Search results for ""Author George Philip"

Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders (1400-1800). In 1993, she was conferred O Grão Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula. This manuscript investigates Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter of the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429 when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided in the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analyzed with regard to King João I's conquest of Ceuta, achieved by his sons who were hailed as an"illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania 's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henrique the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy.

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What does it mean to be human? Poetry asks this question. The answer, if one looks in any anthology—from any country or era—would appear to be that humanity consists of hopelessly doomed romantics, variously-religious spiritual seekers, or soldiers. It takes a lot of searching to find a poetry about the most universal and human of activities; that of parenting or of being parented. In recent years, poets such as Bernadette Mayer, Alice Notley, and Anne Waldman have all written long celebrations of motherhood, but there has never been a poetry written by fathers about the father-daughter relationship. Tim Atkins’ ON FATHERS < ON DAUGHTYRS changes this.ON FATHERS < ON DAUGHTYRS is a long poem which rolls up its sleeves, puts on a waterproof apron, and dives head-first into this messy world. From being thrown out of museums for throwing too much paint around to marching through London (repeatedly) on political demonstrations, Tim Atkins casts a warm eye on the many and various pleasures of being the father of two daughters. In a brand new poetics of the transcendent domestic, which combines the styles of The New York School and Britain’s Tom Raworth, slapstick and tragedy coexist on every page.Philip Larkin wrote that your mum & dad fuck you up. ON FATHERS < ON DAUGHTYRS is a poem with plenty of fucking around but very little fucking up. Poet George Oppen asked the question; "My daughter, my daughter, what can I say of living?" Atkins’ happy poem is a 120-page answer. "Come down here right now/ & get your snot off the ceiling."

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In early May 1864, Lieutenant General Ulysses S. Grant initiated a drive through central Virginia to crush Robert E. Lee's Confederate Army of Northern Virginia. For forty days, the armies fought a grinding campaign from the Rapidan River to the James River that helped decide the course of the Civil War. Several of the war's bloodiest engagements occurred in this brief period: the Wilderness, Spotsylvania Court House, the North Anna River, Totopotomoy Creek, Bethesda Church, and Cold Harbor. Pitting Grant and Lee against one another for the first time in the war, the Overland Campaign, as this series of battles and maneuvers came to be called, represents military history at its most intense. In the Footsteps of Grant and Lee, a unique blend of narrative and photographic journalism from Gordon C. Rhea, the foremost authority on the Overland Campaign, and Chris E. Heisey, a leading photographer of Civil War battlefields, provides a stunning, stirring account of this deadly game of wits and will between the Civil War's foremost military commanders. Here Grant fought and maneuvered to flank Lee out of his heavily fortified earthworks. And here Lee demonstrated his genius as a defensive commander, countering Grant's every move. Adding to the melee were cavalry brawls among the likes of Philip H. Sheridan, George A. Custer, James Ewell Brown ""Jeb"" Stuart, and Wade Hampton. Forty days of combat produced horrific casualties, some 55,000 on the Union side and 35,000 on the Confederate. By the time Grant crossed the James and began the Siege of Petersburg, marking an end to this maneuver, both armies had sustained significant losses that dramatically reduced their numbers.Rhea provides a rich, fast-paced narrative, movingly illustrated by more than sixty powerful color images from Heisey, who captures the many moods of these hallowed battlegrounds as they appear today. Heisey made scores of visits to the areas where Grant and Lee clashed, giving special attention to lesser-known sites on byways and private property. He captures some of central Virginia's most stunning landscapes, reminding us that though battlefields conjure visions of violence, death, and sorrow, they can also be places of beauty and contemplation. Accompanying the modern pictures are more than twenty contemporary photographs taken during the campaign or shortly afterwards, some of them never before published. At once an engaging military history and a vivid pictorial journey, In the Footsteps of Grant and Lee offers a fresh vision of some of the country's most significant historic sites.

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The sophisticated schoolmaster.The importance of Isocrates for the study of Greek civilization of the fourth century BC is indisputable. From 403 to 393 he wrote speeches for Athenian law courts, and then became a teacher of composition for would-be orators. After setting up a school of rhetoric in Chios he returned to Athens and established there a free school of “philosophia” involving a practical education of the whole mind, character, judgment, and mastery of language. This school had famous pupils from all over the Greek world, such as the historians Ephorus and Theopompus and orators Isaeus, Lycurgus, and Hypereides. Isocrates also wrote in gifted style essays on political questions, his main idea being a united Greece to conquer the Persian empire. Thus in his fine Panegyricus (written for the 100th Olympiad gathering in 380) he urged that the leadership should be granted to Athens, possibly in conjunction with Sparta. In the end he looked to Philip of Macedon, but died just as Philip’s supremacy in Greece began. Twenty-one discourses by Isocrates survive; these include political essays, treatises on education and on ethics, and speeches for legal cases. Nine letters are also extant; they are concerned more with public than with private matters. The Loeb Classical Library edition of Isocrates is in three volumes. Volume I contains six discourses: To Demonicus, To Nicocles, Nicocles or The Cyprians, Panegyricus, To Philip, and Archidamus. Five are in Volume II: Areopagiticus, On the Peace, Panathenaicus, Against the Sophists, Antidosis. Volume III contains Evagoras, Helen, Busiris, Plataicus, Concerning the Team of Horses, Trapeziticus, Against Callimachus, Aegineticus, Against Lochites, and Against Euthynus, as well as the nine extant letters and a comprehensive index.

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This Telemann Album brings together 14 arrangements of Georg Philipp Telemann pieces for descant (soprano) and treble (alto) recorders with piano and/or tenor recorder. The arrangements have been made by Walter Bergmann.

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In the 1740s, two quite different developments revolutionized Anglo-American life and thought-the Enlightenment and the Great Awakening. This book takes an encounter between the paragons of each movement-the printer and entrepreneur Benjamin Franklin and the British-born revivalist George Whitefield-as an opportunity to explore the meaning of the beginnings of modern science and rationality on one hand and evangelical religious enthusiasm on the other. There are people who both represent the times in which they live and change them for the better. Franklin and Whitefield were two such men. The morning that they met, they formed a long and lucrative partnership: Whitefield provided copies of his journals and sermons, Franklin published them. So began one of the most unique, mutually profitable, and influential friendships in early American history. By focusing this study on Franklin and Whitefield, Peter Charles Hoffer defines with great precision the importance of the Anglo-American Atlantic World of the eighteenth century in American history. With a swift and persuasive narrative, Hoffer introduces readers to the respective life story of each man, examines in engaging detail the central themes of their early writings, and concludes with a description of the last years of their collaboration. Franklin's and Whitefield's intellectual contributions reach into our own time, making Hoffer's readable and enjoyable account of these extraordinary men and their extraordinary friendship relevant today. Also in the Witness to History series The Huron-Wendat Feast of the Dead: Indian-European Encounters in Early North America by Erik R. Seeman King Philip's War: Colonial Expansion, Native Resistance, and the End of Indian Sovereignty by Daniel R. Mandell The Caning of Charles Sumner: Honor, Idealism, and the Origins of the Civil War by Williamjames Hull Hoffer Bloodshed at Little Bighorn: Sitting Bull, Custer, and the Destinies of Nations by Tim Lehman

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In a famous passage in The Red and the Black, the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naive notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Gunter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel Garcia Marquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

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In the 1740s, two quite different developments revolutionized Anglo-American life and thought-the Enlightenment and the Great Awakening. This book takes an encounter between the paragons of each movement-the printer and entrepreneur Benjamin Franklin and the British-born revivalist George Whitefield-as an opportunity to explore the meaning of the beginnings of modern science and rationality on one hand and evangelical religious enthusiasm on the other. There are people who both represent the times in which they live and change them for the better. Franklin and Whitefield were two such men. The morning that they met, they formed a long and lucrative partnership: Whitefield provided copies of his journals and sermons, Franklin published them. So began one of the most unique, mutually profitable, and influential friendships in early American history. By focusing this study on Franklin and Whitefield, Peter Charles Hoffer defines with great precision the importance of the Anglo-American Atlantic World of the eighteenth century in American history. With a swift and persuasive narrative, Hoffer introduces readers to the respective life story of each man, examines in engaging detail the central themes of their early writings, and concludes with a description of the last years of their collaboration. Franklin's and Whitefield's intellectual contributions reach into our own time, making Hoffer's readable and enjoyable account of these extraordinary men and their extraordinary friendship relevant today. Also in the Witness to History series The Huron-Wendat Feast of the Dead: Indian-European Encounters in Early North America by Erik R. Seeman King Philip's War: Colonial Expansion, Native Resistance, and the End of Indian Sovereignty by Daniel R. Mandell The Caning of Charles Sumner: Honor, Idealism, and the Origins of the Civil War by Williamjames Hull Hoffer Bloodshed at Little Bighorn: Sitting Bull, Custer, and the Destinies of Nations by Tim Lehman

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The war correspondent trails clouds of glory. The names of the pioneers of the trade are stardust: Ernest Hemingway, Alexander Dumas, Henry Villard, Winston Churchill, Stephen Crane, John Reed, Arthur Conan Doyle, Rudyard Kipling, Richard Harding Davis, John Dos Passos, John Steinbeck, Jack London, George Orwell, Philip Gibbs, Luigi Barzini. The names from World War II, Korea, and Vietnam, the Gulf War, and Kosovo are likewise as redolent of adventure and derring-do, with photojournalists and radio and televisioncommentators crowding the pantheon. They are the eyes of history. War Stories: Reporting in the Time of Conflict from The Crimea to Iraq tells their stories, from the very first reports from the Crimean War in 1853 to the Second Gulf War in 2003. War Stories: Reporting in the Time of Conflict From the Crimea to Iraq tells their stories, from the very first reports from the Crimean War in 1853 to the Second Gulf War. Through the notebooks, photographs, headlines, wires, telegrams, and satellite uplinks and direct interviews, Harold Evans describes the personal and professional challenges of these uniquely dedicated men and women as they attempted and succeeded, sometimes at the cost of their own lives, in retelling the most immediate stories of war. Harold Evans is an internationally acclaimed editor, author, and publisher. He was the editor of the Sunday Times and The Times of London. He was subsequently president and publisher of Random House and the editorial director for the publishers of US News & World Report, The Daily News, and The Atlantic. He is the author of The American Century. He guest curated the Newseum exhibition that inspired this book. Harold Evans is the author of two critically acclaimed best-selling histories of America: The American Century and They Made America: From the Steam Engine to the Search Engine: Two Centuries of Innovators. This book was the basis for a four-part documentary of the same title on PBS, which he wrote. It is also being adapted into a college curriculum. His latest book is My Paper Chase: True Stories of Vanished Times, a memoir covering his early life, his years in Britain's newspaper business and his move to America. He is editor at large of The Week magazine, and moderates The Week's panel discussions with political and economic leaders. Evans graduated M.A. from Durham University and held a Harkness Fellowship at the Universities of Chicago and Stanford. In London, he was the editor of The Sunday Times from 1967 to 1981, and editor of The Times from 1981 to 1982. His account of these years was published in his best-selling book Good Times, Bad Times. He was regular presenter on the TV series What the Papers Say. Evans moved to America in 1984. He was the founding editor of Conde Nast Traveler magazine and President and Publisher of Random House Trade Group (1990-1997) From 1997-1999 he was Editorial Director and Vice Chairman of U.S. News & World Report, the New York Daily News, The Atlantic Monthly and Fast Company, a position from which he resigned in January 2000 to write full time. (Evans remains a Contributing Editor at U.S. News & World Report.) Among many recognitions, Evans was awarded the European Gold Medal by the Institute of Journalists. This followed his successful Sunday Times investigation and campaign on behalf of children injured by the pharmaceutical thalidomide. In 1999, he received the Lifetime Achievement Award from the UK Press Award Committee, its highest accolade. In 2000, Evans was honored as one of 50 World Press Heroes on the 50th anniversary of the founding of the International Press Institute in defense of press freedom; for the IPI's 60th anniversary, he will deliver the keynote address at their 2010 conference in Vienna. In 2001, British journalists voted him the greatest all time British newspaper editor, and in 2004 he was honored with a knighthood in the Queen's 2004 New Year's Honors list.

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In the Spring of 1965, dozens of New York artists met for the two-part, invitation-only Waldorf Panels on Sculpture. Organized by Phillip Pavia, the proceedings of The Waldorf Panels on Sculpture were published in issue #6 of his magazine, IT IS. The discussions touch on a wide range of sculptural issues ranging from the status of found objects to thoughts on spontaneity vs. design to the expanding definition of sculpture to perspectives on Surrealism and Pop Art. In addition to heavy audience participation in both panels, Panel 1 includes Herbert Ferber, Reuben Kadish, Ibram Lassaw, Phillip Pavia, James Rosati, Bernard Rosenthal, and David Slivka. Panel 2 includes Isamu Noguchi, Claes Oldenburg, Phillip Pavia, George Segal, George Sugarman, and James Wines. These transcripts, reprinted for the first time since their 1965 original publication, convey a strong sense of a genre—and an artworld—in transition.

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A key anthology for students of English literature, Metaphysical Poetry is a collection whose unique philosophical insights are some of the crowning achievements of Renaissance verse, edited with an introduction and notes by Colin Burrow in Penguin Classics.Spanning the Elizabethan age to the Restoration and beyond, Metaphysical poetry sought to describe a time of startling progress, scientific discovery, unrivalled exploration and deep religious uncertainty. This compelling collection of the best and most enjoyable poems from the era includes tightly argued lyrics, erotic and libertine considerations of love, divine poems and elegies of lament by such great figures as John Donne, George Herbert, Andrew Marvell and John Milton, alongside pieces from many other less well known but equally fascinating poets of the age, such as Anne Bradstreet, Katherine Philips and Thomas Traherne. Widely varied in theme, all are characterized by their use of startling metaphors, imagery and language to express the uncertainty of an age, and a profound desire for originality that was to prove deeply influential on later poets and in particular poets of the Modernist movement such as T. S. Eliot.In his introduction, Colin Burrow explores the nature of Metaphysical poetry, its development across the seventeenth century and its influence on later poets and includes A Very Short History of Metaphysical Poetry from Donne to Rochester. This edition also includes detailed notes, a chronology and further reading.Colin Burrow is Reader in Renaissance and Comparative Literature at Gonville and Caius College, Cambridge. He has edited Shakespeare's Sonnets for OUP and The Complete Works of Ben Jonson, and is working on the Elizabethan volume of the Oxford English Literary History.If you enjoyed Metaphysical Poetry, you might like John Donne's Selected Poems, also available in Penguin Classics.

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Get ready for a turbo-charged short read (80 pages) from two of the world’s biggest thriller writers – Karin Slaughter and Lee Child. Jack Reacher and Will Trent Twice the action Twice the drama Double the trouble Will Trent is undercover at Fort Knox. His assignment: to investigate a twenty-two-year-old murder. His suspect's name: Jack Reacher. Jack Reacher is in Fort Knox on his own mission: to bring down a dangerous criminal ring operating at the heart of America’s military. Except now Will Trent is on the scene. But there’s a bigger conspiracy at play – one that neither the special agent nor the ex-military cop could have anticipated. And the only option is for Jack Reacher and Will Trent to team up and play nicely. If they can… Praise for Karin Slaughter:‘I’d follow her anywhere’ Gillian Flynn‘A great writer at the peak of her powers’ Peter James‘Her characters, plot, and pacing are unrivalled’ Michael Connelly‘Big, dark, rich, satisfying, and bloody’ Stuart MacBride‘Fiction doesn't get any better than this’ Jeffery Deaver‘One of the boldest thriller writers working today’ Tess Gerritsen‘A writer of extraordinary talents’ Kathy Reichs Praise for Lee Child:‘These books are absolutely addictive’ George R. R. Martin‘Great pace, drama, language’ James Patterson‘Jack Reacher is today’s James Bond’ Ken Follett‘Nothing makes for a great weekend quite like quality time with Jack’ Lisa Gardner‘The coolest continuing series character’ Stephen King‘I always seize the latest Lee Child with pleasure’ Philip Pullman‘I pick up Jack Reacher when I’m in the mood for someone big to solve my problems’ Patricia Cornwell

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The new blockbuster thriller from Graham Hurley, The Blood of Others is part of the SPOILS OF WAR Collection, a thrilling, beguiling blend of fact and fiction born of some of the most tragic, suspenseful, and action-packed events of World War II. Dieppe, August 1942. A catastrophe no headline dared admit. Plans are underway for the boldest raid yet on Nazi-occupied France. Over six thousand men will storm ashore to take the port of Dieppe. Lives will change in an instant – both on the beaches and in distant capitals. Annie Wrenne, working at Lord Mountbatten’s cloak-and-dagger Combined Operations headquarters, is privy to the top secret plans for the daring cross-Channel raid. Young Canadian journalist George Hogan, protege of influential Lord Beaverbrook, faces a crucial assignment that will test him to breaking point. And Abwehr intelligence officer Wilhelm Schultz is baiting a trap to lure thousands of Allied troops to their deaths… Three lives linked by Operation Jubilee: the Dieppe Raid, 19 August 1942. Over six thousand men will storm the heavily defended French beaches. Less than half of them will make it back alive. The blockbuster SPOILS OF WAR non-chronological collection features compelling recurring characters whose fragmented lives mirror the war that shattered the globe. For fans of Philip Kerr and Robert Harris. What reviewers are saying about The Blood of Others: 'Hurley’s depiction of the period is as enticing as ever.' The Times 'A masterful and fascinating historical thriller. ' LoveReading ‘There is far more to this novel than sheer military action, though that is, as usual, superbly done… Historical fiction of the highest order.’ Mike Ripley, Shots Reviews for Graham Hurley: 'Tense, absorbing and faultlessly plotted' Sunday Times 'Beautifully constructed... This is one of Hurley's finest' Daily Mail 'Capable and understated characterization' Publishers Weekly

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A Times, Spectator, TLS and BBC Music Magazine Book of the YearA major biography of Ravi Shankar published on the centenary of his birth: the first full portrait of the man and the artist across his extraordinary ninety-two years. As an icon of India, Ravi Shankar ranks not far below Gandhi or the Taj Mahal. He was one of the twentieth century's most important musicians, and India's greatest cultural ambassador. The maestro of the sitar filled the world's leading concert halls, festival stages and airwaves with Indian classical music at a time when it was little known outside its homeland. A sensation at Monterey Pop, the Woodstock Festival and the Concert for Bangladesh, he also helped reshape jazz, minimalism and electronic music, pioneered the sitar concerto, and wrote many film scores, including Pather Panchali and Gandhi. He charted the map for countless global musicians who followed in his wake. The unparalleled breadth of his impact is reflected in his disciples, who included George Harrison, John Coltrane, Philip Glass and Yehudi Menuhin.For this first biography of Ravi Shankar, Oliver Craske has carried out more than 130 new interviews and enjoyed unprecedented access to the Shankar family archives. He presents the first full portrait of the man and the artist, painting a vivid picture of the public and private faces of a captivating, restless workaholic who lived an intense and extraordinary life across ninety-two years. He investigates Shankar's childhood traumas and youthful stardom as a dancer, his intensive study of the sitar and his leading role in the revival of Indian classical music in his homeland, and his subsequent international career that ultimately made his name synonymous with India. Throughout, this biography seeks to answer the question of what impelled Ravi Shankar on an unending creative and emotional quest.

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Rooted in recent scholarship, The Columbia History of the Vietnam War offers profound new perspectives on the political, historical, military, and social issues that defined the war and its effect on the United States and Vietnam. Laying the chronological and critical foundations for the volume, David L. Anderson opens with an essay on the Vietnam War's major moments and enduring relevance. Mark Philip Bradley follows with a reexamination of Vietnamese revolutionary nationalism and the Vietminh-led war against French colonialism. Richard H. Immerman revisits Eisenhower's and Kennedy's efforts at nation building in South Vietnam, and Gary R. Hess reviews America's military commitment under Kennedy and Johnson. Lloyd C. Gardner investigates the motivations behind Johnson's escalation of force, and Robert J. McMahon focuses on the pivotal period before and after the Tet Offensive. Jeffrey P. Kimball then makes sense of Nixon's paradoxical decision to end U.S. intervention while pursuing a destructive air war. John Prados and Eric Bergerud devote essays to America's military strategy, while Helen E. Anderson and Robert K. Brigham explore the war's impact on Vietnamese women and urban culture. Melvin Small recounts the domestic tensions created by America's involvement in Vietnam, and Kenton Clymer traces the spread of the war to Laos and Cambodia. Concluding essays by Robert D. Schulzinger and George C. Herring account for the legacy of the war within Vietnamese and American contexts and diagnose the symptoms of the "Vietnam syndrome" evident in later debates about U.S. foreign policy. America's experience in Vietnam continues to figure prominently in discussions about strategy and defense, not to mention within discourse on the identity of the United States as a nation. Anderson's expert collection is therefore essential to understanding America's entanglement in the Vietnam War and the conflict's influence on the nation's future interests abroad.

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A systematic and integrated approach to Cantor Sets and their applications to various branches of mathematics The Elements of Cantor Sets: With Applications features a thorough introduction to Cantor Sets and applies these sets as a bridge between real analysis, probability, topology, and algebra. The author fills a gap in the current literature by providing an introductory and integrated perspective, thereby preparing readers for further study and building a deeper understanding of analysis, topology, set theory, number theory, and algebra. The Elements of Cantor Sets provides coverage of: Basic definitions and background theorems as well as comprehensive mathematical details A biography of Georg Ferdinand Ludwig Philipp Cantor, one of the most significant mathematicians of the last century Chapter coverage of fractals and self-similar sets, sums of Cantor Sets, the role of Cantor Sets in creating pathological functions, p-adic numbers, and several generalizations of Cantor Sets A wide spectrum of topics from measure theory to the Monty Hall Problem An ideal text for courses in real analysis, topology, algebra, and set theory for undergraduate and graduate-level courses within mathematics, computer science, engineering, and physics departments, The Elements of Cantor Sets is also appropriate as a useful reference for researchers and secondary mathematics education majors.

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For readers of George R. R. Martin, Philippa Gregory, and the classic work of T. H. White, an epic novel laced with fantasy based on the original Game of Thrones, the battle to control the crown in the bloody, fratricidal War of the Roses. Acclaimed on its UK publication, with raves in the Guardian, Literary Review, Buzz magazine, TLS, the Herald, the Times (London), Prospect, Strange Horizons, and the London Sunday Times so far, and a blurb from Neil Gaiman Pop-culture phenomena like A Game of Thrones, Outlander, and numerous series with supernatural beings and/or time travel premises and contemporary themes make this a perfect historical fantasy for our time. The author's 1982 novel The Arabian Nightmare is considered by some critics to be one of the greatest fantasy novels of the twentieth century, and Neil Gaiman wrote of it, "I have friends who love smart, deep fantasy novels, and can never find enough. Robert Irwin's novel The Arabian Nightmare was one of my favourite books of the early 1980s and one of the finest fantasies of the last century. His newest novel, Wonders Will Never Cease, is as erudite and well-constructed . . . but is set in a medieval England that never quite was, and uses stories and fictions to illuminate and to make us gasp with awe. "

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This is a rich harvest from a renowned translator, an elegant survivor. In 1996, in his eightieth year, David Gascoyne was awarded the Chevalier dans l'Ordre des Arts et Lettres in recognition of his profound contribution to French literature and art. This collection includes some of his best work - early translations, recent unpublished translations, and a substantial section of translations printed in journals over the past twenty-five years.Translations by David Gascoyne of: Guillaume Apollinaire, Andre Breton, Blaise Cendrars, Rene Char, Xie Chuang, Rene Daumal, Yves de Bayser, Robert Desnos, Andre du Bouchet, Paul Eluard, Pierre Emmanuel, Jean Follain, Benjamin Fondane, Andre Frenaud, Eugene Guillevic, Maurice Henry, Friedrich Holderlin, Georges Hugent, Edmond Jabes, Max Jacob, Pierre Jean Jouve, Valery Larbaud, Giacomo Leopardi, Stephane Mallarme, Loys Masson, O. V. de L. Milosz, Benjamin Peret, Francis Ponge, Gisele Prassinos, Raymond Queneau, Pierre Reverdy, Georges Ribemont-Dessaignes, Arthur Rimbaud, Gui Rosey, Philippe Soupault, Jules Supervielle, Jean Tardieu, Georg Trakl and Tristan Tzara.

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The new blockbuster thriller from Graham Hurley, The Blood of Others is part of the SPOILS OF WAR Collection, a thrilling, beguiling blend of fact and fiction born of some of the most tragic, suspenseful, and action-packed events of World War II. Dieppe, August 1942. A catastrophe no headline dared admit. Plans are underway for the boldest raid yet on Nazi-occupied France. Over six thousand men will storm ashore to take the port of Dieppe. Lives will change in an instant – both on the beaches and in distant capitals. Annie Wrenne, working at Lord Mountbatten’s cloak-and-dagger Combined Operations headquarters, is privy to the top secret plans for the daring cross-Channel raid. Young Canadian journalist George Hogan, protege of influential Lord Beaverbrook, faces a crucial assignment that will test him to breaking point. And Abwehr intelligence officer Wilhelm Schultz is baiting a trap to lure thousands of Allied troops to their deaths… Three lives linked by Operation Jubilee: the Dieppe Raid, 19 August 1942. Over six thousand men will storm the heavily defended French beaches. Less than half of them will make it back alive. The blockbuster SPOILS OF WAR non-chronological collection features compelling recurring characters whose fragmented lives mirror the war that shattered the globe. For fans of Philip Kerr and Robert Harris. What reviewers are saying about The Blood of Others: 'Hurley’s depiction of the period is as enticing as ever.' The Times 'A masterful and fascinating historical thriller. ' LoveReading ‘There is far more to this novel than sheer military action, though that is, as usual, superbly done… Historical fiction of the highest order.’ Mike Ripley, Shots Reviews for Graham Hurley: 'Tense, absorbing and faultlessly plotted' Sunday Times 'Beautifully constructed... This is one of Hurley's finest' Daily Mail 'Capable and understated characterization' Publishers Weekly

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"James Charles Roy invariably takes an original, challenging and creatively oblique view of Irish history, and his study of the Elizabethan regime's attempts to subdue the country is no exception. The Elizabethan Conquest of Ireland surveys and explores not only the catalogue of war, conquest and attempted settlement, and the campaign of Elizabethan soldiers and statesmen to create (or suborn) a local aristocracy; the book also focuses on the intellectual efforts of Englishmen to come to terms with a country which they variously depicted as exotic, seductive, savage, irreconcilable and religiously subversive. Roy's book both delineates the tortuous and often brutal story of English rule in Ireland during this transformative era; it also traces out themes (religious, intellectual and psychological) which would characterize the tangled relationship between the two countries for the ensuing centuries. It is a richly-textured, impressively researched and powerfully involving story, written with a full realization of its tragic and haunting relevance for future times". -Roy Foster, author of Modern Ireland, 1600-1972, among several titles. "Excellent at creating atmosphere while developing a fast narrative. The author is up-to-date with the most recent scholarship, and quotes extensively from primary sources. A pleasure". -Nicholas Canny, author of Making Ireland British: 1580-1650, among other titles. "James Charles Roy is remarkable for his wide intellectual range, erudition, penetrating analysis, capacity for sustained research, and deep familiarity with sources relating to Elizabethan Ireland. His book will add significantly to scholarship in a field already served by so many outstanding scholars". - David Fitzpatrick, author of The Two Irelands, and other titles. "This narrative exposes not only the ineptitude of the people behind negotiating and treaty-making, but also on a queen unable to focus her mind. Whereas many histories emphasize one side of Elizabeth as a canny and masterful monarch, The Elizabethan Conquest of Ireland presents her as a woman whose romantic misadventures interfere with her duties and whose lack of interest in-and commitment to-Ireland leads to extremes of vio lence on both sides. This reader was riveted". - Dr. Laurie Kaplan, Academic Director, George Washington University's London Center. The relationship between England and Ireland has been marked by turmoil ever since the 5th century, when Irish raiders kidnapped St. Patrick. Perhaps the most consequential chapter in this saga was the subjugation of the island during the 16th century, and particularly efforts associated with the long reign of Queen Elizabeth I, the reverberations of which remain unsettled even today. This is the story of that 'First British Empire'. The saga of the Elizabethan conquest has rarely received the attention it deserves, long overshadowed by more 'glamorous' events that challenged the queen, most especially those involving Catholic Spain and France, superpowers with vastly more resources than Protestant England. Ireland was viewed as a peripheral theatre, a haven for Catholic heretics and a potential 'back door' for foreign invasions. Lord deputies sent by the queen were tormented by such fears, and reacted with an iron hand. Their cadres of subordinates, including poets and writers as gifted as Philip Sidney, Edmund Spenser, and Walter Raleigh, were all corrupted in the process, their humanist values disfigured by the realities of Irish life as they encountered them through the lens of conquest and appropriation. These men considered the future of Ireland to be an extension of the British state, as seen in the 'salon' at Bryskett's Cottage, outside Dublin, where guests met to pore over the 'Irish Question'. But such deliberations were rewarded by no final triumph, only debilitating warfare that stretched the entire length of Elizabeth's rule. This is the story of revolt, suppression, atrocities and genocide, and ends with an ailing, dispirited queen facing internal convulsions and an empty treasury. Her death saw the end of the Tudor dynasty, marked not by victory over the great enemy Spain, but by ungovernable Ireland - the first colonial 'failed state'.

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The story of the paradoxical relationship of two parents. As he clears out his parents’ house, Philipp, a photographer, comes across an object that has played a major role in his parents’ lives. Herta and Georg made a fine couple when they first met. Their son imagines the early days of their relationship and remembers how his father was forced to flee across the inner-German border to the West. When Herta and Philipp joined him a few days later, this could have signaled the start of a new era of happiness, but the seeds of their separation had already been sown. In gentle, probing prose, Gert Loschütz describes how Philipp gradually unravels the paradoxical nature of his parents’ relationship: it was love that destroyed their love. To his astonishment, Philipp discovers that Herta and Georg had been in contact all those years in a way they kept secret even from one another.

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The contributors to Cocaine analyze the contemporary production, transit, and consumption of cocaine throughout the Americas and the illicit economy's entanglement with local communities. Based on in-depth interviews and archival research, these essays examine how government agents, acting both within and outside the law, and criminal actors seek to manage the flow of illicit drugs to both maintain order and earn profits. Whether discussing the moral economy of coca cultivation in Bolivia, criminal organizations and drug traffickers in Mexico, or the routes cocaine takes as it travels into and through Guatemala, the contributors demonstrate how entire ways of life are built around cocaine commodification. They consider how the authority of state actors is coupled with the self-regulating practices of drug producers, traffickers, and dealers, complicating notions of governance and of the relationships between economic and moral economies. The collection also outlines a more progressive drug policy that acknowledges the important role drugs play in the lives of those at the urban and rural margins. Contributors. Enrique Desmond Arias, Lilian Bobea, Philippe Bourgois, Anthony W. Fontes, Robert Gay, Paul Gootenberg, Romain Le Cour Grandmaison, Thomas Grisaffi, Laurie Kain Hart, Annette Idler, George Karandinos, Fernando Montero, Dennis Rodgers, Taniele Rui, Cyrus Veeser, Autumn Zellers-León

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The exciting conclusion to the Brightstorm twins' trilogy within The Brightstorm Chronicles! Arthur, Maudie, and the rest of the Aurora crew are going on a mission to the Volcanic North, where years before their parents discovered the moth that is their family symbol. But their scheming, ambitious aunt, Eudora Vane, is still dedicated to destroying the Brightstorm family name, and the further north the Aurora travels, the more long-buried secrets are revealed... The long-awaited conclusion to the Brightstorm twins' trilogy Brightstorm was selected as the first Booksellers Association Children's Book of the Season, won the West Sussex Children's Story Book Award, was shortlisted for the Books Are My Bag Awards and the Waterstones' Children's Book Prize, and longlisted for the Blue Peter Book Award Perfect for fans of books by Peter Bunzl, Abi Elphinstone, and Alex Bell PRAISE FOR BRIGHTSTORM: "A pacy tale of lies and greed versus loyalty" Observer "Hardy has drunk from the same cup as Philip Reeve and Philip Pullman. This is a skilful, gripping and hugely enjoyable account of the bonds that keep families together." Literary Review "Full of surprises and keeps you desperate to find the truth" National Geographic Kids "An unputdownable Victorian adventure with vivid characters that travels at lightning speed" BookTrust's Great Books Guide "A highly entertaining old-school adventure" The Bookseller

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A dramatic novel of passion, politics and betrayal from the author of The Other Boleyn Girl. They can fear me, and they can hate me. They can even deny me. But they cannot kill me. 1568. The Virgin Queen Elizabeth I has ruled England for ten years, but refuses to name a successor, despite the rival claims that threaten her kingdom. Bess of Hardwick, the new Countess of Shrewsbury, has secured her future with her fourth marriage to George Talbot. Ambitious and shrewd, Bess anticipates royal favour when she and the Earl are asked to give sanctuary to the fugitive Mary Queen of Scots. But the Scottish queen rails against house arrest in a desolate castle and plots to regain her throne. The castle becomes the epicentre of intrigue against Elizabeth, the Earl blinded by admiration for the other queen. Even Bess’s own loyalty is thrown into question. If Elizabeth's spymaster William Cecil links the Talbots to the growing conspiracy to free Mary, they will all face the Tower…

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Translated into English for the first time, this is Georges Perec's unique, puzzling, and often imitated memoir. At once an affectionate portrait of mid-century Paris and a daring pointillist autobiography, Georges Perec's / Remember is the last of this essential writer's major works to be translated into English. Consisting of 480 numbered statements, all beginning identically with "I remember," and all limited to pieces of public knowledge - brand names and folk wisdom, actors and illnesses, places and things ("I remember: "When parents drink, children tipple"; "I remember Hermes handbags, with their tiny padlocks"; "I remember myxomatosis") - the book represents a secret key to the world of Perec's fiction. As critic, translator, and Perec biographer David Bellos notes in his introduction to this edition, since its original publication, "It's hardly possible to utter the words je me souviens in French these days without committing a literary allusion." As playful and puzzling as the best of Perec's novels, I Remember began as a simple writing exercise, and grew into an expansive, exhilarating work of art: the image of one unmistakable and irreplaceable life, shaped from the material of our collective past.

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General Douglas MacArthur is one of the towering figures of World War II, and indeed of the twentieth century, but his leadership of the second largest air force in the USAAF is often overlooked. When World War II ended, the three numbered air forces (the Fifth, Thirteenth and Seventh) under his command possessed 4004 combat aircraft, 433 reconnaissance aircraft and 922 transports. After being humbled by the Japanese in the Philippines in 1942, MacArthur and his air chief General George Kenney rebuilt the US aerial presence in the Pacific, helping Allied naval and ground forces to push back the Japanese Air Force, re-take the Philippines, and carry the war north towards the Home Islands. Following the end of World War II, MacArthur was the highest military and political authority in Japan and at the outbreak of the Korean War in June 1950 he was named as Commander-in-Chief, United Nations Command. In the ten months of his command, his Far East Air Forces increased dramatically and saw the first aerial combat between jet fighters. Written by award-winning aviation historian Bill Yenne, this engrossing and widely acclaimed book traces the journey of American air forces in the Pacific under General MacArthur’s command, from their lowly beginnings to their eventual triumph over Imperial Japan, followed by their entry into the jet age in the skies over Korea.

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Despite a supreme belief in itself, the Royal Navy of the early eighteenth century was becoming over-confident and outdated, and it had more than its share of disasters and miscarriages including the devastating sickness in Admiral Hosier's fleet in 1727; failure at Cartagena, and an embarrassing action off Toulon in 1744\. Anson's great circumnavigation, though presented as a triumph, was achieved at huge cost in ships and lives. And in 1756 Admiral Byng was shot after failure off Minorca. In this new book, the bestselling author Brian Lavery shows how, through reforms and the determined focus of a number of personalities, that navy was transformed in the middle years of the eighteenth century. The tide had already begun to turn with victories off Cape Finisterre in 1747, and in 1759 the navy played a vital part in the 'year of victories' with triumphs at Lagos and Quiberon Bay; and it conducted amphibious operations as far afield as Cuba and the Philippines, and took Quebec. The author explains how it was fundamentally transformed from the amateurish, corrupt and complacent force of the previous decades. He describes how it acquired uniforms and a definite rank structure for officers; and developed new ship types such as the 74 and the frigate. It instigated a more efficient (if equally brutal) method of recruiting seamen, and boosted morale and motivation and a far more aggressive style of fighting. The coppering of ships' hulls and the solving of the problems associated with longitude and scurvy, were also hugely significant steps. Much of this transformation was due to the forceful if enigmatic personality of George, Lord Anson. In a largely static society, he changed the navy so that it was fit for purpose, and in readiness for Nelson just decades later. Using a mass of archival evidence and a mix of official reports and personal reminiscences, this book offers a fascinating and engrossing analysis of all these far-reaching reforms, which in turn led to the radical transformation of Britain's navy into a truly global force. The consequential effect on the world's history would be huge.

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Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms. This new idea of adolescence became the driving force behind some of the modern era's most original poetry. Stephen Burt demonstrates how adolescence supplied the inspiration, and at times the formal principles, on which many twentieth-century poets founded their works. William Carlos Williams and his contemporaries fashioned their American verse in response to the idealization of new kinds of youth in the 1910s and 1920s. W. H. Auden's early work, Philip Larkin's verse, Thom Gunn's transatlantic poetry, and Basil Bunting's late-modernist masterpiece, Briggflatts, all track the development of adolescence in Britain as it moved from the private space of elite schools to the urban public space of sixties subcultures. The diversity of American poetry from the Second World War to the end of the sixties illuminates poets' reactions to the idea that teenagers, juvenile delinquents, hippies, and student radicals might, for better or worse, transform the nation. George Oppen, Gwendolyn Brooks, and Robert Lowell in particular built and rebuilt their sixties styles in reaction to changing concepts of youth. Contemporary poets continue to fashion new ideas of youth. Laura Kasischke and Jorie Graham focus on the discoveries of a specifically female adolescence. The Irish poet Paul Muldoon and the Australian poet John Tranter use teenage perspectives to represent a postmodernist uncertainty. Other poets have rejected traditional and modern ideas of adolescence, preferring instead to view this age as a reflection of the uncertainties and restricted tastes of the way we live now. The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity.

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Philip Brett's groundbreaking writing on Benjamin Britten altered the course of music scholarship in the later twentieth century. This volume is the first to gather in one collection Brett's searching and provocative work on the great British composer. Some of the early essays opened the door to gay studies in music, while the discussions that Brett initiated reinvigorated the study of Britten's work and inspired a generation of scholars to imagine 'the new musicology'. Addressing urgent questions of how an artist's sexual, cultural, and personal identity feeds into specific musical texts, Brett examines most of Britten's operas as well as his role in the British cultural establishment of the mid-twentieth century. With some of the essays appearing here for the first time, this volume develops a complex understanding of Britten's musical achievement and highlights the many ways that Brett expanded the borders of his field.

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Look Away! considers the U.S. South in relation to Latin America and the Caribbean. Given that some of the major characteristics that mark the South as exceptional within the United States—including the legacies of a plantation economy and slave trade—are common to most of the Americas, Look Away! points to postcolonial studies as perhaps the best perspective from which to comprehend the U.S. South. At the same time it shows how, as part of the United States, the South—both center and margin, victor and defeated, and empire and colony—complicates ideas of the postcolonial. The twenty-two essays in this comparative, interdisciplinary collection rethink southern U.S. identity, race, and the differences and commonalities between the cultural productions and imagined communities of the U.S. South and Latin America. Look Away! presents work by respected scholars in comparative literature, American studies, and Latin American studies. The contributors analyze how writers—including the Martinican Edouard Glissant, the Cuban-American Gustavo Pérez Firmat, and the Trinidad-born, British V. S. Naipaul—have engaged with the southern United States. They explore William Faulkner’s role in Latin American thought and consider his work in relation to that of Gabriel García Márquez and Jorge Luis Borges. Many essays re-examine major topics in southern U.S. culture—such as race, slavery, slave resistance, and the legacies of the past—through the lens of postcolonial theory and postmodern geography. Others discuss the South in relation to the U.S.–Mexico border. Throughout the volume, the contributors consistently reconceptualize U.S. southern culture in a way that acknowledges its postcolonial status without diminishing its distinctiveness.Contributors. Jesse Alemán, Bob Brinkmeyer, Debra Cohen, Deborah Cohn, Michael Dash, Leigh Anne Duck, Wendy Faris, Earl Fitz, George Handley, Steve Hunsaker, Kirsten Silva Gruesz, Dane Johnson, Richard King, Jane Landers, John T. Matthews, Stephanie Merrim, Helen Oakley, Vincent Pérez, John-Michael Rivera, Scott Romine, Jon Smith, Ilan Stavans, Philip Weinstein, Lois Parkinson Zamora

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Look Away! considers the U.S. South in relation to Latin America and the Caribbean. Given that some of the major characteristics that mark the South as exceptional within the United States—including the legacies of a plantation economy and slave trade—are common to most of the Americas, Look Away! points to postcolonial studies as perhaps the best perspective from which to comprehend the U.S. South. At the same time it shows how, as part of the United States, the South—both center and margin, victor and defeated, and empire and colony—complicates ideas of the postcolonial. The twenty-two essays in this comparative, interdisciplinary collection rethink southern U.S. identity, race, and the differences and commonalities between the cultural productions and imagined communities of the U.S. South and Latin America. Look Away! presents work by respected scholars in comparative literature, American studies, and Latin American studies. The contributors analyze how writers—including the Martinican Edouard Glissant, the Cuban-American Gustavo Pérez Firmat, and the Trinidad-born, British V. S. Naipaul—have engaged with the southern United States. They explore William Faulkner’s role in Latin American thought and consider his work in relation to that of Gabriel García Márquez and Jorge Luis Borges. Many essays re-examine major topics in southern U.S. culture—such as race, slavery, slave resistance, and the legacies of the past—through the lens of postcolonial theory and postmodern geography. Others discuss the South in relation to the U.S.–Mexico border. Throughout the volume, the contributors consistently reconceptualize U.S. southern culture in a way that acknowledges its postcolonial status without diminishing its distinctiveness.Contributors. Jesse Alemán, Bob Brinkmeyer, Debra Cohen, Deborah Cohn, Michael Dash, Leigh Anne Duck, Wendy Faris, Earl Fitz, George Handley, Steve Hunsaker, Kirsten Silva Gruesz, Dane Johnson, Richard King, Jane Landers, John T. Matthews, Stephanie Merrim, Helen Oakley, Vincent Pérez, John-Michael Rivera, Scott Romine, Jon Smith, Ilan Stavans, Philip Weinstein, Lois Parkinson Zamora

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Star Cops debuted on BBC2 in 1987, the brainchild of Doctor Who and Blake's 7 writer Chris Boucher, aimed as a police procedural set in the new frontier of commercialised space exploration. It's the near future, and mankind has expanded its presence in space. Maintaining law and order among this network of space stations, satellites and moon outposts is the responsibility of the International Space Police Force, known colloquially as the Star Cops. Their leader is Commander Nathan Spring. While dealing with crimes including drug smuggling and murder, the Star Cops find themselves facing a new and sustained threat. The activist group Mother Earth, ideologically opposed to humanity's presence in space, has been quiet for some time. But no longer. The group returns with a vengeance, prepared it seems to go to any lengths to achieve its aims. 1.1 One of Our Cops is Missing by Andrew Smith. As construction of the Vasco da Gama, the largest space station ever put into orbit, nears completion, Nathan is visited by an old friend, who asks for his help in tracking down a missing undercover officer. Meanwhile, Inspector Priya Basu is investigating a near-fatal spacewalk accident on the space station Rakesh Sharma that may be no accident at all.1.2 Tranquillity and Other Illusions by Ian Potter. A murder at the historic scene of the first Apollo moon landing offers few clues for the Star Cops. Why would anyone want to kill Philip Hughes, a property entrepreneur? And what has become of the mysterious woman who was with him at the time? The investigation leads to a moon outpost, where anyone may be the killer. 1.3 Lockdown by Christopher Hatherall. Tech Tower is a state of the art, high - security, high-technology building located in Paris. It seems the ideal venue for an international conference on how to counter the growing threat from the Mother Earth group. Nathan and Priya attend as representatives of space policing. Soon, they and everyone else in the building find themselves in danger as a disruptive attack by Mother Earth coincides with a plot by criminals to carry out a high stakes robbery. 1.4 The Thousand Ton Bomb by Guy Adams. A failed bombing of Moonbase provides the Star Cops with an opportunity to strike back at Mother Earth. Paul Bailey is called on to use his undercover skills once more. But Mother Earth is about to escalate its campaign of violence with a spectacular attack. And the Star Cops are among those in the firing line. The series hero Nathan Spring is played by David Calder, one of Britain's most regarded stage and screen actors. He is joined by several new characters created for these fresh Star Cops adventures, with Priya Basu played by Eastenders regular Rakhee Thakrar. CAST: David Calder (Nathan Spring / Box), Trevor Cooper (Colin Devis), Linda Newton (Pal Kenzy), Rakhee Thakrar (Priya Basu), Philip Olivier (Paul Bailey), Andrew Secombe (Brian Lincoln), Ewan Bailey (Martin Collyer), Nimmy March (Shayla Moss), Delroy Atkinson (Charles Hardin), Zora Bishop (Armina Hamid), Mandi Symonds (Caroline / Mother Earth), Tim Scragg (Ashton / Hughes), Amerjit Deu (Rez Varughese / Gish), Gabrielle Glaister (Joanne Stack / Janine), George Asprey (Alby Royle / Steven Moore), Andy Snowball (Danny Neal / Pan-Pacific President), Sophie-Louise Dann (Simone Babin).

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The Renaissance was a period of great intellectual change and innovation as philosophers rediscovered the philosophy of classical antiquity and passed it on to the modern age. Renaissance philosophy is distinct both from the medieval scholasticism, based on revelation and authority, and from philosophers of the seventeenth and eighteenth centuries who transformed it into new philosophical systems.Despite the importance of the Renaissance to the development of philosophy over time, it has remained largely understudied by historians of philosophy and professional philosophers. This anthology aims to correct this by providing scholars and students of philosophy with representative translations of the most important philosophers of the Renaissance. Its purpose is to help readers appreciate philosophy in the Renaissance and its importance in the history of philosophy. The anthology includes translations from philosophers from the thirteenth to the seventeenth centuries, and it ranges from works on moral and political philosophy, to metaphysics, epistemology, and natural philosophy, thereby providing historians and students of philosophy with a sense for the nature, breadth, and complexity of philosophy in the Renaissance. Each translation is accompanied by an introduction by a historian of Renaissance philosophy, as well as select secondary sources, in order to encourage further study.This anthology is a companion to Philosophers of the Renaissance, which included essays on the writings of the same group of philosophers of the Renaissance: Raymond Llull, Gemistos Plethon, George of Trebizond, Basil Bessarion, Lorenzo Valla, Nicholas of Cusa, Leon Battista Alberti, Giovanni Pico della Mirandola, Marsilio Ficino, Pietro Pomponazzi, Niccolò Machiavelli, Heinrich Cornelius Agrippa von Nettesheim, Juan Luis Vives, Philipp Melanchthon, Petrus Ramus, Bernardino Telesio, Jacopo Zabarella, Michel de Montaigne, Francesco Patrizi, Giordano Bruno, Francisco Suàrez, Tommaso Campanella.

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The pioneering account of West Coast assemblage art, featuring Bruce Conner, Jess, Jay DeFeo, Robert Duncan, Cameron and a cast of postwar countercultural icons This reprint of the now classic and much sought-after 2005 volume celebrates the circle of the quintessential visual artist of the Beat era, Wallace Berman (1926–76), who remains one of the best-kept secrets of the postwar era. A crucial figure in California's underground culture, Berman was a catalyst who traversed many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of Semina Culture, which includes previously unseen works by 52 artists. Anchoring this publication is Semina, a loose-leaf art and poetry journal that Berman published in nine issues between 1955 and 1964. Although printed in extremely short runs and distributed to only a handful of friends and sympathizers, Semina is a brilliant and beautifully made compendium of the most interesting artists and poets of its time, and is today a very rare collector's item. Showcasing the individuals that defined a still-potent strand of postwar counterculture, Semina Culture outlines the energies and values of this fascinating circle. Also reproduced here are works by those who appear in Berman's own photographs, approximately 100 of which were recently developed from vintage negatives, and which are seen here for the first time. These artists, actors, poets, curators, musicians and filmmakers include Robert Alexander, John Altoon, Toni Basil, Wallace Berman, Ray Bremser, Bonnie Bremser, Charles Britten, Joan Brown, Cameron, Bruce Conner, Jean Conner, Jay DeFeo, Diane DiPrima, Kirby Doyle, Bobby Driscoll, Robert Duncan, Joe Dunn, Llyn Foulkes, Ralph Gibson, Allen Ginsberg, George Herms, Jack Hirschman, Walter Hopps, Dennis Hopper, Billy Jahrmarkt, Jess, Lawrence Jordan, Patricia Jordan, Bob Kaufman, Philip Lamantia, William Margolis, Michael McClure, David Meltzer, Taylor Mead, Henry Miller, Stuart Perkoff, Jack Smith, Dean Stockwell, Ben Talbert, Russ Tamblyn, Aya (Tarlow), Alexander Trocchi, Edmund Teske, Zack Walsh, Lew Welch and John Wieners.

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The book contains a preface by the Three (editors) and has five sections—all befitting the recipient of this Festschrift with her interest in Septuagint and Textual Criticism. The first part of the book, entitled The Septuagint. Origins and Translations contains articles on what a translator is and does (such as the contribution from Benjamin G. Wright and Joachim Schaper) or how LXXGenesis functions as the first translation of Scripture (Emanuel Tov) and contains numerous articles on idioms and accuracy (John A.L. Lee), on lexical variation (Arie van der Kooij) and on renderings of nouns (Bénédicte Lemmelijn), verbs (Anssi Voitila), tenses (Raimund Wirth), semi-prepositions (Raija Sollamo), particles (Michael N. van der Meer) or lexical expressions and themes such as the “end of times” (Staffan Olofsson) or `labouring women (Takamitsu Muraoka), etc. In the second part, entitled The Septuagint and the Versions. Textual Criticism and Text History, the books that are focused on are Samuel and Kings (with contributions by Jan Joosten, Philippe Hugo, Zipora Talshir, Siegfried Kreuzer, Andrés Piquer Otero, Pablo Torijano Morales, Juha Pakkala, Christian Seppanen) and Joshua (with contributions by Seppo Sipilä and Julio Trebolle Barrera). Then, there are also studies on textual issues and text history of Isaiah (Anna Kharanauli), Ezechiel (Johan Lust), Job (Claude Cox), Ecclesiastes (Peter J. Gentry) and Minor Prophets (Hans Ausloos). The third part of this volume is entitled The Septuagint in New Testament and Christian Use and contains two contributions on textual links between LXX and the New Testament (contributions by Tuukka Kauhanen and Georg A. Walser) and patristic texts (contributions by Reinhart Ceulemans and Katrin Hauspie). A fourth part of the volume is devoted to The Septuagint in Jewish Tradition (with contributions on how the Tabernacle Account was received in Hellenistic Judaism by Alison Salvesen and `Seeking “the Septuagint” in a Scroll Dependent World' by Robert A. Kraft). The final part of the volume is dedicated to The Hebrew Bible and the Dead Sea Scrolls. It opens with an attempt by Martti Nissinen to answer the question: `Since when do Prophets Write?’ Then, there is the contribution by George J. Brooke who offers a variant on the issue of variant editions, albeit from the perspective of the scrolls. Eugene Ulrich explores the fine balance between intentional variants and isolated insertions in 4QSama and the MT. Sarianna Metso offers an article on the Leviticus traditions at Qumran and Jutta Jokiranta offers a reflection on `the stranger’ in the Hebrew Bible and the Dead Sea. The contribution by Hanne von Weissenberg forms a nice inclusion with the opening contribution by Benjamin G. Wright as it too focuses on Authority.

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Vic is from a family of pirates, and they are preparing to enter the Race to Hornswaggle Rock, the hardest, most dangerous pirate contest in the country. But the dastardly Captain Guillemot has stolen their ship and thrown their parents overboard. Together with siblings Bert and Maud, and annoyingly resourceful friends Arabella and George, Vic must come up with a plan to steal the ship back from their arch-enemy, join the race and win victory. But there are fearsome pirate crews, hungry sharks and some lovesick parrots in the way – will they be the rulers of the seven seas or the scurviest losers to ever walk the plank?

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First published for the fortieth anniversary of the March on Washington, this Library of America volume along with its companion chronicles over thirty tumultuous years in the struggle of African-Americans for freedom and equal rights.The first volume follows the rise of the modern civil rights movement from A. Philip Randolph’s defiant 1941 call for a protest march on Washington to the summer of 1963 and the eve of the march that finally shook the nation’s conscience. Ralph Ellison, Langston Hughes, Pauli Murray, and Bayard Rustin record the growing determination of African-Americans in the 1940s to oppose racial injustice; Murray Kempton and William Bradford Huie report on the lynching of Emmett Till; Ted Poston offers an inside look at the courage and resourcefulness of the Montgomery bus boycotters; Relman Morin in Little Rock and John Steinbeck in New Orleans witness the terrors of mob rage; David Halberstam and Louis Lomax describe the wildfire spread of the sit-in movement; James Baldwin investigates the Nation of Islam.Robert Penn Warren’s “Segregation,” a Southern moderate’s soul-searching interrogation of the traditions of his native region, is included in its entirety, as is Martin Luther King, Jr.’s classic defense of civil disobedience, “Letter from Birmingham Jail.” Remarkable but little-known reporters from the African-American press, among them James Hicks of the Amsterdam News, George Collins of the Baltimore Afro-American, L. O. Swingler of the Atlanta Daily World, and Trezzvant Anderson of the Pittsburgh Courier, are reprinted here for the first time, along with astonishing eyewitness accounts of movement activism by Fannie Lou Hamer, Tom Hayden, and Howard Zinn.Each volume contains a detailed chronology of events, biographical profiles and photographs of the journalists, explanatory notes, and an index.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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The contributors to Cocaine analyze the contemporary production, transit, and consumption of cocaine throughout the Americas and the illicit economy's entanglement with local communities. Based on in-depth interviews and archival research, these essays examine how government agents, acting both within and outside the law, and criminal actors seek to manage the flow of illicit drugs to both maintain order and earn profits. Whether discussing the moral economy of coca cultivation in Bolivia, criminal organizations and drug traffickers in Mexico, or the routes cocaine takes as it travels into and through Guatemala, the contributors demonstrate how entire ways of life are built around cocaine commodification. They consider how the authority of state actors is coupled with the self-regulating practices of drug producers, traffickers, and dealers, complicating notions of governance and of the relationships between economic and moral economies. The collection also outlines a more progressive drug policy that acknowledges the important role drugs play in the lives of those at the urban and rural margins. Contributors. Enrique Desmond Arias, Lilian Bobea, Philippe Bourgois, Anthony W. Fontes, Robert Gay, Paul Gootenberg, Romain Le Cour Grandmaison, Thomas Grisaffi, Laurie Kain Hart, Annette Idler, George Karandinos, Fernando Montero, Dennis Rodgers, Taniele Rui, Cyrus Veeser, Autumn Zellers-León

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Cambridge English Readers is an award-winning series of original fiction readers for learners of English, offering exciting reading from Starter to Advanced levels. Nancy is a security guard at a detention centre for asylum seekers and refugees who have come to Britain to escape persecution in their own countries. Nancy thinks she has everything: a comfortable house, nice furniture, a boyfriend and a beautiful Rolex watch. Then she falls in love with George, an asylum seeker who has nothing, and her world changes completely. Paperback-only version. Also available with Audio CD including complete text recordings from the book.

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A fully illustrated study of the Nakajima Ki49 ‘Helen’, the twin-engined bomber of the Pacific War, from Japanese aviation expert George Eleftheriou. The Nakajima Ki-49 Donryu (‘Dragon Eater’), codenamed ‘Helen’ by the Allies, was a twin-engined Japanese bomber designed to undertake daylight attacks without the protection of escort fighters. Consequently, while it was officially known as the Army Type 100 Heavy Bomber, its formidable defensive armament and armour were so heavy that they restricted the Ki-49 to payloads comparable to those of smaller medium bombers. While only five heavy bomber sentai (regiments) were equipped with the ‘Helen’, the over 800 Ki-49s built between 1941 and 1944 saw extensive action in Burma, Papua New Guinea, the Philippines, northern India and north Australia. In an act of desperation, a small number of ‘Helens’ were even employed, unsuccessfully, as kamikaze aircraft against US Navy warships operating off the Philippines and Okinawa. In this fascinating book, George Eleftheriou provides a comprehensive account of the units that saw action flying the ‘Helen’, based on original Japanese sources. Also featuring high-quality photographs never published before, specially commissioned colour profile artwork, official unit histories and veteran accounts, this title is a must-have for Japanese aircraft enthusiasts.

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Philippe Eberhard proposes a medial interpretation of Hans-Georg Gadamer's philosophical hermeneutics and draws theological implications concerning faith and our human condition from a Christian humanist standpoint. He brings into focus the middle voice as a way to articulate what it means to listen to language and the Word.His thesis is twofold. First, the hermeneutic event is medial throughout. The core of the mediality of hermeneutics is the subtle balance between the event of understanding, which happens to the subject, and the subject who understands within it. Second, the mediality of understanding is the primary reason why hermeneutics is theologically meaningful. Both understanding as well as faith and theology are medial experiences leading to an always renewed understanding of what it is to be a human being in the world.The author analyzes the notion of the middle voice from a linguistic as well as from a philosophical standpoint and establishes that the middle voice is conspicuous by its absence in most commentaries about Gadamer: usually mediality shines between the lines but does not receive any explicit treatment. The author describes understanding as an event following Gadamer's notions of play, fusion of horizon(s), and linguistic speculation and considers the same event from the standpoint of the subject within it. Though understanding is an event that happens to the subject, the subject is not passive but involved. The examination of Gadamer's use of theology leads to the argument that he tends to exclude the Christian kerygma from the hermeneutic event. Gadamer does not apply back to theology the insights he gained from it for his description of hermeneutics. Philippe Eberhard, by contrast, includes the kerygma and faith in hermeneutics and proposes a medial account of faith based on the medial interpretation of hermeneutics. Finally, the conclusion sums up the argument and goes one step further: although faith is a hermeneutic experience, it differs from hermeneutics because it is not only a constant effort to be at home in the world, but above all it keeps questioning the world that is to be our home.

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Self-Portrait in the Zone of Silence, by the renowned Mexican writer Homero Aridjis, is a brilliant collection of poems written in and for the new century. Aridjis seeks spiritual transformation through encounters with mythical animals, family ghosts, migrant workers, Mexico’s oppressed, female saints, other writers (such as Jorge Luis Borges and Philip Lamantia), and naked angels in the metro. We find tributes to Goya and Heraclitus, denunciations of drug traffickers and political figureheads, and unforgettable imaginary landscapes. As Aridjis himself writes: “a poem is like a door / we’ve never passed through...” And now past eighty, Aridjis reflects on the past and ponders the future. “Surrounded by light and the warbling of birds,” he writes, “I live in a state of poetry, because for me, being and making poetry are the same.”

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A star-studded BBC radio production of Bernard Shaw’s Pygmalion – plus bonus drama The ‘B’ Word, telling the story of the play’s scandalous opening nightIrascible phonetics professor Henry Higgins makes a bet with his friend Colonel Pickering that he can train Cockney flower girl Eliza Doolittle to talk ‘like a lady’ and pass as a duchess at the Ambassador’s Ball. As the day of reckoning approaches, can Eliza convince the assembled aristocrats that she’s one of them? And what will become of her afterwards?This effervescent radio version of Shaw’s classic comedy features a stellar cast, including award-winning comedians Alistair McGowan as Henry Higgins, Morgana Robinson as Eliza Doolittle and Al Murray as Alfred Doolittle.Also featured on this release is The ‘B’ Word, written by and starring Alistair McGowan as Bernard Shaw. Centring on the shocking opening night of Pygmalion – the first time that the word ‘bloody' was used on the British stage – it also explores the passionate love-hate relationship between Shaw; his leading man, Sir Herbert Beerbohm Tree (Richard McCabe) and his leading lady, Mrs Patrick Campbell (Charlotte Page), who played the 19-year-old Eliza Doolittle at the age of 49.Cast and creditsPygmalionHenry Higgins……………………Alistair McGowanEliza Doolittle……………………Morgana RobinsonAlfred Doolittle……………………Al MurrayColonel Pickering……………………Hugh FraserMrs Higgins……………………Siân PhillipsMrs Pearce/Maid……………………Charlotte PageMrs Eynsford-Hill……………………Georgie GlenClara Eynsford-Hill……………………Maeve Bluebell WellsFreddy Eynsford-Hill.....……………………Tom ForristerNepommuck……………………David SturzakerAmbassador……………………John DougallAmbassador's wife……………………Sarah RidgewayBystander……………………David SterneWritten by Bernard ShawProduced and directed by Emma HardingThe ‘B’ WordBernard Shaw……………………Alistair McGowanGeorge Alexander……………………David SturzakerMrs Patrick Campbell.....……………………Charlotte PageSir Herbert Beerbohm Tree……………………Richard McCabeCharlotte Shaw……………………Georgie GlenMerivale……………………Philip FoxGurney/Fishman……………………Simon LuddersBell……………………Charlie ClementsMaid……………………Sarah RidgewayWritten by Alistair McGowanProduced and directed by Emma HardingProduction Coordinator: Jenny MendezStudio Managers: Alison Craig, Caleb Knightley and Thomas GlasserDuration: 2 hours 45 mins approx.

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Listening for the Heartbeat of God presents a spirituality for today, modeled on the vital characteristics of Celtic spirituality through the centuries. Here is in emphasis on the essential goodness of creation and of humanity made in the image of God. This book traces the lines of Celtic spirituality from the British church in the fourth century through to the twentieth century, in the founder of the Iona Community, George Macleod.J. Phillip Newell finds Celtic spiritual roots in the New Testament, in the mysticism of St. John the Evangelist. John was especially remembered as the one who lay against Jesus at the Last Supper and heard the heartbeat of God. Hence he became a Celtic image of listening to God in all of life. This fresh angle on Celtic spirituality—linking figures in the Bible and in British Christian history—will be warmly welcomed by all who are concerned to refresh the roots of their faith.†

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On September 15, 1944, the U.S. First Marine Division landed on a small island in the Central Pacific called Peleliu as a prelude to the liberation of the Philippines. Among the first wave of Marines that hit the beach that day was 22-year-old George Peto.Growing up on a farm in Ohio, George always preferred being outdoors and exploring. This made school a challenge, but his hunting, fishing and trapping skills helped put food on his family’s table. As a poor teenager living in a rough area, he got into regular brawls, and he found holding down a job hard because of his wanderlust. After working out West with the CCC, he decided that joining the Marines offered him the opportunity for adventure plus three square meals a day; so he and his brother joined the Corps in 1941, just a few months before Pearl Harbor.Following boot camp and training, he was initially assigned to various guard units, until he was shipped out to the Pacific and assigned to the 1st Marines. His first combat experience was the landing at Finschhaven, followed by Cape Gloucester. Then as a Forward Observer, he went ashore in one of the lead amtracs at Peleliu and saw fierce fighting for a week before the regiment was relieved due to massive casualties. Six months later, his division became the immediate reserve for the initial landing on Okinawa. They encountered no resistance when they came ashore on D+1, but would go on to fight on Okinawa for over six months.This is the wild and remarkable story of an "Old Breed" Marine, from his youth in the Great Depression, his training and combat in the Pacific, to his life after the war, told in his own words.

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‘This was the original game of thrones’ George R.R. Martin The royal house of France has fallen. Charles IV is dead, fulfilling the curse of the Templars once and for all. This leaves the path to the throne open for Robert of Artois to place his cousin, Philippe of Valois, upon it. Having committed fraud, perjury and murder in the name of the new king, Robert expects to receive a title and his full reward. But the days of betrayal are far from over and Robert is banished to England. In the land of France’s enemies vengeance sparks fresh conflict as King Edward III and his new ally prepare for war. As swords are sharpened the lion wakes and a pretender threatens France once more …

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“This is the original Game of Thrones.” George R.R. Martin. 'No woman shall succeed in Salique land' Louis X is dead, poisoned, murdered, by the hand of Mahaut d’Artois. Her plan is simple – to clear the path to the throne for her son-in-law Philippe. However, there is the small matter of Queen Clemence and her unborn child. As the country is thrown into turmoil, Philippe of Poitiers must use any means necessary to save his country from anarchy. However, how far is he willing to go to clear his path to the throne and become King in his own right?

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Accursed Politics—a potent phrase used by one of Jean Jacques Rousseau's female characters—probes the intriguingly subtle equivocations revealed by six highly gifted and fascinating French women writers who were deeply involved in the political life of their day. Ostensibly denied any public political role, they paid lip service to the conventional pieties and went their own way. Their activities, as elegantly described by Renee Winegarten, ranged widely through the political spectrum. "Scandalous" Alexandrine de Tencin, former nun and popular novelist, enjoyed promoting her brother's political career while criticizing the monarchy of the ancien régime. Manon Roland, fascinated with politics from girlhood, a revolutionary of the first hour, shared in her husband's Girondin ministry and left important memoirs. Claire de Duras, loyal but tormented liberal royalist and author of far-seeing novels, worked tirelessly to serve the political career of her friend Chateaubriand. Félicité de Genlis, famed novelist and educationist, onetime lover of Philippe Egalité and tutor to his son, Louis Philippe, moved from revolutionary commitment to conservatism. Germaine de Staël, born into politics, was not only an influential novelist but a political thinker, one of the founders of political liberalism in France. And George Sand, whose controversial novels raised the consciousness of women and helped change their status, was long preoccupied with politics; she worked on the extreme left and called herself a communist. In Accursed Politics, Ms. Winegarten brings these absorbing women to life in a piece of history that has considerable resonance for our own time.

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