Search results for ""Spinifex Press""

A guide to therapy, Beyond Psychoppression explores the intersection between the personal and the political. Betty McLellan surveys the development of psychotherapy and exposes the oppressive techniques of Freudian psychoanalysis, humanistic therapies, lesbian sex therapy, and new age and popular therapies. She challenges the myths about women's mental and emotional illness.

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I hope with the women who break their silence and contribute to this survey some very much needed changes will take place. God knows we need them.This book is the result of a nationwide survey of 2300 letters from women and 97 from men about rape and sexual abuse. Patricia Easteal analysed the materials primarily from women who have experienced abuse from husbands, estranged husbands, relatives, dates, bosses, priests, acquaintances and strangers.

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Who invented hieroglyphics? Who did Einstein’s mathematics? Who led the defence of Viet Nam in 40 AD? Who invented the first computer? Who built the pyramid at Giza? Who developed the merino sheep? Who was the first writer in the world? Who invented the wheel? All were women. When the next person asks: Where are all the famous women artists/inventors/architects/writers/scientists? – this book will make it easy to find their names.

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Once she had reconciled herself to the view that a garden snake, however beautiful, was not evil, Suniti decided to set about the matter in a more businesslike way. She put an ad in the paper: ‘Elderly gentlewoman seeks to make a bargain with the devil’. Where are good and evil to be found? What is the path to sainthood? Is it through poetry or good deeds? St Suniti talks to angels and flowers, dragons, saints and ordinary people in her quest. Suniti Namjoshi has original imagination full of surprises encompassing saints and wolves, Beowulf and Bangladesh, Grendel and Star Trek.‘It’s hilarious, witty, elegantly written, hugely inventive, fantastic, energetic, up to the minute, analytic, touching…

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Getting your man, getting the right man, is not always easy. But women whether they be pieceworkers, housewives, artists, business women or farmers, know just how to get their man. In the tradition of Thelma and Louise, women’s revenge drives these stories.

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Here the shadows of the plants were miraculously distinct. She noticed the separate grains of earth in the flower beds as if she had a microscope stuck to her eye. She saw the intricacy of the twigs of every tree. —Virginia Woolf, Orlando Inspired by the writing of Virginia Woolf and the painting of Georgia O’Keefe, Lariane Fonseca uses the camera as a medium through which to depict the ‘passion of flowers’. This selection of her flowers showcases the breadth of her interest in nature’s contribution to the visual beauty and sensuality in our lives. It demonstrates her sensitivity and skill – a skill that reaches far beyond her comment – ‘I just take pictures’.

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The pathology of patriarchy, the idea that one group of people should control another—even own them, own even life itself—is at the core of today’s crises. The End of Patriarchy asks one key question: What do we need to create and maintain stable, decent human communities that can remain in a sustainable relationship with the larger living world? Robert Jensen’s answer is feminism and a critique of patriarchy. He calls for a radical feminist challenge to institutionalized male dominance; an uncompromising rejection of men’s assertion of a right to control women’s sexuality and reproduction; and a demand for an end to the violence and coercion that are at the heart of all systems of domination and subordination. The End of Patriarchy makes a powerful argument that a socially just society requires no less than a radical feminist overhaul of the dominant patriarchal

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In this moving collection of poems, award-winning writer Sandy Jeffs shares her journey through madness over four decades, drawing inspiration from Lewis Carroll’s Alice in Wonderland and the motley gathering of characters at the Mad Hatter’s tea party. Both delightful and insightful, playful and serious, witty and whimsical, The Mad Poet’s Tea Party provides a devastating commentary on how our society treats those with mental illness from the perspective of someone who has experienced all its interventions. It captures in poetic form the enigmas and contradiction in madness.

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The history of Coogee’s McIver’s Ladies Baths – Australia’s only ocean pool reserved for women – is eloquently told in these stories from women who have found friendship, sanctuary and sheer pleasure as they have gathered and swum at ‘the Women’s Pool’. Humorously told tales of encounters at the pool sit together with stories of sorrow and regret. Older women tell of the history of the pool and the famed ‘Thursday Married Ladies Club’; younger women detail their delight at the natural beauty, the safety and the sense of freedom that the pool offers. No aquatic manspreading here. In this book, women from a diverse range of cultures reveal the role that the women’s pool has played in their lives. From the ‘365ers’ who brave the elements all year round to the younger women who seek summer sun on the rocks, a picture emerges of a place of natural beauty and a space for women to simply be themselves.

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What do you do when you fall in love with your next-door neighbour? You peer at each other through a hole in the fence and eventually climb over. Sybil is a member of The Good-Hearted Gardeners, a Society for Well-Meaning Efforts for the Betterment of Language and the Salvation of the Planet, which her lover, Demo, is allowed to join. It’s funded by MI5, who ask them to monetise and weaponise the English language. Soon afterwards they discover that English is even more widespread than anyone had thought. Even the birds and the fish, the cows and the kangaroos can speak it – when they choose. The Good-Hearted Gardeners set about trying to talk to anyone – crows, magpies, robins, goldfish, cows, horses, rats, mice – who will talk to them. With climate change and technology gone mad, what’s in store is a frightening scenario that threatens everyone – humans, animals, plants. Can the headlong rush to extinction be halted? When the birds, and the cows and the horses and the mice and all the rest come together, much is made possible. But at what cost? Will the planet and its inhabitants be saved? A comedic allegory for our future.

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In My Sister Chaos two sisters escape an unnamed war-torn country into separate lives of exile. The cartographer is obsessed with keeping the world in order, but finds it unraveling under her own demands. Her sister, an artist, arrives unexpectedly. Her very presence is a sign of chaos for the cartographer. But in spite of this, the sister has a firm grip on the real world, and a greater connection to the past. Chaos and order in tension provide the scaffolding for this compelling work of fiction. Presented within a world of obsession and trauma it asks whether any of us is immune to the forces of destruction.

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Horses and women have always shared a bond. Why else do little girls plaster their schoolbooks with pony pictures? Why do women spend weekends devotedly mucking out paddocks? Or willingly go out in public wearing tight, unforgiving, pale jodhpurs? How is it that otherwise fastidious females cheerfully fill their cars with hay, their nails with dirt and their boots with mud, while turning out gleaming horses, with barely a tail-hair out of place? It seems that in days when urban sprawl is overtaking paddocks and trails, and country life seems so far away, little girls (and big ones!) still dream of horses.

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An anomalous kiss. A white turtle ferrying the dreams of the dead. A working siesta in a five-star hotel. A woman’s twelve-metre hair trawling corpses from a river. Or a queue of longings in Darlinghurst. These enigmatic tales are stories of chance and hope. Alternately mythic, wistful or quirky, Merlinda Bobis’ tales resonate with an original and confident storytelling voice. Published as The Kissing in the United States.

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I had thought once that I felt most at home in a plane in mid-air, but that isn’t true. I belong to India and to the West. Both belong to me and both reject me. I have to make sense of what has been and what there is.Suniti Namjoshi traverses the cultures of the East and of the West. She muses on the patterns of her life, and of the impact of colonisation, both the resistances and the acceptances of it. Growing up a princess in the ruling house of Maharashtra, the two most important relationships in her life were with her grandmother, the Ranisaheb, and with Goja, the servant woman who slept beside her bed.When she was ten her test pilot father was killed in an air accident and Suniti was sent away to boarding school. After working in the Indian Civil Service for some years, she decided that she wanted to be a poet and she moved to the West. In the US and Canada she became just another brown-skinned immigrant without the privileges of her childhood.

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