Search results for ""Author Eve""

Mainstreaming Gays discusses a key transitional period linking the eras of legacy and streaming, analyzing how queer production and interaction that had earlier occurred outside the mainstream was transformed by multiple converging trends: the emergence of digital media, the rising influence of fan cultures, and increasing interest in LGBTQ content within commercial media. The U.S. networks Bravo and Logo broke new ground in the early 2000s and 2010s with their channel programming, as well as bringing in a new cohort of LGBTQ digital content creators, providing unprecedented opportunities for independent queer producers, and hosting distinctive spaces for queer interaction online centered on pop culture and politics rather than dating. These developments constituted the ground from which recent developments for LGBTQ content and queer sociality online have emerged. Mainstreaming Gays is critical reading for those interested in media production, fandom, subcultures, and LGBTQ digital media.

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Establishing an imaginative space for blackness, four mid-century American writers resist literary segregation

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Handwriting analysis, or graphology, is the science involved in producing a personality profile of the writer by examining the characteristics, traits and strokes of an individual's handwriting. It seems impossible, but a trained graphologist can gather an astonishing amount of information about the writer just from analysing their handwriting. Besides creating a complete personality profile, many other things are revealed in your handwriting, such as health issues, morality, past experiences, hidden talents, mental problems - to name just a few.The Orion Plain & Simple title explains what handwriting analysis is and why it works. The author gives a brief history of the art then delves into every aspect of writing, including:· The way the writing moves across the page· The meaning of the pen, pencil, and ink chosen· The slope of the script and the amount of space between words· The size and shape of the individual letters and signatures· The meaning of writing styles in headed paper, logos, and shop signs

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Much of what we know about life in the medieval Islamic Middle East comes from texts written to impart religious ideals or to chronicle the movements of great men. How did women participate in the societies these texts describe? What about non-Muslims, whose own religious traditions descended partly from pre-Islamic late antiquity? Coming of Age in Medieval Egypt approaches these questions through Jewish women's adolescence in Fatimid and Ayyubid Egypt and Syria (c. 969-1250). Using hundreds of everyday papers preserved in the Cairo Geniza, Eve Krakowski follows the lives of girls from different social classes--rich and poor, secluded and physically mobile--as they prepared to marry and become social adults. She argues that the families on whom these girls depended were more varied, fragmented, and fluid than has been thought. Krakowski also suggests a new approach to religious identity in premodern Islamic societies--and to the history of rabbinic Judaism. Through the lens of women's coming-of-age, she demonstrates that even Jews who faithfully observed rabbinic law did not always understand the world in rabbinic terms. By tracing the fault lines between rabbinic legal practice and its practitioners' lives, Krakowski explains how rabbinic Judaism adapted to the Islamic Middle Ages. Coming of Age in Medieval Egypt offers a new way to understand how women took part in premodern Middle Eastern societies, and how families and religious law worked in the medieval Islamic world.

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By the early 1960s, theorists like Levi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids of language, information, and systems. Artists soon followed, turning to language and its related forms to devise a new, conceptual approach to art making. Examining the ways in which artists shared the structuralist devotion to systems of many sorts, "Systems We Have Loved" shows that even as structuralism encouraged the advent of conceptual art, it also raised intractable problems that artists were forced to confront. Considering such notable art figures as Mary Kelly, Robert Morris, Robert Smithson, and Rosalind Krauss, Eve Meltzer argues that during this period the visual arts depicted and tested the far-reaching claims about subjectivity espoused by theorists. She offers a new way of framing two of the twentieth century's most transformative movements - one artistic, one expansively theoretical - and she reveals their shared dream - or nightmare - of the world as a system of signs. By endorsing this view, Meltzer proposes, these artists drew attention to the fictions and limitations of this dream, even as they risked getting caught in the very systems they had adopted. The first book to describe art's embrace of the world as an information system, "Systems We Have Loved" breathes new life into the study of conceptual art.

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More adventures with the Ruggles family from One End Street.Kate loves the country so much that kind Mr and Mrs Wildgoose invite her to spend the whole of the summer holidays with them at The Dew Drop Inn, so she says good-bye to her mother and father and her six brothers and sisters, and sets off by train with a shiny black mackintosh and some brand-new gum-boots. The Wildgooses are just as kind as she remembered them, and there is a big excitement for her when The Dew Drop Inn is to take part in the concert and flower show. Kate is kept busy learning how to make cakes and jam, discovering where all sorts of wild flowers grow, and writing an essay. But the most difficult thing of all is deciding which of her poems to recite at the concert.

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Each Reading Book in the Rapid Plus stages 10-12 series is finely levelled for KS3 students, and includes: E ngaging texts with mature topics and themes to appeal to older readers . Accessible layout with a dyslexia-friendly font and colour scheme. A diverse range of characters which all students can identify with. Quiz sections and recap pages to help learners develop their comprehension skills and reading stamina.

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Fascinating and entertaining, the menu, as a record of the food we eat, tells us much about who we were and how we lived. From the historically significant to the unexpected, discover what was eaten at the first Nobel Prize dinner; what Barack Obama chose for his inauguration meal; what the Tsar and Tsarina ate at their infamous society balls; why the first pre-made sandwich was so significant; and what sort of inflight grub was served up at supersonic speeds on Concorde. Step in time to dinner dances at the Blackpool Tower Ballroom; delight in Elvis and Priscilla's wedding breakfast; marvel at the Titanic's last sitting and raise a glass to El Bulli's closing service.

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Generating Bodies and Gendered Selves examines the textured interrelations between medical writing about generation and childbirth - what we now call reproduction - and emerging notions of selfhood in early modern England. At a time when medical texts first appeared in English in large numbers and the first signs of modern medicine were emerging both in theory and in practice, medical discourse of the body was richly interwoven with cultural concerns. Through close readings of a wide range of English-language medical texts from the mid-sixteenth to the early eighteenth centuries, from learned anatomies and works of observational embryology to popular books of physic and commercial midwifery manuals, Keller looks at the particular assumptions about bodies and selves that medical language inevitably enfolds. When wombs are described as "free" but nonetheless "bridled" to the bone; when sperm, first seen in the seventeenth century by the aid of the microscope, are imagined as minute "adventurers" seeking a safe spot to be "nursed": and when for the first time embryos are described as "freeborn," fully "independent" from the females who bear them, the rhetorical formulations of generating bodies seem clearly to implicate ideas about the gendered self. Keller shows how, in an age marked by social, intellectual, and political upheaval, early modern English medicine inscribes in the flesh and functioning of its generating bodies the manifold questions about gender, politics, and philosophy that together give rise to the modern Western liberal self - a historically constrained (and, Keller argues, a historically aberrant) notion of the self as individuated and autonomous, fully rational and thoroughly male. An engagingly written and interdisciplinary work that forges a critical nexus among medical history, cultural studies, and literary analysis, Generating Bodies and Gendered Selves will interest scholars in early modern literary studies, feminist and cultural studies of the body and subjectivity, and the history of women's healthcare and reproductive rights.

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In a world ravaged by climate change, a young woman's job of enforcing Britain's one-child policy is compromised when she discovers an illegal sibling on the ministry hit list, and that sibling is hers… `A tightly paced plot set in an all-too imaginable future … a page-turning, thought-provoking read´ Jo Callaghan ‘With echoes of V for Vendetta, ONE serves as a stark warning, challenging societal norms and individual sacrifices in the face of adversity’ SciFi Now Book of the Month ‘Pleasingly terrifying’ New Scientist `A terrifying vision of a global climate emergency, a jaw-dropping government conspiracy and some truly devastating twists … one hell of a speculative thriller´ Tom Hindle ––––––––––––––––––– One law. One child. Seven million crimes… A cataclysmic climate emergency has spawned a one-child policy in the UK, ruthlessly enforced by a totalitarian regime. Compulsory abortion of 'excess' pregnancies and mandatory contraceptive implants are now the norm, and families must adhere to strict consumption quotas as the world descends into chaos. Kai is a 25-year-old `baby reaper´, working for the Ministry of Population and Family Planning. If any of her assigned families attempt to exceed their child quota, she ensures they pay the price. Until, one morning, she discovers that an illegal sibling on her Ministry hit-list is hers. And to protect her parents from severe penalties, she must secretly investigate before anyone else finds out. Kai's hunt for her forbidden sister unearths much more than a dark family secret. As she stumbles across a series of heinous crimes perpetrated by the people she trusted most, she makes a catastrophic discovery that could bring down the government … and tear her family apart. ––––––––––––––––––– `Eve Smith is a master storyteller for our troubled times´ Simon Conway `Chillingly plausible … both thrilling and deeply moving´ Philippa East `All too convincing and scientifically plausible … as much a warning as an entertainment´ Paul E. Hardisty `Amazing, beautiful writing, jam-packed with clever ideas´ Helen Fitzgerald `Gripping, frightening and deep … a very brilliant, masterful book´ Sarah K. Jackson `Simmering with great intelligence and insight that never fails to be terrifyingly and thrillingly plausible´ James Goodhand `A visionary storyteller´ Awais Khan `A gripping and pacy thriller set in an all too plausible and terrifying future´ David Beckler `Meticulously crafted, no detail is overlooked … so authentic it doesn't feel speculative at all´ Sarah Sultoon `Raises troubling issues about the balance between saving the planet and our individual human rights … brilliant!´ Guy Morpuss `Pulse-pounding and heart-rending in equal measure, this book is a tour-de-force´ Louise Mumford `A powerful warning and a gripping thriller´ Greg Mosse `A chilling, poignant novel that holds a mirror up to our world … sensational´ Vikki Patis `Gripping and unsettling´ Shen Yang `Compulsive and addictive´ Adam Simcox `Another taut and terrifying thriller from Eve Smith´ Louise Swanson `A terrifying, yet plausible read. Too scary to imagine in reality, and yet…´ Heather Fitt `Horrifying and gripping in equal measure … a jaw-dropping glimpse of the catastrophe around the corner … Astonishing´ Lucy Martin

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Sophie, a twenty-something Jim Morrison groupie gliding through a golden existence in L.A., and Lola, a German immigrant who has settled in Hollywood, know that while Los Angeles is constantly changing, it is essentially eternal. The two women dazzle - one with the promises of youth, the other with the fulfilment of nostalgia - as they wend their way through the pink sunsets and the palm trees of Los Angeles.Living out their addictively decadent lives, Sophie and Lola are cult writer Babitz's literary embodiment of the iconic L.A. Woman - more than in part inspired by her own wild and hedonistic youth.

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A4 40pgs includes interactive board activities and sheets for printing. This is the third book in a new series from Eve Miller is an experienced classroom teacher and author. This book is a response to a direct request from teachers for suitable learning materials for this cohort of students. It comes with interactive software and powerpoint displays (and open office equivalents) to help teachers teach and children to learn. This book is designed to help children and young people to become skilled in formatting and asking questions. This is a vital life skill for children and young people, to engage in communication from small talk to formal conversation. The ability to formulate and ask relevant questions is a life skill that many students in this cohort find difficult and will often resort to the well heard phrase ‘ you know what I mean?’ An inability to formulate and ask relevant questions is a life limiting condition, that is why this book is an important contribution to the education of this cohort of students. This is a value laden book that will support teachers in their work and help students to learn.

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More classic fun and adventure with the Ruggles family from One End Street!Three of the Ruggles children have measles - but it turns out to be a blessing in disguise as they are sent to Dew Drop Inn, a wonderful house in the country, while they recover. There are adventures galore - like the time Lily Rose is a bridesmaid, or when Mr Ruggles gets sent the wrong pig, and the day Baby Ruggles sees a cat at the kitchen window and it turns out to be an escaped tiger!The Family from One End Street, Further Adventures of the Family from One End Street and Holiday at the Dew Drop Inn are all available in A Puffin Book series of favourite modern classics for children.

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Blending stark realism with the surreal and fantastic, Eve L. Ewing's narrative takes us from the streets of Chicago to an unspecified future, deftly navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances, and identifies everyday objects - hair moisturizer, a spiral notebook - as precious icons.Her visual art is spare, playful and poignant: a cereal-box decoder ring that allows the wearer to understand what Black girls are saying; a teacher's angry, subversive message scrawled on the chalkboard. Electric Arches invites fresh conversations about race, gender, the city, identity and the joy and pain of growing up.

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She’s the last person he wants moving in. But maybe she’s just what he needs? Perfect for fans of Trisha Ashley! Gemma Whitehall helps people tie the knot as the local registrar, but watching loved-up couples exchange their vows serves only to highlight what’s missing from her own life. Gemma can’t ignore the fact that life – and love – are slipping through her fingers. Sam Ranworth has spent the best part of a decade building walls around himself after tragedy struck. The last thing he wants is to get tangled up in Gemma’s messy life. When Gemma rents the ramshackle cottage on Sam’s neglected country estate, neither of them can ignore the spark of attraction. Can they leave the past where it belongs and take a chance on happiness? Readers love The Summer of Wishful Thinking: ‘Couldn't put it down…Ideal for reading in the garden on a sunny day’ Catherine ‘Like a warm cup of tea for the soul’ Amazon reader ‘Relatable with a generous helping of fairy dust, hope and the enchantment of new beginnings’ Rachel ‘Perfect for summer when you may need a bit of cheering up!’ Amazon reader ‘A real treasure trove of a book which I couldn't put down’ Amazon reader

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NPR Best Books of 2019 Chicago Tribune Best Books of 2019 Chicago Review of Books Best Poetry Book of 2019 O Magazine Best Books by Women of Summer 2019 The Millions Must-Read Poetry of June 2019 LitHub Most Anticipated Reads of Summer 2019 The Chicago Race Riot of 1919, the most intense of the riots comprising the nation’s Red Summer, has shaped the last century but is not widely discussed. In 1919, award-winning poet Eve L. Ewing explores the story of this event—which lasted eight days and resulted in thirty-eight deaths and almost 500 injuries—through poems recounting the stories of everyday people trying to survive and thrive in the city. Ewing uses speculative and Afrofuturist lenses to recast history, and illuminates the thin line between the past and the present.

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'The whistling had started on their first night. At first, Layah thought it was bird song - a high thin sound which became a melody, rising and falling. And each night, it returned.'Strange things have been happening to Layah and her younger sister, Izzie, ever since their mother dragged them to a rain-soaked cottage miles from anywhere in the Lake District: there is a peculiar whistling at night, a handful of unusual feathers appear on their doorstep and there are murmurings of a shadowed woman in the forest. And their mother is behaving very oddly. Layah is mourning the loss of her dear grandmother in Poland - and can almost hear her Babcia's voice telling her the old myths and fairy tales from that magical place. And as the holiday takes on a dark twist, Layah begins to wonder if the myths might just be real.A thrilling debut from remarkable new talent, Eve Wersocki Morris.Praise for The Bird Singers'A deliciously spine-tingling story with sisterhood at its heart. I loved it.' - A.F. Steadman, author of Skandar and the Unicorn Thief

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Since the late 1980s, queer studies and theory have become vital to the intellectual and political life of the United States. This has been due, in no small degree, to the influence of Eve Kosofsky Sedgwick's critically acclaimed "Epistemology of the Closet". Working from classic texts of European and American writers - including Melville, James, Nietzsche, Proust, and Wilde -Sedgwick analyzes a turn-of-the-century historical moment in which sexual orientation became as important a demarcation of personhood as gender had been for centuries. In her preface to this updated edition Sedgwick places the book both personally and historically, looking specifically at the horror of the first wave of the AIDS epidemic and its influence on the text.

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"Failing schools. Underprivileged schools. Just plain bad schools." That's how Eve L. Ewing opens Ghosts in the Schoolyard: describing Chicago Public Schools from the outside. The way politicians and pundits and parents of kids who attend other schools talk about them, with a mix of pity and contempt. But Ewing knows Chicago Public Schools from the inside: as a student, then a teacher, and now a scholar who studies them. And that perspective has shown her that public schools are not buildings full of failures-they're an integral part of their neighborhoods, at the heart of their communities, storehouses of history and memory that bring people together. Never was that role more apparent than in 2013 when Mayor Rahm Emanuel announced an unprecedented wave of school closings. Pitched simultaneously as a solution to a budget problem, a response to declining enrollments, and a chance to purge bad schools that were dragging down the whole system, the plan was met with a roar of protest from parents, students, and teachers. But if these schools were so bad, why did people care so much about keeping them open, to the point that some would even go on a hunger strike? Ewing's answer begins with a story of systemic racism, inequality, bad faith, and distrust that stretches deep into Chicago history. Rooting her exploration in the historic African American neighborhood of Bronzeville, Ewing reveals that this issue is about much more than just schools. Black communities see the closing of their schools-schools that are certainly less than perfect but that are theirs-as one more in a long line of racist policies. The fight to keep them open is yet another front in the ongoing struggle of black people in America to build successful lives and achieve true self-determination.

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"Eve’s brave and honest experiment reveals the shocking impact of the throwaway society we’ve become and at the same time showing small ways we can all do better.” —Rebecca Prince-Ruiz, founder of Plastic Free JulyYear of No Garbage is Super Size Me meets the environmental movement. In this book Eve O. Schaub, humorist and stunt memoirist extraordinaire, tackles her most difficult challenge to date: garbage. Convincing her husband and two daughters to go along with her, Schaub attempts the seemingly impossible: living in the modern world without creating any trash at all. For an entire year. And- as it turns out- during a pandemic. In the process, Schaub learns some startling things: that modern recycling is broken, and single stream recycling is a lie. That flushable wipes aren’t flushable and compostables aren’t compostable. That plastic drives climate change, fosters racism, and is poisoning the environment and our bodies at alarming rates, as microplastics are being found everywhere, from the top of Mount Everest to the placenta of unborn babies. If you’ve ever thought twice about that plastic straw in your drink, you’re gonna want to read this book.

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The books are short, simply laid out, easy to use with practical advice and exercises. The case studies seem to be taken from real life scenarios. Clients, staff and families would find these books very useful. They put in print the ordinariness of community living and how seemingly small incidences can impact on people. They may remind us to be more conscious and aware in our practice and to be creative in finding solutions and developing programmes.'- Irish Social WorkerHow can you make an informed choice when you have never had to decide anything for yourself? How can a carer help someone with a learning disability to a greater degree of autonomy? Helping People with a Learning Disability Explore Choice is an enjoyable and accessible resource to aid the improvement of social skills. Following the experiences of five adults with learning disabilities - John, Terry, Danny, Lucy and Liz - and their carers, it comprises a series of short stories focusing on different areas of decision-making. Sections for the carer explore the issues raised in the story, while Tim Baker's illustrations help the reader to engage imaginatively with the stories and the issues involved.The book is designed for adults with learning disabilities to read by themselves or with a carer, and can also be used as a teaching aid or as a resource for workshops, group work or drama sessions.

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The books are short, simply laid out, easy to use with practical advice and exercises. The case studies seem to be taken from real life scenarios. Clients, staff and families would find these books very useful. They put in print the ordinariness of community living and how seemingly small incidences can impact on people. They may remind us to be more conscious and aware in our practice and to be creative in finding solutions and developing programmes.'- Irish Social WorkerFocusing on the nature of relationships with other people, Helping People with a Learning Disability Explore Relationships continues the story of John, Danny, Terry, Lucy and Liz - the five people with learning disabilities who share a house - from where Helping People with a Learning Disability Explore Choice ended. In this book, Lucy grieves when her old friend Mrs Coles dies, Terry learns to stand up for himself in the factory where he works, and Danny falls in love. Sections for the carer draw out the issues raised in each chapter - friendships, bullying, loss, depression and romance - and suggest ways of exploring them in discussions and exercises for groups and individuals.The book is designed for adults with learning disabilities to read alone or with a carer. It can also be used as a teaching aid for workshops, group work or drama sessions; and can be read in conjunction with its companion volume, Helping People with a Learning Disability Explore Choice, or alone. Illustrations by Tim Baker help the reader to visualise the characters and engage with the topics raised.

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In the late nineteenth century, an active slave trade sustained social and economic networks across the Ottoman Empire and throughout Egypt, Sudan, the Caucasus, and Western Europe. Unlike the Atlantic trade, slavery in this region crossed and mixed racial and ethnic lines. Fair-skinned Circassian men and women were as vulnerable to enslavement in the Nile Valley as were teenagers from Sudan or Ethiopia. Tell This in My Memory opens up a new window in the study of slavery in the modern Middle East, taking up personal narratives of slaves and slave owners to shed light on the anxieties and intimacies of personal experience. The framework of racial identity constructed through these stories proves instrumental in explaining how countries later confronted—or not—the legacy of the slave trade. Today, these vocabularies of slavery live on for contemporary refugees whose forced migrations often replicate the journeys and stigmas faced by slaves in the nineteenth century.

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In der vorliegenden Aufsatzsammlung arbeitet Eve-Marie Becker die Sicht auf Markus als den frühesten Evangelisten aus, der mit seiner Evangelienerzählung eine neue literarische Form schafft, die sich in den weiteren Rahmen der frühkaiserzeitlichen Historiographie einzeichnen lässt. So dient der in diesem Band gewählte Zugang zum frühesten Evangelium erstens der Kontextualisierung und allgemeinen literatur- und gattungsgeschichtlichen Einordnung der Evangelienform in die frühkaiserzeitliche hellenistisch-römische Literatur. Zweitens bearbeitet die Autorin in den vorliegenden Aufsätzen die literatur- wie geschichtswissenschaftlich relevante Frage nach dem Verhältnis des Markusevangeliums zur antiken Historiographie: Welcher historiographischer Methoden und Deutungen sowie literarischer Formen bedient sich der früheste Evangelist? Welche pragmatische Absicht verfolgt Markus als historiographischer Autor? Die hier versammelten Textuntersuchungen reichen vom incipit des Evangeliums (Mk 1,1) bis zum wohl intentional offen gestalteten Ende der Schrift in Mk 16,8.

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Der Begriff der 'Demut' ist täglich in unserem politischen, kulturellen, intellektuellen und religiösen Leben präsent. Haben wir es hier mit der Wiederkehr einer christlichen Tugend oder mit dem Versuch zu tun, ein inter-religiöses Ethos zu installieren, das auch in nicht-christlichen Kulturkreisen bekannt ist? Was bedeutet die inflationäre Verwendung des Demut-Begriffs? Eve-Marie Becker begibt sich zunächst auf eine kulturgeschichtliche Spurensuche zum Gebrauch und Missbrauch des Begriffs der Demut. Sie führt dann zurück zum begrifflichen und konzeptionellen Ausgangspunkt der ταπεινοφροσύνη, der bei Paulus liegt. In seinem letzten Schreiben aus römischer Haft fordert der Apostel seine Adressaten in Philippi zu einer Gesinnung der Demut auf (Phil 2,3).Die exegetische Studie zu Phil 2 und den verwandten Texten im Corpus Paulinum deckt auf, wie Paulus im Bereich gemeindlicher Ethik mit dem Konzept der Demut jenseits von traditioneller Moral Möglichkeiten des kommunitären Denkens und Handelns eröffnet. Von Paulus ausgehend unternimmt die Autorin den Versuch, anthropologische und moralistische Engführungen des Begriffs, die unsere Kulturgeschichte hartnäckig durchziehen und den Blick auf Paulus verdunkeln, aufzubrechen und zu lernen, wie paulinisches Reden über Demut christliche Ethik und Ekklesiologie in ihren Anfängen begründet. Es wird diskutiert, ob die Demut sachlich zu Recht in der Zeit der Alten Kirche als ein identity marker der Christen verstanden wurde und wieweit sich diese Beschreibung bereits auf Paulus und Phil 2 zurückbeziehen kann.

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Das Markus-Evangelium wird in diesem Buch als früheste Evangelienschrift betrachtet und in den Kontext hellenistischer Historiographie (griechisch, römisch und frühjüdisch) gestellt. Eve-Marie Becker untersucht es im Hinblick auf die Datierung und die Verarbeitung von zeitgeschichtlichen Ereignissen und die Verwendung von geschichtlichen und literarischen Quellen. Sie analysiert die Erzählung von geschichtlichen Ereignissen in chronologischer und kausaler Ordnung und fragt nach der theologischen Deutung der Geschichte. Darüber hinaus behandelt sie die Gestaltung einer literarischen Gattung sui generis im Umfeld frühkaiserzeitlicher Literatur. Die Verortung des Markus-Evangeliums im Rahmen antiker Historiographie dient verschiedenen Zielen. Sie soll den geschichtlichen Wert der vormarkinischen Quellen und Überlieferungen bestimmen und die 'historiographische Leistung' des Redaktors Markus würdigen. Die Autorin zeigt die literarischen Verwandtschaften der Gattung 'Evangelium', aber zugleich auch ihre gattungsgeschichtliche Sonderstellung auf.

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A fabled witch. A powerful curse. A monster out for revenge.13-year-old Kallie Tamm can't wait to spend a week of her summer holidays at the Wildstorm Theatre Camp: she's determined not to let her dyslexia hold her back from achieving her dream of becoming a playwright. The finale of the whole week is a performance in the local village theatre. But as soon as she arrives, Kallie discovers that the cast will be performing a play written by a 17th Century witch, Ellsabet Graveheart, and strange, scary things start happening. Unbeknown to Kallie, a dark shadow is stirring in the woodland near Wildstorm: an ancient and dangerous creature has awoken from a centuries old slumber, and they're out for revenge, putting Kallie and all of her new friends in grave danger. The Wildstorm Curse is a thrillingly suspenseful story about unlikely heroes and the power of storytelling, from author of The Bird Singers, Eve Wersocki Morris.Praise for The Wildstorm Curse ''A cursed theatre, a witch's play and a warm-hearted heroine determined to follow her dream. I loved this perfectly paced mystery showcasing the magic of storytelling and the power of friendship.' - A.F. Steadman, author of Skandar and the Unicorn Thief'A riveting tale full of secrets, suspense and the power of storytelling. Just beware reading it if camping out in a dark, spooky wood...' - Jamie Littler, bestselling author of Frostheart 'Fabulously gripping. I couldn't put it down.' - Abi Elphinstone, bestselling author of Sky Song 'Bewitching and beguiling - The Wildstorm Curse is a heartwarming and spinechilling tale of friendship, bravery, and the intoxicating magic of storytelling. Once you step foot into the Wildstorm Theatre, you'll never want to leave.' - Jack Meggitt-Phillips, author of The Beast and the Bethany 'The Wildstorm Curse is a brilliant, spine-tingling mystery that kept me on the edge of my seat. I would wholeheartedly recommend it!' - Ewa Jozefkowicz, author of The Dragon in the Bookshop 'Distinctive, dark and mysterious - a thoroughly intriguing adventure.' - Katherine Woodfine, author of The Sinclair's Mysteries

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Tendencies brings together for the first time the essays that have made Eve Kosofsky Sedgwick "the soft-spoken queen of gay studies" (Rolling Stone). Combining poetry, wit, polemic, and dazzling scholarship with memorial and autobiography, these essays have set new standards of passion and truthfulness for current theoretical writing.The essays range from Diderot, Oscar Wilde, and Henry James to queer kids and twelve-step programs; from "Jane Austen and the Masturbating Girl" to a performance piece on Divine written with Michael Moon; from political correctness and the poetics of spanking to the experience of breast cancer in a world ravaged and reshaped by AIDS. What unites Tendencies is a vision of a new queer politics and thought that, however demanding and dangerous, can also be intent, inclusive, writerly, physical, and sometimes giddily fun.

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In January 1995, the first Complexity Seminar was held at the London School of Economics, in the UK. This was quite a momentous occasion as it proved to be the turning point for the series of seminars, which had started in December 1992. That seminar and those that followed it, had a profound effect on the research interests of Eve Mitleton-Kelly, the initiator and organiser of the series and editor of this volume, and thus laid the foundation for what became the LSE Complexity Research Programme, which proceeded to win several research awards for collaborative projects with companies. But the series also provided the material for this book. Earlier versions of the papers selected for this volume were first given at the LSE Complexity Seminar series. The seminar series, focussed primarily on the application of the theories of complexity to organisations - an area of study which was quite new to UK businesses and academics; it slowly helped to disseminate these ideas and today, there is a proliferation of networks and seminar series throughout the UK on complexity; a strong and active academic community studying complexity in different disciplines and a growing number of organisations, experimenting with these revolutionary ideas and putting them into practice. The 14 international authors in this volume reflect this interest in 10 chapters that range from the very practical application of the theory to more philosophical reflections on its nature and applicability. They do not all agree with each other, but since diversity and variety is at the heart of complexity they each provide a strand of an intertwined whole, which will enrich and deepen our understanding. In an environment of increasing uncertainty and ambiguity it is necessary to learn how to hold, in tension, disparate or even contradictory views, without undue stress. The world is not a simple dyadic black or white entity, but a rich multi-coloured and many-hued ensemble, each strand or perspective contributing to an intricate and inter-related n-dimensional whole.

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A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in Touching Feeling her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion." In prose sometimes somber, often high-spirited, and always accessible and moving, Touching Feeling interrogates—through virtuoso readings of works by Henry James, J. L. Austin, Judith Butler, the psychologist Silvan Tomkins and others—emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals? Ultimately, Sedgwick's unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring.

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