Search results for ""Jovis Verlag""

The Deutsches Institut für Stadtbaukunst argues that small, dense cities offer the best conditions for long-term functioning as eco-friendly green cities. In order to plan the necessary sustainable revegetation of urban parks, streets, and courtyards, we must first answer the overarching question of how climate protection and resilience measures can integrated into beautiful, livable cities. For over a decade, the Konferenz zur Schönheit und Lebensfähigkeit der Stadt has dedicated itself to fundamental questions in urban development. The contributions in this volume present discussions of integrated approaches to the green city from experts in both theory and practice across a range of different disciplines, as well as from the heads of various German city planning departments.

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Urbanizing Suburbia erforscht die Beziehung zwischen drei aktuellen Prozessen in globalen Städten: Hyper-Gentrifizierung der Innenstädte, Finanzialisierung des Wohnens und strukturelle Veränderungen in Vororten. Die explodierenden Wohnungspreise in Großstädten haben zu einer enormen Abwanderung von Einwohner*innen aus den Innenstädten geführt, von denen sich viele in den Speckgürteln niedergelassen haben. Dieser demografische Wandel führt in Verbindung mit den spezifischen Sanierungsstrategien der Kommunen zu einer Neustrukturierung der Vorstädte. Die Publikation untersucht diese Veränderungen am Beispiel von vier europäischen Großstädten: Amsterdam, Berlin, London und Stockholm. Es ist ein erster Versuch, diese drei Prozesse innerhalb eines umfassenden Rahmens zu betrachten.

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Zweisprachige Ausgabe (deutsch/englisch) / Bilingual edition (English/German) Vertauschte Köpfe erscheint begleitend zur ersten gemeinsamen Ausstellung der Brüder Andreas Mühe und Konrad Mühe im KUNSTWERK Sammlung Klein. Wie können sich zwei Brüder, die unterschiedlicher nicht sein könnten, auf Augenhöhe begegnen und ihre Arbeiten in Einklang bringen? Was sie eint, ist die intensive Auseinandersetzung mit der Familiengeschichte. Unterschiede ergänzen sich: Während sich der eine mit der Verwobenheit von Familiengeschichte und deutscher Geschichte beschäftigt, bearbeitet der andere das Verhältnis von menschlichen und technologischen Körpern sowie deren politische Subtexte in der Gegenwart. Gleich einer Familie, die sich unterschiedliche Geschichten übereinander erzählt, greift der Katalog die verschiedenen Zeitebenen und Erzählstränge auf. So enthält Vertauschte Köpfe gleich mehrere Bücher, die sich aufeinander beziehen und gegenseitig herausfordern: Die Arbeiten von Andreas und Konrad Mühe treten in Wechselbeziehung mit Texten von Valeria Waibel, Karsten Ehlers, Monika Maron, Kito Nedo und einem Comic von Gregor Hinz. Es schwebt die Frage im Raum: Wie fest ist der Untergrund des gemeinsamen Fundaments?

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„Gibt es denn ein schöneres Bild für den Frieden unter den Menschen als den Lesesaal einer großen Bibliothek?“, fragt Peter von Matt in seinem Beitrag für dieses Buch. Mit dem Bau der Bibliothek der Humboldt-Universität zu Berlin hat Max Dudler einen ebenso modernen wie zeitlosen Ort für die Bücher und das Lesen geschaffen. Seine Architektur hat weit über Berlins Grenzen hinaus aufmerken lassen und erlebt eine bis heute anhaltende Begeisterung vonseiten der Nutzer*innen.Bibliothek dokumentiert die Ideen, die diesen Bau prägen, widmet sich aber auch allgemein der Rolle von Bibliotheken und insbesondere der Architektur, die den Büchern und ihren Leser*innen einen adäquaten Raum schafft. Die Schwarzweißfotografien von Barbara Klemm verdeutlichen dies auf geradezu magische Weise. Sie fangen die intensive und zugleich lebendige Arbeitsatmosphäre in den Räumen der Bibliothek ein. Einen spannungsvollen Kontrast schaffen die ruhigen, strengen Farbfotografien von Stefan Müller, indem sie sich ganz auf die Architektur des Gebäudes konzentrieren. Mit Texten von Jörg Baberowski, Hartmut Böhme, Milan Bulaty, Max Dudler, Martin Mosebach, Peter von Matt sowie Fotografien von Barbara Klemm und Stefan Müller „‚Bibliothek‘ ist ein zauberhafter Bildband und klug gemacht dazu, setzt er doch Dudlers Anspruch auf eine ‚allgegenwärtige Dialektik von Innen und Außen‘ auch für das Bild um, das wir uns jetzt von der Bibliothek machen können.“ Andreas Platthaus in der Frankfurter Allgemeinen Zeitung zur 2010 im Berlin Verlag erschienenen Erstauflage des Buchs

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Climate change, increasing resource scarcity, and rising traffic volumes are forcing us to develop new environmentally friendly and people-oriented mobility options. With the expansion of digital information systems, we will soon be able to reconfigure different modes of transport to suit our needs. These developments represent a significant challenge for designing a wide range of different mobility spaces. While Volume 1 of this series focused on practical aspects, Volume 2 collects research methods and findings from the fields of design, architecture, urban planning, geography, social sciences, traffic planning, psychology, and communication technologies. The book’s consideration of the possibilities and prospects of usercentred mobility design offers an important contribution to the ongoing debate concerning the mobility revolution.

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Die Berliner Architekturhistoriker Wolfgang Schäche und David Pessier untersuchen die bewegte Geschichte des an der prominenten Ecke Unter den Linden / Charlottenstraße gelegenen Gebäudekomplexes, der heute von der Deutschen Bank genutzt wird. Sie rekonstruieren die Herausbildung und Entwicklung dieses im 19. Jahrhundert von der Disconto- Gesellschaft begründeten, traditionsreichen Bankenstandorts im Kontext der Quartiersgeschichte der Dorotheenstadt, wobei der Fokus vor allem auf die architekturhistorische Bedeutung des raumgreifenden Ensembles gerichtet ist. Durch die chronologisch aufgebaute, vielschichtige Betrachtung vermittelt sich auch ein zentrales Kapitel der Berliner Bankengeschichte.

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Bilingual edition (English/Arabic) / Zweisprachige Ausgabe (englisch/arabisch) Designing Modernity: Architecture in the Arab World 1945–1973 is the result of a fascinating investigation by international experts into the influences of modernist architecture in the Arab world. Ten case studies provide the foundation for a thorough exploration of the relevant cultural-historical, sociopolitical, climatic and demographic aspects. Questions concerning the region’s reciprocal relationship with modernist architecture in the period from 1945 to 1973 are investigated through the biographies of selected buildings and building complexes from Iraq, Lebanon, Kuwait, Syria, Palestine, Jordan, Egypt and Morocco. Texts, contemporary images, architectural drawings and archival material are used to document the process from commissioning and design through to completion and building use.

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Throughout history, the relationship between landscape and architecture has formed the basis of culture and the development of human settlements. The unfolding of a site, its transformation through the construction of buildings or of entire cities, translates into this basic idea: that history extends geography. In recent decades, generic architecture has increasingly homogenized the appearance of different territories, resulting in a profoundly different understanding of nature and landscape. Within his work, french architect and urban planner Jean-Pierre Pranlas-Descours continuously articulates the relationship between landscape and architecture. This book traces his line of thought by reflecting on 16 projects and their specific conditions.

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Wie verändern die Digitalisierung, die enorme Zirkulation von Menschen und Dingen sowie die durch Globalisierung und Transnationalisierung verstärkte Verknüpfung von Orten über weite Distanzen hinweg unsere Vorstellungen von Raum und unser Handeln in Alltagsräumen? Wissenschaftler*innen aus Soziologie, Geographie, Kultur- und Medienwissenschaften, Stadtplanung, Architektur und Kunst sind dieser für unsere Zeit wesentlichen Frage im Rahmen einer einzigartigen Kollaboration nachgegangen. Ihre Ideen, Konzepte und Antworten werden im vorliegenden Band nicht nur in Textform, sondern auch durch den Blick von Grafiker*innen und Künstler*innen in zeichnerischer Form vermittelt. So entsteht ein informativer und humorvoller Band, der bewusst etablierte Formate des Wissenschaftsdiskurses durchbricht und kritische Gesellschaftszusammenhänge durch grafisches Erzählen sichtbar macht.

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At the beginning of the economic crisis in 2007, housing became a central commodity in the short-circuit system of mortgages granted to private individuals and businesses. In the aftermath of the crisis, and in the wake of the COVID-19 Pandemic, housing—as a right, in its most radical form—re-emerged due to local housing, migration, and health emergencies. In light of an eclipse of a general discourse on housing, a new secular and international ethics arose, both foreign and superior to nation states. This book returns to a broader notion of housing: using metaphors of sanitary and salvific reinstatement, it retrieves case studies from the 1950s for re-conceptualizing the housing question in contemporary architecture and visual arts.

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The Open Call in Flanders (the Dutch-speaking, northern part of Belgium) is more than just another architecture competition: any governmental agency or public institution can choose to work with an Open Call for any given construction project. Since its invention by the first Flemish Government Architect bOb Van Reeth in 2000, more than 700 assignments have been published in this procedure, resulting in almost 350 completed public architectural and infrastructural projects so far. This volume compiles 70 of these, from all over Flanders—from its west coast to the Dutch border in the east—to illustrate the astounding quality of these projects. They prove that public architecture can be daring, thought-provoking, cooperative, and well-done at the same time. The book takes an extensive look at how this procedure works, how it is received by architects, politicians, and clients—and ultimately, at the outstanding public architecture in Flanders as an example for other countries to study closely. Including buildings by 51N4E, Bovenbouw Architectuur, Compagnie O, Dierendonckblancke, KAAN, Ney & Partners, noAarchitecten, NU architectuuratelier, OFFICE Kersten Geers David Van Severen, RCR Arquitectes, Robbrecht en Daem, Sergison Bates, Eduardo Souto de Moura, Xaveer de Geyter, Zaha Hadid, among others

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Die Neue Nationalgalerie am Berliner Kulturforum ist eine Architekturikone von Weltrang sowie der Schluss- und Höhepunkt im Lebenswerk des Architekten Ludwig Mies van der Rohe. Mit der ersten Grundinstandsetzung seit ihrer Eröffnung 1968 ist ein herausragendes Projekt gelungen, das die behutsame Sanierung ebenso umfasst wie die denkmalgerechte Modernisierung gemäß den Anforderungen an einen zeitgemäßen Museums- und Ausstellungsbetrieb. David Chipperfield Architects entwickelten unter dem Leitsatz „So viel Mies wie möglich" das Sanierungskonzept. Die Publikation vermittelt tiefe Einblicke in die Planung, Ausführung, Denkmalpflege und Restaurierung aus der Sicht der Beteiligten. Die Darstellung des beispielhaften Umgangs mit der historischen Substanz wird von Planungsunterlagen und zahlreichen großformatigen Fotografien begleitet, die die Entwurfsphase, die Baustelle und die Ergebnisse der Sanierung eindrucksvoll bebildern. Mit Beiträgen von David Chipperfield, Bernhard Furrer, Gunny Harboe, Joachim Jäger, Dirk Lohan, Fritz Neumeyer, Alexander Schwarz, Gerrit Wegener sowie rund 30 weiteren Projektakteur*innen

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Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) In recent years, few German buildings have received as much public attention as the capital’s new airport, designed by von Gerkan, Marg and Partners Architects. Since opening in October 2020, BER can now be experienced by everyone. This volume of the gmp FOCUS series offers insight into the design and planning of the airport, which is characterized by short distances, a high degree of modularity, and flexibility of use. Based on a universal planning and design manual, all elements of the airport are integrated into an axial system and form an architectural-functional unit. An essay by architecture critic Falk Jaeger and an interview with the designing architects provide background information on the project.

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Ton Matton – Stadtplaner, Indie-Urbanist, bekennender Fan des performativen Urbanimus, Zweifelnder, Briefeschreiber. Zu Beginn seiner Karriere als Stadtplaner schrieb Matton Briefe, in denen er sich mit nachhaltiger Stadtplanung befasste (damals für Stadtplaner*innen ein noch ganz neues Arbeitsfeld): an einen Minister, um ihm klarzumachen, dass eine Siedlung nur ein Kompromiss ist und kein Ersatz für ein Leben in der Stadt oder auf dem Land. An eine Bundeskanzlerin, um sie daran zu erinnern, dass man aus Wind- und Sonnenenergie gewonnenen Strom in elektrischen Zahnbürsten und Handyakkus speichern sollte. Seitdem sind viele weitere Briefe entstanden – an Politiker*innen, Projektentwickler*innen und andere mehr oder weniger prominente Personen. Was in ihnen zum Ausdruck kommt, ist Mattons leidenschaftlicher Spaß am Zweifeln. Mit viel Humor und gewohnt provokativ fordert er seine Adressat*innen zum Umdenken auf und lädt damit wieder einmal auch die Leser*innen dazu ein, Eigeninitiative zu ergreifen.

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As focus shifts to “no net land take” city regeneration approaches one of the main traditional elements of architecture—the roof—is gaining renewed prominence. This book provides a survey of worldwide experiences of city rooftop re-use strategies such as building-on and integrating new volumes within the existing buildings. Twenty-four case studies illustrate a multiplicity of projects that innovate on traditional typologies by offering multiple ways of living, working and using public services in the city. They all share a symbiotic method that exploits the extraordinariness of the “top condition” offered by the roof to foster a subtle change in the whole building's urban identity. They test new technologies for light and quick construction methods in order to deal with structural constraints and the needs of inhabitants. City roofscape redesign belongs to an adaptive attitude based on knowledge of the dynamic process of transformation of the physical realm, far removed from regressive preservation-only behavior. It represents a remarkable way of coping with urban regeneration issues.

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Der neue Imperativ für das Bauen lautet: Erhalte den Bestand! Zehn Teams von Architekt*innen beschreiben ihre jeweilige Strategie und Haltung im Sorgetragen für den Gebäude- und Wohnungsbestand. Sie plädieren für ein achtsames Erhalten, Reparieren und Weiterdenken. Die Strategien starten mit der Wertschätzung des Bestehenden und der Permanenz von Gebäuden. Zentrale Fragen sind, wie sich neue Perspektiven für Bestandsgebäude durch städtebauliche Ansätze und gemeinwohlorientierte Kooperationen ergeben, welche Potenziale für ein Weiterbauen in städtischen Strukturen und in der Zwischenstadt schlummern und wie Leerstand in den Regionen durch Beteiligungskonzepte aktiviert werden kann. Darüber hinaus werden Strategien für die heute errichteten Gebäude, also den künftigen Bestand, formuliert — vom zirkulären Materialeinsatz bis zur Offenheit und Wandelbarkeit für kommende Anforderungen.

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Newly constructed embassies simultaneously convey prestige and establish a national identity. Their primary aim—to represent a state in a foreign country and reflect its societal self-image—turns them into political symbols. Over the past 150 years, Germany has consistently sought to express itself through the distinct architecture of its government buildings in other countries. In particular, the new diplomatic buildings constructed during the forty-year division between the GDR and FRG document the close relationship between political, cultural, and personal choices and their contexts. From their extraterritorial positions, the buildings offer an expanded view of history and self-conception. To this day, they continue to shape representative architecture abroad.

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Spolia are structural elements that have been consciously—and therefore usually visibly—reused. The space they occupy within the broad field of reuse in architecture is associated with specific intentions regarding design and significance. As they are usually visibly distinct from the rest of the construction, spolia encourage viewers to augment their understanding with additional meanings. As contemporary architecture has returned to incorporating ornamentation and history, the use of spolia has also increased. To date, spolia have been considered with reference to late antique, medieval, and—much more rarely—modern architecture. In this work, the uses of spolia throughout different time periods are considered in relation to one another. In addition to aspects of cultural studies, this volume illuminates the role of spolia in the design process.

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Wherever people live closely together, there is competition and displacement. We practically take it for granted that many public places cannot be used equally by different groups of people. This assumption goes almost unnoticed, and is counter to the ideals of a democratic, open society with equal rights for all its members. How do people who exist at the margins of society (or see themselves as existing there) experience public urban spaces? Where do they feel welcome, and where do they feel unwanted? Where, how, and why do use conflicts arise? The project Die fragmentierte Stadt—the fragmented city—pursues answers to these questions. A collection of observations, walks, and encounters that took place over the course of three years in Berlin, Graz, and Zurich form the foundation of four artistic ethnographic approaches to experiences of exclusion and appropriation strategies. Photographic, audio-visual, performance, and verbal investigations led to the development of the ideas, insights, and products introduced by the texts, images, and videos in this volume. As an enriched e-book, the ePUB includes video works by Aya Domenig and Thomas Schärer.

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The disintegration of European cities and the loss of identity threatened by this decay is proceeding at a seemingly unstoppable rate. Europan 15 is dedicated to the “productive city” and seeks to identify concepts for synergies between living and working in the future. The theme focuses on three key issues: resources, mobility, and equity. Communal approaches to solutions that rethink cities and take social and ecological questions into account are at the forefront of the project.Since 1988, the Europan Association has promoted the exchange of ideas in the field of innovative housing and city planning among European countries. It hosts one of the most important competitions for up-and-coming young architects globally. This catalogue compiles the competition entries for sites in Germany as well as the German winners for the 2019 sites in Europe.

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Activism at Home offers a unique study of architects’ own dwellings purposely designed to express social, political, economic, and cultural critiques. Through thirty case studies by architectural scholars, this book highlights different forms of　activism at home　from the early twentieth century to today. The architect-led experiments in activist living discussed in this book include the dwellings of Ralph Erskine, Paulo Mendes Da Rocha, Charles Moore, Flora Ruchat-Roncati, and Kiyoshi Seike, as well as many others.　
 Offering candid appraisals of alternative living solutions that formulate a response to rising real estate prices, economic inequality, social alienation, and mounting environmental and cultural challenges, Activism at Home is more than a historical study; it is an appeal to architects to use the discipline’s tools to their full potential, and a plea to scholars to continue to bring into focus architecture’s activist practices—whether at home or elsewhere.

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Since the turn of the millennium, the analogue photo book has experienced an international boom, developing into its own art form: a kind of visual literature, somewhere between novel and film. More and more often, photographers are publishing their works in this format rather than only as part of exhibitions. However, the photo book as an art form is hardly known to a wider public. The multiyear project "Welt im Umbruch" (World in Transition), which the Montag Stiftung initiated together with the PhotoBookMuseum, made one attempt to change this. In Rostock, Duisburg, and Kassel, members of the public were able to get to know photobooks as an artistic form of expression and to design photobooks of their own. This volume not only documents the experience-based knowledge of all participants but also introduces the history of the photobook along with theories and current practices of participative art. It collects contributions on the production and distribution conditions of photobooks from Asia, Europe, and the United States. In addition to the medium’s political and emancipatory potential, topics discussed include the reasons for the analogue photobook's enormous appeal in the digital present. Also available in German: ISBN: 978-3-86859-580–2

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Adopting and adapting historical forms is an integral part of architectural design today. Strictly rejected by some and embraced by others, this practice has provoked controversy since the beginning of modernism. With its assertion of continuity and claim to universality, historicizing architecture from the twentieth century is decidedly antimodernistic—a counterproject to modernistic architecture and yet also a part of modern times. The diversity of historicizing approaches and the history of historicizing construction have received little attention so far—a fact that is especially evident with a comparative view that looks beyond Germany to other countries and their building traditions. This volume aims to take historicizing architecture seriously as an architectural reality and one possible variation of contemporary building, with a focus on describing and categorizing its diverse concepts and manifestations. In considering historicizing architecture as a contemporary phenomenon, the book places its topic in the context of reconstructions and postmodern ideas while also comparing it with nineteenth-century historicism. This view includes also designs inspired by the classic modernism of the 1920s.

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This book explores the concept of Co-Dividuality, an architecture that expresses a new response to joint living in the age of post-individualism, social media, and sharing economy. The focus lies on current experimentation in Japanese architecture and presents thematic homes with shared spaces designed as a result of warm, simple, fun and contemporary design reflections. In addition to their private room, the co-tenants have large common areas where they can practice urban farming, create a start-up, cook together, or experience new spatial ergonomics. It is an overview not only on domestic space but also on projects where there is a multifarious mix between public and private spheres. What is Co-Dividuality? reflects on how we might want to live tomorrow. The book includes projects of Kengo Kuma, Kazuyo Sejima, Ryue Nishizawa, Shigeru Ban, Sou Fujimoto, Satoko Shinohara, Ayano Uchimura, Taichi Kuma, Junya Ishigami, Suppose Design, Naruse Inokuma and Masuda + Otsubo among others

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What is “good” architecture? This seemingly simple question is connected to a wide range of criteria—just like the radical quest for “good” food, which has produced a wealth of insights over the past few decades. This book showcases buildings based on simple technology, good craftsmanship, and careful choice of local and natural materials, as well as local development initiatives which demonstrate excellence in building quality, landscape restoration, and community revitalization. The selection of case studies is broad and definitely unconventional: it encompasses Europe and Japan, and privileges lesser-known authors, unobtrusive works, and marginal localities where radically fresh attitudes have been able to develop.

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Plants and architecture: two seemingly opposite elements. How can we combine them to plan future cities that are closer to nature? What synergies can we explore? Hortitecture seeks to discover the creative and construction potentials of vital plant material, and explores its applications in ecosystem services and urban food production.Through research at the intersections of architecture, biology, and technology, IDAS (Institute for Design and Architectural Strategies) explores this topic with the aim of transferring the knowledge gained to the design of buildings. This book documents the projects, ideas, and experiences shared by thirty-three international experts at symposia held at TU Braunschweig. Their critical reflections advance the awareness and expertise needed to develop a nature-based urban architecture. With contributions by Stefano Boeri, Thomas Corbasson, Richard Hassell and Wong Mun Summ, Christoph Ingenhoven, Vo Trong Nghia, Elisabeth Kather, Klaus K. Loenhart, Ferdinand Ludwig and Daniel Schönle, Fuensanta Nieto, Chris Precht, Jacob van Rijs, Tomás Saraceno, Diana Scherer, Dan Wood, Ken Yeang, and others

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The architecture of model railway systems in the German post-war economic boom was surprisingly modern. New stood next to old, high-rises and half-timbered buildings coexisted peacefully. Still today the famous 'Villa in Tessin', high-rises, gas stations, and train and administrative buildings of the post-war period connect generations throughout Germany. Märklin Moderne shows for the first time how enthusiastic the nostalgic model railway builders truly were for modernism. The exhibition and catalogue present model assembly kits and the real buildings that inspired them, and thus bring the architecture and model construction history of the post-war period together. Includes texts by Daniel Bartetzko, Karin Berkemann, Oliver Elser, and Christian Holl, and interviews with Falk Jaeger and Klaus Staeck, among others. Photographs are by Hagen Stier. The exhibition by the online magazine moderneREGIONAL opens on 18th of May 2018 in the German Architecture Museum in Frankfurt am Main and will be shown simultaneously in the Architekturgalerie am Weißenhof in Stuttgart. The exhibition will be accompanied by a film by Otto Schweitzer. Text in English and German.

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The Sound of Architecture - in accordance with this key notion, for more than five decades the architect Eckhard Gerber and his firm have been producing award-winning projects, which have attracted widespread international attention in the fields of architecture, urban design, interior design, and landscape design. On the occasion of his eightieth birthday, this book traces Gerber's life and architectural career. In personal contributions, long-standing friends, comrades, and colleagues recount their own experiences and involvement in the work of the architect. In the context of Eckhard Gerber's work and person, the publication also includes new contributions from renowned publicists and other personalities which discuss the culture of building and competitions, architecture and urban design in their historical context, the social responsibility of architecture, and the functional and subjective significance of building and landscape.

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What lies at the root of Japanese creativity and its architectural artefacts? In his new book, the Japanese architect Yuichiro Edagwa explores this question in detail. By analysing a wide variety of unique exemplary buildings from the sixth century to the present, he determines twelve distinctive characteristics of Japanese architectural creativity and composition, including: intimacy with nature, importance of materials, bipolarity and diversity, asymmetry, devotion to small space, and organic form. The key understanding which pervades all these characteristics is that 'parts precede the whole'. The Japanese process of creation begins with designing parts and details and ends with combining them to one edifice, instead of starting with a whole structure and working out the components afterwards. With Japanese Creativity - Contemplations on Japanese Architecture Edagawa provides a personal and comprehensive understanding of Japanese creativity and the architectural process. The book gives us an inspiring insight into Japanese culture and identity, which in its essence is deeply traditional and modern at the same time.

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The concepts of metabolism, ecosystems, and circular economy are currently challenging the discipline of urbanism. As the shift from linear to circular production-consumption patterns seems to be ultimate for reducing the externalities of our urban environments and to meet stricter environmental targets, the search for sustainable territorial metabolism has become imperative for our metropolitan areas.This publication questions the European foundation of urbanism in relation to the challenge of territorial metabolism and combines theoretical contributions with cutting edge design proposals for European metropolitan regions. It synthetizes two years of intensive research by design on Barcelona, Brussels, and Veneto conducted jointly by the Laboratory on Urbanism, Infrastructure and Ecology of the Université libre de Bruxelles (ULB), the Instituto IUAV di Venezia and the Laboratori d’Urbanisme de Barcelona (ETSAB).

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This book offers a scholarly guide to the tangible and intangible heritage of the 19th- and 20th-century district of Downtown Cairo. For the first time, it presents a detailed survey of the architectural plans and typologies of the district’s apartment buildings. Linking the apartments to their inhabitants’ memories and stories, this book maps changes over time in how space was used in Cairo. In doing so, it illuminates some of the workings behind changes in Cairo’s society. The book contains thirty-eight building profiles with technical and historical descriptions; they are organized in chronological order to give a panorama of the developmental history of Downtown architecture. Interspersed short texts provide insider glimpses into specific aspects of Downtown, such as historical backgrounds, narratives of private spaces, and observations on particular architectural phenomena. The buildings featured are connected through an overview map with five walking tours for navigating and discovering Downtown: the Dolce Vita tour includes cinemas, bars, cafes, and the homes of stars yesterday and today; the romantic tour explores buildings with elaborate staircases, interesting balconies, and fascinating architectural details; the modernist tour surveys striking buildings with clear lines and modern shapes; the urban context tour points out buildings with a special relation to their urban context. Finally our best-of guide leads the readers to the authors’ favorite buildings, as their personal declaration of love to the inhabitants and the buildings of Downtown Cairo. www.baladilab.com

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Since late 2006 the International Building Exhibition (IBA) Hamburg has made the concept of the Leap across the Elbe a reality, and in doing so has provided considerable support for the urban, environmental and social development of the Elbe Islands and Harburg Upriver Port. Under its three key themes - Cosmopolis, Metrozones and Cities and Climate Change- the IBA has also given real impetus to international discussions on the future of major cities. This book documents the projects carried out over the seven years, as well as novel approaches taken by the IBA, such as in the areas of education and participation pro-cesses, which will influence policy and everyday planning far beyond the end of the IBA in 2013. In addition, long-term partners of the IBA provide an initial summary of the current state of affairs.

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Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Architecture Prize for the year 2000. This book, which builds on six canonical Koolhaas projects, traces the discursive practice behind the design methods used by Koolhaas and his office OMA. It uncovers recurring key themes—such as wall, void, montage, trajectory, infrastructure, and shape—that have structured this design discourse over the span of Koolhaas's oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles manifest in other works by Koolhaas as both practical re-applications and further elaborations.In addition to Koolhaas's individual genius, these textual and material layers are accounted for shaping the very context of his work's relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which Koolhaas has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas.

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Artists increasingly address the issues of legacies of previous planning, neo-liberal development processes, and spectacular new designs as well as the plurality, globalisation and virtuality of our cities in their work. They initiate artistic processes in urban space and allow realms of experience, which interrupt everyday life and open up gridlocked horizons of expectation, to emerge. This volume documents the art and exhibition projects, which are exemplary of that, realised by the Academy of Another City as an artistic platform of the International Building Exhibition IBA Hamburg 2009 and 2010. It furthermore discusses topics such as development and expectations of public space, freedom, responsibility, urban development, gentrification and cultural education from the perspectives of art and urban planning, cultural science, philosophy, and pedagogy.

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New solutions to the way in which the resources within the city can be best used. Resources are the stuff of which the future is made. The city itself is a resource, as it opens up a wide range of possibilities for every individual and for society as a whole. The city is not an inexhaustible resource, however. Only if it is used in a sustainable way and if it does not solely serve short-term, isolated interests, can it also fulfill the needs of future generations. The biggest challenge for contemporary urban design is, therefore, to plan the city itself as a regenerative cycle, not only in terms of shaping its spatial and aesthetic qualities, but also in relation to its development over time. Using articles, student projects, and examples, this book presents methods and strategies for designing the city as a resource; it thus lends a new meaning to the idea of sustainable building.

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Focuses on the uses of the second building for the Gallery of Contemporary Art in Leipzig and the dialogues between the architecture and the processes that occur within and around it. This work presents the artistic and curatorial exhibition concepts realised in the GfZK-2 alongside essays examining the concepts of the architectural space.

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Buildings by Graz-based architects have for many years graced contemporary architecture with their vital, unmistakable formal language and new building typologies. This monograph focuses on works dating from 1994 - 2010, and older seminal projects, it shows the architects' memorable style and humanity and why they deserve world-wide recognition.

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For a quarter of a century, the architectural collective raumlaborberlin has been pioneering new spaces for action, charting unique paths in cooperative urban development, and creating places to foster encounters. Together with experts across various fields, they explore forms of urban practice, participation, and the joint production of space. Polylemma tells the story of this work: its nine members visit the sites of their work, come together with long-standing colleagues and critics, dissect the mechanisms behind their actions, and reflect on the tools and methods of their research-based practice. Topics discussed across numerous projects include strategies for learning together, experimental building, and radical recycling. Polylemma challenges us to open up our notion of space. How do we want to live together in the future? The book is a plea for the city as a sphere of action.

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Landscape architecture can be more than aesthetically innovative: it can contribute to integration in society, social stability, and a vibrant public life. But how does a park become an intensively used stage, a well-visited everyday location? What constitutes the “boon of life” (Jane Jacobs)? And what makes a park urban?The Park am Gleisdreieck in Berlin—developed between 2007 and 2014—was initiated by citizens and built in dialogue with them. This publication presents the principles underlying its design. They form a toolbox for big city parks that can be used in diverse ways, stimulate interaction, and appeal to the senses. Furthermore, the book situates the park within the contemporary work of landscape architecture and shows how visitors perceive the park and its atmospheres. Overall, this work lays out the design elements that model a successful citizens’ park in the twenty-first century: Many voices have contributed to its development; its design is dynamically complex, and the park invites change and appropriation.

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A rethinking of the Henri Lefebvre's hypothesis that society has been completely urbanised. "I'll begin with the following hypothesis: society has been completely urbanized." - Henri Lefebvre, La révolution urbaine (1970) In 1970, Henri Lefebvre put forward the radical hypothesis of the complete urbanisation of society, a circumstance that in his view required a radical shift from the analysis of urban form to the investigation of the urbanisation processes. Drawing together classic and contemporary texts on the 'urbanisation question', this book explores various theoretical, epistemological, methodological and political implications of Lefebvre's hypothesis. It assembles a series of analytical and cartographic interventions that supersede inherited spatial ontologies (urban/rural, town/country, city/non-city, society/nature) in order to investigate the uneven implosions and explosions of capitalist urbanisation across places, regions, territories, continents and oceans up to the planetary scale. Neil Brenner is Professor of Urban Theory at the Harvard Graduate School of Design (GSD). His writing and teaching focus on the theoretical, conceptual, methodological and cartographic dimensions of urban questions. His work builds upon, and seeks to extend, the fields of critical urban and regional studies, comparative geopolitical economy and radical sociospatial theory. Major research foci include processes of urban and regional restructuring and uneven spatial development; the generalisation of capitalist urbanisation; the problem of spatial visualisation in urban studies; and processes of state spatial restructuring, with particular reference to the remaking of urban governance configurations under neoliberalising capitalism. In 2014, Brenner was selected as a Thompson Reuters Highly Cited Researcher (www.highlycited.com). Based on Web of Science data, his publications were ranked among the top 1% most cited globally in the general social sciences between 2002 and 2012. http://www.gsd.harvard.edu/person/neil-brenner/

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Trilingual edition (English/Spanish/German) / Dreisprachige Ausgabe (deutsch/spanisch/englisch) The vibrant Cuban metropolis Havana is, yet in its state of decay, one of the most beautiful cities in the world. A nineteen-fifties pre-revolutionary boom still characterizes the city, alongside picturesque colonial architecture: renowned international Modernist architects, often working with artists, created fascinating architectural ensembles at the time. Clarity, panache and color today still bear witness to the pioneering spirit of those years. The photographer Bodo Tuengler, has documented the most impressive buildings of Havana’s short Modernist period and unveils surprising new perspectives of the „sleeping beauty“.

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Processes of Reflexive Design differentiates between various facets and intersections of the genesis, transformation, and interaction of design and research in architecture, landscape architecture, and urban design. How do systematisation work and creative processes interact? How are specific forms of knowledge generated, evaluated, and transformed? A broad spectrum of the development, description, and testing of different types of processes and process characteristics in the dynamics of design and research is shown to explore these questions. Features essays from both theory and practice, including contributions from, amongst others, Giorgia Aquilar, Tom Avermaete, Katja Benfer and Cyrus Zahiri, Isabel Finkenberger, Ole W. Fischer, Hilde Léon, Andreas Nütten and Caroline Voet. Text in English and German.

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How does theory relate to practice? How should practice inform theory? Scholars all over the world struggle with these questions, particularly in urban research which offers simultaneously a field of deep theory and a very practical place of work. For the study of contemporary urban development in all its complexity, these questions are of utmost importance. The experiences of urban crisis require action that is informed, guided and grounded to improve living conditions. But the most important challenges of 21st century urbanisation are exacerbated by a growing gulf between theoretical understandings and practical considerations. The contributions to this book, from a range of internationally renowned and younger scholars, explore the dynamics that shape urban theories and professional practices today. Drawing on rich experiences in research, policy and practice in various global contexts, the authors give reflective and personal accounts that provide insights into the ways in which urban researchers make use and sense of theory.

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The political climate of our time is being shaped by a dwindling ability to engage in public dialogue, putting democratic practices under increasing pressure. In order to counter the trend towards retreating into the realm of self-affirmation, we need new spaces in which public debate is not only tolerated but stimulated. With this in mind, students at RheinMain University of Applied Sciences designed centrally located salons in Berlin and Frankfurt/Main that could inspire interest in democratic engagement. In summer 2021, the German Architecture Museum will exhibit these designs. This book complements the exhibit with five essays by well-known authors, as well as a comic strip depicting a day in the life of the Salons of the Republic.

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Bilingual edition (English/Spanish) / Zweisprachige Ausgabe (spanisch/englisch) In view of rapidly progressing urbanization worldwide, informal settlements, especially in the cities of the global south must be a focus of our attention–because in the future, the majority of new city inhabitants will settle in these unplanned extensions of urban centers. The tools and methods of conventional urban planning have so far been unable to tackle this phenomenon. New approaches, combining top-down planning and bottom-up initiatives to create sustainable and viable living environments, are required.The Moravia Manifesto presents alternative planning approaches put forward by an international think-and-do tank, developed alongside local participants from the Moravia informal settlement at the heart of the Colombian metropolis Medellín. This new planning approach is contextualized by essays and international case studies. The urban coding planning approach demonstrates new ways in which planning, politics, economy, and administration can initiate and implement innovative and inclusive urban transformation processes together with local communities.

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