Search results for ""author yury"

Akira Okudaira is starting high school and is ready for exciting new experiences. And on the first day of school, she runs into her best friend from kindergarten at the train station! Now Akira and Fumi have the chance to rekindle their friendship, but life has gotten a lot more complicated since they were kids… Kyoko’s fiancé invites a group of her friends to join them at his family’s summer home. But the trip ends up including more than just ghost stories and horseback riding - Fumi can now confirm that she has feelings for Akira. And Akira learns more than she wants to about Kyoko’s private life with some accidental eavesdropping. After this, how can the girls just return to school like nothing’s happened? The best-known and most highly regarded series in the yuri genre.

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Adopting the modernist master Vladimir Nabokov as its guide, Nabokov in Motion: Modernity and Movement is an exploration of the radically changing social, historical, technological, and literary culture of the early 20th century, a time when modes of communication and transportation, especially, were changing society in drastic and profound ways. Across seventy microchapters that are by turn serious, ironic, informative, and playful, and which take on topics such as automobiles, trains, airplanes, electricity, elevators, advertisements, telegraphs, and telephones, Yuri Leving offers new ways to understand Nabokov, Russian literature, and technology, modernism, and world material culture. Nabokov’s writings are analyzed against a broad context of prose and poetry and from the point of view of what Leving calls the poetics of urbanism in literature. Nabokov in Motion is a ground-breaking exploration of urban and material themes in literature and creates a complex and vibrant cultural fabric of which Nabokov is the master weaver.

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In 1939, a ten-year-old Igor Golomstock accompanied his mother, a medical doctor, to the vast network of labour camps in the Russian Far East. While she tended patients, he was minded by assorted 'trusty' prisoners – hardened criminals – and returned to Moscow an almost feral adolescent, fluent in obscene prison jargon but intellectually ignorant. Despite this dubious start he became a leading art historian and co-author (with his close friend Andrey Sinyavsky) of the first, deeply controversial, monograph on Picasso published in the Soviet Union. His writings on his 43 years in the Soviet Union offer a rare insight into life as a quietly subversive art historian and the post-Stalin dissident community. In vivid prose Golomstock shows the difficulties of publishing, curating and talking about Western art in Soviet Russia and, with self-deprecating humour, the absurd tragicomedy of life for the Moscow intelligentsia during Khruschev's thaw and Brezhnev's stagnation. He also offers a unique personal perspective on the 1966 trial of Sinyavsky and Yuri Daniel, widely considered the end of Khruschev's liberalism and the spark that ignited the Soviet dissident movement. In 1972 he was given ‘permission’ to leave the Soviet Union, but only after paying a ‘ransom’ of more than 25 years’ salary, nominally intended to reimburse the state for his education. A remarkable collection of artists, scholars and intellectuals in Russia and the West, including Roland Penrose, came together to help him pay this astronomical sum. His memoirs of life once in the UK offer an insider's view of the BBC Russian Service and a penetrating analysis of the notorious feud between Sinyavsky and Aleksandr Solzhenitsyn. Nominated for the Russian Booker Prize on its publication in Russian in 2014, The Ransomed Dissident opens a window onto the life of a remarkable man: a dissident of uncompromising moral integrity and with an outstanding gift for friendship.

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On March 10, 1920, in Pachuca, Mexico, the Compania de Santa Gertrudis - the largest employer in the region, and a subsidiary of the United States Smelting, Refining and Mining Company - may have committed murder. The alert was first raised at six in the morning: a fire was tearing through the El Bordo mine. After a brief evacuation, the mouths of the shafts were sealed. Company representatives hastened to assert that "no more than ten" men remained inside the mineshafts, and that all ten were most certainly dead. Yet when the mine was opened six days later, the death toll was not ten, but eighty-seven. And there were seven survivors. A century later, acclaimed novelist Yuri Herrera has reconstructed a workers' tragedy at once globally resonant and deeply personal: Pachuca is his hometown. His work is an act of restitution for the victims and their families, bringing his full force of evocation to bear on the injustices that suffocated this horrific event into silence.

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To those who think they know what George Orwell is all about, this book unpacks surprise after surprise. Orwell Your Orwell reveals an Orwell very different from the one most people think of. It gives an unexpected yet convincing picture of Orwell’s beliefs, every key point precisely documented. Orwell adopted a habitual rhetoric in which he portrayed himself as a lone, embattled dissident. But objectively examined, his opinions broadly corresponded with those of conventional leftwing thinking. Far from being skeptical of prevailing orthodoxies, Orwell emerges as a True Believer in the orthodoxies of the 1930s Left, though a believer who sharply drew attention to some of the serious problems with these ideologies. In his short life, Orwell underwent several dramatic conversions – such as his overnight switch in August 1939 from being fiercely anti-war to enthusiastically pro-war – while cleaving to some fixed positions – such as his opposition to the British Empire, totalitarianism, and birth control. Dr. Steele identifies both the conversions and the continuities, as well as some aspects of his thought which gradually evolved. As well as recovering Orwell’s actual beliefs from the many accumulated misrepresentations, Dr. Steele also criticizes some of these beliefs, exposing the fallacies in Orwell’s thinking on such issues as the economics of imperialism, the dangers of hedonism, the significance of the Spanish Civil War, and the efficacy of mind control.Reviews: “This is an absolutely dazzling book on Orwell, casting a brilliant new light, not just on Orwell himself, but on the entire intellectual history of our time. It is a ‘must read’, not just for devotees of Orwell, but for anyone concerned with discussions of socialism and capitalism, totalitarianism and democracy, ideological passion and intellectual honesty. It will prove a superb teaching aid at both undergraduate and graduate levels.”—Yuri Maltsev, co-author of The Tea Party Explained and editor of Requiem for Marx “There has always been some mystery about how Orwell could give us the nightmare world of Ingsoc (English Socialism) while himself remaining an unrepentant English Socialist. This and other puzzles about Orwell are convincingly solved in Dr. Steele’s masterly account. If you want to know what made Orwell tick, you just have to read this eloquent, provocative, and hugely entertaining book.”—Barry Smith, Director of the National Center for Ontological Research and author of Austrian Philosophy

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With each chapter embodying a separate Commandment, Living Tissue, 10x10 is both a Decalogue and a ribald, exuberant, deliriously inventive postmodern Decameron, which covers four decades in the life of the protagonist, unfolding against the backdrop of Soviet and post-communist Moldova, from the untimely death of Yuri Gagarin in 1968 to the so-called “twitter revolution” of 2009. Tens of tragical, comical, fantastical, historical tales intertwine, punctuated by the endless upheavals suffered by twentieth-century Moldova. But the narrative also takes euphoric flight, in episodes that travel as far afield as Paris, Moscow, and Tibet. In Living Tissue. 10x10, Emilian Galaicu-Păun engages in literary origami, bending and blending together real and fictional worlds, abolishing up and down, here and there, past and present, as if in an Escher engraving, alternating narrative techniques, braiding myth, history and literary allusion, transgressing the boundaries of languages and cultures to create a rapturously intricate novel in ten dimensions.

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A genre-defining saga of love and friendship between girls. Akira Okudaira is starting high school and is ready for exciting new experiences. And on the first day of school, she runs into her best friend from kindergarten at the train station! Now Akira and Fumi have the chance to rekindle their friendship, but life has gotten a lot more complicated since they were kids… It’s time for the Fujigaya theater festival again, and this year Akira and her friends have chosen an ambitious Japanese play. Not only will it seriously challenge their acting abilities, but the number of characters in it means they’ll need all hands on deck to pull it off. But ever since Fumi admitted that she had feelings for Akira, their friendship has been a little awkward. Will the forced intimacy of collaborating on the play help them work things out, or make things worse? The best known and most highly regarded series in the yuri (girls’ love) genre.

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Mel, a renowned heart surgeon, is well-known for being a stoic loner. She views her erotic flings with other women as a tool for pleasure rather than a show of affection. When she delivers bad news to patients’ families, her cold nature can make her seem heartless. Then she meets Lynn, a beautiful and spirited cardiac patient who needs a new heart, but refuses a transplant. The two women meet with minimal expectations but soon become enthralled in a relationship that changes everything for them both. This Girls’ Love comic--and first place winner of the 2nd Lezhin Comics World Comic Contest--is one of the most popular series by fan-favorite Thai creator Ratana Satis, also known for Soul Drifters and Lily Love. Now you can own this full-colour yuri webtoon hit in a beautiful new paperback collection!

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A genre-defining saga of love and friendship between girls. Akira Okudaira is starting high school and is ready for exciting new experiences. And on the first day of school, she runs into her best friend from kindergarten at the train station! Now Akira and Fumi have the chance to rekindle their friendship, but life has gotten a lot more complicated since they were kids… Fumi is elated now that she and Akira are dating, but she’s also terrified that her desires will lead her to do something Akira doesn’t like. But Fumi’s feelings for Akira aren’t chaste, so how can she reconcile her seemingly contradictory impulses? Akira, meanwhile, finds dating her best friend much more serious than she expected. Will taking things to the next level bring them closer or ruin things forever? The best known and most highly regarded series in the yuri (girls’ love) genre.

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The epic story of an enormous Soviet apartment building where Communist true believers lived before their destructionThe House of Government is unlike any other book about the Russian Revolution and the Soviet experiment. Written in the tradition of Tolstoy’s War and Peace, Grossman’s Life and Fate, and Solzhenitsyn’s The Gulag Archipelago, Yuri Slezkine’s gripping narrative tells the chilling true story of an enormous Moscow apartment building where Soviet leaders and their families lived until hundreds of these Bolshevik true believers were led, one by one, to prison or to their deaths in Stalin’s purges. Drawing on letters, diaries, and interviews with survivors, and featuring hundreds of rare photographs, this epic story weaves together biography, literary criticism, architectural history, and fascinating new theories of revolutions, millennial prophecies, and reigns of terror. The result is an unforgettable saga of a building that, like the Soviet Union itself, became a haunted house, forever disturbed by the ghosts of the disappeared.

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This book explores how television series can be understood as a form of literature, bridging the gap between literary and television studies. It goes beyond existing adaptation studies and narratological approaches to television series in both its scope and depth. The respective chapters address literary works, themes, tropes, techniques, values, genres, and movements in relation to a broad variety of television series, while drawing on the theoretical work of a host of scholars from Simone de Beauvoir and Yuri Lotman to Ted Nannicelli and Jason Mittel, and on critical approaches ranging from narratology and semiotics to empirical sociology and phenomenology. The book fosters new ways of understanding television series and literature and lays the groundwork for future scholarship in a number of fields. By questioning the alleged divide between television series and works of literature, it contributes not only to a better understanding of television series and literary texts themselves, but also to the development of interdisciplinary scholarship in the humanities.

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Love in Defiance of Pain: Ukrainian Stories aims to bring the riches of contemporary Ukrainian literature—and of contemporary Ukraine, too—to the world. While Ukraine is under sustained attack, many in the West have marveled at the nation’s strength in the face of a barbaric invasion. Who are these people, what is this nation, which has captivated the world with their courage? By showcasing some of the finest Ukrainian writers working today, this book aims to help answer that question.There are war stories, but there are also love stories. Stories of aging romantics in modern Ukraine, and of modern Ukrainians in Vienna and Brooklyn, a fantastical tale set on a mysterious island where people never die, a wild lovers’ romp through modern-day Ukraine, a sobering account of an American war photographer, and a post-modern tale of a botanist in love. Some of these stories have been published before—indeed, many are award-winning and acclaimed—while some are appearing for the first time, making their rightful debut on the world stage. The range of voices, settings, and subjects in this vivid and varied collection show us how to “love in defiance of pain”—an apt phrase taken from the very first story in this book. Readers will be delighted and moved, and will gain insight into the proud history and contemporary life of Ukraine.Authors include: Sophia Andrukhovych, Yuri Andrukhovych, Stanislav Aseyev, Kateryna Babkina, Artem Chapeye, Liubko Deresh, Kateryna Kalytko, Oksana Lutsyshyna, Vasyl Makhno, Tanja Maljartschuk, Taras Prokhasko, Oleg Sentsov, Natalka Sniadanko, Olena Stiazhkina, Sashko Ushkalov, Oksana Zabuzhko, and Serhiy ZhadanProceeds from the sale of this collection will be donated to humanitarian efforts in Ukraine.

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Stepping Stones to the Stars is the story of manned spaceflight from its inception to the era of the Space Shuttle. It begins with a short history of the evolution of the rocket, before describing the first manned rocket flights by both the Americans and the Russians. There is also the little-known story of what is thought to be the earliest manned rocket flight, said to have taken place in 1933 on the island of Rügen in the Baltic under the control of the German War Ministry. The story continues through Yuri Gagarin becoming the first person in space and Neil Armstrong’s ‘giant leap for mankind’ to the first space stations, Skylab, Salyut and Mir. With the development of the Shuttle, the USA moved ahead in the ‘space race,’ but the Americans and Russians soon realised that it was easier to co-operate than compete, and the two nations began to work together for the first time. Terry C. Treadwell’s book is a non-technical history of human spaceflight, that tells the exciting and dramatic story of how we took our early steps towards the stars.

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Rin and his exorcist classmates are caught in a secret war against the forces of darkness.Raised by Father Fujimoto, a famous exorcist, Rin Okumura never knew his real father. One day a fateful argument with Father Fujimoto forces Rin to face a terrible truth—the blood of the demon lord Satan runs in Rin’s veins! Rin swears to defeat Satan, but doing that means entering the mysterious True Cross Academy and becoming an exorcist himself.Rin bears witness to the fateful Blue Night when his mother, Yuri Egin, gave birth to both Rin and Yukio. Rin never wanted to see—or even know about—his birth, but now he has learned something about himself that he may need in the coming conflict. Meanwhile, aboard the airship Dominus Liminus, the Illuminati and Lucifer move forward with their plans to bring forth Satan and return the world to nothingness. Lucifer has welcomed Yukio as an ally, but Yukio has other ideas…

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'Not since Shakespeare has love been so fully, vividly, scrupulously and directly communicated' Sunday TimesRead this stunning new translation of Boris Pasternak's Nobel Prize-winning masterpiece from Richard Pevear and Larissa Volokhonsky, the acclaimed translators of War and Peace and Anna Karenina.Banned in the Soviet Union until 1988, Doctor Zhivago is the epic story of the life and loves of a poet-physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Yuri Zhivago finds himself instead embroiled in the battle between the Whites and the Reds, and in love with the tender and beautiful nurse Lara.Richard Pevear and Larissa Volokhonsky have restored the rhythms, tone, precision, and poetry of Pasternak's original, bringing this classic of world literature gloriously to life for a new generation of readers.VINTAGE CLASSICS RUSSIAN SERIES - sumptuous editions of the greatest books to come out of Russia during the most tumultuous period in its history.

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In Masterpieces of Modernist Cinema, prominent scholars consider well-known films that seem to stand alone in the history of cinema, without obvious precursors, and without progeny: The Cabinet of Dr. Caligari, L'âge d'or, and Last Year in Marienbad, to name a few. Such films appear to be sui generis and in some ways incomprehensible; but as these essays demonstrate, they are best understood within contexts beyond the world of cinema. Most were heavily influenced by some aspect of Modernism—Symbolism, Dada, Expressionism, Surrealism, Constructivism, Abstract Expressionism, Minimalism, etc.—but the social and political events of the period have left their mark on these films as well. The essays in this collection address individual films, exploring the place of each in the history of cinema and the history of ideas, ultimately rendering each comprehensible.Contributors are Dudley Andrew, Tom Gunning, Bruce Jenkins, Brandon W. Joseph, Anton Kaes, T. Jefferson Kline, Carrie Lambert-Beatty, Gilberto Perez, Ted Perry, Tony Pipolo, John Pruitt, P. Adams Sitney, and Yuri Tsivian.

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Finn lives with his mother in an apartment block in a working-class suburb of Oslo. It is 1961, a time when 'men became boys and housewives women', the year the Berlin Wall is erected and Yuri Gagarin becomes the first man to travel into space. Life is electrical, beautiful and stubbornly social-democratic. One day a mysterious half-sister appears 'with an atom-charge in a light blue suitcase', and she turns his life upside-down. Over an everlasting summer, Finn attempts to grasp the incomprehensible adult world and his place within it. His mother appears to carry a painful secret, but one which pushes them ever further apart. And why is his new sister so different from every other child? Child Wonder is a powerful and unsentimental portrait of childhood, a coming-of-age novel full of light and warmth. Through the eyes of a child Roy Jacobsen has captured the complexities of his characters through their actions, and has produced an immensely uplifting novel that shines with humanity.

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A high school girl''s chance encounter with an enigmatic female classmate whose musical aspirations were complicated when an accident almost completely took her hearing leads to the slow blossoming of love. Perfect for fans of yuri series like Whisper Me a Love Song and sweet, sophisticated romances like A Sign of Affection. NEW CHALLENGES One day while having lunch in the Literature Club room, Kanon learns about a surprising club tradition from Miura-sensei. Every year, club members spend summer break writing something for the school's literature contest. Miura-sensei surprises Kanon even further by complimenting her writing and encouraging her to enter something for that year's contest. Though Kanon is initially reluctant, countering that she has never written a story before, she later finds herself mulling over everything that's happened since she lost her hearing and met Saki. Could there be a story in there somewhere? Meanwhile, Saki gets roped in

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The history of modern Russia traditionally has Communism at its centre: Lenin defines its rise, Gorbachev its fall, and Putin its aftermath. In this radical new history, Yuri Felshtinsky and Vladimir Popov, however, introduce a new historical axis: the Cheka-the Bolsheviks' nebulous revolutionary intelligence service. Wrapped around the Party in a fight to the death from 1918 under its first head Felix Dzerzhinsky, only Stalin was able to resist its stranglehold at the cost of enormous bloodshed. Luring Russia into submission over less than a century, its murder-plots and unrivalled scheming culminated in the capture of the Kremlin in 2000. Drawing on Popov's secret documents of over two decades as a senior officer in one of the KGB's key covert sections, and on Felshtinsky's encyclopedic knowledge of Russian state archives open in the 1990s, little-known sources, and access to leading oligarchs, a new Russian history emerges. The story they tell is often unexpected while introducing a new cast of characters still of great influence-potentially surpassing Lenin's role-on our world today. In addition, the authors introduce a host of hitherto unknown characters who should be considered as pivotal, not least Felix Dzerzhinsky the ruthless first head of the Cheka. Obscure in comparison to Lenin or Stalin, he should however be considered as important an architect of modern Russia as Lenin. From Red Terror to Terrorist State is the first comprehensive history of the Cheka, its vice-like hold over Russia, global reach and ambitions. A monumental record by two exceptional Russian-intelligence experts, it presents an unrivaled wealth of unknown, authoritative, and detailed facts. Narrated from inside the intelligence services, it fundamentally transforms our understanding of how Russia works and how the Kremlin should be viewed.

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The characters that populate Yuri Herrera's first collection of stories inhabit imagined futures that reveal the strangeness and instability of the present. Drawing on science fiction, noir, and the philosophical parables of Borges's Fictions and Calvino's Cosmicomics, these very short stories signal a new dimension in the work of this significant writer. In Ten Planets, objects can be sentient and might rebel against the unhappy human family to which they are attached. A detective of sorts finds clues to buried secrets by studying the noses of his clients, which he insists are covert maps. A meagre bacterium in a human intestine gains consciousness when a psychotropic drug is ingested. Monsters and aliens abound, but in the fiction of Herrera, knowing who is the monster and who the alien is a tricky proposition. This collection of stories, with a breadth that ranges from philosophical flights of fancy to the gritty detective story, leaves us with a sense of awe at our world and the worlds beyond our ken, while Herrera continues to develop his exploration of the mutability of borders, the wounds and legacy of colonial violence, and a deep love of storytelling in all its forms.

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Frost & Sullivan’s 2014 Growth, Innovation, and Leadership Book of the Year In business, performance is key. In performance, how you organize can be the key to growth. In the past five years, the business world has seen the birth of a new breed of company—the Exponential Organization—that has revolutionized how a company can accelerate its growth by using technology. An ExO can eliminate the incremental, linear way traditional companies get bigger, leveraging assets like community, big data, algorithms, and new technology into achieving performance benchmarks ten times better than its peers. Three luminaries of the business world—Salim Ismail, Yuri van Geest, and Mike Malone—have researched this phenomenon and documented ten characteristics of Exponential Organizations. Here, in EXPONENTIAL ORGANIZATIONS, they walk the reader through how any company, from a startup to a multi-national, can become an ExO, streamline its performance, and grow to the next level. Chosen by Benjamin Netanyahu, Prime Minister of Israel, to be one of Bloomberg's Best Books of 2015

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Early Cinema in Russia chronicles one of the great lost periods in cinema history, that of Pre-Revolutionary Russia. In contrast to standard film histories, Yuri Tsivian focuses on reflected images: it features the historical film-goer and early writings on film as well as examining the physical elements of cinematic performance. "Tsivian casts a probing beam of illumination into some of the most obscure areas of film history. And the terrain he lights up with his careful assembly and insightful reading of the records of early film viewing in Russia not only changes our sense of the history of this period but also ...causes us to re-evaluate some of our most basic theoretical and historical assumptions about what a film is and how it affects its audiences."--Tom Gunning, from the Foreword "Early Cinema in Russia ...reveals Tsivian's strengths very well and demonstrates why he is ...the finest film historian of his generation in the former Soviet Union."--Denise Y. Youngblood, Historical Journal of Film, Radio, and Television "A work of fundamental importance."--Julian Graffy, Recent Studies of Russian and Soviet Cinema

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Identical twins Stephen and Timothy Quay are internationally renowned moving image artists and designers who for over thirty years have been in the avant-garde of stop-motion puppet animation. Creating work in the tradition of Czech surrealists Jan Švankmajer and Jiri Trnka, Russian animator Yuri Norstein and Polish animator Walerian Borowczyk, they practice a design aesthetic influenced by Polish graphic artists such as Jan Lenica, Roman Cieslewicz, Franciszek Starowieyski and Henryk Tomaszewski. Since 1971, they have produced over forty-five moving images, including features, music videos, dance films, documentaries and signature personal works, and have designed sets and projections for opera, drama and concert performances. Published to accompany an exhibition at The Museum of Modern Art – the first presentation of the Quay Brothers work in all their fields of creative activity – this richly illustrated publication presents their betterknown films as well as previously unseen moving image works and a little-known body of works on paper, including graphic design, drawings, typography and notebooks for films.

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A high school girl''s chance encounter with an enigmatic female classmate whose musical aspirations were complicated when an accident almost completely took her hearing leads to the slow blossoming of love. Perfect for fans of yuri series like Whisper Me a Love Song and sweet, sophisticated romances like A Sign of Affection. One rainy night, a girl named Saki is rushing to a piano lesson when she crashes into a beautiful, dark-haired stranger, dropping her sheet music in the process. Saki stutters an apology, but the stranger simply hands back her sheet music and leaves without a word. Saki begins her first day of high school the next morning, only to find the stranger from the day before sitting in the desk next to hers. Saki soon learns that the girl''s name is Kanon and that she is not quite completely deaf, but very hard of hearing. Though Kanon needs to be close to people to read their lips, her seemingly icy demeanor has left her isolated from her classmates.

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The 3rd issue of Prototype’s annual anthology: a space for new work, open to all and free from formal guidelines or restrictions. Poetry, prose, visual work and experiments in between.With contributions from Rachael Allen, Campbell Andersen, Edwina Attlee, Rowland Bagnall, Tom Betteridge, Sam Buchan-Watts, Pavel Büchler, Paul Buck, Theodoros Chiotis, Natalie Crick, Raluca de Soleil, Roisin Dunnett, Maia Elsner, Yuri Felsen trans. Bryan Karetnyk, SJ Fowler, Ella Frears, Sam Fuller, James Gaywood, Chris Gutkind, J L Hall, Ziddy Ibn Sharam, Daniel Kramb, Dal Kular, Eric Langley, Neha Maqsood, Helen Marten, Lila Matsumoto, Otis Mensah, Calliope Michail, Lauren de Sá Naylor, Astra Papachristodoulou, James Conor Patterson, Oliver Sedano-Jones, Marcus Slease, Maria Sledmere, Andrew Spragg, Nick Thurston, Olly Todd, Nadia de Vries, Stephen Watts, Karen Whiteson, Frances Whorrall-Campbell, Alice Willitts, Frannie Wise and Antosh Wojcik.

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A high school girl's chance encounter with an enigmatic female classmate whose musical aspirations were complicated when an accident almost completely took her hearing leads to the slow blossoming of love. Perfect for fans of yuri series like Whisper Me a Love Song and sweet, sophisticated romances like A Sign of Affection. Ever since developing hearing loss during childhood, high schooler Kanon has largely relied on lip reading to navigate the world. Now, her new friend Saki is slowly helping her come out of her shell and find a place for herself at school. Meanwhile, Saki gets confronted by Kanon’s fiercely protective younger sister, Rinne, who suspects Saki of harboring ulterior motives toward Kanon. Things come to a head when Rinne storms out of the house one evening, forcing Kanon and Saki to go looking for her in the dead of night. Worried that she won’t be able to see or hear cars coming up behind them, Kanon asks Saki to hold her hand. Why does this simple act set Saki’s heart racing? Could it be...

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Special Section: Multilingualism in Ukraine. Rory Finnin, Ivan Kozachenko: Introduction: Ukraines Multilingualism. Taras Koznarsky: The Languages and Tongues of Mykola Markevych. Myroslav Shkandrij: Channel Switching: Language Change and the Conversion Trope in Modern Ukrainian Literature. Laada Bilaniuk: Linguistic Conversion in Ukraine: Nation-Building on the Self. Vitaly Chernetsky: Ukrainian Cinema and the Challenges of Multilingualism: From the 1930s to the Present. Iryna Shuvalova: Multilingualism in the Songs of the War in Donbas. Olenka Bilash: Multilingualism in the Academy: Language Dynamics in Ukraines Higher Education Institutions. Alina Zubkovych: Language Use among Crimean Tatars in Ukraine: Context and Practice. Special Section: Issues in the History and Memory of the OUN III. Andreas Umland, Yuliya Yurchuk: Introduction: The Organization of Ukrainian Nationalists and European Fascism During World War II. Kai Struve: The OUN(b), the Germans, and Anti-Jewish Violence in Eastern Galicia during Summer 1941. Yuri Radchenko: The Biography of the OUN(m) Activist Oleksa Babii in the Light of His Memoirs on Escaping Execution (1942). Tomislav Dulić, Goran Miljan: The Ustaas and Fascism: Abolitionism, Revolution, and Ideology (192942).

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The class princess''s biggest fan discovers she''s secretly a needy mess--a mess she''s now got to clean up--in thissilly and cute yuri manga.A role-reversal rom-com for fans of farcical comedies like Catch These Hands! and I Can''t Believe I Slept With You! where the senpai is the one acting out! Known throughout the school for her selflessness and perfect grades, there''s not a single underclassman who doesn''t look up to Yaya Suou--including Ichigo Hinamori. Turned down by her crush because of her childish image, Ichigo idolizes Yaya and wishes nothing more than to be as mature and elegant as her senpai. But Ichigo''s perfect image of Yaya is shattered when she comes across her wallowing in self-pity in the nurse''s office one day. The real Yaya is clumsy, clingy, and selfish--not at all like the perfect act she puts on. What''s more, she''s desperately starved for attention and now she won''t leave Ichigo alone.

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Finalist for the Republic of Consciousness PrizeFamily Album is Ecuadorian author Gabriela Alemán’s rollicking follow-up to her acclaimed English-language debut, Poso Wells.Alemán is known for her spirited and sardonic take on the fatefully interconnected—and often highly compromised—forces at work in present-day South America, and particularly in Ecuador. In this collection of eight hugely entertaining short stories, she teases tropes of hardboiled detective fiction, satire, and adventure narratives to recast the discussion of national identity. A muddy brew of pop-culture and pop-folklore yields intriguing, lesser-known episodes of contemporary Ecuadorian history, along with a rich cast of unforgettable characters whose intimate stories open up onto a vista of Ecuador’s place on the world stage.From a pair of deep-sea divers using Robinson Crusoe’s map of a shipwreck to locate sunken treasure in the Galápagos Archipelago, to a night with the husband of Ecuador’s most infamous expat, Lorena Bobbitt, this series of cracked “family portraits” provides a cast of picaresque heroes and anti-heroes in stories that sneak up on a reader before they know what’s happened: they’ve learned a great deal about a country whose more well known exports—soccer, coffee and cocoa—mask an intriguing national story that’s ripe for the telling.One of The Millions Most Anticipated Books for 2022!"Ecuadorian writer Alemán’s sparkling collection (after the novel Poso Wells) brims with humor and adventure."—Publishers Weekly"Plays with tropes ranging from the Robinson Crusoe story to the classic betrayed-wife setup to wrestle with the impossible-to-decode oddness of human life, which old stories can only hide for so long."—Lily Meyer, NPR"It takes a rare and talented writer to create a cast of characters who each feel so unique, distinct, and whose stories unravel unexpectedly while also feeling inevitable, exactly right. Thoughtful and subversive, with Family Album, Alemán has given us a gift."—Jean Kyoung Frazier, author of Pizza Girl"Divers, adventurers, wrestlers, athletes: a diverse array of people come to light in these stories to insist again and again in challenging the weight of the written letter. Gabriela Alemán's stories inhabit the past to work through its possible versions. Her characters understand that History is a form of desire and the truth is not a house but a patina covering a place that has ceased to exist."—Yuri Herrera, author of A Silent Fury: The El Bordo Mine Fire"Gabriela Alemán's stories unravel a rich and intriguing universe in which nothing, and no one, is what it seems."—Pilar Quintana, author of The Bitch"These stories are like lizards lying on rocks in the sun. When you try to pick one up it darts away and disappears. Sometimes a tail comes off in your hand or the thing bites your fingers and drops of blood decorate the rock. Best read while listening to Julio Jaramillo sing 'Amor sin Esperanza' and 'Hojas Muertas.'"—Barry Gifford, author of Sailor & Lula: The Complete Novels"Gabriela Alemán writes beautiful, sly, enigmatic stories originating in a rogues gallery of real life legends, including El Santo and John Wayne Bobbitt, as well as lesser known and invented souls, all of them struggling against the silent—or is it hostile?—backdrop of Ecuador’s past and present. Family Album is a mordantly funny and haunting collection."—Zachary Lazar, author of Vengeance

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The fall of the Berlin Wall in 1989 ushered in a period of democratization and market reform extending across the East-Central European region, with one important exception: Belarus. Ironically, Belarus's fledgling attempts at democracy produced a leader who has suspended the post-Soviet constitution and its institutions and created a personal dictatorship. Located in the center of the European continent, Belarus lies at the crossroads of an expanded NATO and the Russian "near abroad." This fact underlines the importance of Belarus to European security and to East-West relations.To discuss developments in Belarus, an international group of scholars and policymakers gathered at Harvard University in 1999. The broad spectrum of issues covered is examined in this volume, providing an understanding of Belarus today and its prospects for the future. In addition to the editors, contributors include Timothy Colton, David Marples, Uladzimir Padhol, Rainer Lindner, Patricia Brukoff, Leonid Zlotnikov, Arkadii Moshes, Andrei Sannikov, Yuri Drakokhrust, Dmitri Furman, John Reppert, Astrid Sahm, Kirsten Westphal, Hrihoriy Perepelytsia, Algirdas Gricius, Agnieszka Magzdiak-Miszewska, Hans-Georg Wieck, Sherman Garnett, Elaine Conkievich, and Caryn Wilde.

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A dramatic, funny, and painful romance manga between two women about how, sometimes, you need to run away in order to find where you truly belong. Perfect for fans of coming-out yuri like How Do We Relationship? and masters of adult drama like Akiko Higashimura (Princess Jellyfish) and Takako Shimura (Even Though We're Adults). Maki’s first love was her high school classmate, a girl named Midori. But Midori broke up with Maki at graduation, saying they were now "too old to be fooling around dating girls." Ten years later, Maki still can’t get Midori off her mind, and when the two women reconnect after a chance encounter, Maki realizes that while her feelings haven’t changed, Midori's life has turned upside down--she's engaged and pregnant. But the more Maki hears Midori talk about her soon-to-be-husband, the more red flags she notices. Before Maki can stop herself, she asks Midori to run away with her. Will this impromptu escape be the key that leads the two women to a fuller understanding of themselves, and back into each other's arms?

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A dramatic, funny, and painful romance manga between two women about how, sometimes, you need to run away in order to find where you truly belong. Perfect for fans of coming-out yuri like How Do We Relationship? and masters of adult drama like Akiko Higashimura (Princess Jellyfish) and Takako Shimura (Even Though We're Adults). Maki’s first love was her high school classmate, a girl named Midori. But Midori broke up with Maki at graduation, saying they were now "too old to be fooling around dating girls." Ten years later, Maki still can’t get Midori off her mind, and when the two women reconnect after a chance encounter, Maki realizes that while her feelings haven’t changed, Midori's life has turned upside down--she's engaged and pregnant. But the more Maki hears Midori talk about her soon-to-be-husband, the more red flags she notices. Before Maki can stop herself, she asks Midori to run away with her. Will this impromptu escape be the key that leads the two women to a fuller understanding of themselves, and back into each other's arms?

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This book seeks to describe the rapid development in recent decades of sieve methods able to detect prime numbers. The subject began with Eratosthenes in antiquity, took on new shape with Legendre's form of the sieve, was substantially reworked by Ivan M. Vinogradov and Yuri V. Linnik, but came into its own with Robert C. Vaughan and important contributions from others, notably Roger Heath-Brown and Henryk Iwaniec. Prime-Detecting Sieves breaks new ground by bringing together several different types of problems that have been tackled with modern sieve methods and by discussing the ideas common to each, in particular the use of Type I and Type II information.No other book has undertaken such a systematic treatment of prime-detecting sieves. Among the many topics Glyn Harman covers are primes in short intervals, the greatest prime factor of the sequence of shifted primes, Goldbach numbers in short intervals, the distribution of Gaussian primes, and the recent work of John Friedlander and Iwaniec on primes that are a sum of a square and a fourth power, and Heath-Brown's work on primes represented as a cube plus twice a cube. This book contains much that is accessible to beginning graduate students, yet also provides insights that will benefit established researchers.

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SHORTLISTED FOR THE READ RUSSIA PRIZE 2018LONGLISTED FOR THE GLOBAL READ RUSSIA PRIZE 2018Fleeing Russia amid the chaos of the 1917 revolution and subsequent Civil War, many writers went on to settle in Paris, Berlin and elsewhere. In exile, they worked as taxi drivers, labourers and film extras, and wrote some of the most brilliant and imaginative works of Russian literature.This new collection includes stories by the most famous émigré writers, Vladimir Nabokov and Ivan Bunin, and introduces powerful lesser known voices, some of whom have never been available in English before. Here is Yuri Felsen's evocative, impressionistic account of a night of debauchery in Paris; Teffi's witty and timely reflections on refugee experience; and Mark Aldanov's sparkling story of an elderly astrologer who unexpectedly finds himself in Hitler's bunker in Berlin. Exploring displacement, loss and new beginnings, their short stories vividly evoke the experience of life in exile and also return obsessively to the Russia that has been left behind - whether as a beautiful dream or terrifying nightmare. By turns experimental, funny, exciting, poignant and haunting, these works reveal the full range of émigré writing and are presented here in masterly translations by Bryan Karetnyk and others.

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A dramatic, funny, and painful romance manga between two women about how, sometimes, you need to run away in order to find where you truly belong. Perfect for fans of coming-out yuri like How Do We Relationship? and masters of adult drama like Akiko Higashimura (Princess Jellyfish) and Takako Shimura (Even Though We're Adults). Maki’s first love was her high school classmate, a girl named Midori. But Midori broke up with Maki at graduation, saying they were now "too old to be fooling around dating girls." Ten years later, Maki still can’t get Midori off her mind, and when the two women reconnect after a chance encounter, Maki realizes that while her feelings haven’t changed, Midori's life has turned upside down--she's engaged and pregnant. But the more Maki hears Midori talk about her soon-to-be-husband, the more red flags she notices. Before Maki can stop herself, she asks Midori to run away with her. Will this impromptu escape be the key that leads the two women to a fuller understanding of themselves, and back into each other's arms?

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Nau cannot remember a time when she was not one with the world around her: with the fast breeze, the green grass, the high clouds, and the endless blue sky above the Shingled Spit. But her greatest joy is to visit the sea, where whales gather every morning to gaily spout rainbows. Then, one day, she finds a man in the mist where a whale should be: Reu, who has taken human form out of his Great Love for her. Together these first humans become parents to two whales, and then to mankind. Even after Reu dies, Nau continues on, sharing her story of brotherhood between the two species. But as these origins grow more distant, the old woman’s tales are subsumed into myth—and her descendants turn increasingly bent on parading their dominance over the natural world. Buoyantly translated into English for the first time by Ilona Yazhbin Chavasse, this new entry in the Seedbank series is at once a vibrant retelling of the origin story of the Chukchi, a timely parable about the destructive power of human ego—and another unforgettable work of fiction from Yuri Rytkheu, “arguably the foremost writer to emerge from the minority peoples of Russia’s far north” (New York Review of Books).

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A high school girl's chance encounter with an enigmatic female classmate whose musical aspirations were complicated when an accident almost completely took her hearing leads to the slow blossoming of love. Perfect for fans of yuri series like Whisper Me a Love Song and sweet, sophisticated romances like A Sign of Affection. One rainy night, a girl named Saki is rushing to a piano lesson when she crashes into a beautiful, dark-haired stranger, dropping her sheet music in the process. Saki stutters an apology, but the stranger simply hands back her sheet music and leaves without a word. Saki begins her first day of high school the next morning, only to find the stranger from the day before sitting in the desk next to hers. Saki soon learns that the girl's name is Kanon and that she is not quite completely deaf, but very hard of hearing. Though Kanon needs to be close to people to read their lips, her seemingly icy demeanor has left her isolated from her classmates. Through one kind gesture, Saki slowly begins breaking down the walls around Kanon, even as she feels something new blossoming within her.

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This book seeks to describe the rapid development in recent decades of sieve methods able to detect prime numbers. The subject began with Eratosthenes in antiquity, took on new shape with Legendre's form of the sieve, was substantially reworked by Ivan M. Vinogradov and Yuri V. Linnik, but came into its own with Robert C. Vaughan and important contributions from others, notably Roger Heath-Brown and Henryk Iwaniec. Prime-Detecting Sieves breaks new ground by bringing together several different types of problems that have been tackled with modern sieve methods and by discussing the ideas common to each, in particular the use of Type I and Type II information. No other book has undertaken such a systematic treatment of prime-detecting sieves. Among the many topics Glyn Harman covers are primes in short intervals, the greatest prime factor of the sequence of shifted primes, Goldbach numbers in short intervals, the distribution of Gaussian primes, and the recent work of John Friedlander and Iwaniec on primes that are a sum of a square and a fourth power, and Heath-Brown's work on primes represented as a cube plus twice a cube. This book contains much that is accessible to beginning graduate students, yet also provides insights that will benefit established researchers.

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Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creative people to confront stereotypes and examine their own identities while representing the complexities of their subjects. Selections range from C. A. Griffith's "Del Otro Lado: Border Crossings, Disappearing Souls, and Other Transgressions" and Celine Perreñas Shimizu's "Pain and Pleasure in the Flesh of Machiko Saito's Experimental Movies" to Christopher Bradley's "I Saw You Naked: 'Hard' Acting in 'Gay' Movies," along with Kevin Sandler's interview with Paris Barclay, Yuri Makino's interview with Chris Eyre, and many other perspectives on the implications of film production, writing, producing, and acting. Technical aspects of the craft are considered as well, including how contributors to filmmaking plan and design films and episodic television that feature difference, and how the tools of cinema—such as cinematography and lighting—influence portrayals of gender, race, and sexuality. The struggle between economic pressures and the desire to produce thought-provoking, socially conscious stories forms another core issue raised in Filming Difference. Speaking with critical rigor and creative experience, the contributors to this collection communicate the power of their media.

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Compiled in China in the fourth–third centuries BCE, The Book of Lord Shang argues for a new powerful government to rule over society and turn every man into a diligent tiller and valiant soldier. Creating a “rich state and a strong army” will be the first step toward unification of “All-under-Heaven.” These ideas served the state of Qin that eventually created the first imperial polity on Chinese soil. In Yuri Pines’s translation, The Book of Lord Shang’s intellectual boldness and surprisingly modern-looking ideas shine through, underscoring the text’s vibrant contribution to global political thought.The Book of Lord Shang is attributed to the statesman and theorist Shang Yang and his followers. It epitomizes the ideology of China’s so-called Legalist School of thought. In the ninety years since the work’s previous translation, major breakthroughs in studies of the book’s dating and context have recast our understanding of its messages. Pines applies these advances to a whole new reading of the text’s content and function in the sociopolitical life of its times and subsequent centuries. This abridged and revised edition of Pines’s annotated translation is ideal for newcomers to the book while also guiding early Chinese scholars and comparatists. It highlights the text’s practical success and its influence on political thought and political practice in traditional and modern China.

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How the public image of the Soviet cosmonaut was designed and reimagined over timeIn this book, Cathleen Lewis discusses how the public image of the Soviet cosmonaut developed beginning in the 1950s and the ways this icon has been reinterpreted throughout the years and in contemporary Russia. Compiling material and cultural representations of the cosmonaut program, Lewis provides a new perspective on the story of Soviet spaceflight, highlighting how the government has celebrated figures such as Yuri Gagarin and Valentina Tereshkova through newspapers, radio, parades, monuments, museums, films, and even postage stamps and lapel pins.Lewis’s analysis shows that during the Space Race, Nikita Khrushchev mobilized cosmonaut stories and images to symbolize the forward-looking Soviet state and distract from the costs of the Cold War. Public perceptions shifted after the first Soviet spaceflight fatality and failure to reach the Moon, yet cosmonaut imagery was still effective propaganda, evolving through the USSR’s collapse in 1991 and seen today in Vladimir Putin’s government cooperation for a film on the 1985 rescue of the Salyut 7 space station. Looking closely at the process through which Russians continue to reexamine their past, Lewis argues that the cultural memory of spaceflight remains especially potent among other collective Soviet memories.

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Featuring 50 of the most influential and essential Japanese animated series and films-from Akira to Cowboy Bebop to Sailor Moon-this expert guide is the must-have book for anime fans young and old. The Essential Anime Guide is the guide every fan needs to the classic, must-see anime series and films that transformed both Japanese and Western pop culture. Organized by release date and with entries by experts in the anime field, this guide provides a comprehensive, behind-the-scenes look into the history and impact of these classic anime. Both casual fans and serious otaku alike will discover a fun and surprisingly touching portrait of the true impact of anime on pop culture.Ranging from classic series to modern films, this official guide will explore iconic and must-see:- Feature films: Akira (1988), Princess Mononoke (1997), Millennium Actress (2001), Metropolis (2001),Tekkonkinkreet (2006), Sword of the Stranger (2007), Summer Wars (2009), and Your Name (2016- Series: Astro Boy (1968), Lupin the 3rd (1967), Macross (1982), Ranma 1/2 (1989), Neon Genesis Evangelion (1995), Dragon Ball Z (1989), Sailor Moon (1992), Revolutionary Girl Utena (1997), Pokémon? (1997), One Piece (1999), Fullmetal Alchemist (2003), K-On! (2007), Sword Art Online (2012), Yuri!! On Ice (2016), and My Hero Academia (2018)- And many more!

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There is a stark contrast between the overarching importance of history writing in imperial China and the meagerness of historical texts from the centuries preceding the imperial unification of 221 BCE. However, recently discovered bamboo manuscripts from the Warring States period (453–221 BCE) have changed this picture, leading to reappraisals of early Chinese historiography. These manuscripts shed new light on questions related to the production, circulation, and audience of historical texts in early China; their different political, ritual, and ideological usages; and their roles in the cultural and intellectual dynamics of China’s vibrant pre-imperial age.Zhou History Unearthed offers both a novel understanding of early Chinese historiography and a fully annotated translation of Xinian (String of Years), the most notable historical manuscript from the state of Chu. Yuri Pines elucidates the importance of Xinian and other recently discovered texts for our understanding of history writing in Zhou China (1046–255 BCE), as well as major historical events and topics such as Chu’s cultural identity. Pines explores how Xinian challenges existing interpretations of the nature and reliability of canonical historical texts on the Zhou era, such as Zuo zhuan (Zuo Tradition/Commentary) and Records of the Historian (Shiji). A major work of scholarship and translation, Zhou History Unearthed sheds new light on early Chinese history and historiography, demonstrating how new archaeological findings are changing our knowledge of China’s pre-imperial days.

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Throughout the twentieth-century artists have responded to the landscape in emotional, physical and political ways: exploring themes of belonging to the land by interrogating the relationship between landscape history and identity, the enclosure or militarisation of land, to artists creating works that harness or dramatise natural earth processes. As the custodian of the national collection of British art, Tate’s climate emergency declaration points to a wider concern and care for the environment that underpins the themes in Radical Landscapes. Structured on three broad thematic sections; ‘Trespass’, ‘Landscape and Identity’, and ‘Climate Breakdown’, there will be around 100 works in total starting from 1900 until today. Focussing on activism and how we value, care for, use and draw meaning from the natural landscape, the book will showcase an array of viewpoints reflecting the diverse perspectives in modern Britain, examining the artists’ relationship to the landscape and social history as a stimulus for the imagination as much as action and protest. It presents a radical and outward-facing image of Britain and its diverse peoples and landscapes to the world. These conversations present a rare opportunity to reframe Tate’s holdings of landscape art as well as explore how we might commune with nature and collectively work towards a more sustainable and equitable future. Artists include Henry Moore, Peter Kennard, Tacita Dean, Ingrid Pollard, Jeremy Deller, Rose English, Chris Killip, Derek Jarman, Yuri Patterson, Anthea Hamilton and many more.

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The aim of the Expositions is to present new and important developments in pure and applied mathematics. Well established in the community over more than two decades, the series offers a large library of mathematical works, including several important classics. The volumes supply thorough and detailed expositions of the methods and ideas essential to the topics in question. In addition, they convey their relationships to other parts of mathematics. The series is addressed to advanced readers interested in a thorough study of the subject. Editorial Board Lev Birbrair, Universidade Federal do Ceará, Fortaleza, Brasil Walter D. Neumann, Columbia University, New York, USA Markus J. Pflaum, University of Colorado, Boulder, USA Dierk Schleicher, Aix-Marseille Université, France Katrin Wendland, University of Freiburg, Germany Honorary Editor Victor P. Maslov, Russian Academy of Sciences, Moscow, Russia Titles in planning include Yuri A. Bahturin, Identical Relations in Lie Algebras (2019) Yakov G. Berkovich, Lev G. Kazarin, and Emmanuel M. Zhmud', Characters of Finite Groups, Volume 2 (2019) Jorge Herbert Soares de Lira, Variational Problems for Hypersurfaces in Riemannian Manifolds (2019) Volker Mayer, Mariusz Urbański, and Anna Zdunik, Random and Conformal Dynamical Systems (2021) Ioannis Diamantis, Boštjan Gabrovšek, Sofia Lambropoulou, and Maciej Mroczkowski, Knot Theory of Lens Spaces (2021)

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Established in 221 BCE, the Chinese empire lasted for 2,132 years before being replaced by the Republic of China in 1912. During its two millennia, the empire endured internal wars, foreign incursions, alien occupations, and devastating rebellions--yet fundamental institutional, sociopolitical, and cultural features of the empire remained intact. The Everlasting Empire traces the roots of the Chinese empire's exceptional longevity and unparalleled political durability, and shows how lessons from the imperial past are relevant for China today. Yuri Pines demonstrates that the empire survived and adjusted to a variety of domestic and external challenges through a peculiar combination of rigid ideological premises and their flexible implementation. The empire's major political actors and neighbors shared its fundamental ideological principles, such as unity under a single monarch--hence, even the empire's strongest domestic and foreign foes adopted the system of imperial rule. Yet details of this rule were constantly negotiated and adjusted. Pines shows how deep tensions between political actors including the emperor, the literati, local elites, and rebellious commoners actually enabled the empire's basic institutional framework to remain critically vital and adaptable to ever-changing sociopolitical circumstances. As contemporary China moves toward a new period of prosperity and power in the twenty-first century, Pines argues that the legacy of the empire may become an increasingly important force in shaping the nation's future trajectory.

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At some point in their career, nearly all the dancers who worked with George Balanchine were told “don’t act, dear; just dance.” The dancers understood this as a warning against melodramatic over-interpretation and an assurance that they had all the tools they needed to do justice to the steps—but its implication that to dance is already to act in a manner both complete and sufficient resonates beyond stage and studio. Drawing on fresh archival material, Don’t Act, Just Dance places dance at the center of the story of the relationship between Cold War art and politics. Catherine Gunther Kodat takes Balanchine’s catch phrase as an invitation to explore the politics of Cold War culture—in particular, to examine the assumptions underlying the role of “apolitical” modernism in U.S. cultural diplomacy. Through close, theoretically informed readings of selected important works—Marianne Moore’s “Combat Cultural,” dances by George Balanchine, Merce Cunningham, and Yuri Grigorovich, Stanley Kubrick’s Spartacus, and John Adams’s Nixon in China—Kodat questions several commonly-held beliefs about the purpose and meaning of modernist cultural productions during the Cold War. Rather than read the dance through a received understanding of Cold War culture, Don’t Act, Just Dance reads Cold War culture through the dance, and in doing so establishes a new understanding of the politics of modernism in the arts of the period.

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At some point in their career, nearly all the dancers who worked with George Balanchine were told “don’t act, dear; just dance.” The dancers understood this as a warning against melodramatic over-interpretation and an assurance that they had all the tools they needed to do justice to the steps—but its implication that to dance is already to act in a manner both complete and sufficient resonates beyond stage and studio. Drawing on fresh archival material, Don’t Act, Just Dance places dance at the center of the story of the relationship between Cold War art and politics. Catherine Gunther Kodat takes Balanchine’s catch phrase as an invitation to explore the politics of Cold War culture—in particular, to examine the assumptions underlying the role of “apolitical” modernism in U.S. cultural diplomacy. Through close, theoretically informed readings of selected important works—Marianne Moore’s “Combat Cultural,” dances by George Balanchine, Merce Cunningham, and Yuri Grigorovich, Stanley Kubrick’s Spartacus, and John Adams’s Nixon in China—Kodat questions several commonly-held beliefs about the purpose and meaning of modernist cultural productions during the Cold War. Rather than read the dance through a received understanding of Cold War culture, Don’t Act, Just Dance reads Cold War culture through the dance, and in doing so establishes a new understanding of the politics of modernism in the arts of the period.

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