Search results for ""Author Carolyn""

18 scrap-busting quilts & accessories to make that won't hurt the planet.

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The focus of this comprehensive and inspiring book is its 14 quilt-as-you-go techniques. Choose from a variety of hand- and machine-sewn styles including stitch-and-flip, envelope-style, lined circles, Suffolk puffs and cathedral windows. Each technique is photographed step by step, and then each completed, discrete block can be transformed into a stunning quilt project, which comes complete with full instructions. If you like taking your creative work with you when you travel, love the convenience of working in small, manageable blocks, or simply want to try out some different techniques before committing to a full-size quilt, this book will help you achieve remarkable results. All the templates required are included at full size.

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Think you know Nancy Drew? Think again—and help solve myriad mysteries in a boxed set of the first four books in this new take on the classic series.Nancy Drew is a spectacular sleuth, one who relies on her wits more than her smartphone. She and her best friends, Bess and George, solve cases using their powers of observation, deductive skills, and sharp intelligence—and their adventures are always full of suspense. This boxed set includes Curse of the Arctic Star, Strangers on a Train, Mystery of the Midnight Rider, and Once Upon a Thriller.

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Frank and Joe are in Rome to infiltrate a gang of teens that has been raiding ruins. Meanwhile, Nancy tags along with Bess and George on their trip to Rome and finds an amnesiac American teen wandering around the Trevi Fountain. When Nancy runs into the Hardys, it seems their separate cases may be connected.

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This brilliant collection of sweet confections and savoury nibbles will inspire and entice bakers and lovers of afternoon tea, of all ages. Set against a backdrop of twelve of Britain’s most stunning palaces and residences, the recipes are a mix of traditional, contemporary and whimsical; each one with its own unique twist. Every chapter tells a tale, with inspiration drawn from sources as diverse as a 200-year-old royal banquet menu, an intriguing 17th-century chocolate kitchen commissioned by William III and Queen Victoria’s highland retreat.Gingerbread soldiers in sentry boxes, striking raspberry swirl meringues, miniaturised cream scones, cacao nib nuggets and warm salmon tartlets are just a few of the teatime temptations. Written by the Former Personal Chef to TRH the Prince and Princess of Wales.

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BTS also known as the Bangtan Boys, is a seven-member South Korean boy band. BTS became the fastest group since the Beatles to earn four No 1 US Albums, doing so in less than 4 years.This is their story.

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One of the most persistent puzzles in comparative public policy concerns the conditions under which discontinuous policy change occurs. In Remaking Policy, Carolyn Hughes Tuohy advances an ambitious new approach to understanding the relationship between political context and policy change. Focusing on health care policy, Tuohy argues for a more nuanced conception of the dynamics of policy change, one that makes two key distinctions regarding the opportunities for change and the magnitude of such changes. Four possible strategies emerge: large-scale and fast-paced ("big bang"), large-scale and slow-paced ("blueprint"), small-scale and rapid ("mosaic"), and small-scale and gradual ("incremental"). As Tuohy demonstrates, these strategies are determined not by conditions themselves, but by the ways in which political actors, individually and collectively, assess their prospects for success in the present and over time. Drawing on interviews as well as primary and secondary accounts of ten cases of major change in health policy over seven decades (1945-2015) in the US, UK, the Netherlands, and Canada, Remaking Policy represents a bold step toward understanding the scale and pace of change in health policy and beyond.

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The Psychology of Fashion offers an insightful introduction to the exciting and dynamic world of fashion in relation to human behaviour, from how clothing can affect our cognitive processes to the way retail environments manipulate consumer behaviour. The book explores how fashion design can impact healthy body image, how psychology can inform a more sustainable perspective on the production and disposal of clothing, and why we develop certain shopping behaviours.With fashion imagery ever present in the streets, press and media, The Psychology of Fashion shows how fashion and psychology can make a positive difference to our lives.

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'Astonishing, powerful, so important at this time' - Margaret Atwood (on Twitter)'Riveting . . . intricate and surprising' - The New York Times'Reading it will change you, perhaps forever' - San Francisco ChronicleAn electrifying memoir set in the Salvadoran Civil War:the true story of a young poet who becomes an activist through a trial by fireCarolyn Forché, an American poet, is 27 when a mysterious stranger called Leonel appears on her doorstep, having driven direct from El Salvador. Her friend has heard rumours about who he might be - a communist, a CIA operative, a sharpshooter, a motorcycle racer, a revolutionary, a small coffee farmer - but nobody seems to know for certain. Captivated for reasons she doesn't fully understand, she accepts his invitation to visit and learn about his country, and so becomes enmeshed in the early stages of a brutal civil conflict which will ultimately see the Salvadoran state turn paramilitary death squads against its own people, and leave nearly 90,000 dead or disappeared. Leonel knows that war is coming, and he wants Carolyn - as a writer - to bear witness to it.Told across peasant shanties, protest marches, the grand homes of retired generals and safe houses on the run, What You Have Heard Is True is the devastating true story of a young woman's choice to engage with horror in order to help others, of an unlikely friendship which will change thecourse of her life, and of a remarkable man's doomed effort to save his people from disaster.

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The story of modern British art history told through the stories of its women. Consider for a moment the history of modern art in Britain; you may struggle to land on a narrative that features very many women. On this journey through a fascinating period of social change, artist Carolyn Trant fills in some of the gaps in traditional art histories. Introducing the lives and works of a rich network of neglected women artists, British Women Artists sets these alongside such renowned presences as Barbara Hepworth, Laura Knight and Winifred Nicholson. In an era of radical activism and great social and political change, women forged new relationships with art and its institutions. Such change was not without its challenges, and with acerbic wit Trant delves into the gendered make-up of the avant-garde', and the tyranny of artistic isms'. In the decades after women won the vote in Britain, the fortunes of women artists were shaped by war, domesticity, continued oppressions and spirite

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How to grow and harvest an abundant supply of edible ingredients from your garden

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EVOLVE is a six-level English course that gets students speaking with confidence. Workbook Level 5 (CEFR B2) provides further practice of the Student''s Book material, with multiple opportunities for consolidation in every unit. It includes activities focusing on all skills as well as functional language, and it can be used as homework or for additional practice in the classroom. The Workbook features listening activities with downloadable audio that students can listen to repeatedly.

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Voices of Cherokee Women is a compelling collection of first-person accounts by Cherokee women. It includes letters, diaries, newspaper articles, oral histories, ancient myths, and accounts by travelers, traders, and missionaries who encountered the Cherokees from the 16th century to the present. Among the stories told by these “voices” are those of Rebecca Neugin being carried as a child on the Trail of Tears; Mary Stapler Ross seeing her beautiful Rose Cottage burned to the ground during the Civil War; Hannah Hicks watching as marauders steal her food and split open her feather beds, scattering the feathers in the wind; and girls at the Cherokee Female Seminary studying the same curriculum as women at Mount Holyoke. Voices of Cherokee Women recounts how Cherokee women went from having equality within the tribe to losing much of their political and economic power in the 19th century to regaining power in the 20th, as Joyce Dugan and Wilma Mankiller became the first female chiefs of the Cherokee Nation. The book’s publication was timed for the commemoration of the 175th anniversary of the Trail of Tears. Carolyn Ross Johnston has a B.A. from Samford University and a Ph.D. in history from the University of California–Berkeley. Her previous publications Cherokee Women in Crisis: Removal, The Civil War, and Allotment, 1838-1907; Sexual Power: Feminism and the Family in America; Jack London: An American Radical; and My Father’s War: Fighting with the Buffalo Soldiers in World War II. A recipient of Woodrow Wilson and Danforth fellowships and a Pulitzer-prize nominee, Johnston teaches at Eckerd College in St. Petersburg, Florida, where she is professor of history and American studies and the Elie Wiesel Professor of Humane Letters. "In her spirited and well-sourced collection, Johnston...unfolds history through the voices of people who remembered terrible events....An academic account that respectfully resurrects long-dead voices from a people who still have a lot to tell us." - Kirkus Reviews"

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At dawn on March 18, 1871, Parisian women stepped between cannons and French soldiers, using their bodies to block the army from taking the artillery from their working-class neighborhood. When ordered to fire, the troops refused and instead turned and arrested their leaders. Thus began the Paris Commune, France’s revolutionary civil war that rocked the nineteenth century and shaped the twentieth. Considered a golden moment of hope and potential by the left, and a black hour of terrifying power inversions by the right, the Commune occupies a critical position in understanding modern history and politics. A 72-day conflict that ended with the ferocious slaughter of Parisians, the Commune represents for some the final insurgent burst of the French Revolution’s long wake, for others the first “successful” socialist uprising, and for yet others an archetype for egalitarian socio-economic, feminist, and political change. Militants have referenced and incorporated its ideas into insurrections across the globe, throughout the twentieth and into the twenty-first centuries, keeping alive the revolution’s now-iconic goals and images. Innumerable scholars in countless languages have examined aspects of the 1871 uprising, taking perspectives ranging from glorifying to damning this world-shaking event. The Commune stands as a critical and pivotal moment in nineteenth-century history, as the linchpin between revolutionary pasts and futures, and as the crucible allowing glimpses of alternate possibilities. Upending hierarchies of class, religion, and gender, the Commune emerged as a touchstone for the subsequent century-and-a-half of revolutionary and radical social movements.

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From a grandmother’s inter-generational care to the strategic and slow consensus work of elected tribal leaders, Indigenous community builders perform the daily work of culture and communalism. Indigenous Communalism conveys age-old lessons about culture, communalism, and the universal tension between the individual and the collective. It is also a critical ethnography challenging the moral and cultural assumptions of a hyper-individualist, twenty-first century global society. Told in vibrant detail, the narrative of the book conveys the importance of communalism as a value system present in all human groups and one at the center of Indigenous survival. Carolyn Smith-Morris draws on her work among the Akimel O'odham and the Wiradjuri to show how communal work and culture help these communities form distinctive Indigenous bonds. The results are not only a rich study of Indigenous relational lifeways, but a serious inquiry to the continuing acculturative atmosphere that Indigenous communities struggle to resist. Recognizing both positive and negative sides to the issue, she asks whether there is a global Indigenous communalism. And if so, what lessons does it teach about healthy communities, the universal human need for belonging, and the potential for the collective to do good?

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The ancient book of Ruth speaks into today's world with astonishing relevance. In four short episodes we encounter refugees, undocumented immigrants, poverty, hunger, women's rights, male power and privilege, discrimination, and injustice. In Finding God in the Margins, Carolyn Custis James reveals how the book of Ruth is about God, the questions that surface when life falls apart, and how he reaches into the margins and chooses two totally marginalized women who in the eyes of the patriarchal culture are zeros. Against the backdrop of disturbing issues we are facing today, this bracing narrative puts on display a radical gospel way of living together as human beings that shouts the Kingdom of God, foreshadows Jesus' gospel, and raises the bar for women and for men then and now.

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The Moral Witness is the first cultural history of the "witness to genocide" in the West. Carolyn J. Dean shows how the witness became a protagonist of twentieth-century moral culture by tracing the emergence of this figure in courtroom battles from the 1920s to the 1960s—covering the Armenian genocide, the Ukrainian pogroms, the Soviet Gulag, and the trial of Adolf Eichmann. In these trials, witness testimonies differentiated the crime of genocide from war crimes and began to form our understanding of modern political and cultural murder. By the turn of the twentieth century, the "witness to genocide" became a pervasive icon of suffering humanity and a symbol of western moral conscience. Dean sheds new light on the recent global focus on survivors' trauma. Only by placing the moral witness in a longer historical trajectory, she demonstrates, can we understand how the stories we tell about survivor testimony have shaped both our past and contemporary moral culture.

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The film sequel has been much maligned in popular culture as a vampirish corporative exercise in profit-making and narrative regurgitation. Drawing upon a wide range of filmic examples from early cinema to the twenty-first century, this exciting new volume reveals the increasing popularity of, and experimentation with, film sequels as a central dynamic of Hollywood cinema. Now creeping into world cinemas and independent film festivals, the sequel is persistently employed as a vehicle for cross-cultural dialogue and as a structure by which memories and cultural narratives can be circulated across geographical and historical locations. This book aims to account for some of the major critical contexts within which sequelisation operates by exploring sequel production beyond box office figures. Its account ranges from sequels in recent mainstream cinema, art-house and 'indie' sequels, non-Hollywood sequels, the effects of the domestic market on sequelisation, and the impact of the video game industry on Hollywood. The book: *Situates the sequel within its industrial, cultural, theoretical and global contexts.* Offers an essential resource for students and critics interested in film and literary studies, adaptation, critical theory and cultural studies. *Provides the first study of film sequels in world cinemas and independent film-making.

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Although she came to be known as merely ""that girl with the dirty books,"" Dollree Mapp was a poor but proud black woman who defied a predominantly white police force by challenging the legality of its search-and-seizure methods. Her case, which went all the way to the Supreme Court, remains hotly debated and highly controversial today. In 1957, Cleveland police raided Mapp's home on a tip - from future fight promoter Don ""the Kid"" King - that they'd find evidence linked to a recent bombing. What they confiscated instead was sexually explicit material that led to Mapp's conviction for possessing ""lewd and lascivious books"" - a conviction that initially pitted Ohio police and judges against Mapp and the American Civil Liberties Union. At stake was not only the search-and-seizure question but also the ""exclusionary rule"" concerning the use of evidence not specified in a search warrant. Carolyn Long follows the police raid into Mapp's home and then chronicles the events that led to the Court's 5-4 ruling in Mapp v. Ohio (1961), which redefined the rights of the accused and set strict limits on how police could obtain and use evidence. Long traces the case through the legal labyrinth, discusses the controversies it created, and assesses its impact on police behavior, as well as subsequent prosecutions and convictions of the accused. She also analyzes Justice Tom Clark's creative use of Mapp's case to overturn Wolf v. Colorado, which had ruled that the Fourth Amendment's protection against unreasonable searches applied only to federal law, and presents Justice John Harlan's strong federalist-based dissent. As entertaining as it is informative, Long's book features a host of intriguing characters: Mapp, her seasoned and determined attorney, A. L. Kearns, and police sergeant Carl Delau, among others. Combined with her concise and insightful explanations of key legal principles - including the exclusionary rule itself - Long's deft narrative provides an ideal format for teachers and students in criminology, legal history, constitutional law, and political science, as well as anyone who loves a good story. The Mapp case is still much debated, especially in light of the recent reauthorization of the U.S. Patriot Act and the free rein given to law enforcement officers in matters of search and seizure. Long's compelling study thus poses important questions regarding privacy and individual rights that still matter today, even as it also illuminates one of the keystones of the Warren Court's criminal procedure revolution.

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Bridging histories of technology, media studies, and aesthetics, Electrographic Architecture forges a critical narrative of the ways in which illuminated light and color have played key roles in the formation of America's white imaginary. Carolyn L. Kane charts the rise of the country's urban advertisements, light empires, and neoclassical buildings in the early twentieth century; the midcentury construction of polychromatic electrographic spectacles; and their eclipse by informatically intense, invisible algorithms at the dawn of the new millennium. Drawing on archival research, interviews, and visual analysis, Electrographic Architecture shows how the development of America's electrographic surround runs parallel to a new paradigm of power, property, and possession.

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This book vividly evokes radical women's integral roles within France's revolutionary civil war known as the Paris Commune. It demonstrates the breadth, depth, and impact of communard feminist socialisms far beyond the 1871 insurrection. Examining the period from the early 1860s through that century's end, Carolyn J. Eichner investigates how radical women developed critiques of gender, class, and religious hierarchies in the immediate pre-Commune era, how these ideologies emerged as a plurality of feminist socialisms within the revolution, and how these varied politics subsequently affected fin-de-siècle gender and class relations. She focuses on three distinctly dissimilar revolutionary women leaders who exemplify multiple competing and complementary feminist socialisms: Andre Leo, Elisabeth Dmitrieff, and Paule Mink. Leo theorized and educated through journalism and fiction, Dmitrieff organized institutional power for working-class women, and Mink agitated crowds to create an egalitarian socialist world. Each woman forged her own path to gender equality and social justice.

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Although there is extensive research on the loss of a spouse, predominantly focusing on the experiences of widows, much less attention is paid to bereaved partners not married to their significant other, whether or not the partners are of the same sex. This first-of-its-kind work explores both socially sanctioned and disenfranchised grief, highlighting similarities and differences. Combining a discussion of various theories of grief with personal narratives of grieving men and women drawn from numerous interviews, and detailed case study analysis, Carolyn Ambler Walter has produced a penetrating examination of the bereavement experiences of partners in varying types of relationships. She views narratives of widows, widowers, and bereaved domestic gay and lesbian partners from a postmodern perspective that breaks away from the traditional belief that the living must detach themselves from the dead in order to move on with their lives. Instead, building on the works of postmodern grief theorists such as Klass, Silverman, and Nickman, Walter views ongoing bonds with the dead as a resource for enriching functionality in the present, and as a key to looking to the future.

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In the 1890s one phrase above all stood as shorthand for the various controversies over gender that swirled throughout the period: "the New Woman." In New Women fiction, progressive writers such as Sarah Grand, George Egerton, and Ella D'Arcy gave imaginative life to plight of modern women—and reactionaries such as Grant Allen attempted to put women back in their place. In all the leading journals of the day these and other writers argued their cases in essays, letters, and reviews as well as in fiction. This anthology brings together for the first time a representative selection of the most important, interesting, and influential of New Woman writings.

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