Search results for ""Author Herzog"

In It's Only a Movie, the incomparable Mark Kermode takes us into the weird world of a life lived in widescreen. Join him as he gets lost in Russia on the trail of a low-budget horror flick, gasp as he's shot at in Hollywood while interviewing Bavarian director Werner Herzog, cheer as he gets thrown out of the Cannes film festival for heckling in very bad French, and cringe as he's handbagged by Helen Mirren at London's glitzy BAFTA Awards. Written with sardonic wit and wry good humour, this compelling cinematic memoir is genuinely 'inspired by real events'.

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EVA & ADELE’s work finds its raison d’être in their permanent, lifelong performance which takes place worldwide throughout the public space. The work group CUM (lat. WITH) is the essence of the interactive process. It was acknowledged as early as 1997 in the Sprengel Museum with the solo exhibition CUM, and is continued to this day in a variety of media. EVA & ADELE requested one of two Polaroids taken by the public – co-performers – including a signature. Based on this they created a group of important drawings and paintings which they developed in the subsequent artistic process and have continued until today. The publication forms the work complex CUM in its entirety; the volume is completed by valuable text contributions by Robert Fleck, Lisa Schmidt-Herzog and Marcus Steinweg.

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Saul Bellow is one of the twentieth century's most influential, respected, and honored writers. His novels The Adventures of Augie March, Herzog, and Mr. Sammler's Planet won the National Book Award, and Humboldt's Gift was awarded the 1976 Pulitzer Prize for fiction. In addition, his plays garnered popular and critical acclaim, and some were produced on Broadway. Known for his insights into life in a post-Holocaust world, Bellow's explorations of modernity, Jewish identity, and the relationship between art and society have resonated with his readers, but because his writing is not overtly political, his politics have largely been ignored. A Political Companion to Saul Bellow examines the author's novels, essays, short stories, and letters in order to illuminate his evolution from liberal to neoconservative. It investigates Bellow's exploration of the United States as a democratic system, the religious and ideological influences on his work, and his views on race relations, religious identity, and multiculturalism in the academy. Featuring a fascinating conclusion that draws from interviews with Bellow's sons, this accessible companion is an excellent resource for understanding the political thought of one of America's most acclaimed writers.

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Reveals America’s long history of making both naturalized immigrants and native-born citizens un-American after stripping away their citizenship Expatriation, or the stripping away citizenship and all the rights that come with it, is usually associated with despotic and totalitarian regimes. The imagery of mass expulsion of once integral members of the community is associated with civil wars, ethnic cleansing, the Holocaust, or other oppressive historical events. Yet these practices are not just a product of undemocratic events or extreme situations, but are standard clauses within the legal systems of most democratic states, including the United States. Witness, for example, Yaser Esam Hamdi, captured in Afghanistan in November 2001, sent to Guantánamo, transferred to a naval brig in South Carolina when it was revealed that he was a U.S. citizen, and held there without trial until 2004, when the Justice Department released Hamdi to Saudi Arabia without charge on the condition that he renounce his U.S. citizenship. Hamdi’s story may be the best known expatriation story in recent memory, but in Revoking Citizenship, Ben Herzog reveals America’s long history of making both naturalized immigrants and native-born citizens un-American after their citizenship was stripped away. Tracing this history from the early republic through the Cold War, Herzog locates the sociological, political, legal, and historic meanings of revoking citizenship. Why, when, and with what justification do states take away citizenship from their subjects? Should loyalty be judged according to birthplace or actions? Using the history and policies of revoking citizenship as a lens, Revoking Citizenship examines, describes, and analyzes the complex relationships between citizenship, immigration, and national identity.

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This book, a reprint of one of the classics of historical linguistics, contains five papers originally presented at a 1966 symposium at the University of Texas at Austin. The individual contributions cover a broad range of topics, from Ferdinand de Saussure’s influence on historical linguistics to the connection between inflectional paradigms and sound change to language change in contemporary linguistic communities. Each of the contributions has had a sizable effect on the development of linguistics; the final paper, by Uriel Weinreich, Marvin Herzog, and William Labov, for instance, laid the foundation for contemporary historical sociolinguistics. The volume has long been out of print; this new edition will make it accessible to a new generation of linguists.

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“Nobody is going to buy the book if I say nice things about you, Werner.”— Klaus Kinski to Werner Herzog What are the things you can’t live with or without? What can we expect from relationships that refuse to resolve themselves one way or the other? You Again collects together accounts of ruinous tension and blighted passion, mixing extracts and cut-ups from famous works with fresh slivers of contemporary writing. There’s romance, of course – but other kinds of entanglement as well, all awash with delight and frustration, rage and joy, hope and perplexity.

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Computing the Environment presents practical workflows and guidance for designers to get feedback on their design using digital design tools on environmental performance. Starting with an extensive state-of-the-art survey of what top international offices are currently using in their design projects, this book presents detailed descriptions of the tools, algorithms, and workflows used and discusses the theories that underlie these methods. Project examples from Transsolar Klimaengineering, Buro Happold´s SMART Group, Behnish Behnisch Architects, Thomas Herzog, Autodesk Research are contextualized with quotes and references to key thinkers in this field such as Eric Winsberg, Andrew Marsh, Michelle Addington and Ali Malkawi.

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This Norton Critical Edition includes: The Standard Edition of Sigmund Freud’s most famous work, under the general editorship of James Strachey and authorized by Freud. Editorial matter by Samuel Moyn. Carefully chosen and thematically organized commentaries, including letters between Albert Einstein and Freud and a new essay by Amy Allen adapted for this Norton Critical Edition. Topics include “The Meaning of Psychoanalysis,” “The Infant, the ‘Oceanic Feeling,’ and the Question of Religion,” “Aggression and Peace,” “Culture and Pessimism in Cold War Liberalism,” and “Liberation or Progress?” Suggestions for further reading, a bibliography and an author index, and a general index. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need. “This is Freud’s most sustained statement on the cruelties human beings are capable of inflicting on each other, even as he held out hope that love might yet triumph. Civilization and Its Discontents remains hugely pertinent in light of the ongoing crises and challenges confronting our species. This Norton Critical Edition offers an especially apt and brilliant range of commentaries, perfect for teaching.” —Dagmar Herzog, Graduate Center, City University of New York

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Haben Sie sich schon mal gefragt, wer schuldig ist, wenn Anton versucht, Bert zu erstechen, der Krankenwagen, in dem der verletzte Bert liegt, in einen Unfall gerät, und Bert bei diesem Unfall stirbt? Sie sehen, Strafrecht kann ganz schön spannend sein! Im Allgemeinen Teil des Strafrechts geht es um solche Fragen nach Schuld und strafrechtlicher Verantwortlichkeit wie die, nach der Schuld an Berts Tod. Mit anschaulichen Beispielen bringt Felix Herzog Leben in juristische Begriffe wie Schuld, Vorsatz oder Anstiftung. Er erklärt gesetzliche Voraussetzungen für strafbares Verhalten, definiert strafrechtlich erfassbare Verhaltensweisen und widmet sich Fragen der Kausalität.

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A poetic meditation on life and death, by one of the most renowned and respected film-makers and intellectuals of our time. In November 1974, when Werner Herzog was told that his mentor Lotte Eisner, the film-maker and critic, was dying in Paris, he set off to walk there from Munich, ‘in full faith, believing that she would stay alive if I came on foot’. Along the way he recorded what he saw, how he felt, and what he experienced, from the physical discomfort of the journey to moments of rapture. It is a remarkable narrative – part pilgrimage, part meditation, and a confrontation between a great German Romantic imagination and the contemporary world. This edition of the book is being published for the first time as a classic piece of proto-psychogeography, to coincide with the fortieth anniversary of the legendary director’s walk.

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The controlled clinical trial has become an essential part of the clinician's decision-making process. Clinical trials, however, still raise methodological problems that are important and at the same time controversial: subgroup analysis and interactions, meta-analy­ sis of similar trials, consideration of subjective clinical opinions and those of the public at large, assessment of quality of life, pre­ vention trials, and so on. In February 1987 we took our third step along the road to evaluating these issues in dialogues between cli­ nicians, psychologists, legal experts, and statisticians. The talks presented at the meeting were revised by the authors afterwards and have been rearranged by the editors to form a strictly organ­ 1 2 ized book. The two preceding meetings in 1978 and 1981 focused strongly on adjuvant therapy in primary breast cancer, but this top­ ic served merely as a nucleus in the third meeting. This meeting, although called the Third Heidelberg Symposium was forced to leave Heidelberg and in fact was held in Freiburg. Without the interest and enthusiasm of Professor Martin Schu­ macher and his colleagues in Freiburg the meeting would never have taken place. The meeting was generously supported again by the Federal Ministry of Research and Technology (Bundesministe­ rium flir Forschung und Technologie, BMFT) within the framework of the West German BMFT Breast Cancer Study Group. We are grateful, in particular, to Mr. Hans W. Herzog for his personal in­ volvement. Juni 1988 H. Scheurlen, R. Kay, M.

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From New York Times bestselling knitting writer Clara Parkes, comes a new collection of essays and stories drawn from the yarn-loving, stash-collecting, close-knit community of knitters. This addictive-to-read anthology celebrates yarn—specifically, the knitter’s reputation for acquiring it in large quantities and storing it away in what’s lovingly referred to as a “stash.” Consider contributions from knitting and teaching luminaries, including: BUST co-founder Debbie Stoller Meg Swansen, daughter of master knitter Elizabeth Zimmermann Knitting blogger and author Susan B. Anderson alongside offerings from knitting greats Amy Herzog, Stephanie Pearl-McPhee, and Franklin Habit—plus, stories from a romance novelist, an illustrator, a PhD-wielding feminist publisher, a globetrotting textile artist, a licensed clinical social worker, and the people behind the world’s largest collective online stash, Ravelry.com. The pieces range from comical to earnest, lighthearted to deeply philosophical as each seeks to answer the question of how the stash a knitter has accumulated over the years reflects his or her place in universe. The stories in A Stash of One’s Own represent and provide validation for knitters’ wildly varying perspectives on yarn, from holding zero stash, to stash-busting, to stockpiling masses of it—and even including it in estate plans. These tales are for all fiber artists, spinners, dyers, crafters, crocheters, sheep farmers, shop owners, beginning knitters to yarn experts, and everyone who has ever loved a skein too hard to let it go.

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"Every time I meet another woman who has survived, or who is helping the survivors, or who is struggling to articulate the horror the survivors and the dead have suffered and to prevent its recurrence, my own anger and grave distress turns toward hope." With these words, author Beverly Allen gives an indication of the shocking impact on the international community of a recent wartime phenomenon, namely the "military policy of rape for the purpose of genocide", implemented by Serbian soldiers in Bosnia-Herzegovina and Croatia during the recent conflict in the region. This text documents the existence of rape/death camps in which women were detained and raped repeatedly, often with the goal of impregnating them or as a form of torture before death. The author faces the dilemma of communicating her findings without reinforcing the damage that has been caused by these atrocities. The study analyzes the information gathered by the author about genocidal rape and concludes with an impassioned argument for the bringing to trial of the perpetrators of this war crime.

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The dark history of eugenic thought in Germany from the nineteenth century to today—and the courageous countervoicesBetween 1939 and 1945, Nazi genocide claimed the lives of nearly three hundred thousand people diagnosed with psychiatric illness or cognitive deficiencies. Not until the 1980s would these murders, as well as the coercive sterilizations of some four hundred thousand others classified as “feeble-minded,” be officially acknowledged as crimes at all. The Question of Unworthy Life charts this history from its origins in prewar debates about the value of disabled lives to our continuing efforts to unlearn eugenic thinking today.Drawing on a wealth of rare archival evidence, Dagmar Herzog sheds light on how Germany became the only modern state to implement a plan to eradicate cognitive impairment from the entire body politic. She traces how eugenics emerged from the flawed premise that intellectual deficiency was biologically h

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''If Michael Palin had been a volcanologist, this is the book he would have written'' LITERARY REVIEW''Gripping'' THE ECONOMIST ''Wonderful'' PETER FRANKOPAN ''Like a thriller ... This is terrific'' SPECTATOR ''Beautiful ... bursting with poetry, with storytelling'' WERNER HERZOGWe are made of the same stuff as the breath and cinders of volcanoes. No matter where we live on the planet, they have shaped our history and might one day decide our destiny. World-famous volcanologist Clive Oppenheimer has worked at the crater''s edge in the wildest places on Earth, close enough to feel the heat of the lava. In Mountains of Fire we join him on hair-singeing adventures from Italy to Antarctica to learn how deeply our stories are intertwined with volcanoes.

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When former photographer and commercial real estate executive Hank Klein suffered a debilitating stroke in 2012, experimenting with photographic effects became an important part of his recovery. Viewed through a Leica lens and Klein's vision and imagination, more than 200 colorful Miami scenes invite readers to view the same subject matter in two ways—one as a traditional photograph and one reinterpreted with color, texture, and cropping. From the landmark Freedom Tower to an Everglades alligator, from Herzog & de Meuron's snazzy new Perez Art Museum to the old Vagabond Motel, striking compositions become more complex with the aid of technology and Klein's haiku-like commentary.

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Concrete? That characterless stuff of parking lots or Communist tower blocks, right? Well, yes. And no. Concrete is actually a name applied to a remarkably wide range of building substances, and, when properly handled, is one of the noble materials of contemporary architecture. A kind of “liquid stone” at the outset, it is malleable, durable, and capable of prodigious feats of engineering. This Bibliotheca Universalis edition highlights the best work done in concrete of recent years. It includes such stars as Zaha Hadid, Herzog & de Meuron, and Steven Holl, but also surprising new architects like the Russians SPEECH and artists such as James Turrell, who turned the famous concrete spiral of Frank Lloyd Wright’s Guggenheim in New York into the setting of one of his most remarkable pieces.

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Methodenlehre wird immer noch oft allein aus nationaler Sicht gesehen. Lösungsansätze in anderen Jurisdiktionen werden dann gerne als "nicht methodisch" beschrieben. Gleichermaßen werden die vier Auslegungselemente pauschal auf Savigny zurückgeführt und die Prämissen der Methodenlehre der Nachkriegszeit hingenommen, ohne sie zu problematisieren. Ausgehend von einer eigenen Savigny-Interpretation und bereichert durch die in Portugal und Brasilien gemachten Erfahrungen gibt Benjamin Herzog den Denkanstoß, die Wortlautgrenze und das teleologische Denken zu hinterfragen. Er fordert dies aber nicht für die lusophonen Rechte. Geprägt vom Respekt vor der Andersartigkeit fremder Rechtskulturen problematisiert er statt dessen, wie man in Portugal und Brasilien unter anderen historischen, verfassungsrechtlichen und sozioökonomischen Voraussetzungen als in Deutschland Recht anwendet und auslegt.

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During his many years writing for publications such as LA Weekly, the Los Angeles Times, Slake, Surfer's Journal and more, Joe Donnelly has driven to Texas with Wes Anderson, shot pool with Sean Penn, surfed with Chris Malloy, sparred (verbally) with Christian Bale, gone on a date with Carmen Electra, and listened to tall tales told by Werner Herzog. These profiles, which also include encounters with Drew Barrymore, Lou Reed, Craig Stecyk,the wolf OR7, the Z-boys and others who have indelibly stamped the cultural landscape, drill through the facade of fame to get at the core humanity behind the myth-making. This collection manages to show Los Angeles' biggest export in a light in which it is rarely seen.

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An unprecedented portrait of Moses's inner world and perplexing character, by a distinguished biblical scholar No figure looms larger in Jewish culture than Moses, and few have stories more enigmatic. Avivah Gottlieb Zornberg, acclaimed for her many books on Jewish thought, turns her attention to Moses in this remarkably rich, evocative book. Drawing on a broad range of sources—literary as well as psychoanalytic, a wealth of classical Jewish texts alongside George Eliot, W. G. Sebald, and Werner Herzog—Zornberg offers a vivid and original portrait of the biblical Moses. Moses's vexing personality, his uncertain origins, and his turbulent relations with his own people are acutely explored by Zornberg, who sees this story, told and retold, as crucial not only to the biblical past but also to the future of Jewish history.

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The Art of Wandering is a history of that curious hybrid, the writer as walker. From the Ancient world to the modern day, the role of the walker continues to evolve, from philosopher and pilgrim, vagrant and visionary, to experimentalist and radical. From Rousseau and De Quincey to Virginia Woolf and Werner Herzog, this seemingly innocuous activity has inspired a literary tradition encompassing philosophy and poetry, the novel and the manifesto. Today, this figure has returned to the forefront of the public imagination, as writers and walkers follow in the footsteps of earlier generations. For the walker is once again on the march, seeking out new territory and recording new impressions of the landscape. Newly revised and updated, The Art of Wandering explores these adventures on foot. Every walk can be expressed as a story narrated by the walker; it is these stories and the lives of those who walked them which are examined here.

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Design Technology in Contemporary Architectural Practice lifts the curtain to unveil how eleven world-leading design studios integrate technology (such as computational design, BIM, and digital fabrication) as part of their day-to-day design exploration and delivery. Via first-hand accounts, the book offers rare insights about how these firms apply technology to purposefully disrupt and support their creative design processes in order to then explore how technology can be integrated on an organisational level. The resulting practice stories are loosely tied to four chapters that discuss how Design Technology corresponds to studio culture, collaboration and delivery protocols, business opportunities, knowledge sharing, staff empowerment, and more. The author is less interested in presenting the latest and greatest tools than in focusing on cultural and organisational challenges and opportunities. This book benefits both the professional market (such as design firms reflecting on their technology use), as well as the academic context (with its critical reflection on the interface between design process and technology support). Stories from the following design firms are included:Coop Himmelb(l)auFoster + PartnersBjarke Ingels Group (BIG)Zaha Hadid ArchitectsDiller Scofidio + RenfoHeatherwick StudioMorphosis Architects SO-ILWoods BagotHerzog & de MeuronLASSA

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Before Herzog and Kinski, before Simon and Garfunkel, there was Charles Brackett and Billy Wilder. Despite their shared nickname, writer-producer Charles Brackett and writer-director Billy Wilder were not, in fact, the “happiest couple in Hollywood.” Actually, they disliked each other intensely, even as they collaborated on some of the most iconic films of Hollywood’s Golden Age, including Sunset Boulevard, Double Indemnity, The Lost Weekend, and A Foreign Affair.Just how two men who found each other so irritating could together make such enduring contributions to cinematic history is the subject of Double Solitaire, a joint biography of a fascinating and explosive creative collaboration. In the course of making their mark on genres ranging from film noir to the screwball comedy, they achieved an almost inexplicable alchemy that highlights the paradoxical nature of shared genius. Author Donald Brackett—whose grandfather was Charles Brackett’s cousin—delves into family lore, correspondence, contemporary media reports, and all other manner of historical records to reconstruct the strange magic of Brackett & Wilder’s combustible partnership, showing how their creative tensions yielded one classic film after another, and how their entrepreneurial drive pushed against the constraints of the studio system, anticipating the independent-producer models of today.

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Stories and photography intermingle on the pages of this gorgeous homage to '70s and '80s cinema and celebrity. Including rare and never-before-seen images, Through Her Lens is a wonderful collection of images and memoires that capture the spirit of the age. From unexpected late-night calls from Romy Schneider, to a stay at Paul Newman's home in Connecticut; from working on set with Bernardo Bertolucci, Werner Herzog, Steven Spielberg and Sydney Pollack, to lounging poolside with Raquel Welch; Sereny reveals her favourite moments from working behind the lens. This is the first photographic retrospective of Sereny's star-studded career, including nearly 100 never-before-seen images complemented by Eva's own stories.

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Color is inextricably linked with architecture; as a design element and also as an inherent quality, it characterizes the shape and texture of the built fabric.The book presents extraordinary color schemes, both in terms of technology and aesthetics, for ground-breaking architecture with a wide spectrum of functions: from apartment to concert hall, from flagship store to city park.The focus is on the works of the three architects Frank O. Gehry, Jean Nouvel and Wang Shu. This is expanded by the works of other practices such as BIG, Zaha Hadid, Herzog & de Meuron, Toyo Ito and SANAA.This publication presents a compendium that documents color schemes in architecture in the context of very different aesthetic approaches. The large-format photographs by Iwan Baan, Christian Richters, Roland Halbe and Philippe Ruault fascinate with their clarity and presence.

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Michel Desvigne is no doubt the most high-profile French landscape architect working today. He collaborates with architects like Richard Rogers, Norman Foster, Renzo Piano, Ieoh Ming Pei, Herzog and de Meuron, and Jean Nouvel, and his projects are synonymous with a strong strategic and conceptual component, influenced by insights from geography. Traffic projects also play an important role in his work – they underscore the competence of landscape architecture in matters of city planning. This thematic monograph documents the key elements of Desvigne’s work in individual chapters: processes of transformation, geography, territory, urban structures, and public squares. Each of these themes is vividly illustrated by selected projects, including the Walker Art Center in Minneapolis, the Dallas Center for the Performing Arts, the French Ministry of Culture in Paris, and Keio University in Tokyo.

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A critique of prominent architects’ approach to digitally driven design and labor practices over the past two decades With the advent of revolutionary digital design and production technologies, contemporary architects and their clients developed a taste for dramatic, unconventional forms. Seeking to amaze their audiences and promote their global brands, “starchitects” like Herzog & de Meuron and Frank Gehry have reaped substantial rewards through the pursuit of spectacle enabled by these new technologies. This process reached a climax in projects like Gehry’s Guggenheim Bilbao and the “Bilbao effect,” in which spectacular architectural designs became increasingly sought by municipal and institutional clients for their perceived capacity to enhance property values, which author Pedro Fiori Arantes calls the “rent of form.”Analyzing many major international architectural projects of the past twenty years, Arantes provides an in-depth account of how this “architecture of exception” has come to dominate today’s industry. Articulating an original, compelling critique of the capital and labor practices that enable many contemporary projects, Arantes explains how circulation (via image culture), consumption (particularly through tourism), the division of labor, and the distribution of wealth came to fix a certain notion of starchitecture at the center of the industry.Significantly, Arantes’s viewpoint is not that of Euro-American capitalism. Writing from the Global South, this Brazilian theorist offers a fresh perspective that advances ideas less commonly circulated in dominant, English-language academic and popular discourse. Asking key questions about the prevailing logics of finance capital, and revealing inconvenient truths about the changing labor of design and the treatment of construction workers around the world, The Rent of Form delivers a much-needed reevaluation of the astonishing buildings that have increasingly come to define world cities.

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A critique of prominent architects’ approach to digitally driven design and labor practices over the past two decades With the advent of revolutionary digital design and production technologies, contemporary architects and their clients developed a taste for dramatic, unconventional forms. Seeking to amaze their audiences and promote their global brands, “starchitects” like Herzog & de Meuron and Frank Gehry have reaped substantial rewards through the pursuit of spectacle enabled by these new technologies. This process reached a climax in projects like Gehry’s Guggenheim Bilbao and the “Bilbao effect,” in which spectacular architectural designs became increasingly sought by municipal and institutional clients for their perceived capacity to enhance property values, which author Pedro Fiori Arantes calls the “rent of form.”Analyzing many major international architectural projects of the past twenty years, Arantes provides an in-depth account of how this “architecture of exception” has come to dominate today’s industry. Articulating an original, compelling critique of the capital and labor practices that enable many contemporary projects, Arantes explains how circulation (via image culture), consumption (particularly through tourism), the division of labor, and the distribution of wealth came to fix a certain notion of starchitecture at the center of the industry.Significantly, Arantes’s viewpoint is not that of Euro-American capitalism. Writing from the Global South, this Brazilian theorist offers a fresh perspective that advances ideas less commonly circulated in dominant, English-language academic and popular discourse. Asking key questions about the prevailing logics of finance capital, and revealing inconvenient truths about the changing labor of design and the treatment of construction workers around the world, The Rent of Form delivers a much-needed reevaluation of the astonishing buildings that have increasingly come to define world cities.

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Landgraf Philipp von Hessen wurde in der Forschung bislang als der aus religiösen GrÃ"nden prinzipiell opponierende Dauerrivale des Kaisers im Reich dargestellt. Dagegen zeigt die vorliegende Studie unter Zuhilfenahme neuer methodischer Ansätze und durch die zeitliche Verortung zwischen der Restitution Herzog Ulrichs von WÃ"rttemberg (1534) und dem Abschluss des "Geheimvertrages" mit dem Kaiser (1541) als markanten Zäsuren in den politischen Beziehungen des Landgrafen zum Kaiserhaus, dass der Landgraf als ein Politiker porträtiert werden muss, der seine politischen Entscheidungen je nach Interessenlage traf und vor dem Hintergrund politischer Konjunkturen seine Beziehungen neu austarierte und sein Handeln Ã"berdachte.

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As Israel increasingly becomes the center of global Jewish life, Jews everywhere are undergoing a process of Israelization.“The Israeli Century is one of the most important books of our generation, emphasizing how Israel is becoming the center of the Jewish People’s existence and is laying the solid foundations for its future.”—Isaac Herzog, President of Israe In this important breakthrough work, Yossi Shain takes us on a sweeping and surprising journey through the history of the Jewish people, from the destruction of the First Temple in the sixth century B.C.E. up to the modern era. Over the course of this long history, Jews have moved from a life of Diaspora, which ultimately led to destruction, to a prosperous existence in a thriving, independent nation state. The new power of Jewish sovereignty has echoed around the world and gives Israelis a new and significant role as influential global players. In the Israeli Century

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Venècia, 1914. La Carla Herzog, a punt de complir catorze anys, descobreix que té el poder de preveure desgràcies poc abans que es produeixin. El seu pare, un home molt ric i poderós i amb una mentalitat molt estricta, l?acusa de bruixeria i la tanca en un reformatori. Una nit, la Carla aconsegueix escapar juntament amb dos companys. Tots tres viatjaran a diversos llocs d?Europa a la recerca d?un llibre misteriós que conté l?explicació dels seus poders, alhora que la policia de Venècia busca la Carla acusant-la falsament d?assassinat. Mentrestant, esclata la Primera Guerra Mundial?

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Designing private residences has its own very special challenges and nuances for the architect. The scale may be more modest than public projects, the technical fittings less complex than an industrial site, but the preferences, requirements, and vision of particular personalities becomes priority. The delicate task is to translate all the emotive associations and practical requirements of “home” into a workable, constructed reality. This publication rounds up 100 of the world’s most interesting and pioneering homes designed in the past two decades, featuring a host of talents both new and established, including John Pawson,Shigeru Ban, Tadao Ando, Zaha Hadid, Herzog & de Meuron, Daniel Libeskind, Alvaro Siza, and Peter Zumthor. Accommodating daily routines of eating, sleeping, and shelter, as well as offering the space for personal experience and relationships, this is architecture at its most elementary and its most intimate.

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What is a city? What determines its specifi city? What shapes its quality? The evolution of the contemporary city does not follow a linear movement. It is shaped by transformation processes that are directed toward often distant and confl icting goals. Even though cities are inscribed into global processes and networks, they develop their own specifi c ways of dealing with these conditions. They tend to produce and reproduce their own specifi city, their own patterns and character traits. Using the categories of territory, power, and difference - also lending the book its structure - the texts analyze different case studies of cities and urbanized territories, ranging from the Canary Islands to Hong Kong and Nairobi, unfolding the distinctiveness of their physical and social existences. With contributions by Roger Diener, Mathias Gunz, Manuel Herz, Jacques Herzog, Rolf Jenni, Marcel Meili, Shadi Rahbaran, Christian Schmid, and Milica Topalovic.

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The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought.The first new collection of critical studies on Deleuze's cinema writings in nearly a decade, Afterimages of Gilles Deleuze's Film Philosophy provides original essays that evaluate the continuing significance of Deleuze's film theories, accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research.Contributors: Raymond Bellour, Centre Nationale de Recherches Scientifiques; Ronald Bogue, U of Georgia; Giuliana Bruno, Harvard U; Ian Buchanan, Cardiff U; James K. Chandler, U of Chicago; Tom Conley, Harvard U; Amy Herzog, CUNY; András Bálint Kovács, Eötvös Loránd U; Patricia MacCormack, Anglia Ruskin U; Timothy Murray, Cornell U; Dorothea Olkowski, U of Colorado; John Rajchman, Columbia U; Marie-Claire Ropars-Wuilleumier, U Paris VIII; Garrett Stewart, U of Iowa; Damian Sutton, Glasgow School of Art; Melinda Szaloky, UC Santa Barbara.

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“The work focuses on a phenomenon that is occurring with increasing frequency in the practice of cardiac surgery, namely the need to address cardiac surgical issues in patients with end-stage renal disease (ESRD). . . . this book will serve to stimulate trials of competing and complementary therapies so that the outcomes for these unfortunate patients can be improved.” -- from the Foreword by R. Morton Boltman, III, MD Professor of Surgery, Harvard Medical School Chief, Cardiac Surgery, Brigham and Women’s Hospital, Boston Cardiovascular disease remains the most common cause of death for patients with chronic renal failure, and although cardiac surgery can frequently relieve symptoms and prolong survival, it is still associated with significant complications. This concise volume draws on the expertise of leading specialists to help practitioners and trainees understand the full range of current treatment options and their outcomes. Noted authorities such as Charles A. Herzog and William Cohn share both their insights and their technical tips, developed through years of experience. Cardiac Surgery in Chronic Renal Failure includes chapters on: • the impact of ESRD in society • percutaneous coronary revascularization in ESRD patients • cardiopulmonary bypass in patients with chronic renal failure • coronary bypass grafting in ESRD patients requiring dialysis • surgical treatment of valvular heart disease in ESRD patients • surgical evaluation and treatment of uremic pericarditis Practicing nephrologists and cardiologists, as well as residents and fellows, will find this important volume serves as a guide to achieving the best possible outcomes and a call to reduce the impact of cardiovascular disease in ESRD.

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'One of the funniest, most riotously inventive and enjoyable novels you’ll read this year' - ObserverRoland Barthes is knocked down in a Paris street by a laundry van. It’s February 1980 and he has just come from lunch with Francois Mitterrand. Barthes dies soon afterwards. History tells us it was an accident. But what if it were an assassination? What if Barthes was carrying a document of unbelievable, global importance? A document explaining the seventh function of language – an idea so powerful it gives whoever masters it the ability to convince anyone, in any situation, to do anything. Police Captain Jacques Bayard and his reluctant accomplice Simon Herzog set off on a chase that takes them from the corridors of power to backstreet saunas and midnight meetings. What they discover is a worldwide conspiracy involving the President, murderous Bulgarians and a secret international debating society.

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A critical reappraisal of a classic collection’s modernist legacy for women artists Taking as its point of departure the art collection at Kykuit—the former home of the Rockefeller family, now a museum—Inspired Encounters asks: if exclusively women-identifying artists remained in this legendary modernist collection, what would be revealed? Essentially the product of three people whose lives intertwined around MoMA—Alfred H. Barr Jr., Dorothy Canning Miller and Nelson A. Rockefeller—Kykuit's holdings include work by Anni Albers, Mary Bauermeister, Lee Bontecou, Mary Callery, Valerie Clarebout, Dorothy Dehner, Grace Hartigan, Louise Kruger, Marisol, Louise Nevelson and Lenore Tawney. The book augments this group with works by Louise Bourgeois, Elizabeth Catlett, Lin Emery and Fanny Sanín to expand the possibilities of a “closed” collection. Commissioned works by Sonya Clark, Maren Hassinger, Elana Herzog, Melissa Meyer, Barbara Takenaga and Kay WalkingStick reflect on the collection.

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In Berlin Now, and on the 25th Anniversary of the fall of the Wall, a legendary Berliner tells the inside story of the city.Over the last five decades, no other city has changed more than Berlin. Divided in 1961, reunited in 1989, it has morphed over the last twenty-five years into Europe's most vibrant melting-pot of artists, immigrants and entrepreneurs. Pieces of the wall are collected around the world. Blending memoir, history, anecdote and reportage, this legendary Berliner takes us behind the scenes - from wrenching stories of life under the Stasi, to the difference between East and West Berliners' sex-lives, to a present-day investigation of its arts scene, night-life, tumultuous politics and hidden quirks - revealing what makes Berlin the uniquely fascinating place it is.Peter Schneider makes the city come alive. He knows his stuff and shares it beautifully, elegantly, generously and informatively. Berlin has found its bard'Breyten Breytenbach, author of 'Notes from the Middle World'Praise for The Wall Jumper:'Marvelous . . . creates, in very few words, the unreal reality of Berlin' Salman Rushdie, New York Times Book Review 'Schneider's description of the Berlin wall from both sides . . . is the ultimate depiction of this structure. Nothing more need be said' Werner Herzog'Wonderful' Ian McEwanPeter Schneider was born in Lübeck, Germany, in 1940, and has lived in Berlin on and off since the 1960s, when he was a key spokesperson for its radical student movement. Renowned as a novelist and essayist, he is now the author of more than twenty books, including the Penguin Modern Classic The Wall Jumper. He has taught at many universities, including Stanford, Princeton and Harvard, and written for many international newspapers, including Der Spiegel, The New York Times, Le Monde and La Repubblica.

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What does it take to be one of the world's best high-altitude mountain climbers? A lot of fundraising; traveling in some of the world's most dangerous countries; enduring cold bivouacs, searing lungs, and a cloudy mind when you can least afford one. It means learning the hard lessons the mountains teach.Steve House built his reputation on ascents throughout the Alps, Canada, Alaska, the Karakoram and the Himalaya that have expanded possibilities of style, speed, and difficulty. In 2005 Steve and alpinist Vince Anderson pioneered a direct new route on the Rupal Face of 26,600-foot Nanga Parbat, which had never before been climbed in alpine style. It was the third ascent of the face and the achievement earned Steveand Vince the first Piolet d"or (Golden Ice Axe) awarded to North Americans.Steve is an accomplished and spellbinding storyteller in the tradition of Maurice Herzog and Lionel Terray. Beyond the Mountain is a gripping read destined to be a mountain classic. And it

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The ultimate book of concrete architecture, featuring 300 buildings of every type and style from the past 100 years A singularly impressive volume featuring 300 examples of the most incredible and inspiring concrete architecture from the early twentieth century to the present day. Organised visually, with one building per page, Concrete Architecture celebrates the might, majesty, and sculptural beauty of concrete buildings from all over the globe and is grounded with a contextualising essay on the long history of concrete architecture, reaching back more than a thousand years to the classical civilisations of Greece and Rome. Including buildings from the pioneering Modern masters of concrete Marcel Breuer, Le Corbusier, Louis Kahn, I. M. Pei, John Lautner, and Frank Lloyd Wright as well as work by some of the most revered architects of the late twentieth century including Tadao Ando, Steven Holl, Herzog and de Meuron, and Zaha Hadid, Concrete Architec

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In these times of social upheaval and climate change, it makes sense to publicly discuss the possibilities offered by architecture beyond investment opportunities and vanity projects. If well executed, architecture can create space for social cohesion, stimulate the senses, make political statements, and contribute to climate protection. Drawing on current issues and citing examples of well-known buildings, journalist Sabine von Fischer has shown how the concerns of architecture, in all of their everyday intricacies, are anchored in society. A selection of such texts is contained in the present volume, framed by introductory comments. What emerges is the understanding that while architecture may be to blame for some social ills, it can also be part of the solution. Contains interviews with Saskia Sassen, Rem Koolhaas, Jacques Herzog, Francis Kéré, Manuel Herz, Anne Lacaton, Franz Füeg, Peter Zumthor, and others. Planning and architecture as a reflection of politics and society Fluently written and highly readable texts in a handy layout

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Designing private residences has its own very special challenges and nuances for the architect. The scale may be more modest than public projects, the technical fittings less complex than an industrial site, but the preferences, requirements and vision of particular personalities becomes priority. The delicate task is to translate all the emotive associations and practical requirements of “home” into a workable, constructed reality. This publication rounds up 100 of the world’s most interesting and pioneering homes designed in the past two decades, featuring a host of talents both new and established, including John Pawson, Richard Meier, Shigeru Ban, Tadao Ando, Zaha Hadid, Herzog & de Meuron, Daniel Libeskind, Alvaro Siza, and Peter Zumthor. Accommodating daily routines of eating, sleeping, and shelter, as well as offering the space for personal experience and relationships, this is architecture at its most elementary and its most intimate.

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Die Erinnerung an die Reformation war für die protestantischen Konfessionen in der Frühen Neuzeit identitätsstiftend. Die Memoria war gleichsam der Erinnerungsbogen, der die lutherische, aber auch die reformierte Konfession mit ihren Anfängen verband. Sie konnte Landschaften, Architekturen, Kunstgegenstände, Medaillen, Münzen, Handschriften, Alte Drucke, Musik und vieles mehr umfassen. Wie die Räume und Strategien der Reformationserinnerung genauer aussahen, untersuchen die Aufsätze im vorliegenden Band. Durch ausgewiesene Wissenschaftlerinnen und Wissenschaftler werden unterschiedliche Ausdrucksformen der Erinnerung exemplarisch analysiert, kontextuell interpretiert und interdisziplinär profiliert. Hierdurch wird eine Neukonstruktion der Geschichte der reformatorischen Erinnerungskultur vom 16. bis ins 18. Jahrhundert möglich, die in den frühneuzeitlich-lutherischen Territorien der ernestinischen Herzöge besonders anschaulich wird.

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'I finished it in one sitting. Probably for the tenth time... it carries me along waves of wonder' Franz KafkaMICHAEL KOHLHAAS HAS BEEN WRONGED. HE WILL HAVE JUSTICE.Based on the real life of an ordinary horse-dealer cheated by a government official, Michael Kohlhaas is the darkly comical and magnificently weird story of one man's alienation from a corrupt legal system. When his attempts to claim his rights are thwarted by bureaucracy and nepotism, Kohlhaas vows to take justice into his own - increasingly bloody - hands. Will he be remembered as a dangerous enemy of the peace, or a vigilante hero?Praised by Franz Kafka, Thomas Mann, Susan Sontag, Roberto Bolaño, Werner Herzog, and J. M. Coetzee, this is one of the most influential tales in German literature. In this vital new translation by the renowned poet Michael Hofmann, Kleist's bizarre, brutal and maddening story is urgent today.

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Als Goethe 1786 nach Italien aufbrach, begründete er gegenüber Herzog Carl August seine Reise mit Vorstellungen einer gelehrten Muße, die seit der Antike Freiräume für geistige Tätigkeiten legitimierten. Peter Philipp Riedl untersucht innerhalb dieses Rahmens einer temporären Freiheit von beruflichen Verpflichtungen konkrete Ausprägungen urbaner Muße, die in der Italienischen Reise insbesondere aus Verona, Padua, Venedig, Rom, Neapel und Palermo geschildert werden. Übergänge von Aktivität und Passivität, von durchaus anstrengender, aber selbstbestimmter Arbeit und Genuss werden ebenso analysiert wie unterschiedliche Muster kontemplations- und erlebnisorientierter Muße. Ergänzt werden diese Überlegungen durch Interpretationen von Formen narrativer Muße in Das Römische Carneval, poetischen Inszenierungen der Raumzeitlichkeit von Muße in den Römischen Elegien sowie Evokationen lyrischen Flanierens in den Venezianischen Epigrammen.

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Paul Nicklen, wildlife photojournalist, showcases his stunning photography for National Geographic with this collection of North American bears: the grizzly, polar bear, black bear and the rarest spirit bear. Evocative storytelling combines with Nicklen's landmark photographs to reveal the truths and myths about these amazing creatures, and sheds light on their threatened ecosystems. Years of photographing bears in their habitat have given Nicklen a special understanding of these majestic mammals: the polar bear, ranked most popular species on Earth; the grizzly, feared and misunderstood; and the black bear, as well as its precious white counterpart, the spirit bear. Nicklen believes that sharing knowledge and stories about bears will impact the way we think of them, and thus ensure their future. Well-known environmentalists such as Wade Davis, Sylvia Earle, Werner Herzog, and Nicklen himself contribute essays to enhance the message of Nicklen's photographs. Quotes from literary figures punctuate the pages, offering insight into the magnificence of these impressive mammals. An epilogue takes a global look at the future of bears.

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Survival, the IISS’s bimonthly journal, challenges conventional wisdom and brings fresh, often controversial, perspectives on strategic issues of the moment.In this issue: Alexander K. Bollfrass and Stephen Herzog argue that despite facing major challenges, the global nuclear order remains resilient Maria Shagina assesses Russia’s status as an energy superpower, concluding that it has a bleak future in the long term Erik Jones argues that the war in Ukraine has disrupted the European Central Bank’s ability to operate by consensus Jeffrey E. Kline, James A. Russell and James J. Wirtz contend that the US Navy may struggle to adapt to the pace of technological, social and environmental change Ray Takeyh revisits the Iranian Revolution, finding that Jimmy Carter did not so much ‘lose’ Iran as misunderstand it And five more thought-provoking pieces, as well as our regular Book Reviews and Noteworthy column.Editor: Dr Dana AllinManaging Editor: Jonathan StevensonAssociate Editor: Carolyn WestEditorial Assistant: Charlie Zawadzki

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The first monograph on GRADE New York, an architecture and design studio dedicated to creating artistically curated environments in a cutting-edge contemporary setting. Architect Thomas Hickey and interior designer Edward Yedid partnered to establish GRADE New York as a unique practice where architecture and interiors merge into a seamless continuum. Within their refined and beautifully proportioned spaces, a meticulously curated selection of furnishings, contemporary art, and exquisite objects create a luxurious and personal environment for their clients. New York Contemporary presents seven apartments in the most glamorous condominium buildings in Manhattan, including a penthouse at Place 57, a pied-à-terre at 551 West 21st Street by Norman Foster, and 56 Leonard Street by Herzog & de Meuron. A special feature is an in-depth look at Edward Yedid's own duplex on Madison Avenue, where the principles of structuring and curating the space have created a sleek but warm and inviting home for his family.

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