Search results for ""Dialogue""
City Lights Books Nervous Device: City Lights Spotlight Series No. 8
In Nervous Device, Catherine Wagner takes inspiration from William Blake's "bounding line" to explore the poem as a body at the intersection between poet and audience. Using this as a figure for sexual, political and economic interactions, Wagner's poems shift between seductive lyricism and brash fragmentation as they negotiate the failure of human connection in the twilight of American empire. Intellectually informed, yet insistent on their objecthood, Wagner's poems express a self-conscious skepticism even as they maintain an optimistically charged eroticism."Wagner's fourth collection contains poems of memory and dark artifice. She writes with an obscure, magnetic lens. . . . Wagner contrasts these complicated poems with short, clean, pieces that offer a kind of breathing space for the reader. Not to be mistaken for trivial, the linguistic tightness of these poems are highlights of Wagner’s collection."—Publishers Weekly"Taking with one hand what they give with the other, Wagner's poems are full of vehemence and disdain and tenderness and somewhere, in some inexpugnable part of the body of language through which so many discomforting feelings pass, a thorny kind of joy. This is my idea of great poetry: in which 'The actual is / flickering a binary / between word and not-word.'"—Barry Schwabsky, Hyperallergic"Nervous Device is such a smart book. You never know where the poems are going to take you, or when some startling, often cringe-making image or thought will intrude. Unable to settle into a comfortable rhetorical space, these poems reject simple claims to knowing something or doing right or changing the world. Rather, they move like an erratic insect stuck in a language bell jar. Brilliant, and disturbing."—Jennifer Moxley"Nervous Device, the human machine, palpitating inside its own little bounding lines. These poems do everything the human device does, vibrating like an electrified tornado inside a glass jar, and make this reader profoundly alive to huge swathes of being. There is no machine for mastering the self (yet), but there are Cathy Wagner's poems."—Eleni Sikelianos"The poems in Nervous Device resonate with a knowing nod to time and the difficulty and struggle of being sentient and intimate—of loving while being human. This is poetry connectivty: sexy, poignant, knowing. And the poems here make me feel possible."—Hoa Nguyen"Wagner's poems contain multitudes, at once overflowing with seductive lyricism only to suddenly shift into brash fragmentation. She is informed, but the word subjective has no place whatsoever in her work. As the cover suggests, the potential for human connection is downright erotic for Wagner."Alexis Coe, SF Weekly"The notion that the audience is 'putting [their] finger in [her] vagina' while reading Nervous Device signals one of Wagner's primary thematic concerns in the collection: the complex relationship between poetry, sex, desire, and the body."—Joshua Ware"Wagner is to be lauded, first and foremost, for her daring, her conceptual eclecticism, and her linguistic range. . . . Nervous Device is a clear-eyed and brave testament to the changing currents of a poet's life."—Seth Abramson, The Huffington Post" . . . the manner in which Wagner structures the language through repetitive dialogue both builds meaning and breaks it apart. . . . Wagner balances disjunction and lucidity, private and public, distant and (riskily) up-close."—Jessica Comola, HTML Giant
£11.24
Orenda Books River Clyde: The word-of-mouth BESTSELLER
Hamburg State Prosecutor Chastity Riley travels to Scotland to face the demons of her past, as Hamburg is hit by a major arson attack. Queen of Krimi, Simone Buchholz, returns with the emotive fifth instalment in the electrifying Chastity Riley series … ‘A modern classic’ Paul Burke, CrimeTime ‘Written in crackling prose and with searing insight, this is a deeply heartfelt slice of existential noir – utterly unique’ Doug Johnstone ‘Deftly captures the beating heart of Glasgow’ Herald Scotland ‘A beautifully crafted exploration of grief and redemption, wrapped in a love letter to Glasgow … Glorious writing’ Will Carver ‘Reading Buchholz is like walking on firecrackers … a truly unique voice in crime fiction’ Graeme Macrae Burnet –––––––––––– Mired in grief after tragic recent events, state prosecutor Chastity Riley escapes to Scotland, lured to the birthplace of her great-great-grandfather by a mysterious letter suggesting she has inherited a house. In Glasgow, she meets Tom, the ex-lover of Chastity’s great aunt, who holds the keys to her own family secrets – painful stories of unexpected cruelty and loss that she’s never dared to confront. In Hamburg, Stepanovic and Calabretta investigate a major arson attack, while a group of property investors kicks off an explosion of violence that threatens everyone. As events in these two countries collide, Chastity prepares to face the inevitable, battling the ghosts of her past and the lost souls that could be her future and, perhaps, finally finding redemption for them all. Breathtakingly emotive, River Clyde is an electrifying, poignant and powerful story of damage and hope, and one woman’s fight for survival. ––––––––––––— ‘Every word is a heartbeat, loaded with pain and anguish and self-discovery. This is Harbour Noir. This is a bravura literary performance, and a fitting swan song’ Paul Burke, CrimeTime FM ‘In just a few words – a light brushstroke – Simone paints such a vivid picture. Unlike any crime novel I’ve read. I loved it’ Michael J. Malone ‘Simone Buchholz writes with real authority and a pungent, noir-ish sense of time and space’ Independent Praise for the Chastity Riley series ‘[A] nerve-racking narrative … [with] a cunning climax that is shocking and deeply romantic’ The Times 'Combines nail-biting tension with off-beat humor ... Elmore Leonard fans will be enthralled' Publishers Weekly 'Buchholz doles out delicious black humor ... interwoven in a manner that ramps up the intrigue and tension' Foreword Reviews ‘Modern noir, with taut storytelling, a hard-bitten heroine, and underlying melancholy peppered with wry humour’ New Zealand Listener ‘The coolest character in crime fiction … darkly funny and written with a huge heart’ Big Issue ‘Fierce enough to stab the heart’ Spectator ‘A stylish, whip-smart thriller’ Herald Scotland ‘Combines slick storytelling with substance … like a straight shot of top-shelf liquor: smooth yet fiery, packing a punch with no extraneous ingredients watering things down’ Mystery Scene ‘With brief, pacy chapters and fizzling dialogue, this almost feels like American procedural noir and not a translation’ Maxim Jakubowski ‘A smart and witty book that shines a probing spotlight on society’ CultureFly ‘Fans of Brookmyre could do worse than checking out Simone Buchholz, a star of the German crime lit scene who has been deftly translated into English by Rachel Ward’ Goethe Institute ‘Lyrical and pithy’ Sunday Times
£8.99
Canelo The Lost Prince: An epic medieval adventure
‘Hawker is a terrific creation’ Bernard CornwellAre they saving a prince, or unchaining a monster?December 1476. The infamous Vlad the Impaler – Dracula – is reported killed in a Turkish ambush: the brutal scourge of the Ottomans is no more…November 1485. Nine years later, mysterious Hungarian noblewoman Maria Hunyadi lays a quest at the feet of Sir John Hawker, loyal retainer to the fallen King Richard III and protector of Richard’s illegitimate son, Sir Giles Ellingham. The mission: to liberate her father from imprisonment in a remote Wallachian mountain fortress. The prisoner: Vlad Dracula.Indebted to Maria for saving his men’s lives in Venice, Hawker reluctantly accepts her story and agrees to come to her aid. But any rescue will be fraught with danger. There are powerful forces at work who would not want the great warlord found alive.But is Maria really who she says she is? Is she looking for more than just her father? And is the Impaler truly alive, after all this time – a lost prince?From the fringes of the Hungarian empire to the dark mountain forests of Saxon Transylvania, Hawker must contend with enemies on all sides, and those unseen within the company itself. The exciting sequel to Hawker and the King’s Jewel – described by Bernard Cornwell as ‘brilliant’ – perfect for fans of Christian Cameron and David Gilman.Praise for Hawker and the King’s Jewel ‘A brutal, brilliant tale, told with verve and pace. Hawker is a terrific creation’ Bernard Cornwell‘Bale takes the reader from the terror of battle where a crown is lost and won to the sparkling jewel that is Venice, teeming with intrigue and treachery. Great storytelling’ David Gilman, author of the Master of War series'An absolute gem of a novel. I was taken aback by Bale's skill and talent. Meticulously researched, with a totally authentic medieval feel, the novel fizzes with action, romance and intrigue. A gripping yarn' Angus Donald, author of the Outlaw series‘Hawker is an ageing, flawed character and it is in his description of the man's inner turmoil, his bursts of energy and, above all, loyalty that the author has created a living soul… Compelling, authentic characters, a tight narrative which drives the story with verve; dialogue which is neither mock Gothic nor anachronistic, all allow the reader to feel part of the sounds and sights of the late fifteenth century. The novel deserves high praise’ The RicardianWhat readers are saying about Hawker and the King's Jewel ‘I bought this to read on holiday on the back of a friend's recommendation. I don't normally read historical fiction like this but was blown away by the experience - it was a great story, told at a good clip with wonderful characters, action and lovely historical touches that made you really “feel” and appreciate the period but without weighing down the whole. I more than surprised myself by sneaking in the odd hour of reading here and there in ways that I never normally do. It was an absolute treat’‘The characterisation and period detail are superb and with plenty of action. The pace is just right, making it a really good and engaging read’‘A rollercoaster ride full of twists and turns’‘I can honestly say the book grabs the reader’s attention and draws them in from the opening pages. It opens your mind to all sorts of possibilities to where the narrative is heading, then suddenly switches track, leaving you grasping for answers. It certainly had me riveted and enthralled’‘You will be drawn into the political intrigues of15th century Europe. Very informative and not too heavy. I would thoroughly recommend it.’‘Beautifully researched; an exciting & gripping tale of what might have been’‘Breathless and rollicking… This reader could hardly bear to put it down’
£9.99
Orenda Books No Honour
A young woman defies convention in a small Pakistani village, with devastating results for her and her family. A stunning, immense beautiful novel about courage, family and the meaning of love, when everything seems lost… ‘A compelling and compassionate story’ Anna Mazzola, author of The Story Keeper ‘A shocking portrait of lives lived under the shadow of threat and prejudice. A brave book’ Vaseem Khan, author of the Inspector Chopra series 'A bold, gifted storyteller, dealing with a gritty, thorny issue of female honour. Compulsive reading' Qaisra Shahraz MBE, author of The Holy Woman ‘Beautifully written and immersive, No Honour starts with a powerful opening that propels you into the shocking themes. A must-read’ Sarah Pearse, author of The Sanatorium _______________ In sixteen-year-old Abida’s small Pakistani village, there are age-old rules to live by, and her family’s honour to protect. And, yet, her spirit is defiant and she yearns to make a home with the man she loves. When the unthinkable happens, Abida faces the same fate as other young girls who have chosen unacceptable alliances – certain, public death. Fired by a fierce determination to resist everything she knows to be wrong about the society into which she was born, and aided by her devoted father, Jamil, who puts his own life on the line to help her, she escapes to Lahore and then disappears. Jamil goes to Lahore in search of Abida – a city where the prejudices that dominate their village take on a new and horrifying form – and father and daughter are caught in a world from which they may never escape. Moving from the depths of rural Pakistan, riddled with poverty and religious fervour, to the dangerous streets of over-populated Lahore, No Honour is a story of family, of the indomitable spirit of love in its many forms … a story of courage and resilience, when all seems lost, and the inextinguishable fire that lights one young woman’s battle for change. _______________ ‘So powerful’ Heat magazine ‘Addictive, brave and powerful’ Louise Fein, author of People Like Us ‘Deeply emotional’ Eastern Eye ‘A stunningly written, immensely important book’ A. A. Chaudhuri ‘Perfectly paced story structure and eloquent dialogue … shocking, deeply moving and hugely important’ Carol Lovekin ‘A truly heart-wrenching tale of the human spirit’s quest for love, freedom and survival’ Tim Glister ‘It will shake you, anger and sadden you, but also restore hope in the power of love to triumph over evil, even in the face of seemingly insurmountable obstacles’ Tony Frobisher,Daily Times ‘Soul deep, mind-blowing and heart-wrenching … you are left reeling’ Faiqa Mansab ‘Khan is a masterful storyteller’ Aliya Ali-Afzal ‘Beautiful, striking and eye-opening’ Louise Beech ‘Khan writes about the dance between fathers and daughters, men and women, authority and no authority, and No Honour is a page-turner’ Soniah Kamal ‘Tense and gripping’ Polly Crosby ‘Beautifully rendered, moving and insightful … this book is not always an easy read but it is a compelling and rewarding one’ Neema Shah ‘Spectacular… a joy from start to finish’ Charlie Carroll ‘Hypnotic, atmospheric and by the end, so hopeful’ Sarah Sultoon ‘This book is devastating, vitally important and beautifully written. Astonishing’ Rob Parker ‘Insightful and sympathetic to the unique experiences of women, whilst evoking the atmosphere of Lahore … hard to put down’ Alex Morrall ‘An epic, gut-wrenching story of love and survival in the face of barbaric oppression’ Heleen Kist ‘A gripping, horrifying, compulsive read’ Jennie Godfrey ‘This is a book that will stay with me for a long time … I was horrified by what I was reading but literally couldn't put this book down’ Madeleine Black ‘A compelling, brave and uplifting read for our time’ Eve Smith ‘Compelling main characters make it memorable and the heavy subject matter in handled the way it should have been – with empathy’ Mashable
£8.99
SAGE Publications Inc The Person-Centred Approach to Therapeutic Change
From the Foreword `It is an honour to be asked to write a foreword for this new book by Michael McMillan. I have been excited about this book ever since I read early drafts of its first two chapters some time ago at the birth of the project. At different times thereafter I have read other parts and my consistent impression has been that this is an author who has both a sophisticated academic understanding of the material and a great skill in communicating that widely. Those two qualities do not often go together! The book is about change. After a first chapter in which the author introduces us to the person-centred concept of the person, chapter two is devoted to the change process within the client, including a very accessible description of Rogers′ process model. Chapter three goes on to explore why and how change occurs in the human being, while chapter four introduces the most up-to-date person-centred theory in relation to the nature of the self concept and its changing process. Chapters five and six explore why change occurs in therapy and the conditions that facilitate that change, while chapter seven looks beyond the core conditions to focus on the particular quality of presence, begging the question as to whether this is a transpersonal/transcendental quality or an intense experiencing of the core conditions themselves. This is an intensely modern book particularly in its postmodern emphasis. Rogers is sometimes characterised as coming from modernist times but he can also be seen as one of the early post modernists in his emphasis on process more than outcome and relationship more than personal striving. The modern nature of the book is also emphasised by a superb analysis of the relationship between focussing and person-centred therapy in Chapter five, linking also with Polanyi′s notion of indwelling in this and other chapters. In suggesting that in both focussing and person-centred therapy the therapist is inviting the client to ′indwell′ himself or herself, the author provides a framework for considering many modern perceptions of the approach including notions such as ′presence′ and ′ relational depth′. Also, the link with focussing is modern in the sense that the present World Association for the approach covers a fairly broad family including traditional person-centred therapists, experiential therapists, focussing-oriented therapists and process-guiding therapists. Important in this development is the kind of dialogue encouraged by the present book′ - Dave Mearns, Strathclyde University The belief that change occurs during the therapeutic process is central to all counselling and psychotherapy. The Person-Centred Approach to Therapeutic Change examines how change can be facilitated by the counsellor offering empathy, unconditional positive regard and congruence. The Person-Centred Approach to Therapeutic Change outlines the main theoretical cornerstones of the person-centred approach and then, applying these, describes why change occurs as a result of a person-centred therapeutic encounter. The author explores the counselling relationship as an environment in which clients can open themselves up to experiences they have previously found difficult to acknowledge and to move forward. Integral to the person-centred approach is Carl Rogers′ radical view that change should be seen as an ongoing process rather than an alteration from one fixed state to another. In Rogers′ view psychological health is best achieved by the person who is able to remain in a state of continual change. Such a person is open to all experiences and is therefore able to assimilate and adapt to new experiences, whether ′good′ or ′bad′. By focusing explicitly on how change is theorized and facilitated in counselling, this book goes to the heart of person-centred theory and practice, making it essential reading for trainees and practitioners alike.
£42.28
Authentic Media The Virgin Monologues: Confessions of a Christian Girl in a Twenty-First-Century World
An insightful, inspirational, amusing and honest guide to relationships for the modern single Christian woman. How does the single Christian woman maintain her relationships while staying true to herself? How can she thrive in a predominately secular culture and keep her faith in a world that doesn't reflect her values? The Virgin Monologues teaches how to do healthy relationships, what to fight for and what to give up on. It gives healthy principles to understand before looking for a team mate. Endorsements: "It may be that this does not paint the whole picture of your single life, but guaranteed there will be plenty of shared experience, hurts, accidents and adventures within these pages. With refreshing honesty, courage and humour Carrie publicly has the conversation so many of us have had in private. Her passion for Christ is a constant theme throughout this engaging, challenging and inspiring read." - Katharine Welby-Roberts A21 Ambassador, blogger, speaker. "It's tough being a single Christian girl in a world full of feelings and emotions and expectations and hopes and dreams and aspirations. Like a best friend spilling her deepest thoughts onto the page - some heartbreaking and some hilarious - Carrie takes us on a journey past shame and heartache and faux pas to healing and freedom and truth. This book will be a companion to any sassy young woman wanting to make sense of who she is in the midst of all of life's stuff." - Chine Mbubaegbu, head of media & communications Evangelical Alliance; author of Am I Beautiful? (Authentic) "The Virgin Monologues opens up much-needed space for dialogue in the Christian community about the way we communicate to women and girls about sex. Carrie's sincerity and openness about her personal experiences offer a relatable alternative to the dysfunction of the corporate media's version of today's sexual narrative and the too often shaming response from the religious communities. The Virgin Monologues should be a staple in every spiritual library." - Ben Decker, Marketing & PR Consultant, Social Activist, Human Rights Advocate "I love this book. It is honest, funny, challenging and inspiring. Just like its author. Carrie is not afraid to say it as she sees it, and whether you agree with her or not, what comes across more than anything else is her infectious passion for Jesus and her longing for others to encounter him and be changed." - Bill Cahusac, 24-7 Prayer GB Leadership Team "If, like me, you're dissatisfied with the rubbish about love, life and relationships that you sometimes inhale, here's your chance to breathe in beautiful and wild words of wisdom that lead to Life. Carrie has captured the art of celebrating who she is while still believing the best is yet to come. It makes for a captivating read and an even more infectious life!" - Rachel Gardner, Founder, Romance Academy "The Virgin Monologues is a wonderfully courageous ride through love and life. I found Carrie's honest communication about what it's like to navigate the joyous and sometimes perilous journey though relationships refreshing. In her book Carrie has invited us to not only do better in relationships but to be a better people. I know this book may seem, on the surface, to be geared towards women. However, men will find it fascinating and challenging and will probably be better men for reading it. A must read!" - Gabe Valenzuela, 2nd Year Overseer, Bethel School of Supernatural Ministry "In this book Carrie reminds us that what is most important is actually understanding and living out of a place of knowing who we are in Christ, and how that needs to be at the foundation of how we see ourselves. When we do it will transform how we do relationships - single people or married." - Nici Cahusac
£10.99
World Scientific Publishing Co Pte Ltd A World Scientific Encyclopedia Of Business Storytelling, Set 2: Methodologies And Big Data Analysis Of Business Storytelling (In 5 Volumes)
This set of multi-reference works is meant to be read together as the five volumes interlace one another like the laces of a shoe in the famous painting by Vincent van Gogh. The question of who will wear the shoes is long debated in art history and philosophy. If we take these five volumes from different points of view on the theory and practice of business storytelling then we have a crisscrossing, a new and impressive dialogue for the reader. This set is presented as a new way to lace up the laces of business storytelling.Volume 1 aims to help and inspire leaders, business owners, and researchers in creating a commitment to ethical and sustainable changes and ideas, and live in a world of high complexity without getting stressed but experiencing freedom instead.The book combines tools, case studies, and theories about the ethical change-management method of True Storytelling and other perspectives and views on ethics and storytelling. It delves into important topics such as true storytelling sustainability and freedom, storytelling and start-ups in the health industry, storytelling and diversity and culture, storytelling and teams, storytelling, sustainability and the UN Goals, storytelling and well-being, storytelling in higher education, and storytelling and fundraising.Book authors are experienced and successful researchers, business owners, leaders, and consultants from Scandinavia, the USA, Africa, and Europe.Volume 2 is an endeavor into the creation of new concepts for engaging with sustainability. It maintains that storytelling is important for our emplacement in nature and can be important for enacting another relationship between nature and the cultural artifice — our social and material constructions of houses, cities, villages, harbors, streets, and railways, and our use of objects and artifacts to construct our lives.Business storytelling communication is that space for social symbolic work that brings the symbolic objects of the organization, the human, and the natural environment into a dialogical relationship. Volume 3 posits that organizations are arranged as social symbols that are arranged in institutions based on the needs of organics, for example health, food, shelter, mating, leisure, and labor. Organics, as a social symbolic object, specifically humans, have emotions, language, and culture to organize their institutions and organizations. In this book, readers will find that many of the authors attempt to understand the body's exclusion or attempt to bring the body back into the organization. Business storytelling communication takes aim at the social symbolic work of making space to negotiate the social arrangement of organizations with its organic components.Volume 4 covers a variety of methodological topics from a storytelling perspective. Why a storytelling perspective? Consider that a common business research goal is to convince others that what the researcher has to say matters. If the researcher is a basic researcher who wishes to promote a theory, the goal is to make a convincing case for the value of that theory. If the researcher is an applied researcher who wishes to promote a particular application, intervention, or policy change, the goal is likewise to make a convincing case. Either way, the researcher has a story to tell, and the onus is on the researcher to tell the best possible story; storytelling failures likely will result in a failure to convince others of the value of one's theory or application.Here is where methodological issues come into play. Poor methodology, whether in the form of less-than-optimal study designs or invalid statistical analyses, harms story quality. In contrast, high-quality methods and statistics enhance story quality. Moreover, the larger one's methodological and statistical toolbox, the greater the opportunities for researchers to tell effective stories. The chapters in this book come from a wide variety of perspectives and should enhance researchers' storytelling in the following ways. By opening many different methodological and statistical perspectives, researchers should be more able to think of research stories that otherwise would remain unavailable or inaccessible. Secondly, the present chapters should aid researchers in better executing their research stories. Therefore, researchers and graduate students will find this book an invaluable resource.Volume 5 opens a window into the world of quantum storytelling as an organizational research methodology, providing numerous exemplars of work in this storytelling science that has disrupted qualitative inquiry only with the intention of providing expanded, improved, and generative ways of understanding and knowing the narratives that emerge from qualitative interviews and observations during organizational research studies.
£764.93
White Pine Press Beyond the Edge of Suffering: Prose Poems
Prose poems and flash fictions revealing the heart-wrenching, absurd, life-changing nature of living through Covid, political chaos, and personal upheaval. Peter Conners’ unique blend of prose poetry, flash fiction, and other spare poetic forms pays witness to the heart-wrenching, absurd, life-changing nature of surviving a global pandemic during one of the most politically and culturally divisive times in American history. As a divorced father living in a blended family with 4 children, navigating a new marriage, and also caring for elderly parents, pandemic restrictions and their attendant scary weirdness hit hard. After a decade of publishing highly regarded nonfiction books about music and counterculture, Conners knew that only poetry could do these strange days justice. The result is Conners’ first prose poetry collection in a dozen years. Moving from raw personal poems like “One of you went” and “My father wanders” to overt political rants “The beaches are filled” and “Welcome to the last” to comically absurd flash fictions like “Superhero” and “Hello, my name is Larry” to meditations on relationships (“A small house;” “The old husband”) and spirituality (“If each martyr;” “Love everyone”), Conners strikes all the rich notes that illustrate our humanity, desire for love and connection, and striving for a rebirth that awaits just beyond the edge suffering.“Part Tao, part surrealist dialogue, Peter Conners has penned a book of precise yet effusive runes from the well-gnawed bones of a man reflecting upon his family and nation at midlife. Here we have poet as citizen, philosopher, father, humorist, husband, we have the pandemic (in actuality and as metaphor), we have passing time, memory, ‘our whole dumb history,’ the theater of self with its ‘copious technical difficulties.’ These are minimalist and thin-trimmed parable-like stories, dialogues, and beautiful confessions that in the end haggle down the price we’ve paid through the last brutal years, encouraging the reader to take our problems and ‘Feed them to the squirrels. Those little fuckers will eat anything.’”—Sean Thomas Dougherty“What you know after reading only a handful of these poems is that they have the ease, and share the privileges, of being loved and cared for by a master — not as common a thing in American poetry as you might think. This is an end-of-days story for precisely our times, presented formally in a fluid blending of at least three distinct genres, managing to celebrate them all to rich effects. These poems capture a litany of almost microscopic moments, resolute in how they are illustrative of our stunningly particular days. I love this book and I want you to read it if you care about looking closely at who we are by looking at who we have been.” —Bruce Weigl “Beyond the Edge of Suffering goes beyond life's edges, and not only in suffering. This brilliant collection by Peter Conners is a genius book of our times, with masks and viruses, nasal sprays, elixirs, diseases, and exams. It is deep and poignant, with lovely and surprising sparks of humor: a tiny porcelain woman, plays in language: bodies, memories, dreams. Diamonds. Martyrs. Prayers and non-prayers. Genesis and ribs. Fathers and mothers and a son and daughter. Crying Superheroes. Weeping willows. Mosquitos and monkeys and the highest house number in America. This collection is so holy-ghostingly good, it will continue to stay with you.”—Kim ChinqueePeter Conners is the author of ten books of poetry, nonfiction and fiction, including the prose poetry collections, Of Whiskey and Winter, and The Crows Were Laughing in Their Trees. He also edited the ground-breaking prose poetry/flash fiction anthology PP/FF: An Anthology, as well as an issue of American Book Review dedicated to prose poetry/flash fiction, and was founding editor of Double Room: A Journal of Prose Poetry and Flash Fiction. In his nonfiction books, he has documented music and countercultural communities in such books as Growing Up Dead: The Hallucinated Confessions of a Teenage Deadhead; JAMerica: The History of the Jam Band and Festival Scene; Cornell ‘77: The Music, The Myth, and the Magnificence of the Grateful Dead’s Concert at Barton Hall; and White Hand Society: The Psychedelic Partnership of Timothy Leary & Allen Ginsberg. His books have been published by White Pine Press, Da Capo Press, City Lights, Cornell University Press, Starcherone Books, and Marick Press. He lives with his family in Rochester, NY where he works as Publisher and Executive Director of the award-winning independent publishing house BOA Editions. His website is: www.peterconners.com
£12.99
Behrman House Inc.,U.S. Communities of Meaning: Conversations on Modern Jewish Life Inspired by Rabbi Larry Hoffman: Conversations on Modern Jewish Life Inspired by Rabbi Larry Hoffman
"Brisk yet meditative . . .Rabbis and others active in Jewish worship communities will be inspired." --Publishers WeeklyFew people have had a greater impact on modern Jewish worship and life than Rabbi Larry Hoffman. "From Larry Hoffman, we learn how to pray with consequence." --Janet Walton, professor emerita of worship and the arts at Union Theological SeminaryIn Communities of Meaning, thirty-four of today's community leaders and theologians engage Hoffman in dialogue about the big questions in American Jewish life, including: How, where, and why people pray. What Jewish life looks like today and what lies ahead. How Jews engage with people of other faiths, How faith can shape commitment and action. This collection invites readers into the ageless conversation that is Judaism and challenges everyone to think creatively about the ideas and institutions that are shaping Jewish life in the twenty-first century.Includes contributions from Jill Abramson, Tony Bayfield, Angela Buchdahl, Joshua Davidson, Arnold Eisen, David Ellenson, Daniel, Judson, Noa Kushner, Liz Lerman, Andrew Reyfeld, Jonathan Sarna, Gordon Tucker, Deborah Waxman, Danny Zemel, and many others.“Hoffman is a rabbi of rabbis. And a liturgist of liturgists . . . [He] invited us to courageous reinterpretation and transformation of our liturgy.” –Rabbi Angela Buchdahl, Central synagogue, New York CityFull List of Contributors:Cantor Jill Abramson is the director of the Debbie Friedman School of Sacred Music at HUC.Rabbi Carole Balin is a writer and teacher, and chair of the board of the Jewish Women’s Archive and professor emerita of history at Hebrew Union College.Rabbi Tony Bayfield was the head of Reform Judaism in Britain and is also Professor Emeritus of Jewish Theology and Thought at Leo Baeck College. Rabbi Joshua I. Beraha is an associate rabbi at Temple Micah in Washington, D.C. Rabbi Angela Warnick Buchdahl serves as the senior rabbi of Central Synagogue in New York City.Rabbi Joshua M. Davidson is the senior rabbi of Congregation Emanu-El in New York City. Rabbi Arnold Eisen is Chancellor Emeritus and Professor of Jewish Thought at the Jewish Theological Seminary. Rabbi David H. Ellenson is Chancellor Emeritus of Hebrew Union College. Rabbi Jodie M. Gordon is a rabbi at Hevreh of Southern Berkshire, in Great Barrington, Massachusetts. Cantor Sarah Grabiner is the assistant director of the Year in Israel programme at HUC Jerusalem. Rabbi Hilly Haber is the director of social justice organizing and education at Central Synagogue in New York City.Dr. Joel M. Hoffman is a teacher, translator, and author in New York.Rabbi Delphine Horveilleur is France’s third female rabbi, and leads a progressive congregation in Paris Rabbi Daniel A. Judson is the Dean of Hebrew College in Newton, MA. Rabbi Elliot Kukla is an author, visual artist, and activist currently living in Oakland, California. Rabbi Noa Rachael Kushner founded The Kitchen, a hands-on international resource that serves thousands of modern families in San Francisco and around the world.Rabbi Emily Langowitz is the Jewish engagement manager at the URJ and lives in Phoenix. Prof. Gordon W. Lathrop is the Schieren Professor of Liturgy Emeritus at the United Lutheran Seminary (USA) and a pastor in the Evangelical Lutheran Church in America.Liz A. Lerman is a choreographer, writer, educator, and recipient of MacArthur “Genius Grant” and a Guggenheim Fellowship, and is currently a professor at Arizona State University.Rabbi Dalia Marx is professor at HUC in Jerusalem and teaches in various academic institutions in Israel and Europe. She is the tenth generation of her family in Jerusalem. Rabbi Daniel Medwin is the co-director of innovation and growth at URG 6 Points Sci-Tech Academy. He lives in Georgia.Rabbi Shira I. Milgrom is the rabbi of Congregation Kol Ami in White Plains, New York.Rabbi Sonja K. Pilz is the spiritual leader of Congregation Beth Shalom in Bozeman, Montana. Prof. Andrew Rehfeld is the president of Hebrew Union College in New York.Rabbi Daniel Reiser is the rabbi of Temple Beth Shalom in Hastings-on-Hudson, New York. Rabbi Nicole Kauffman Roberts is Senior Rabbi of North Shore Temple Emanuel in Sydney, Australia. Prof. Jonathan D. Sarna teaches American Jewish History at Brandeis University and is also Chief Historian of the Weitzman National Museum of American Jewish History. Yolanda Savage-Narva is the assistant vice president of Racial Equity, Diversity, and Inclusion for the URJ.Rabbi Yael Splansky is the rabbi at Holy Blossom Temple in Toronto.Rabbi Rachel Steiner is the senior rabbi at Barnert Temple in New Jersey.Rabbi David E. Stern is Senior Rabbi of Temple Emanu-El, Dallas, Texas. Rabbi Gordon Tucker is Vice Chancellor for Religious Life and Engagement at The Jewish Theological Seminary and a Senior Fellow at the Shalom Hartman Institute of North America. Dr. Richard S. Vosko is an award-winning liturgical design consultant for Christian and Jewish congregations throughout North America. Professor Janet R. Walton is a musician, author, teacher, ritual leader, and professor emerita of worship and the arts at Union Theological Seminary in New York City. Rabbi Deborah Waxman is president and CEO of Reconstructing Judaism. Rabbi Margaret Moers Wenig teaches at HUC in New York City and is the first Jewish President of the Academy of Homiletics.Rabbi Daniel Zemel is the senior rabbi at Temple Micah in Washington, D.C.
£17.99
Little, Brown Book Group The Sons: The completely thrilling follow-up to crime bestseller The Father
'Unique and stunning. One of the most powerful novels you'll read this year'Stephen Booth on The FatherIn the second part of the highly acclaimed and internationally bestselling series Made in Sweden, one brother fictionalises the real crimes of his own family for a remarkable and epic novel.After six years in prison, Sweden's most notorious criminal Leo Dûvnjac is free, acquitted of all but two of the ten bank robberies he and his two younger brothers pulled off.While behind bars, he befriended Sam Larsen, who was convicted of murdering his own father - and also happens to be the brother of the cop who caught Leo, Detective John Broncks.With Sam at his side, Leo seeks out his now-law-abiding brothers for one last job and a chance at redemption - or revenge. But Bronks is on to him, and Leo's father has other plans for his sons . . .Now two sets of brothers will play out the tragic and thrilling destinies of childhoods built on heartbreaking betrayal.Praise for The Father and The Sons'A powerful real-life story'Guardian'The emotional centre of the story is truly compelling . . . the sweep and scope are epic'Herald'Superior. . . builds to a breathless climax'Sun'A deep, clean cut into the body of fathers, sons, loyalty and family'Sainsburys Magazine'Will delight fans of Nordic Noir'Crime Fiction Lover'Mind boggling and captivating'The Crime Warp'An incredible story'Crime Time'Incredibly efficient and easy to read . . . gripping and thrilling'Helsingborgs Dagblad, Sweden'An unbelievably exciting and authentic story. . . One of the year's best crime stories'Östran, Sweden'An insider story that beats any action film'Aftonbladet, Sweden'A remarkable blend of fact and fiction'Skånska Dagbladet, Sweden'Many of the scenes stick with you'Expressen, Sweden'A powerful and riveting reading experience'Deckarbloggen, Sweden'One of the summer's best thrillers'Café, Sweden'The action in The Father is captivating. It holds us in suspense from the first page to the last'LitteraturMagazinet, Sweden'I have a soft spot not only for suspense novels, but also for coming-of-age stories; here, I get both!'Bokbabbel, Sweden'The craftsmanship in this novel is first-class. It is both exciting and dramatic in an almost cinematic way'Gefle Dagblad, Sweden'It is hard to put The Father down for more than the briefest moment. It is an empathetic story that vividly portrays perpetrators, victims and police'Upsala Nya Tidning, Sweden'It is captivating to read about the inner workings of a gang of robbers'Borås Tidning, Sweden'A very clever suspense novel, a classic story of crime and punishment that is simultaneously a gripping family drama with a genuinely painful element'BTJ, Sweden'The Father is more than a traditional suspense novel. It is also a story of exclusion, a fractured family, an unfamiliar Sweden and a kind of honour culture. This is why it is so totally relevant to us'Mariestads-Tidningen, Sweden'The Father isn't just exciting - it also gives a sincere picture of a home that is a far cry from that of your average Joe'Ölandsbladet, Sweden'A thrilling novel that becomes something much more than a book you can't put down'Tara, Sweden'A flawlessly constructed thriller'Femina, Sweden'The Father is thoroughly exciting from the first line to the last. Seductively well-written'Kristianstadsbladet, Sweden'A gripping coming-of-age story, flush with exciting scenes and the psychological battle between father and son'Falu-Kuriren, Sweden'The Father is a novel where we know already from the beginning how it will all end, but the way there is worth our while'Aftonbladet, Sweden'A book that seems infallible: bring on the cartloads of stars, the stellar reviews and the millions of readers'de Volkskrant, Netherlands'The Father is a book that will elicit a lot of response, a must-read for every crime lover. Actually, a must for anyone who likes to read'Hebban, The Netherlands'An incredible crime novel'Brabants Dagblad, Netherlands'The meticulous preparation and execution of the robberies are depicted stunningly' NRC Handelsblad, Netherlands'It is amazing how much tension the authors create while merely describing the preparations for the robberies. Even more exciting are the robberies themselves'VN Thriller & Detective Guide, Netherlands'Never before have I read a book that so successfully explains how people can end up as criminals'Het Nieuwsblad, Netherlands'The Father provides an intriguing insight in the criminal life'De Telegraaf, Netherlands'The Father is a technically wonderful novel crafted with breathtaking cleverness' Corriere della Sera, Italy'Totally crazy, totally reckless and totally brilliant: a well-researched fictional reality of a book ... the best crime thriller of the year so far'Nordjyske Stiftstidende, Denmark'The structure is strictly cinematic: well-formed scenes with sharp dialogue and seamless progress, making reading a pleasure. Once you've started reading, it's hard to put the book down'Politiken, Denmark'It's extremely well written, thrilling, gripping, gruesome, cheerful, anguished, heartwarming, and ice cold - spectacular in all ways. The Father is a world-class piece of fiction'Fredericia Dagblad, Denmark'[An] action-packed page turner - not for the faint of heart'Elle, Germany
£8.09