Search results for ""author manus"

Researchers faced with using documentary sources for the first time, such as correspondence, diaries, and literary manuscripts, are plunged into a world far different from the familiar library setting, with its card or computer catalogs, bibliographies, and other resource-finding tools. Over and over, studies of research methodology among scholars reveal that they learn by some sort of collegial osmosis and general fumbling about until they figure things out. There is an easier way. Burke explains the professional techniques employed by archivists and manuscript curators, describing what they do and why, so the beginning researcher has a foundation for understanding how to search and access personal papers. Burke surveys problems of organization, access, alternative sources, and legal issues with amusing anecdotes and examples. Research and the Manuscript Tradition is a reflection on using manuscripts for research, administering manuscript and archival collections and institutions, and the lessons learned from teaching a manuscripts administration course for more than twenty years. It provides a solid theoretical base as well as practical advice and a glimpse of the satisfaction that can come from working with personal papers. Contents: Yuan Shih-Kai, Harriet Monroe, and the Manuscript Tradition; The Recovery of Reality; Opening the Doors to Scholarship; Gathering the Evidence; Mapping the Roads to the Past; Tradition Confronts Technology; Organizing a Life; Good Deeds Do Not Go Unrewarded; The Cultural Crypt; Not by Vaults and Locks...; Law, Curatorial Ethics, and the Researcher; Personal Communication in the Electronic Age.

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A catalogue of music manuscripts from the fourteenth to the twentieth centuries in the Houghton Library and the Eda Kuhn Loeb Music Library. Includes descriptions of works by Bach, Liszt, Mahler, Mozart, Purcell, Schoenberg, Schubert, Strauss, Wagner, and many others.

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The first full survey of crucial witnesses to the reception of Piers Plowman. The fifty-plus surviving manuscripts of William Langland's Piers Plowman cast important light on the early public life of this central Middle English work, but they have been relatively neglected by scholarship. This first full study of the subject examines the textual variants, marginal rubrics and companion texts in the manuscripts. It illuminates a reception quite distinct from the reformist poems written by Langland's imitators in "the Piers Plowman tradition". It reveals how the earliest scribes devised various traditional forms of presentation that proved remarkably durable in the poem's subsequent reception, even surviving into the age of print. Exploring Piers Plowman's appearances in the manuscripts, paired unexpectedly with such genres as romance, hagiography and travel literature, the book demonstrates the surprisingly affective responses of medieval readers to the represented lives of the narrator Will and the title figure Piers the Plowman. At the same time, it shows that the evidence for individual scribal agendas in particular copies is more ambiguous than often assumed, with each book reflecting the activities of an unknown number of hands and an uncertain mixture of design and accident. By drawing on evidence from textual scholarship as well as codicological and literary approaches, the author offers fresh insight into Piers Plowman's place in literary history and proposes new ways of understanding the late medieval manuscript as a multi-layered, collaborative product. Sarah Wood is Associate Professor of Medieval English Literature at the University of Warwick

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Llega una nueva aventura de la mariquita Antoñita, la protagonista de esta colección para lectores a partir de 5 años. En esta ocasión, Antoñita se meterá en un buen lío y, sin darse cuenta, irá a parar a un lugar desconocido para ella. Encontrará la ayu

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El calor de esa apretada noche de mayo había desvelado a la señora de Bastidas. Algunas contrariedades de su intensa vida social generaban ese enojoso malestar con más perturbaciones de lo que la elegancia aconsejaba. Por estar atravesando una etapa particularmente prolífica de su insomnio, había adquirido, desde hace algunas semanas, el inusual hábito de sentarse frente a la ventana para ver su pedacito de mundo mantener un orden secreto. Gustaba de contemplar la escena palpitante y misteriosa que deparaba la calle. El perro vagabundo, el viento atropellando bolsas, el vehículo sonámbulo, adquirían a esa hora dimensiones extraordinarias.El corazón le dio un tirón en el pecho ante un suceso que, por lejano a su cotidianidad, le resultó casi inverosímil. Con el sibilino sigilo de los gatos, una misteriosa sombra acababa de atravesar la verja de la casa. Su reacción natural fue -por supuesto- despertar a su esposo; pero no lograba articular palabra. Presionó con fuerza su boca

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This catalogue contains descriptions of Persian medical manuscripts in the collection at UCLA; Persian texts in predominantly Arabic MSS are also listed, without descriptions. “Numerically, UCLA’s collection of Persian medical manuscripts ranks among the first in Western countries. In this catalogue, 135 Persian and two Arabic titles are discussed [ . . . ] Nearly the whole period during which the Persian language has been used for writing on medical subjects is covered by the collection [ . . . ] The earliest author represented is the oculist ‘Zarrindast’ of the late fifth/eleventh century, approximately 100 years after the first appearance of medical writing in Neo-Persian.” [from the Preface]

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A helpful, engaging guide to the revision of scholarly writing by an editor and award-winning author “Pamela Haag has been called ‘the tenure whisperer’ for good reason. Any scholar who hopes to attract a wider audience of readers will benefit from the brilliant, step-by-step guidance shared here. It’s pure gold for all aspiring nonfiction writers.”—Nancy MacLean, author of Democracy in Chains: The Deep History of the Radical Right’s Stealth Plan for America Writing and revision are two different skills. Many scholar-writers have learned something about how to write, but fewer know how to read and revise their own writing, spot editorial issues, and transform a draft from passable to great. Drawing on before and after examples from more than a decade as a developmental editor of scholarly works, Pamela Haag tackles the most common challenges of scholarly writing. This book is packed with practical, user-friendly advice and is written with warmth, humor, sympathy, and flair. With an inspiring passion for natural language, Haag demonstrates how to reconcile clarity with intellectual complexity. Designed to be an in-the-trenches desktop reference, this indispensable resource can help scholars develop a productive self-editing habit, advise their graduate and other students on style, and, ultimately, get their work published and praised.

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Two themes uniting the essays in this collection are the provenance and history of medieval manuscripts during the Middle Ages, and the fates that befell them in England in the period after the invention of printing and the 16th-century dissolution of the religious houses and visitations of the universities. The section 'Libraries and collectors' includes papers on seven major English collectors of the 16th and 17th centuries, and the section 'Manuscripts' concerns the fates of five manuscripts or groups of manuscripts from England, Belgium and Italy. Of the other chapters one is concerned with the post-medieval history of the library of All Souls College, Oxford, and another with the provenance of hundreds of manuscripts in the Harleian collection in the British Library. For this volume Andrew Watson has provided extensive additional notes and indexes.

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In Medieval English Manuscripts and Literary Forms, Jessica Brantley offers an innovative introduction to manuscript culture that uses the artifacts themselves to open some of the most vital theoretical questions in medieval literary studies. With nearly 200 illustrations, many of them in color, the book offers both a broad survey of the physical forms and cultural histories of manuscripts and a dozen case studies of particularly significant literary witnesses, including the Beowulf manuscript, the St. Albans Psalter, the Ellesmere manuscript of the Canterbury Tales, and The Book of Margery Kempe. Practical discussions of parchment, scripts, decoration, illustration, and bindings mix with consideration of such conceptual categories as ownership, authorship, language, miscellaneity, geography, writing, editing, mediation, illustration, and performance—as well as of the status of the literary itself. Each case study includes an essay orienting the reader to particularly productive categories of analysis and a selected bibliography for further research. Because a high-quality digital surrogate exists for each of the selected manuscripts, fully and freely available online, readers can gain access to the artifacts in their entirety, enabling further individual exploration and facilitating the book’s classroom use. Medieval English Manuscripts and Literary Forms aims to inspire a broad group of readers with some of the excitement of literary manuscript studies in the twenty-first century. The interpretative frameworks surrounding each object will assist everyone in thinking through the implications of manuscript culture more generally, not only for the deeper study of the literature of the Middle Ages, but also for a better understanding of book cultures of any era, including our own.

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The manuscripts of Corpus Christi College, Oxford present an extraordinary variety of items, from humanist texts associated with Erasmus to John Dee's alchemical books and many vernacular MSS. This is the first full catalogue, with a large number of illustrations. The College of Corpus Christi, Oxford, was a 'Renaissance' institution both as to its foundation date (1517) and the intention of its founder, Richard Fox, bishop of Winchester. Both Fox himself and his choice as the College's first President, John Claymond, were friends of Erasmus, who approved of the foundation and especially of its library. Fox intended his foundation to be a conduit of Italian humanism to Oxford and to the English clergy. In itsextraordinary variety, this collection is a challenge to the cataloguer. Some manuscripts relate to the programme of the College's founder and first President, but most of the manuscripts reflect the particular interests of collectors from the late sixteenth century onwards. John Dee's books for example, mostly small, unpretentious and often fragmentary or made up of fragments, constitute a gold-mine for the historian of medieval chemistry and alchemy.These are supplemented by an important group of astronomical, arithmetical and medical texts. There is a substantial clutch of twelfth- and thirteenth-century manuscripts from Lanthony Priory. Noteworthy, too, is the large number of manuscripts in several vernaculars: Old and Middle English and French, Old Irish, Catalan, and even a few words of fifteenth-century Czech. The bindings of the Corpus manuscripts have been wholly neglected. Many books retain important medieval bindings, some as early as the twelfth century, and a substantial number of beautiful blind-stamped bindings of the late fifteenth and sixteenth centuries. A special place in the collection is occupied by the approximately 1, 200 manuscript fragments, taken from bindings of books in the library in the late nineteenth century.

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Deir al-Surian, the famous Monastery of the Syrians in Egypt, has long been known for its unique collection of Syriac, Coptic, Arabic, and Ethiopian manuscripts. This catalogue provides detailed descriptions of the 48 Syriac manuscripts (many of them composite) and the more than 180 fragments that are preserved in the Monastery today. Ranging in date from the 5th to the 18th century and with a majority of them being earlier than the 10th century, the manuscripts present us with major authors and works of the Syriac literary tradition. They include biblical texts (among them the earliest dated Gospel manuscript in any language), original Syriac compositions, and translations from Greek and (occasionally) Coptic. Several works were previously unattested. Connections with manuscripts from Deir al-Surian that are preserved in European collections (primarily the British Library) are indicated wherever relevant. Colophons and various kinds of notes by scribes, readers, owners, and occasional visitors also receive attention, thus allowing interesting glimpses into the history not only of individual manuscripts, but also of the Monastery and its library. Accompanying the catalogue is an album containing more than 300 pages of images.

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Benjamin Messer se encuentra ante el reto profesional más importante de su vida: descifrar unos manuscritos en arameo.El paleógrafo Benjamin Messer se encuentra ante el reto profesional más importante de su vida: descifrar unos manuscritos en arameo, datables en los inicios de la era cristiana, que han sido hallados en un lugar próximo a la Magdala bíblica. Los manuscritos parecen una autobiografía, en forma de confesión, de un tal David Ben Jonah, un hombre que vivió acontecimientos históricos bajo el peso de la culpa por las repercusiones de su flaqueza espiritual. Como ese remoto escritor, Benjamin es un escéptico. Pero un escéptico progresivamente invadido por el espíritu de David, embarcado sin quererlo en un doloroso camino de iniciación que le llevará a una nueva plenitud.

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The illuminated manuscripts of the Middle Ages are among the greatest works of European art and literature. We are dazzled by them and recognize their crucial role in the transmission of knowledge. But we generally think much less about the countless men and women who made, collected and preserved them through the centuries, and to whom they owe their existence.This entrancing book describes some of the extraordinary people who have spent their lives among illuminated manuscripts over the last thousand years. A monk in Normandy, a prince of France, a Florentine bookseller, an English antiquary, a rabbi from central Europe, a French priest, a Keeper at the British Museum, a Greek forger, a German polymath, a British connoisseur and the woman who created the most spectacular library in America - all of them were participants in what Christopher de Hamel calls the Manuscripts Club.This exhilarating fraternity, and the fellow enthusiasts who come with it, throw new light on how manuscripts have survived and been used by very different kinds of people in many different circumstances. Christopher de Hamel's unexpected connections and discoveries reveal a passion which crosses the boundaries of time. We understand the manuscripts themselves better by knowing who their keepers and companions have been.In 1850 (or thereabouts) John Ruskin bought his first manuscript 'at a bookseller's in a back alley'. This was his reaction: 'The new worlds which every leaf of this book opened to me, and the joy I had in counting their letters and unravelling their arabesques as if they had all been of beaten gold - as many of them were - cannot be told.' The members of de Hamel's club share many such wonders, which he brings to us with scholarship, style, and a lifetime's experience.

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Una familia de escarabajos peloteros ha llegado al jardín. Trabajan de noche y molestan a los habitantes del jardín. Antoñita tiene la solución al problema.

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Buddhist temples in Southeast Asia are centres for the preservation of local artistic traditions. Chief among these are manuscripts, a vital source for our understanding of Buddhist ideas and practices in the region. They are also a beautiful art form, too little understood in the West. The British Library has one of the richest collections of Southeast Asian manuscripts, principally from Thailand and Burma, anywhere in the world. It includes finely painted copies of Buddhist scriptures, literary works, historical narratives, and works on traditional medicine, law, cosmology and fortune-telling. This stunning new book illustrates over 100 examples of Buddhist art in the Library's collection, relating each manuscript to Theravada tradition and beliefs, and introducing the historical, artistic and religious contexts of their production. It is the first book in English to showcase the beauty and variety of manuscript art and reproduces many works that have never been photographed before.

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