Search results for ""author sylvie""

The deeply personal reflections of a giant of Jewish history. Scholar Yosef Hayim Yerushalmi (1932–2009) possessed a stunning range of erudition in all eras of Jewish history, as well as in world history, classical literature, and European culture. What Yerushalmi also brought to his craft was a brilliant literary style, honed by his own voracious reading from early youth and his formative undergraduate studies. This series of interviews paints a revealing portrait of this giant of history, bringing together exceptional material on Yerushalmi’s personal and intellectual journeys that not only attests to the astonishing breakthrough of the issues of Jewish history into “general history,” but also offers profound insight into being Jewish in today's world.

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Pierre-Auguste Renoir's famous painting Luncheon of the Boating Party (1880-81) portrays an informal gathering of real people he knew: fellow artists, journalists, critics, collectors, models and actors. Renoir and Friends deconstructs the painting, revealing the stories behind those he painted and explaining his working methods. Extraordinary details, photographs and contextual works - by Renoir and his contemporaries including Gustave Caillebotte, Edgar Degas, Leon Bonnat and Edouard Manet, draw out information about who these people were. Essays by leading academics focus on Renoir's models and look at how the artist created a painting with universal appeal whilst remaining convincingly specific. AUTHOR: Eliza Rathbone is chief curator emerita at The Phillips Collection in Washington, DC. SELLING POINTS: . The first volume to look in depth at Renoir's Luncheon of the Boating Party . Features over 100 colour images of works by Renoir and his contemporaries, from international museum and private collections 102 colour illustrations

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This collection of essays seeks to challenge the notion of the supremacy of the brain as the key organ of the Enlightenment, by focusing on the workings of the bowels and viscera that so obsessed writers and thinkers during the long eighteenth-century. These inner organs and the digestive process acted as counterpoints to politeness and other modes of refined sociability, drawing attention to the deeper workings of the self. Moving beyond recent studies of luxury and conspicuous consumption, where dysfunctional bowels have been represented as a symptom of excess, this book seeks to explore other manifestations of the visceral and to explain how the bowels played a crucial part in eighteenth-century emotions and perceptions of the self. The collection offers an interdisciplinary and cross-cultural perspective on entrails and digestion by addressing urban history, visual studies, literature, medical history, religious history, and material culture in England, France, and Germany.

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When Andrée joins her school, Sylvie is immediately fascinated. Andrée is small for her age but walks with the confidence of an adult.The girls become close. They talk for hours about equality, justice, war and religion; they lose respect for their teachers; they build a world of their own. But as the girls grow into young women, the pressures of society mount, threatening everything.This novel was never published in Simone de Beauvoir's lifetime. It tells the story of the real-life friendship that shaped one of the most important thinkers and feminists of the twentieth century.'Slim, elegant, achingly tragic and unaffectedly lovely in its evocation of the closeness between girls - and the pressures that sunder them' SpectatorVINTAGE FRENCH CLASSICS - five masterpieces of French fiction in gorgeous new gift editions.TRANSLATED BY LAUREN ELKIN - INTRODUCED BY DEBORAH LEVY

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Capturing the world in color was one of photography’s greatest aspirations from the very beginnings of the medium. When color photography became a reality with the introduction of the Autochrome in 1907, prominent photographers such as Alfred Stieglitz were overjoyed. But they quickly came to reject color photography as too aligned with human sight. It took decades for artists to come to understand the creative potential of color, and only in 1976, when John Szarkowski showed William Eggleston’s photographs at the Museum of Modern Art, did the art world embrace color. By accepting color’s flexibility and emotional transcendence, Szarkowski and Eggleston transformed photography, giving the medium equal artistic stature with painting, but also initiating its demise as an independent art.The catalogue of a major exhibition at the Amon Carter Museum of American Art, which holds one of the premier collections of American photography, Color tells, for the first time, the fascinating story of color’s integration into American fine art photography and how its acceptance revolutionized the practice of art. Tracing the development of color photography from the first color photograph in 1851 to digital photography, John Rohrbach describes photographers’ initial rejection of color, their decades-long debates over what color brings to photography, and how their gradual acceptance of color released photography from its status as a second-tier art form. He shows how this absorption of color instigated wide acceptance of a fundamentally new definition of photography, one that blends photography’s documentary foundations with the creative flexibility of painting. Sylvie Pénichon offers a succinct survey of the technological advances that made color in photography a reality and have since marked its multifaceted development. These texts, illuminated by seventy-five full-page plates and more than eighty illustrations, make this book a groundbreaking contribution to photographic studies.

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Simone de Beauvoir, still a teen, began a diary while a philosophy student at the Sorbonne. Written in 1926-27—before Beauvoir met Jean-Paul Sartre—the diaries reveal previously unknown details about her life and times and offer critical insights into her early intellectual interests, philosophy, and literary works. Presented for the first time in translation, this fully annotated first volume of the Diary includes essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical, and literary significance. It remains an invaluable resource for tracing the development of Beauvoir’s independent thinking and her influence on philosophy, feminism, and the world.

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Simone de Beauvoir, still a teen, began a diary while a philosophy student at the Sorbonne. Written in 1926-27—before Beauvoir met Jean-Paul Sartre—the diaries reveal previously unknown details about her life and times and offer critical insights into her early intellectual interests, philosophy, and literary works. Presented for the first time in translation, this fully annotated first volume of the Diary includes essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical, and literary significance. It remains an invaluable resource for tracing the development of Beauvoir’s independent thinking and her influence on philosophy, feminism, and the world.

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When Andrée joins her school, Sylvie is immediately fascinated. Andrée is small for her age but walks with the confidence of an adult.The girls become close. They talk for hours about equality, justice, war and religion; they lose respect for their teachers; they build a world of their own. But as the girls grow into young women, the pressures of society mount, threatening everything.This novel was never published in Simone de Beauvoir's lifetime. It tells the story of the real-life friendship that shaped one of the most important thinkers and feminists of the twentieth century.'Slim, elegant, achingly tragic and unaffectedly lovely in its evocation of the closeness between girls - and the pressures that sunder them' SpectatorTRANSLATED BY LAUREN ELKIN - INTRODUCED BY DEBORAH LEVY

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