Search results for ""Scheidegger und Spiess AG, Verlag""
Scheidegger und Spiess AG, Verlag Haiti: The Perpetual Liberation
Haiti has long been known as a benighted place of poverty and corruption. Even before the 2010 earthquake destroyed much of the country, it was beset by difficulties inextricably rooted in its history of rebellion and revolution. Since gaining independence from France in 1804, following the only successful slave revolt in the history of the world, Haiti s past has been characterized by dictatorships, serious conflict, and near-constant social and political unrest, as the country struggles to define its independence and realize its promise. Haiti: The Perpetual Liberation collects 140 photographs of Haiti by Swiss photographer Thomas Kern, taken in black and white with an analogue camera over the course of twenty years of travel there. As the photographs demonstrate, the people of Haiti remain determined to realize the country s promise in the face of crushing poverty and crisis, and, behind the barrage of bad news that dominates its public image, it is a country full of hope and life. The photographs, which make up the first part of a four-part boxed set, are joined by three separate text booklets each in one of three languages: English, German, and Creole that feature texts by Kern on his work and his approach to the country, as well as two essays by Swiss journalist Georg Brunold and Haitian novelist Yanick Lahens that provide context and commentary for the images and discuss the country s people and culture, and its enduring political conflict. A powerful photographic portrait, Haiti: The Perpetual Liberation shows a different, more personal and therefore also more ordinary view of the troubled country that reaches beyond what we think we know about Haiti.
£31.50
Scheidegger und Spiess AG, Verlag Science in Sight: Scientific Photography from ETH Bibliothek's Image Archive
Since its early days, photography has been both a tool of and subject for scientific research. Developments in photochemistry, camera construction and lense refinement made photography an extremely successful mass medium. At the same time, photography served scientific research as a key medium for observation, documentation, education and communication. ETH-Bibliothek, the main library at ETH Zurich, is holding in its Image Archive vast collections of photographs. Among them is the complete collection of the university's own Photographic Institute, an independent service and research unit between 1886 and 1979. This new book documents both the main aspects of scientific photography, illustrating the research of many disciplines while being the subject of basic research itself. Using a rich selection of images, ranging from astronomical and micro-photography, to laboratory situations and carefully illuminated experimental installations. The introductory essay investigates the interplay between photography and the world of science, and tells the story and changing role of the Photographic Institute.
£40.50
Scheidegger und Spiess AG, Verlag Badain Jaran: The Forgotten Desert
Badain Jaran: more than 19,000 square miles of endless openness, sand dunes up to 1,600 feet tall and mysterious saltwater lakes. Badain Jaran is part of the Alashan desert, south-west to the Gobi in the Inner Mogolia province of China. It is a place that has been discovered by American scientists on satellite images in the 1980s only, and that has miraculously been kept hidden to most people since. In 2009 - 12, photographic artist Carlos Crespo realised a vast photo essay on the unique, spectacular, and very remote landscape of Badain Jaran. Crespo had to deal with extreme cold in winter and violent sandstorms in spring and autumn in a barely inhabitable environment. Over time he got in contact with some of the few Mongolian herdsmen living on the fringes of the desert and won their confidence and sympathy. This allowed him also to make portraits of these people and document their way of living. The new book 'Badain Jaran' is meant to make this extraordinary place a symbol and metaphor for all untouched natural sites, reflecting their importance and the necessity of their protection from being turned into ever more tourist attractions.
£49.50
Scheidegger und Spiess AG, Verlag Mirko Baselgia: Primum
The oeuvre of Swiss artist Mirko Baselgia, born 1982, has been carefully selected, using a combination of different materials. With references to architecture, (art) history, and classical music, his sculptural works symbolise, both in form and substance, the relationship between the individual and the environment; while additionally reflecting current sociopolitical issues. Mirko Baselgia ranks among the top most promising young artists in Switzerland. He has recently been awarded the renowned Kiefer-Hablitzel Prize and the Manor Art Award Chur, and the Bundner Kunstmuseum Chur staged Baselgia's first solo museum exhibition in spring 2013. This first monograph presents a range of his work, further illustrated by a conversation between the artist, and curator Stephan Kunz.
£27.00
Scheidegger und Spiess AG, Verlag Sites and Signs: Photographs by Georg Aerni
Georg Aerni is a photographic artist with a particular interest in architecture. Educated as an architect himself, he has been working with the camera on this subject with great precision and consistence for the past fifteen years Paris, Barcelona, Hong Kong, Mumbai and Tokyo: each metropolis is also a zone where mankind's will to create is driving constant change. Aerni documents this change in scrupulously prepared and carefully designed series of images. But also when he focuses on receding glaciers in the Alps, his studies of cages in zoological gardens and of mankind's interventions in nature, the extraordinary carefulness and quality inherent to all of Aerni's work is captivating. It sets his oeuvre in sharp contrast to the quickly done, impromptu photography that has become so widespread in recent years. Sites and Signs is the first comprehensive monograph on Aerni's photographic work. The book presents his complete work with an emphasis on the most recent series. Essays on his work in the context of contemporary photography and on images of architecture and landscape, and a complete catalogue of Aerni's oeuvre so far round out the book.
£81.00
Scheidegger und Spiess AG, Verlag H.P. Weberhans: Sculptures
H.W. Weberhans has been an individualist throughout his career whose art has flourished primarily outside the established art world and its institutions. His art shows great clarity in shape and at the same time puts to question our conventions of perception. Weberhans' work includes sculpture in stone, installations, painting, drawing, video and photography. This book is the first comprehensive overview of Weberhans' oeuvre as a sculptor. It also presents his more recent work as a painter, the 'Schone Bilder' (Beautiful Images), and documents his first major exhibition, 'Affenherz' (Monkey's Heart) in 1985 at the Kunsthaus Zurich, which caused a minor public scandal. Essays on Weberhans' life and work complement the images.
£67.50
Scheidegger und Spiess AG, Verlag Spatial Sequences and Urban Infrastructure: Graber Pulver at ETH Zurich
Marco Graber and Thomas Pulver founded their architectural studio in 1992 after graduating from the Swiss Federal Institute of Technology Zurich (ETH Zurich) and working with Cruz Ortiz Architects in Seville and Torres & Martinez-Lapena in Barcelona respectively in 1990-91. Since then Graber Pulver Architects, located in Zurich and Berne, have realised many projects for private and public clients in Switzerland and gained recognition nationally and internationally. Their work has been published in numerous books and magazines in Switzerland and abroad. Marco Graber and Thomas Pulver have been lecturing as visiting professors in the Swiss Federal Institute of Technology Zurich's M.A.-program in architecture in 2006-08, maintaining a close interaction between their method of teaching and design research and the practical work in the studio. "Spatial Sequences and Urban Infrastructure" gives an insight into Graber Pulver's working methods, focusing on their search for the contextual roots and for the specific space and form. The leading idea is that, besides of its natural properties, the infrastructural reservations and links of a territory are crucial for the physical development of our urban landscape. At the same time the form, which has to meet a multitude of demands, is determined by the fact that the quality of a space can be judged and developed only by moving within that space. A second, lavishly illustrated part of the book presents work by students of Graber Pulver's course at the Swiss Federal Institute of Technology Zurich. The topics for the four terms determined concrete architectural tasks and resulted in a vast variety of inspiring and radical solutions. Accompanying essays further investigate the topics of the course and provide additional background information on the student's tasks.
£36.00
Scheidegger und Spiess AG, Verlag Leonardo Bezzola Photographs 19482007
£54.00
Scheidegger und Spiess AG, Verlag Ernst Scheidegger: Photographer
Ernst Scheidegger (1923–2016) ranks among Switzerland’s most distinguished 20th-century photographers. His portraits of artists made his name internationally. Scheidegger’s photographs of Alberto Giacometti at his Paris studio or in his native Val Bregaglia in Switzerland continue to shape the public image of this celebrated artist today. Marking the centenary of Ernst Scheidegger, who was also the founder of the Scheidegger & Spiess publishing house, this book offers a fresh and contemporary look at his multi-faceted body of work. It is based on an extensive reappraisal of his estate and features a concise selection of iconic and lesser-known images that demonstrated Scheidegger’s prowess as a portraitist. More importantly, however, the volume enables an encounter with Scheidegger’s hitherto little-published early work and thus undertakes a reassessment of his entire oeuvre. Essays by Tobia Bezzola, art historian and director of the MASI Lugano, Alessa Widmer, curator and artistic director of Photo Basel art fair, and Helen Grob, Scheidegger’s long-time companion, trace his career and self-concept as a photographer. A biography and brief texts on a selection of key examples of Scheidegger’s art round off this beautifully designed photo book.
£45.00
Scheidegger und Spiess AG, Verlag Alberto GiacomettiTime Passes Too Soon
Alberto Giacometti (19011966), one of the most significant figures in 20th-century art, was throughout his life closely attached to his family, and in particular to his parents Giovanni and Annetta Giacometti, in their native Swiss village of Stampa. At least once a week he wrote to his parents to keep them up-to-date on everything important to him, maintaining this routine even when a telephone was installed at their house in the remote Val Bregaglia. Their entire correspondence comprises more than 1,000 letters.For the first time ever, excerpts from this body of documents are now published in this volume. They reveal fascinating insights into this close family relationship and the manifold exchanges about core issues of Alberto's life and work as an artist. The letters tell of his artistic education in Switzerland and the early years in Paris his studies at the art academy and encounters with the avant-garde, his joining with and later turning away from the Surrealist movemen
£28.80
Scheidegger und Spiess AG, Verlag Alpine Passes of Switzerland: Journey to Modernity
For centuries, the Alps were an almost insurmountable barrier on the way from Europe’s north to the south, and vice versa. The Romans replaced some of the ancient narrow transalpine mule tracks with their famous roadways. Paved roads were introduced in the 19th century, soon followed by railroads with impressive bridges, viaducts, and tunnels. Today, 120 safe and comfortable highways and roads, as well as high-capacity railroad lines, serve as indispensable transit routes for Europe’s people and economies. Without these passages, Switzerland would be an entirely different country: socially, culturally, economically, and militarily. Through some 80 large-format colour and black-and-white images, Alpine Passes of Switzerland demonstrates the boldness of the country’s modern Alpine crossings, their infrastructure and beautiful landscapes. Additional historic photographs convey earlier generations’ courage and pioneering efforts to build the roads and railtracks that connect Europe’s nations. Supplementary essays trace the history of the Alpine passes and highlight their significance for Swiss national identity, explain their military importance, and describe the vision that preceded the construction of new base tunnels across the St. Gotthard and Lötschberg massifs between 1994 and 2016: the future of rail transit across the Alps lies deep underground.
£67.50
Scheidegger und Spiess AG, Verlag Lang/Baumann. Models
Swiss artists Sabina Lang and Daniel Baumann have been collaborating since 1990, gaining much international recognition as Lang/Baumann (or L/B). Their collaborative work comprises installations, sculptures, murals, and floor paintings, as well as architectural interventions. Models play a key role in their creative process. This book brings together for the first time all the models that L/B have made for the projects they have pursued over 33 years. It thus forms a complete catalogue of their oeuvre to date in miniature format, featuring also those projects that were never developed beyond the model stage. A model can serve three purposes: three-dimensional sketch, test of a concept, or presentation. L/B use all three types. The sketch model is quickly made, fragile, and merely manifests a thought. The working model is used to try to test formal or technical details. The presentation model is made to show the result once the design process is complete, and this is usually elaborately built. Some 120 colour illustrations are supplemented by two essays on iconography in Lang/Baumann’s work and on the playful aspect of model making. A conversation with Sabina Lang and Daniel Baumann rounds off the book.
£22.50
Scheidegger und Spiess AG, Verlag Seen From Here: A photographic-literary encounter with buildings by Aebi & Vincent Architekten
For more than 25 years, Swiss architects Bernhard Aebi and Pascal Vincent have been running their practice with offices in Bern and Geneva. Housing is one of the firm’s main fields of activity, yet it has also won a number of high-profile public commissions, such as the restoration and reconstruction of Switzerland’s national parliament building in Berne, the renovation of the Swiss National Bank’s Berne headquarters, and the south wing of Zurich’s main train station. The images by photographers Adrian Scheidegger and Alexander Jaquemet, both longtime companions of the architects, demonstrate how the spaces they created gradually and naturally integrate with their environment. Writer Gianna Molinari joined Scheidegger and Jaquemet on their expeditions to Aebi & Vincent’s buildings. Her literary snapshots supplement the images in this volume, stimulating our imagination of the inner life of these structures and their occupants.
£49.50
Scheidegger und Spiess AG, Verlag Wolfgang Beltracchi: The Return of Salvator Mundi
In recent years, painter and legendary art forger Wolfgang Beltracchi has opened a new chapter of his career. The core of his latest work is an extensive series of paintings, titled The Greats, that have been put on sale as digital artworks using NFT technology. Its starting point was the Salvator Mundi, a painting attributed to Leonardo da Vinci and sold in 2017 in an auction at Christie’s in New York for $450m to an unknown buyer. Beltracchi studied the picture meticulously and created several hundred versions of the motif in a variety of styles, ranging from high renaissance to pop art, or depicting Jesus in the personification of Mick Jagger or Mao Zedong. The result is a fascinating game of deception with the disputed painting and its symbolism. This large-format book combines photographic insights into Beltracchi's everyday life in the studio by renowned Swiss photographer Alberto Venzago with a documentation of The Greats collection. Texts are contributed by Stanford University professor emeritus Hans Ulrich Gumbrecht, German philosophers Peter Sloterdijk and Markus Gabriel, German journalist Ulrike Posche, German finance executive Leonhard Fischer, Swiss-based cryptocurrency and NFT expert Hansen Wang, Swiss art dealer Guido Persterer, and Alberto Venzago. A conversation between Beltracchi and Swiss writer and philosopher René Scheu rounds out this volume that describes and interprets the phenomenon of this extraordinary artist from a range of perspectives.
£37.80
Scheidegger und Spiess AG, Verlag Rochus Lussi—Thin Skin: Works 1992–2023
Swiss artist Rochus Lussi, born in 1965, examines the individual’s existence in the mass. Issues of vulnerability, sensitivity, and defensibility are also key topics of his art, for which he mainly employs the mediums of sculpture and installation, but also drawings and performance. This first monograph on Lussi offers a broad survey of his work from 30 years, featuring small and multi-part installations, wood sculptures, works on paper, and photographs of his performance actions. The human figure is at the core of his early works, yet over time this begins to dissolve, and forms from everyday life, structures, draperies, surfaces of different body worlds come to the fore. The comprehensive visual presentation of Lussi’s oeuvre is supplemented with essays contributed by art historians, curators, and art educators. Text in English and German.
£63.00
Scheidegger und Spiess AG, Verlag Marguerite Saegesser: American Monotypes
Marguerite Saegesser (1922–2011) achieved fame in the US, her adopted country for many years, where her prints and paintings were repeatedly shown in group and solo exhibitions in California and New York over a period of two decades. In her native Switzerland, however, the artist and her multifaceted oeuvre are yet to be discovered. This book fills this gap, featuring Saegesser’s art with a special focus on the monotype, a printing technique developed in the 17th century and producing only a single original at a time. It also demonstrates how Saegesser, who initially studied sculpture in Lausanne, found her artistic destiny in America. Key to her evolution was San Francisco’s lively art scene of the late 1970s, and in particular the painter Sam Francis, an outstanding representative of action painting and abstract expressionism, who became her friend and precursor. His fascination with the monotype quickly transferred to Saegesser, who soon achieved mastery in it and made a significant contribution to the revival of the historic technique. Text in English and German.
£31.50
Scheidegger und Spiess AG, Verlag Paul Klee: The Sylvie and Jorge Helft Collection
Drawing occupies a prominent place in the work of Paul Klee (1879-1940). Klee attached great importance to drawing and in particular to the line as the principle from which the realisation and visual generation of an idea emanates. This aspect is also a core interest of collectors Sylvie and Jorge Helft, who over almost five decades have assembled some 70 of Klee's pencil, pen and pastel drawings, as well as watercolours, etchings, and lithographs, which the artist has created between 1914 and 1940. The Helff’s Klee collection forms an extraordinarily coherent whole. This book, published in conjunction with an exhibition at the Museo d'arte della Svizzera italiana (MASI) in Lugano from 4 September 2022 to 8 January 2023, features for the first time this unique selection from Klee’s oeuvre. A conversation with Sylvie and Jorge Helft by MASIS’s director Tobia Bezzola and essays by philosopher Francisco Jarauta, art and literary critic Juan Manuel Bonet, and art dealer and curator Achim Moeller supplement the full colour plates.
£37.80
Scheidegger und Spiess AG, Verlag Alfredo Haberli Verbal Doodling
Alfredo Häberli, who was born in Buenos Aires in 1964 and has been working from Zurich since the 1980s, is one of the world's most widely acclaimed product designers. Major international brands such as BMW, Camper, Georg Jensen, Iittala, Luceplan, Moroso, Schiffini, or Vitra are among his clients, for whom he has designed furniture, lamps, objects, tableware, or even entire interiors. Häberli''s work has been shown in numerous exhibitions throughout Europe and has earned him many awards over the years.In the first of this book's two volumes, Häberli looks back at the people, places, and objects that have influenced him and shaped his ideas and creative process. He tells of his visits with the great Italian designers, the British and American role models influencing him, and about inspiring exchanges with colleagues such as Konstantin Grcic, Jasper Morrison, or Patricia Urquiola. Moreover, his encounters with visionary entrepreneurs, and the places, locations, and objects that
£37.80
Scheidegger und Spiess AG, Verlag Dominique Bondy
Dominique Bondy, born in Zurich in 1946, created an extensive artistic oeuvre starting in her youth, and later also alongside her studies of comparative literature and Romance philology and her work as a psychoanalyst. It comprises pen and ink drawings and paintings in an art brut style, as well as surrealistic collages. In the 1980s and 1990s her works were displayed in several gallery exhibitions in Zurich. This is the first book to be published about Bondy’s art. The volume highlights what Bondy is concerned with in her artistic work: tracing her own life in order to find herself. The full colour plates are accompanied by Bondy’s own poems, which she writes in French, English, and German, some of which were written specifically for this book. The text contributions come from the writer and philologist Iso Camartin and the art historian Marianne Karabelnik. Reflections on her biography and art by Dominique Bondy herself round out the book. Text in English and German.
£45.00
Scheidegger und Spiess AG, Verlag Studio Mirko Baselgia: )in(out) till sundown
Swiss artist Mirko Baselgia, born in 1982, already made a name for himself internationally in the first decade of his career. Baselgia works within the context in which he lives and with the conditions available to him. His works appear to be calm and soulful, unassuming and endless. They invite the viewer to pause and reflect on their place on planet earth. Philosophical and scientific questions are reflected by means of the local, natural, and recycled materials Baselgia uses. This book offers a snapshot of Mirko Baselgia’s current creativity and is published in conjunction with an exhibition at the Kunst(Zeug)Haus Rapperswil-Jona. Its subtitle )in(out) till sundown refers to a quote by the Scottish-American author John Muir (1838–1914): “I only went out for a walk, and finally concluded to stay out till sundown, for going out, I found, was really going in.” Baselgia’s art also stimulates reflection on the meaning of inside and outside, the boundaries that separate us from our surroundings, as well as their permeability. Text in English and German.
£22.50
Scheidegger und Spiess AG, Verlag Sur Papier. Su Carta: Mingjun Luo, Francine Mury, Jiang Zuqing, Sivan Eldar
Paper has been irreplaceable for centuries in the communication and transmission of knowledge. In spite of the digital revolution, paper remains an essential vehicle for the production of art, whether in drawings, painting, the creation of objects, or in the context of site-specific installations. In the urgent need to give material substance to our ideas and experiences, we capture them on paper. In the artistic treatment of this medium, our cultural practices are transcribed onto the paper along with the intended messages. Sur Papier. Su Carta explores paper as a unifying element in the encounter and confrontation of artistic practices with different cultural origins. It opens up a dialogue in which hybrid identities and the cultural spaces between East and West are negotiated, as illustrated by working processes and works on and with paper by Sivan Eldar (USA), Mingjun Luo (Switzerland/China), Francine Mury (Switzerland), and Jiang Zuqing (China).
£40.50
Scheidegger und Spiess AG, Verlag Franz Bucher. Picture Fields
In recent years, Swiss artist Franz Bucher, born in 1940, has produced an extensive series of paintings which he simply titles Fields: lavender, dandelion, rapeseed, and poppy fields congruent with the canvas to form a pictorial field. Yet Bucher’s objective is not primarily the pictorial. Rather, it is more about the two-dimensional space which is given an inherent structure by the largely monochromatic primary colours he uses, as well as his dynamic brushstroke. It becomes apparent that most of the artist’s oeuvre since the early 1970s has been determined by the metrical rhythm in his use of colour. Bucher’s paintings constitute actual energy fields. This new monograph offers a retrospective of Bucher’s entire body of work from the vantage point of his recent pictorial fields. It thus illustrates his true artistic intentions independently of the context of his chosen motifs. Text in English and German.
£49.50
Scheidegger und Spiess AG, Verlag Prix Elysée: The Nominees’ Book 2020–2022
The Musée de l’Elysée in Lausanne, one of the most renowned photography museums in Europe, has awarded the Prix Elysée biannually since 2014. Young photo artists are invited to submit a photo book project with the prize being the realisation of the winning submission, which constitutes a major step in an artist-photographer’s career. This book documents the Prix Elysée’s fourth edition. It features the work submitted by the eight nominees Alexa Brunet, Arguine Escandón & Yann Gross, Magali Koenig, Thomas Mailaender, Moises Saman, Assaf Shoshan, Alys Tomlinson, and Kurt Tong. Sketches, first drafts, and photographic studies illustrate the progress of their projects, from initial concept to image selection and design. Conversations with the artists published alongside reflect on their close collaboration with the museum and expand on the visual portfolios. The individual creative process thus becomes visible, and at the same time, a cross-section of contemporary art photography production emerges. Text in English and French.
£31.50
Scheidegger und Spiess AG, Verlag Magdalena Abakanowicz à Lausanne
A pioneer of the Nouvelle Tapisserie (New Tapestry) movement, Polish artist Magdalena Abakanowicz (1930–2017) revolutionised the practice of weaving in the 1960s. She elevated this craft to the status of sculptural expression, using the possibilities of organic fibers such as wool, sisal, and linen as living, malleable materials to realise her artistic vision based on the observation of nature and man. Her spectacular wall-mounted and spatial woven works made her name internationally and marked several editions of the Biennale of Tapestry, held in the Swiss city of Lausanne between 1962 and 1995. This French-language book illuminates the crucial role that Lausanne played at the beginning of Abakanowicz’s international career and in her artistic explorations. Her reflections and creative paths are juxtaposed with places and encounters in Lausanne and the rest of Switzerland: the Bienniale of Tapestry and the Alice Pauli Gallery, local patrons and collectors of art, scholars, and friends. Text in French.
£28.80
Scheidegger und Spiess AG, Verlag Angus Taylor: Mind Through Materials
South African sculptor Angus Taylor, born in Johannesburg in 1970 and alumnus of the University of Pretoria, is known mainly for his monumental works. For these, in addition to the classic bronze, he uses a selection of materials special to his immediate environment: black granite, red jasper, straw, and the red earth of the Pretoria region. In the symbiosis of these materials with traditional artistic craft techniques, distinctly contemporary works arise, which Taylor pioneeringly positions as figurative landmark sculpture. This first-ever monograph on Angus Taylor offers a comprehensive survey of his oeuvre to date. Key works from his entire career since the founding of his studio Dionysus Sculpture Works in 1997 are featured in full colour illustrations throughout. The essays discuss Taylor’s methods, practices, and personal philosophies and put his work is context within South Africa’s social situation as well as with his own biography. The book offers a much welcomed profound introduction to Angus Taylor’s innovative and characteristic body of work.
£49.50
Scheidegger und Spiess AG, Verlag A Feeling of History
While completing the Almannajuvet Zinc Mine Museum in southern Norway in 2016, celebrated Swiss architect Peter Zumthor asked Norwegian scholar Mari Lending to engage in a dialogue about the project. Departing from the ways in which Zumthor's pavilions frame the barely visible traces of the industrial exploitation of zinc in the 1890s, the conversation took unexpected turns. In meandering, impressionistic style and drawing on Zumthor's favourite writers, such as Johann Peter Hebel, Stendhal, Vladimir Nabokov, and T.S. Eliot, their exchanges explore how history, time and temporalities reverberate across the famous architect's oeuvre. Looking back, Zumthor ponders on how a feeling of history has informed his continuous attempts of emotional reconstruction by means of building, from architectural interventions in dramatic landscapes to his design for the redevelopment of Los Angeles' LACMA on a grand urban scale. This small, beautifully designed new book records the conversation between Zumthor and Lending, illustrated with photographs by the renowned Swiss architectural photographer Helene Binet.
£22.50
Scheidegger und Spiess AG, Verlag Secret Garden: Indian Paintings from the Porret Collection
Paintings from the Indian subcontinent bedazzle the viewer with their minute details, colours and aesthetic qualities. Relatively modest in size, they often illustrate historical events, religious texts and poetry, or document life at court. Painted with watersolved pigments on paper, they invite closer observation and allow insight into the artistic traditions of India. "A Secret Garden" is the name of an outstanding private collection of Indian paintings. It comprises works spanning seven centuries from the time of the Sultans (1206-1526) through to the nineteenth century. This new book features a selection of 105 artworks from Danielle Porret's collection. Each entry provides a stylistic analysis of the painting as well as a discussion of the subject matter by leading experts in the field of Indian painting. Museum Rietberg Zurich is one of Europe's leading museums for non-European art.
£27.00
Scheidegger und Spiess AG, Verlag Charlotte Perriand: Complete Works 1940-1955, Volume 2
Charlotte Perriand (1903-99) is undoubtedly one of the most significant figures in 20th-century interior design. She was one of the pioneers in introducing the metal tube as building material for furniture, paving the way for machine age aesthetic in interiors in the 1920s and 1930s. Together with Le Corbusier and Pierre Jeanneret she created a number of iconic classics, such as the chaise-longue LC4, the armchair LC2, or the sling chair LC1. This second part of the new three-volume monograph on Perriand covers the period 1940-55 with her extensive stays in Japan 1942-42 and 1953-55, and with her designs for the reconstruction in France after WW II. It also investigates extensively her collaboration with Jean Prouve 1952-55. Moreover, the new volume looks at her work together with with Jeanneret and again also Le Corbusier during the 1950s, and it documents Perriand's involvement and role in founding the Useful Forms movement in 1949. The book features again an abundance of images and documents, mostly in colour and many of them previously unpublished. Charlotte Perriand: Complete Works is the authoritative source on this key figure of 20th-century interior design for scholars, dealers, and collectors. Each of the three lavishly illustrated volumes is completed by annotations, index, and bibliography.
£90.00
Scheidegger und Spiess AG, Verlag Traces of a Friendship: Alberto Giacometti
This book is a unique and intimate portrait of one of the greatest artists of the 20th century. "With this volume I wish to document Giacometti's personality from a completely different standpoint. I do so using photographs taken almost continuously from 1943 up to the time of his death; these were the twenty years in which his art became well-known. Alberto Giacometti's nature, work and thoughts fascinated me and other friends tremendously. I was one of the lucky ones allowed to experience his life. My encounters with him, and the resulting photographs, were of a more intimate, personal sort. Giacometti was not a legend to me. I treasured his absolute will for freedom. He was often cunning and harsh with his judgements and opinions, yet at the same time sensitive. His contradictoriness - often described by others - to me represented an expression of his personality, fervent existence and presence. I loved and respected this man. I believe his work belongs among the most important works of the contemporary art scene." - Ernst Scheidegger.
£40.50
Scheidegger und Spiess AG, Verlag Forever Jade: Chinese Jade Miniatures from Four Millennia
Luminous, with a silken glow and soft to the touch, yet harder than steel, created by nature and shaped by human hand: no other material has been more highly valued in China for millennia than jade. Since humanity’s earliest days, magical properties have been attributed to the mineral. As a burial gift it confers immortality and is said to improve health when given as medicine, as a talisman it bestows good fortune and protection. It is hardly surprising that jade objects became sought-after collectables as early as the 10th century. Zurich’s Museum Rietberg is home to an exquisite collection of Chinese jade objects spanning four millennia. In his striking images, Zurich-based photographer Felix Streuli brings them to life and makes them glow. The images reveal the most intricate details and make these works of art almost tangible to the viewer. This book features around 60 of Streuli's outstanding photographs, supplemented with concise texts on the objects they show and an introduction to the history of Chinese jade art. Interspersed short stories and poems revolving around the mythical gemstone and a reflection on the photographer’s gaze round out this carefully designed picture book. Text in English and German.
£28.80
Scheidegger und Spiess AG, Verlag Giovanni Segantini. La Vita – La Natura – La Morte: Landmarks of Swiss Art
Giovanni Segantini’s (1858–99) three paintings La Vita—La Natura—La Morte (Becoming—Being—Passing) of 1898/99 do not reveal at first glance anything about their equally complex and interesting background. Originally planned for the 1900 Paris Exposition of 1900 as a gigantic, multimedia “Alpine symphony” panorama 722 ft long and 66 ft high, Segantini was forced to reduce his work to three purely pictorial main paintings, owing to a lack of financial means. When he died in 1899, whilst still working on it, he left behind an incomplete triptych that was intended to embody “the spirit of nature, of life, and of death.” In this book, Swiss art historian and Segantini-expert Juerg Albrecht traces this monumental landmark piece in the artist’s oeuvre as one of the last programmatic works of fin de siècle art. Apart from its genesis, the book explains, as well the cycle of life and death that the three paintings visualise, whose origins Segantini sought both privately and creatively in the mountains of the upper Engadine valley during his lifetime. Text in English and German.
£31.50
Scheidegger und Spiess AG, Verlag Zimoun: A Selection of Installations 2009–2021
Swiss artist Zimoun enjoys significant international renown for an oeuvre that he has been creating over a period of some 20 years. Zimoun uses kinetic principles of rotation and oscillation to set things in motion and generate sounds. He uses mundane, unspectacular materials and conventional industrial products. For his works, he develops small, minimalist apparatus that generate tonal and visual complexity when activated, despite their fundamental simplicity. These mechanical contraptions are often used hundreds of times in the installations, creating visual and acoustic spaces with fascinating power and poetry. This book presents 65 of these location-specific installations that Zimoun realised between 2009 and 2021 in various art galleries and museums around the world. The full-page images are supplemented with brief texts by international authors, who outline a variety of perspectives on Zimoun’s work. Two concise essays consider and position his oeuvre in the wider international and art historical context. QR codes provided with all the images extend the book by enabling the direct playback of video documentations available online on smartphones or tablets, thus offering the reader the additional dimension of sound and movement — the essential elements of Zimoun’s art.
£40.50
Scheidegger und Spiess AG, Verlag Meret Oppenheim - Enigmas: A Journey Through Life and Work
Swiss artist Meret Oppenheim (1913–1985) is far more than just the creator of the iconic fur teacup. In the course of her career she produced a complex, wide-ranging, and enigmatic body of work that has no parallel in modern art. Like an x-ray beam, this book scans Oppenheim’s artistic oeuvre, bringing its variety, playfulness, and poetry to the fore. Instead of simply answering the riddles posed by these intriguing works, it maps out the paths that will lead us to still more clues. Simon Baur is a leading expert in the life and art of Meret Oppenheim. The nine new essays featured in this volume are at once scholarly and easy to read. In them, Baur shares the many fascinating insights and interpretations that he has gleaned from his decades-long engagement with Oppenheim’s work. The result is an anthology that combines both biographical and thematic aspects and takes us on an exciting journey into the poetic cosmos of a truly great female artist.
£27.00
Scheidegger und Spiess AG, Verlag Compendium of Image Errors in Analogue Video
Preserving collections of analogue video art is no easy task. Not only must collection caretakers ensure that their magnetic tapes are appropriately catalogued and stored, they must also properly inspect the content of the analogue videotapes in order to make an informed assessment of their condition. This is the only way to prevent unintended image errors - caused by a damaged videotape or video player, or by simple operator error - from being irreversibly merged with the artist's original image content during the digitisation process and thereby permanently compromising the artwork. This publication aims to provide caretakers of our audiovisual artistic and cultural heritage with a general guide to identifying, viewing, cataloguing and assessing the condition of analogue videotapes. The symptoms and causes of 28 common image errors are described in detail, and further illustrated by video sequences on an accompanying DVD. A technical chapter explains the basic principles of video technology, while an art history chapter discusses the deliberate use of image errors as creative tools in analogue video art.
£76.50
Scheidegger und Spiess AG, Verlag Christian Waldvogel, Unknown: The Orders of Randomness
Christian Waldvogel's work in conceptual and visual art is about the earth within the solar system and mankind within its world and new imaginations. For an exhibition at Helmhaus Zurich Waldvogel has created a three-part installation using candles, cyanobacteria and nutrient fluid. In part one, melting candles by random movement form globular "planets" over the duration of the show. Through a 1,615- square-foot pool of nutrient fluid as habitat for cyanobacteria, earliest forms of life on planet earth are represented. In the third part, Waldvogel places his planets within a self-conceived solar system. This story of genesis and the beginning of life on earth, following an equally random order, has been transformed into the book Christian Waldvogel. Unknown: The Orders of Randomness and amended with images and text. Waldvogel discusses this universal narrative in conversation with experts - a cosmologist and astrophysicist, a cell-biologist and gravitational researcher, a micro-biologist and an exo-biologist working in planetary research, - revealing an unusual perspective of how our planet may have come to existence. The essays document what art can tell science and how both disciplines contribute to create our view of the world and the universe. Helmhaus Zurich is the city's municipial museum of contemporary art. Christian Waldvogel, born 1971, graduated in architecture at ETH Zurich and also studied computer music. He lives and works as a conceptual and visual artist and programmer in Zurich.
£16.20
Scheidegger und Spiess AG, Verlag Mostly Books
The name of Anne Hoffmann is instinctively related by many artists, architects, museum people, and especially by book- lovers, to the range of media the Danish-born Swiss book and graphic designer has created over the course of three decades: posters, flyers, cards, CD booklets, and - above all - countless books. Hoffmann came to Basel in the 1980s to study with Armin Hofmann, one of Switzerland's preeminent graphic designers and teachers of his art, at the city's School of Design. In Basel she also established her own studio in 1986, which she moved to Zurich in 2007, and soon began working closely with Swiss and international artists such as Silvia Bächli, Richard Hamilton, or Karim Noureldin. In 'Mostly Books', naturally designed by studio Anne Hoffmann Graphic Design, she reviews thirty years of work. The selection comprises some 120 objects, featured in an annotated book diary. Besides this panorama, the book explores the topic of graphic design from a variety of perspectives. Statements by artists Chris Bünter, Miriam Cahn, and Claudio Moser; architect Kana Ueda Thoma; author and curator Peter Suter; jewellery designer Torben Hardenberg; museum director and curator Beat Wismer; musician Jürg Halter; and scholar Etienne Lullin reflect on the importance of the book per se and its design. Text in English and German.
£40.50
Scheidegger und Spiess AG, Verlag Brancusi
Constantin Brancusi (18761957), one of the most influential artists of the 20th century and a pioneer of modernism, is also referred to as the patriarch of modern sculpture. From A as in Africa to S as in Studio, D as in Dance, F as in Furniture or R for Reflections, this lavishly illustrated volume takes the open form of a dictionary to present Brancusi's celebrated art in its full richness. More than 110 entries contributed by leading Brancusi specialists form a complete panorama of his career, from his native Romania to Paris, where he established himself in 1903, and to the United States, where his work was on display for the first time at New York's legendary 1913 Armory Show.Published in conjunction with a major exhibition at the Centre Pompidou in Paris, the book sheds new light on Brancusi''s creative process, his relationship with materials, his use of film, photography, and drawing, and his taste for music. It also addresses the global reception of his work and anal
£46.80
Scheidegger und Spiess AG, Verlag Quanta of Space: The Bosom Sculpture of Ibram Lassaw
Remembered as a pioneering and prolific Abstract Expressionist artist whose otherworldly sculptures seemed drawn from the ocean depths and distant galaxies, Ibram Lassaw (1913–2003) is less well known for his wearable sculptures. Like his large-scale works, the Bosom Sculptures as he called them, were inspired by Lassaw’s extensive readings on topics as varied as Zen Buddhism, cosmology, and quantum physics. Between 1951 and the late 1990s, Lassaw produced an extraordinary array of jewellery in forms quite unlike any other artist at the time. Employing unique combinations of metals as well as the many novel techniques, colours, and forms he had developed for his large sculptures, Lassaw’s welded and braised necklaces, though simple in design, remind us of everything from sea anemones to nebulae with their elaborate biomorphic tendrils and interconnected clusters. Published to coincide with an exhibition at Figge Art Museum in Davenport, Iowa, Quanta of Space: The Bosom Sculpture of Ibram Lassaw features 37 unique pendants and necklaces alongside nine full-size sculptures that Lassaw created between 1938 and 1996. Supplementing essays, offering insight into his life and times and the dynamic forces which inspired him, are contributed by Nancy G. Heller, professor emerita at the University of the Arts in Philadelphia; Denise Lassaw, the artist’s daughter, collaborator, and archivist; and Marin R. Sullivan, scholar of art history, curator, and writer.
£31.50
Scheidegger und Spiess AG, Verlag Architecture of Infinity: A Film by Christoph Schaub
Temporality and age are inherent in every object and creature and, depending on one's outlook, may transcend to infinity. How can this be imagined? What goes beyond it? Swiss filmmaker Christoph Schaub sets out for a personal journey through time and space. He starts in his childhood, when his fascination with sacred buildings began, and also his wondering about beginnings and ends. In dialogue with architects Peter Zumthor, Peter Märkli, and Alvaro Siza, artists James Turell and Cristina Iglesias, and musician Jojo Mayer, Schaub explores the magic of sacred spaces, a term that for him represents much more than just churches. Architecture of Infinity traces spirituality in architecture and fine arts as well as in nature, and even over and above the limits of thought. The lightly floating camera immerses the viewer in somnambulistic images, taking him on a sensual and sensing journey through vast spaces, guiding his eye towards the star-spangled sky's infinity and the depths of the ocean. Past and present, primeval times and light years, it is all there. The running time of the film is 85 minutes, and the DVD is accompanied by a 32-page booklet with text in English and German.
£26.25
Scheidegger und Spiess AG, Verlag Lesley Dill, Wilderness: Light Sizzles Around Me
Lesley Dill is an American artist working at the intersection of language and fine art in printmaking, sculpture, installation and performance, exploring the power of words to cloak and reveal the psyche. Dill transforms the emotions of the writings of Emily Dickinson, Salvador Espriu, Tom Sleigh, Franz Kafka, and Rainer Maria Rilke, among others, into works of paper, wire, horsehair, foil, bronze and music — works that awaken the viewer to the physical intimacy and power of language itself. Lesley Dill – Wilderness: Light Sizzles Around Me features a uniquely inspired group of sculptures and two-dimensional works more than a decade in the making. It is testimony of Dill’s ongoing investigation into the significant voices and personas of America’s past. For the artist, the American voice grew from early America’s obsessions with divinity and deviltry, on fears of the wilderness out there and wilderness inside us. The plates, in colour throughout, are supplemented with essays by Lesley Dill, Brooklyn-based writer Nancy Princenthal, Figge Art Museum’s curator Andrew Wallace, and researcher and tribal historian Juaquin Hamilton-Youngbird. The book also features a literary text by writer by Tom Sleigh and a poem by author and poet Ray Young Bear.
£22.50
Scheidegger und Spiess AG, Verlag Le Style sapin: Une expérience de l'art nouveau
Situated at around 3,300 ft above sea level in the mountains of the Swiss Jura region, the town of La Chaux-de-Fonds experienced significant economic development towards the end of the 19th century, which went hand in hand with much building activity. There are few other places in Switzerland in which the influence of art nouveau is so clearly visible. Significantly inspired by the painter and architect Charles L’Eplattenier (1874-1946), and his art and decoration course at the local school of applied arts in 1905, a local variant of art nouveau developed, the so-called Style sapin or “fir style.” Protagonists of this movement accorded special importance in their works to the use of symbolic motifs that reflect the nature of the Jura landscape and especially its fir forests. This book offers a comprehensive survey of the Style sapin and builds bridges into the 21st century. It places the “fir style” within the international context of art nouveau and also addresses in detail the local facets of this movement, which has left traces that are still visible today in watchmaking, applied arts, and architecture. Moreover, it draws attention for the first time to the previously scarcely acknowledged female artists of the Style sapin. Text in French.
£40.50
Scheidegger und Spiess AG, Verlag Aenne Biermann: Up Close and Personal
Aenne Biermann (1898–1933) was one of the leading figures of photography in the 1920s and 1930s. Today, she is considered one of the most important avant-garde photographers of the 20th century. In just a few years of practice, the self-taught artist became a well-known representative of German photography, participating in almost all the important exhibitions of her time. She captured plants, objects, people, and everyday situations in pictures that have to this day lost none of their allure and poignancy. By means of clear structures, precise compositions of light and contrast, as well as narrow framing, she drew a special kind of poetry out of the motifs of her personal environment and developed her own, distinctly modern pictorial style. This is the first substantial new book in English on this exceptional artist since the 1930s, published to coincide with a major exhibition at the Tel Aviv Museum of Art in fall 2021. The large-format volume features some 100 of Aenne Biermann’s photographs in colour and duotone reproduction, several of them published here for the first time ever. This impressive selection is complemented by essays on Biremann’s photography in art-historical context and on selected aspects of her oeuvre. Text in English and Hebrew. An exhibition featuring the work of Aenne Biermann is taking place at the Tel Aviv Museum of Art from 5 August 2021.
£37.80
Scheidegger und Spiess AG, Verlag The New Kunsthaus Zürich: Museum for Art and Public
The completion of David Chipperfield's distinctive new building for Kunsthaus Zürich in December 2020 has nearly doubled the museum's overall space. In combination with the preceding refurbishments of the earlier buildings, this has made it fit to meet the demands of an art museum in the 21st century. A sequel to The Architectural History of the Kunsthaus Zürich 1910-2020, this book comprehensively introduces the new Kunsthaus Zürich, demonstrating how the task of building an art museum in the 21st century can be fulfilled. Concise texts, statements by protagonists and by future users and visitors as well as numerous illustrations trace the project's evolution and the construction process and look at the completed building from various perspectives. The book also highlights what features contemporary museum infrastructure has to offer and the architectural and urban design qualities it requires, and what financial and organisational challenges the entire undertaking implied. A conversation between experts exploring the expanded museum's impact on its immediate neighbourhood and Zurich's urban fabric as a whole rounds out the volume.
£16.20
Scheidegger und Spiess AG, Verlag Silvie Defraoui: Often, It Is a Painting on a Wall in a Building within a Landscape and so on
Swiss artist Silvie Defraoui, born in 1935, is a pioneer of video art and art education in Switzerland. Beginning in 1975, she worked in collaboration with her husband Chérif Defraoui (1932–1994). Together they developed the Archives du Futur, a reflection on images, their status, and potential for memory and the future. The two artists also founded the legendary Atelier Médias Mixtes at Geneva’s École supérieure des Beaux-Arts (now HEAD—Genève). Since 1995, Defraoui has pursued a practice using various forms of expression, including projection, installation, ceramics, and serigraphy. This book is part of the new On Words series that presents conversations with contemporary women artists. Through them, readers come to understand the sources from which they draw inspiration, the themes in their work, and their view of the world. Edited by Julie Enckell, Federica Martini, and Sarah Burkhalter and bringing together a wide range of viewpoints, the On Words series adds a new narrative to polyphonic art history as told by those who actively shape it. Text in English and French.
£12.00
Scheidegger und Spiess AG, Verlag The Space of Effusion: Sam Francis in Japan
One of the world’s preeminent Abstract Expressionists, California-born painter Sam Francis (1923-1994) first travelled to Japan in 1957, quickly established studios and residences there, and became active in a circle of avant-garde artists, writers, filmmakers, architects, and composers, including members of the nascent Gutai and Mono-ha movements. This book chronicles those connections, as well as his complex and evolving relationship with East Asian aesthetics from the 1950s through the 1990s. From the very first exhibitions Francis had in Tokyo, critics linked his evocative use of negative space with the Japanese concept of “ma”, a symbolically rich interval between objects or ideas. This shared pictorial and philosophical syntax laid the foundation for a feedback loop of mutual influence that spurred frequent collaborations between the artist and his Japanese contemporaries, extending into the realms of printmaking, ceramics, music, poetry, publishing, and performance. Written by art critic and curator Richard Speer, with a foreword by Debra Burchett-Lere, executive director/president of the Sam Francis Foundation, this is the first full-length monograph to explore an important but sometimes overlooked milieu in Post-World War II art—a dialogue between Eastern and Western sensibilities that prefigured our current era of global interconnectedness and cross-cultural exchange. Lavishly illustrated with colour plates and archival images, it is an adjunct publication for the related exhibition “Sam Francis and Japan: Emptiness Overflowing” (Los Angeles County Museum of Art, 2021), co-curated by Speer.
£54.00
Scheidegger und Spiess AG, Verlag Jean Otth: Works 1964-2013
Jean Otth (1940-2013) was a pioneer of video art in Switzerland. Even while studying art history and philosophy at the University of Lausanne and art at the Ecole cantonale d'art de Lausanne in the early 1960s he began to experiment with the then very new medium, making full use of its visual potential. Right from the beginning, Otth's artistic trajectory, which still was influenced by the practice of painting, became closely tied to the emergence of new technologies. His works were soon exhibited in Switzerland as well as at major international shows, such as the 1973 Biennale São Paulo, the 1976 Venice Biennale, and the Documenta 6 in Kassel in 1977. Throughout his career he mixed immaterial video projection with material reality, exploring their interaction. While constantly questioning the media he used, Otth produced borderline works that test the observer and provoke desire through covering-up, reframing, and shifting. This new monograph, the first book ever available in English on this remarkable artist, features photographic and filmed works as well as his drawings from all periods of his career. Text in English and French.
£31.50
Scheidegger und Spiess AG, Verlag Kuzma Vostrikov and Ajuan Song: Absolutely Augmented Reality
Absolutely Augmented Reality takes as its subject the intersection of technology, fine art and the idea of authorship through a series of richly saturated, theatrical and symbolic images that use costume, character and allegory to create a sense of exploration and melancholic intrigue. In this dream world of strange and alluring portraiture, the viewer is delighted by a host of archetypal images, hybrid creatures, surreal motifs, canonical postures, as well as inversions of iconic art historic references. Appealing to fine art, design, and photography consumers alike, this new book features some 100 colour images from and Kuzma Vostrikov and Ajuan Song's previously unpublished art project. Alongside the photographs it offers a statement by the two artists and a brief introductory text by art historian Rosa J.H. Berland, as well as critical essays by art critic Anthony Haden-Guest and Lilly Wei, and an interview with Kuzma Vostrikov and Ajuan Song conducted by Iona Whittaker, and Arnau Salvadoe.
£37.80
Scheidegger und Spiess AG, Verlag Musée Cantonal des Beaux-Arts de Lausanne: Guide de la collection
Founded in 1841 and located since October 2019 in a striking new building by celebrated Spanish-Italian architects Barozzi Veiga, the Musée Cantonal des Beaux-Arts in Lausanne (MCBA) is one of Switzerland's major public art galleries. It is home to an impressive permanent collection spanning eight centuries of art history that comprises manifold works by Swiss and international artists. This compact guide introduces 212 works from all periods represented in the collection with image and a concise text about its history and reception. An essay on the museum's development over 170 years as well as an index of artists round out the book. Text in French.
£22.50