Search results for ""thames hudson ltd""

A man named René floats through the world of his dreams and imagination, fulfilling his desire to become a painter – of apples and hats, apple hats, apple-these and apple-thats. In his paintings, leaves are lips, baguettes are noses, the right side is never up, and the upside is never down. Inspired by the artwork of René Magritte, these whimsical, subversive illustrations mix everyday objects and words together in ways that are guaranteed to make children laugh and think.

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Steve Bloom is an internationally bestselling wildlife photographer and the author of Thames & Hudson's bestselling publication, Elephant!. Here, eighty of his stunning photographs and an entertaining text by David Henry Wilson capture every aspect of this wonderful creature's life and world. Why do elephants flap their ears? How much do they eat? Why do they roll in mud? This book answers these questions and many more, including intriguing facts about elephants' trunks, tusks and tails, their families and friends, what they get up to from dawn to dusk, and the special relationship between elephants and humans and elephants and other animals.

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From the Golden Age of Haute Couture in the 1900s to the lifestyle brands of the 1990s, this book looks, decade-by-decade, at the high fashion of the 20th century. Each chapter examines the significant stylistic changes that occurred in the decade in question, and places these in their cultural and political context. The book is illustrated throughout with photographs and drawings of the clothes and the people who wore them. Alongside the individual chapters, three designers that made their mark on fashion are discussed, as well as three key looks per decade. Many of the designers are household names; some are lesser known. But all these individuals, whether through their designs or their business practices, are exemplars of their age.

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Austrian Expressionist Egon Schiele produced a prolific body of work before his early death at the age of twenty-eight in the flu epidemic of 1918. As well as a few hundred oil paintings, he created nearly 3,000 drawings and watercolours. Limited access to these fragile works and dispersion among several collections have made a comprehensive survey of his work a rarity. This volume assembles this master draughtsman's works on paper, providing a unique opportunity to study his rapid artistic development over the course of his brief twelve years of activity. Jane Kallir, the author of Schiele’s catalogue raisonné, introduces each year of the artist’s output, discussing his step-by-step progression from child prodigy to master of the human form and expression.

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The Mediterranean has been the meeting-place of the cultures of Europe, Asia and Africa, the battleground of races and nations and the focus of three great religions, Christianity, Judaism and Islam. David Abulafia, doyen of Mediterranean scholars, has brought together a team of leading specialists from many countries to tell this enthralling and complex story as a connected narrative: from the physical setting, the prehistoric traders and the struggle between Phoenicians, Greeks and Etruscans ending in Roman victory, to the post-Roman nations, the Christian and Islamic powers, domination by England and France, and finally the twentieth century, divided between war and mass tourism. This study covers all of recorded history, incorporating recent research and tools ranging from linguistics to underwater archaeology, accompanied by spectacular illustrations. Here is the only complete and up-to-date overview of one of the great themes of world history.With 28 illustrations

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This book is a comprehensive library of dress styles to be used as a reference for the fashion designer, fashion student and anyone interested in the fashion industry. The book is a springboard for ideas. Designer-educators Tracy Fitzgerald and Alison Taylor document all aspects of the dress, offering a lexicon of design inspiration. Illustrated with a superb catalogue of visual imagery, the book provides a common fashion language of terminology and is supported by a glossary of terms, and cross-references for further research. Creating an overview of how the dress evolved and its impact on the fashion industry, the authors pay homage to the experimental, the beautiful, and the innovative, showing how a dress can encapsulate a designer’s vision and can often act as the key piece within a collection.

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Figurative art is currently riding high. Contemporary works depicting the human form grace the walls of public institutions and commercial galleries alike. Champions of paint, such as Katherine Bernhardt and Adrian Ghenie; photographic artists, such as Gillian Wearing and Cindy Sherman; Charles Avery's drawings, Grayson Perry's tapestries and Kara Walker's silhouettes – these and many other artists from diverse backgrounds are working in a range of media to explore new ways to depict the human form. Charlotte Mullins explores the reasons behind this resurgence and considers what the figure means to the artists who depict it in their practice. Her accessible yet highly perceptive introduction includes works by 70 artists, all created in the past five years. These artists successfully employ the figure to help make sense of the mercurial, fast-paced and challenging world we live in.

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A Times Best Art Book of 2022Reproductions of the young Lucian Freud’s letters alongside insightful context and commentary reveal the foundations of the artist’s personality and creative practice. The young Lucian Freud was described by his friend Stephen Spender as ‘totally alive, like something not entirely human, a leprechaun, a changeling child, or, if there is a male opposite, a witch.’ All that magnetism and brilliance is displayed in the letters assembled here. Ranging from schoolboy messages to his parents, through letters and carefully-chosen, often embellished postcards to friends, lovers and confidants, to correspondence with patrons and associates. They are peppered with wit, affection and irreverence. Alongside rarely seen photographs and Freud’s extraordinary works, each chapter charts Freud’s evolving art alongside intimate accounts of his life. We trace Freud’s early friendships with Stephen Spender, John Craxton, his wild days at art school in East Anglia, and a stint as a merchant seaman. Among the highlights are Freud’s accounts of his first trip to Paris in 1946 and encounters with Picasso, Alexander Calder and Giacometti (who, he thought, looked like Harpo Marx). Equally revealing are letters to and from his first love, Lorna Wishart and second wife, Caroline Blackwood. Among his friends and confidantes were Sonia Orwell and Ann Fleming: remarkable, hitherto unknown letters to both of whom are included. To Ann Fleming he wrote a richly-comic, six-page description of a high society fancy dress ball which took place at Biarritz in 1953. He also went to stay with Ann and her husband Ian in their house in Jamaica, Goldeneye. From there, he sent a stream of letters, plus a telegram to his colleagues at the Slade School of Fine Art (where he was supposed to be teaching): “PLEASE SEND TEN SHEETS GREY GREEN INGRES PAPER”. The volume ends in early 1954 with his inclusion at the age of 31, as one of the artists representing Britain at the Venice Biennale - the high point of his early career. Co-authored by David Dawson and Martin Gayford, this is the first published collection of Freud’s correspondence, many brought to light for the first time. Reproduced in facsimile alongside reproductions of Freud’s artwork, the letters are linked by a narrative that weaves them into the story of his life and relationships through his formative first three decades. Collectively, they provide a powerful insight into his early life and art.

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The culmination of several years of research by games writer Matt Leone, Like a Hurricane gathers together over 60 voices, spread across continents, disciplines and companies, speaking candidly on the vision, fearlessness, and bold ambition that made Street Fighter II a household name. A collaboration between Read-Only Memory and Polygon, Like a Hurricane is an extended and enhanced print adaptation of Matt Leone’s series of in-depth oral histories, published online in serial form by Polygon. This physical version has been extended and enhanced for print, featuring over 50 specially commissioned illustrations and extra research content. Featuring: Takashi ‘Piston’ Nishiyama, Hiroshi ‘Finish’ Matsumoto, Noritaka ‘Poo’ Funamizu, Yoko ‘Shimo-P’ Shimomura, and more than 50 others, including dozens of former Capcom employees, former Gamest magazine editor Zenji Ishii, combo video pioneer Tomotaka ‘TZW’ Suzuki, U.S. Street Fighter box artist Mick McGinty, Incredible Technologies CEO Elaine Hodgson, and former Capcom USA CEO Bill Gardner.

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A loving photographic celebration of the energy-drink-fuelled, furniture-rearranging, multiplayer gaming trend and its nocturnal participants. Before high-speed internet connections and online servers, playing a multiplayer PC game meant hauling your bulky monitors and towers to a friend’s place, convention centre or church basement for a LAN (local area network) party. These sweaty, junk-food-enriched glory days represented the origins of real community spirit in computer gaming’s early days. Many LAN party attendees were early adopters of new tech, so digital cameras abounded at these events. The photos produced by these devices were often low-resolution, blurry and badly lit. In their imperfections and limitations, they represent the messy, ad-hoc approach to computing typical of the LAN party – network cables snaking across recreation centre floors, a monitor perched on a kitchen counter, burned CD copies of games labelled in marker pen. In addition to documenting the nostalgic era of LAN parties, the photographs in this book are unique artefacts of a peculiar cultural and technological moment, when gaming was tipping over from niche hobby to mainstream obsession. This is the first full-size photobook on this beloved subculture, one that existed before the internet took shape and we started carrying it around with us in our pockets.

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Twenty collectors open their homes to reveal the weird and wonderful world of natural objects. From the cabinets of curiosity of the 19th century to today’s interest in foraged decorations, obsessive and eclectic collectors of natural objects have long filled their homes with their finds - everything from fossils and feathers to seeds and dried flowers. This book offers a glimpse inside twenty homes of the most interesting and creative collectors, revealing the stories behind their collections and how they celebrate their love of nature in their everyday spaces. This new generation of naturalists are using their collections to craft creative careers and decorate their homes with their finds. From a German manor filled with antique taxidermy to the Paris apartment of a sculptor working with feathers and an Italian beachside retreat that showcases foraged shells and pebbles, this book provides a wealth of inspiration for celebrating the beauty of the world around us more sustainably. Practical tips on everything from curating a shelf of objects or using them to decorate walls and surfaces offer plenty of ideas the reader can apply in their own homes. With our ever-increasing interest in finding new ways to reconnect with nature, this will be inspirational reading for all those who want to bring the outdoors in.

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A new atlas of imaginary islands conjured up by an international gathering of illustrators, including work by Coralie Bickford-Smith, Bill Bragg, Marion Deuchars, Chris Riddell, Maisie Paradise Shearring, Hervé Tullet, Aušra Kiudulaite and more.Islomania is a recognized affliction. But what is it about islands that is so alluring, and why do so many people find these self-contained worlds completely irresistible? Utopia and Atlantis were islands, and islands have captured the imaginations of writers and artists for centuries. Venetian sailors were the first to make collections of them by drawing maps of those they visited in their isolari – literally the ‘island books’. Then in 1719 Daniel Defoe published his tale of a castaway on a desert island, Robinson Crusoe, one of the first great novels in the history of literature and an instant bestseller. Defoe’s tale combined the real and the imagined and transformed them into a compelling creative landscape, establishing a whole literary genre and unleashing the power of an island for storytelling. To celebrate the tercentenary of Robinson Crusoe’s publication, a truly international range of leading illustrators imagine they too have been washed up on their own remote island. In a specially created map they visualize what it looks like, what it’s called and what can be found on its mythical shores. In a panoply of astonishingly creative and often surprising responses, we are invited to explore a curious and fabulous archipelago of islands of invention that will beguile illustrators, cartographers and dreamers alike.

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A compelling visual anthology of one of photography's most popular subjects, reframing our understanding of why we photograph animals and why photographing them matters to us and the planet. A visual overview of the history and future of animal photography, Why We Photograph Animals encourages us to think and rethink the way we have looked at - and used - animals and to consider our future relationships with non-human species. Multi-stranded, this book features the work of more than 100 photographers supported by thematic essays that provide historical context; interviews with and contributions by leading contemporary photographers that explore their influences, methods and motivations; and dazzling visual collections that present the very best animal photography from its inception to the present day. The result is a book that will engage those with an interest in wildlife photography and the natural world, but also those with a concern for the future of the planet. Huw Lewis

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The definition of a supergraphic has changed over the last twenty years. Once, only a large decorative design on a wall or building was a supergraphic. Today it encompasses architectural delineation wayfinding and identifying signage, illustrative murals, and branding elements. A supergraphic can take the form of an enormous logo on the side of a building, a wall of multi-colored squares, or an oversized restroom symbol. Digital technology now allows for interaction and screen-based media on a large scale. The audience can now truly communicate with an architectural space in a unique and personal manner. The difference between a large overwrought design on the wall and a successful supergraphic is typically based on two points: a strong concept, and interaction with the architecture, light and space. Many people can paint stripes on a wall. But a designer can use the entire volume, sense place, context and changing environment to create a story with words, colour and shapes. This book includes examples of the best supergraphics internationally. These are evidence of the sense of delight when a beautifully crafted graphic solution and smart concept are married to remarkable architecture.

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The thirteen tricks and moves that all skaters need, stylishly presented. The beginner skateboarder will learn about their board and how to maintain it, a little about skatepark etiquette and safety, and all the basic moves necessary to get off to a confident start. The book then takes the thirteen key tricks that every skateboarder wants to learn and breaks them down into clear step-by-step instructions, with specially commissioned illustrations making them easy to follow and a pleasure to look at. With Jack's expert guidance you'll master the basic skills, and soon be popping doing ollies, kickflips, board slides, shuv-its and more.

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Discover Monocle’s favourite places to stay, eat, shop and visit across Spain. Hot on the heels of Portugal: The Monocle Handbook, Monocle’s latest title turns its focus to sunny Spain in the next of its country-specific books. This practical guide will steer you from the streets of Seville to the mountains of Mallorca, introducing Monocle’s favourite places to stay, eat, shop and visit across the country. Discover the sleekest beachside boltholes in the Costa Brava, the family-run restaurants plating up the tastiest tapas in Andalucía and the buzziest bars in Barcelona before getting your cultural fix in Valencia, Bilbao or Madrid. You’ll meet the Spaniards making waves in the fashion industry, visit the artisans turning out beautiful contemporary designs and hear from the chefs shaking up the country’s food scene. And of course you’ll find out the finest stretches of sand on which to lay down your towel. For those looking to put down roots in Spain, the book also profiles the cities, towns and neighbourhoods worth investing in, the architects and designers to commission and even some interior design inspiration for your apartment or holiday home. So, whether you are putting together an itinerary for a sun-soaked weekend or planning to stay a little longer, Spain: The Monocle Handbook makes the perfect companion.

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The Chinese language is traditionally taught through a series of between roughly 180 and 215 radicals. These radicals are then used to form the characters of the Chinese language. Chineasy™ has broken down this collection of characters into their most basic and recurring forms, allowing students to learn fewer and simpler radicals that we have termed ‘building blocks’. One building block, or a specific compound form of the building block can be combined with one or more other characters to make a compound character. Two or more independent characters can be placed next to one another to make phrases. In compounds, a whole new character is created; in phrases, the placement of characters next to one another gives a new meaning to the collection of characters. This principle of building blocks is what makes Chineasy™ so easy!

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'Rendering' is the reproduction or representation of an architect's design in the form of a drawing of the building as it will appear, complete with accessory details such as trees, traffic and people. It is also much used in preparing drawings for engineers, designers and manufacturers, and in advertising and industry generally. Rendering with Pen and Ink is the classic guide to rendering techniques and methods - the standard work in its field. Its authoritative text and illustrations make it indispensable for students and staff in art colleges and universities everywhere.

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A beautifully illustrated guide to caring for your dog. Meet Lena and her rescue dog Jo! This is the true story of how Lena and Jo became best friends, told through Lena’s own beautiful illustrations. It’s also a guidebook, packed with useful tips about caring for a dog of your own. Learn how to choose a dog, how to train them, feed them and groom them, and pick up lots of fascinating facts about why dogs behave the way they do. Whatever the size and shape of your canine companion, this is essential reading for anyone who wants to be a dog’s best friend.

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As read by David Schwimmer on CBeebies Bedtime Story, now available as a board book. In this charming trip of the imagination, a little girl delights in experiencing life at a slower pace as she shares her day with a sleepy sloth who moves so slowly, moss grows in his fur! This sloth may be sleepy but it’s a champion on the jungle gym, thanks to its super gripping skills. And climbing trees has never been so easy! But the little girl’s hairdresser is less than impressed to find not just moss but also moths in its fur – and by the time our sleepy sloth has finished its morning walk, the day is almost done. Through rollicking rhymes and bold, graphic illustrations, If I had a sleepy sloth imagines the positives and negatives of having a sloth for a pet and provides a welcome alternative to the fast pace of modern life by creating the time for readers to simply b-r-e-a-t-h-e.

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WINNER of the 2018 4-11 Picture Book Awards (Fiction 4-7 category)One of the New York Times Best Illustrated Children’s Books of 2017All I want to do on a rainy day like today is play my game, but my mum says it’s a waste of time. The game drives my mum mad. She takes it away. I take it back. I wish Dad had come with us on this rainy, grey weekend. Without my game, nothing is fun. On the other hand, maybe I’m wrong about that…

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Introductory spreads explain that bugs live nearly everywhere on Earth and give tips on how to become a young bug spotter. The book is divided into key groups of bugs, including beetles, moths, butterflies, bees, snails, crickets, grasshoppers, worms and spiders, all illustrated with scenic compositions. Some spreads approach the world of bugs thematically, such as bugs that come out at night, baby creepy-crawlies and life cycles, how bugs hide and show off and how some bugs love to live in your home. The text is chatty, funny and full of amazing facts.

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A testament to the art of colour composition, this book – art directed by Wong himself and produced to the highest printing standard – brings together a complete and refined body of images that are evocative, timeless and completely transporting. Rounding out the volume's special treatment is the first publication use of the 45/90 font, designed by Henrik Kubel, of London-based A2-TYPE. The book also features a section that reveals the creative and technical process of Wong’s method, from identifying the right scene to making a good composition, from capturing the essence of a moment to enhancing colour values and deepening an image’s impact – insights that will be invaluable to admirers and photography enthusiasts alike.

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Todd Webb is largely known for his skillful photographic documentation of everyday life and architecture in cities, most notably New York and Paris, as well as his photographs of the American West. This new book showcases a different side of Webb’s work, taken from an assignment that took him to eight African countries. In 1958, Webb was invited by the United Nations to document Togoland (now Togo), Ghana, Kenya, the Federation of Rhodesia and Nyasaland (now Zimbabwe, Zambia and Malawi), Somaliland (now Somalia), Sudan, Tanganyika and Zanzibar (now merged as Tanzania) over a five-month assignment. Equipped with three cameras and briefed to document industrial progress, he returned with approximately 1,500 colour negatives, but less than twenty of them were published, in black and white, by the United Nations Department of Public Information. The archive was then lost for over fifty years and was only rediscovered by the Todd Webb Archive in 2017. Todd Webb in Africa includes over 150 striking colour photographs from Webb’s African United Nations assignment. This book, and an accompanying touring exhibition, provides expert insight into Webb’s images with contributions by both African and American scholars. Accompanying essays place the photographs in their historical and artistic moment, and provide crucial insight into the role of photography in visualizing national independence and ingrained imperialism.With 203 illustrations in colour

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Inspired by the work of an earlier generation of Japanese photographers, especially by Shomei Tomatsu, and by William Klein’s seminal photographic book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. His black and white pictures were marked by fierce contrast and fragmentary, even scratched, frames, which concealed his virtuoso printing. Between June 1972 and July 1973 he produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. Ten years ago he was able to resume publication of Record, which gradually expanded in extent. To date he has published thirty issues, a number of them including colour. The publication of Record as a book enables work from all thirty issues to be edited into a single sequence, punctuated by Moriyama’s own text as it appeared in the magazines. It used to be assumed that Moriyama’s peculiarly Japanese style was tied to his Tokyo roots. The evidence of the last ten years demonstrates that Moriyama, a restless world traveller, has been able to apply his unique vision to northern Europe, southern France, the cities of Florence, London, Barcelona, Taipei, Hong Kong, New York and Los Angeles as well as to the alleys of Osaka, and the landscape of Hokkaido. The book ends in Afghanistan.

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In rural Japan the passage of the year is marked by festivals and rituals that have changed little for centuries. Elaborate outfits, crafted from textiles as well as branches, straw and elements sourced from the natural environment, are donned in agricultural and fishing communities throughout Japan to celebrate seasonal rites of fertility and abundance. Yokainoshima (literally 'island of monsters') explores the extraordinary ranges of masks, costumes and characters that reappear with each returning season. Charles Fréger's photographs combine acute documentary attentiveness with individual portraiture in an entirely fresh and distinctive style. Toshiharu Ito and Akihiro Hatanaka, both specialists in Japanese folk culture and anthropology, analyse Fréger's photographs, setting the huge variety of eclectic clothing in ethnographic context and describing the local festivals, dances and rituals. A final illustrated reference section describes individual costumes and masks.

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This book is a vivid photographic record of daily life in Istanbul from the 1940s to the 1980s. Captured through the unerring lens of the award winning Ara Güler, the ‘Eye of Istanbul’, it reflects the city’s melancholy aesthetic as it oscillates between tradition and modernity. Güler’s remarkable duotone photographs are accompanied by evocative commentaries from Orhan Pamuk, another leading figure in Turkish culture. Both writer and photographer each held in their youth the ambition of becoming a painter. Here, each in his own way paints a brushless picture of his hometown and captures, through image and word, its very soul.

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Nobody photographs libraries, those splendid and intimate cathedrals of knowledge, as beautifully as Candida Höfer. Her photographs are sober and restrained – the atmosphere is disturbed by neither visitors nor users, especially as she forgoes any staging of the locations. The emptiness is imbued with substance by a subtle attention to colour, and the prevailing silence instilled with a metaphysical quality that gives voice to the objects, over and above the eloquence of the furnishings or the pathos of the architecture. This sumptuous volume contains Höfer’s famously ascetic images of the British Library in London, the Escorial in Spain, the Whitney Museum and the Pierpoint Library in New York, the Bibliothèque nationale de France in Paris, the Villa Medici in Rome and the Hamburg University Library, among others. Umberto Eco introduces the collection with a witty reflection on the role of libraries in all our lives. Almost completely devoid of people, as is Höfer’s trademark, these pictures radiate a comforting serenity that is exceptional in contemporary photography.

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‘The go-to for all things Vuitton’ TatlerFounded as a luxury leather goods house in 1854, Louis Vuitton was for many decades one of the world’s leading trunk and accessories makers. It was after launching its first fashion collections in 1998, however, that the house reached unprecedented global fame, and pioneered high-profile collaborations with artists such as Richard Prince, Takashi Murakami and Stephen Sprouse.Louis Vuitton Catwalk is a complete and unrivalled overview of the world’s top fashion house. The book opens with a concise history of the house, followed by brief biographical profiles of Marc Jacobs, the first creative director 1998–2014, and Nicolas Ghesquière, who helms the brand today, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images. Showcasing hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Cara Delevingne. A rich reference section, including an extensive index, concludes the book.

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Plywood is an astonishingly versatile material, made by gluing together layers of cross-grained veneers, creating a pliable board that can be stronger than solid wood. Stylish and practical, plywood offers huge possibilities for experimental design, and it has been used to make a wide range of products, from aeroplanes, boats and automobiles to architecture and furniture. This book traces the history of plywood from its use in 18th-century furniture, through its emergence as an industrial product in the 19th century, to a material celebrated by 20th-century modernists such as Alvar Aalto and Charles and Ray Eames. An ideal material for the digital age, plywood has become popular again in recent years and is widely used in contemporary design and manufacture. Produced to accompany an exhibition at the V&A, this book is the first comprehensive study of the history of plywood and its myriad applications throughout the ages, unveiling the stories behind objects that surround us and that we often take for granted.

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The mid-twentieth century was a dynamic period in international design, including interior design, and has retained its influence on popular culture today. This handbook shows readers how to create a tailor-made home inspired by the iconic designs of this period. Working through the home one room at a time, the book highlights classic items of furniture and signature accessories. In-depth case studies demonstrate the essential elements and provide inspiration. Colour combinations are explored to help personalise these inventive styles for the home. Anyone eager to bring mid-century chic to their own home will find this book a valuable resource.

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Now creative director of Maison Margiela, John Galliano started his career in London in the late 1980s, straight after graduating from Central Saint Martins. After being appointed head designer of Christian Dior in 1996, Galliano continued to create two collections a year for his namesake brand. They acted in many ways as a laboratory of ideas, allowing him to let his imagination run wild, free from both the commercial pressures associated with a house as iconic and as global as Dior and the influence of the hallowed house’s iconic pieces – a pure expression of his personal design style. Opening with an essay on the designer’s work, John Galliano: Unseen unfolds chronologically. Thirty collections are included, each introduced by a short text by Claire Wilcox, revisiting the designer’s most iconic creations and revealing previously unseen behind-the-scenes moments that capture models, hairdressers, stylists, makeup artists and John Galliano himself at their most creative. Robert Fairer’s stunning and high-energy photographs capture the glamour and frenzy that defined Galliano’s shows. A treasure-trove of inspiration, they make this publication a must-have reference for fashion and photography lovers alike.

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‘A must-have for anyone who calls themselves a fashion fan.’ LOVE MagazineThis book gathers together, for the first time, every Dior haute couture collection, including also ready-to-wear collections after the arrival of John Galliano (when ready-to-wear presentations took on a new importance), and the first two collections designed by creative director Maria Grazia Chiuri, appointed in 2016. It offers a unique opportunity to chart the development of one of the world’s most famous fashion brands and discover rarely seen collections.This definitive publication opens with a concise history of the house of Dior before exploring the collections themselves, which are organized chronologically. Each new ‘era’ in Dior’s history is inaugurated by a brief overview and biography of the new designer, while individual collections are introduced by a short text unveiling their influences and highlights and illustrated with carefully curated catwalk images. A rich reference section, including an extensive index, concludes the book. After Chanel, Dior is the second volume in a series of high-end, cloth-bound books that offer a complete and unrivalled overview of the collections of the world’s top fashion houses through original catwalk photography.

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This achingly jawdropping book follows the evolution of dentistry throughout the world from the Bronze Age to the present day, presenting captivating and grim illustrations of the tools and techniques of dentistry through the ages. Organized chronologically, The Smile Stealers interleaves beautiful and gruesome technical illustrations and paintings from the Wellcome Collection’s unique archive of material from Europe, America and the Far East with seven authoritative and eloquent themed articles from medical historian Richard Barnett. A comprehensive review of the development of the trade and discipline of dentistry, it covers topics as diverse as the very first dentures (produced by the Etruscans in the seventh century bce); the smile revolution in 18th-century portraiture; and the role of dentistry in forensic science – all in one beautifully illustrated volume. Extending the cult of the medically macabre begun by its predecessors The Sick Rose and Crucial Interventions, The Smile Stealers is guaranteed to appeal to lovers of the horrific and the beautiful alike as it probes the growth of dentistry – from pulling out bad teeth to reconstructing jaws, and from painful action to pain-free interventions and the pursuit of the perfect smile.

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This is the third edition of the highly successful Advertising Concept Book. As well as substantially expanded chapters on interactive advertising and integrated advertising, an entirely new chapter on branded social media has been added. This new edition contains fifty specially drawn new illustrations of key campaigns. It covers every aspect of the business, from how to write copy and learn the creative process to how agencies work and the different strategies used for all types of media. Pete Barry outlines simple but fundamental rules about how to ‘push’ an ad to turn it into something exceptional, while exercises throughout will help readers assess their own work and that of others. Fifty years’ worth of international, award-winning ad campaigns – in the form of over 500 ‘roughs’ specially sketched by the author – also reinforce the book’s core lesson: that a great idea will last forever. Pete Barry goes straight to the essence of how to write a great ad: work out what you want to say, who you are saying it to, and how you want to say it.

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This inspirational book features over 35 master jewelry designers, organized alphabetically. Hailing from Australia, Brazil, France, Greece, Hong Kong, India, Italy, Japan, Lebanon, Russia, Turkey, the UK and USA, they represent a wide variety of approaches, from Aida Bergsen’s flora and fauna-inspired designs, including emerald- studded frogs and diamond- encrusted salamanders; through Anabela Chan’s exquisitely detailed laser-cut brooches of white gold and platinum with iridescent diamonds and natural grey pearls; to Elie Top’s yellow gold spheres that are a feat of mathematical precision and ingenuity. Red-carpet customers and fans include Beyoncé, Gwyneth Paltrow, Salma Hayek, Madonna and Michelle Obama. Each designer is introduced with a biography that highlights their working practices and key sources of inspiration. Illustrations include sketches as well as images of glorious finished designs, all of which are unique and many of which are bespoke. Complete with an introduction, a useful glossary and notes of designers’ websites (some work by appointment only), this is the perfect, curated resource for both aficionados and professionals who wish to view the craftsmanship of some of the most visionary practitioners working in the field of fine jewelry today

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Winner: Best Trade Illustrated Book, British Book Design & Production Awards 2017 ‘As to the arsenic scare a greater folly it is hardly possible to imagine: the doctors were bitten as people were bitten by the witch fever.’ — William Morris on toxic wallpapers, 1885. Bitten by Witch Fever presents facsimile samples of 275 of the most sumptuous wallpaper designs ever created by designers and printers of the age, including Christopher Dresser and Morris & Co. For the first time in their history, every one of the samples shown has been laboratory tested and found to contain arsenic. Interleaved with the wallpaper sections, evocative commentary guides you through the incredible story of the manufacture, uses and effects of arsenic, and presents the heated public debate surrounding the use of deadly pigments in the sublime wallpapers of a newly industrialized world. Chosen by Emma Roberts and Karah Preiss for their Belletrist Book Club's Gift Guide.

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This intimate glimpse into the private sketchbooks of the world’s leading landscape and garden designers reveals a dazzling array of insights and ideas that will inspire the amateur and practitioner alike. Thirty-seven international designers carefully selected by the design critic behind the Chelsea Fringe have opened their sketchbooks specially for this publication. Featuring hundreds of drawings and illustrations as diverse as their creators, Landscape and Garden Design Sketchbooksis a continual source of inspiration for planting, design elements, colour schemes and materials, encouraging weekend gardeners, design professionals and students to draw their ideas by hand.

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This much-anticipated sequel to the classic volume Sneakers: The Complete Collectors’ Guide is a global survey of, and reference guide to, the very best and most collectible limited-edition sneaker designs that have been released over the last decade. The first volume was a phenomenal success and a key influence in the transformation of sneaker collecting from an underground subculture into a mainstream, multi-billion dollar business. Following publication of that book, sneaker brands began reissuing classic designs and creating shoes that would spur the second wave of sneaker collecting: limited editions and collaborations between the brands and invited artists, designers, musicians and cultural icons. This sequel showcases the very best of this new sneaker culture, featuring more than 300 designs arranged by brand. Each sneaker is accompanied by informative text and a ‘data’ box listing Edition, Pack, Year Released, Original Purpose, Technology and Extras. An essential purchase for both the hardcore sneaker freak and the first time collector, this book will also attract and seduce fashion and design aficionados.

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Beginning in the 16th century, the golden age of European navigation brought about the flowering of an abundant textile trade, spurred by Western tastes for Eastern spices. While previous studies have focused on this story from the viewpoint of trade, Interwoven Globe is the first book to explore it as a history of design – and to approach it with from a truly universal perspective. Fascinating and richly illustrated texts explore the inter-relationship of textiles, commerce and taste from the Age of Discovery to the 19th century, and 120 works from around the globe are discussed in detail. From India and its renowned, ancient mastery of dyed-and-painted cotton goods to the sumptuous silks of Japan and China, Turkey and Iran, the paths of influence are traced westward to Europe and the Americas. Essential to this exchange was the trade in highly valued natural dyes and dye products, underscoring the impact of global exploration on the aesthetics and techniques used to produce textiles. Shaped by an emerging worldwide visual culture, the resulting fashion for the exotic’ in textiles, as well as other goods and art forms, gave rise to what can be called the first global style.

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Solve intriguing and challenging puzzles based on the world-renowned British Museum collection. The Rosetta Stone, Egyptian hieroglyphs, Assyrian reliefs, the Lewis Chessmen: many mysteries of the past are found within the walls of the British Museum, home to some of the most magnificent treasures in the world. Now you can learn more about its famous artefacts as you work your way through this beautifully designed, generously illustrated puzzle book. Created by the internationally renowned puzzle expert Dr Gareth Moore, this enticing mix of general knowledge, brainteasers, word games, crosswords and decipherment challenges offers a wealth of insight into the Museum’s widely varied collection. The puzzles are arranged in six thematic sections: the British Museum, Everyday Living, Bestiary, Myth and Magic, the Written Word, and Treasure. Additional facts about the Museum and its objects are provided throughout the book, affording readers a wider understanding of the role of the Museum today. Making history accessible to all, and with new insights for general readers, this richly entertaining book is perfect for puzzlers and armchair historians everywhere.

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The first fully illustrated and comprehensive introduction to May Morris's work as an artist, designer and embroiderer, published in association with the V&A. May Morris (1862–1938), younger daughter of William Morris, was a significant figure in the British Arts and Crafts movement and a pioneer of ‘art embroidery’. She ran the embroidery department of Morris & Co., as well as designing textiles, wallpapers and jewellery. May was also an influential teacher and lectured in the UK and America. May Morris: Arts & Crafts Designer is the first publication to present the full range of May Morris’s work and reveals her exceptional skill and originality. It draws together her designs, exquisite embroideries, watercolours, costume and jewellery from museums around the world, and in particular the rich collections of the Victoria and Albert Museum and the William Morris Gallery, London. The book contains more than 180 items in colour and detailed information on their materials and provenance compiled by leading experts. There are also new insights into May’s personal life and relationships, her social activism and her support for other craftswomen. This authoritative and illuminating study places May Morris, whose reputation has been overshadowed by that of her father, firmly among the leading British designer-makers of the Arts and Crafts movement.

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An authoritative visual history of one of the world’s oldest and most vibrant cultures, drawing on South Asian art and artefacts from prehistory to the present. Arranged chronologically, and abundantly illustrated with expertly selected objects, this superb new overview connects today’s India with its past. Early chapters uncover prehistoric objects from 1.5 million years ago, examine artefacts from the Indus Civilization, and follow the emergence and transmission of Buddhism, Jainism, Hinduism and Sikhism, as well as the incoming religions of Zoroastrianism, Islam and Christianity. During the medieval era, skills related to temple-building and sculpture-production in stone and bronze developed. From this remote period up to the present day, pilgrimage has been an important part of the spread of social, political and religious ideas. With the rise of the Mughals, the last Muslim dynasty of India, India once more became a leading economic power. The development of a distinct Mughal style can be traced in paintings, hardstone carving and metalwork. Following the advent of Europeans in India in the early Mughal period, trade in spices, textiles and other luxury goods increased. Later, in the 19th century, under British rule, much of South Asia became part of a national and international trade complex that saw Indian goods exported throughout the world. Modernism and political independence in the 20th century saw the fresh assertion of Indian culture through cinema, dance and music. An extraordinary range of history and culture is presented here, from the splendour of dynastic empires to the rural, and tribal life of the subcontinent. This is a compelling visual history of some of the world’s oldest cultures.

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The wealth of surface pattern and three-dimensional ornamentation in the many objects that enrich our lives is testament to the inventiveness of designers and craftspeople around the globe and throughout history. This richly illustrated, easy-to-navigate sourcebook presents more than 1,000 historic and contemporary examples of pattern and ornamentation from around the world, each one succinctly identified and explained. Arranged thematically, it is unique among pattern books, as it includes examples not only of surface pattern but also of three-dimensional ornamentation and embellishment. Two-dimensional pattern is ubiquitous, no matter what the age of an object or where it was created. From Japanese kimono and William Morris fabrics to Chinese porcelain and contemporary furniture, such works reveal humanity’s unceasing desire to combine pattern with design. Just as prevalent are examples of three-dimensional embellishments that go far beyond the requirements of their practical use: an acrylic handbag has a carved motif of insects and wildflowers, a cobalt-blue pottery ewer has a dragon’s-head spout and an early 19th-century fruit plate is shaped like a seashell. Designers working today are as fascinated and inspired by pattern and ornament as they have always been. This expertly compiled selection will appeal to designers, artists, illustrators and other creatives from all disciplines as well as anyone interested in visual and material culture.With 1146 illustrations in colour

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A monograph on leading South African architecture studio SAOTA. Light Space Life is the first monograph from internationally recognised South African architecture studio SAOTA, known for crafting exceptional modern buildings that forge powerful connections to their extraordinary settings. Presenting memorable and distinctive residences selected from its wide-ranging global output, the book celebrates thirty-five years of innovative residential design from Lagos to Los Angeles, including houses from the dramatic South African coast where it all began. SAOTA is led by Stefan Antoni, Philip Olmesdahl, Greg Truen, Philippe Fouché, Mark Bullivant and Logen Gordon, and has designed luxury residential and commercial projects on six continents. With reference to South African Modernism, and a grounding in the International style, its projects take advantage of wildly beautiful settings, and are rooted in place by the relationship between the building and its site. The practice cites spirit of enquiry and close examination of function and form as hallmarks of its work, as well as the use of the most current technology, including virtual reality, in its design processes. This monograph features twenty-three recent residential projects from around the world, with a particular focus on Africa, illustrated with colour photography and including a foreword by SAOTA’s client Reni Folawiyo, founder of the West African fashion label, Alara.

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A compact edition of this landmark publication, which celebrates humanity’s ability to create buildings that for millennia have responded ingeniously to cultural and environmental conditions. There has never been a more important time to understand how to make the best use of local natural resources and create buildings that do not rely on stripping our planet or transporting materials across the globe. First published in 2017, this major book gathers together the world’s leading experts on vernacular architecture to examine how local buildings have stood the test of time and offer lessons for the future. The core of the book is arranged by climate zone, from desert to tropical, temperate to arctic. Within each section, buildings are presented regionally, showing how climatic conditions and vegetation affect the evolution of building styles. This central part is bookended by a range of essays exploring the economic and anthropological aspects, while the reference section offers information on materials science and engineering, including how buildings have been adapted to contend with natural disasters. The traditions of vernacular architecture have much to teach us. Given our ecosystem’s increasing frailty, the architecture and building trade’s new role in a post-digital era, and the desperate need to record fading cultural traditions, the relevance of this book is greater than ever.

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A richly informative and visually packed sourcebook demonstrating and explaining the function and worldwide appeal of Islamic architecture. Islamic architecture dates back 1,400 years and continues to reinvent itself up to the present day. The enormous richness of building types, regional styles, and architectural details is revealed here by a well-travelled expert guide, exploring the familiar and unfamiliar, striking a balance between famous masterpieces and unknown gems. All eras and global regions are represented, with a selective eye for some of the creative exuberance, boldness and sensitivity of Islamic architecture that has not always been widely appreciated outside of the region. Close-ups of architectural details not only describe style and function but also show the hand of the craftsman, making this reference work both useful and beautiful. Here is a wealth of information about the historical and cultural context of buildings around the world, a chance to encounter the widest Islamic community, and the deeper pleasure of immersing ourselves in the beauty of Islamic architecture.

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Surface decoration has always played a fundamental role in Islamic architecture. As human representation is forbidden in Islamic religious monuments, designers employed mosaics, stucco, brickwork and ceramics, and the vigorous use of brilliant colour to reach unparalleled heights of expression. It is this ornamental dimension of Islamic architecture that is explored in this magnificent volume. Rather than limiting itself to an exclusively historical or chronological perspective, Ornament and Decoration in Islamic Architecture presents four successive approaches to its subject. The first part offers an overview of Islamic architecture, discussing the great diversity it contains. Dealing exclusively with techniques, the second part considers the materials most often used as well as the expertise of the builders and Muslim decorative artists, and the third part explores themes in Islamic ornamentation. Section four discusses aesthetics, and studies the relationship between the buildings – the structures or their architectonic components – and their ornamental coverings. Each of these topics is presented through a number of outstanding examples and then through comparable monuments from all over the Islamic world. For anyone in thrall to such great wonders as the Taj Mahal and the Alhambra, and for everyone interested in the world of Islam, this lavish publication will be indispensable.

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