Search results for ""dialogue""

Close technical examinations of the techniques and materials of Edward Steichen, Mark Rothko, Jules Olitski, Jasper Johns, and others are accompanied by essays that probe issues of conserving contemporary art Volume 5 of the National Gallery of Art’s biennial conservation research journal Facture explores issues associated with the conservation and technical analysis of modern and contemporary art. Focusing on works in a variety of media by celebrated artists such as Edward Steichen (1879–1973), Mark Rothko (1903–1970), Jules Olitski (1922–2007), and Jasper Johns (b. 1930), this publication’s seven essays offer expertise from conservators, scientists, and art historians, yielding exceptional insights into extraordinary works of art. As in all issues of Facture, the peer-reviewed essays, enlivened with spectacularly detailed photography, navigate interdisciplinary boundaries to examine artworks from technical, scientific, and art-historical perspectives. In this issue, the dialogue is further expanded to include contributions from artists, their families, and their foundations.Distributed for the National Gallery of Art, Washington

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We encounter many voices in life: from friends and family, from media, from co-workers, from other artists. In a highly connected global world, where people and entities are electronically enmeshed, we filter these voices constantly to get to what we determine to be the truth. Taking inspiration from pop culture, politics, art, and social media, Martin Ott mines daily existence as the inspiration and driving force behind Underdays. Underdays is a dialogue of opposing forces: life/death, love/war, the personal/the political. Ott combines global concerns with personal ones, in conversation between poems or within them, to find meaning in his search for what drives us to love and hate each other. Within many of the poems, a second voice, expressed in italic, hints at an opposing force “under” the surface, or multiple voices in conversation with his older and younger selves—his Underdays—to chart a path forward. What results is a poetic heteroglossia expressing the richness of a complex world.

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“It is not, nor it cannot come to good. But break, my heart, for I must hold my tongue.” Thus spoke Hamlet, one of the great kvetchers of literature. Every day, gripers challenge our patience and compassion. Yet Pollyannas rile us up with their grotesque contentment and unfathomable rejection of protest. Avital Ronell considers how literature and philosophy treat bellyachers, wailers, and grumps—and the complaints they lavish on the rest of us. Combining her trademark jazzy panache with a fearless range of readings, Ronell opens a dialogue with readers that discusses thinkers with whom she has directly engaged. Beginning with Hamlet, and with a candid awareness of her own experiences, Ronell proceeds to show how complaining is aggravated, distracted, stifled, and transformed. She moves on to the exemplary complaints of Friedrich Nietzsche, Hannah Arendt, and Barbara Johnson and examines the complaint-riven history of deconstruction.Infused with the author’s trademark wit, Complaint takes friends, colleagues, and all of us on a courageous philosophical journey.

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“It is not, nor it cannot come to good. But break, my heart, for I must hold my tongue.” Thus spoke Hamlet, one of the great kvetchers of literature. Every day, gripers challenge our patience and compassion. Yet Pollyannas rile us up with their grotesque contentment and unfathomable rejection of protest. Avital Ronell considers how literature and philosophy treat bellyachers, wailers, and grumps—and the complaints they lavish on the rest of us. Combining her trademark jazzy panache with a fearless range of readings, Ronell opens a dialogue with readers that discusses thinkers with whom she has directly engaged. Beginning with Hamlet, and with a candid awareness of her own experiences, Ronell proceeds to show how complaining is aggravated, distracted, stifled, and transformed. She moves on to the exemplary complaints of Friedrich Nietzsche, Hannah Arendt, and Barbara Johnson and examines the complaint-riven history of deconstruction.Infused with the author’s trademark wit, Complaint takes friends, colleagues, and all of us on a courageous philosophical journey.

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A chess match seems as solitary an endeavor as there is in sports: two minds, on their own, in fierce opposition. In contrast, Gary Alan Fine argues that chess is a social duet: two players in silent dialogue who always take each other into account in their play. Surrounding that one-on-one contest is a community life that can be nearly as dramatic and intense as the across-the-board confrontation. Fine has spent years immersed in the communities of amateur and professional chess players, and with Players and Pawns he takes readers deep inside them, revealing a complex, brilliant, feisty world of commitment and conflict. Within their community, chess players find both support and challenges, all amid a shared interest in and love of the long-standing traditions of the game, traditions that help chess players build a communal identity. Full of idiosyncratic characters and dramatic gameplay, Players and Pawns is a celebration of the fascinating world of serious chess.

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Helio Oiticica (1937-80) was one of the most brilliant Brazilian artists of the 1960s and 1970s. His unique melding of geometric abstraction with works that directly engage viewers' bodies has influenced contemporary artists from Gabriel Orozco and Cildo Meireles to Rirkrit Tiravanija and Nick Cave. This is the first book to examine Oiticica's impressive works against the backdrop of Brazil's dramatic postwar push for modernization. From Oiticica's late-'50s experiments with painting and color to his mid-'60s wearable Parangoles, Irene V. Small traces a series of artistic procedures that foreground his later inclusion of the spectator. Analyzing artworks and a wealth of archival material, she shows how Oiticica's work recast-in a sense "folded"-Brazil's utopian vision of progress and the legacy of European constructive art. Ultimately, Helio Oiticica argues that the effectiveness of Oiticica's participatory works stems not from a renunciation of art, but rather from their ability to dialogue with their surroundings and reimagine the traditional boundaries between art and life.

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This country doesn't need a constitution, never has, never will. We have History as our guide. In tough times, the British do what we have always done. We muddle through. This House is a timely and relevant political comedy, exploring Westminster and the 1974 hung parliament. In the run-up to the General Election pressure mounts as squabbling whips attempt to attract key regional votes. As it becomes clear the results will be closely balanced, the play tracks the formation, perils and consequences of a coalition government, including the compromises, conflicts and power games all in the interest of gaining control of Parliament. With well-paced, witty and waspish dialogue, This House playfully explores the childish digs and chauvinistic attitudes that riddle political life. Award-winning playwright James Graham combines comedy with comment in this portrayal of the strain between the thinking individual, the pressure to toe the part line and the end goal of winning government.

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The standard view of psychotherapy as a treatment for mental disorders can obscure how therapy functions as a social practice that promotes conceptions of human well-being. Building on the philosophy of Charles Taylor, Smith examines the link between therapy and ethics, and the roots of therapeutic aims in modern Western ideas about living well.This is one of two complementary volumes (the other being Therapeutic Ethics in Context and in Dialogue). This volume explores the links between therapeutic aims and conceptions of well-being. It examines several cognitive-behavioral and psychoanalytic therapies to illustrate how they can be distinguished by their divergent ethics. Smith argues that because research utilizing standard measures of efficacy shows little difference between the therapies, the assessment of their relative merits must include evaluation of their distinct ethical visions.A key text for upper level undergraduates, postgraduate students, and professionals in the fields of psychotherapy, psychoanalysis, theoretical psychology, and philosophy of mind.

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This book is for readers who wish to understand the ethical implications of the COVID-19 pandemic holistically on communities, politics, the economy, the environment, international relations, public health, and, most importantly, on their own lives and their own futures. It also helps readers to think through the wide-ranging ethical implications of the new age of global pandemics. The COVID-19 pandemic has transformed all of our lives to such an extent that no single publication will ever be able to capture its complexity. The book acknowledges this complexity by embracing interdisciplinary dialogue. It is open to diverse points of view, different ethical systems, and a wide variety of academic disciplines. It suggests three broad avenues to exploring the subject: Ethics for Pandemics: What ethical theories are useful for pandemic living?Ethics in Pandemics: How are long-standing ethical dilemmas revealed in pandemics? Ethics of Pandemics: How should politicians and public health

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This book explores different forms of mediated offence in the context of Trump's America, Brexit Britain, and the rise of far-right movements across the globe. In this political landscape, the so-called ‘right to offend’ is often seen as a legitimate weapon against a ‘political correctness gone mad’ that stifles ‘free speech’. Against the backdrop of these current developments, this book aims to generate a productive dialogue among scholars working in a variety of intellectual disciplines, geographical locations and methodological traditions. The contributors share a concern about the complex and ambiguous nature of offence as well as about the different ways in which this so-called ‘negative affect’ comes to matter in our everyday and socio-political lives. Through a series of instructive case studies of recent media provocations, the authors illustrate how being offended is more than an individual feeling and is, instead, closely tied to political structures and power relations.

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Award-winning German photographer Michael Wolf (19542019) grew up in Canada, Europe and the United States. In 1994, Wolf moved to Hong Kong, where he worked for eight years as a contract photographer for Stern Magazine. The core of Wolf's work consisted of capturing life in megacities. Many of his projects depict the architecture and popular culture of metropolises, and Hong Kong Whispers is no exception.This book contains a stunning series of photos showing the vibrant global city of Hong Kong. Wolf's photographs are displayed in dialogue with the acerbic and ambiguous drawings of Arpaïs Du Bois (1973). Based on intense engagement with Wolf's series of images, she reflects on unnoticed moments and events that characterise life in the metropolis. The visual exchange between photographs and drawings took shape during Du Bois' stay of several weeks in Hong Kong (2004), during which the two artists observed the city both together and individually.

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Istanbul represents a vast field for experimentation and dialogue between the wonderful examples of historical and traditional Turkish architecture and the new demands of contemporary design. In the 21st century the city of Istanbul began a new urban transformation process, aimed at becoming an important hub for trade and finance. Today, the Turkish metropolis can be defined as a megacity with the construction of new financial centres, shopping malls, and infrastructures such as airports, bridges and tourist ports.The structural transformations in society have led to a shift in the urban morphology that, in turn, has generated not only social and cultural changes, but also an identity crisis in the city itself. Within this scenario, the guide not only offers a horizontal view of contemporary architecture, but also acts as a means for analysing new architectural directions and contemporary urban development in Istanbul. As well as the itineraries that feature selected buildings,

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Drowning in flowers - with perceptive pictures and quirky texts this award-winning book wants to plant in its readers a longing for beauty, harmony, for the joy of recognition through knowledge. Georg Grabherr, one of the most influential conservation biologists, has created a domestic garden and incorporated key biosphere reserve concepts. Over time, his garden has developed into an ecological gem where the idea of "nature in the garden" has been realised in exemplary manner. He guides us through the phenological seasons that divide the year by the arrival of key species, covers themes dear to the gardener's heart and engages in a dialogue with nature, thoughtfully accepting and using what is wild and spontaneous. He is asking whether the thousands of private gardens can become a Noah's Ark, suitable for rescuing threatened species. Award-winning photographer Lois Lammerhuber has captured this amazing space throughout a whole gardening year and introduces us to an unusual but convincing garden aesthetic.

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Felix Nussbaum (1904-44) was a German painter of Jewish descent, murdered in Auschwitz by the Nazis. After more than four decades in oblivion, his native city Osnabruck in northern Germany brought this distinguished artist to light again by opening a museum dedicated to his oeuvre, the Felix-Nussbaum-Haus. The artist's work, life, and fate resonates in this expressive structure that was designed by celebrated American architect Daniel Libeskind. German artist Brigitte Waldach, born 1966, has produced an impressive body work, mainly of large-format drawing and voluminous installations. Existenz (existence) she conceived especially for Felix-Nussbaum-Haus, where it has been on display since December 2018. It consists of three-dimensional drawings, excerpts from Nussbaum's letters, and a sound collage, involving the viewer in a dialogue with his paintings. This book documents the environment Waldach has created within Libeskind's architecture to reflect upon and experience Felix Nussbaum's art from our contemporary perspective. Text in English and German.

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Genesis 37 is the exposition of the biblical Joseph Story and narrates the basis of Israel's descent into Egypt. From the beginning of critical research into the Pentateuch, literary tensions and contradictions encountered in this chapter, including the question of who sold Joseph to whom, have given rise to several incompatible explanations. At present no solution to its complex problems enjoys agreement. On top of a thorough history of research, Matthew C. Genung provides a fresh literary critical analysis of Genesis 37, treated passage by passage, guided by the literary tensions in the narrative in dialogue with the most important solution models. This method has led to a new explanation of the compositional history of Genesis 37 that contributes to an understanding of the meaning of the actual text, solves its elements of tension and incoherence, and identifies their originating historical milieu. The results impact Joseph Story exegesis and fundamental questions current in Pentateuchal criticism.

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The studies in this volume share a focus on religion in the ancient Mediterranean world: how ritual, myth, spectatorship, and travel reflect the continual interaction of human beings with the richly fictive beings who defined the boundaries of groups, access to the past, and mobility across land and seascapes. They share as well the methodological exploration of the intersection between human sciences, the integration of numerous disciplines around the study of all aspects of human life from the biological to the cultural, and the study of the past. In so doing, they continue a long dialogue that engages with critical models derived from specializations within history, philology, archaeology, sociology, and anthropology, and addresses, increasingly, the potentialities and pitfalls of quantitative and digital analyses. Many of the threads in this long conversation inform these chapters: the comparative project, human social evolution, disciplinary reflexivity, religion as an embedded, functional, and structural system, and the role for agency, networks, and materiality.

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• Award-winning playwright explores classroom bullying and teachers' responses. • Includes Teachers' Resources to aid structured discussion and exploration of the themes raised in schools, colleges and beyond. Care Takers is part of an Edge Hill University (Birmingham, UK) research project on homophobia. The team invites everyone, after seeing or reading (or both!) the play, to give feedback by completing the online survey, here (10 minutes). • Care Takers included on a programme of International Health and Humanities Conference, Health Humanities: Creative Practices as Care (September 2016): a growing worldwide interdisciplinary dialogue across diverse communities of arts and humanities academics and practitioners, clinicians, informal carers, service users and the self-caring public. Conference details are here. • The play is great for use as a source text for all those interested in the impact of creative practices in health, psychological well-being and enhancing social inclusion of people. Includes: hospitals, social and community centres, mental health centres, schools, and museums.

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Within the complex process of second language acquisition there lies a highly variable component referred to as the silent period, during which some beginning second language learners may not willingly produce the target language. Silence in Second Language Learning claims that the silent period might represent a psychical event, a non-linguistic as well as a linguistic moment in the continuous process of identity formation and re-formation. Colette Granger calls on psychoanalytic concepts of anxiety, ambivalence, conflict and loss, and on language learning narratives, to undertake a theoretical dialogue with the learner as a being engaged in the psychical work of making, and re-making, an identity. Viewed in its entirety, this study takes the form of a kind of triangulation of three elements: the linguistically described phenomenon of the silent period; the psychoanalytically oriented problem of the making of the self; and the real and remembered experiences of individuals who live in the silent space between languages.

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Heroines Revisited is a large format follow-up volume to the original Heroines: Photographs by Lincoln Clarkes that was released by Anvil in 2002. This new edition features over 150 portraits accompanied by three new critical essays that contextualize the five-year photo project and the controversial body of work. The Heroines Project is an epic photo documentary of the addicted women that were living and working in Vancouver's Downtown Eastside in the late '90s and early 2000s. University of Western Ontario professor Kelly Wood writing in Philosophy of Photography states, "Heroines forced viewers and respondents to take sides in an uneasy ethical dialogue that does not acknowledge the series' uncanny ability to perform against viewers' expectations of certain visual categories and discusses how these expectations might preclude photography's ability to enact or incite political change." Essays by Kelly Wood, Paul Ugor, and Melora Koepke; Interview with the artist by Theresa Norris.

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The Figure in the Cave selects the prose of one of Ireland’s foremost contemporary poets – part autobiography, part criticism, part self-commentary – a gathering, from the mid-century to the present day, that marks a lifetime’s critical engagement with literature in both Europe and America. In the title essay Montague looks over his career as a writer; in others he describes a coming-of-age in Ulster, explores his own poetics, and appraises Goldsmith, Carleton, George Moore, Joyce and Beckett, MacNeice, Clarke, Kavanagh, Hewitt and MacDiarmid. Pieces on American literature include a vignette of Saul Bellow, a review of Lowell and an intimate sketch of Berryman. To conclude, the author examines the impact of international modern poetry on Irish writing. Humorous, forceful, impressionistic, enriched with personal and political observation, this dialogue between early and later selves traces the development of the boy from Garvaghey to the figure in the cave, and reveals the workings of a fine poet’s mind.

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In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and tricks of the masters to discover why their work has endured. Written with passion, humour and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart - to take pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; to look to John le Carre for a lesson in how to advance plot through dialogue and to Flannery O'Connor for the cunning use of the telling detail; to be inspired by Emily Bronte's structural nuance and Charles Dickens's deceptively simple narrative techniques. Most importantly, Prose cautions readers to slow down and pay attention to words, the raw material out of which all literature is crafted, and reminds us that good writing comes out of good reading.

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Exploring the life, imagery and lasting appeal of Saint Francis of Assisi (1182–1226), this landmark book features a core of important historic paintings representing the saint by Giotto, Sassetta, Caravaggio, Zurbarán and El Greco. From his native Umbria, Saint Francis’s image spread rapidly to become a global phenomenon and a continuous source of artistic fascination. His commitment to the poor, powerful appeals for peace, openness to dialogue with other religions and embryonic environmentalism radically impacted the Church and society of his time, and still hold great interest today. Spanning seven centuries and ranging from the earliest, relic-like objects to contemporary art in a variety of media, including works by Antony Gormley, Giuseppe Penone and a new commission from Richard Long, Saint Francis of Assisi reflects on the lasting legacy of Saint Francis – an inherently modern figure who retains a universal appeal. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London, 6 May–30 July 2023

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How can we think of life in its dual expression, matter and experience, the living and the lived? Philosophers and, more recently, social scientists have offered multiple answers to this question, often privileging one expression or the other – the biological or the biographical. But is it possible to conceive of them together and thus reconcile naturalist and humanist approaches? Using research conducted on three continents and engaging in critical dialogue with Wittgenstein, Benjamin, and Foucault, Didier Fassin attempts to do so by developing three concepts: forms of life, ethics of life, and politics of life. In the conditions of refugees and asylum seekers, in the light of mortality statistics and death benefits, and via a genealogical and ethnographical inquiry, the moral economy of life reveals troubling tensions in the way contemporary societies treat human beings. Once the pieces of this anthropological composition are assembled, like in Georges Perec’s jigsaw puzzle, an image appears: that of unequal lives.

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A fresh and more capacious reading of the Western religious tradition on nature and creation, Thinking Nature and the Nature of Thinking puts medieval Irish theologian John Scottus Eriugena (810–877) into conversation with American philosopher Ralph Waldo Emerson (1803–1882). Challenging the biblical stewardship model of nature and histories of nature and religion that pit orthodoxy against the heresy of pantheism, Willemien Otten reveals a line of thought that has long made room for nature's agency as the coworker of God. Embracing in this more elusive idea of nature in a world beset by environmental crisis, she suggests, will allow us to see nature not as a victim but as an ally in a common quest for re-attunement to the divine. Putting its protagonists into further dialogue with such classic authors as Augustine, Maximus the Confessor, Friedrich Schleiermacher, and William James, her study deconstructs the idea of pantheism and paves the way for a new natural theology.

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Philosophical Chemistry furthers Manuel DeLanda’s revolutionary intervention in the philosophy of science and science studies. Against a monadic and totalizing understanding of science, DeLanda’s historicizing investigation traces the centrality of divergence, specialization and hybridization through the fields and subfields of chemistry. This book creates a model of a scientific field capable of accommodating the variation and differentiation evident in the history of scientific practice. The three chapters deal with one subfield of chemistry in the century in which it was developed: eighteenth-century inorganic chemistry, nineteenth-century organic chemistry, and nineteenth-century physical chemistry. DeLanda proposes a model that is made of three components: a domain of phenomena, a community of practitioners, and a set of instruments and techniques connecting the community to the domain. Philosophical Chemistry will be essential reading for those engaged in emergent, radical and contemporary strands of thought in the philosophy of science and for those scholars and students who strive to practice a productive dialogue between the two disciplines.

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We live in troubled times: climate crisis, war and authoritarian ‘populism’ are just some of the challenges we are currently facing. Never has there been such a need for a new approach to politics – nor such an opportunity for one. To create a world in which people thrive, we need to know what thriving is. Over the past century, psychotherapy – and its parent discipline, psychology – has built up a vibrant, nuanced and highly practical understanding of human wellbeing and distress. This book describes a progressive political approach that integrates insights from the psychotherapeutic and psychological domain, moving us from a politics of blame to a politics of understanding. In this vision of society – surrounded by a culture of radical acceptance – all individuals can live rich and fulfilling lives. We need those shaping our political landscape to understand psychological needs and processes more deeply to enhance our ability to work with others in a spirit of collaboration, dialogue and respect.

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‘Winning and beguiling ... Smith shares Jane Austen’s clarity and gentle irony’ Independent Jane Austen is one of the most beloved writers in the literary canon. Her novels changed the landscape of fiction for ever, and her books remain as fresh, entertaining and witty as the day they were first published. Bursting with useful exercises, beautiful illustrations and enlightening quotations from Austen’s novels and letters, this book will teach you her tips, tricks and methods, including: * Her foolproof guide to plotting a novel * The best ways to introduce, establish and develop characters * Her secret for building suspense * How to write sparkling dialogue * Using irony, ekphrasis and other clever devices * How best to live the writer’s life These techniques have been tried and tested by Rebecca Smith, who is none other than Jane Austen’s five-times-great-niece. The author of five books, she teaches creative writing at the University of Southampton and has been Writer in Residence at Jane Austen’s House Museum

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A bear searches for his missing hat in the bestselling, multiple award-winning picture book debut of Jon Klassen.In his bestselling debut picture book, the multiple award-winning Jon Klassen, illustrator of This Is Not My Hat and Sam and Dave Dig a Hole, tells the story of a bear who's hat has gone. And he wants it back. Patiently and politely, he asks the animals he comes across, one by one, whether they have seen it. Each animal says no (some more elaborately than others). But just as it he begins to lose hope, lying flat on his back in despair, a deer comes by and asks a rather obvious question that suddenly sparks the bear’s memory and renews his search with a vengeance... Told completely in dialogue, this quirky, hilarious, read-aloud tale plays out in sly illustrations brimming with visual humour and winks at the reader who will be thrilled to be in on the joke.

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“As finely worked as a Swiss watch and as funny as the human condition permits ... the zigzag brilliance of the text as the clunky lines of the farce-within-a-farce rub against the sharp dialogue of reality.” The Guardian A play-within-a-play following a touring theatre company who are rehearsing and performing a comedy called Nothing On, results in a riotous double-bill of comedic craft and dramatic skill. Hurtling along at breakneck speed it shows the backstage antics as they stumble through the dress-rehearsal at Weston-super-Mare, then on to a disastrous matinee at Ashton-under-Lyne, followed by a total meltdown in Stockton-on-Tees. Michael Frayn's irresistible, multi-award-winning backstage farce has been enjoyed by millions of people worldwide since it premiered in 1982 and has been hailed as one of the greatest British comedies ever written. Winner of both Olivier and Evening Standard Awards for Best Comedy. This edition features a new introduction by Michael Blakemore.

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As human beings, we have a great longing for community, to feel part of something. Despite this apparent need, the opposite tendency is evident everywhere: a growing individualism leading to the breakdown of relationships, conflict and war. How can we connect meaningfully with our fellow human beings and build successful communities, whilst also cultivating a healthy individuality? Karl König considered that finding answers to these questions was one of the central tasks of anthroposophy, as well as its greatest potential downfall. Seventy years ago, he founded the Camphill Movement as a search for social renewal and healing from new sources.As part of a growing dialogue between people within and outside of Camphill, a conference called Community Building in the Light of Michael took place at the Goetheanum in 2009. The contributions in this book originate from there; contributors include Cornelius Pietzner, Virginia Sease, Penelope Roberts-Baring, Sergei Prokofieff, Peter Selg and Bodo von Plato.

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In our current political climate, it seems impossible to have a civil conversation with someone who has a different opinion. Dialogue is shut down when perspectives clash. Heated debates on Facebook and Twitter often lead to shaming, hindering any possibility of productive discourse. How to Have Impossible Conversations guides readers through the process of having effective, civil discussions about any divisive issues--not just religious faith but climate change, race, gender, poverty, immigration, and gun control. Coauthors Peter Boghossian and James Lindsay distinguish between two types of conversations: those that are oriented toward arriving at truth, and those that may require changing the beliefs of people who do not want their beliefs changed (interventions). They then guide readers through the straightforward, practical, conversational techniques necessary for every successful conversation, up to expert- and master-level techniques to deal with hardliners and extremists. With key principles like the "Seven Fundamentals Necessary for Good Conversations," this book is the manual everyone needs to foster connection and empathy with anyone.

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Traditional and still prevalent accounts of late antique literature draw a clear distinction between ‘pagan’ and ‘Christian’ forms of poetry: whereas Christian poetry is taken seriously in terms its contribution to culture and society at large, so-called pagan or secular poetry is largely ignored, as though it has no meaningful part to play within the late antique world. The Myth of Paganism sets out to deconstruct this view of two contrasting poetic traditions and proposes in its place a new integrated model for the understanding of late antique poetry. As the book argues, the poet of Christ and the poet of the Muses were drawn together into an active, often provocative, dialogue about the relationship between Christianity and the Classical tradition and, ultimately, about the meaning of late antiquity itself. An analysis of the poetry of Nonnus of Panopolis, author of both a ‘pagan’ epic about Dionysus and a Christian translation of St John’s Gospel, helps to illustrate this complex dialectic between pagan and Christian voices.

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Developed by Harville Hendrix and Helen LaKelly Hunt in the 1980s, Imago Relationship Therapy helps couples—and everyone in significant relationships—shift from conflict to connection by transforming the quality of their interactions. Now, for the first time, the essential principles and practices of Imago, as illustrated in the New York Times bestseller Getting the Love You Want, are presented for the benefit of both novice and seasoned clinicians. Using the Imago processes, couples create a Conscious Partnership in which they feel safe, fully alive and joyful, learning to be mutually empathic for each other’s childhood challenges and present to each other without judgement. Hendrix and Hunt help couples learn and practise Imago Dialogue, moving from blame and reactivity to mutual acceptance, affirmation and empathy, thus deepening their connection. Joining theory and practice with elegance, and filled with examples, exercises and dialogues, this is a book no couple's therapist can afford to be without.

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Wombats might be pretty weird, but they’re pretty awesome, too! Wombats Are Pretty Weird is funny, kid-friendly, and informative, and features sidebars, comic panels, extensive backmatter, and a map. Acclaimed author-illustrator Abi Cushman’s nonfiction debut contains everything anyone could ever possibly want to know about wombats!Wombats are elusive, burrowing marsupials. Their teeth never stop growing, they have backward-facing pouches, and they’re the only animal to have cube-shaped poop. And if you ask their snake friend, Joey, those aren’t the only things that are weird about wombats!Abi Cushman’s Wombats Are Pretty Weird contains informative, expressive, and funny illustrations, and offers an entertaining blend of narration, sidebars, speech balloons, and dialogue between Joey the snake and the wombats he meets in the wild. A refreshing departure from traditional informational books, Wombats Are Pretty Weird is a child-friendly guide to understanding the weird and wonderful world of wombats.Features extensive backmatter, including a glossary.

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Enter into the world of reading with My Very First I Can Read! This comprehensive emergent reading program addresses all the components of reading mastery based on the latest early literacy research. Written by educator and reading specialist Dr. Julie M. Wood, with lively illustrations by Sebastien Braun, this Common Core-aligned program stars Tug the Pup and an endearing group of characters who will lead beginners through the proven steps for successful reading. The Learn to Read with Tug the Pup program features important Common Core State Standards connections, including sight word vocabulary, simple text, strong picture support, and character and plot development. The eleven short stories in box set two are Guided Reading Levels C-E, which means the stories are still very simple but include dialogue and are slightly more advanced than the A and B level stories. Each box set also comes with reward stickers and a Parents' Guide that provides hours of additional reading activities.

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"We discover eco-hotels, slow-food producers and green initiatives, and meet a new generation of islanders dedicated to sustainability and to preserving the lush green biodiversity that remains. A beautiful escape." —Reclaim Magazine Mallorca: the jewel of the Mediterranean, known for its avid sunbathers and synonymous with a booming travel industry. In recent years the island has entered into an amiable but vigorous dialogue centred on conservation and sustainability as a result of the climate crisis and ongoing pandemic. Photographer Patricia Parinejad not only illustrates the intoxicating beauty of Mallorca, she also tracks this exciting environmental movement, using stunning images and compelling writing to showcase sustainable businesses, eco-hotels, green initiatives, and innovators who are all fighting to preserve the island. This captivating coffee table book shows even those familiar with Mallorca a side of the Balearic Island that is very different and yet very essential: the new ‘Green Mallorca‘. Text in English, German, Spanish

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In 2017 the global #MeToo movement burst through the conspiracy of silence around women's experience of sexual abuse and violence. Since then, other groups have found the courage to declare that they too have experienced sexual abuse and are unafraid and unashamed to let it be known. Now this ground-breaking book provides a space for counsellors and psychotherapists - more often the listeners - to tell their own stories, sometimes for the first time. Each chapter is written by a counsellor, psychotherapist or therapy client and followed up with an exploratory dialogue between writer and peer. Together the contributions form a community of #TherapistsToo voices, brought together in the hope that readers within and beyond the counselling and psychotherapy realm will feel less alone and more connected. This is a book for anyone wanting to understand the ubiquity of sexual violence and sexual abuse. It's about how to respond, support, raise awareness, campaign and be part of creating a culture that says #TimesUp!

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Honesty is always the best policy. Especially when it comes backed up by a cracking allegory… Meet Hetty the hen who just couldn’t lay. Journey with her and her plucky, clucky sisters as she strives for the one thing she is desperate for above all else; a chick of her own to love. Written from the heart, by a mother who was told at the age of 14 that she could never have children, Hetty can be enjoyed as a story about kindness and sharing in its own right, or used to open a dialogue about egg donation and IVF. This story was written to honour the author’s sister’s immeasurable act of love and altruism, (as Hetty says – ‘what’s in it for you? I can’t give one back, although I’d love to’) to help her daughter understand her own story and, in the hope that it might help other Hettys, Harriets and ‘chicks’ out there.

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'Another gem . . . a masterpiece of duplicity' Washington Post 'Leonard provides the fizziest and cleverest dialogue in crime fiction. A total delight' The Times Every prison inmate needs a Road Dog - someone to watch their back, someone they can trust on the inside and out. For wealthy Cuban criminal Cundo Rey, that person is Jack Foley: charmer, ladies' man and infamous bank robber.With the services of a shark attorney and a whole heap of cash, Cundo engineers his buddy's early release, and Jack is soon living large in Cundo's house in Venice Beach, enjoying the attentions of his sexy wife, Dawn. But Dawn has ulterior motives and a plan: to relieve her husband of his considerable fortune... and she needs Jack's help. But with Cundo's release imminent and rogue FBI agent Lou Adams on his tail, just who can Jack trust if he's to pull off the biggest score of his life...?

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'Merton still matters', writes Paul R. Dekar about Cistercian monk Thomas Merton. Calling people to act justly, love kindness and walk humbly, Merton used his contemplative practice to see beyond what disrupts and divides us from one another to find the truth of our common humanity - unity in our creation in the image of God. In Thomas Merton and the New World, Dekar focuses primarily on two issues of concern to our current world. First, he studies Merton's warnings of the abuse that stems from unmindful and irresponsible use of technology, and its ecological devastation. Second, he examines Merton's thinking on racial injustice in the mid-1960s through his correspondence with his allies and contemporaries - James Baldwin, for example. Using Micah 6:8 to arrange Merton's focus on justice, lovingkindness, and humility, with input from Merton's dialogue with Gandhi, Martin Luther King, Rachel Carson and others, Dekar demonstrates just how prophetic and transferable Merton's teachings remain.

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In Divine Audacity, Peter Dillard presents a historically informed and rigorous analysis of the themes of mystical union, volition and virtue that occupied several of the foremost theological minds in the late thirteenth and early fourteenth centuries. In particular, the work of Marguerite Porete raises complex questions in these areas, which are further explored by a trio of her near contemporaries. Their respective meditations are thoroughly analysed and then skilfully brought into dialogue. What emerges from Dillard's synthesis of these voices is a contemporary mystical theology that is rooted in Hugh of Balma's affective approach, sharpened through critical engagement with Meister Eckhart's intellectualism, and strengthened by crucial insights gleaned from the writings of John Ruusbroec. The fresh examination of these thinkers - one of whom paid with her life for her radicalism - will appeal to philosophers and theologians alike, while Dillard's own propositions demand attention from all who concern themselves with the nature of the union between the soul and God.

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First published in 1949, THE GOLDEN APPLES is an acutely observed, richly atmospheric portrayal of small town life in Morgana, Mississippi. There's Snowdie, who has to bring up her twin boys alone after her husband, King Maclain, disappears one day, discarding his hat on the banks of the Big Black. There's Loch Morrison, convalescing with malaria, who watches from his bedroom window as wayward Virgie Rainey meets a sailor in the vacant house opposite. Meanwhile, Miss Eckhart the piano teacher, grieving the loss of her most promising pupil, tries her hand at arson.Eudora Welty has a fine ear for dialogue and describes each of the characters in incisive, haunting prose. '...in the South,' she says, 'everybody stays busy talking all the time - they're not sorry for you to overhear their tales'. Welty deftly picks up their stories to create an unflinching potrait of everyday life in the American South and offers a deeply moving look at human nature.

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If you look the right way, you can see that the whole world is a garden. Join Mary, Dickon, and Colin on their heartwarming journey of friendship and gardening magic. Filled with interactive wheels and pull-tabs, and lavishly illustrated, The Secret Garden is an unprecedented kid's introduction to Frances Hodgson Burnett's beloved classic novel. Unlike many board books that tackle the classics, Lit for Little Hands tells the actual story in simple, engaging prose. Gorgeous springtime illustrations transport the reader to the gardens and halls of Misselthwaite Manor, while tons of interactive elements invite kids to help Mary discover the secret garden, make friends, and help Colin walk! Fans of the novel will be delighted by the book's attention to detail and clever use of original text and dialogue. And the book's super-sturdy board means everyone can enjoy this tale over . . . and over . . . and over again! The magic of the secret garden will return each time you read!

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Georg Baselitz enters a dialogue with the Old Masters - invited by Kunsthistorisches Museum Vienna, the acclaimed German painter and sculptor engages in a visual conversation. Baselitz himself curated this selection of works, focusing exclusively on nude painting. Both the exhibition and the catalogue revolve around this elemental human state, and its fundamental role in European art. From the beginning of his career, Baselitz’s work has been informed by a pronounced awareness of art history, above all he was inspired by Mannerism’s break with classical rules. Insights into the history of nude painting, as well into the topicality of painting itself, emerge from this encounter of Baselitz’s works with historical paintings of an idealized beauty from Kunsthistorisches Museum. The carefully chosen juxtapositions open up a space in which one can reflect and experience the essence of painting anew.

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This open access book offers innovative and wide-ranging responses to the continuously flourishing literary phenomenon of autofiction. The book shows the insights that are gained in the shift from the genre descriptor to the adjective, and from a broad application of “the autofictional” as a theoretical lens and aesthetic strategy. In three sections on “Approaches,” “Affordances,” and “Forms,” the volume proposes new theoretical approaches for the study of autofiction and the autofictional, offers fresh perspectives on many of the prominent authors in the discussion, draws them into a dialogue with autofictional practice from across the globe, and brings into view texts, forms, and media that have not traditionally been considered for their autofictional dimensions. The book, in sum, expands the parameters of research on autofiction to date to allow new voices and viewpoints to emerge.

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Pithy put-downs, hard-boiled snarlings, words of love and regret... All the Best Lines presents 500 memorable movie quotes, embracing both one-liners ('My name is Pussy Galore') and slices of snappy dialogue from pictures as diverse as When Harry Met Sally and Pulp Fiction. Arranged under such timeless themes as Dreams, Friends, Libido and Memories, the quotes juxtapose films and stars from every era and every genre. Dotted throughout the text are feature capsules focusing on themes and stories in the movies from Goldwynisms to Mae West, plus a generous scattering of cinema anecdotes, making the book both a joy to browse and an authoritative reference. Lavishly illustrated with full-colour photographs, All the Best Lines will delight and entertain you in equal measure, reacquainting you with your favourite movies and introducing you to some forgotten classics.

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The “job system” for organizing work has only existed for around 200 years - since the industrial revolution. Always problematic, it now approaches collapse, and what follows, either for good or ill, depends on decisions made and executed in current times. Many people are filled with dismay, and turn for succor to political opportunists. Prescient of the looming disaster, Frithjof Bergmann began to devise alternatives to the job system in the 1970s. He started with the fostering of dialogue, about ameliorating the impacts of layoffs in times of recession, among the workforce in the auto industry and community, in Flint, Michigan. What has evolved, over years, is his proposed alternative to the job system. New Work, New Culture recounts the development of his ideas, and describes one course which humanity might follow, that all might live better lives.

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As the French philosopher and social theorist Michel Foucault defined the concept, 'biopolitics' is the extension of state control over both the physical and political bodies of a population. Poetic Biopolitics is a positive attempt to explain and show how the often destructive effects and affects of biopolitical power structures can be deconstructed not only critically but poetically in the arts and humanities: in architecture, art, literature, modern languages, performance studies, film and philosophy. It is an interdisciplinary response to the contemporary global crisis of community conflict, social and environmental wellbeing. Structured in three parts - biopolitical bodies and imaginaries, voices and bodies, and social and environmental turbulence - this innovative book meshes performative and visual poetics with critical theory and feminist philosophy. It examines the complex expressions of our physical and psychic lives through artefact, body, dialogue, image, installation and word.

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