Search results for ""Manchester University Press""

The US Economy Today provides an invaluable introduction to American economic history since 1929. Its coverage includes the New Deal, the post-war boom, “stagflation” in the 1970s, “Reaganomics”, the Clinton and Bush years, the 2008 - 2009 economic crisis and President Obama’s first hundred days. In addition, this volume considers core contemporary economic policy debates and draws conclusions about the strengths and weaknesses of the US economic “model”. It looks at the causes and consequences of inequality, the extent to which there is economic mobility, and the impact of globalization and foreign trade. This book will be essential reading for those studying or teaching American economics, economic history or politics and all those looking for a thorough and comprehensive introduction to this area.

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Ireland’s international reputation changed rapidly from global success story to European problem-case. How did this happen? What are the implications for our view of good governance?This book argues that there is a crisis in the way the Irish state is structured and in the manner in which it relates to the main organised interests in the society. Through a set of linked policy studies, it shows how sectional benefits can be prioritised where public interest considerations are weakly articulated and debated. Policy choices may entail unintended perverse consequences that, once embedded, can be difficult to alter. The book traces these weaknesses to the dominance of parties, the permeability of the political system to sectional interests, and the weakness of democratic accountability. A powerful concluding chapter sets out an agenda for future research on institutional design and political reform.This book sets out a compelling argument that institutional design matters, especially in an increasingly globalised and interdependent world.

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Monstrous births, rains of blood, apparitions of battles in the sky – people in early modern England found all of these events to carry important religious and political meanings. In An age of wonders, available in paperback for the first time, William E. Burns explores the process by which these events became religiously and politically insignificant in the Restoration period. The story involves the establishment of early modern science, the shift from ‘enthusiastic’ to reasonable religion, and the fierce political combat between the Whigs and the Tories.This historical study is based on close readings of a variety of primary sources, both print and manuscript. Burns claims that prodigies lost their religious meaning and became subjects of scientific enquiry as a result of political struggles, first by the supporters of the restored monarchy and the Church of England against Protestant dissenters, and then by the Whig defenders of the Revolution of 1688 against the Tories and the Jacobites.By integrating religious and political history with the history of science, An age of wonders will be of great use to those working in the field of early modern history.

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Heresy and inquisition in France, 1200–1300 is an invaluable collection of primary sources in translation, aimed at students and academics alike. It provides a wide array of materials on both heresy (Cathars and Waldensians) and the persecution of heresy in medieval France. The book is divided into eight sections, each devoted to a different genre of source material. It contains substantial material pertaining to the setting up and practice of inquisitions into heretical wickedness, and a large number of translations from the registers of inquisition trials. Each source is introduced fully and is accompanied by references to useful modern commentaries. The study of heresy and inquisition has always aroused considerable scholarly debate; with this book, students and scholars can form their own interpretations of the key issues, from the texts written in the period itself.

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This fascinating study reveals the desperate plight of the poor, illegitimate and abused children in an Irish society that claimed to "cherish" and hold them sacred, but in fact marginalised and ignored them. It closely examines the history of childhood in post-independence Ireland, and it breaks new ground in examining the role of the state in caring for its most vulnerable citizens.Maguire gives voice to those children who formed a significant proportion of the Irish population, but who have been ignored in the historical record. More importantly, it uses their experiences as lenses through which to re-evaluate Catholic influence in post-independence Irish society. An essential and timely work, this book offers a different interpretation of the relationships between the Catholic Church, the political establishment, and Irish people; it is important for academics and non-academics interested in the history of family and childhood as well as twentieth-century Irish social history.

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Death, life, and religious change in Scottish towns c. 1350-1560 examines lay religious culture in Scottish towns between the Black Death and the Protestant Reformation. It looks at what the living did to influence the dead and how the dead were believed to influence the living in turn; it explores the ways in which townspeople asserted their individual desires in the midst of overlapping communities; and it considers both continuities and changes, highlighting the Catholic Reform movement that reached Scottish towns before the Protestant Reformation took hold. Students and scholars of Scottish history and of medieval and early modern history more broadly will find in this book a new approach to the religious culture of Scottish towns between 1350 and 1560, one that interprets the evidence in the context of a time when Europe experienced first a flourishing of medieval religious devotion and then the sterner discipline of early modern Reform.

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This is the first book to consider the difference women MPs make for women constituents in Britain by comparing women parliamentarians’ activities, priorities and perceptions to those of their male colleagues. It uncovers complicated gender dynamics that have been neglected in other works because of an exclusive focus on the activities of women MPs, and mounts a systematic challenge to the idea that a critical mass of women is necessary for women’s presence to matter. By comparing the representation received by women from a parliament with few women to that received from a parliament with many women, Anna Dionne leads the reader to understand why numbers are not magic. Her empirical research includes interviews with over eighty parliamentarians in London, Scotland, Wales and Northern Ireland, and the amassing of an unprecedented and comprehensive database of representatives’ legislative activities. She compares how men and women and different political parties introduce and support bills and motions, ask parliamentary questions, participate in committee and floor debates, and work behind the scenes for cross-party consensus and on constituency casework. The analysis considers gender similarities and differences throughout the policy process and explains the gender dynamics with a new sensitivity to their fluctuation.

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For nearly forty years, The law of the sea has been regarded as an authoritative and standard work on the subject, combining detailed analysis and relevant, practical examples with a clear and engaging style. Completely revised and updated, this new edition will be a vital resource for anyone with an interest in maritime affairs.The book provides a rigorous analysis of the 1982 UN Convention on the Law of the Sea and the many other legal instruments that regulate human activities at sea, as well as taking full account of the numerous decisions of international courts and tribunals in recent years. It also traces the historical background to the law and its broader political, economic and environmental context. The new edition includes substantially expanded coverage of contemporary threats faced by the marine environment from human activities, such as the loss of marine biodiversity, the effects of climate change on the oceans and the vast amounts of plastic polluting the sea.This volume is written by three highly qualified authors, drawing on their extensive experience of teaching and researching the law of the sea, as well as their practical experience in advising governments and acting as counsel and arbitrators in international litigation.This book is relevant to United Nations Sustainable Development Goal 14, Life below water

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This highly readable book is a unique, ethnographic study of devolution and Scottish politics as well as Party political activism more generally. It explores how Conservative Party activists who had opposed devolution and the movement for a Scottish Parliament during the 1990s attempted to mobilise politically following their annihilation at the 1997 General Election. It draws on fieldwork conducted in Dumfries and Galloway - a former stronghold for the Scottish Tories - to describe how senior Conservatives worked from the assumption that they had endured their own ‘crisis’ in representation. The material consequences of this crisis included losses of financial and other resources, legitimacy and local knowledge for the Scottish Conservatives. This book ethnographically describes the processes, practices and relationships that Tory Party activists sought to enact during the 2003 Scottish and local Government elections. Its central argument is that, having asserted that the difficulties they faced constituted problems of knowledge, Conservative activists cast to the geographical and institutional margins of Scotland became ‘banal’ activists. Believing themselves to be lacking in the data and information necessary for successful mobilisation during Parliamentary elections, local Tory Party strategists attempted to address their knowledge ‘crisis’ by burying themselves in paperwork and petty bureaucracy. Such practices have often escaped scholarly attention because they appear everyday and mundane and are therefore less noticeable.

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This book is a comprehensive portrait of the British colony in Egypt, which also takes a fresh look at the examples of colonial cultures memorably enshrined in Edward W. Said’s classic Orientalism. Arguing that Said’s analysis offered only the dominant discourse in imperial and colonial narratives, it uses private papers, letters, memoirs, as well as the official texts, histories and government reports, to reveal both dominant and muted discourses. While imperial sentiment certainly set the standards and sealed the image of a ruling caste culture, the investigation of colonial sentiment reveals a more diverse colony in temperament and lifestyles, often intimately rooted in the Egyptian setting. The method involves providing biographical treatments of a wide range of colonials and the sometimes contradictory responses to specific colonial locations, historical junctures and seminal events, like invasion and war or grand imperial projects including the Alexandria municipality.

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The issue of ethnicity in France, and how ethnicities are represented there visually, remain one of the most important and polemical aspects of French post-colonial politics and society. Representing ethnicity in contemporary French visual culture is the first book to analyse how a range of different ethnicities have been represented across contemporary French visual culture. Via a wide series of case studies - ranging from the worldwide hit film Amélie to France's popular TV series Plus belle la vie - it explores how ethnicities have been represented in contemporary France across a wide variety of different media. Its innovative, interdisciplinary approach and novel subject matter will complement university courses that focus on contemporary French society and visual culture. It will interest those researching and studying French and European film and photography, ethnicity in post-colonial France and visual culture generally.

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Julius Caesar presents a performance history of a controversial play, moving from its 1599 opening all the way into the new millennium with particular emphasis on its twentieth- and twenty-first-century incarnations on stage and screen. The book tracks the play’s evolution from being a play about the oratorical skill of noble Romans to its recent manifestations as a dark political thriller.Chapters in this theoretically savvy and global study consider productions such as Orson Welles’s groundbreaking examination of European Fascism, Joseph Mankeiwicz’s Oscar winning 1953 film, politically complex productions at the Royal Shakespeare Company, and shows from around the world which interrogate their own cultural and educational context as well as pressing contemporary concerns such as the reach of mass media. The result blows the dust off a play sometimes considered old-fashioned, navigates its thorny theatrical qualities and revels in those productions which have so excited audiences.

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British teenagers witnessed immense cultural change in the period following the second world war. There were less than 100 juke boxes in Britain in 1945 and over 15,000 by 1958. Over the same period there was a similar unprecedented expansion of casual youth venues in the form of cafés, snack, milk and coffee bars where young people could hear the sounds of hot American jazz and rock ‘n’ roll.It has been a common assumption among academics and cultural historians alike that British youth between 1945 and 1960 underwent a period of massive ‘Americanisation’. Juke Box Britain contests this view maintaining that American popular-cultural influences were not examples of cultural domination but simply influences that combined with existing styles to create distinctly British style fusions.Juke Box Britain is suitable for students of cultural, social and design histories as well as cultural studies and provides fascinating reading for youth culture and juke box enthusiasts.

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This volume explores the political implications of violence and alterity (radical difference) for the practice of democracy, and reformulates the possibility of community that democracy is said to entail. Most significantly, contributors intervene in traditional democratic theory by boldly contesting the widely-held assumption that increased inclusion, tolerance and cultural recognition are democracy's sufficient conditions. Rather than simply inquiring how best to expand the 'demos', they investigate how claims to self-determination, identity and sovereignty are a problem for democracy and how, paradoxically, alterity may be its greatest strength. Drawing largely on the Left, continental tradition, contributions include an appeal to the tension between fear and love in the face of anti-Semitism in Poland, injunctions to rethink the identity-difference binary and the ideal of 'mutual recognition' that dominate liberal-democratic thought, critiques of the canonical 'we' that constitutes the democratic community, and a call for an ethics and a politics of 'dissensus' in democratic struggles against racist and sexist oppression. The authors mobilise some of the most powerful critical insights emerging across the social sciences and humanities – from anthropology, sociology, critical legal studies, Marxism, psychoanalysis and critical race theory and post-colonial studies – to reconsider the meaning and the possibility of 'democracy' in the face of its contemporary crisis. The book will be of direct interest to students and scholars interested in cutting-edge, critical reflection on the empirical phenomenon of increased violence in the West provoked by radical difference, and on theories of radical political change.

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Church, nation and race compares the worldviews and factors that promoted or, indeed, opposed antisemitism amongst Catholics in Germany and England after the First World War. As a prequel to books on Hitler, fascism and genocide, the book turns towards ideas and attitudes that preceded and shaped the ideologies of the 1920s and 1940s. Apart from the long tradition of Catholic anti-Jewish prejudices, the book discusses new and old alternatives to European modernity offered by Catholics in Germany and England. This book is a political history of ideas that introduces Catholic views of modern society, race, nation and the ‘Jewish question’. It shows to what extent these views were able to inform political and social activity. Church, nation and race will interest academics and students of antisemitism, European history, German and British history.

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This book explores the development, character, and legacy of the ideology of liberal internationalism in late nineteenth and early twentieth-century Britain. Liberal internationalism provided a powerful way of theorising and imagining international relations, and it dominated well-informed political discourse at a time when Britain was the most powerful country in the world. Its proponents focused on securing progress, generating order and enacting justice in international affairs. Liberal internationalism united a diverse group of intellectuals and public figures, and it left a lasting legacy in the twentieth century. This book elucidates the roots, trajectory, and diversity of liberal internationalism, focusing in particular on three intellectual languages – international law, philosophy and history – through which it was promulgated. Finally, it traces the impact of these ideas across the defining moment of the First World War. The liberal internationalist vision of the late-nineteenth century remained popular well into the twentieth century and forms an important backdrop to the development of the academic study of International Relations in Britain.

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During the First World War hundreds of thousands of Germans faced incarceration in hundreds of camps on the British mainland. This is the first book on these German prisoners, almost a century after the conflict. The book covers the three different types of internees in Britain in the form of: civilians already present in the country in August 1914; civilians brought to Britain from all over the world; and combatants. Using a vast range of contemporary British and German sources the volume traces life experiences through initial arrest and capture to life behind barbed wire to return to Germany or to the remnants of the ethnically cleansed German community in Britain. The book will prove essential reading for anyone interested in the history of prisoners of war or the First World War and will also appeal to scholars and students of twentieth-century Europe and the human consequences of war.

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Queering the Gothic is the first multi-authored book concerned with the developing interface between Gothic criticism and queer theory. Considering a range of Gothic texts produced between the eighteenth century and the present, the contributors explore the relationship between reading Gothically and reading Queerly, making this collection both an important reassessment of the Gothic tradition and a significant contribution to scholarship on queer theory.Writers discussed include William Beckford, Matthew Lewis, Mary Shelley, George Eliot, George Du Maurier, Oscar Wilde, Eric, Count Stenbock. E. M. Forster, Antonia White, Melanie Tem, Poppy Z. Brite, and Will Self. There is also exploration of non-text media including an analysis of Michael Jackson’s pop videos. Arranged chronologically, the book establishes links between texts and periods and examines how conjunctions of ‘queer’, ‘gay’, and ‘lesbian’ can be related to, and are challenged by, a Gothic tradition. All of the chapters were specially commissioned for the collection, and the contributors are drawn from the forefront of academic work in both Gothic and Queer Studies.

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Entertaining television challenges the idea that the BBC in the 1950s was elitist and ‘staid’, upholding Reithian values in a paternalistic, even patronising way. By focusing on a number of (often controversial) programme case studies – such as the soap opera, the quiz/ game show, the ‘problem’ show and programmes dealing with celebrity culture - Su Holmes demonstrates how BBC television surprisingly explored popular interests and desires. She also uncovers a number of remarkable connections with programmes and topics at the forefront of television today, ranging from talk shows, 'Reality TV', even to our contemporary obsession with celebrity.The book is iconclastic, percipient and grounded in archival research, and will be of use to anyone studying television history.

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This wide-ranging collection of essays is the first book in English to examine the impact of Stalinist terror on Eastern Europe in the years 1940 to 1956. Covering the Baltic states, Moldavia, East Germany, Poland, Czechoslovakia, Hungary, Romania, Yugoslavia, Bulgaria and Albania, the authors investigate terror both ‘from above’, in the form of elite purges and show trials, and ‘from below’ in the guise of large-scale arrests and deportations of ordinary people. Key questions addressed include the relative importance of Soviet influence versus ‘local’ factors; the persecution of particular groups, such as ‘kulaks’, church leaders, the middle-class intelligentsia and members of non-communist left-wing parties; cases where repression was more, or conversely less, intense than elsewhere; and the relevance of key events such as the Tito-Stalin split of 1948, the Rajk trial of 1949 and the Slánský trial of 1952. This book highlights areas of considerable diversity, making this volume an excellent starting point for all scholars and students interested in the wider history of political trials, forced labour and state-sponsored violence in the twentieth century’s ‘age of extremes’.

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The emergence of Hugo Chávez in Venezuela has revived analysis of one of Latin America’s most enduring political traditions – populism. Yet Latin America has changed since the heyday of Perón and Evita. Globalisation, implemented through harsh IMF inspired Structural Adjustment Programmes, has taken hold throughout the region and democracy is supposedly the ‘only game in town’. This book examines the phenomenon that is Hugo Chávez within these contexts, assessing to what extent his government fits into established ideas on populism in Latin America. The book also provides a comprehensive and critical analysis of Chávez’s emergence, his government’s social and economic policies, its foreign policy, as well as assessing the charges of authoritarianism brought against him. Written in clear, accessible prose, the book carries debate beyond current polarised views on the Venezuelan president, to consider the prospects of the new Bolivarian model surviving beyond its leader and progenitor, Hugo Chávez.

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On the eve of World War II, a small, impoverished group of Africans and West Indians in London dared to imagine the unimaginable: the end of British rule in Africa. In books, pamphlets, and periodicals, they launched an anti-colonial campaign that used publishing as a pathway to liberation. West Indians George Padmore, C. L. R. James, and Ras Makonnen; Kenya’s Jomo Kenyatta and Sierra Leone’s I. T. A. Wallace Johnson –made their point: that colonial rule was oppressive and inconsistent with the democratic ideals Britain claimed at home.Ending British Rule in Africa draws on previously unexplored manuscript and archival collections to trace the development of this publishing community from its origins in George Padmore’s American and Comintern years through the independence of Ghana in the 1957. This original study will be of interest to scholars and general readers interested in social movements, diaspora studies, empire and African history, publishing history, literary history, and cultural studies.

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In this fascinating study, Samantha George explores the cultivation of the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women’s engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality.Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women’s writing. The result is groundbreaking: the author explores nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women’s writing — the botanical poem with scientific notes.The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women’s writing, or the relationship between literature and science.

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Focusing on the crisis of transition marked by the English Revolution (1640–1660), this collection of essays also places it in the context of a long seventeenth century.Leading experts in the field explore this theme with special reference to developments in politics, religion and society, at both national and local levels. The volume breaks decisively with recent historiography, in emphasising both the long-term nature and revolutionary implications of the seventeenth-century events in question. Features of the crisis include the growing challenge to the confessional state from within the ranks of Protestantism itself and the enlargement of the public sphere of politics, fuelled increasingly by the role of print, along with the painful emergence of a new style parliamentary monarchy and associated fiscal-military apparatus. The explosive role of religion especially is highlighted, in chapters ranging from the popularity politics engaged in under Elizabeth I to the escalating party strife of Charles II's reign and beyond. At the same time the epicentre of the revolution is firmly located in the two tumultous decades of civil war and interregnum. The volume will be essential reading for both students and teachers working on this period.

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On Monday 19 September 1803, the most significant trial in the history of Ireland took place in Dublin. At the dock stood a twenty-five year old former Trinity College student and doctor’s son. His name was Robert Emmet and he was standing trial for heading a rebellion on 23 July 1803. The iconic power of Robert Emmet in Irish history cannot be overstated. Emmet looms large in narratives of the past, yet the rebellion, which he led, remains to be fully contextualized. Patterson’s book repairs this omission and explains the complex of politicization and revolutionary activity extending into the 1800’s. He details the radicalisation of the grass roots, their para-militarism and engagement in secret societies. Drawing on an intriguing range of sources, Patterson offers a comprehensive insight into a relatively neglected period of history. This work is of particular significance to undergraduate and post-graduate students and lecturers of Irish history.

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This book is about how to understand the huge variety of markets and market organisation in contemporary economies through a dialogue between a group of UK and French scholars. It presents a critique and development of institutional views of markets, and ‘puts markets in their place’ in a wider political and social context. In the wake of the 2008 financial crisis in markets, the book makes a topical and significant contribution on the importance of the rules and regulations that constitute markets, and their broader political and legal frameworks. Moreover, the disruption of markets brings to the fore their interconnection with the broader economy, with production, distribution and consumption in a way often ignored at the height of market bubbles.Both theoretical and empirical, a wide range of markets are considered, capital markets for new technology and venture capital, for food, domestic services and scientific knowledge. The authors address how markets emerge and disappear, or indeed why they fail to appear, as well has how they become stable and institutionalised.

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Contemporary Violence: Postmodern War in Kosovo and Chechnya draws on several years of field research, as well as interpretive IR theory and analysis of empirical source material so as to shed light on contemporary violence. Drawing on interpretive approaches to International Relations, the book argues that founding events and multiple contexts informed the narratives deployed by different members of each movement, illustrating why elements within the Kosovo Liberation Army and the armed forces of the Chechen republic of Ichkeria favoured regional and local strategies of war in the Balkans and the North Caucasus. The book draws on post-positivist analysis and empirical research so as unravel the relationship between narratives, stories and hermeneutic accounts of International Relations; regional politics and trans-local identity; globalisation and visual aspects of contemporary security; criminality and emotionality; which together illustrate the dynamics within the armed resistance movements in Kosovo and the North Caucasus and the road to war in 1999.The book is a major addition to a small field of genuinely readable studies of IR theory. The book will be of interest to academics, researchers, students, area studies experts and policy-makers seeking to understand the formation of the armed resistance movements in Kosovo and Chechnya. Amongst other things, the book will be of interest to students and scholars of International Relations, Political Studies, Area Studies, as well as those within Cultural and Historical and Sociological Studies.

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This is the first English-language book on controversial female director Catherine Breillat, whose films include Romance, A ma soeur! (Fat Girl), Anatomy of Hell and most recently, The Last Mistress. This volume explores the director's complex relation to religion and to feminism, and it examines the differences between Breillat's films and patriarchal pornography, engaging in detailed analysis of her intimate scenes between men and women. Keesey also discusses the literature, films, paintings and photos that have influenced Breillat's work, and extends this to show how Breillat's films have influenced other filmmakers and artists in turn.A lively and accessible introduction, this book will appeal to students and researchers, as well as all those with an interest in gender studies, French film and contemporary cinema.

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Adapting Philosophy looks at the ways in which The Matrix Trilogy adapts Jean Baudrillard’s Simulacra and Simulation, and in doing so creates its own distinctive philosophical position. Where previous work in the field has presented the trilogy as a simple ‘beginner’s guide’ to philosophy, this study offers a new methodology for inter-relating philosophy and film texts, focusing on the conceptual role played by imagery in both types of text. This focus on the figurative enables a new-found appreciation of the liveliness of philosophical writing and the multiple philosophical dimensions of Hollywood films. The book opens with a critical overview of existing philosophical writing on The Matrix Trilogy and goes on to draw on adaptation theory and feminist philosophy in order to create a new methodology for interlinking philosophical and filmic texts. Three chapters are devoted to detailed textual analyses of the films, tracing the ways in which the imagery that dominates Baudrillard’s writing is adapted and transformed by the trilogy’s complex visuals and soundtrack. The conclusion situates the methodology developed throughout the book in relation to other approaches currently emerging in the new field of Film-Philosophy. The book’s multi-disciplinary approach encompasses Philosophy, Film Studies and Adaptation Theory and will be of interest to undergraduates and postgraduates studying these subjects. It also forms part of the developing interdisciplinary field of Film-Philosophy. The detailed textual analyses of The Matrix Trilogy will also be of interest to anyone wishing to deepen their understanding of the multi-faceted nature of this seminal work.

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Burning the veil draws upon sources from newly-opened archives, exploring the ‘emancipation’ of Muslim women from the veil, seclusion and perceived male oppression during the Algerian War of decolonisation. The claimed French liberation was contradicted by the violence inflicted on women through rape, torture and destruction of villages. This book examines the roots of this contradiction in the theory of ‘revolutionary warfare’, and the attempt to defeat the National Liberation Front by penetrating the Muslim family, seen as a bastion of resistance. Striking parallels with contemporary Afghanistan and Iraq, French ‘emancipation’ produced a backlash that led to deterioration in the social and political position of Muslim women. This analysis of how and why attempts to Westernise Muslim women ended in catastrophe has contemporary relevance and will be important to students and academics engaged in the study of French and colonial history, feminism and contemporary Islam.

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This is a groundbreaking study of the most important contemporary American novelist, Philip Roth. Reading the author alongside a number of his contemporaries, and focusing particularly on his later fiction, this book offers a highly accessible, informative and persuasive view of Roth as an intellectually adventurous and stylistically brilliant writer who constantly reinvents himself in surprising ways. At the heart of this book are a number of detailed and nuanced readings of Roth’s works both in terms of their relationships with each other and with fiction by Nathaniel Hawthorne, Thomas Pynchon, Tim O’Brien, Brett Easton Ellis, Stanley Elkin, Howard Jacobson and Jonathan Safran Foer. Brauner identifies as a thread running through all of Roth’s work the use of paradox, both as a rhetorical device and as an organising intellectual and ideological principle.

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This book provides a critical analysis of the definitions of war crimes and crimes against humanity as construed in the Rome Statute of the International Criminal Court.Each crime is discussed from its origins in treaty or customary international law, through developments as a result of the jurisprudence of modern ad hoc or internationalised tribunals, to modifications introduced by the Rome Statute and the Elements of Crimes. The influence of human rights law upon the definition of crimes is discussed, as is the possible impact of State reservations to the underlying treaties which form the basis for the conduct covered by the offences in the Rome Statute. Examples are also given from recent conflicts to aid a ‘real life’ discussion of the type of conduct over which the International Criminal Court may take jurisdiction.This will be relevant to postgraduates, academics and professionals with an interest in the International Criminal Court and the normative basis for the crimes over which the Court may take jurisdiction.

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Daniel Calparsoro, a director who has made a crucial contribution to contemporary Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as works of crude violence by those lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro’s films in fact reveal a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director’s work, from his early social-realist films set in the Basque Country to his later forays into the genres of the war and horror. It offers an in-depth film-by-film analysis while simultaneously exploring the director’s position in the contemporary Spanish context, the tension between directors and critics and the question of national cinema in an area – the Basque Country – of heightened national and regional sensitivities.

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The Arc and the machine is a timely and original defence of narrative in an age of information. Stressing interpretation and experience alongside affect and sensation it convincingly argues that narrative is key to contemporary forms of cultural production and to the practice of contemporary life. Re-appraising the prospects for narrative in the digital age, it insists on the centrality of narrative to informational culture and provokes a critical re-appraisal of how innovations in information technology as a material cultural form can be understood and assessed.The book offers a careful exploration of narrative theory, a sophisticated critique of techno-cultural writing, and a series of tightly focused case studies. All of which point the way to a restoration of a critical - rather than celebratory approaches - to new media. The scope and range of this book is broad, its argumentation careful and exacting, and its conclusions exciting.

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This book presents a comparative perspective on the new dynamics of electoral competition following devolution to Scotland and Wales. It brings together leading experts on elections, political parties and regional politics from Britain, Europe and North America to explore the dynamics and interactions of national and regional arenas of electoral competition. Chapters include theoretical reflections on the relationship between regional and national elections, and a range of country case studies. The aim of the non-British case studies is to establish both empirical benchmarks and a framework for analysis for exploring the dynamics of electoral competition, the adaptation of party strategies and the nuances of voting behaviour that the UK is likely to encounter in a situation where new Welsh and Scottish elections flank general elections to Westminster. The final section of the book offers detailed discussion of these multi-level electoral dynamics now at play in the UK.

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The Bush Administration, sex and the moral agenda considers White House policy towards issues such as abortion, sex education, obscenity and same-sex marriage. The book suggests that although accounts have often emphasised the ties between George W. Bush and the Christian right, the administration's strategy was, at least until early 2005, also directed towards the courting of middle ground opinion. This study offers a detailed and comprehensive survey of policy-making; assesses the political significance of moral concerns; evaluates the role of the Christian right, and throws new light on George W. Bush's years in office and the character of his thinking. The book will prove invaluable for those taking social science courses as well as as well as anyone with a general interest in the Bush presidency.

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This book provides an analysis of European Union pharmaceutical regulation from a policy-making perspective. The focus is on how the often conflicting agendas of the pharmaceutical industry, the EU member states, the European Commission, and consumer interests are reconciled within the context of regulatory outcomes having to serve public health, healthcare and industrial policy needs within the single market. Breaking with more traditional approaches which stress the economic determinants of pharmaceutical policy, different strands of public policy analysis, regulatory and European integration and policy-making theories are invoked in developing a new conceptual approach to frame the analysis. In-depth case-studies in three key policy areas: patent protection, market authorisation, and pricing and reimbursement, provide substantive support. In providing a unique perspective on how and why EU pharmaceutical policy is made, the book will be of interest to academics, students and policy-practitioners interested in EU policy-making, regulation and public policy analysis.

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Peter Jackson's epic trilogy, the biggest film event of the 21st century, turned the best-selling book of the 20th century into a popular, critical and financial success all over again. This comprehensive collection draws together twenty-five essays on the making, the meaning and the reception of The Lord of the Rings. There is a section on the business of the ‘event film’, critical chapters on techniques and meanings ranging from music to spirituality, essays on the multimedia products associated with the films, observations on the trilogy’s global audience, and an informative dossier of reviews, interviews, production details and box-office returns. More closely integrated, and more attuned to the global marketplace than the older blockbusters, the event film, with its attention-grabbing pitch for the status of news, will be one of the most influential media forms of the coming years. These meticulous essays combine with Peter Jackson's remarkable trilogy to form a unique entry to the study of 21st century media.

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The signing of the Good Friday Agreement in 1998 appeared to open up a new phase in the history of Northern Ireland and indeed world politics generally. Hailed from the outset as a model that would inspire peace processes in other countries, it sought through careful negotiation and delicate compromise to bring to a conclusion a conflict that had cost over 3600 lives, damaged Britain’s international position and at times come very close to undermining relations between the UK and Ireland. While the peace has held it is obvious that serious divisions continue to make a final settlement of the Northern Irish question very difficult. This comprehensive and original study is the first to explain in detail how the Good Friday Agreement ran into trouble, why we are still some way from a final settlement, but why a return to war is most unlikely – even in an age where global terror now threatens world order more seriously than at any time in the past.This new edition of an established, authoritative text will be essential reading for students, researchers and academics of Irish politics, conflict and peace studies, and international relations.

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Montage enters into a dialogue with the cinema, probing and playing with its language of motion and stillness, continuity and discontinuity, constraint and openness, time and duration. Comprised of a series of elegantly-written and intellectually vibrant essays, Sam Rohdie’s book carefully expresses his ideas and arguments in a manner free from the complexities of contemporary theory and cultural criticism. As much a book written with the cinema as about it, Montage explores associative and comparative possibilities in the films of directors such as Takeshi Kitano, Jean Renoir, D.W. Griffith, Howard Hawks, Lev Kulsehov, Sergei Eisenstein and Alfred Hitchcock. It offers new and fascinating perspectives on mise en scène, framing, shots, and narrative variation. In combining the sensitive analysis of film forms and structures with an awareness of their historical and artistic relation to other art forms, it also elucidates an appreciation of montage aesthetics that is attentive to the influences of photography, painting and other arts. Montage is a book that will enrich our ways of seeing, understanding, and enjoying the cinema.

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This book explores the changing representation of the couple, focusing on themes of marriage, equality and desire. Kathrina Glitre moves beyond the usual screwball territory to consider cycles of production from 1934-65. The central concern with the representation of the couple is distinctive and includes discussion of three star couples: Myrna Loy and William Powell, Katharine Hepburn and Spencer Tracy, and Doris Day and Rock Hudson. Glitre offers explanations of genre, as well as detailed analysis of screwball comedy, career woman comedy and sex comedy. Each cycle is placed into context to analyse cultural discourses around heterosexuality, gender, romance and love. This structure also enables a more sophisticated understanding of such conventions as masquerade, gender inversion and the happy ending.The book will appeal to university students and academics working on genre, gender, culture and representation, and anyone with a keen interest in Hollywood romantic comedy.

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The changing faces of federalism is an extraordinary book that provides a rigorous and original view of what will be the future of the European Union. It describes and discusses the tradition and the institutions of federalism in the Eastern, Central and Western European countries and deals thoroughly with many innovative issues about federalism such as multi-level-governance, network government, devolution, subsidiarity, asymmetry and functionalism. A fundamental assumption of the book is that the European enlargement and the new European constitution could result in two major evolutions in the future: one is a full federal state in the traditional hierarchical sense, the other is an institutional response to the effects of the technological innovations of our epoch, which would be established through the insertion of the European Union within the emerging broad network of local, national, continental and intercontinental bodies at world level.

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This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideology, this book presents a new and innovative look at this famous cycle of British films. For each film, a re-distribution of existing critical emphasis also allows the problematic relationship between these films and the question of realism to be reconsidered. Drawing upon existing sources and returning to long-standing and unchallenged assumptions about these films, this book offers the opportunity for the reader to return to the British New Wave and decide for themselves where they stand in relation to the films.

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Modernism was the artistic and intellectual revolution of the early twentieth century. Yet despite its now-secure location in history, the radical experimental practices of modernism continue to bewilder as much as they excite. Beginning Modernism offers a clear and reader-friendly introduction to this complex and invigorating subject. With an emphasis on the close reading of modernist artefacts, from literary texts to buildings, paintings to musical compositions, the book aims to demystify the notorious difficulties of ‘high’ modernism, showing them to be an incentive rather than an obstacle to understanding and exploration. At the same time, it highlights the emergence of a new modernist studies, emphasizing the eclectic, the popular, and the global or transnational. Readers are encouraged to situate their reading of modernist literature within a wider set of cultural contexts, which include: visual art; ideas of time and space; sculpture; photography; film; politics; technology; sexuality; primitivism; architecture; dance; drama, and music. Beginning Modernism will be of interest both to the general reader, and to undergraduates and postgraduates in the fields of literary studies, art history and cultural studies.

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This book provides a comprehensive account of the most salient political issues in world politics and explains their significance in a way that is accessible to students and non-specialists alike. The end of the Cold War led to a widespread feeling of relief and talk of a new world order. Optimism however was short-lived and a whole range of difficult new issues, including ethnic conflict, refugees, terrorism and world security, have come to the fore. A number of ethical and moral issues such as poverty, human rights and religion has moved up the agenda of world politics. A new set of problems--involving the environment, technology, and health care--has impacted on the policy systems of states and international organizations. The contributors to this collection provide a basis for understanding emerging issues on the global stage.

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This study, available for the first time in paperback, explores the normative dimension of the evolving role of the United Nations in peace and security and, ultimately, in governance. What is dealt with here is both the UN's changing raison d'être and the wider normative context within which the organisation is located. The study looks at the UN through the window of one of its most contentious, yet least understood, practices: active involvement in intra-state conflicts as epitomised by UN peacekeeping. Drawing on the conceptual tools provided by the 'historical structural' approach, this study seeks to understand how and why the international community continuously reinterprets or redefines the UN's role with regard to intra-state conflicts. The study concentrates on intra-states 'peacekeeping environments', and examines what changes, if any, have occurred to the normative basis of UN peacekeeping in intra-state conflicts from the early 1960s to the early 1990s. One of the original aspects of the study is its analytical framework, where the conceptualisation of 'normative basis' revolves around objectives, functions and authority, and is closely connected with the institutionalised values in the UN Charter such as state sovereignty, human rights and socio-economic development.This book is essential reading for postgraduate students of IR and international peacekeeping organisations.

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During the nineteenth century, the provision of medical care underwent a radical transformation. In 1800, the body was still understood in terms of humours and fluids, and treatment was provided by a wide range of individuals, some of whom had little or no formal training. Institutions were marginal to the medical enterprise, and governments took almost no part in providing medical services. By 1930, however, a recognisably modern medicine had begun to emerge across Europe. New understandings of human physiology had resulted in the new science of surgical therapy; hospitals had become centres for care, research and training; and the newly organised medical professions increasingly sought to regulate medical practice. In most countries, the state had accepted responsibility for public health and the provision of basic welfare services. This volume provides readers with unrivalled access to a comprehensive range of sources on these major themes. Extracts from contemporary writings vividly illustrate key aspects of medical thought and practice, while a selection of classic historical research and up-to-date work in the field helps further our understanding of medical history. Thematically arranged, these sources are assembled to complement the essays in the companion volume, Medicine Transformed: Health, Disease and Society in Europe, 1800–1930. In addition, brief scholarly introductions make the sources accessible to both the specialist and the general reader.

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This book is a study of theatre's educational role during the 20th and the first years of the 21st centuries. It examines the variety of ways the theatre's educational potential has been harnessed and theorised, the claims made for its value and the tension bettween theatre as education and theatre as 'art': between theatre's aesthetic dimenstion and the 'utilitarian' or 'instrumental' role for which it has so often been pressed into service.Following a preliminary discussion of some key theoretical approaches to aesthetics, dramatic art and learning and, above all, the relationships between them, the study is organised into two broad chronological periods: early developments in European and American theatre up to the end of World War II, and participatory theatre and education since World War II. Within each period, a cluster of key themes is introduced and then re-visited and examined through a number of specific examples - seen within their cultural contexts - in subsequent chapters. Topics covered include an early use of theatre to campaign for prison reform; workers' theatre, agit-prop and American living newspapers in the 1930s; theatre's response to the dropping of the atom bomb in 1945; post-war theatre in education; theatre in prisons; and the use of performance in historic sites.

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