Search results for ""Aarhus University Press""

In the First Millennium BC present-day Italy was inhabited by many different ethnic groups, most of which spoke a language affiliated with Latin. Sardinia, a large island to the West of the Italian mainland, had a culture characterized by nuraghs, a kind of massive stone tower, presumably for defense purposes. Many finds of bronze statuettes of warriors show the concern of the population to protect themselves from aggressors, also with divine support secured by impressive priestesses. However, Rome’s closest neighbours to the North were the Etruscans, who spoke a language quite different from any other people in Italy. For a long period Etruscan kings ruled the Romans who, however, liberated themselves from the foreigners and, in reverse, started to conquer their territory. Gradually, from about the Sixth Century BC to about 100 BC, the Romans came to dominate the Etruscans as well as the ethnic groups we call the Italics. But, apart from the military conflict, from which the Romans emerged victorious they were in many ways influenced by the Etruscans, whose prevalence in the field of religion and art they admired. Actually, they welcomed cultural exchange. A striking example is that the Romans invited a famous Etruscan artist to decorate their most important temple, dedicated to Jupiter, on the Capitol Hill. The Etruscan excellence in bronze casting has left a rich heritage of bronze sculpture. Statues and statuettes were used as gifts for the gods in sanctuaries both in Etruria and Rome, as well as in many other parts of Italy.

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Seleucus was the last surviving of the successors of Alexander the Great and the one who conquered the largest part of Alexander’s empire. He was later given the surname ‘Nikator’, the Conqueror. This book is a study of his life and achievements, his time and his legacy. It is based on Greco-Roman and Babylonian written sources as well as on archaeological evidence, which has grown exponentially in recent years.

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Following modern and postmodern philosophy’s critique of metaphysics, experiences of transcendence are often considered ‘aesthetic’ rather than ‘metaphysical.’ However, aesthetics is mostly identified with the study of art, and aesthetic phenomena are considered particularly sensuous. This book criticizes such an approach to aesthetics, which has led many philosophers and theologians to neglect or reject aesthetics as a philosophical or theological discipline. It demonstrates how contemporary philosophy and theology may benefit from studying the mind-opening and world-transformative nature of our experiences of transcendence. In addition, it presents the significance of such experiences for the understanding of, for example, art, faith, prayer, presence, beauty, sensitivity, imagination, receptivity, and divinity. Imaginative Moods: Aesthetics, Religion, Philosophy is related to the simultaneously published monograph Poetic Inclinations: Ethics, History, Philosophy. Together they constitute a comprehensive presentation in English of the author’s philosophy of experience, which includes new ways of conceiving of and applying aesthetics, hermeneutics, and phenomenology, and of integrating these disciplines, as well as theology.

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In 1919, the Ford Motor Company – the world’s largest automobile manufacturer – decided to make a small Nordic country its bridgehead to continental Europe. Denmark was a good choice geographically and because of the country’s favourable customs policy. During the 1920s, Ford’s iconic Model T was assembled in Copenhagen, with large quantities exported from there to most of north-eastern Europe. The innovative manufacturing technology employed in Copenhagen was the same as that used in Ford’s American assembly plants, and the Copenhagen plant was actually designed by Albert Kahn – the architect behind Ford’s famous Highland Park factory in Detroit, Michigan.The Danish Ford Motor Company successfully continued production throughout the recession of the 1930s, the German occupation of Denmark in 1940–1945 and the Cold War and economic boom of the 1950s. The Copenhagen factory closed in 1966, obliged to give way to Ford’s larger operations elsewhere in Europe.Henry Ford’s pioneering principles of mass production went beyond mere technology. The large-scale serial manufacturing of uniform products was also a way of fulfilling his vision of an affluent consumer society. But as Fordism was relocated across the Atlantic, the rigorous discipline and fast-paced work routines applied in Detroit were challenged by local traditions, shifting market conditions and, most notably, a labour movement that was far more powerful than its American counterpart.Between Denmark and Detroit offers a detailed history of the Danish Ford Motor Company, but the book also has a wider scope, elucidating the concept of Fordism and how it was transformed by its move across the Atlantic.Lars K. Christensen holds a PhD in history. He is the author of several publications on labour history and industrial heritage. Presently, he is head of research and cultural heritage at the ROMU museums group.

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Son of Spinoza sheds light on the interconnectedness between Jewishness and cosmopolitanism in the oeuvre of the Danish-Jewish intellectual Georg Brandes (1842-1927). Today, the historical tradition of interconnecting these concepts has largely been forgotten, although the construction of a somewhat synonymous relation between them became a key structuring element of modern antisemitism and later Nazi ideology. In this context, Georg Brandes–his writing and practice–stands as a crucial European cosmopolitan archive, due to the great influence he enjoyed throughout the European continent.Son of Spinoza challenges the presentation of Brandes in previous research as a so-called assimilated Jew who distanced himself from Jewishness, instead recognizing Brandes’ own self-identification as a Spinozist cosmopolitan and his depiction of himself and other modern Jews as ‘sons of Spinoza’.

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Lutz Klassen (ed.), The Pitted Ware Culture On Djursland. Supra-regional significance and contacts in the Middle Neolithic of southern Scandinavia.Between ca. 3000 and 2800 BC, the Pitted Ware Culture of northeast European descent spread to the northeastern parts of Denmark. Here, by far the best archaeological evidence is known from the Djursland peninsula in eastern Jutland. This volume presents 12 individual papers that present the available finds from the key site of Kainsbakke as well as number of other excavated and not excavates sites. Besides artefacts, the faunal and botanical remains are dealt with in a comprehensive matter. Several papers are devoted to scientific analyses of chronology as well as the provenance of artefacts and selected faunal remains. On this basis, the Pitted Ware culture in Djursland is interpreted as a group that emerged locally from Funnel Beaker culture predecessors. This group choose to distinguish itself from its Funnel Beaker neighbours by giving itself a unique identity. This identity can be understood as a combination of Pitted Ware traits in material culture and ritual conduct obtained through close contact with Neolithic groups on the west coast of Sweden with elements derived from contemporaneous Funnel Beaker groups in other parts of Denmark.

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Love is all around. A romantic cliché? No, a fact of human life. Just ask Anne Marie Pahuus, a Danish philosopher at Aarhus University. Love is essentially the closest, most intense relationships we have, for instance with our partners and children. Its wide range of emotions runs from erotic passion to friendship, from delight to torment. Love can conquer all, and it can bring life-long sorrow. Down through the ages in a variety of guises love has been the favourite theme of thinkers and artists, as indeed it remains to this day.

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Stories of gods, heroes and monsters permeated discourses of national selfhood in the nineteenth century. During this tumultuous time, Europe’s modern nations arose from the misty waters of long-forgotten national pasts – or so was the perception at the time. Each embedded in their particular national and political contexts, towering cultural figures – N.F.S. Grundtvig, Jacob Grimm, Jonás Halgrímsson, William Morris, Adam Oehlenschläger and many more – were catalysts for the formation of national discourses of belonging, built upon the mythological story-worlds of Europe’s non-classical vernacular pasts.This interdisciplinary book offers new perspectives on the uses of pre-Christian mythologies in the formation of national communities in nineteenth-century Northern and Western Europe. Through theoretical articles and case studies, it puts forth new understandings of how cultural thinkers across Europe utilized pre-Christian mythologies as symbolic resources in the forging of national communities. Perceptions of national identity were thus shaped, many of which are still at play today.

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