Search results for ""Alma""

Autor bestseller del New York Times por su libro Dime qué comes y te diré qué sientes y fundador y CEO del programa Yes You Can!®, Alejandro Chabán ofrece su colección personal de setenta y cinco deliciosas recetas latinas para mantener un peso saludable.En Cocinando con Chabán, encontrarás setenta y cinco exquisitos platos clásicos del mundo latinoamericano. Cada receta está llena de sabores tradicionales que te harán la boca agua sin añadir calorías demás para lograr mantener un peso saludable, ¡y Alejandro está aquí para enseñarte cómo hacerlo! Desde tacos y tamales mexicanos hasta alcapurrias puertorriqueñas, mangú dominicano y arepas venezolanas, estas comidas esenciales de la cocina latinoamericana son fáciles de hacer sin romper con tu presupuesto ni con tu meta de mantener tu cuerpo, alma y mente sanos. Basado en un plan alimenticio de 1,200 a 1,500 calorías, en lugar de ser agobiador o aburrido, cada plato se puede saborear con gusto sabiendo que incluye los nutrientes esenciales, vitaminas y minerales que necesitas para mantener un peso y un estilo de vida saludables. Prepárete para descubrir un plan de dieta original y encantador que vigorizará tu paladar y te inspirará a alcanzar tus metas para bajar de peso y vivir feliz, saludable y con energía.

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A set of simple, fast-playing rules for wargaming the conflicts that re-shaped Europe in the period 1815-78\. This important, yet often-neglected period includes the Crimean War, the Italian Risorgimento, the wars of Bismarck's Prussia against Denmark, Austro-Hungary and France and the Russo-Turkish war. Tactically it saw armies struggle to adapt Napoleonic doctrines to incorporate important technological advances such as breech-loading rifles, steel breech-loading cannon and the first machine guns. The book includes brief analysis of the essential strategic and tactical military developments of the period, a set of elegantly simple rules which are fast-playing and easy to learn, yet deliver realistic outcomes. A selection of generic scenarios, covering diverse situations such as flank attacks, pitched battles and meeting engagements, is supported by army lists for 28 different armies. There are also 12 historical scenarios, ranging from the Battle of the Alma in the Crimean War to Sedan in 1870, the decisive battle of the Franco-Prussian War, each with historical background, deployment map, orders of battle and any special rules for that engagement. Useful appendices include a guide to further reading, an overview and price guide to the many scales and ranges of figures available, and a selection of useful addresses for the gamer.

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—¿Qué es el amor? —El amor es cuando tú me robas cada día mi trozo de chocolate del almuerzo y, aun así, yo sigo dejándolo en el mismo sitio para ti diariamente. Los hermanos Lia y Will comparten su vida en la mansión familiar de New Haven con una madre que vive aislada en su estudio escribiendo novelas de terror y un padre ausente. Pese a la estrecha relación que mantienen desde niños, con los años, su personalidad los convertirá en dos personas muy distintas: una, Lia, alegre y despreocupada, y el otro, William, siempre con la sensación de no encajar en el mundo. El día que ambos entierran a su madre, Will desaparece misteriosamente sin dejar rastro, pero cinco años después, Lia descubre en una exposición el retrato de un escritor de comienzos del siglo XIX, conocido por el seudónimo de Escorpión y que es la viva imagen de su hermano. Una feliz casualidad le abrirá a Lia las puertas para embarcarse en una aventura única y fascinante, un viaje al pasado con la esperanza de encontrar a su alma gemela y también a sí misma. Nueva edición: La edición actual de La viajera del tiempo incluye revisión editorial.

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Founded in 1872, the Glee Club is Rutgers University’s oldest continuously active student organization, as well as one of the first glee clubs in the United States. For the past 150 years, it has represented the university and presented an image of the Rutgers man on a national and international stage. This volume offers a comprehensive history of the Rutgers Glee Club, from its origins adopting traditions from the German Männerchor and British singing clubs to its current manifestation as a world-recognized ensemble. Along the way, we meet the colorful and charismatic men who have directed the group over the years, from the popular composer and minstrel performer Loren Bragdon to the classically-trained conductor Patrick Gardner. And of course, we learn what the club has meant to the generations of talented and dedicated young men who have sung in it. A History of the Rutgers University Glee Club recounts the origins of the group’s most beloved traditions, including the composition of the alma mater’s anthem “On the Banks of the Old Raritan” and the development of the annual Christmas in Carol and Song concerts. Meticulously researched, including a complete discography of the club’s recordings, this book is a must-have for all the Rutgers Glee Club’s many fans and alumni.

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The Matchmaker, the Apprentice, and the Football Fan moves between anarchic campuses, maddening communist factories, and the victims of China's economic miracle to showcase the absurdity, injustice, and socialist Gothic of everyday Chinese life. In "The Football Fan," readers fall in with an intriguingly unreliable narrator who may or may not have killed his elderly neighbor for a few hundred yuan. The bemused antihero of "Reeducation" is appalled to discover that, ten years after graduating during the pro-democracy protests of 1989, his alma mater has summoned him back for a punitive bout of political reeducation with a troublesome ex-girlfriend. "Da Ma's Way of Talking" is a fast, funny recollection of China's picaresque late 1980s, told through the life and times of one of our student narrator's more controversial classmates; while "The Apprentice" plunges us into the comic vexations of life in a more-or-less planned economy, as an enthusiastic young graduate is over-exercised by his table-tennis-fanatic bosses, deprived of sleep by gambling-addicted colleagues, and stuffed with hard-boiled eggs by an overzealous landlady. Full of acute observations, political bite, and piercing insight into friendships and romance, these stories further establish Zhu Wen as a fearless commentator on human nature and contemporary China.

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The British Film Industry in 25 Careers tells the history of the British film industry from an unusual perspective - that of various mavericks, visionaries and outsiders who, often against considerable odds, have become successful producers, distributors, writers, directors, editors, props masters, publicists, special effects technicians, talent scouts, stars and, sometimes, even moguls. Some, such as Richard Attenborough and David Puttnam, are well-known names. Others, such as the screenwriter and editor Alma Reville, also known as Mrs Alfred Hitchcock; Constance Smith, the 'lost star' of British cinema, or the producer Betty Box and her director sister Muriel, are far less well known. What they all have in common, though, is that they found their own pathways into the British film business, overcoming barriers of nationality, race, class and gender to do so. Counterpointing the essays on historical figures are interviews with contemporaries including the director Amma Asante, the writer and filmmaker Julian Fellowes, artist and director Isaac Julien, novelist and screenwriter Hanif Kureishi, and media entrepreneur Efe Cakarel, founder of the online film platform MUBI, who’ve come into today’s industry, adjusting to an era in which production and releasing models are changing – and in which films are distributed digitally as well as theatrically.

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Never underestimate a librarian. Fifty-something Edinburgh librarian Shona is a proud former pupil of the Marcia Blaine School for Girls, but has a deep loathing for The Prime of Miss Jean Brodie, which she thinks gives her alma mater a bad name. Impeccably educated and an accomplished linguist, mathematician, martial artist, and musician, Shona is selected by Marcia Blaine herself to travel back in time for a crucial mission in Venice. Finding the city afflicted by what appears to be a new outbreak of the plague, Shona soon encounters the Cornetto family of gondoliers. Lately, a number of their passengers have met a watery fate. Coincidence? Unlikely. She dons a mask, goes undercover and seeks inspiration in the library. But the mystery only deepens. Why do the Cornettos seem so flaky and their explanations wafer-thin, even as they proclaim their innocence? What is going on at the printworks? Shona’s powers of deduction, dissection and prowess as a swimmer are put to the test as she realises that a bitter feud is at play. Can Shona unravel the tapestry of lies and get to the truth? It’s a race against time, but it would be a mistake to underestimate a librarian.

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The Matchmaker, the Apprentice, and the Football Fan moves between anarchic campuses, maddening communist factories, and the victims of China's economic miracle to showcase the absurdity, injustice, and socialist Gothic of everyday Chinese life. In "The Football Fan," readers fall in with an intriguingly unreliable narrator who may or may not have killed his elderly neighbor for a few hundred yuan. The bemused antihero of "Reeducation" is appalled to discover that, ten years after graduating during the pro-democracy protests of 1989, his alma mater has summoned him back for a punitive bout of political reeducation with a troublesome ex-girlfriend. "Da Ma's Way of Talking" is a fast, funny recollection of China's picaresque late 1980s, told through the life and times of one of our student narrator's more controversial classmates; while "The Apprentice" plunges us into the comic vexations of life in a more-or-less planned economy, as an enthusiastic young graduate is over-exercised by his table-tennis-fanatic bosses, deprived of sleep by gambling-addicted colleagues, and stuffed with hard-boiled eggs by an overzealous landlady. Full of acute observations, political bite, and piercing insight into friendships and romance, these stories further establish Zhu Wen as a fearless commentator on human nature and contemporary China.

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In Millennial Feminism at Work, volume editor Jane Juffer brings together recently graduated students from across the US to reflect on the relevance of their feminist studies programs in their chosen career paths. The result is a dynamic collection of voices, shaking up preconceived ideas and showing the positive influence of gender and sexuality studies on individuals at work. Encompassing five areas—corporate, education, nonprofit, medical, and media careers—these engaging essays use personal experiences to analyze the pressure on young adults to define themselves through creative work, even when that job may not sustain them financially. Obstacles to feminist work conditions notwithstanding, they urge readers to never downplay their feminist credentials and prove that gender and sexuality studies degrees can serve graduates well in the current marketplace and prepare them for life outside of their alma mater. Emphasizing the importance of individual stories situated within political and economic structures, Millennial Feminism at Work provides spirited collective advice and a unique window into the lives and careers of young feminists sharing the lessons they have learned. Contributors: Rose Al Abosy, Rachel Cromidas, Lauren Danzig, Sadaf Ferdowsi, Reina Gattuso, Jael Goldfine, Sassafras Lowrey, Alissa Medina, Samuel Naimi, Stephanie Newman, Justine Parkin, Lily Pierce, Kate Poor, Laura Ramos-Jaimes, Savannah Taylor, Addie Tsai, Hayley Zablotsky

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In Millennial Feminism at Work, volume editor Jane Juffer brings together recently graduated students from across the US to reflect on the relevance of their feminist studies programs in their chosen career paths. The result is a dynamic collection of voices, shaking up preconceived ideas and showing the positive influence of gender and sexuality studies on individuals at work. Encompassing five areas—corporate, education, nonprofit, medical, and media careers—these engaging essays use personal experiences to analyze the pressure on young adults to define themselves through creative work, even when that job may not sustain them financially. Obstacles to feminist work conditions notwithstanding, they urge readers to never downplay their feminist credentials and prove that gender and sexuality studies degrees can serve graduates well in the current marketplace and prepare them for life outside of their alma mater. Emphasizing the importance of individual stories situated within political and economic structures, Millennial Feminism at Work provides spirited collective advice and a unique window into the lives and careers of young feminists sharing the lessons they have learned. Contributors: Rose Al Abosy, Rachel Cromidas, Lauren Danzig, Sadaf Ferdowsi, Reina Gattuso, Jael Goldfine, Sassafras Lowrey, Alissa Medina, Samuel Naimi, Stephanie Newman, Justine Parkin, Lily Pierce, Kate Poor, Laura Ramos-Jaimes, Savannah Taylor, Addie Tsai, Hayley Zablotsky

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2009 — Runner-up, Modern Language Association Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural StudiesBlood Lines: Myth, Indigenism, and Chicana/o Literature examines a broad array of texts that have contributed to the formation of an indigenous strand of Chicano cultural politics. In particular, this book exposes the ethnographic and poetic discourses that shaped the aesthetics and stylistics of Chicano nationalism and Chicana feminism. Contreras offers original perspectives on writers ranging from Alurista and Gloria Anzaldúa to Lorna Dee Cervantes and Alma Luz Villanueva, effectively marking the invocation of a Chicano indigeneity whose foundations and formulations can be linked to U.S. and British modernist writing. By highlighting intertextualities such as those between Anzaldúa and D. H. Lawrence, Contreras critiques the resilience of primitivism in the Mexican borderlands. She questions established cultural perspectives on "the native," which paradoxically challenge and reaffirm racialized representations of Indians in the Americas. In doing so, Blood Lines brings a new understanding to the contradictory and richly textured literary relationship that links the projects of European modernism and Anglo-American authors, on the one hand, and the imaginary of the post-revolutionary Mexican state and Chicano/a writers, on the other hand.

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This volume is an unprecedented history of Louis Vuitton’s women’s bags, the most coveted line of accessories in women’s fashion. At the heart of Louis Vuitton are its City Bags, a range of women’s bags that dates back to the turn of the twentieth century. Featuring the trademark monograms of the house, the City Bag story began with the Steamer, a resort bag designed in 1901 to be packed inside a much larger steamer trunk. These bags have in a hundred years formally diversified into a dizzying array of handbags for every conceivable function demanded by the modern woman. Profoundly influential, City Bags are now known to millions by their descriptive names (Keepall, Bucket, Papillon, Alma, Locket, Noe, Speedy) and are still evolving into more fantastical forms. Lavishly illustrated with new and archival photography, historical graphics, landmark editorials, and ad campaigns, the volume traces the history of these specific bag families, and examines the earliest specimens and today’s most sought-after collectibles, including Vuitton’s collaborations with Takashi Murakami, Stephen Sprouse, Richard Prince, Yayoi Kusama, and Rei Kawakubo and one-off projects by Zaha Hadid, Shigeru Ban, Vivienne Westwood, Helmut Lang, Andrée Putman, and of course, Marc Jacobs. Louis Vuitton: City Bags is an ambitious volume on the creation and cultivation of a cultural phenomenon.

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The British Film Industry in 25 Careers tells the history of the British film industry from an unusual perspective - that of various mavericks, visionaries and outsiders who, often against considerable odds, have become successful producers, distributors, writers, directors, editors, props masters, publicists, special effects technicians, talent scouts, stars and, sometimes, even moguls. Some, such as Richard Attenborough and David Puttnam, are well-known names. Others, such as the screenwriter and editor Alma Reville, also known as Mrs Alfred Hitchcock; Constance Smith, the 'lost star' of British cinema, or the producer Betty Box and her director sister Muriel, are far less well known. What they all have in common, though, is that they found their own pathways into the British film business, overcoming barriers of nationality, race, class and gender to do so. Counterpointing the essays on historical figures are interviews with contemporaries including the director Amma Asante, the writer and filmmaker Julian Fellowes, artist and director Isaac Julien, novelist and screenwriter Hanif Kureishi, and media entrepreneur Efe Cakarel, founder of the online film platform MUBI, who’ve come into today’s industry, adjusting to an era in which production and releasing models are changing – and in which films are distributed digitally as well as theatrically.

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An inside look at how one of the country’s most elite private schools prepares its students for successAs one of the most prestigious high schools in the nation, St. Paul's School in Concord, New Hampshire, has long been the exclusive domain of America's wealthiest sons. But times have changed. Today, a new elite of boys and girls is being molded at St. Paul's, one that reflects the hope of openness but also the persistence of inequality.In Privilege, Shamus Khan returns to his alma mater to provide an inside look at an institution that has been the private realm of the elite for the past 150 years. He shows that St. Paul's students continue to learn what they always have—how to embody privilege. Yet, while students once leveraged the trappings of upper-class entitlement, family connections, and high culture, current St. Paul's students learn to succeed in a more diverse environment. To be the future leaders of a more democratic world, they must be at ease with everything from highbrow art to everyday life—from Beowulf to Jaws—and view hierarchies as ladders to scale. Through deft portrayals of the relationships among students, faculty, and staff, Khan shows how members of the new elite face the opening of society while still preserving the advantages that allow them to rule.

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This nail-biting, bone-chilling survival horror novel is inspired by the infamous Dyatlov Pass incident, and is perfect for fans of Alma Katsu and Showtime's Yellowjackets. This is going to be Dylan's big break. Her friend Clay, a geology student, has discovered an untouched cliff face in the Kentucky wilderness, and she is going to be the first person to climb it. Together with Clay, his research assistant Sylvia, and Dylan's boyfriend Luke, she is going to document her achievement on Instagram and finally cement her place as the next rising star in rock climbing. Seven months later, three bodies are discovered in the trees just off the highway. All are in various states of decay: one body a stark, white skeleton; the second emptied of its organs; and the third a mutilated corpse with the tongue, eyes, ears, and fingers removed. But Dylan is still missing. Followers of her Instagram account report seeing disturbing livestreams, and some even claim to have caught glimpses of her vanishing into the thick woods, but no trace of her dead or alive has been discovered. Were the climbers murdered? Did they succumb to cannibalism? Or are their impossible bodies the work of an even more sinister force? Is Dylan still alive, and does she hold the answers? This page-turning debut will have you racing towards the inevitable conclusion.

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Shortlisted for the Orange Prize for Fiction 2006 and winner of the 2006 Prix du Meilleur Livre Étranger, The History of Love explores the lasting power of the written word and the lasting power of love. Published as a Penguin Essential for the first time. 'When I was born my mother named me after every girl in a book my father gave her called The History of Love. . . 'Fourteen-year-old Alma Singer is trying to find a cure for her mother's loneliness. Believing she might discover it in an old book her mother is lovingly translating, she sets out in search of its author.Across New York an old man called Leo Gursky is trying to survive a little bit longer. He spends his days dreaming of the love lost that sixty years ago in Poland inspired him to write a book. And although he doesn't know it yet, that book also survived: crossing oceans and generations, and changing lives. . . 'Wonderfully affecting...brilliant, touching and remarkably poised' Sunday Telegraph'A tender tribute to human valiance. Who could be unmoved by a cast of characters whose daily battles are etched on out mind in such diamond-cut prose?' Independent on Sunday'Devastating...one of the most passionate vindications of the written word in recent fiction. It takes one's breath away' Spectator

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This is an enchanting collection of art, verse and prose. It is a delightful celebration of the power, agony and ecstasy of love, including poignant and evocative works of art, poetry and prose. It includes the immortal verse of classical poets such as Sappho, Shakespeare, Dante and Marlowe as well as the great romantics: John Keats, Lord Bryon, William Blake, Christina Rossetti, Edgar Allen Poe and Emily Dickinson. It works of art by Frank Dicksee, Holman Hunt, Alma-Tadema, JW Waterhouse, Jean-Honore Fragonard, and many more, capture the yearning and rapture of love. With chapters on discovery and rapture, loves lost and unrequited, love's stratagems, and undying love, this little book covers all the great aspects of love. Using the familiar and poignant words of Shakespeare's famous sonnets as well as less well-known passages such as the witty and cajoling "To Celia" by Ben Jonson, all the moods and expressions of falling in love are portrayed. Wise words from Ovid, a passionate appeal from Andrew Marvell, the coldhearted observations of Choderlos de Laclos from Les Liasons Dangereuses, the haunting verses of "La Belle Dame Sans Merci" by John Keats, all bear witness to the exquisite symptoms of being transported by love, while sumptuous, poignant or joyous fine art paintings perfectly illustrate the extracts. It is a delightful tribute to this very human emotion.

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Imperfectly perfect Fortune's Prince Charming by Nancy Robards Thompson Zoe Robinson had never known true love – until her new colleague, Joaquin Mendoza, stole her heart. But Zoe's nursing a secret of her own… Joaquin believes he’s all wrong for Zoe – he’s got one too many family issues keeping him from surrendering his heart. But when shocking allegations surface, Joaquin realises that he might be Zoe’s perfect match after all! Her Holiday Prince Charming by Christine Flynn All Rory Linfield wants is to give her little boy a perfect Christmas. So when a mysterious benefactor asks her to manage a shop in a picturesque seaside town, she accepts. The only catch? Her super gruff – and super sexy – new boss. She’s the last thing Eric Sullivan needs to deal with. Especially because Rory and her son remind him of everything he once wanted but couldn’t have. But this holiday season seems to be full of surprises… A Royal Temptation by Charlene Sands Juan Carlos Salazar II never thought he’d become King of Alma. But when an explosive family secret leaves him next in line for the throne, he’s ready. Until he sees Princess Portia Lindstrom at the coronation. It’s love at first sight, but Portia's secrets test the power of his devotion and Juan is tempted to throw duty out the window. Soon he must choose between his head and his heart…

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Evie Shockley's new poems invite us to dream - and work - toward a more capacious "we"In her new poetry collection, Evie Shockley mobilizes visual art, sound, and multilayered language to chart routes towards openings for the collective dreaming of a more capacious "we." How do we navigate between the urgency of our own becoming and the imperative insight that whoever we are, we are in relation to each other? Beginning with the visionary art of Black women like Alison Saar and Alma Thomas, Shockley's poems draw and forge a widening constellation of connections that help make visible the interdependence of everyone and everything on Earth.perchedi am black, comely,a girl on the cusp of desire.my dangling toes take the restthe rest of my body refuses. spine upright,my pose proposes anticipation. i poisein copper-colored tension, intent onmanifesting my soul in the discouraging world.under the rough eyes of others, i stiffen.if i must be hard, it will be as a tree, alivewith change. inside me, a love of beauty riseslike sap, sprouts from my scalpand stretches forth. i send out my song, an ariablue and feathered, and grow toward it,choirs bare, but soon to bud. i amblack and becoming.- after Alison Saar's Blue Bird

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An inside look at how one of the country’s most elite private schools prepares its students for successAs one of the most prestigious high schools in the nation, St. Paul's School in Concord, New Hampshire, has long been the exclusive domain of America's wealthiest sons. But times have changed. Today, a new elite of boys and girls is being molded at St. Paul's, one that reflects the hope of openness but also the persistence of inequality.In Privilege, Shamus Khan returns to his alma mater to provide an inside look at an institution that has been the private realm of the elite for the past 150 years. He shows that St. Paul's students continue to learn what they always have—how to embody privilege. Yet, while students once leveraged the trappings of upper-class entitlement, family connections, and high culture, current St. Paul's students learn to succeed in a more diverse environment. To be the future leaders of a more democratic world, they must be at ease with everything from highbrow art to everyday life—from Beowulf to Jaws—and view hierarchies as ladders to scale. Through deft portrayals of the relationships among students, faculty, and staff, Khan shows how members of the new elite face the opening of society while still preserving the advantages that allow them to rule.

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The first openly transgender judge to be appointed in the United States, the first attorney to obtain corrected birth certificates for transgender people who had not undergone gender confirmation surgery, a survivor of conversion therapy, and author of a law review article that helped thousands of employers adopt supportive policies for their workers, Phyllis Frye is truly a pioneer in the fight for transgender rights.Among her many accomplishments, Frye founded the first national organization devoted to shaping transgender law—the International Conference on Transgender Law and Employment Policy, which has since created a body of work that includes the International Bill of Gender Rights—trained a cadre of future trans activists, and built the first national movement for transgender legal and political rights.Based on interviews with Frye, Phyllis Frye and the Fight for Transgender Rights covers her early life, the discrimination she faced while struggling with her identity—including being discharged from the army and fired from a subsequent job at her alma mater, Texas A&M—her transition in 1976, her many years of activism, and her current position as an associate judge for the municipal courts of Houston.This gripping account of Frye’s efforts to establish and protect the constitutional rights of transgender individuals not only fills a gap in existing histories of LGBTQ+ activism but will also inform and instruct contemporary trans activists.

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“My lungs began to burn as I started sprinting. It wasn’t just that I wanted to catch Fritz. I had the distinct feeling that I was chasing him, that I had to catch up with him, before something caught up with me.” How long must we pay for the crimes of our youth? That is just one question Christopher Swann explores in this compulsively readable debut, a literary thriller set in the elite—and sometimes dark—environs of Blackburne, a prep school in Virginia. When Matthias Glass’s best friend, Fritz, vanishes without a trace in the middle of an argument during their senior year, Matthias tries to move on with his life, only to realize that until he discovers what happened to his missing friend, he will be stuck in the past, guilty, responsible, alone. Almost ten years after Fritz’s disappearance, Matthias gets his chance. Offered a job teaching English at Blackburne, he gets swiftly drawn into the mystery. In the shadowy woods of his alma mater, he stumbles into a web of surveillance, dangerous lies, and buried secrets—and discovers the troubled underbelly of a school where the future had once always seemed bright. A sharp tale full of false leads and surprise turns, Shadow of the Lions is also wise and moving. Christopher Swann has given us a gripping debut about friendship, redemption, and what it means to lay the past to rest.

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The Square Kilometre Array (SKA) Project is a global project to design and c- struct a revolutionary new radio telescope with of order 1 million square meters of collecting area in the wavelength range from3mto1cm.It will have two - ders of magnitude greater sensitivity than current telescopes and an unprecedented large instantaneous ?eld-of-view. These capabilities will ensure the SKA will play a leading role in solving the major astrophysical and cosmological questions of the day (see the science case at www.skatelescope.org/pages/page astronom.htm). The SKA will complement major ground- and space-based astronomical facilities under construction or planned in other parts of the electromagnetic spectrum (e.g. ALMA, JWST, ELT, XEUS,...). The current schedule for the SKA foresees a decision on the SKA site in 2006, a decisiononthedesignconceptin2009,constructionofthe?rstphase(international path?nder)from2010to2013,andconstructionofthefullarrayfrom2014to2020. The cost is estimated to be about 1000 M . TheSKAProjectcurrentlyinvolves45institutesin17countries,manyofwhich are involved in nationally- or regionally-funded state-of-the-art technical devel- ments being pursued ahead of the 2009 selection of design concept. This Special Issue of Experimental Astronomy provides a snapshot of SKA engineering act- ity around the world, and is based on presentations made at the SKA meeting in Penticton,BC,CanadainJuly2004.Topicscoveredincludeantennaconcepts,so- ware, signal transport and processing, radio frequency interference mitigation, and reports on related technologies in other radio telescopes now under construction. Further information on the project can be found at www.skatelescope.org.

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In 1981, Frederick Houk Borsch returned to Princeton University, his alma mater, to serve as dean of the chapel at the Ivy League school. In Keeping Faith at Princeton, Borsch tells the story of Princeton's journey from its founding in 1746 as a college for Presbyterian ministers to the religiously diverse institution it is today. He sets this landmark narrative history against the backdrop of his own quest for spiritual illumination, first as a student at Princeton in the 1950s and later as campus minister amid the turmoil and uncertainty of 1980s America. Borsch traces how the trauma of the Depression and two world wars challenged the idea of progress through education and religion--the very idea on which Princeton was founded. Even as the numbers of students gaining access to higher education grew exponentially after World War II, student demographics at Princeton and other elite schools remained all male, predominantly white, and Protestant. Then came the 1960s. Campuses across America became battlegrounds for the antiwar movement, civil rights, and gender equality. By the dawn of the Reagan era, women and blacks were being admitted to Princeton. So were greater numbers of Jews, Catholics, and others. Borsch gives an electrifying insider's account of this era of upheaval and great promise. With warmth, clarity, and penetrating firsthand insights, Keeping Faith at Princeton demonstrates how Princeton and other major American universities learned to promote religious diversity among their students, teachers, and administrators.

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Presents case studies of "inspiration" in five composers -- Wagner, Mahler, Furtwängler, R. Strauss, and Berg -- examining how the supposedly extrarational world of creative inspiration intersects with the highly rational world ofmoney and politics. Lies and Epiphanies offers case studies of "inspiration" in five composers -- Richard Wagner, Gustav Mahler, Wilhelm Furtwängler, Richard Strauss, and Alban Berg. Their own tales of their epiphanies played a determining role in the reception history of their works: the finale of Mahler's Second Symphony was supposedly born of a "lightning bolt" of inspiration at the funeral of Hans von Bülow, while Alban Berg's Violin Concerto was purportedly his direct response to the tragic early death of Alma Mahler's daughter. Chris Walton looks behind these tales to explore instead the composer's dual role as author and self-commentator, laying bare the fissures and inconsistencieswithin these artists' testimonies and revealing how the putatively extrarational world of creative inspiration intersects with the highly rational world of money and politics. As Walton points out, the composer often imposes on the audience an interpretation of a work and its genesis that is as superficial as the score itself is not. This study seeks to show why. Chris Walton teaches music history at the Basel University of Music in Switzerland.He is the author of Othmar Schoeck: Life and Works (University of Rochester Press, 2009) and Richard Wagner's Zurich: The Muse of Place (Camden House, 2007).

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Using interdisciplinary performance studies and cultural studies frameworks, Laura G. Gutiérrez examines the cultural representation of queer sexuality in the contemporary cultural production of Mexican female and Chicana performance and visual artists. In particular, she locates the analytical lenses of feminist theory and queer theory in a central position to interrogate Mexican female dissident sexualities in transnational public culture. This is the first book-length study to wed performance studies and queer theory in examining the performative/performance work of important contemporary Mexicana and Chicana cultural workers. It proposes that the creations of several important artists—Chicana visual artist Alma López; the Mexican political cabareteras Astrid Hadad, Jesusa Rodríguez, Liliana Felipe, and Regina Orozco; the Chicana performance artist Nao Bustamante; and the Mexican video artist Ximena Cuevas—unsettle heterosexual national culture. In doing so, they are not only challenging heterosexist and nationalist discourses head-on, but are also participating in the construction of a queer world-making project. Treating the notion of dis-comfort as a productive category in these projects advances feminist and queer theories by offering an insightful critical movement suggesting that queer worlds are simultaneously spaces of desire, fear, and hope. Gutiérrez demonstrates how arenas formerly closed to female performers are now providing both an artistic outlet and a powerful political tool that crosses not only geographic borders but social, sexual, political, and class boundaries as well, and deconstructs the relationships among media, hierarchies of power, and the cultures of privilege.

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Meriel Schindler spent her adult life trying to keep her father, Kurt, at bay. But when he died in 2017, he left behind piles of Nazi-era documents related to her family’s fate in Innsbruck, Austria, and a treasure trove of family albums reaching back to before World War I. Meriel was forced to confront not only their fractured relationship, but also the truth behind their family history. The Lost Café Schindler re-creates the journey of an extraordinary family, whose relatives included the Jewish doctor who treated Hitler’s mother when she was dying of breast cancer; the Kafka family; and Alma Schindler, the wife of Gustav Mahler. The narrative centers around the Café Schindler, the social hub of Innsbruck. Famous for its pastries, home-distilled liquors, live entertainment, and hospitality, the restaurant attracted Austrians from all walks of life. But as conditions became untenable for Jews in Austria during the Nazi era, the Schindlers were forced to leave, and their café was expropriated. Meriel reconstructs the color and vibrancy of life in prewar Innsbruck against the majestic backdrop of the Austrian Alps, as well as the creeping menace and, finally, terror of the Nazi occupation. Ultimately, The Lost Café Schindler is a story of tragic loss—several relatives disappeared in Terezín and Auschwitz—but also one of reclamation and reconciliation. Beautifully written, it is an unforgettable portrait of an era and a testament to the pull of family history on future generations.

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One man's odyssey from skid row to rebuilding a major collegiate sports program. In Making Your Own Luck, former Indiana University athletic director Fred Glass recounts how even a self-described "knucklehead" learned to be prepared to recognize and seize opportunities and thus make his own luck through life. Growing up in a skid row bar, having an alcoholic father, struggling with anxiety and self-doubt, and making his share of stupid mistakes, Glass had much to contend with in early life. However, supported by socially enlightened parents, a Jesuit education, and his soulmate, Barbara, his odyssey has led him to serve a mayor, a governor, a senator, and even a president. With great humor and insightful reflection, Glass details how he helped keep the Colts in Indianapolis—he spearheaded a massive convention center expansion and the building of Lucas Oil Stadium and even helped to attract the Super Bowl to his hometown. Any of these accomplishments individually would be more than enough to call Glass's career a resounding success, but they were only the beginning. In the latest stage of his journey, Glass led the rebuilding of the athletic program of his beloved alma mater, Indiana University. Featuring a foreword from IU alumnus and owner of the Dallas Mavericks, Mark Cuban, Making Your Own Luck is a must-read not only for Indiana sports fans, but for anyone that recognizes the importance of preparation, opportunity and action in creating your own success.

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Ten years ago, Clare Nash was struggling with a common problem: how to be an architect and still have a life. With no job, no savings and no clients in the midst of a recession, Clare set up her own practice with little more than a few postcards in local shop windows and a very simple website. Determined to better combine her life and family with professional work, she created an innovative practice that is flexible and forward-looking, based around remote working and the possibilities offered by improving technology. Bursting with tips, ideas and how-tos on all aspects of designing a working life that suits you and your business, this book explains in clear and accessible language how to avoid the common pitfalls of long hours and low pay. It explores how to juggle work with family commitments, how to set your own career path and design priorities, and how to instil a flexible working culture within a busy lifestyle. Encompasses the full range of life-work challenges: • Money, fees and cashflow • Playing to your personal strengths • Outsourcing areas of weakness • Building a happy and productive remote-working team • Creating a compelling marketing strategy • Juggling parenthood and work • Studying and honing workplace skills. Provides the inside view from innovative practices: alma-nac, Gbolade Design Studio, Harrison Stringfellow Architects, Invisible Studio Architects, Office S&M Architects, POoR Collective, Pride Road Architects and Transition by Design.

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The Brigade of Guards was the elite force of the British Army in the Crimea. William Scarlett, a captain in the Scots Fusilier Guard and one of the most active junior officers in the regiment, fought throughout the entire campaign. After the Allied landing at Kalamita Bay, Scarlett rallied his regiment at a critical moment during the battle of the Alma, supported by his company sergeant, who was awarded the VC. William Scarlett’s life may well have been saved after the battle of Balaklava by becoming an aide de camp to his uncle, General James Scarlett, the commander of the Heavy Brigade. This meant that he did not fight at Inkerman, which took a heavy toll on the officers of the Guards Brigade. Returning to the trenches early in 1855, William Scarlett was involved in all the phases of the siege of Sebastopol until its fall in September 1855. The survival of 139 previously unpublished letters record Scarlett’s deeds and thoughts. Written to nineteen different correspondents, and deliberately intended by him to form a personal account of his rôle in the war, his letters provide a forceful commentary on the successes and failures of the British army in the East. His life before and after the war is well recorded. Becoming the third Lord Abinger in 1861, Scarlett was the second English peer to marry an American. He built a castle in Scotland, where Queen Victoria stayed in 1873, and two of his daughters became notable suffragettes.

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As seen in The New York Times, NPR.org, Gardens Illustrated, and AD Pro A richly illustrated survey celebrating humankind’s enduring relationship with the garden, explored throughout art, science, history, and culture Garden takes readers on a journey across continents and cultures to discover the endless ways artists and image-makers have found inspiration in gardens and horticulture throughout history. With more than 300 entries, this comprehensive and stunning visual survey showcases the diversity of the garden from all over the world – from the garden of Eden and the grandeur of the English landscape garden to Japanese Zen gardens and the humble vegetable plot. Spanning a wide range of styles and media – art, illustrations, and sculptures to photography, film stills, and textiles – Garden follows a visually arresting sequence, with works, regardless of period, thoughtfully paired, and features large-scale images, accessible texts, and reference information, including a glossary, illustrated timeline, and biographies. Offering a comprehensive introduction to the subject, Garden features work by a diverse range of both lesser-known and iconic artists, including Pierre Bonnard, Roberto Burle Marx, Lucas Cranach the Elder, Gertrude Jekyll, Claude Monet, Marianne North, Crispijn de Passe, William Robinson, Alma Thomas, and Howard Sooley, among others, including a variety of surprising examples that will appeal to specialists as well as the general reader. Aimed at a wide audience, this book has diverse appeal – from artists, designers, and art historians to garden enthusiasts, horticulturists, and everyone interested in the natural world around them.

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'Glamorous, nostalgic and very sexy' Paula Hawkins 'Powerful and devastating... A heady cocktail' Mail on Sunday 'The new Gatsby' Stylist'Thoroughly sexy and engrossing' Heat'Nods to classics like The Great Gatsby and Revolutionary Road' Independent September 1957 Henry and Effie, young newlyweds from Georgia, arrive in Cape May, New Jersey, for their honeymoon. It's the end of the season and the town is deserted. As they tentatively discover each other, they begin to realize that everyday married life might be disappointingly different from their happily-ever-after fantasy.Just as they get ready to cut the trip short, a decadent and glamorous set suddenly sweep them up into their drama - Clara, a beautiful socialite who feels her youth slipping away; Max, a wealthy playboy and Clara's lover; and Alma, Max's aloof and mysterious half-sister.The empty beach town becomes their playground, and as they sneak into abandoned summer homes, go sailing, walk naked under the stars, make love, and drink a great deal of gin, Henry and Effie slip from innocence into betrayal, with irrevocable consequences that reverberate through the rest of their lives...'Gorgeous, seductive storytelling, martini-dry prose reminiscent of James Salter's finest. I loved it' Lucy Foley, author of THE HUNTING PARTY'An exquisitely crafted exploration of young love, the power of desire, and the lifelong ramifications of choices made in an instant... A modern classic' Whitney Scharer, author of THE AGE OF LIGHT

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In this delightful alphabet book, cleverly illustrated with paintings from the collection of the Getty Museum, A is for an artist by Jan Steen, B is for a bumblebee by Ambrosius Bosschaert, and C is for a candle by Jean-Francois de Troy. Details from twenty-six different paintings by artists including Vincent van Gogh, Paul Cezanne and Edgar Degas provide the objects corresponding with each letter of the alphabet. The book also contains reproductions of all the paintings from which the details were selected. This charming book provides a unique opportunity to help children learn the ABC's while teaching them to look closely at great works of art. The other artists are: Pompeo Batoni (Italian, 1708-1787) Jan van Huysum (Dutch, 1682-1749) Luca Carlevarijs (Italian, 1663-1730) Hendrick ter Brugghen (Dutch, 1588-1629) Francesco Salviati (Francesco de'Rossi) (Italian, 1510-1563) Bartolommeo Vivarini (Italian, about 1432-1499) Dosso Dossi (Giovanni de'Luteri) (Italian, active 1512--died 1542) Pierre-Auguste Renoir (French, 1841-1919) Jean-Simeon Chardin (French, 1699-1779) Jan Brueghel the Elder (Flemish, 1568-1625) Sebastiano Ricci (Italian, 1659-1734) Carlo Dolci (Italian, 1616-1686) Jean-Etienne Liotard (Swiss, 1702-1789) James Ensor (Belgian, 1860-1949) Lawrence Alma Tadema (Dutch/English, 1836-1912) Georges de La Tour (French, 1593-1652) Pieter de Hooch (Dutch, 1629-1684) Pier Francesco Mola (Italian, 1612-1666) Joseph Ducreux (French, 1735-1802) Joachim Wtewael (Dutch, 1566-1638)

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A NATION­AL JEW­ISH BOOK AWARD FINALISTA Recommended Book From:The New York Times * Good Morning America * Entertainment Weekly * Electric Literature * The New York Post * Alma * The Millions * Book Riot A commanding debut and a poignant coming-of-age story about a devout Jewish high school student whose plunge into the secularized world threatens everything he knows of himselfAri Eden’s life has always been governed by strict rules. In ultra-Orthodox Brooklyn, his days are dedicated to intense study and religious rituals, and adolescence feels profoundly lonely. So when his family announces that they are moving to a glitzy Miami suburb, Ari seizes his unexpected chance for reinvention. Enrolling in an opulent Jewish academy, Ari is stunned by his peers’ dizzying wealth, ambition, and shameless pursuit of life’s pleasures. When the academy’s golden boy, Noah, takes Ari under his wing, Ari finds himself entangled in the school’s most exclusive and wayward group. These friends are magnetic and defiant—especially Evan, the brooding genius of the bunch, still living in the shadow of his mother’s death. Influenced by their charismatic rabbi, the group begins testing their religion in unconventional ways. Soon Ari and his friends are pushing moral boundaries and careening toward a perilous future—one in which the traditions of their faith are repurposed to mysterious, tragic ends. Mesmerizing and playful, heartrending and darkly romantic, The Orchard probes the conflicting forces that determine who we become: the heady relationships of youth, the allure of greatness, the doctrines we inherit, and our concealed desires.

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ArteKids board books show children the world of art through imaginative paintings, sculpture, photographs, and drawings, with text in English and Spanish.Outside Todo el Día! Nature in English y Español introduces children to the wonders of nature by connecting them to art in a unique, fun, and colorful way. Terms for outdoor concepts like sky/cielo, water/aqua, mountain/montaña, flora (tree/árbol and flower/flor), and fauna are represented by masterful artworks from around the world. The contrast of night (noche) and day (día) are shown through Latin American needlework and an Ansel Adams photograph. The seasons (primavera, verano, otoño, invierno) are expressed in bluebonnets by Julian Onderdonk, a beach scene by Pablo Camus, and the cottonwoods of Joseph Henry Sharp. Madeleine Budnick’s wonderful collages and designs weave together phrases and images that bring the wind, sun, and oceans to life. Work from the collections of the San Antonio Museum of Art, by masters like Alfred Thompson Bricher, Alma Nungarrayi Granites, Betty Carrington, Winslow Homer, Nicolino Calyo, Martin Johnson Heade, Armand Guillaumin, Ernest Lawson, and Lori LeJeune, is incorporated with phrases and words in English and Spanish, making bilingual learning and art exciting for young learners and their teachers and parents.The ArteKids bilingual board books are made sturdy for little hands and “awesomundo” for bright minds! The series also includes Vamos, Body!, Hello, Círculos!, 1, 2, 3, Sí!, Animal Amigos!, Colores Everywhere!, and Black and Blanco! Outside Todo el Día! Nature in English y Español! invites children to explore the world outside through language and imagery that ignites their imagination.

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The second book in a three-volume series on Black American artists, featuring work from the 1950s to the 1970s that responded to the cultural, political, and social concerns of the era During the turbulent 1950s to 1970s, Black American artists, responding to increasing civil rights activism, challenged inequities in the art world. Artists created works that celebrated their racial identity, connected with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives, such as Spiral, and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics such as David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. The book features 140 color illustrations of paintings, sculptures, and works on paper by such celebrated artists as Romare Bearden, Sam Gilliam, Jacob Lawrence, Norman Lewis, Howardena Pindell, and Alma Thomas, as well as by under-recognized artists. Essays provide an overview of the period and in-depth examinations of James A. Porter, an artist and art historian credited with establishing the field of African American art history, and Merton D. Simpson, an abstract painter, member of the Spiral group, and one of the most important dealers of African art in the United States. Published in association with the Dixon Gallery and GardensExhibition Schedule:Dixon Gallery and Gardens, Memphis (October 22, 2023–January 14, 2024) Crocker Art Museum, Sacramento (February 4–May 19, 2024)

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Unorthodox success principles from a billionaire entrepreneur and philanthropist Eli Broad's embrace of "unreasonable thinking" has helped him build two Fortune 500 companies, amass personal billions, and use his wealth to create a new approach to philanthropy. He has helped to fund scientific research institutes, K-12 education reform, and some of the world's greatest contemporary art museums. By contrast, "reasonable" people come up with all the reasons something new and different can't be done, because, after all, no one else has done it that way. This book shares the "unreasonable" principles—from negotiating to risk-taking, from investing to hiring—that have made Eli Broad such a success. Broad helped to create the Frank Gehry-designed Walt Disney Concert Hall, the Museum of Contemporary Art, the Broad Contemporary Art Museum at the Los Angeles County Museum of Art, and The Broad, a new museum being built in downtown Los Angeles His investing approach to philanthropy has led to the creation of scientific and medical research centers in the fields of genomic medicine and stem cell research At his alma mater, Michigan State University, he endowed a full-time M.B.A. program, and he and his wife have funded a new contemporary art museum on campus to serve the broader region Eli Broad is the founder of two Fortune 500 companies: KB Home and SunAmerica If you're stuck doing what reasonable people do—and not getting anywhere—let Eli Broad show you how to be unreasonable, and see how far your next endeavor can go.

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As the tumultuous decade of the 1960s ended, a number of very traditional, very conservative, highly prestigious colleges and universities in the United States and the United Kingdom decided to go coed, seemingly all at once, in a remarkably brief span of time. Coeducation met with fierce resistance. As one alumnus put it in a letter to his alma mater, "Keep the damned women out." Focusing on the complexities of institutional decision making, this book tells the story of this momentous era in higher education--revealing how coeducation was achieved not by organized efforts of women activists, but through strategic decisions made by powerful men. In America, Ivy League schools like Harvard, Yale, Princeton, and Dartmouth began to admit women; in Britain, several of the men's colleges at Cambridge and Oxford did the same. What prompted such fundamental change? How was coeducation accomplished in the face of such strong opposition? How well was it implemented? Nancy Weiss Malkiel explains that elite institutions embarked on coeducation not as a moral imperative but as a self-interested means of maintaining a first-rate applicant pool. She explores the challenges of planning for the academic and non-academic lives of newly admitted women, and shows how, with the exception of Mary Ingraham Bunting at Radcliffe, every decision maker leading the charge for coeducation was male. Drawing on unprecedented archival research, "Keep the Damned Women Out" is a breathtaking work of scholarship that is certain to be the definitive book on the subject.

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Three grown women find escape and camaraderie on sorority row in a delightfully exhilarating novel about fresh starts, whether you want them or not, by New York Times bestselling author Jen Lancaster. How fast can charity fundraiser CeCe Barclay’s unimpeachable society life come tumbling down? One minute she’s speaking before Chicago’s glitterati. The next, her financier husband is wanted for embezzlement. Her assets seized and her fall mortifyingly public, CeCe grasps for refuge—and employment—as a sorority housemom at Eli Whitney University, her daughter Hayden’s alma mater. Tasked with preparing a stately—but in CeCe’s estimation shabby—house for rush, CeCe isn’t the only one navigating a new life. Janelle Smith’s last experience as a housemother was at a Jersey strip club, where she witnessed a mob hit. To keep her safe until trial, WITSEC finds her a new identity and a housemom position on Eli Whitney’s sorority row, where Janelle’s conflict mediation and tolerance for high estrogen levels make her a star employee. For Hayden, a barista at a hopelessly hip off-campus café, the goal is to flee everything Barclay: the money, the scandals, and the exasperating family nonsense. What next? Though CeCe’s not ready to sell her Chanel bag, she’s open to reinvention. Hayden might even admit she needs help in her new independent life. And Janelle’s due for a personal triumph. But big challenges loom between the alabaster columns of Eli Whitney, unexpected and dicey enough to bring them all together—if only to keep them from falling completely apart.

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'Frances Brody has made it to the top rank of crime writers' Daily Mail'Brody's writing is like her central character Kate Shackleton: witty, acerbic and very, very perceptive' Ann Cleeves AN IDYLLIC SEASIDE TOWNNothing ever happens in August, and tenacious sleuth Kate Shackleton deserves a break. Heading off for a long-overdue holiday to Whitby, she visits her school friend Alma who works as a fortune teller there. A MISSING GIRLKate had been looking forward to a relaxing seaside sojourn, but upon arrival discovers that Alma's daughter Felicity has disappeared, leaving her mother a note and the pawn ticket for their only asset: a watch-guard. What makes this more intriguing is the jeweller who advanced Felicity the thirty shillings is Jack Phillips, Alma's current gentleman friend.A COMPLEX MYSTERY TO SOLVEKate can't help but become involved, and goes to the jeweller's shop to get some answers. When she makes a horrifying discovery in the back room, it soon becomes clear that her services are needed. Met by a wall of silence by town officials, keen to maintain Whitby's idyllic façade, it's up to Kate to discover the truth behind Felicity's disappearance.Praise for Frances Brody's Kate Shackleton series:'Delightful' People's Friend'Frances Brody matches a heroine of free and independent spirit with a vivid evocation of time and place . . . a novel to cherish' Barry Turner, Daily Mail'Brody's excellent mystery splendidly captures the conflicts and attitudes of the time with well-developed characters' RT Book Reviews'Kate Shackleton is a splendid heroine' Ann Granger

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“Told in clear and beautiful prose, Aaron’s Leap is a deeply moving portrait of love, sacrifice, and the transformative power of art in a time of brutal uncertainty.” —SIMON VAN BOOY, author of The Illusion of SeparatenessBased on the real-life story of Bauhaus artist Friedl Dicker-Brandeis, Aaron’s Leap is framed by the lens of a twenty first-century Israeli film crew delving into the extraordinary life of a woman who taught art to children in the Nazi transport camp of Terezín and died in Auschwitz. Aided by the granddaughter of one of the artist’s pupils, the filmmakers begin to uncover buried secrets from a time when personal and artistic decisions became matters of life-and-death. Spanning a century of Central European history, the novel evokes the founding impulses, theories, and personalities of the European Modernist movement (with characters modeled after Oskar Kokoschka, Alma Mahler and Franz Werfel) and shows what it takes to grapple with a troubled history, “leap” into the unknown, and dare to be oneself.Magdaléna Platzová was raised in Prague and has lived in Washington, DC and New York City, where she taught literature at NYU, and now lives in Lyon, France. She is the author of a children’s book, two collections of short stories, and three novels, including Aaron’s Leap, a Lidové Noviny Book of the Year Award finalist, hailed by the Frankfurter Allgemeine Zeitung as a novel that “must be counted among the best written by contemporary Czech writers.” It is her first book to be published in English.

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Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work. Enthusiasts and experts have long relished Schubert's quotations of his own music. This study centers on a previously unidentified pairing: "Ave Maria," one of his most beloved songs, and the Piano Trio no. 2, a masterpiece that holds a unique position in his career. Messing's Self-Quotation in Schubert interrogates the concept of self-quotation from the standpoints of terminology and authorial intent, and it demonstrates, for the first time, how Schubert's practice of self-quotation relates to prevailing practices in the late eighteenth and early nineteenth centuries. Messing goes on to analyze in detail the musical relationships between the two works and to investigate thecircumstances that led Schubert to compose each of them. "Ave Maria" is one of the few Schubert songs for which we have documentation of some early private performances, and the trio stood at the heart of Schubert's only public concert devoted to his works. Messing establishes that Schubert sought to convey an associative meaning with this self-quotation, trusting in his contemporaries' familiarity with the original melody and with Walter Scott's poem, a text that carried profound resonances in Catholic Vienna. Scrutinizing this evidence yields the symbolic purpose behind Schubert's allusion to "Ave Maria" in the piano trio: honoring the recently deceased Beethoven andvalidating Schubert as his legatee. SCOTT MESSING is Charles A. Dana Professor of Music Emeritus at Alma College.

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Three grown women find escape and camaraderie on sorority row in a delightfully exhilarating novel about fresh starts, whether you want them or not, by New York Times bestselling author Jen Lancaster. How fast can charity fundraiser CeCe Barclay’s unimpeachable society life come tumbling down? One minute she’s speaking before Chicago’s glitterati. The next, her financier husband is wanted for embezzlement. Her assets seized and her fall mortifyingly public, CeCe grasps for refuge—and employment—as a sorority housemom at Eli Whitney University, her daughter Hayden’s alma mater. Tasked with preparing a stately—but in CeCe’s estimation shabby—house for rush, CeCe isn’t the only one navigating a new life. Janelle Smith’s last experience as a housemother was at a Jersey strip club, where she witnessed a mob hit. To keep her safe until trial, WITSEC finds her a new identity and a housemom position on Eli Whitney’s sorority row, where Janelle’s conflict mediation and tolerance for high estrogen levels make her a star employee. For Hayden, a barista at a hopelessly hip off-campus café, the goal is to flee everything Barclay: the money, the scandals, and the exasperating family nonsense. What next? Though CeCe’s not ready to sell her Chanel bag, she’s open to reinvention. Hayden might even admit she needs help in her new independent life. And Janelle’s due for a personal triumph. But big challenges loom between the alabaster columns of Eli Whitney, unexpected and dicey enough to bring them all together—if only to keep them from falling completely apart.

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In this inspiring, soul-stirring memoir, Lawrence E. Carter Sr., founding dean of the Martin Luther King Jr. International Chapel, shares his remarkable quest to experience King's "beloved community" and his surprising discovery in mid-life that King's dream was being realized by the Japanese Buddhist philosopher and tireless peace worker Daisaku Ikeda. Coming of age on the cusp of the American Civil Rights Movement, Carter was personally mentored by Martin Luther King Jr. and followed in his footsteps, first to get an advanced degree in theology at Boston University and then to teach and train a new generation of activists and ministers at King's alma mater, Morehouse College. Over the years, however, Carter was disheartened to watch the radical cosmic vision at the heart of King's message gradually diluted and marginalized. He found himself in near despair—until his remarkable encounter with the lay Buddhist association Soka Gakkai International and a life-changing meeting with Ikeda, its president. Carter knew that King had been inspired by Gandhi, a Hindu, and now Ikeda, a Buddhist, was showing him how King's message of justice, equality, and the fundamental dignity of life could be carried to millions of people around the world. What ensued was not a conversion but a conversation—about the essential role of interfaith dialogue, the primacy of education, and the value of a living faith to create a human revolution and realize at last Martin Luther King's truest dream of a global world house. In these dark and frustrating times, the powerful dialogue between Carter and Ikeda gives hope and guidance to a new generation of reformers, activists, and visionaries.

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THE RIVETING TRUE STORY OF HOW THE FBI BROUGHT DOWN THE FEARSOME MIGUEL TREVIÑO, LEADER OF LOS ZETAS, MEXICO'S MOST VIOLENT DRUG CARTEL.Drugs, money, cartels: this is what FBI rookie Scott Lawson expected when he was sent to the border town of Laredo, but instead he's deskbound writing intelligence reports about the drug war. Then, one day, Lawson is asked to check out an anonymous tip: a horse was sold at an Oklahoma auction house for a record-topping price, and the buyer was Miguel Treviño, one of the leaders of the Zetas, Mexico's most brutal drug cartel. The source suggested that Treviño was laundering money through American quarter horse racing. If this was true, it offered a rookie like Lawson the perfect opportunity to infiltrate the cartel. Lawson teams up with a more experienced agent, Alma Perez, and, taking on impossible odds, sets out to take down one of the world's most fearsome drug lords. In Bloodlines, Emmy and National Magazine Award-winning journalist Melissa del Bosque follows Lawson and Perez's harrowing attempt to dismantle a cartel leader's American racing dynasty built on extortion and blood money. Throwing back the curtain on the inner workings of cartel kingpins and law enforcement agencies, del Bosque turns more than three years of research and her decades of reporting on Mexico and the border into a gripping narrative about greed and corruption. Bloodlines offers us an unprecedented look at the inner workings of the Zetas and US federal agencies, and opens a new vista onto the changing nature of the drug war and its global expansion.

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Robert D. Denham has collected in these volumes the 266 letters, cards, and telegrams that Helen Kemp and Northrop Frye wrote to each other during the six periods when they were apart, from the winter of 1931-32 until the summer of 1939. The letters form a compelling narrative of their early relationship. They tell of a romance in which two people fall in love, want to get married, and are confronted with obstacles blocking their path, including lack of money and the education they both need to advance their careers. But the story is much more than a romance. The letters reveal Frye's early talent as a writer, illustrating that both the matter and the manner of his criticism had begun to take shape when he was only nineteen. Helen Kemp's expressiveness and intelligence come through clearly in her letters, which were only discovered in 1992. Kemp and Frye share their thoughts on literature, music, religion, politics, education, and a host of other topics. They discuss their alma mater, Victoria College; artists and musicians of Toronto; southwestern Saskatchewan, where Frye spent a summer as a pastor on a United Church circuit; Frye's hometown, Moncton, New Brunswick; and Kemp's neighbourhood on Fulton Avenue in Toronto. We travel with them around the world, from Ottawa to Rome. We see through their eyes the early years of the Co-operative Commonwealth Federation, the struggles of the United Church of Canada, the activities of the Student Christian Movement, the appeal of Communism, the rise of fascism, and the beginnings of art education in the galleries of Canada.

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A groundbreaking history of how elite colleges and universities in America and Britain finally went coedAs the tumultuous decade of the 1960s ended, a number of very traditional, very conservative, highly prestigious colleges and universities in the United States and the United Kingdom decided to go coed, seemingly all at once, in a remarkably brief span of time. Coeducation met with fierce resistance. As one alumnus put it in a letter to his alma mater, "Keep the damned women out." Focusing on the complexities of institutional decision making, this book tells the story of this momentous era in higher education—revealing how coeducation was achieved not by organized efforts of women activists, but through strategic decisions made by powerful men.In America, Ivy League schools like Harvard, Yale, Princeton, and Dartmouth began to admit women; in Britain, several of the men's colleges at Cambridge and Oxford did the same. What prompted such fundamental change? How was coeducation accomplished in the face of such strong opposition? How well was it implemented? Nancy Weiss Malkiel explains that elite institutions embarked on coeducation not as a moral imperative but as a self-interested means of maintaining a first-rate applicant pool. She explores the challenges of planning for the academic and non-academic lives of newly admitted women, and shows how, with the exception of Mary Ingraham Bunting at Radcliffe, every decision maker leading the charge for coeducation was male.Drawing on unprecedented archival research, “Keep the Damned Women Out” is a breathtaking work of scholarship that is certain to be the definitive book on the subject.

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The untold story of the founding father’s likely Jewish birth and upbringing—and its revolutionary consequences for understanding him and the nation he fought to create In The Jewish World of Alexander Hamilton, Andrew Porwancher debunks a string of myths about the origins of this founding father to arrive at a startling conclusion: Hamilton, in all likelihood, was born and raised Jewish. For more than two centuries, his youth in the Caribbean has remained shrouded in mystery. Hamilton himself wanted it that way, and most biographers have simply assumed he had a Christian boyhood. With a detective’s persistence and a historian’s rigor, Porwancher upends that assumption and revolutionizes our understanding of an American icon.This radical reassessment of Hamilton’s religious upbringing gives us a fresh perspective on both his adult years and the country he helped forge. Although he didn’t identify as a Jew in America, Hamilton cultivated a relationship with the Jewish community that made him unique among the founders. As a lawyer, he advocated for Jewish citizens in court. As a financial visionary, he invigorated sectors of the economy that gave Jews their greatest opportunities. As an alumnus of Columbia, he made his alma mater more welcoming to Jewish people. And his efforts are all the more striking given the pernicious antisemitism of the era. In a new nation torn between democratic promises and discriminatory practices, Hamilton fought for a republic in which Jew and Gentile would stand as equals.By setting Hamilton in the context of his Jewish world for the first time, this fascinating book challenges us to rethink the life and legend of America's most enigmatic founder.

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