Search results for ""Author Edith""

Journey back in time to the roaring twenties, and across England and Lapland, to experience the charming and thrilling adventure of Emma G. Wildford, a tale that mixes mystery, grand adventure, and love. It's been fourteen months since Emma G. Wildford's fiance, Roald Hodges, a member of the National Geographic Society board the good ship Kinship and set sail for Norway... and she has had no news of him since. Every day, she questions the other members of the Society about his whereabouts, and his current situation, whether good or ill, but to no avail. Before he left, Roald gave Emma a mysterious envelope to open, but only in case something happened to him. Rejecting the very thought of Roald's death, Emma decides to leave behind everything - her life, her comfort, her England, to go to Lapland in pursuit. Along the way, Emma's certainties and beliefs will be challenged in every way, changing this quest for her fiance into a quest for her true, essential self. Beautifully illustrated and rivetingly written, Emma G. Wildford is a character that will imprint herself on your mind and memory forever!

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Since the dissolution of the Soviet Union in 1991, Russians have confronted a major crisis of identity. Soviet ideology rested on a belief in historical progress, but the post-Soviet imagination has obsessed over territory. Indeed, geographical metaphors—whether axes of north vs. south or geopolitical images of center, periphery, and border—have become the signs of a different sense of self and the signposts of a new debate about Russian identity. In Russia on the Edge, Edith W. Clowes argues that refurbished geographical metaphors and imagined geographies provide a useful perspective for examining post-Soviet debates about what it means to be Russian today. Clowes lays out several sides of the debate. She takes as a backdrop the strong criticism of Soviet Moscow and its self-image as uncontested global hub by major contemporary writers, among them Tatyana Tolstaya and Viktor Pelevin. The most vocal, visible, and colorful rightist ideologue, Aleksandr Dugin, the founder of neo-Eurasianism, has articulated positions contested by such writers and thinkers as Mikhail Ryklin, Liudmila Ulitskaia, and Anna Politkovskaia, whose works call for a new civility in a genuinely pluralistic Russia. Dugin's extreme views and their many responses—in fiction, film, philosophy, and documentary journalism—form the body of this book. In Russia on the Edge, literary and cultural critics will find the keys to a vital post-Soviet writing culture. For intellectual historians, cultural geographers, and political scientists the book is a guide to the variety of post-Soviet efforts to envision new forms of social life, even as a reconstructed authoritarianism has taken hold. The book introduces nonspecialist readers to some of the most creative and provocative of present-day Russia's writers and public intellectuals.

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If Dostoevsky claimed that all Russian writers of his day "came out from Gogol's 'Overcoat,'" then Edith W. Clowes boldly expands his dramatic image to describe the emergence of Russian philosophy out from under the "overcoat" of Russian literature. In Fiction's Overcoat, Clowes responds to the view, commonly held by Western European and North American thinkers, that Russian culture has no philosophical tradition. If that is true, she asks, why do readers everywhere turn to the classics of Russian literature, at least in part because Russian writers so famously engage universal questions, because they are so "philosophical"? Her answer to this question is a lively and comprehensive volume that details the origins, submergence, and re-emergence of a rich and vital Russian philosophical tradition.During the late nineteenth and early twentieth centuries, Russian philosophy emerged in conversation with narrative fiction, radical journalism, and speculative theology, developing a distinct cultural discourse with its own claim to authority and truth. Leading Russian thinkers—Berdiaev, Losev, Rozanov, Shestov, and Solovyov—made philosophy the primary forum in which Russians debated metaphysical, aesthetic, and ethical questions as well as issues of individual and national identity. That debate was tragically truncated by the events of 1917 and the rise of the Soviet empire. Today, after seventy years of enforced silence, this particularly Russian philosophical culture has resurfaced. Fiction's Overcoat serves as a welcome guide to its complexities and nuances.Historians and cultural critics will find in Clowes's book the story of the increasing refinement and diversification of Russian cultural discourse, philosophers will find an alternative to the Western philosophical tradition, and students of literature will enjoy the opportunity to rethink the great Russian novelists—particularly Dostoevsky, Pasternak, and Platonov—as important voices in the process of shaping and sustaining a new philosophy and ensuring its survival into our own age.

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Language typology identifies similarities and differences among languages of the world. This textbook provides an introduction to the subject which assumes minimal prior knowledge of linguistics. It offers the broadest coverage of any introductory book, including sections on historical change, language acquisition, and language processing. Students will become familiar with the subject by working through numerous examples of crosslinguistic generalizations and diversity in syntax, morphology, and phonology, as well as vocabulary, writing systems, and signed languages. Chapter outlines and summaries, key words, a glossary, and copious literature references help the reader understand and internalize what they have read, while activities at the end of each chapter reinforce key points.

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American Pentecostalism began as a culturally isolated sect intent upon announcing the imminence of the world's end. The sect's early millenarian fervor gradually became muted in favor of flag-waving patriotism. At the end of the twentieth century it has become an affluent, worldwide movement thoroughly entrenched in popular culture. Edith Blumhofer uses the Assemblies of God, the largest classical Pentecostal denomination in the world, as a lens through which to view the changing nature of Anglo Pentecostalism in the United States. She illustrates how the original mission to proclaim the end resulted in the development of Bible schools, the rise of the charismatic movement, and the popularity of such figures as Aimee Semple McPherson, Charles Fox Parham, and David Du Plessis. Blumhofer also examines the sect's use of radio and television and the creation of a parallel Christian culture

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'She had saved her. But at what a cost! Her position, her name, her character - she had given them all, but Clarissa was hers.' Upon the death of her mother, Agatha Bodenham finds herself alone for the first time in her life. Solitary and socially awkward by nature, she starts to dream about her imaginary childhood friend - the only friend she ever had. Much to her surprise, Clarissa starts to appear, fleetingly at first, and engage with her, and eventually becomes visible to everyone else. Agatha, a 32-year- old spinster, must explain the child's 'sudden' appearance. In a moment of panic, she pretends that Clarissa is her own daughter, her love child. Olivier constructs a mother/daughter relationship which is both poignant and playful. As the years roll by and Clarissa grows into a beautiful young woman, Agatha's love becomes increasingly obsessive as she senses Clarissa slipping away, attracted by new interests and people her own age.

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This book is the first to utilize the empowerment approach of social work practice with substance-abusing clients, bridging clinical, community, and social policy approaches in order to place individual addiction in its sociopolitical context. As Lorraine Gutierrez points out in her foreword, the book "challenges us to transform our thinking about substance abuse and move beyond our existing focus on individual deficits." Arguing that pathology-focused definitions of substance abuse tend to transform people into their problems, Freeman instead advocates for strengths-centered policies and regulations as the means to empower clients, communities, and society as a whole. Freeman outlines basic empowerment principles and practices, then details the service delivery processes; offers a context for power, policy, and funding decisions; and examines the needs of special populations. Case examples supplement each chapter, and the final part examines four exemplary programs that demonstrate the empowerment process in action.

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First published in 1978 and hailed by Culture as constituting "an important foreshadowing of issues that have become prominent in more recent anthropology," this classic book, now updated and extensively revised, examines the theological doctrines and popular notions that promote and sustain Christian pilgrimage, including their corresponding symbols and images.

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When Cyril, Anthea, Robert and Jane find the Psammead, a magical sand fairy, in a pet shop in London, they have no idea that they are about to embark on their greatest adventure yet. The Psammead leads them to an Egyptian amulet that has the power to grant whatever their hearts desire. The problem is that the amulet is broken, and the other half – needed if their wishes are to be granted – is lost. Yet with their half of the amulet able to transport them through time, the children set out on a search for the missing half, and the realization of their wildest dreams… From an encounter with Julius Caesar to a visit of the lost city of Atlantis, The Story of the Amulet – the final instalment in the Psammead Trilogy – is an unforgettable tale of magic and time travel that has been loved by children and parents alike for more than a century.

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The priest adjusted a cross hanging on the wall. It was a black cross without the image of Christ. Just a black cross on a grey surface. The prosecutor did not want to think about the cross burned into the forehead of the corpse...Félix Chacaltana Saldívar is a hapless, by-the-book prosecutor living in a small town, six-hundred kilometers from Lima. Until now he has led a life in which nothing exceptionally good or bad has ever happened to him. But when a charred and mutilated body, discovered during Carnival, signals the return of a serial murderer, Saldívar is inexplicably put in charge of the enquiry. As he investigates he must confront what happens to a man, and to a society, when death becomes the only certainty.

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Edith Wharton’s Pulitzer Prize-winning novel, The Age of Innocence, is both a poignant story of frustrated love and an extraordinarily vivid, delightfully satirical record of a vanished world – the Gilded Age of New York City.Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful hardbacks make perfect gifts for book lovers, or wonderful additions to your own collection. This edition features an introduction by award-winning novelist Rachel Cusk, author of Outline.As the scion of one of New York’s leading families, Newland Archer has been born into a life of sumptuous privilege and strict duty. But the arrival of the Countess Olenska, a free spirit who breathes clouds of European sophistication, makes him question the path on which his upbringing has set him. As his fascination with her grows, he discovers just how hard it is to escape the bonds of the society that has shaped him. The novel was the inspiration for Martin Scorsese's film of the same name, starring Daniel Day-Lewis and Winona Ryder.

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"The most consistent of all series in terms of language control, length, and quality of story." David R. Hill, Director of the Edinburgh Project on Extensive Reading.

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A tale of forbidden sexual passion and thwarted dreams played out against the lush, summer backdrop of the Massachusetts Berkshires Edith Wharton called Summer her 'hot Ethan'. In their rural settings and their poor, uneducated protagonists, Summer (1916) and Ethan Frome represent a sharp departure from Wharton's familiar depictions of the urban upper class. Charity Royall lives unhappily with her hard-drinking adoptive father in an isolated village, until a visiting architect awakens her sexual passion and the hope for escape. Exploring Charity's relation to her father and her lover, Wharton delves into dark cultural territory: repressed sexuality, small-town prejudice, and, in subtle hints, incest.

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'Wharton's dazzling skills as a stylist, creator of character, ironical observer and unveiler of passionate, thwarted emotions have earned her a devoted following’ Sunday TimesNewland Archer and May Welland are the perfect couple. He is a wealthy young lawyer and she is a lovely and sweet-natured girl. All seems set for success until the arrival of May's unconventional cousin Ellen Olenska, who returns from Europe without her husband and proceeds to shake up polite New York society. To Newland, she is a breath of fresh air and a free spirit, but the bond that develops between them throws his values into confusion and threatens his relationship with May.‘Wharton evocatively records the high society of New York's gilded age’ Daily Mail

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