texts, and illustrations. A Virgilian welcome to the Inferno, Book I is the "orphic" volume in a diptych, addressing the pastoral heritage of poets, who have sought to supplant nature in both beauty and terror. The book sets the conceptual groundwork for the second volume, which will document the experiment itself. The Xenotext is experimental poetry in the truest sense of the term. Christian Bök is the author of Crystallography (1994) and Eunoia (2001), which won the Griffin Poetry Prize. He teaches at the University of Calgary in Alberta, Canada.

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Big Java: Late Objects, 2nd Edition focuses on the essentials of effective learning and is suitable for a two-semester introduction to programming sequence. This text requires no prior programming experience and only a modest amount of high school algebra. It provides an approachable introduction to fundamental programming techniques and design skills, helping students master basic concepts and become competent coders. It takes a traditional route, first stressing control structures, procedural decomposition and array algorithms. Objects are used where appropriate in early sections of the text. Students begin designing and implementing their own classes in Section 9. The second half covers algorithms and data structures at a level suitable for beginning students.Choosing the enhanced eText format allows students to develop their coding skills using targeted, progressive interactivities designed to integrate with the eText. All sections include built-in activities, open-ended review exercises, programming exercises, and projects to help students practice programming and build confidence. These activities go far beyond simplistic multiple-choice questions and animations. They have been designed to guide students along a learning path for mastering the complexities of programming. Students demonstrate comprehension of programming structures, then practice programming with simple steps in scaffolded settings, and finally write complete, automatically graded programs. The perpetual access VitalSource Enhanced eText, when integrated with your school’s learning management system, provides the capability to monitor student progress in VitalSource SCORECenter and track grades for homework or participation. *Enhanced eText and interactive functionality available through select vendors and may require LMS integration approval for SCORECenter.

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Leland Kinsey, often referred to as the poet laureate of Vermont's Northeast Kingdom, died of cancer on September 14, 2016. He was sixty-six years old. Having recently published a volume of his much-celebrated collected poems (Galvanized, Green Writers Press, 2016), Leland left behind two manuscripts: Last Correspondence, and an untitled sequence of poems, many written or revised during his last illness. This volume is a posthumous compilation of those two collections.Last Correspondence, which was written over a period of four decades, is a rich poetic narrative, in letter format, between friends, lovers, and family members. Ranging from the vast deserts and ranches of the American Southwest, to the mountains and hillside farms of northern Vermont, and on to Labrador's taiga, with side excursions to Machu Picchu and the Isle of Skye, Last Correspondence evokes on every page Emerson's definition of "the kingly bard" who "must smite the chords rudely and hard." Then come the incomparable “Final Poems,” a cascade of stories, characters, and images, mostly from the Northeast Kingdom, and focusing on the recurrent themes of family, work, and place, which have run through Kinsey's poems from the start. Walt Whitman would have loved these poems, so, too, Robert Frost. They represent the finest works of a writer who will always be known as the truest voice of the remote and beautiful "kingdom" of Vermont settled by his Scottish ancestors seven generations ago, and preserved, in perpetuity, in hundreds of the most human and original poems in the history of American letters.

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Stewart Brown has been described as "one of the most exciting and original poets currently writing" and praised by Fred D'Aguiar for the "peculiar chameleon-like power of his imagination to belong anywhere and to any experience without becoming compromised". The poems in this collection encompass Africa, the Caribbean, Wales and England; and range from the sweep of imperial history and its painful aftermath, to the intimacies of domestic life. He writes of Africa and the Caribbean with a rare combination of sympathy, honesty and inwardness, while never pretending to be other than an Englishman abroad. He writes affectionately but without sentiment of 'ordinary' English life from the perspective of one who has been elsewhere, in ways which allow us to see it afresh.But if these poems have a passionate concern with love, politics, history and the natural world, they are no less concerned with the shaping power of art, both as a subject and in the poems' own formation.Elsewhere brings together, frequently in much revised form, the best work from his earlier much praised collections (Mekin Foolishness, Zinder and Lugard's Bridge) with many new poems. The long sequence 'Elsewhere', which brings Brown's painterly eye and witty humanity to the experience of living in the Caribbean, and 'Elmina', a moving and imaginative meditation on an Englishman's sense of complicity in the history of the slave trade, will further enhance his reputation.Stewart Brown is the editor of several major anthologies as well as critical studies of Derek Walcott, Kamau Brathwaite and Martin Carter.

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How does a family survive when their sixteen-year-old son is diagnosed with Temporal Lobe Epilepsy, a condition that comes with episodic paranoid schizophrenia: hallucinations, delusions…? When the family is that of Marie Dullaghan and her son Aidan, the willingness to negotiate the strangest behaviour, and resilience to live with the shadow that suicidal ideation might become a knock on the door whenever Aidan took off, was extraordinary. And just as extraordinary was the fact that Aidan somehow made his way through A levels and a BA in Fine Art, while his mother did her own degree in photography. With a degree show to prepare for, Marie began to reconstruct some of the worst and most bizarre moments with Aidan’s help. The conversations and healing that came from this adventure in art were remarkable. The images, always more art than biography, became a sequence of re-imagined narratives going beyond any pretence of historical accuracy to give viewers a rare and authentic insight into this journey of mother and son. The powerful images were shown at exhibitions and then put away. Until, Marie revisited them whilst in lockdown in Malaysia, this time through the medium of poetry. The resulting book opens a deep and poignant conversation around mental health. Moving across the emotional range of despair, terror and bewilderment, it becomes a testimony to healing, empathy and hope. Mother and Son is a triumph of both art and poetry, but most of all a triumph of the human spirit.

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Blending the sacred and the everyday, Amali Gunasekera’s second collection The Golden Thread is a search for grace through the deep process of transmuting emotional trauma into peace. She takes up Muriel Rukeyser’s famous line: ‘What would happen if one woman told the truth about her life? The world would split open.’ Her book’s central sequence, Nine [Miscarried] Methods, considers the challenge of asserting a woman’s equal status within a patriarchal objectified culture. Approaching the polemic or the existential with a gentle touch, this is poetry as lyric essay, mysterious and shapeshifting as sunlight on water. Formally, the poems explore the instability of the lyric ‘I’ and the addressed ‘You’. Often there is no static vantage point; instead, the ‘I’ and ‘You’ are verbs in a state of becoming. Their very unfixity reflects dynamic systems in the natural world where elements are constantly interacting and altering their natures. These poems also respond to Wilfred Bion’s notion of ‘Thoughts Without a Thinker’ and Carl Jung’s ‘Collective Unconscious’: through a rich symbolic system they simultaneously hold two dimensions of time; the linear Chronos of our material world, and the vertical Kairos or spiritual time. Thus, the field of this collection is holographic, in search of new co-ordinates, always beholden to something just beyond sight. Amali Gunasekera was born and grew up in Sri Lanka. She works in the field of Archetypal Psychology. After living in Mozambique, Kenya and India, she is now based in Cumbria. Her first collection, Lotus Gatherers, was published by Bloodaxe in 2016 (under her former name of Amali Rodrigo).

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Shadow of the Owl is Matthew Sweeney's final collection, bringing together the poems he wrote during a year of debilitating illness. He died from Motor Neuron Disease in 2018 shortly after publishing My Life as a Painter, written before he became ill, but – like all his previous collections – preparation for this final work. In a sequence of dark fables, a hapless figure is hounded by a procession of invisible enemies who want him dead. These jokers – kidnappers, assassins, liars all – have many methods at their disposal, from crucifixion or hanging to bombing or mauling by crocodile… A menacing owl comes to the garden each night for twelve nights, but refuses to deliver its devastating news. All of Sweeney’s verve and spiky humour are present in these last poems, following, as always, the unnerving logic of dreams. But the dream has become a nightmare, and the catastrophe, impending in all the earlier collections, has now come to pass. The man on the run needs to reach new heights of ingenuity, if he is to escape, repeatedly, the most horrible of deaths. The poet is writing for his life. For more than forty years Matthew Sweeney sought to capture, in poetry, the life of a body menaced and condemned to wander in a terrifying place – but a body fully alive to the sensuous pleasures of the world, and the vulnerability of exposure to its loss. His final poems are imbued with a lyrical beauty and great sadness at leaving that world just as the spirit was burning as brightly as ever.

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Enlightenment critics from Dryden through Johnson and Wordsworth conceived the modern view that art and especially literature entails a double reflection: a reflection of the world, and a reflection on the process by which that reflection is accomplished. Instead “neoclassicism” and “Augustanism” have been falsely construed as involving a one-dimensional imitation of classical texts and an unselfconscious representation of the world. In fact these Enlightenment movements adopted an oblique perspective that registers the distance between past tradition and its present reenactment, between representation and presence. Two modern movements, Romanticism and modernism, have appropriated as their own these innovations, which derive from Enlightenment thought. Both of these movements ground their error in a misreading of “imitation” as understood by Aristotle and his Enlightenment proponents. Rightly understood, neoclassical imitation, constitutively aware of the difference between what it knows and how it knows it, is an experimental inquiry that generates a range of prefixes—“counter-,” “mock-,” “anti-,” “neo-”—that mark formal degrees of its epistemological detachment. Romantic ideology has denied the role of the imagination in Enlightenment imitation, imposing on the eighteenth century a dichotomous periodization: duplication versus imagination, the mirror versus the lamp. Structuralist ideology has dichotomized narration and description, form and content, structure and history. Poststructuralist ideology has propounded for the novel a contradictory “novel tradition”—realism, modernism, postmodernism, postcolonialism—whose stages both constitute a sequence and collapse it, each stage claiming the innovation of the stage that precedes it. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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The latest dazzling collection of poems from Charles Martin, a modern poet working within the possibilities of traditional measures.To be modern is to live not in a single era, but in a churn of new technologies, deep history, myth, literary traditions, and contemporary cultural memes. In Future Perfect, Charles Martin’s darkly comic new collection, the poet explores our time and the times that come before and after, which we inhabit and cultivate in memory and imagination. Through poems that play with form and challenge expectation, Martin examines the continuities that persist from time immemorial to the future perfect.Sensitive to the traces left behind by the lives of his characters, Martin follows their tracks, reflections, echoes, and shadows. In “From Certain Footprints Found at Laetoli,” an ancient impression preserved in volcanic ash conjures up a family scene three million years past. In “The Last Resort of Mr. Kees” and “Mr. Kees Goes to a Party,” Martin adopts the persona of the vanished poet Weldon Kees to reimagine his disappearance. “Letter from Komarovo, 1962” retells the tense real-life meeting between Anna Akhmatova and Robert Frost a year before their nations almost destroyed one another. And in the titular sonnet sequence that ends the book, Martin conjures a childhood in the Bronx under the shadow of the mushroom cloud of nuclear war as the perfected future supplanting the present.Introducing Buck Rogers to Randall Jarrell and combining new translations or reinterpretations of works by Ovid, G. G. Belli, Octavio Paz, and Euripides, Future Perfect further establishes Charles Martin as a master of invention.

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An accessible guide that introduces students in all areas of life sciences to bioinformatics Basic Applied Bioinformatics provides a practical guidance in bioinformatics and helps students to optimize parameters for data analysis and then to draw accurate conclusions from the results. In addition to parameter optimization, the text will also familiarize students with relevant terminology. Basic Applied Bioinformatics is written as an accessible guide for graduate students studying bioinformatics, biotechnology, and other related sub-disciplines of the life sciences. This accessible text outlines the basics of bioinformatics, including pertinent information such as downloading molecular sequences (nucleotide and protein) from databases; BLAST analyses; primer designing and its quality checking, multiple sequence alignment (global and local using freely available software); phylogenetic tree construction (using UPGMA, NJ, MP, ME, FM algorithm and MEGA7 suite), prediction of protein structures and genome annotation, RNASeq data analyses and identification of differentially expressed genes and similar advanced bioinformatics analyses. The authors Chandra Sekhar Mukhopadhyay, Ratan Kumar Choudhary, and Mir Asif Iquebal are noted experts in the field and have come together to provide an updated information on bioinformatics. Salient features of this book includes: Accessible and updated information on bioinformatics tools A practical step-by-step approach to molecular-data analyses Information pertinent to study a variety of disciplines including biotechnology, zoology, bioinformatics and other related fields Worked examples, glossary terms, problems and solutions Basic Applied Bioinformatics gives students studying bioinformatics, agricultural biotechnology, animal biotechnology, medical biotechnology, microbial biotechnology, and zoology an updated introduction to the growing field of bioinformatics.

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This book provides a new look at the climatic history of the last 2.6 million years during the ice age, a time of extreme climatic fluctuations that have not yet ended. This period also coincides with important phases of human development from Neanderthals to modern humans, both of whom existed side by side during the last cold stage of the ice age. The ice age has seen dramatic expansions of glaciers and ice sheets, although this has been interspersed with relatively short warmer intervals like the one we live in today. The book focuses on the changing state of these glaciers and the effects of associated climate changes on a wide variety of environments (including mountains, rivers, deserts, oceans and seas) and also plants and animals. For example, at times the Sahara was green and colonized by humans, and Lake Chad covered 350,000 km2 – larger than the United Kingdom. What happened during the ice age can only be reconstructed from the traces that are left in the ground. The work of the geoscientist is similar to that of a detective who has to reconstruct the sequence of events from circumstantial evidence. The book draws on the specialisms and experience of the authors who are experts on the glacial history of the Earth. Readership: Undergraduate and postgraduate students studying the Quaternary, researchers, and anyone interested in climate change, environmental change and geology. The book provides a rich collection of illustrations and photographs to help the readers at all levels visualise the dramatic consequences of glacier expansions during the Ice Age.

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A novel in five parts, Only a Lodger . . . And Hardly That puts Vesna Main’s power of beautiful observation on full display as she explores how writing stories about one’s ancestors is key route to learning about and fashioning one’s own identity. While the stories are self-contained, together they form a narrative whole that approaches this age-old idea from five unique perspectives.In ‘The Eye/I’, we meet someone called She, who obsessively tells the story of her childhood and adolescence to an unnamed narrator. ‘The Acrobat’ is a sequence of prose poems, written in the style of magic realism, which tell the story of Maria and her life-changing adolescent encounter with a flying circus performer. The female protagonist of the first section narrates ‘The Dead’, describing the secret life of a grandfather she never truly knew and his unusual habit of sending family members anonymous parcels of carefully chosen books. In ‘The Poet’, she examines four family photographs in order to piece together a story of her other grandfather, the husband of Maria. The final section, ‘The Suitor’, is a first-person narrative told by Mr Gustav Otto Wagner, an older man who hoped to marry Maria but was ultimately turned down. ‘The Croatian-born novelist Vesna Main writes unusual and formally ambitious fiction. . . . Only a Lodger… And Hardly That is subtitled 'a fictional autobiography' and hovers somewhere between memoir and novel, also playing with perspective and style.’— New Statesman Recommends ‘[Vesna] Main is a writer who works subliminal for all it’s worth.’— Elaine Aldred, Strange Alliances

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From the 1910 overthrow of "Czar" Joseph Cannon to the reforms enacted when Republicans took over the House in 1995, institutional change within the U.S. Congress has been both a product and a shaper of congressional politics. For several decades, scholars have explained this process in terms of a particular collective interest shared by members, be it partisanship, reelection worries, or policy motivations. Eric Schickler makes the case that it is actually interplay among multiple interests that determines institutional change. In the process, he explains how congressional institutions have proved remarkably adaptable and yet consistently frustrating for members and outside observers alike. Analyzing leadership, committee, and procedural restructuring in four periods (1890-1910, 1919-1932, 1937-1952, and 1970-1989), Schickler argues that coalitions promoting a wide range of member interests drive change in both the House and Senate. He shows that multiple interests determine institutional innovation within a period; that different interests are important in different periods; and, more broadly, that changes in the salient collective interests across time do not follow a simple logical or developmental sequence. Institutional development appears disjointed, as new arrangements are layered on preexisting structures intended to serve competing interests. An epilogue assesses the rise and fall of Newt Gingrich in light of these findings. Schickler's model of "disjointed pluralism" integrates rational choice theory with historical institutionalist approaches. It both complicates and advances efforts at theoretical synthesis by proposing a fuller, more nuanced understanding of institutional innovation--and thus of American political development and history.

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In many climates buildings are unable to provide comfort conditions for year-round occupancy without the benefit of a heating system, and most HVAC engineers will routinely be involved with issues concerning the design, installation and performance of such systems. Furthermore, in temperate climates, heating of buildings accounts for a large slice of annual carbon emissions. The design of heating systems for maximum efficiency and minimum carbon emission is therefore now a matter of prime concern to all HVAC engineers. The book provides an up-to-date review of the design, engineering and control of modern heating systems. Part A deals with heat generating plant. While this concentrates on conventional and condensing boilers, small-scale combined heat and power systems and heat pumps are also discussed. Part B deals with heat emitters, pipe circuits and variable-speed pumping, hot water service, optimum plant size and the vital issues of plant and system control, including sequence control of multiple boilers. Techniques for managing the energy use and running costs of heating systems are also discussed. The authors have brought together over a half-century of combined experience covering all aspects of the building services Industry to provide an up-to-date and comprehensive text that is both technically rigorous yet highly practical. This makes the book equally relevant to the busy HVAC engineer looking for a handy practical reference, the student looking to build on their basic knowledge or the researcher interested in key issues of heating system design and performance.

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This Empty World, Nick Brandt’s new monograph, features a series of dramatically staged photographs that bring together and reveal the animals and people of East Africa as the victims of environmental degradation in an emotionally powerful, cinematic way. Moving into colour photography for the first time, the work is both a technical tour-de-force and a massively ambitious project in which several sets are constructed on a scale typically only seen in film production. Each panoramic image is a combination of two moments in time, almost all of them captured weeks apart from the exact same camera position. Brandt first builds and lights a partial set, then waits for the animals that inhabit the region to enter the frame. Once captured on camera, the full set is built with the camera remaining fixed in place. The sets include bridge and highway construction sites, a petrol station, a bus station and even a dead forest. Completing the scene with a huge cast drawn from local communities, Brandt then photographs the second sequence. The final large scale prints are a composite of the two intricately plotted elements. Viewed as a whole, the images vividly illustrate a world in which, overwhelmed by runaway human development, there is no longer space for animals to survive, and beg the question: what kind of world will we live in when stripped of its natural wonders. Photographed on unprotected, inhabited Maasai community land, after the sets were removed and their elements recycled, no evidence of the images now remains in the landscape.

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More than quarter of a century ago Richard Bradley published The Passage of Arms. It was conceived as An Archaeological Analysis of Prehistoric Hoards and Votive Deposits, but, as the author concedes, these terms were too narrowly focused for the complex subject of deliberate deposition and the period covered too short. A Geography of Offerings has been written to provoke a reaction from archaeologists and has two main aims. The first is to move this kind of archaeology away from the minute study of ancient objects to a more ambitious analysis of ancient places and landscapes. The second is to recognise that problems of interpretation are not restricted to the pre-Roman period. Mesolithic finds have a place in this discussion, and so do those of the 1st millennium AD. Archaeologists studying individual periods confront with similar problems and the same debates are repeated within separate groups of scholars – but they arrive at different conclusions. Here, the author presents a review that brings these discussions together and extends across the entire sequence. Rather than offer a comprehensive survey, this is an extended essay about the strengths and weaknesses of current thinking regarding specialised deposits, which encompass both sacrificial deposits characterised by large quantities of animal and human bones and other collections which are dominated by finds of stone or metal artefacts. It considers current approaches and theory, the histories of individual artefacts and the landscape and physical context of the of places where they were deposited, the character of materials, the importance of animism and the character of ancient cosmologies.

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In 1941, military operations were conducted by large formations along the northern coast of Scandinavia – for the first time in history of warfare. A modern army suddenly swept into that isolated and inhospitable region that was yet to possess the level of importance it would later assume in Cold War polar strategy.The Arctic Front was the northernmost theatre in the war waged by Germany against Russia. For a period of four years, German troops from all branches of the Wehrmacht fought side by side with Finnish border guard units. The high point of the war on the Arctic Front was the assembly and advance of Germany’s Mountain Corps Norway in the summer and autumn of 1941. Commanded by general of the mountain troops, Eduard Dietl, and composed of the 2nd and 3rd Mountain Divisions, the Mountain Corps advanced out of occupied North Norway, assembled in the Petsamo Corridor in North Finland, and struck into Russian territory in an attempt to seize Murmansk. It did not reach its objective.This account of the operation was written by Wilhelm Hess, quartermaster of the Mountain Corps Norway. He draws upon his personal experience of the conditions and actions on the Arctic Front in order to describe and analyse the environment, the sequence of events, and the reasons behind certain decisions. In addition to describing how operations conducted by the Mountain Corps unfolded, Hess provides insight as to how the terrain, the flow of supplies, and the war at sea impacted those operations.

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This is a comprehensive book on practical physiology that encompasses all the aspects of Medical Council of India (MCI) syllabus. The book follows the scope and sequence of most human physiology courses.This book is written for medical students as well as for dental and nursing graduates, physiotherapy students as well as teachers. The text offers a complete yet concise knowledge of the major physiology practicals. The whole text has been divided into four sections for easy understanding. Each practical is discussed under the following headings: Aim, Theory, Principle, Apparatus, Procedure, Precautions, Sources of Error and Physioclinical Significance.At the end of each practical, Questions and Answers are given, which will help the students in self-assessment. The students are required to write the Observation and Result in the space designated for it. At the end of each chapter, the students are supposed to write their Interpretation of the Result obtained. Important terms are highlighted in bold. Key concepts are given in the form of text boxes as a separate Note. Physioclinical Significance is integrated throughout the text. Graphs and charts, coloured diagrams and flowcharts have been incorporated to illustrate the essential concepts. Actual photographs of instruments and clinical examination have been added. Bullets and numbers have been used to simplify the text. Study questions and answers are provided at the end of each chapter. Objective Structured Practical Examination (OSPE) and Objective Structured Clinical Examination (OSCE) have been added wherever applicable. Text has been updated as per recent Medical Council of India (MCI) guidelines.

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This splendidly illustrated book celebrates the historic silver and turquoise jewelry of the Navajo and Pueblo Indians. It presents for the first time over 300 superb objects that are usually hidden from view in museum storerooms and private collections across the United States. Larry Frank discusses the history of this jewelry from 1868, when the Navajos were restored to their homeland, to 1930, when tourist demand and mass production ended the innovative first phase of the craft. He explores early design sources in contemporary Spanish, Mexican, and Plains Indian work; describes Navajo tools and techniques (often used under conditions of extreme hardship); traces the cultural development of jewelry-making from a past-time to an esteemed profession; and notes the Pueblo Indians' contribution - the sophisticated use of turquoise. Of interest to specialists will be his reevaluation of the Plains Indian contribution and his dating sequence, based on close examination of the style and technique of hundreds of objects. Indian Silver Jewelry contains 253 close-up photographs - 52 of them in color - of conchas, necklaces, bracelets, rings, hair ornaments, bridles, and other pieces, as well as rare photographs of Indians wearing jewelry. The illustrations are grouped by collection - The Smithsonian Institution, the Field Museum of Natural History, the Museum of the American Indian, the Museum of New Mexico, the Heard Museum, the Wheelwright Museum, the Millicent Rogers Museum, the Lynn D. Trusdell Collection, and assorted private collections. The detailed captions invite the reader to look, compare, and discover for himself the extraordinary beauty and vitality of Southwest Indian silver jewelry.

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Exam Board: AQALevel & Subject: GCSE English Language, GCSE English LiteratureFirst teaching: September 2015Next exams: June 2024 AQA approved Teach AQA’s GCSEs in English Literature and English Language as one coherent course with Student Books that help students to build and apply the skills that underpin both qualifications. Offer your students the right level of challenge. The Core Student Book provides an excellent foundation in the skills and knowledge required for both courses. Help all students make good progress. Each chapter follows the hierarchy of skills and knowledge in the mark schemes, so students have a clear sequence of learning. End-of-chapter ‘Apply your skills’ practice tasks, annotated answers and self-assessment guidance helps students understand how to improve their work. Get to grips with the new specifications with expert suggestions from leading professionals as to how you could plan and teach the course. Our practical, ready-made resources can be used in your first years of teaching the specifications, and edited and adapted to yourrequirements. Save time updating your English Language resources with our comprehensive selection of passages from nineteenth- to twenty-first century literature and literary non-fiction, perfect for building students’ confidence in tackling unseen texts. Engage all learners with a rich and exciting approach to English Literature that takes students step-by-step through the fundamentals of how to analyse, interpret and writecritically about literature to provide a starting point for your own in-depth exploration of your chosen set texts.

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An easy-to-follow guide to introductory physics, from the Big Bang to relativity All science, technology, engineering, and math majors in college and university require some familiarity with physics. Other career paths, like medicine, are also only open to students who understand this fundamental science. But don’t worry if you find physics to be intimidating or confusing. You just need the right guide! In Physics I For Dummies, you’ll find a roadmap to physics success that walks you through every major topic in introductory physics, including motion, energy, waves, thermodynamics, electromagnetism, relativity, and more. You’ll learn the basic principles and math formulas of physics through clear and straightforward examples and instruction, and without unnecessary jargon or complicated theory. In this book, you’ll also find: Up-to-date examples and explanations appearing alongside the latest discoveries and research in physics, discussed at a level appropriate for beginning students All the info found in an intro physics course, arranged in an intuitive sequence that will give first-year students a head start in their high school or college physics class The latest teaching techniques to ensure that you remember and retain what you read and practice in the book Physics I For Dummies is proof that physics can fun, accessible, challenging, and rewarding, all at the same time! Whether you’re a high school or undergraduate student looking for a leg-up on basic physics concepts or you’re just interested in how our universe works, this book will help you understand the thermodynamic, electromagnetic, relativistic, and everything in between.

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