Search results for ""edition peters""

Carl Adolf Martienssen''s classic edition of the Haydn Sonatas remains a popular choice among concert pianists today for these eternally fresh and rewarding keyboard works.Klaviersonaten, Band 1Carl Adolf Martienssens klassische Ausgabe der Haydn-Sonaten ist auch heute noch eine beliebte Wahl unter Konzertpianisten für diese ewig frischen und lohnenden Klavierwerke.

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Piano accompaniments by Robert Schumann to Johann Sebastian Bach''s 6 Sonatas for Solo Violin BWV 10011003, Volume 1, Edited by Hellmesberger.Klavierbegleitung von Robert Schumann zu den 6 Sonaten für Violine solo BWV 1001-1003 von Johann Sebastian Bach, Band 1, herausgegeben von Hellmesberger.

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Piano accompaniments by Robert Schumann to Johann Sebastian Bach''s 6 Sonatas for Solo Violin BWV 10041006. Volume 2, Edited by Hellmesberger.Klavierbegleitung von Robert Schumann zu den Sonaten für Violine solo BWV 1004-1006 von Johann Sebastian Bach, Band 2, herausgegeben von Hellmesberger.

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The 16 concertos, arrangements of various instrumental concertos by Vivaldi, Marcello, Telemann, Duke Joh. Ernst of Saxe-Weimar and others, were first published in print at 1850-1860. The cause and purpose of the transcriptions are not, as originally assumed, Bach''s exercises in the then new Italian concerto style, but rather to be found in the practice of the time, which could not enjoy the new concerto style enough and sought to create the pleasurable interplay of solo and tutti itself on the harpsichord, especially as the registration possibilities here allowed the two bodies of sound to be emphasised sharply.Diese 16 Konzerte sind Bearbeitungen verschiedener Instrumental-Konzerte von Vivaldi, Marcello, Telemann, Herzog Joh. Ernst v. Sachsen-Weimar u. a. und sind erstmals 1850-1860 im Druck erschienen. Ursache und Zweck der Übertragungen sind nicht, wie ursprünglich angenommen, Übungen Bachs zum damals neuen italienischen Konzertstil, sondern vielmehr in der Praxis

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The second Volume of Beethoven Symphonies which have been attractively arranged for piano solo by Otto Singer. Includes Symphonies Nos. 6-9. Volume 1 is also available, containing Symphonies Nos. 1-5.Der zweite Band der Beethoven-Sinfonien, die von Otto Singer ansprechend für Klavier arrangiert wurden. Enthält die Sinfonien Nr. 6-9. Band 1 ist ebenfalls erhältlich und enthält die Sinfonien Nr. 1-5.

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Czerny''s School of Virtuosity (Op. 365) is a collection of studies composed for the advanced pianist in order to maintain good technique, sight reading and total command of the piano.Czernys Schule des Virtuosen op. 365 ist eine Sammlung von Klavieretüden, die für Fortgeschrittene komponiert wurden, um eine gute Technik, das Blattspiel und die vollständige Beherrschung des Klaviers zu erhalten.

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Friedrich Demnitz was first clarinettist of the Königskapelle of Dresden in the latter half of the 19th century. His Elementary Clarinet Tutor is a perfect early study for new clarinetists, with simple exercises to develop good tone production, legato, staccato and other phrasing and contains exercises to develop fluency in multiple keys.Elementarschule für KlarinetteIn der Elementarschule für Klarinette des Klarinettisten Friedrich Demnitz findet man einige Etüden zu den Vortragsarten, Dynamiken und vor allem den gängigsten Tonleitern und Dreiklängen. Die Schule ist für den Einstieg in den Klarinettenunterricht gedacht und richtet sich an Anfänger, jedoch schreitet sie recht schnell voran. Sie ist daher für solche anspruchsvoll, aber machbar. Auf lange Ausschweifungen über Techniken wird verzichtet, die nötigen Anweisungen sind aber gegeben. Insgesamt ist die Schule knapp gehalten und eignet sich daher bestens als Zusatz zum Unterricht.

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TheErrollyn Wallen Songbookshowcases 12 of the most celebrated songs by a composer who has been called the''renaissance woman of contemporary British music''(The Observer). These songs spanthe widest range of emotions - from the exuberance ofWhat''s up Doc?to the essential truths ofGuruand the earth-shatteringDaedalus. The songs in this book appeal to all singers, whether pop, jazz or classically trained. Stripped to the essentials - voice and piano - these songs are a treasure chest for anyone interested in the art of song.''All these songs were written from my heart and in a state of grace. At last they have made the journey from my battered manuscript sketchbook where they were often feverishly scribbled down. I am very pleased to be able to share them in this book. Improvisation is an important characteristic of my performances. In some songs in this book I have retained elements of my own style of improvisation, pa

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Erika Holzweißig Piano School: Designed for children without prior musical knowledge. The tutor has been used for years with great success and is characterised by the very well selected large range of accompanying pieces. (German Language).Klavierschule für den Elementarunterricht: Mit Beiheft: Improvisation und LiedbegleitungDiese Klavierschule ist für Kinder ohne musikalische Vorkenntnisse konzipiert und wird seit Jahren mit großem Erfolg verwendet. Sie enthält didaktisch geordnete Übungsliteratur und zeichnet sich durch den sehr gut ausgewählten großen Fundus an begleitenden Spielstücken aus. In zwei Teilen werden die grundlegenden Themen wie Legatospiel, Rhythmus, Tonleiterspiel, Akkordspiel u. v. m. erlernt.

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Mozart''s Flute Concerto No. 1 in G major K. 313 was written as part of a commission for the amateur flautist, Ferdinand Dejean in 1778. This edition is for flute with piano accompaniment and cadenzas by Siegfried Thiele, edited by Erich List.Mozarts Konzert in G-Dur für Flöte und Orchester KV 313 wurde 1778 als Auftragswerk für den Amateurflötisten Ferdinand Dejean geschrieben. Die vorliegende Ausgabe wurde von Erich List für Flöte und Klavierbegleitung herausgegeben und von Siegfried Thiele mit Kadenzen versehen.

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Mozart wrote his Piano Concerto in D minor, K466, for his subscription concerts held during the Lenten season of 1785. According to the entry in his own autograph catalogue of works, it was completed on 10 February 1785 and given its premiere one day later. Leopold Mozart, then visiting in Vienna, mentioned the piece in a letter of 14 February to his daughter:An excellent new piano concerto by Wolfgang was being written out by the copyist when we arrived, and your brother had not even had time to play through the Rondo as he had to supervise the work of copying. This Urtext edition of the concerto (with orchestral accompaniment arranged for second piano - 2 copies required for performance) has been edited by world-renowned musicologist Christoph Wolff together with pianist Christian Zacharias. Contains the cadenzas (WoO58) by Beethoven, who gave the first public performance of the concerto in Vienna, in appendix.Klavierkonzert Nr. 20 d-Moll KV 466 (Ausgabe für 2 Klavi

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At last a book that provides not only a complete set of scales and arpeggios across two, three and four octaves in many variations, including on a single string but also the necessary tools to master them. A novel and instructive publication that is destined to set the standard for years to come.Scales: Scales and Scale Studies for the ViolinEndlich ein Etüdenwerk, das nicht nur sämtliche Tonleitern und Arpeggien über zwei, drei und vier Oktaven, nur auf einer Saite und andere Varianten bietet, sondern auch die notwendigen Hilfsmittel, um sie zu meistern. Ein ebenso originelles wie effektives Lehrwerk, kurz: das Tonleiterbuch für das 21. Jahrhundert.

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Right@Sight is based on musical material from T. A. Johnson''s celebrated Read and Play sight-reading series. Using an entirely new presentation, Caroline Evans brings a refreshingly direct approach to the development of this vital musical skill.Each exercise takes as its starting point TRaK - Time, Rhythm and Key. Helpful and imaginative guidance encourages the student to meet the various practical and interpretative challenges introduced in each new piece. Conveniently presented in 8 progressive volumes corresponding to examination grades, Right@Sight is the only sight-reading course you are likely to need.

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Right@Sight is based on musical material from T. A. Johnson''s celebrated Read and Play sight-reading series. Using an entirely new presentation, Caroline Evans brings a refreshingly direct approach to the development of this vital musical skill.Each exercise takes as its starting point TRaK - Time, Rhythm and Key. Helpful and imaginative guidance encourages the student to meet the various practical and interpretative challenges introduced in each new piece. Conveniently presented in 8 progressive volumes corresponding to examination grades, Right@Sight is the only sight-reading course you are likely to need.

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Grieg''s Piano Concerto in A minor (Op. 16), composed in 1868, is the only concerto that he completed. It is one of Grieg''s most popular works and considered part of the core piano repertoire. This edition is the abridged version of this work, arranged by Wilhelm Weismann.Griegs Klavierkonzert in a-Moll op. 16, komponiert im Jahr 1868, ist das einzige Konzert, das er vollendete. Es ist eines von Griegs populärsten Werken und gehört zum Kernrepertoire für Klavier. Die vorliegende Ausgabe ist die von Wilhelm Weismann bearbeitete Kurzfassung dieses Werkes.

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Franck''s Violin Sonata in A was written in 1886 as a wedding present for the 28-year-old violinist Eugène Ysaÿe. It is one of the finest and most popular of all violin sonatas. This authoritative edition from is prepared by Carl Hermann and contains a piano score with separate violin part. The violin part contains fingerings by Maxim Jacobsen.Violinsonate A-Dur (Übertragung für Violin und Klavier)César Franck komponierte die Violinsonate 1886 als Hochzeitsgeschenk für seinen Freund Eugène Ysaÿe. Der Erfolg, den die Sonate bereits bei der Uraufführung am 31.12.1887 in der Pariser Société Nationale hatte, setzt sich bis heute fort.

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Can you hear me? is written for eight-part a cappella choir and sets a new text by Peter Thomson that asks simple but fundamental questions about the need for human contact. First performed by the National Youth Choir of Great Britain at the Royal Albert Hall, London in December 2021, it captures one of the problems the world faced with the Covid-19 lockdown, and looks forward to new beginnings. Duration is 4.5 minutes.

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Sight-reading is one of the most important yet neglected skills for any musician, and an important component of Associated Board and other music exams. Right@Sight for violin contains a carefully graded sequence of around 60 pieces, helping students master the art of sight-reading. The mnemonic TRaK (Time-signature, Rhythm and Key) system and student/teacher duets encourage a disciplined approach and confident playing. Right@Sight contains everything a violinist needs to develop sight-reading skills both during and between lessons.

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Sight-reading is one of the most important yet neglected skills for any musician, and an important component of Associated Board and other music exams. Right@Sight for violin contains a carefully graded sequence of around 60 pieces, helping students master the art of sight-reading. The mnemonic TRaK (Time-signature, Rhythm and Key) system and student/teacher duets encourage a disciplined approach and confident playing. Right@Sight contains everything a violinist needs to develop sight-reading skills both during and between lessons.

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Handel''s Arrival of the Queen of Sheba from the Oratorio Solomon HWV 67, arranged for flute and piano by John Cipolla.HändelsAnkunft der Königin von Saba aus dem Oratorium SolomonHWV 67, bearbeitet für Flöte und Klavier von John Cipolla.

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Septet in E flat Op. 20 by Ludwig van Beethoven, for violin, viola, cello, double bass, clarinet, horn and bassoon. Contains set of parts.Septett in Es-Dur op. 20 von Ludwig van Beethoven, für Violine, Viola, Violoncello, Kontrabass, Klarinette, Horn und Fagott. Enthält Stimmensatz.

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Opera based on a play by Witold Gombrowicz. Vocal score only.

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Dame Ethel Mary Smyth DBE was an English composer and a member of the women''s suffrage movement. Her compositions include songs, works for piano, chamber music, orchestral works, choral works and operas. Songs and Ballades, Op. 3, comprises 5 songs for medium voice and piano.

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Composed in 1900-01, the Fantasie in B minor is one of Alexander Skryabin''s most demanding and brilliant works for the piano. 1 It has a special position in his oeuvre, being his only solo piano piece with this title.2 The work is laid out in abridged sonata-allegro form and was composed roughly at the same time as his first two symphonies.3 The orchestral writing may have had a strong influence on the Fantasy, which boasts of multi-tiered sound edifices that must often be arpeggiated to be playable at all with two hands.The first edition of 1901 was authorized by the composer and has formed the source of this new edition. The editor has added fingering to the musical text to make it easier to master (further information on the edition can be found in the critical commentary).Fantasie h-Moll für Klavier Opus 28Die in den J ahren 1900/1901 komponierte Fantasie h-Moll zahlt zu den anspruchsvollsten und brillantesten Klavierkompositionen Alexander

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Francesco Geminiani was a pupil of Lonati, Corelli and A. Scarlatti. In 1714 he went to England, where he soon became a leading violinist and highly esteemed composer, teaching many pupils, especially from the ranks of the nobility. Following the permission granted by King George II in 1739 to print a large number of compositions, the violoncello sonatas were published in London in 1747.The work illustrates the change in musical style characteristic of the 1740''s; over a completely traditional thoroughbass structure the composer develops the solo part in an elaborately embellished roccoco-like melodic line.Francesco Geminiani war ein Schüler von Lonati, Corelli und A. Scarlatti. Im Jahr 1714 ging er nach England, wo er bald zu einem führenden Violinisten und hochgeschätzten Komponisten wurde und viele Schüler, vor allem aus den Reihen des Adels, unterrichtete. Nachdem König Georg II. 1739 die Erlaubnis erteilt hatte, eine große Anzahl von Kompositionen zu drucken, wur

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Originally intended as the finale to his First Violin Concerto, Saint-Saëns decided to publish the Introduction and Rondo Capriccioso as a standalone concert work following the success of its first performance in 1867 by the work''s dedicatee Pablo de Sarasate. Classic edition of the work in the arrangement for Violin and Piano by Georges Bizet. Contains piano score and separate violin part.Introduktion und Rondo capriccioso op. 28 (Ausgabe für Violine und Klavier)Ursprünglich als Finale seines Ersten Violinkonzerts gedacht, beschloss Saint-Saëns, die Einleitung und das Rondo Capriccioso als eigenständiges Konzertwerk zu veröffentlichen, nachdem die Uraufführung des Werks im Jahr 1867 durch den Widmungsträger Pablo de Sarasate erfolgreich war. Klassische Ausgabe des Werks in der Bearbeitung für Violine und Klavier von Georges Bizet. Enthält Klavierpartitur und separate Violinstimme.

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Lobgesang was written for the 400th anniversary of the invention of moveable type by Johannes Gutenberg, an event celebrated in Leizig in the Summer of 1840. The work unites some of Mendlessohn''s most pressing compositional concerns: to bring the Church and the concert hall one step closer together, as he felt had already been accomplished in England, and, at the same time, to give expression to his dydactic and educational impetus while creating a novel genre, transcending conventional boundaries.Lobgesang (Sinfonie Nr. 2 B-Dur) op. 52 (Klavierauszug)Lobgesang wurde anlässlich des 400. Jahrestags der Erfindung der beweglichen Lettern durch Johannes Gutenberg geschrieben, ein Ereignis, das im Sommer 1840 in Leipzig gefeiert wurde. Das Werk vereint einige der dringendsten kompositorischen Anliegen Mendlessohns: die Kirche und den Konzertsaal einen Schritt näher zu bringen zusammenzuführen, wie es seiner Meinung nach in England bereits gelungen war, und

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Die in der Romantik neu entstandene Gattung der Operette hatte bis Johann Strauß erst wenige Vertreter. Jedoch war und ist die kleine Schwester der Oper ein beliebtes Abendprogramm, mit der man viel Erfolg haben konnte. Der Librettist der musikalischen Komödie, Richard Genée, nahm sich die französische Operette Le Réveillon zum Vorbild, das wiederum auf dem deutschen Theaterstück Das Gefängnis basiert. In der Geschichte lügen sich die Charaktere gegenseitig an, um sich selbst besser darzustellen oder Affären zu verdecken, und auf einem Ball treffen alle Unwahrheiten aufeinander. Richard Strauß schmückt diese illustre Erzählung mit schwungvoller Musik, und nicht umsonst ist die Operette Die Fledermaus eine der beliebtesten Beispiele ihrer Gattung.Die Fledermaus (Vocal Score)Johanne Strauss'' Die Fledermaus for Voice and Piano.

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Edited by David Oistrakh with a piano reduction by Wilhelm Weismann, this classic edition of Bach''s famous ''Double'' Concerto for Two Violins is an essential part of any violinist''s library. Contains piano accompaniment score, plus two separate violin parts.Konzert für 2 Violinen d-Moll BWV 1043 (Ausgabe für 2 Violinen und Klavier)Als bekanntestes und auch beliebtestes Solowerk Johann Sebastian Bachs taucht das Konzert für zwei Violinen, Streicher und Basso continuo regelmäßig auf den Konzertprogrammen auf. In seiner angemessenen Schwierigkeit ist es für viele Violinist/innen das Stück, auf das sie immer wieder zurückkehren, auch da es in seiner Musikalität seinesgleichen sucht.Da die erste Ausgabe von S. W. Dehn seit 1945 nicht mehr aufzufinden war, basieren die heutigen Ausgaben auf der Handschrift Bachs, in der er die beiden Solostimmen notierte, und vermutlich auf einer Abschrift der Stimmen, die Carl Philipp Emanuel Bach dem Kopisten Hering übe

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For many years orchestras and conservatories have wanted a practical and easily accessible edition of the orchestral passages required at auditions. An orchestral musician is expected to know and to have mastered not only the solo literature of his instrument but especially the opera and concert repertoire as well. The present edition contains those passages which a musician is expected to have at his or her command before being accepted into an orchestra. Unlike the many existing orchestral studies, this collection focuses on the material commonly used in auditions. It thus forms a foundation for the practical training of young orchestral musicians, and serves professional musicians as a means of practicing difficult passages.This project was initiated at the behest of the German Music Council and the German conservatories. It is based on statistical studies carried out by the German Union of Orchestras and from many years of professional experience gained by the editors the

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For many years orchestras and conservatories have wanted a practical and easily accessible edition of the orchestral passages required at auditions. An orchestral musician is expected to know and to have mastered not only the solo literature of his instrument but especially the opera and concert repertoire as well. The present edition contains those passages which a musician is expected to have at his or her command before being accepted into an orchestra. Unlike the many existing orchestral studies, this collection focuses on the material commonly used in auditions. It thus forms a foundation for the practical training of young orchestral musicians, and serves professional musicians as a means of practicing difficult passages.This project was initiated at the behest of the German Music Council and the German conservatories. It is based on statistical studies carried out by the German Union of Orchestras and from many years of professional experience gained by the editors the

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