Search results for ""Melissa""

Two-time Mary Higgins Clark Award-Winning Author!A chilling story set in a former Magdalen Laundry in Manhattan that explores today’s #MeToo complexities."In a twisting, mesmerizing story that is as beautifully written as it is utterly propulsive, Goodman keeps us breathlessly turning the pages right to the shocking and poignant end. I absolutely loved this layered and moving novel!” —Lisa Unger, New York Times bestselling author You’re never really aloneJournalist Joan Lurie has written a seething article exposing a notorious newspaper tycoon as a sexual predator. But the night it goes live, she is brutally attacked. Traumatized and suffering the effects of a concussion, she moves into a highly secure apartment in Manhattan called the Refuge, which was at one time a Magdalen Laundry. Joan should be safe here, so how can she explain the cryptic incidents that are happening?Lillian Day is Joan’s new 96-year-old neighbor at the Refuge. In 1941, Lillian witnessed a mysterious murder that sent her into hiding at the Magdalen Laundry, and she hasn’t come out since. As she relates to Joan her harrowing story, Joan sees striking similarities to her own past.Melissa Osgood, newly widowed and revengeful, has burning questions about her husband’s recent death. When she discovers a suspicious paper trail that he left behind, she realizes how little she knew about her marriage. But it seems Joan Lurie might be the one who has the answers. As these three lives intersect, each woman must stay one step ahead of those who are desperate to make sure the truth is never uncovered.

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According to ancient scripture, Lucifer was cast out of heaven as a result of his disobedience, gaining freedom for mankind in the process. In Spain, local legends tell that the fallen archangel appeared in an earthly body, thousands of years ago. As the Child of Light, he was rocked on a mysterious stone cradle by a woman from the East. Seeking to uncover secrets held for centuries, Patrice Chaplin’s research into her book The Stone Cradle evolved naturally into Lucifer by Moonlight. From the material she discovered, the rebellious archangel surfaced into the modern day – treading his way down dark streets, forever trying to make sense of his destiny. In London, he is seen as a man of exquisite taste and blinding charisma, habitually breaking hearts. Alternatively, as Lucie Fur he is a high class hooker, walking the streets of Kentish Town whilst trying to avoid his old enemy, the Elysium Fox from Thebes. Chaplin – celebrated novelist and memoirist – takes us to the timeless Stone Cradle, where the old red-headed trickster, absorbing beams from the moon to feed his brilliance, lies waiting for his obligatory earthly reappearance. But could things turn out differently this time? Might his veneration of children and unexpected care for others change his fate? As Lucifer returns to the Stone Cradle with his dying friend, the morning light reveals the glories of Venus, the place for which he yearns. Will there be atonement – or even redemption – for the tired archangel’s past misdeeds? Illustrated with colour pictures by Melissa Scott-Miller, this imaginative new work is a thought-provoking fable for our time.

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'An anthem! A permission slip! Freedom to be us in full glory and messiness ... a fun and freeing read' Melissa Hemsley 'What a powerful, freeing, thought-provoking read this is. I let out a breath I hadn't even realised I was holding' Anna Mathur You do not have to be good. At some point, you'll have absorbed the message that being good is to be calm, efficient and tidy. Wise and well-meaning people offer to help you become worthy, to be positive and productive and to always say 'yes, I can!' But what if this is wrong? And what if some of the things we've been told are bad, are just as useful as the good? Blending science, expert interviews and practical advice, here is the flipside of everything we've been told we should be - and how the bad parts are really not so bad after all. You'll discover: - Why it's helpful to feel angry - How it's counterproductive to always be productive - How laziness can improve your relationships - Why your body is, and has always been, absolutely fine - How clutter inspires creativity and enhances your sense of place - Why mindlessness is good for your mental health Be Bad, Better is not an invitation to start misbehaving but it is about taking what you think are your worst bits and asking what they could do to serve you. Examining how society polices our behaviour and artificially constructs the good and bad, here is a thoughtful and eminently helpful guide to reassessing your ideas of success, embracing every part of yourself and being bad, better.

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Adventure. Vengeance. Sisterhood. In a world devastated by plague, Torvi and her sister Morgunn can only rely on each other. So when Morgunn is captured by a pack of terrifying wolf-priests, Torvi knows she’ll do whatever it takes to get her back – or die trying. Torvi will face dark magic and danger on her quest to save her sister. She’ll encounter sea witches, magical night markets and a mythical sword with untold powers. And she might just discover a life of adventure and wild freedom that’s more glorious than she ever dreamed of. Rich, thrilling fantasy inspired by Arthurian legend, from the author of the critically acclaimed THE BONELESS MERCIES Praise for THE BONELESS MERCIES:"Fierce and glorious, this story of outcast girls defying fate utterly bewitched me. Tucholke is a gorgeous writer." -- LAINI TAYLOR, New York Times-bestselling author of Strange the Dreamer "​​Its every page hints at a deeper magic at work; it contains a whole world and all its myths and histories within its skin." -- MELISSA ALBERT, New York Times-bestselling author of The Hazel Wood"Ruthless and lyrical, heart-warming and blood-chilling, and beautifully redolent of ancient tales and history. It will sing to a new generation of heroes."-- SAMANTHA SHANNON, New York Times-bestselling author of The Bone Season"I fell in love with this stunning novel from the very first page. Fierce and unforgettable, with gorgeous prose and a fantastic premise that more than delivers. Easily one of my favorite YA novels of 2018." -- KATHERINE WEBBER, author of Wing Jones and Only Love Can Break Your Heart

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Djuna Barnes once said that “there is always more surface to a shattered object than a whole object,” and the statement is provocative when considering her own writing and art. Arriving as an accomplished writer and journalist in 1920s Paris, Barnes produced an eclectic body of work whose objects and surfaces continue to fascinate readers. In this volume, a series of internationally renowned scholars reassess both Barnes and modernism through a close examination of her prose, poetry, journalism, visual art, and drama.From the modernist classic Nightwood to the late verse play The Antiphon, Barnes’s distinctive voice has long resisted any easy assimilation into specific groupings of authors or texts. Responding to expansions of canons and critical questions that have shaped modernist studies since the late twentieth century, the chapters in this volume bring new thinking to her full oeuvre and collectively demonstrate that the study of modernism necessarily includes the study of Barnes. The essays show Barnes’s significant contributions to twenty-first-century discourses on topics such as the politics of print culture, the representation of animals and the human, queer aesthetics, modernist criticism, authorship, style, affect, and translation between media.Featuring an afterword by Peter Nicholls and a comprehensive bibliography, Shattered Objects provides a timely assessment of Barnes and considers the implications of reading her critically as an important modernist writer and artist. It will be welcomed by scholars of literature, art history, and the modernist era.In addition to the editors, contributors to this volume are Daniela Caselli, Bruce Gardiner, Alex Goody, Melissa Jane Hardie, Tyrus Miller, Drew Milne, Peter Nicholls, Rachel Potter, Julie Taylor, and Joanne Winning.

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In an era increasingly marked by polarized and unproductive political debates, this volume makes the case for a renewed emphasis on teaching speech and debate, both in and outside of the classroom.Speech and debate education leads students to better understand their First Amendment rights and the power of speaking. It teaches them to work together collaboratively to solve problems, and it encourages critical thinking, reasoned and fact-based argumentation, and respect for differing viewpoints in our increasingly diverse and global society. Highlighting the need for more emphasis on the ethics and skills of democratic deliberation, the contributors to this volume—leading scholars, teachers, and coaches in speech and debate programs around the country—offer new ideas for reinvigorating curricular and co-curricular speech and debate by recovering and reinventing their historical mission as civic education.Combining historical case studies, theoretical reflections, and reports on programs that utilize rhetorical pedagogies to educate for citizenship, Speech and Debate as Civic Education is a first-of-its-kind collection of the best ideas for reinventing and revitalizing the civic mission of speech and debate for a new generation of students.In addition to the editors, the contributors to this volume include Jenn Anderson, Michael D. Bartanen, Ann Crigler, Sara A. Mehltretter Drury, David A. Frank, G. Thomas Goodnight, Ronald Walter Greene, Taylor W. Hahn, Darrin Hicks, Edward A. Hinck, Jin Huang, Una Kimokeo-Goes, Rebecca A. Kuehl, Lorand Laskai, Tim Lewis, Robert S. Littlefield, Allan D. Louden, Paul E. Mabrey III, Jamie McKown, Gordon R. Mitchell, Catherine H. Palczewski, Angela G. Ray, Robert C. Rowland, Minhee Son, Sarah Stone Watt, Melissa Maxcy Wade, David Weeks, Carly S. Woods, and David Zarefsky.

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This collection considers one of the most important figures of the modern canon of political philosophy, John Locke. A physician by training and profession, Locke not only wrote one of the most important and well-known treatises of the modern canon, but also made important contributions in the areas of seventeenth-century law and public policy, epistemology, philosophy of language, religion, and economics.There has been a long-standing debate in feminist scholarship on Locke as to whether this early founder of modern liberal thought was a strong feminist or whether he ushered in a new, and uniquely modern, form of sexism. The essays grapple with this controversy but also move beyond it to the meaning of gender, the status of femininity and masculinity, and how these affect Locke’s construction of the state and law.The volume opens with three of the early “classic” feminist essays on Locke and follows them with reflective essays by their original authors that engage Locke with issues of globalization and international justice. Other essays examine Locke’s midwifery notes, his treatise on education, his writings on Christianity, his contributions to poor-law policy, his economic writings, and his Essay Concerning Human Understanding. In addition to essays by leading feminist theorists, the volume also includes essays by some leading Locke scholars for whom gender is not normally a primary focus, so that the volume should speak to a wide range of scholarly interests and concerns.Besides the editors, the contributors are Teresa Brennan, Melissa Butler, Terrell Carver, Carole Pateman, Carol Pech, Gordon Schochet, Mary Lyndon Shanley, Jeremy Waldron, Joanne Wright, and Linda Zerilli.

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For more than 150 years, Indiana University Bloomington's student-produced newspaper, the Indiana Daily Student, has grown and changed with the times and the school. Generations of student journalists, armed with notepads, cameras and a tireless devotion, have pursued both local and national stories since the newspaper's debut in 1867. In Indiana Daily Student: 150 Years of Headlines, Deadlines and Bylines, editors and IDS alumni Rachel Kipp, Amy Wimmer Schwarb and Charles Scudder piece together behind-the-scenes remembrances from former IDS reporters and photographers, newsroom images from throughout the decades and a curated collection of notable IDS front pages. From coverage of the end of World War I to the selection of Herman B Wells as IU's president to the Hoosiers' national basketball championship titles to the terrorist attacks of Sept. 11, 2001, the IDS has chronicled news from a student perspective. Today, it serves as a training ground for fledgling journalists who have gone on to be monumental voices in American and global media. Remembrances from some of the most prominent journalists to emerge from the IDS are included here: among them, publisher and journalism philanthropist Nelson Poynter; National Public Radio television critic Eric Deggans; and Pulitzer Prize winners Ernie Pyle, Thomas French and Melissa Farlow. While at IU, students at the IDS built and maintained beloved traditions they continue to share today, all while offering a full spectrum of coverage for their readers. The first book on the paper's history, Indiana Daily Student offers a comprehensive celebration of the newspaper's achievements, as well as historic front pages, photographs and personal narratives from current and former IDS journalists.

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The idea that women are dangerous - individually or collectively - runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today. The Art of Being Dangerous offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of diverse identities explore what it means to be a dangerous woman. With almost 100 evocative images, this collection showcases an array of contemporary art that highlights the staggering breadth of talent among today's female artists. It offers an unparalleled gallery of feminist creativity, ranging from emerging visual artists from the UK to multi-award-winning writers and translators from the Global South. Contributors: Margie Orford, Meredith Bergmann, K.E. Carver, Sasha de Buyl-Pisco, Mary Paulson-Ellis, Melissa Alvaro Mutolo, Kerri Turner, Heshani Sothiraj Eddleston, Joanie Conwell, Dilys Rose Alison Jones, Sim Bajwa, Hilaire, Tara Pixley, Leonie Mhari, Kate Feld, Millie Earle-Wright, Helen Boden, Elif Sezen, Rebecca Vedavathy, Irene Hossack, SE Craythorne, Roisin Kelly, Nkateko Masinga, Elaine Gallagher, Ildiko Nova, Rachel Roberts, susan c. dessel, Savanna Scott Leslie, Heather Pearson, Eva Moreda Rodriguez, Tanya Krzywinska, Siris Gallinat, Clare Archibald, Maya Mackrandilal, Zuhal Feraidon, Anna Brazier, Shirley Day, Treasa Nealon, Satdeep Grewal, Lucy Walters, Priyanthini Guns, Kate Schneider, Alana Tyson, Jayde Kirchert, Boris Eldagsen, Brenda Rosete, Victoria Duckett, Patricia Allmer, JL Williams, Carly Brown, Sotiria Grek, Sepideh Jodeyri, Brooke Bolander, Maria Stoian, Maria Fusco, Claire Askew and Marianne Boruch. This book emerges from the Dangerous Women Project. For more information, visit dangerouswomenproject.org

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'Reynold's lifelong passion and imagination is the DNA in all of his food and this cookbook brings that passion into your kitchen. It has something for everyone.' Gordon Ramsay 'Reynold is one of those rare sparks that ignites in such a way as to capture the hearts and minds of so many in an entirely new and fresh light. His relentless pursuit of perfection and his unapologetic obsession with pastry has already yielded spectacular creations. One can only imagine what happens next ...' Melissa Leong Got a sweet tooth or someone to impress? Level up your dessert game with tried-and-tested recipes from modern-day MasterChef legend Reynold Poernomo.Perfect your butter cake, curd tart or creme caramel with Level 1. These are all the crowd pleasers and perfectly simple desserts for beginners or aficionados, each with a 'Reynold twist', like pavlova flavour pairings or a honey glaze for your cheesecake.Kick it up a notch with Level 2, for swoon-worthy jar desserts, the perfect oozy lava cake or the ultimate praline tart. Step by step, Reynold shows how each element is made so you can dream up your own combinations and increase your confidence.Are you an adventure cook? Or want to blow everyone's minds? Level 3 is an access-all-areas pass to the signature dishes and secret recipes for white noise, onyx, magic mushrooms and more - these creations need to be seen (and tasted) to be believed.Including choose-your-own-flavour-adventure flowcharts, endless tips on substitutions and the inside skinny on kitchen tools and specialty ingredients, The Dessert Game is everything you need for sweet, sweet victory at your place.

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'Sharp, bawdy, yet still deeply touching. It's shockingly elegant, and elegantly shocking' LENA DUNHAM'A very funny novel about falling for a fantasy and finding love for one's own self' MELISSA BRODER, author of The Pisces'Funny, horny, heartbreaking' CAROLINE O'DONOGHUE, author of Promising Young Women____________________Eliott is a TV writer with a perfect-penised boyfriend. He's living the dream.But behind the glossy veneer he's been papering over cracks, and they're starting to show. He's creatively stifled, he's drinking a little too often and his cerebral palsy makes him feel like gay Shrek.When River walks in, Elliott's life is turned upside down in the best way. River is funny, charming and makes him feel seen. But maybe that's part of the deal when you hire a sex worker.Eliott is lost and he needs someone, anyone, to point him in the right direction. After all, it's a long limp towards redemption.A hilarious, sexy, ground-breaking debut novel about the intersection of queerness and disability, and discovering who you really are.____________________What readers are saying about Just By Looking at Him'Darkly funny and poignant''Such a fresh take . . . I was gripped from the first page''Brutally honest, funny and poignant look at modern life through the lens of disability''This book is honest, hilarious, and raw . . . I loved literally every character''The author has such a strong voice and has created in Eliot a character that I will not soon forget . . . I found myself laughing out loud''Reads like your favorite whip- smart sitcom everyone looks forward to at the end of the day''One of the funniest books I have ever read'

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40 feminist writers come together to respond to the crisis of 2020 - and what happens next - in this unique and essential fundraising** collection edited by the Feminist Book Society! **20% from EVERY BOOK SOLD goes to Women's Aid and Imkaan** Spring 2020. The moment everything changed. The moment stark gender inequalities were brought ever more prominently to the fore, even as, all around the world, lives retreat behind closed doors. More important than ever was - and is - the message, to womxn of all backgrounds and experiences, you are not alone. How we can, and will, come together to fight inequalities has fundamentally changed. So, what happens now? Hard-hitting but ultimately uplifting, published on the one-year anniversary of lockdown for the US and the UK, This Is How We Come Back Stronger is an essential intersectional feminist collection for our times. In essays, interviews, fiction, and more, forty feminist writers from both sides of the Atlantic reflect on what matters most to them right now, and what comes next. With brand new contributions from:Akasha Hull, Amelia Abraham, Catherine Cho, Dorothy Koomson, Fatima Bhutto, Fox Fisher, Francesca Martinez, Gina Miller, Glory Edim, Hafsa Qureshi, Helen Lederer, Jenny Sealey, Jess Phillips, Jessica Moor, Jude Kelly, Juli Delgado Lopera, Juliet Jacques, Kate Mosse, Kerry Hudson, Kuchenga, Laura Bates, Lauren Bravo, Layla Saad, Lindsey Dryden, Lisa Taddeo, Mariam Khan, Melissa Cummings-Quarry and Natalie Carter, Michelle Tea, Mireille Harper, Molly Case, Radhika Sanghani, Rosanna Amaka, Sara Collins, Sarah Eagle Heart, Shirley Geok-lin Lim, Sophie Williams, Stella Duffy, Virgie Tovar, Yomi Adegoke . . .

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Annual volume of the best essays submitted to the Southeastern Renaissance Conference, this year with an emphasis on English drama and the cultural anxieties it expresses. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2015 volume features essays from the conference held at the University of North Carolina at Chapel Hill, as well as essays submitted directly to the journal. The volume opens with a trio of reconsiderations of the impact of patronage on theater under the Stuarts, the role of the audience in Hamlet, and the role of King Arthur in The Faerie Queene. The heart of this year's journal is English drama, featuring essays on anxieties about nationhood in The Spanish Tragedy, generic anomalies and Chaucerian echoes in All's Well That Ends Well, the inversion of the hagiographical tradition in Shakespeare's Richard III, and the complexities coalescing around authorial identity under the Stuarts. In the penultimate essay, the focus shifts to the non-dramatic with a reconsideration of Milton's Paradise Regained and its relationship to the court masque. The last offering is a historical essay on the intersection of the personal and the political in John Wray's The Pilgrim'sJournal. The volume concludes with four book reviews. Contributors: David M. Bergeron, William A. Coulter, Timothy D. Crowley, Melissa Geil, Lainie Pomerleau, Robert Lanier Reid, Emily Stockard, Lewis Walker, John N. Wall. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of Georgia.

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Focusing on the past, present, and future of American eighteenth-century studies.In a section commemorating the fiftieth anniversary of the American Society for Eighteenth-Century Studies, Howard D. Weinbrot, Felicity A. Nussbaum, and Heather McPherson trace the history of the Society. Logan J. Connors, Jason H. Pearl, Jessica Zimble, Adam Schoene, Rebecca Messbarger, and Morgan Vanek then assess the disciplinary divides that still stymie the field. Melissa Hyde's Presidential Address recovers the lives and careers of two female artists in Paris. Laurent Dubois's Clifford Lecture examines the centrality of theater to political action in Saint-Domingue.In the next section, "Consumption and Remediation," Alison DeSimone, Amy Dunagin, Erica Levenson, and Julia Hamilton consider the reception in England of foreign music and theater, including Italian opera, French comic troupes, and abolitionist "African" songs. These are followed by Michael Edson's investigation of marginalia in Anne Hamilton's Epics of the Ton and Anaclara Castro-Santana's rethinking of the relation between Sophia Western and the Jacobite celebrity Jenny Cameron in Tom Jones.In "Teaching Tough Texts," Anne Greenfield, Holly Faith Nelson and Sharon Alker, and W. Scott Howard offer innovative tactics for engaging students. The penultimate section, "Eighteenth-Century Bodies," features essays by Olivia Carpenter on the politics of The Woman of Colour and Meghan Kobza on masquerade costumes. The final section, "Disability in the Eighteenth Century," assembles work by Travis Chi Wing Lau, Madeline Sutherland-Meier, D. Christopher Gabbard, Jason S. Farr, Hannah Chaskin, and Declan Kavanagh that aims to push the field forward toward more historically nuanced interpretations of disability.

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Aperture Magazine Releases Winter Issue, “Desire,” Featuring an Expansive Interview with Renowned Fashion Photographer Juergen Teller(New York—December 12, 2023) This winter, Aperture magazine presents “Desire,” an edition that considers desire as both an impulse and a state of mind. The issue features an expansive interview with Juergen Teller, whose photographs upend fashion’s vocabulary of glamour and aspiration, on the occasion of his major exhibition Juergen Teller: i need to live, opening at the Grand Palais Éphémère in Paris on December 16, 2023.Photographers are natural voyeurs. The compulsion to want—or, in today’s parlance, to manifest—emerges throughout the work in this issue. Artists such as Nakeya Brown, Nabil Harb, Oto Gillen, Marcelo Gomes, and Jonathas de Andrade consider the body, the natural world, beguiling objects, and direct physical expressions of desire as the material for indelible images.Andrew Maerkle profiles the celebrated Japanese photographer Ishiuchi Miyako, who for decades has conjured history through evocative personal objects, creating magnetic images that are at once surreal and surprisingly physical. Amanda Maddox considers a generation of women photographers whose work probes the feminist dynamics of seeing—and being seen. Moeko Fujii revisits Hisae Imai, an ascendent figure in Tokyo’s art and fashion scenes of the 1960s, and Lucy McKeon finds new resonance in the sensual self-portraits Melissa Shook made as a young woman and mother. In “Desire,” photographers render reality as unearthly—and take the viewer somewhere else altogether.For more information and to preview select content from the issue, visit aperture.org/magazine.

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'An instant classic' - THE GUARDIAN'A bloody masterpiece.' - MELISSA BRODER, author of THE PISCES'Witty, emotional and gripping, Open Throat is a short but savage thrill ride' - THE INDEPENDENT'Open Throat is Bret Easton Ellis meets mountain lion in the Hollywood Hills . . . it already has people talking' - THE SUNDAY TIMESI’ve never eaten a person but today I might . . .A queer and dangerously hungry mountain lion lives in the drought-devastated land under the Hollywood sign. Fascinated by the voices around them, the lion spends their days protecting a nearby homeless encampment, observing hikers complain about their trauma and, in quiet moments, grappling with the complexities of their own identity.When a man-made fire engulfs the encampment, the lion is forced from the hills down into the city the hikers call 'ellay'. As they confront a carousel of temptations and threats, the lion takes us on a tour that spans the cruel inequalities of Los Angeles. But even when salvation finally seems within reach, they are forced to face down the ultimate question: do they want to eat a person, or become one?'Open Throat is what fiction should be.' - THE NEW YORK TIMES BOOK REVIEW'A blinding spotlight beam of a book that I was completely unable and unwilling to put down.' - Catherine Lacey, author of PewNamed a Most Anticipated Book by The New York Times, ELLE, Vanity Fair, Buzzfeed, i-D, Boston Globe, Nylon, Alta, Shondaland, Chicago Review of Books, Philadelphia Inquirer, and Literary Hub.

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Jeff Miller’s heartbreaking, coming-of-age middle-grade novel—inspired by his personal experience living through his own parent’s heart transplant—invites readers into the world of a twelve-year-old birdwatcher looking for a place to call home and a way to save his mother, even if it means venturing deep into Florida swampland. Twelve-year-old Graham Dodds is no stranger to hospital waiting rooms. Sometimes, he feels like his entire life is one big waiting room. Waiting for the next doctor to tell them what’s wrong with his mom. Waiting to find out what city they’re moving to next. Waiting to see if they will finally get their miracle—a heart transplant to save his mom’s life. When Graham gets stuck in Florida for the summer, he meets a girl named Lou at the hospital, and he finds a friend who needs a distraction as much as he does. She tells him about a contest to find the endangered Snail Kite, which resides in the local gator-filled swamps. Together they embark on an adventure, searching for the rare bird . . . and along the way, Graham might just find something else—himself. Jeff Miller crafts a heartfelt story about what it means to live in this unforgettable middle-grade novel. Rare Birds is a rare find that will resonate with fans of the Carl Hiassen’s Hoot and Melissa Savage’s Lemon. For readers looking for novels with literary appeal and classic themes of family, friendship, and the meaning of life, Rare Birds is a perfect pick. Hardcover with dust jacket; 288 pages; 5.5 x 8.3 in.

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Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses.Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general.Contributors. Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

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Djuna Barnes once said that “there is always more surface to a shattered object than a whole object,” and the statement is provocative when considering her own writing and art. Arriving as an accomplished writer and journalist in 1920s Paris, Barnes produced an eclectic body of work whose objects and surfaces continue to fascinate readers. In this volume, a series of internationally renowned scholars reassess both Barnes and modernism through a close examination of her prose, poetry, journalism, visual art, and drama.From the modernist classic Nightwood to the late verse play The Antiphon, Barnes’s distinctive voice has long resisted any easy assimilation into specific groupings of authors or texts. Responding to expansions of canons and critical questions that have shaped modernist studies since the late twentieth century, the chapters in this volume bring new thinking to her full oeuvre and collectively demonstrate that the study of modernism necessarily includes the study of Barnes. The essays show Barnes’s significant contributions to twenty-first-century discourses on topics such as the politics of print culture, the representation of animals and the human, queer aesthetics, modernist criticism, authorship, style, affect, and translation between media.Featuring an afterword by Peter Nicholls and a comprehensive bibliography, Shattered Objects provides a timely assessment of Barnes and considers the implications of reading her critically as an important modernist writer and artist. It will be welcomed by scholars of literature, art history, and the modernist era.In addition to the editors, contributors to this volume are Daniela Caselli, Bruce Gardiner, Alex Goody, Melissa Jane Hardie, Tyrus Miller, Drew Milne, Peter Nicholls, Rachel Potter, Julie Taylor, and Joanne Winning.

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In an era increasingly marked by polarized and unproductive political debates, this volume makes the case for a renewed emphasis on teaching speech and debate, both in and outside of the classroom.Speech and debate education leads students to better understand their First Amendment rights and the power of speaking. It teaches them to work together collaboratively to solve problems, and it encourages critical thinking, reasoned and fact-based argumentation, and respect for differing viewpoints in our increasingly diverse and global society. Highlighting the need for more emphasis on the ethics and skills of democratic deliberation, the contributors to this volume—leading scholars, teachers, and coaches in speech and debate programs around the country—offer new ideas for reinvigorating curricular and co-curricular speech and debate by recovering and reinventing their historical mission as civic education.Combining historical case studies, theoretical reflections, and reports on programs that utilize rhetorical pedagogies to educate for citizenship, Speech and Debate as Civic Education is a first-of-its-kind collection of the best ideas for reinventing and revitalizing the civic mission of speech and debate for a new generation of students.In addition to the editors, the contributors to this volume include Jenn Anderson, Michael D. Bartanen, Ann Crigler, Sara A. Mehltretter Drury, David A. Frank, G. Thomas Goodnight, Ronald Walter Greene, Taylor W. Hahn, Darrin Hicks, Edward A. Hinck, Jin Huang, Una Kimokeo-Goes, Rebecca A. Kuehl, Lorand Laskai, Tim Lewis, Robert S. Littlefield, Allan D. Louden, Paul E. Mabrey III, Jamie McKown, Gordon R. Mitchell, Catherine H. Palczewski, Angela G. Ray, Robert C. Rowland, Minhee Son, Sarah Stone Watt, Melissa Maxcy Wade, David Weeks, Carly S. Woods, and David Zarefsky.

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"Like me, Danielle Kartes realizes that food is the great connector—a conduit to bring people together around the table and create new memories."—Rachael RayRustic Joyful Food: My Heart's Table showcases rising Seattle food star Danielle Kartes's uniquely homey and delicious recipes. With a focus on hearth, home, family, and connecting with the people you love, Danielle's from-the-heart creations will help you build memories around the table that last a lifetime.If you are ready for bigger, bolder baking and are excited about putting comfort food on the table, you will love recipes like:Watermelon and Feta SaladBlack Pepper Buttermilk BiscuitsQuick Cashew ChickenBrown Sugar RipsButtermilk Pound Cake with Brown Sugar CreamStrawberry Lemonade CakeSure-fire appetizers like Brie Bruschetta with Seasonal FruitAnd more!This soulful cookbook is perfect for fans of Once Upon A Chef, Half-Baked Harvest, Smitten Kitchen, Melissa Clark, Allison Roman, Valerie Bertinelli, the Barefoot Contessa and other simple, delicious cookbooks for the everyday cook."It's my hope that you will find something to love within these pages—that one of my recipes will become your own memorized specialty that you'll add or take away an ingredient or two to create your own perfect meal. And I hope that meal—your meal—will be enjoyed for years to come by people you love. I want you to feel amazing each time you make it.Truth be told, that's the beautiful thing about food. I believe that when heart, soul, and creativity are interjected into a recipe, no two people will ever make it the same. Every meal is uniquely yours."—Danielle Kartes

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It is increasingly implausible to speak of a purely domestic abortion law, as the legal debates around the world draw on precedents and influences of different national and regional contexts. While the United States and Western Europe may have been the vanguard of abortion law reform in the latter half of the twentieth century, Central and South America are proving to be laboratories of thought and innovation in the twenty-first century, as are particular countries in Africa and Asia. Abortion Law in Transnational Perspective offers a fresh look at significant transnational legal developments in recent years, examining key judicial decisions, constitutional texts, and regulatory reforms of abortion law in order to envision ways ahead. The chapters investigate issues of access, rights, and justice, as well as social constructions of women, sexuality, and pregnancy, through different legal procedures and regimes. They address the promises and risks of using legal procedure to achieve reproductive justice from different national, regional, and international vantage points; how public and courtroom debates are framed within medical, religious, and human rights arguments; the meaning of different narratives that recur in abortion litigation and language; and how respect for women and prenatal life is expressed in various legal regimes. By exploring how legal actors advocate, regulate, and adjudicate the issue of abortion, this timely volume seeks to build on existing developments to bring about change of a larger order. Contributors: Luis Roberto Barroso, Paola Bergallo, Rebecca J. Cook, Bernard M. Dickens, Joanna N. Erdman, Lisa M. Kelly, Adriana Lamačková, Julieta Lemaitre, Alejandro Madrazo, Charles G. Ngwena, Rachel Rebouché, Ruth Rubio-Marín, Sally Sheldon, Reva B. Siegel, Verónica Undurraga, Melissa Upreti.

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Though set in other worlds populated by alien beings, science fiction is a site where humans can critique and re-imagine the paradigms that shape this world, from fundamentals such as the sex and gender of the body to global power relations among sexes, races, and nations. Feminist thinkers and writers are increasingly recognizing science fiction's potential to shatter patriarchal and heterosexual norms, while the creators of science fiction are bringing new depth and complexity to the genre by engaging with feminist theories and politics. This book maps the intersection of feminism and science fiction through close readings of science fiction literature by Octavia E. Butler, Richard Calder, and Melissa Scott and the movies The Matrix and the Alien series. Patricia Melzer analyzes how these authors and films represent debates and concepts in three areas of feminist thought: identity and difference, feminist critiques of science and technology, and the relationship among gender identity, body, and desire, including the new gender politics of queer desires, transgender, and intersexed bodies and identities. She demonstrates that key political elements shape these debates, including global capitalism and exploitative class relations within a growing international system; the impact of computer, industrial, and medical technologies on women's lives and reproductive rights; and posthuman embodiment as expressed through biotechnologies, the body/machine interface, and the commodification of desire. Melzer's investigation makes it clear that feminist writings and readings of science fiction are part of a feminist critique of existing power relations—and that the alien constructions (cyborgs, clones, androids, aliens, and hybrids) that populate postmodern science fiction are as potentially empowering as they are threatening.

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Artist-explorer John Mix Stanley (1814-1872), one of the most celebrated chroniclers of the American West in his time, was in a sense a victim of his own success. So highly regarded was his work that more than two hundred of his paintings were held at the Smithsonian Institution - where in 1865 a fire destroyed all but seven of them. This volume, featuring a comprehensive collection of Stanley's extant art, reproduced in full color, offers an opportunity - and ample reason - to rediscover the remarkable accomplishments of this outsize figure of nineteenth-century American culture. Originally from New York State, Stanley journeyed west in 1842 to paint Indian life. During the U.S.-Mexican War, he joined a frontier military expedition and traveled from Santa Fe to California, producing sketches and paintings of the campaign along the way - work that helped secure his fame in the following decades. He was also appointed chief artist for Isaac Stevens's survey of the 48th parallel for a proposed transcontinental railroad. The essays in this volume, by noted scholars of American art, document and reflect on Stanley's life and work from every angle. The authors consider the artist's experience on government expeditions; his solo tours among the Oregon settlers and western and Plains Indians; and his career in Washington and search for government patronage, as well as his individual works. With contributions by Emily C. Burns, Scott Manning Stevens, Lisa Strong, Melissa Speidel, Jacquelyn Sparks, and Emily C. Wilson, the essays in this volume convey the full scope of John Mix Stanley's artistic accomplishment and document the unfolding of that uniquely American vision throughout the artist's colorful life. Together they restore Stanley to his rightful place in the panorama of nineteenth-century American life and art.

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From 2008, Charlotte Reed suffered from crippling depression. She decided not to take antidepressants and to instead fight her depression by making lifestyle changes such as exercise, diet and acupuncture. In addition, she started an online ‘Thought for the Day’ – a positive thought she posted on Facebook each day. These daily thoughts became a massive hit among her friends and Charlotte credits them with playing a huge part in her recovery from depression two years later. She went on to publish them in a book, May The Thoughts be With You, which she has sold thousands of copies of at the world-famous Portbello Road Market in Notting Hill, London. My Path to Happy is the story of her illness and recovery. Equally moving as it is hopeful, this beautifully illustrated book will resonate with anyone who has experienced depression – either as a sufferer themselves or as a helpless bystander. Written simply and illustrated appealingly, Charlotte powerfully conveys the nature and experience of this illness and what helped her to ultimately overcome it. At a time when, as a society, we are becoming more and more open about our mental health, this book will appeal to anyone who has experienced depression either first hand or as a helpless bystander. Charlotte has a weekly 'Thought for the Day' in London's Evening Standard.Praise for My Path to Happy: 'Such a moving story! It's heartfelt, honest and incredibly inspiring.' Melissa Hemsley, author of Eat Happy 'Charlotte is so brave to share her story in such an honest and moving way. I love how openly she talks about mental health and how she found help - particularly through acupuncture, family and most of all, self acceptance and self love. A truly beautiful read.'- Vanessa Kirby, actress

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If you liked CHILDREN OF BLOOD AND BONE, you'll love THE BONELESS MERCIES They called us the Mercies, or sometimes the Boneless Mercies. They said we were shadows, ghosts, and if you touched our skin we dissolved into smoke ... Frey, Ovie, Juniper, and Runa are Boneless Mercies – death-traders, hired to kill quickly, quietly and mercifully. It is a job for women, and women only. Men will not do this sad, dark work. Frey has no family, no home, no fortune, and yet her blood sings a song of glory. So when she hears of a monster slaughtering men, women, and children in a northern jarldom, she decides this the Mercies’ one chance to change their fate. But glory comes at a price … An epic YA fantasy set in a breathtaking new world, this is perfect for fans of V.E.Schwab, Leigh Bardugo, Laini Taylor and Melinda Salisbury "Fierce and glorious, this story of outcast girls defying fate utterly bewitched me. Tucholke is a gorgeous writer." -- LAINI TAYLOR, New York Times-bestselling author of Strange the Dreamer "​​Its every page hints at a deeper magic at work; it contains a whole world and all its myths and histories within its skin." -- MELISSA ALBERT, New York Times-bestselling author of The Hazel Wood"Ruthless and lyrical, heart-warming and blood-chilling, and beautifully redolent of ancient tales and history. It will sing to a new generation of heroes."-- SAMANTHA SHANNON, New York Times-bestselling author of The Bone Season"I fell in love with this stunning novel from the very first page. Fierce and unforgettable, with gorgeous prose and a fantastic premise that more than delivers. Easily one of my favorite YA novels of 2018." -- KATHERINE WEBBER, author of Wing Jones and Only Love Can Break Your Heart

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No More Separate Spheres! challenges the limitations of thinking about American literature and culture within the narrow rubric of “male public” and “female private” spheres from the founders to the present. With provocative essays by an array of cutting-edge critics with diverse viewpoints, this collection examines the ways that the separate spheres binary has malingered unexamined in feminist criticism, American literary studies, and debates on the public sphere. It exemplifies new ways of analyzing gender, breaks through old paradigms, and offers a primer on feminist thinking for the twenty-first century.Using American literary studies as a way to talk about changing categories of analysis, these essays discuss the work of such major authors as Catharine Sedgwick, Herman Melville, Pauline E. Hopkins, Frederick Douglass, Catharine Beecher, Ralph Waldo Emerson, W. E. B. Du Bois, Sarah Orne Jewett, Nathaniel Hawthorne, María Ampara Ruiz de Burton, Ann Petry, Gwendolyn Brooks, Cynthia Kadohata, Chang Rae-Lee, and Samuel Delany. No More Separate Spheres! shows scholars and students different ways that gender can be approached and incorporated into literary interpretations. Feisty and provocative, it provides a forceful analysis of the limititations of any theory of gender that applies only to women, and urges suspicion of any argument that posits “woman” as a universal or uniform category.By bringing together essays from the influential special issue of American Literature of the same name, a number of classic essays, and several new pieces commissioned for this volume, No More Separate Spheres! will be an ideal teaching tool, providing a key supplementary text in the American literature classroom.Contributors. José F. Aranda, Lauren Berlant, Cathy N. Davidson, Judith Fetterley, Jessamyn Hatcher, Amy Kaplan, Dana D. Nelson, Christopher Newfield, You-me Park, Marjorie Pryse, Elizabeth Renker, Ryan Schneider, Melissa Solomon, Siobhan Somerville, Gayle Wald , Maurice Wallace

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'A horny romp that makes you think, laugh, and feel. O'Connell is one of my favourite writers' MONICA HEISEY, author of Really Good, Actually'A very funny novel about falling for a fantasy and finding love for one's own self' MELISSA BRODER, author of The Pisces'Funny, horny, heartbreaking' CAROLINE O'DONOGHUE, author of Promising Young Women____________________Eliott is a TV writer with a perfect-penised boyfriend. He's living the dream.But behind the glossy veneer he's been papering over cracks, and they're starting to show. He's creatively stifled, he's drinking a little too often and his cerebral palsy makes him feel like gay Shrek.When River walks in, Elliott's life is turned upside down in the best way. River is funny, charming and makes him feel seen. But maybe that's part of the deal when you hire a sex worker.Eliott is lost and he needs someone, anyone, to point him in the right direction. After all, it's a long limp towards redemption.A hilarious, sexy, ground-breaking debut novel about the intersection of queerness and disability, and discovering who you really are.____________________What readers are saying about Just By Looking at Him'Darkly funny and poignant''Such a fresh take . . . I was gripped from the first page''Brutally honest, funny and poignant look at modern life through the lens of disability''This book is honest, hilarious, and raw . . . I loved literally every character''The author has such a strong voice and has created in Eliot a character that I will not soon forget . . . I found myself laughing out loud''Reads like your favorite whip- smart sitcom everyone looks forward to at the end of the day''One of the funniest books I have ever read'

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THE SUNDAY TIMES & NEW YORK TIMES BESTSELLER"The definitive guide for building an all-round healthy and high-performing body and mind." Andrew Huberman, professor of neuroscience, Stanford University, and host of the Huberman Lab podcastThe sit-and-rise test that can predict your likely lifespanThe one-leg balance that indicates your risk of being seriously injured in a fallThe floor-sit and squat moves that could reduce your chance of arthritic hip pain by up to 90%Your body is built to move, but do you know how to give it what it needs for lifelong strength and mobility? After decades spent working with pro-athletes and Olympians, mobility pioneers Kelly and Juliet Starrett began thinking about the physical wellbeing of the rest of us. What makes a durable human at any age? How do we continue to feel great and function well as we grow older in a world of technology-dependence and sedentary living?The answers lie in a simple formula for basic mobility maintenance: 10 tests + 10 physical practices = 10 ways to make your body work better. These tests involve no cardio, no strength training and are achievable at any fitness level.Organised around ten assessments and ten physical practices that anyone can do, Built to Move is designed to improve the way your body feels - less stiffness! fewer aches and pains! - and boost the overall quality of your life, no matter how you spend your time.This book is your game plan for the long game."There is no body this book will not revolutionise."Melissa Urban, cofounder of Whole30"My dream come true - a way to get ahead of injuries before they happen."Christopher McDougall, bestselling author of Born to Run

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'A joy to behold' Yotam OttolenghiLearn how to cook the Swedish way with this beautiful book of over 100 delicious recipes. Spring picnics on the archipelago; barbecues at the summer cabin; cosy autumnal suppers; and dark snowy winters filled with candlelight, gingerbread and glögg - the Swedes love to celebrate every season via the food they eat. Complete with stunning location and food photography, and over 100 beautiful, fuss-free recipes, this cookbook lets you in on what the Swedish call lagom . . . the art of not too little, not too much, but just the right amount. Explore the nation's simple and balanced approach to cooking, sample their best-loved ingredients and discover a must-try cuisine that is about far more than just meatballs, fika and cinnamon buns . . . _________________Inside you'll find recipes for sunny days or cosy evenings, celebrations or nights curled up at home, such as:· POACHED CHICKEN WITH QUICK PICKLED STRAWBERRY SALAD. The ultimate barbecue salad. Replace the chicken with grilled halloumi cheese for a delicious vegetarian alternative.· PEAS, POTATOES AND CHICKEN IN A POT. The one dish delight: summer comfort food that's perfect for midweek. · MIDSUMMER MERINGUE CROWNS. The Swedes have been wearing flower crowns since long before festival-goers discovered them. Now you can make beautiful edible ones for parties or puddings.· PLUM TOSCA CAKE. This Swedish favourite, named after Puccini's opera, is filled with tart plums and sweet almonds._________________ 'I am so ready to race home and devour these fun, effortless and beautiful recipes that just beg to be cooked' Melissa Hemsley 'The magic of Sweden's beautiful seasons comes alive . . . a real celebration of seasonal Swedish home cooking and tradition with Rachel's trademark inspirational twists!' Donal Skehan

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Dangerous Deception is the second book in the spellbinding Dangerous Creatures series set in the world of the global bestselling Beautiful Creatures novels by Kami Garcia and Margaret Stohl.Some loves are cursed. Others are...dangerous. Especially the love between wannabe rocker and quarter Incubus, Wesley "Link" Lincoln, and Dark Caster, Siren, and bonafide bad girl, Ridley Duchannes.But now Ridley is missing, and Link was with her-right up until she vanished. Determined to find her, Link reunites with his New York bandmates and the mysterious Lennox Gates, who wants Rid for himself. Together they travel to the Deep South, find the crossroads where blues guitarist Robert Johnson made his deal with the devil, discover a menagerie of Casters locked in cages, and uncover an evil in New Orleans that threatens to destroy them all.This time, love might not be enough.Kami Garcia and Margaret Stohl are back and casting another magical spell. Their signature mixture of mystery, suspense, and romance, along with a dash of fun and danger, will pull fans in and leave them begging for more.Praise for The Beautiful Creatures series:'Watch out Twilight and Hunger Games' The Guardian'Move over Twilight, there's a new supernatural saga in town.' E!'A hauntingly delicious dark fantasy' - Cassandra Clare, New York Times bestselling author of City of Bones'Gorgeously crafted, atmospheric, and original' Melissa Marr, New York Times bestselling author of Wicked Lovely'Smart, textured and romantic' Kirkus Reviews'This novel has been generating Twilight-level buzz.' Teen VogueAvailable in the Dangerous Creatures Series:Dangerous Creatures (Book 1)Dangerous Deception (Book 2)Available in The Beautiful Creatures series:Beautiful Creatures (Book 1)Beautiful Darkness (Book 2)Beautiful Chaos (Book 3)Beautiful Redemption (Book 4)Exclusive ebook novellas available:Dream DarkDangerous Dream

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The Binding meets The Handmaid's Tale - Discovering a book of dark and ancient power, a convent librarian must defend it with her life. Perfect for fans of dark academia and historical feminist fiction.'A wonderfully rich and absorbing tale' Observer'Expertly crafted and beautifully told' Jennifer Saint'All so good. I read it in two days flat, and wish I had spaced it out more' ⭐ ⭐ ⭐ ⭐ ⭐ READER REVIEWBeatrice is the convent's librarian. For years, she has shunned the company of her sisters, finding solace only with her manuscripts. Then, one carnival night, two women, bleeding and stricken, are abandoned outside the convent's walls. Moments from death, one of them presses something into Beatrice's hands: a bewitching book whose pages have a dangerous life of their own. But men of the faith want the book destroyed, and a zealous preacher has tracked it to her door. Her sisters' lives - or her obsession. Beatrice must decide.The book's voice is growing stronger.An ancient power uncoils.Will she dare to listen?More praise for THE BOOK OF EVE:'What an extraordinary book' Harriet Tyce 'A ravishing, erudite feminist hijack of Renaissance Florence' Alice Albinia'A beautifully written, utterly enthralling read' Karen Coles 'Mysterious, bewitching and beautiful' Elizabeth Lee'Brutal and haunting' Melissa Fu 'Erudite and bewitching' Costanza CasatiAnd some early reader reviews:'It is a tribute to female strength, power and resilience' ⭐ ⭐ ⭐ ⭐ ⭐'A very interesting take on myth, mythology and the power of women when they work together for the greater good' ⭐ ⭐ ⭐ ⭐'The writing was excellent with a compelling storyline and well developed characters and a fantastic setting' ⭐ ⭐ ⭐ ⭐ ⭐'An emotional journey, I absolutely loved the story and characters' ⭐ ⭐ ⭐ ⭐

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'A dazzling fairytale' Stephanie Garber, on Six Crimson CranesA dragon's kingdom. A star-crossed love. And a cursed pearl with the power to mend the world, or break it . . .Shiori's quest continues in the soaring sequel to the New York Times bestselling young adult fantasy Six Crimson Cranes.Princess Shiori made a deathbed promise to return the dragon's pearl to its rightful owner, but keeping that promise is more dangerous than she ever imagined. She must journey to the kingdom of dragons, navigate political intrigue among humans and dragons alike, fend off thieves who covet the pearl for themselves and will go to any lengths to get it, all the while cultivating the appearance of a perfect princess to dissuade those who would see her burned at the stake for the magic that runs in her blood. The pearl itself is no ordinary cargo; it thrums with malevolent power, jumping to Shiori's aid one minute, and betraying her the next - threatening to shatter her family and sever the thread of fate that binds her to her true love. It will take every ounce of strength Shiori can muster to defend the life and the love she's fought so hard to win.PRAISE FOR ELIZABETH LIM'Magic leaps from every page of Lim's exquisite fairytale' Axie Oh'An amazing creation!' Tamora Pierce'The perfect blend of whimsy and ferociousness, with twists and turns that will tug at your heartstrings' Chloe Gong'This is a gem for all lovers of whimsical fantasy!' Natasha Ngan'Lim is a master storyteller which is apparent with every magical turn of the page' Kerri Maniscalco'This book is magic!' Kristin Cashore'Elizabeth Lim takes readers on a captivating and wholly original journey' Melissa Bashardoust

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A range of approaches (literary, historical, art-historical, codicological) to this mysterious but hugely significant manuscript. Extravagantly heterogeneous in its contents, Oxford, Bodleian Library, MS Digby 86 is an utterly singular production. On its last folio, the scribe signs off with a self-portrait - a cartoonishly-drawn male head wearing a close-fitted hood - and an inscription: "scripsi librum in anno et iii mensibus" (I wrote the book in a year and three months). His fifteen months' labour resulted in one of the most important miscellanies to survive from medieval England: a trilingual marvel of a compilation, with quirky combinations of content that range from religion, to science, to literature of a decidedly secular cast. It holds medical recipes, charms, prayers, prognostications, magic tricks, pious doctrine, a liturgical calendar, religious songs, lively debates, poetry on love and death, proverbs, fables, fabliaux, scurrilous games, and gender-based diatribes. That Digby is from the thirteenth century adds to its appeal, for English literary remnants from before 1300 are all too rare. Scholars on both sides of the vernacular divide, French and English, are deeply intrigued by it. Many of its texts are found nowhere else: for example, the French Arthurian Lay of the Horn, the English fabliau Dame Sirith and the beast fable Fox and Wolf, and the French Strife between Two Ladies (a candid debate on feminine politics). The interpretationsoffered in this volume of its contents, presentation, and ownership, show that there is much to discover in Digby's lively record of the social and spiritual pastimes of a book-owning gentry family. SUSANNA FEIN is Professor of English at Kent State University. CONTRIBUTORS: Maureen Boulton, Neil Cartlidge, Marilyn Corrie, Susanna Fein, Marjorie Harrington, John Hines, Jennifer Jahner, Melissa Julian-Jones, Jenni Nuttall, David Raybin, Delbert Russell, J.D. Sargan, Sheri Smith

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Ideal for classroom use, this anthology of original essays by the leading authorities on women’s comedy surveys the disorderly, subversive, and unruly performances of women comics from silent film to contemporary multimedia Winner, Susan Koppleman Award for Best Anthology, Multi-Authored, or Edited Book in Feminist Studies, Popular and American Culture Associations (PACA), 2017Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens large and small, smashing the tired stereotype that women aren’t funny. But today’s funny women aren’t a new phenomenon—they have generations of hysterically funny foremothers. Fay Tincher’s daredevil stunts, Mae West’s linebacker walk, Lucille Ball’s manic slapstick, Carol Burnett’s athletic pratfalls, Ellen DeGeneres’s tomboy pranks, Whoopi Goldberg’s sly twinkle, and Tina Fey’s acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women’s bodies and behaviors.Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field’s leading authorities, introducing a new framework for women’s comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women’s comedy.

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'A MIRACULOUS NOVEL' MEGHA MAJUMDAR 'PLAYFUL AND PROFOUND . . . USING WRY HUMOUR TO DELIVER A DEAD SERIOUS MESSAGE' MELISSA FU'A BONKERS STORY THAT READS LIKE A FINE TEN-COURSE MEAL' GARY SHTEYNGARTA young cinephile leaves his rural village in India with big dreams, only to find himself trapped in menial jobs and forced to work off a debt he may never repay. In a small farming village in Punjab, India, a boy crouches over his brother's phone in a rapeseed field watching clips of Godard's Bande à part on YouTube. His name is Happy Singh Soni and when he's not sleeping among the cabbages and eating sugary rotis, Happy dreams of becoming an actor, one who plays the melancholy roles; the sad, pretty boys, rare in Indian cinema. He plans a clandestine journey to Europe, where he'll finally land a breakout role. After a nightmarish passage to Italy, Happy still manages to find relief in food and fantasy, even as he is forced into ever-worsening work conditions on a radish farm by the syndicate involved in smuggling him to Europe to pay off the supposed debt they claim he has accrued. While disillusionment amongst the farm workers rise, Happy will find the love - and tragedy - that his favourite films always promised. At turns funny and heart-breaking, sunny and tragic, Happy is a formally ambitious novel about the psychic fissures produced by the splintering of nations, and the lovely, generative, artful coping mechanisms created by generations of diasporic people. With this ingenious, daringly cinematic debut, Celina Baljeet Basra argues for the things that are basic to human survival: food, water, shelter, but also pleasure, romance, art, and the right to a vivid inner life.

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In Queer/Early/Modern, Carla Freccero, a leading scholar of early modern European studies, argues for a reading practice that accounts for the queerness of temporality, for the way past, present, and future time appear out of sequence and in dialogue in our thinking about history and texts. Freccero takes issue with New Historicist accounts of sexual identity that claim to respect historical proprieties and to derive identity categories from the past. She urges us to see how the indeterminacies of subjectivity found in literary texts challenge identitarian constructions and she encourages us to read differently the relation between history and literature. Contending that the term “queer,” in its indeterminacy, points the way toward alternative ethical reading practices that do justice to the aftereffects of the past as they live on in the present, Freccero proposes a model of “fantasmatic historiography” that brings together history and fantasy, past and present, event and affect.Combining feminist theory, queer theory, psychoanalysis, deconstruction, and literary criticism, Freccero takes up a series of theoretical and historical issues related to debates in queer theory, feminist theory, the history of sexuality, and early modern studies. She juxtaposes readings of early and late modern texts, discussing the lyric poetry of Petrarch, Louise Labé, and Melissa Ethridge; David Halperin’s take on Michel Foucault via Apuleius’s The Golden Ass and Boccaccio’s Decameron; and France’s domestic partner legislation in connection with Marguerite de Navarre’s Heptameron. Turning to French cleric Jean de Léry’s account, published in 1578, of having witnessed cannibalism and religious rituals in Brazil some twenty years earlier and to the twentieth-century Brandon Teena case, Freccero draws on Jacques Derrida’s concept of spectrality to propose both an ethics and a mode of interpretation that acknowledges and is inspired by the haunting of the present by the past.

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Building on recent debates in critical social theory and international relations, Making Things International I: Circuits and Motion presents twenty-five essays that engage the global, the local, and the international through the lens of objects. It represents the first substantial new materialist intervention in global politics and international relations, offering a diverse and provocative set of reflections on how different objects create, sustain, complicate, and trouble the international. Problematizing the stuff of global life, Making Things International focuses on contemporary materialist scholarship on the international realm. The first of two volumes, these original contributions by both new and established scholars examine how war, diplomacy, trade, communication, and mobile populations are made by things: weapons, vehicles, shipping containers, commodities, passports, and more. The authors demonstrate how mundane, everyday objects—not normally understood as international—are in fact deeply implicated in how we think of the world: blood, garbage, viruses, traffic lights, clocks, memes, and ships’ ballast. Contributors: Michele Acuto, U College London; Peter Adey, Royal Holloway U of London; Rune Saugmann Andersen, U of Helsinki; Jessica Auchter, U of Tennessee at Chattanooga; Mike Bourne, Queen’s U Belfast; Kathleen P. J. Brennan; Elizabeth Cobbett, U of East Anglia; Stefanie Fishel, Hobart and William Smith Colleges; Emily Gilbert, U of Toronto; Jairus Grove, U of Hawai‘i at Manoa; Charlie Hailey, U of Florida; John Law, Open U; Wen-yuan Lin, National Tsing-hua U; Oded Löwenheim, Hebrew U of Jerusalem; Chris Methmann; Benjamin J. Muller, U of Western Ontario; Can E. Mutlu, Bilkent U; Geneviève Piché; Joseph Pugliese, Macquarie U; Katherine Reese; Michael J. Shapiro, U of Hawai‘i at Manoa; Benjamin Stephan; Daniel Vanderlip; William Walters, Carleton U; Melissa Autumn White, U of British Columbia; Lauren Wilcox, U of Cambridge; Yvgeny Yanovsky.

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An inside look into patterns and potential prevention plans for one of the most hotly sensationalized crimes A special kind of horror is reserved for mothers who kill their children. Cases such as those of Susan Smith, who drowned her two young sons by driving her car into a lake, and Melissa Drexler, who disposed of her newborn baby in a restroom at her prom, become media sensations. Unfortunately, in addition to these high-profile cases, hundreds of mothers kill their children in the United States each year. The question most often asked is, why? What would drive a mother to kill her own child? Those who work with such cases, whether in clinical psychology, social services, law enforcement or academia, often lack basic understandings about the types of circumstances and patterns which might lead to these tragic deaths, and the social constructions of motherhood which may affect women's actions. These mothers oftentimes defy the myths and media exploitation of them as evil, insane, or lacking moral principles, and they are not a homogenous group. In obvious ways, intervention strategies should differ for a teenager who denies her pregnancy and then kills her newborn and a mother who kills her two toddlers out of mental illness or to further a relationship. A typology is needed to help us to understand the different cases that commonly occur and the patterns they follow in order to make possible more effective prevention plans. Mothers Who Kill Their Children draws on extensive research to identify clear patterns among the cases of women who kill their children, shedding light on why some women commit these acts. The characteristics the authors establish will be helpful in creating more meaningful policies, more targeted intervention strategies, and more knowledgeable evaluations of these cases when they arise.

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Over the past seven decades, human rights education has blossomed into a global movement. A field of scholarship that utilizes teaching and learning processes, human rights education addresses basic rights and broadens the respect for the dignity and freedom of all peoples. Since the founding of the United Nations and the adoption of the Universal Declaration of Human Rights in 1948, human rights education has worked toward ensuring that schools and non-formal educational spaces become sites of promise and equity. Bringing together the voices of leaders and researchers deeply engaged in understanding the politics and possibilities of human rights education as a field of inquiry, Monisha Bajaj's Human Rights Education shapes our understanding of the practices and processes of the discipline and demonstrates the ways in which it has evolved into a meaningful constellation of scholarship, policy, curricular reform, and pedagogy. Contributions by pioneers in the field, as well as emerging scholars, constitute this foundational textbook, which charts the field's rise, outlines its conceptual frameworks and models, and offers case studies from Africa, Asia, Latin America, Europe, the Middle East, and the United States. The volume analyzes how human rights education has been locally tailored to diverse contexts and looks at the tensions and triumphs of such efforts. Historicizing human rights education while offering concrete grounding for those who seek entry into this dynamic field of scholarship and practice, Human Rights Education is essential reading for students, educators, researchers, advocates, activists, practitioners, and policy makers. Contributors: Monisha Bajaj, Ben Cislaghi, Nancy Flowers, Melissa Leigh Gibson, Diane Gillespie, Carl A. Grant, Tracey Holland, Megan Jensen, Peter G. Kirchschlaeger, Gerald Mackie, J. Paul Martin, Sam Mejias, Chrissie Monaghan, Audrey Osler, Oren Pizmony-Levy, Susan Garnett Russell, Carol Anne Spreen, David Suárez, Felisa Tibbitts, Rachel Wahl, Chalank Yahya, Michalinos Zembylas.

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This book is above all a commitment to encounter. Is the research result of a Working Group (Grupo de Trabajo) of the Latin American Council of Social Sciences (CLACSO), which brings together people who study and research, but who, above all, carry out collective actions from social organizations to transform the reality of our continent. This character of thinking doing, or rather, of doing thinking, of the Grupo de Trabajo gives this text a peculiar cadence. A cadence that demands a collective and cooperative authorship. It is also a recovery of the struggles that precede us, the sutures of the loom of memory that patriarchal and colonial capitalism strives to pierce, and that is another of the powers of this book. The book invites to dismantle the patriarchal and colonial legacies embedded in the very foundations of hegemonic academic thought, and demonstrates the urgent need to understand this as a political task of the moment. It is organized into three main stations, which, like a train journey, can be travelled through sequentially from beginning to end, or entered randomly, stopping at one or another section according to the interests and concerns of the moment. The volumes contributors are Alicia Migliaro Gonzaìlez, Ana Luciìa Ramazzini, Colectivo Magdalenas UruguayTeatro de las oprimidas, Cristina Cucuriì, Cristina Vega, Delmy Tania Cruz Hernaìndez, Dina Mazariegos Garciìa, Elvira Cuadra Lira, Eva Vaìzquez, Gabriela Ruales, Gabriela Veras Iglesias, Giulia Marchese, Inþigo Arrazola, Ivonne Yaìnez, Jonatan Rodas, Juliana Diìaz Lozano, Lisset Coba, Lorena Rodriìguez Lezica, Manuel Bayoìn, Mariano Feìliz, Mauricio Arellano Nucamendi, Melissa Moreano, Miriam Garciìa-Torres, Miriam Lang, Rosa H.G. Govela Gutieìrrez (), Rossana Cantieri Cagnone, Sofiìa Zaragocin, and Walda Barrios-Klee (). Rosa Govela Gutiérrez and Walda Barrios-Klee died while the book was being edited.

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The Binding meets The Handmaid's Tale - Discovering a book of dark and ancient power, a convent librarian must defend it with her life. Perfect for fans of dark academia and historical feminist fiction.'A wonderfully rich and absorbing tale' Observer'Expertly crafted and beautifully told' Jennifer Saint'All so good. I read it in two days flat, and wish I had spaced it out more' ⭐ ⭐ ⭐ ⭐ ⭐ READER REVIEWBeatrice is the convent's librarian. For years, she has shunned the company of her sisters, finding solace only with her manuscripts. Then, one carnival night, two women, bleeding and stricken, are abandoned outside the convent's walls. Moments from death, one of them presses something into Beatrice's hands: a bewitching book whose pages have a dangerous life of their own.But men of the faith want the book destroyed, and a zealous preacher has tracked it to her door. Her sisters' lives - or her obsession. Beatrice must decide.The book's voice is growing stronger.An ancient power uncoils.Will she dare to listen?More praise for THE BOOK OF EVE:'What an extraordinary book' Harriet Tyce 'A ravishing, erudite feminist hijack of Renaissance Florence' Alice Albinia'A beautifully written, utterly enthralling read' Karen Coles 'Mysterious, bewitching and beautiful' Elizabeth Lee'Brutal and haunting' Melissa Fu 'Erudite and bewitching' Costanza CasatiAnd some early reader reviews:'It is a tribute to female strength, power and resilience' ⭐ ⭐ ⭐ ⭐ ⭐'A very interesting take on myth, mythology and the power of women when they work together for the greater good' ⭐ ⭐ ⭐ ⭐'The writing was excellent with a compelling storyline and well developed characters and a fantastic setting' ⭐ ⭐ ⭐ ⭐ ⭐'An emotional journey, I absolutely loved the story and characters' ⭐ ⭐ ⭐ ⭐

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'A MIRACULOUS NOVEL' MEGHA MAJUMDAR 'PLAYFUL AND PROFOUND . . . USING WRY HUMOUR TO DELIVER A DEAD SERIOUS MESSAGE' MELISSA FU'A BONKERS STORY THAT READS LIKE A FINE TEN-COURSE MEAL' GARY SHTEYNGARTA young cinephile leaves his rural village in India with big dreams, only to find himself trapped in menial jobs and forced to work off a debt he may never repay. In a small farming village in Punjab, India, a boy crouches over his brother's phone in a rapeseed field watching clips of Godard's Bande à part on YouTube. His name is Happy Singh Soni and when he's not sleeping among the cabbages and eating sugary rotis, Happy dreams of becoming an actor, one who plays the melancholy roles; the sad, pretty boys, rare in Indian cinema. He plans a clandestine journey to Europe, where he'll finally land a breakout role. After a nightmarish passage to Italy, Happy still manages to find relief in food and fantasy, even as he is forced into ever-worsening work conditions on a radish farm by the syndicate involved in smuggling him to Europe to pay off the supposed debt they claim he has accrued. While disillusionment amongst the farm workers rise, Happy will find the love - and tragedy - that his favourite films always promised. At turns funny and heart-breaking, sunny and tragic, Happy is a formally ambitious novel about the psychic fissures produced by the splintering of nations, and the lovely, generative, artful coping mechanisms created by generations of diasporic people. With this ingenious, daringly cinematic debut, Celina Baljeet Basra argues for the things that are basic to human survival: food, water, shelter, but also pleasure, romance, art, and the right to a vivid inner life.

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***Shortlisted for the Hugo, Nebula and Locus awards for Best Novel***'A gorgeous, aching love letter to stories, storytellers and the doors they lead us through . . . absolutely enchanting' Christina Henry, bestselling author of AliceACCORDING TO JANUARY SCALLER, THERE'S ONLY ONE WAY TO RUN AWAY FROM YOUR OWN STORY, AND THAT'S TO SNEAK INTO SOMEONE ELSE'S . . . In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr Locke, she feels little different from the artefacts that decorate the halls: carefully maintained, largely ignored and utterly out of place.But her quiet existence is shattered when she stumbles across a strange book. A book that carries the scent of other worlds and tells a tale of secret doors, of love, adventure and danger. Each page reveals more impossible truths about the world, and January discovers a story increasingly entwined with her own.'One of the most unique works of fiction I've ever read' Tamora Pierce, New York Times bestselling author'A gorgeously written story of love and longing, of what it means to lose your place in the world and then have the courage to find it again' Kat Howard, author of An Unkindness of Magicians'Devastatingly good, a sharp, delicate nested tale of worlds within worlds, stories within stories and the realm-cracking power of words' Melissa Albert, author of The Hazel Wood'The Ten Thousand Doors of January healed hurts I didn't even know I had. An unbearably beautiful story about growing up, and everything we fight to keep along the way' Amal El-Mohtar, Hugo Award-winning author'Beautiful, achingly gorgeous ode to storytelling, magic and family' S. A. Chakraborty, author of The City of Brass

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‘One of the books of the year. Cunnell’s style is matchless: intimate, dark, sincere, wry and exquisitely beautiful’ – Irish Times‘A cracking, urgent page-turner of a novel’ – ObserverThe painter Terry Godden was on the brink of his first success. After a violent crisis, he finds himself outcast.In his fifties, and with little money, he retreats to a small island. Arriving in the winter, the island at first seems a desolate and forgotten place. As the seasons turn, Terry begins to see the island’s beauty, and discovers that he is only one of many people who have sought refuge here. These independent outsiders, all with their own considerable struggles, have made a precarious home.The island is owned by the business man and art collector Alex Kaplan. His decision to enforce a rent increase as he seeks to improve his property looks set to destroy this community that cannot afford to lose the little they have left. As an artist, Terry believes making the invisible struggles of the island visible to the world will help – but will his interference save anybody other than himself?The Painter’s Friend shows the human cost of gentrification for those dispossessed. The novel also explores the role of art in protest, and asks who gets to be an artist and what they owe in return. Written with visual lyricism and driven clarity, Howard Cunnell’s incendiary story about class and resistance builds to an unforgettable climax. It is an urgent novel for our unjust times.‘I loved it. Cunnell’s writing has an unforgettable visual and moral clarity’ – Melissa Harrison, author of All Among the Barley

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The 1980s saw the rise of Ronald Reagan and the New Right in American politics, the popularity of programs such as thirtysomething and Dynasty on network television, and the increasingly widespread use of VCRs, cable TV, and remote control in American living rooms. In Seeing Through the Eighties, Jane Feuer critically examines this most aesthetically complex and politically significant period in the history of American television in the context of the prevailing conservative ideological climate. With wit, humor, and an undisguised appreciation of TV, she demonstrates the richness of this often-slighted medium as a source of significance for cultural criticism and delivers a compelling decade-defining analysis of our most recent past.With a cast of characters including Michael, Hope, Elliot, Nancy, Melissa, and Gary; Alexis, Krystle, Blake, and all the other Carringtons; not to mention Maddie and David; even Crockett and Tubbs, Feuer smoothly blends close readings of well-known programs and analysis of television’s commercial apparatus with a thorough-going theoretical perspective engaged with the work of Baudrillard, Fiske, and others. Her comparative look at Yuppie TV, Prime Time Soaps, and made-for-TV-movie Trauma Dramas reveals the contradictions and tensions at work in much prime-time programming and in the frustrations of the American popular consciousness. Seeing Through the Eighties also addresses the increased commodification of both the producers and consumers of television as a result of technological innovations and the introduction of new marketing techniques. Claiming a close relationship between television and the cultures that create and view it, Jane Feuer sees the eighties through televison while seeing through television in every sense of the word.

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Mediation Ethics is a groundbreaking text that offers conflict resolution professionals a much-needed resource for traversing the often disorienting landscape of ethical decision making. Edited by mediation expert Ellen Waldman, the book is filled with illustrative case studies and authoritative commentaries by mediation specialists that offer insight for handling ethical challenges with clarity and deliberateness. Waldman begins with an introductory discussion on mediation's underlying values, its regulatory codes, and emerging models of practice. Subsequent chapters treat ethical dilemmas known to vex even the most experienced practitioner: power imbalance, conflicts of interest, confidentiality, attorney misconduct, cross-cultural conflict, and more. In each chapter, Waldman analyzes the competing values at stake and introduces a challenging case, which is followed by commentaries by leading mediation scholars who discuss how they would handle the case and why. Waldman concludes each chapter with a synthesis that interprets the commentators' points of agreement and explains how different operating premises lead to different visions of what an ethical mediator should do in a given case setting. Evaluative, facilitative, narrative, and transformative mediators are all represented. Together, the commentaries showcase the vast diversity that characterizes the field today and reveal the link between mediator philosophy, method, and process of ethical deliberation. Commentaries by Harold Abramson Phyllis Bernard John Bickerman Melissa Brodrick Dorothy J. Della Noce Dan Dozier Bill Eddy Susan Nauss Exon Gregory Firestone Dwight Golann Art Hinshaw Jeremy Lack Carol B. Liebman Lela P. Love Julie Macfarlane Carrie Menkel-Meadow Bruce E. Meyerson Michael Moffitt Forrest S. Mosten Jacqueline Nolan-Haley Bruce Pardy Charles Pou Mary Radford R. Wayne Thorpe John Winslade Roger Wolf Susan M. Yates

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Bears, Bulls, Cubs, Sox, Blackhawks - there's no city like Chicago when it comes to sports. Generation after generation, Chicagoans pass down their almost religious allegiances to teams, stadiums, and players and their never-say-die attitude, along with the stories of the city's best (and worst) sports moments. And every one of those moments - every come-from-behind victory or crushing defeat - has been chronicled by Chicago's unparalleled sportswriters. In From Black Sox to Three-Peats, veteran Chicago sports columnist Ron Rapoport assembles one hundred of the best pieces from the Tribune, Sun-Times, Daily News, Defender, and other papers to tell the unforgettable story of a century of Chicago sports. From Ring Lardner to Rick Telander, Westbrook Pegler to Bob Verdi, Mike Royko to Wendell Smith, Melissa Isaacson to Brent Musburger, and on, this collection reminds us that Chicago sports fans have enjoyed a wealth of talent not just on the field, but in the press box as well. Through their stories we relive the betrayal of the Black Sox, the cocksure power of the '85 Bears, the assassin's efficiency of Jordan's Bulls, the Blackhawks' stunning reclamation of the Stanley Cup, and the Cubs' century of futility. Sports are the most ephemeral of news events: once you know the outcome, the drama is gone. But every once in a while, there are those games, those teams, those players that make it into something more-and great writers can transform those fleeting moments into lasting stories that become part of the very identity of a city. From Black Sox to Three-Peats is Chicago history at its most exciting and celebratory. No sports fan should be without it.

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