Search results for ""author marcus"

Through engaging interviews, testimonials, and anecdotes from photographers, curators, printers, and colleagues, Object Lesson: On the Influence of Richard Benson pays homage to a legendary figure whose name is synonymous with the evolving history and philosophy of photographic reproduction. From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, Object Lesson stands as a testament to Benson’s wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world. Text, image, and interview contributions by Michele Abeles, Marion Belanger, Barbara Benson, Richard Benson, Dawoud Bey, Andrew Borowiec, Lois Conner, Matthew Connors, Tim Davis, Benjamin Donaldson, Dru Donovan, Martina Droth, Shannon Ebner, Lucas Foglia, Peter Galassi, John Gambell, Jon Goodman, Bryan Graf, Gail Albert Halaban, Gary Haller, Heyward Hart, Robert J. Hennessey, Peter Kayafas, Lisa Kereszi, Justin Kimball, David La Spina, John Lehr, Susan Lipper, Salvatore Lopes, Peter MacGill, Tanya Marcuse, Lesley A. Martin, Miko McGinty, Sue Medlicott, Sarah Meister, Paul Messier, Andrea Modica, Matthew Monteith, Abelardo Morell, Arthur Ou, Thomas Palmer, Tod Papageorge, Ted Partin, Bradley Peters, John Pilson, Kristine Potter, Caitlin Teal Price, Sergio Purtell, Jock Reynolds, John Robinson, Jeff L. Rosenheim, Sasha Rudensky, Gary Schneider, David Benjamin Sherry, Steve Smith, Mark Steinmetz, Sarah Stolfa, Ka-Man Tse, James Welling, and Jeff Whetstone

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This book traces the genealogy of ideas of reason, self and sexuality in the West, opening the way to a richer and more diverse understanding of sexual experience. Western philosophy and religion have distorted and continue to distort our experience of sex and love through three far-reaching constellations of reason, self and sexuality. Thinkers like Plato, Aquinas and Kant helped to fashion an ascetic ideal of reason hostile to bodily pleasures and sexual diversity. By contrast, philosophical hedonism advocates a less demanding conception of rationality and defends sexual pleasure. But this approach of thinkers like Hume, Bentham, La Mettrie and de Sade is still one-sided and limiting. A third constellation, Romanticism avoids the limitations of both forms of rationalism, but in the name of a religion of love and passion that ultimately threatens the integrity of the self. In Reason and Sexuality in Western Thought, a richer understanding of sexual experience is traced to a dissident philosophical tradition. In their different ways Montaigne, Spinoza, Hegel and Kierkegaard, Marcuse and Foucault contribute to a more holistic, multi-layered and open conception of reason, sexuality and the self. This book will be essential reading for all students of philosophy and gender studies.

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The first philosophers of the Frankfurt School famously turned to the psychoanalytic theories of Sigmund Freud to supplement their Marxist analyses of ideological subjectification. Since the collapse of their proposed "marriage of Marx and Freud," psychology and social theory have grown apart to the impoverishment of both. Returning to this union, Benjamin Y. Fong reconstructs the psychoanalytic "foundation stone" of critical theory in an effort to once again think together the possibility of psychic and social transformation. Drawing on the work of Hans Loewald and Jacques Lacan, Fong complicates the famous antagonism between Eros and the death drive in reference to a third term: the woefully undertheorized drive to mastery. Rejuvenating Freudian metapsychology through the lens of this pivotal concept, he then provides fresh perspective on Theodor Adorno, Max Horkheimer, and Herbert Marcuse's critiques of psychic life under the influence of modern cultural and technological change. The result is a novel vision of critical theory that rearticulates the nature of subjection in late capitalism and renews an old project of resistance.

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Notions of self-determination are central to modern politics, yet the relationship between the self-determination of individuals and peoples has not been adequately addressed, nor adequately allied to cosmopolitanism. Transcendence seeks to rectify this by offering an original theory of self and society. It highlights overlooked affinities between existentialism and pragmatism and compares figures central to these traditions. The book's guiding thread is a unique model of the social development of the self that is indebted to the pragmatist George Herbert Mead. Drawing on the work of thinkers from both sides of the Atlantic—Hegel, William James, Dewey, Du Bois, Sartre, Marcuse, Bourdieu, Rorty, Neil Gross, and Jean-Baker Miller—and according supporting roles to Adam Smith, Habermas, Herder, Charles Taylor, and Simone de Beauvoir, Aboulafia combines European and American traditions of self-determination and cosmopolitanism in a new and persuasive way.

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Environmental movements are the subject of increasingly rigorous political theoretical study. Can the Frankfurt School's critical frameworks be used to address ecological issues, or do environmental conflicts remain part of the "failed promise" of this group? Critical Ecologies aims to redeem the theories of major Frankfurt thinkers-Theodor Adorno, Max Horkheimer, and Herbert Marcuse, among others-by applying them to contemporary environmental crises. Critical Ecologies argues that sustainability and critical social theory have many similar goals, including resistance to different forms of domination. Like the Frankfurt School itself, the essays in this volume reflect a spirit of interdisciplinarity and draw attention to intersections between environmental, socio-political, and philosophical issues. Offering textual analyses by leading scholars in both critical theory and environmental politics, Critical Ecologies underscores the continued relevance of the Frankfurt School's ideas for addressing contemporary issues.

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From 'Covfefe' to #FraudNewsCNN and #FakeNews, Donald Trump's tweets have caused an international frenzy. He is a reality TV and Twitter-President, who uses digital and entertainment culture as an ideological weapon - as an expression of his authoritarianism. This book delves into new political-economic structures as expressed through political communication to explain the rise of authoritarian capitalism, nationalism and right-wing ideology throughout the world. Christian Fuchs does this through updating Marxist theory and the Frankfurt School's critical theory. He re-invigorates the works on authoritarianism of Franz L. Neumann, Theodor W. Adorno, Erich Fromm, Herbert Marcuse, Max Horkheimer, Wilhelm Reich, Leo Lowenthal and Klaus Theweleit in the age of Trump and Twitter. In the age of big data and social media, Digital Demagogue studies the expressions of ideology, nationalism and authoritarianism today and discusses prospects for overcoming capitalism and renewing the Left.

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In 1923, a group of young radical German thinkers and intellectuals came together to at Victoria Alle 7, Frankfurt, determined to explain the workings of the modern world. Among the most prominent members of what became the Frankfurt School were the philosophers Walter Benjamin, Theodor Adorno, Max Horkheimer, and Herbert Marcuse. Not only would they change the way we think, but also the subjects we deem worthy of intellectual investigation. Grand Hotel Abyss combines biography, philosophy, and storytelling to reveal how the Frankfurt thinkers gathered in hopes of understanding the politics of culture during the rise of fascism. Some of them, forced to escape the horrors of Nazi Germany, later found exile in the United States. By taking popular culture seriously as an object of study-whether it was film, music, ideas, or consumerism-the Frankfurt School elaborated upon the nature and crisis of our mass-produced, mechanised society. Grand Hotel Abyss shows how much these ideas still tell us about our age of social media and runaway consumption.

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This widely acclaimed book is a comprehensive and authoritative account of the history and ideas of the Frankfurt School - the most important and influential group of leftist intellectuals, philosophers and social theorists in Germany this century. Wiggershaus traces the history of the School from its establishment in the early years of the Weimar Republic, through the period of exile in America, to the post-war phase in Frankfurt and the emergence of a younger generation of critical theorists in the 1960s. He combines biographical profiles of the key figures in the Frankfurt School - including Horkheimer, Adorno, Benjamin, Marcuse, Fromm, Neumann, Pollock, Kirchheimer and Habermas - with a rigorous analysis of their main theories and ideas. Through the careful use of documentary material, much of which has only recently become available, Wiggershaus is able to shed new light on internal disputes and controversies among members of the School. The Frankfurt School will be welcomed by students and researchers in the social sciences and philosophy, modern history and German studies, as well as anyone interested in the history and influence of the Frankfurt School.

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We live in a world of technical systems designed in accordance with technical disciplines and operated by personnel trained in those disciplines. This is a unique form of social organization that largely determines our way of life, but the actions of individuals and social protest still play a role in developing and purposing these rational systems. In Technosystem, Andrew Feenberg builds a theory of both the threats of technocratic modernity and the potential for democratic change.Feenberg draws on the tradition of radical social criticism represented by Herbert Marcuse and the Frankfurt School, which recognized the social effects of instrumental rationality but did not advance a convincing alternative to the new forms of domination imposed by rational systems. That is where the fine-grained analyses of Science, Technology, and Society (STS) studies can contribute. Feenberg uses these approaches to reconcile the claims of rationality with the agency of a public increasingly mobilized to intervene in technically based decisions. The resulting social theory recognizes emerging forms of resistance, such as protests and hacking, as essential expressions of public life in the “rational society.”Combining the most salient insights from critical theory with the empirical findings of STS, Technosystem advances the philosophical debate over the nature and practice of reason in modern society.

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A harrowing account of the profoundly consequential decisions American universities made about refugee scholars from Nazi-dominated Europe--a finalist for a 2020 National Jewish Book Award The United States’ role in saving Europe’s intellectual elite from the Nazis is often told as a tale of triumph, which in many ways it was. America welcomed Albert Einstein and Enrico Fermi, Hannah Arendt and Herbert Marcuse, Rudolf Carnap and Richard Courant, among hundreds of other physicists, philosophers, mathematicians, historians, chemists, and linguists who transformed the American academy. Yet for every scholar who survived and thrived, many, many more did not. To be hired by an American university, a refugee scholar had to be world-class and well connected, not too old and not too young, not too right and not too left, and, most important, not too Jewish. Those who were unable to flee were left to face the horrors of the Holocaust. In this rigorously researched book, Laurel Leff rescues from obscurity scholars who were deemed “not worth saving” and tells the riveting, full story of the hiring decisions universities made during the Nazi era.

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Hospitalized following a mental health crisis in 1929, Louis Marcussen (1894—1985) begins a spectacular journey. He fills his room at the psychiatric institution with artworks, with tall and eloquent cut-out female figures, and he seems to invest himself deeply in his work and visions. He dissolves into a swirl of male, female, animal and divine identities. He discards the name ‘Louis’ and takes the name ‘Ovartaci’.The present book reads Ovartaci’s work through psychoanalytical notions of madness and psychosis. It is the first major monograph on an artist that through highly original artistic practices invented a new way of living.Brian Benjamin Hansen is a postdoctoral researcher at Aarhus University and senior associate professor at VIA University College.Ovartaci is increasingly recognized as one of the most enthralling Danish artists of the 20th century. At the 2022 Venice Biennale, the art of Ovartaci is part of the main exhibition and displayed in the Central Pavilion.

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This unorthodox account of 1960s Black thought rigorously details the field’s debts to German critical theory and explores a forgotten tradition of Black singularity. Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century Black writers and thinkers, including the growing interest in German philosophy and critical theory. Mark Christian Thompson analyzes this shift in intellectual focus across the post-war decades, placing Black Power thought in a philosophical context. Prior to the 1960s, sociologically oriented thinkers such as W. E. B. Du Bois had understood Blackness as a singular set of socio-historical characteristics. In contrast, writers such as Amiri Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were drawn to notions of an African essence, an ontology of Black being. With these perspectives, literary language came to be seen as the primary social expression of Blackness. For this new way of thinking, the works of philosophers such as Adorno, Habermas, and Marcuse were a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of Black religious thought. Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of Blackness—a “Black aesthetic dimension” wherein aspirational models for Black liberation might emerge.

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When it was published twenty-five years ago, this book captured a huge audience of Vietnam War protesters, dropouts, and rebels - and their baffled elders. Theodore Roszak found common ground between 1960s student radicals and hippie dropouts in their mutual rejection of what he calls the technocracy - the regime of corporate and technological expertise that dominates industrial society. He traces the intellectual underpinnings of the two groups in the writings of Herbert Marcuse and Norman O. Brown, "Allen Ginsberg" and "Paul Goodman". In a new introduction, Roszak reflects on the evolution of counter culture since he coined the term in the sixties. Alan Watts wrote of "The Making of a Counter Culture" in the "San Francisco Chronicle" in 1969, 'If you want to know what is happening among your intelligent and mysteriously rebellious children, this is the book. The generation gap, the student uproar, the New Left, the beats and hippies, the psychedelic movement, rock music, the revival of occultism and mysticism, the protest against our involvement in Vietnam, and the seemingly odd reluctance of the young to buy the affluent technological society - all these matters are here discussed, with sympathy and constructive criticism, by a most articulate, wise, and humane historian.

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This book traces the genealogy of ideas of reason, self and sexuality in the West, opening the way to a richer and more diverse understanding of sexual experience. Western philosophy and religion have distorted and continue to distort our experience of sex and love through three far-reaching constellations of reason, self and sexuality. Thinkers like Plato, Aquinas and Kant helped to fashion an ascetic ideal of reason hostile to bodily pleasures and sexual diversity. By contrast, philosophical hedonism advocates a less demanding conception of rationality and defends sexual pleasure. But this approach of thinkers like Hume, Bentham, La Mettrie and de Sade is still one-sided and limiting. A third constellation, Romanticism avoids the limitations of both forms of rationalism, but in the name of a religion of love and passion that ultimately threatens the integrity of the self. In Reason and Sexuality in Western Thought, a richer understanding of sexual experience is traced to a dissident philosophical tradition. In their different ways Montaigne, Spinoza, Hegel and Kierkegaard, Marcuse and Foucault contribute to a more holistic, multi-layered and open conception of reason, sexuality and the self. This book will be essential reading for all students of philosophy and gender studies.

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Shows German Science Fiction's connections with utopian thought, and how it attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future. Since its beginnings, German Science Fiction (or SF) has engaged with social change and technological progress, often drawing from utopian thought. The writer Kurd Laßwitz challenged the authoritarian Wilhelmine order; later, film director Fritz Lang provided a searing critique of Weimar society. Meanwhile utopian thinkers like Ernst Bloch and Herbert Marcuse insisted on the possibility of hope, even in the face of totalitarianism. During the Cold War, German utopian writing and filmmaking were vital both as a warning and as a creative imagining of possible futures. More recently, as rapid scientific and technological advances have continued, literary and cinematic responses have become increasingly dystopian in outlook, reflecting fears connected with globalization, advances in artificial intelligence and genetic engineering, and persistent challenges like climate change, hunger, migration, and terrorism. This book explores German SF's responses to the question how humanity can match technological advances with social, ethical, and moral progress. It surveys German utopian thought and the German SF tradition-both literary and cinematic-providing close readings of selected works that paradoxically reflect boundless optimism for the possibility of change and increasing pessimism in its likelihood. English translations are provided throughout. Building on its rich tradition but now confidently entering the mainstream, German SF attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future.

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"At the hands of a minor talent, profiles are often flat, two-dimensional outlines of a thinker’s intellectual physiognomy. At the hands of a master like Jürgen Habermas, they can become something far more substantial and profound. With astonishing economy, Habermas sketches his impressions of the giants of recent German thought, several of whom were his personal mentors. For those of his readers accustomed to the demandingly abstract level of his theoretical work, the results will prove a welcome surprise. Without sacrificing any of the rigor and brilliance of those longer studies, he displays a remarkable ability to combine depth with brevity. Philosophical-Political Profiles not only adds a new dimension to our understanding of the intellectual odyssey of Germany’s leading contemporary thinker but also provides a series of stunning insights into the thought of the generation that preceded him." Martin Jay, University of California, Berkley "With enormous sensitivity, judiciousness, and critical insight, Habermas engages in dialogue with many of the leading German-trained intellectuals of our time-including Heidegger, Jaspers, Löwith, Bloch, Adorno, Benjamin, Marcuse, Arendt, Gadamer, Scholem, and others. These essays range over the most central and vital issues of contemporary life. Whether dealing with Jewish mysticism or critiques of modernity, Habermas is always illuminating and incisive. These essays can serve as an excellent introduction to his thinking. They also help to situate his theoretical work by revealing his deepest concerns." Richard Bernstein, The New School for Social Research

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Sexual/Liberation addresses the paradoxes of sexual freedom in contemporary neoliberal Ireland. It invites readers to imagine a revolutionary form of sexual liberation beyond the present objective of achieving equality within a grossly unequal social order. Centrally, the book offers a critical meditation on images of gay men circulating in post-marriage equality Irish culture. Such images tell us little about the actual lives of gay men but offer us considerable insight into the political imaginary - the values, norms, anxieties and contradictions - of the society in which those images circulate. The images of gay men, male bodies and male intimacy discussed are drawn from varied sources: Leo Varadkar's media profile; digital portraits curated by men engaged in sex work; Irish Queer Archives; media, scholarly and artistic commemorations of Declan Flynn and Roger Casement; Joe Caslin's murals. Taking inspiration from the ideas of Wendy Brown, Judith Butler and Herbert Marcuse, Sexual/Liberation encourages us to re-think the political as sexual - to reflect on how our political perspectives are shaped by desires, needs, vulnerabilities and hopes. Above all, this book challenges us to move beyond a politics of identities and injuries and strive instead for a politics universal and radically humanist in its imaginative scope, anti-capitalist and revolutionary in its objectives.

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The Reification of Desire takes two critical perspectives rarely analyzed together—formative arguments for Marxism and those that have been the basis for queer theory—and productively scrutinizes these ideas both with and against each other to put forth a new theoretical connection between Marxism and queer studies. Kevin Floyd brings queer critique to bear on the Marxian categories of reification and totality and considers the dialectic that frames the work of Georg Lukács, Herbert Marcuse, and Fredric Jameson. Reading the work of these theorists together with influential queer work by such figures as Michel Foucault and Judith Butler, and alongside reconsiderations of such texts as The Sun Also Rises and Midnight Cowboy, Floyd reformulates these two central categories that have been inseparable from a key strand of Marxist thought and have marked both its explanatory power and its limitations. Floyd theorizes a dissociation of sexuality from gender at the beginning of the twentieth century in terms of reification to claim that this dissociation is one aspect of a larger dynamic of social reification enforced by capitalism. Developing a queer examination of reification and totality, Kevin Floyd ultimately argues that the insights of queer theory require a fundamental rethinking of both.

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For more than thirty years, Fredric Jameson has been one of the most productive, wide-ranging, and distinctive literary theorists in the United States and the Anglophone world. Marxism and Form provided a pioneering account of the work of the major European Marxist theorists--T. W. Adorno, Walter Benjamin, Herbert Marcuse, Ernst Bloch, Georg Lukacs, and Jean-Paul Sartre--work that was, at the time, largely neglected in the English-speaking world. Through penetrating readings of each theorist, Jameson developed a critical mode of engagement that has had tremendous in.uence. He provided a framework for analyzing the connection between art and the historical circumstances of its making--in particular, how cultural artifacts distort, repress, or transform their circumstances through the abstractions of aesthetic form. Jameson's presentation of the critical thought of this Hegelian Marxism provided a stark alternative to the Anglo-American tradition of empiricism and humanism. It would later provide a compelling alternative to poststructuralism and deconstruction as they became dominant methodologies in aesthetic criticism. One year after Marxism and Form, Princeton published Jameson's The Prison-House of Language (1972), which provided a thorough historical and philosophical description of formalism and structuralism. Both books remain central to Jameson's main intellectual legacy: describing and extending a tradition of Western Marxism in cultural theory and literary interpretation.

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Covering a wide area of political sociology and social and political theory, this Reader offers a selection of extracts incorporating both primary and secondary readings. As well as a general introduction to the concept of social theory, each section is prefaced by an introduction to the relevant theorist(s) and each reading is accompanied by a short explanatory introduction. Including a broad range of texts, the book offers a general introduction to the main writings of political sociology and social theory. While other texts tend to focus either on either traditional or contemporary figures, this Reader is unique in tracing a connecting strand from the work of Marx, Weber and Durkheim to more contemporary social theorists. And by focusing on the theories of social conflict, cohesion and consent it also acts as a guide to issues in sociological, political and cultural analysis. Includes sections on: *Marx and Engels *Gramsci *Durkheim and Parsons *Weber *The Frankfurt School (Adorno and Horkheimer; Marcuse; Habermas) *Foucault Introduces core social concepts and key features of modern society: *Structure and Agency *Ideology *Discourse and Legitimation *The State *Economy *Civil Society Key Features *Covers the main social thinkers and the most important concepts *Focues on how writers contribute to our understanding of social conflict, cohesion and consent *Substantial introductions to each part place the readings in context

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In Radical Utopianism and Cultural Studies, John Storey looks at the concept of utopianism from a cultural studies perspective and argues that radical utopianism can awaken the political promise of cultural studies. Between the Preface and the Postscript, there are seven chapters that explore different aspects of radical utopianism. The book begins with a definition of what radical utopianism means, with its productive combination of defamiliarization and desire. From there, it considers Thomas More’s invention of the concept of utopia with its double articulation of what is and what could be, Herbert Marcuse’s utopian rereading of Sigmund Freud’s concept of repression, Gerrard Winstanley and the Diggers, the Paris Commune, and the Haight-Ashbury counterculture. In the final chapter, Storey examines two versions of utopian capitalism: retro and post. Although the main focus here is on Donald Trump’s presidential election campaign and Paul Mason’s recent bestseller Postcapitalism, the chaper begins with a brief discussion of Karl Marx on capitalism. Each chapter, in a different way, argues that radical utopianism defamiliarizes the manufactured naturalness of the here and now, making it conceivable to believe that another world is possible.This book provides an ideal introduction to utopianism for students of cultural studies as well as students within a number of related disciplines such as sociology, literature, history, politics, and media studies.

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Utopia Limited is an original, engaging account of how postmodernism emerged from the political and cultural upheaval of the 1960s. Marianne DeKoven argues that aspects of sixties radical politics and culture simultaneously embodied the full, final flowering of the modern and the beginning of the postmodern. Analyzing classic sixties texts, DeKoven shows where the utopian master narratives underlying the radical and countercultural movements gave way to the “utopia limited” of the postmodern as a range of competing political values and desires came to the fore. She identifies the pivots where the modern was superseded by the nascent postmodern: where modern mass culture was replaced by postmodern popular culture, modern egalitarianism morphed into postmodern populism, and modern individualism fragmented into postmodern politics and cultures of subjectivity.DeKoven rigorously analyzes a broad array of cultural and political texts important in the sixties—from popular favorites such as William S. Burroughs’s Naked Lunch to political manifestoes including The Port Huron Statement, the founding document of SDS (Students for a Democratic Society). She examines texts that overtly discuss the conflict in Vietnam, Black Power, and second-wave feminism—including Frances FitzGerald’s Fire in the Lake, James Baldwin’s The Fire Next Time, and Shulamith Firestone’s The Dialectic of Sex; experimental pieces such as The Living Theatre’s Paradise Now; influential philosophical works including Roland Barthes’s Mythologies and Herbert Marcuse’s One-Dimensional Man; and explorations of Las Vegas, the prime location of postmodernity. Providing extensive annotated bibliographies on both the sixties and postmodernism, Utopia Limited is an invaluable resource for understanding the impact of that tumultuous decade on the present.

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The first book to challenge modern philosophy’s case against idleness, revealing why the idle state is one of true freedomFor millennia, idleness and laziness have been regarded as vices. We're all expected to work to survive and get ahead, and devoting energy to anything but labor and self-improvement can seem like a luxury or a moral failure. Far from questioning this conventional wisdom, modern philosophers have worked hard to develop new reasons to denigrate idleness. In Idleness, the first book to challenge modern philosophy's portrayal of inactivity, Brian O'Connor argues that the case against an indifference to work and effort is flawed--and that idle aimlessness may instead allow for the highest form of freedom.Idleness explores how some of the most influential modern philosophers drew a direct connection between making the most of our humanity and avoiding laziness. Idleness was dismissed as contrary to the need people have to become autonomous and make whole, integrated beings of themselves (Kant); to be useful (Kant and Hegel); to accept communal norms (Hegel); to contribute to the social good by working (Marx); and to avoid boredom (Schopenhauer and de Beauvoir).O'Connor throws doubt on all these arguments, presenting a sympathetic vision of the inactive and unserious that draws on more productive ideas about idleness, from ancient Greece through Robert Burton's Anatomy of Melancholy, Schiller and Marcuse's thoughts about the importance of play, and recent critiques of the cult of work. A thought-provoking reconsideration of productivity for the twenty-first century, Idleness shows that, from now on, no theory of what it means to have a free mind can exclude idleness from the conversation.

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The controversial Jewish thinker whose tortured path led him into the heart of twentieth-century intellectual lifeScion of a distinguished line of Talmudic scholars, Jacob Taubes (1923–1987) was an intellectual impresario whose inner restlessness led him from prewar Vienna to Zurich, Israel, and Cold War Berlin. Regarded by some as a genius, by others as a charlatan, Taubes moved among yeshivas, monasteries, and leading academic institutions on three continents. He wandered between Judaism and Christianity, left and right, piety and transgression. Along the way, he interacted with many of the leading minds of the age, from Leo Strauss and Gershom Scholem to Herbert Marcuse, Susan Sontag, and Carl Schmitt. Professor of Apocalypse is the definitive biography of this enigmatic figure and a vibrant mosaic of twentieth-century intellectual life.Jerry Muller shows how Taubes’s personal tensions mirrored broader conflicts between religious belief and scholarship, allegiance to Jewish origins and the urge to escape them, tradition and radicalism, and religion and politics. He traces Taubes’s emergence as a prominent interpreter of the Apostle Paul, influencing generations of scholars, and how his journey led him from crisis theology to the Frankfurt School, and from a radical Hasidic sect in Jerusalem to the center of academic debates over Gnosticism, secularization, and the revolutionary potential of apocalypticism.Professor of Apocalypse offers an unforgettable account of an electrifying world of ideas, focused on a charismatic personality who thrived on controversy and conflict.

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Although Chinese Marxism—primarily represented by Maoism—is generally seen by Western intellectuals as monolithic, Liu Kang argues that its practices and projects are as diverse as those in Western Marxism, particularly in the area of aesthetics. In this comparative study of European and Chinese Marxist traditions, Liu reveals the extent to which Chinese Marxists incorporate ideas about aesthetics and culture in their theories and practices. In doing so, he constructs a wholly new understanding of Chinese Marxism.Far from being secondary considerations in Chinese Marxism, aesthetics and culture are in fact principal concerns. In this respect, such Marxists are similar to their Western counterparts, although Europeans have had little understanding of the Chinese experience. Liu traces the genealogy of aesthetic discourse in both modern China and the West since the era of classical German thought, showing where conceptual modifications and divergences have occurred in the two traditions. He examines the work of Mao Zedong, Lu Xun, Li Zehou, Qu Qiubai, and others in China, and from the West he discusses Kant, Schiller, Schopenhauer, and Marxist theorists including Horkheimer, Adorno, Benjamin, and Marcuse. While stressing the diversity of Marxist positions within China as well as in the West, Liu explains how ideas of culture and aesthetics have offered a constructive vision for a postrevolutionary society and have affected a wide field of issues involving the problems of modernity.Forcefully argued and theoretically sophisticated, this book will appeal to students and scholars of contemporary Marxism, cultural studies, aesthetics, and modern Chinese culture, politics, and ideology.

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This unorthodox account of 1960s Black thought rigorously details the field’s debts to German critical theory and explores a forgotten tradition of Black singularity. Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century Black writers and thinkers, including the growing interest in German philosophy and critical theory. Mark Christian Thompson analyzes this shift in intellectual focus across the post-war decades, placing Black Power thought in a philosophical context. Prior to the 1960s, sociologically oriented thinkers such as W. E. B. Du Bois had understood Blackness as a singular set of socio-historical characteristics. In contrast, writers such as Amiri Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were drawn to notions of an African essence, an ontology of Black being. With these perspectives, literary language came to be seen as the primary social expression of Blackness. For this new way of thinking, the works of philosophers such as Adorno, Habermas, and Marcuse were a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of Black religious thought. Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of Blackness—a “Black aesthetic dimension” wherein aspirational models for Black liberation might emerge.

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From social theorist and psychotherapist Rabbi Michael Lerner comes a strategy for a new socialism built on love, kindness, and compassion for one another. Revolutionary Love proposes a method to replace what Lerner terms the "capitalist globalization of selfishness" with a globalization of generosity, prophetic empathy, and environmental sanity.Lerner challenges liberal and progressive forces to move beyond often weak-kneed and visionless politics to build instead a movement that can reverse the environmental destructiveness and social injustice caused by the relentless pursuit of economic growth and profits. Revisiting the hidden injuries of class, Lerner shows that much of the suffering in our society—including most of its addictions and the growing embrace of right-wing nationalism and reactionary versions of fundamentalism—is driven by frustrated needs for community, love, respect, and connection to a higher purpose in life. Yet these needs are too often missing from liberal discourse. No matter that progressive programs are smartly constructed—they cannot be achieved unless they speak to the heart and address the pain so many people experience.Liberals and progressives need coherent alternatives to capitalism, but previous visions of socialism do not address the yearning for anything beyond material benefits. Inspired by Herbert Marcuse, Erich Fromm, and Carol Gilligan, Revolutionary Love offers a strategy to create the "Caring Society." Lerner details how a civilization infused with love could put an end to global poverty, homelessness, and hunger, while democratizing the economy, shifting to a twenty-eight-hour work week, and saving the life-support system of Earth. He asks that we develop the courage to stop listening to those who tell us that fundamental social transformation is "unrealistic."

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Captures the learning process of Nazi-era literary exiles following in the footsteps of legendary literary exemplars of exile. Exile is as old as humanity itself but a radically new fate for the "novice" exile, who falls into a world about which personal experience can tell him nothing. He does, however, know a great number of stories -- myths, legends, allegories, biblical or historical accounts -- about exile. The novice's search for a foothold initiates a learning process in which the exilic tradition assumes a major role. The present book captures this learning process:it is a cultural history of exile as it was experienced by thousands of German and Austrian writers and intellectuals who opposed National Socialism: among them Brecht, Canetti, Seghers, Remarque, the Manns, and Ludwig Marcuse. It shows how, slowly, exile becomes a reality through the growing awareness of -- and reference to -- the exemplary figures of a shared fate. Scores of fellow travelers, from the mythic figures Odysseus and Ahasverus ("The EternalJew") to writers such as Heinrich Heine and Victor Hugo, frame the experience of exile, imbuing it with meaning, giving it depth, and even elevating it to a "High Moral Office." They frequently make appearances in the narratives of the Nazi-era exiles. The Russian-American exile poet Joseph Brodsky called writers in exile "retrospective and retroactive beings." What their retrospective gazes yield as they search for meaning in banishment is at the heart ofthis book.. Johannes F. Evelein is Professor of Language and Culture Studies at Trinity College, Hartford, Connecticut.

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From social theorist and psychotherapist Rabbi Michael Lerner comes a strategy for a new socialism built on love, kindness, and compassion for one another. Revolutionary Love proposes a method to replace what Lerner terms the "capitalist globalization of selfishness" with a globalization of generosity, prophetic empathy, and environmental sanity.Lerner challenges liberal and progressive forces to move beyond often weak-kneed and visionless politics to build instead a movement that can reverse the environmental destructiveness and social injustice caused by the relentless pursuit of economic growth and profits. Revisiting the hidden injuries of class, Lerner shows that much of the suffering in our society—including most of its addictions and the growing embrace of right-wing nationalism and reactionary versions of fundamentalism—is driven by frustrated needs for community, love, respect, and connection to a higher purpose in life. Yet these needs are too often missing from liberal discourse. No matter that progressive programs are smartly constructed—they cannot be achieved unless they speak to the heart and address the pain so many people experience.Liberals and progressives need coherent alternatives to capitalism, but previous visions of socialism do not address the yearning for anything beyond material benefits. Inspired by Herbert Marcuse, Erich Fromm, and Carol Gilligan, Revolutionary Love offers a strategy to create the "Caring Society." Lerner details how a civilization infused with love could put an end to global poverty, homelessness, and hunger, while democratizing the economy, shifting to a twenty-eight-hour work week, and saving the life-support system of Earth. He asks that we develop the courage to stop listening to those who tell us that fundamental social transformation is "unrealistic."

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With a groundbreaking, interdisciplinary approach to German political and social theory, Confronting Mass Democracy and Industrial Technology provides fresh insight into the thought of many of the most influential intellectual figures of the twentieth century. Its essays detail the manner in which a wide range of German intellectuals grappled with the ramifications and implications of democracy, technology, knowledge, and control from the late Kaisserreich to the Weimar Republic, from the Third Reich and the Federal Republic through recently unified Germany.Scholars representing the fields of political science, philosophy, history, law, literature, and cultural studies devote essays to the work of Nietzsche, Weber, Heidegger, Lukács, Schmitt, Marcuse, Adorno, and Habermas. They also discuss the writings of such figures as Brecht and Freud, who are not primarily thought of as political theorists, and explore the thought of Helmut Plessner and reformist theorists from East Germany who have been little studied in the English language. In the process of debating the nature and responsibilities of the modern state in an era of mass politics, unparalleled military technology, capacity for surveillance, and global media presence, the contributors question whether technology is best understood as an instrument of human design and collective control or as an autonomous entity that not only has a will and life of its own but one that forms the very fabric of modern humanity.Contributors. Seyla Benhabib, Richard J. Bernstein, Peter C. Caldwell, Richard Dienst, David Dyzenhaus, Andrew Feenberg, Nancy S. Love, John P. McCormick, Jan-Werner Müller, Gia Pascarelli, William E. Scheuerman, Steven B. Smith, Tracy B. Strong, Richard Wolin

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AN INSTANT NEW YORK TIMES, USA TODAY, AND AMAZON BESTSELLER America’s most effective conservative intellectual proves once and for all that Marxist radicals have taken over our nation's institutions.In the 1960s, Mao launched China’s Cultural Revolution. Cities grew overcrowded. Technocrats demanded progress from above. Anyone opposed was sent to be “re-educated.” China’s revolution was bloody, fast, and a failure, but what if America started a revolution at the same time, based on the same bad ideas, and it’s just been slower, calmer, and more effective?In his powerful new book, Christopher F. Rufo uncovers the hidden history of left-wing intellectuals and activists who systematically took control of America’s institutions to undermine them from within. America’s Cultural Revolution finally answers so many of the questions normal Americans have, such as:• Why is nearly every major corporation bending the knee to a far-left agenda?• How did DEI suddenly become the department no institution can continue without?• Why is race the main thing America’s rich, white elite wants to talk about? • When did the left adopt all this doublespeak, saying progress is a lack of progress, equality is not equality, speech is violence, and violence is speech?• Has the goal of the left, for a century, actually been the destruction of every Western institution? Readers may not know the names of Herbert Marcuse, Angela Davis, Paulo Freire, and Derrick Bell, but they will recognize the ideas they spread. How their radical, destructive ideology slowly worked its way from prisons to academia to classrooms to your human resources department will come as a shock.Failing to act soon, Rufo warns, could allow the radical left to achieve their ultimate objective: replacing constitutional equality with a race-based redistribution system overseen by bureaucratic ‘diversity and inclusion’ officials. Most Americans don’t want this, but most Americans are no longer in control of our institutions. If the mainstream media’s depiction of a failing dystopia in need of a fresh start never sounded right to you, this expose and call to arms is the book you’ve been looking for.

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