Search results for ""copper canyon press""
Copper Canyon Press,U.S. a little bump in the earth
Through invention and remembrance, a little bump in the earth creates a black town on a hill—its land, its losses, its living and ancestral dead.Tyree Daye’s a little bump in the earth is an act of invention and remembrance. Through sprawling poems, the town of Youngsville, North Carolina, where Daye''s family has lived for the last 200 years, is reclaimed as “Ritual House.” Here, “every cousin aunt uncle ghost” is welcome. Daye invokes real and imagined people, the ancestral dead, land, snakes, and chickens, to create a black town on a hill. Including dreams, letters, revised rental agreements, and “a little museum in the here & after,” where collaged images appear besides documents from Daye’s ancestors—census records, marriage licenses, and WWII Draft Registration cards—the collection
£15.99
Copper Canyon Press,U.S. Dream Apartment
£12.99
Copper Canyon Press,U.S. English as a Second Language and Other Poems
£12.99
Copper Canyon Press,U.S. Late Summer Ode
£12.99
Copper Canyon Press,U.S. Red Stilts (paperback)
£11.99
Copper Canyon Press,U.S. The Blue House: Collected Works of Tomas Tranströmer
£26.09
Copper Canyon Press,U.S. Geometry of the Restless Herd
Inverting the pastoral, Sophie Cabot Black uses the keeping of animals and tending of land to interrogate the self and in turn reveal new truths about the social, economic, and political realities of contemporary America.In Geometry of the Restless Herd, Sophie Cabot Black stages a powerful allegory for the social and political realities of our human world. Through hauntingly metaphysical poems set within a sheepherder’s domain, Black conjures fields of harvest and resurrection, of wagers and outcomes—animals to keep, and those destined for slaughter. Here, both singular voices and polyvocal choruses argue through discourse, asking who has the real power, and how are we to survive the violence we do to each other?Black’s scenes are at once oneiric and raw: a squeaking gate wails against neglect; a field receives a runt body; a rac
£12.99
Copper Canyon Press,U.S. Before the Borderless: The Cy Twombly Cycle
£23.39
Copper Canyon Press,U.S. Dancing with the Dead: The Essential Red Pine Translations
£15.99
Copper Canyon Press,U.S. Obit
£12.99
Zephyr Press Something Crosses My Mind
First English-language collection of award winning Misty poet Authoritative selection of work from the last 20 years Work included in the recent anthologies Push Open the Door (Copper Canyon Press, 2011) and Twentieth Century Chinese Women’s Poetry (M.E. Sharpe, 2009) Next title in the seminal Jintian series
£12.31
Western Michigan University, New Issues Press A Bare Unpainted Table
Gladys Cardiff is an enrolled member of the Eastern Band of Cherokee, and a member of the Native Writers' Circle of the Americas. Her small book, To Frighten a Storm, from Copper Canyon Press, won the Washington State Governor's First Book Award in 1976. These are poems from a mature and wise consciousness that understands loss, grief, and the value of the unassailable "solaces we yearn for." One emerges from Cardiff’s intense, complex meditations with a renewed sense of both the durability of the human spirit and its potential.
£21.00
Western Michigan University, New Issues Press A Bare Unpainted Table
Gladys Cardiff is an enrolled member of the Eastern Band of Cherokee, and a member of the Native Writers' Circle of the Americas. Her small book, To Frighten a Storm, from Copper Canyon Press, won the Washington State Governor's First Book Award in 1976. These are poems from a mature and wise consciousness that understands loss, grief, and the value of the unassailable "solaces we yearn for." One emerges from Cardiff’s intense, complex meditations with a renewed sense of both the durability of the human spirit and its potential.
£13.36
Bloodaxe Books Ltd Soft Targets
Deborah Landau’s fourth book of poetry, Soft Targets, draws a bull’s-eye on humanity’s vulnerable flesh and corrupted world. In this ambitious lyric sequence, fear of annihilation expands beyond the self to an endangered planet on which all inhabitants are “soft targets”. Her melancholic examinations recall life’s uncanny ability to transform ordinary places – subways, cafés, street corners – into sites of intense significance that weigh heavily on the modern mind. ‘O you who want to slaughter us, we’ll be dead soon / enough what’s the rush,’ Landau writes, contemplating a world beset by political tumult, random violence, terror attacks and climate change. Still there are the ordinary and abundant pleasures of day-to-day living, though the tender exchanges of friendship and love play out against a backdrop of 21st-century threats with historical echoes, as neo-Nazis marching in the US recall her grandmother’s flight from Nazi Germany. Deborah Landau is director of the Creative Writing Program at New York University. She has published three previous collections in the US, most recently The Uses of the Body (2015) and The Last Usable Hour (2011) with Copper Canyon Press. CNN commissioned an opinion piece from her, ‘We are all soft targets’, in the light of US inaction on gun control following the latest shootings in August 2019.
£10.99
Bellevue Literary Press Pain Studies
“A fascinating, totally seductive read!” —Eula Biss, author of Notes from No Man’s Land: American Essays and On Immunity: An Inoculation“A book built of brain and nerve and blood and heart. . . . Irreverent and astute. . . . Pain Studies will change how you think about living with a body.” —Elizabeth McCracken, author of Thunderstruck and Bowlaway“A thrilling investigation into pain, language, and Olstein’s own exile from what Woolf called ‘the army of the upright.’ On a search path through art, science, poetry, and prime-time television, Olstein aims her knife-bright compassion at the very thing we’re all running from. Pain Studies is a masterpiece.” —Leni Zumas, author of The Listeners and Red ClocksIn this extended lyric essay, a poet mines her lifelong experience with migraine to deliver a marvelously idiosyncratic cultural history of pain—how we experience, express, treat, and mistreat it. Her sources range from the trial of Joan of Arc to the essays of Virginia Woolf and Elaine Scarry to Hugh Laurie’s portrayal of Gregory House on House M.D. As she engages with science, philosophy, visual art, rock lyrics, and field notes from her own medical adventures (both mainstream and alternative), she finds a way to express the often-indescribable experience of living with pain. Eschewing simple epiphanies, Olstein instead gives us a new language to contemplate and empathize with a fundamental aspect of the human condition.Lisa Olstein teaches at the University of Texas at Austin and is the author of four poetry collections published by Copper Canyon Press. Pain Studies is her first book of creative nonfiction.
£13.12