Search results for ""Author "Demi"""

Bold reader - open your mystical map and get ready to travel through time with 21 dazzling stories of daring and deceit, reward and punishment. Meet gods, goddesses and demigods, serpents, coyotes, talking fish and clever spiders, and cavort with sea nymphs, mystical women, terrifying beasts and volcano people - as you discover different tales of how the world began. These powerful, fascinating myths and legends will transport you to every corner of the globe. You'll journey from ancient to modern times, from hot climates to freezing temperatures, from mountaintops to seafloors. The stories in this book link you to past generations; these tales have been passed down through a long line of oral traditions. The souls of ancestors, the lives of heroes and the fates of mortals are waiting to be discovered. Myths and legends are retold by Alli Brydon and beautifully illustrated by Julia Iredale. Myths from Africa include: 'The Creation of the World' from the Kuba people of the Democratic Republic of Congo 'The Tale of the Ghosts and the Flutes' from the Beba people of Cameroon 'Anansi and the Box of Stories' from the Ashanti people of present-day Ghana Myths from Europe include: The Selkies from Scottish mythology 'Athena, Arachne and the Duelling Looms' from Greek mythology Myths from Asia include: Lord Ganesh from the Hindu pantheon 'Nyai Loro Kidul, Queen of the Sea' from Indonesian mythology Myths of Oceania include: 'The Legend of Maui' from Polynesian mythology Uluru from the Anangu people of Australia The Rainbow Serpent from the Aboriginal people of Australia Myths of the Americas include: 'Coyote Steals Fire for the People' from the Native American people of the United States 'The Hero Twins Visit the Underworld' from the Mayan People of Mesoamerica The Mapinguary from Brazilian mythology Myths from the Arctic include: Sedna, the Mother of the Sea from Inuit mythology Niekija and the Northern Lights from Sami Shamanism About Lonely Planet Kids: Lonely Planet Kids - an imprint of the world's leading travel authority Lonely Planet - published its first book in 2011. Over the past 45 years, Lonely Planet has grown a dedicated global community of travellers, many of whom are now sharing a passion for exploration with their children. Lonely Planet Kids educates and encourages young readers at home and in school to learn about the world with engaging books on culture, sociology, geography, nature, history, space and more. We want to inspire the next generation of global citizens and help kids and their parents to approach life in a way that makes every day an adventure. Come explore!

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"A volume for a lifetime" is how The New Yorker described the first of Donald Culross Peatie's two books about American trees published in the 1950s. In this one-volume edition, modern readers are introduced to one of the best nature writers of the last century. As we read Peattie's eloquent and entertaining accounts of American trees, we catch glimpses of our country's history and past daily life that no textbook could ever illuminate so vividly. Here you'll learn about everything from how a species was discovered to the part it played in our country's history. Pioneers often stabled an animal in the hollow heart of an old sycamore, and the whole family might live there until they could build a log cabin. The tuliptree, the tallest native hardwood, is easier to work than most softwood trees; Daniel Boone carved a sixty-foot canoe from one tree to carry his family from Kentucky into Spanish territory. In the days before the Revolution, the British and the colonists waged an undeclared war over New England's white pines, which made the best tall masts for fighting ships. It's fascinating to learn about the commercial uses of various woods -- for paper, fine furniture, fence posts, matchsticks, house framing, airplane wings, and dozens of other preplastic uses. But we cannot read this book without the occasional lump in our throats. The American elm was still alive when Peattie wrote, but as we read his account today we can see what caused its demise. Audubon's portrait of a pair of loving passenger pigeons in an American beech is considered by many to be his greatest painting. It certainly touched the poet in Donald Culross Peattie as he depicted the extinction of the passenger pigeon when the beech forest was destroyed. A Natural History of North American Trees gives us a picture of life in America from its earliest days to the middle of the last century. The information is always interesting, though often heartbreaking. While Peattie looks for the better side of man's nature, he reports sorrowfully on the greed and waste that have doomed so much of America's virgin forest.

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Arthur Goodzeit AwardFor seven weeks in 1929, the Republic of China and the Soviet Union battled in Manchuria over control of the Chinese Eastern Railroad. It was the largest military clash between China and a Western power ever fought on Chinese soil, involving more that a quarter million combatants. Michael M. Walker's The 1929 SinoSoviet War is the first full account of what UPI's Moscow correspondent called 'the war nobody knew' a 'limited modern war' that destabilized the region's balance of power, altered East Asian history, and sent grim reverberations through a global community giving lip service to demilitarizing in the wake of World War I.Walker locates the roots of the conflict in miscalculations by Chiang Kaishek and Chang Hsuehliang about the Soviets' political and military power-flawed assessments that prompted China's attempt to reassert full authority over the CER. The Soviets, on the other hand, were dominated by a Stalin eager to flex some military muscle and thoroughly convinced that war would win much more than petty negotiations. This was in fact, Walker shows, a watershed moment for Stalin, his regime, and his still young and untested military, disproving the assumption that the Red Army was incapable of fighting a modern war. By contrast, the outcome revealed how unprepared the Chinese military forces were to fight either the Red Army or the Imperial Japanese Army, their other primary regional competitor. And yet, while the Chinese commanders proved weak, Walker sees in the toughness of the overmatched infantry a hint of the rising nationalism that would transform China's troops from a mercenary army into a formidable professional force, with powerful implications for an overconfident Japanese Imperial Army in 1937.Using Russian, Chinese, and Japanese sources, as well as declassified US military reports, Walker deftly details the war from its onset through major military operations to its aftermath, giving the first clear and complete account of a little known but profoundly consequential clash of great powers between the World Wars.

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Nothing could hold back the Mississippi that summer. Jackson Island, which jutted up out of the river as an overgrown sand bar, was completely submerged. The island, immortalized by Mark Twain, wasn't very big to begin with, though Huckleberry Finn and Jim found it to be plenty. Water was what people talked about, worried over, and watched. Upstream and downstream, levees busted by force and sabotage. The river's to blame. When you grow up on the banks in Hannibal, Missouri, you need an escape route. You never know when the water is going to rise and you have to run.Laura Brooks has come home to Hannibal: a place that ten years ago she couldn't wait to leave. Growing up she felt stifled in this town ruled by its past, its hokey devotion to everything Twain, the small-mindedness of its inhabitants, and the rich/poor divide that runs as deep as the Mississippi River. What really drove her away, though, was the complicated demise of her love affair with Sammy, that fateful 4th of July when the levees broke. Laura hasn't kept much in touch with Hannibal since she fled, and her family - her lottery-playing, chicken-keeping Mama, her sweet deadbeat brother Trey, and no-nonsense Aunt Betty, hairdresser and cookie-baker extraordinaire - don't know what to make of it when Laura turns up all but unannounced. Things haven't been going so well for Laura in her grown-up life in Florida, and while she claims she's just home for a brief trip to take in Hannibal's high school reunion, she's carrying way too much luggage for that: literal and metaphorical. As Laura gets embroiled in small-town goings-on once more - such as her godson's campaign to be crowned this year's Tom Sawyer- Laura starts to heal from recent wounds. But when Sammy reappears on the scene, a deeper wound threatens to reopen. Now, with the Mississippi rising, her high school reunion looming, and a second chance at love, Laura wonders if running away again might be the only answer.

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In a secluded valley high in the Andes Mountains, long before thetime of the Incas and the Aztecs, the empire of the Aymara rosefrom the shores of Lake Titicaca and flourished for nearly athousand years. The secrets of the Aymara civilization, one of thefirst great empires of the Americas, have only recently beendeciphered from the haunting ruins of their splendid temples, amongwhich their contemporary descendants still live and worktoday. In Valley of the Spirits, Alan Kolata takes us deep into themystical world of the Aymara, where past and present come togetherand the spirits of ancient ancestors still speak to shamans in thevoices of mountain springs. Kolata's unique knowledge of the Aymarais based on 17 years of research at the site of the ancientempire. Its crown jewel was the dazzling ancient capital of Tiahuanaco,whose gold and silver-appointed temples and "monumental stonesculptures intensified the mythic aura of the city, imbuing it witha quality of the supernatural." From A.D. 400-1100, it was thespiritual center of the Andean world. According to Aymara myth, thecreator god Viracocha brought man to life from the springs androcks of Tiahuanaco's sacred landscape. The city's rich symbolism linked man inextricably to the majesticplan--and the cyclical fates--of nature. Royal priests performedelaborate animal and human sacrifices and buried human trophy headsand the mummified remains of Aymara kings in lavish religiouspageants. So impressive was the legacy of Tiahuanaco that the Incarulers claimed descent from the Aymara kings more than 500 yearsafter the empire's mysterious catastrophic demise. Kolata deciphers the mysteries of the ancient monuments, from themassive Akapana pyramid, the symbol of sacred mountains, and offertility and abundance, to the imposing archway known as theGateway of the Sun, among the most exquisite artistic monuments ofthe ancient Americas. And he takes us into the contemporary worldof the Aymara as well, where shamans recite the names of ancestralspirits in a hypnotic protocol of remembrance and homage to LadyEarth and Lord Sky. "To anyone fascinated by the total experience of humans, to anyonewho wishes to go beyond the familiar world, to anyone wanting topush the envelope of their own perceptions, a sojourn into the mindand history of the Aymara is disturbing, exhilarating, andultimately unforgettable."--Alan Kolata, in his Introduction toValley of the Spirits

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When the future of his family's rope business in Liverpool was threatened at the end of the 1920s Eric Rigby-Jones had to leave his wife and young family behind to risk everything on establishing a new factory in the Irish Free State. He was still an officer in the Territorial Army when he leased a former British cavalry barracks in co. Kildare from the Irish government in 1933. It had lain derelict since the departure of British troops in 1922. Within four years his company, Irish Ropes, was supplying nearly all of Ireland's rope. When war came in 1939 Ireland remained staunchly neutral and faced both German invasion and a British trade embargo. With the government determined to make the country self-sufficient Eric had to resort to increasingly desperate measures to ensure that Irish farmers never ran out of twine to gather the harvest. Tintawn and Binder Twine is the untold story of the foundation and eventual demise of an iconic Irish business, known around the world for its Red Setter twine and Tintawn sisal carpets; of the pioneering Englishman who founded it and introduced new concepts in industrial relations to Ireland; of a family separated in peace and war; and of the regeneration of an Irish town. It is also the story of sisal, the vegetable fibre that became the mainstay of East Africa's colonial economy, and of the first fifty years of an independent Irish state. A member of Eric's wider family, Thomas Jones, was secretary to the British delegation that negotiated the Anglo-Irish treaty in 1921 and his son, Michael, was killed in the Staines air disaster in 1972 while travelling to Brussels with an Irish delegation for talks about the country's imminent membership of the European Union. Well-illustrated and drawing heavily on unpublished family letters, documents, and photographs as well as new research in British and Irish archives, the book reveals intriguing but little-known sides to Anglo-Irish relations during the Second World War. It has particular relevance in today's world of Brexit, borders, tariffs, and the bullying of small nations by large.

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As the 2000 presidential campaign has once again demonstrated, political journalism is an intrusive and nettlesome trade. More important, it is freighted with power—power to do good and also harm. But how much of power is real, and how much mere perception? Prize-winning reporter Robert Shogan draws on the lessons of seven presidential elections to answer these questions in Bad News. He shows how, amidst the upheavals of the 1960s, the press emerged as what many believed was the new dominant force in presidential politics. But as reporters moved into the power vacuum created by the demise of party vitality and the authority of the political bosses, they soon found themselves serving mainly as the instruments of a new political ruling class. The media, Mr. Shogan argues, now play the role of enablers. Without fully realizing it, they allow and abet the abuse of the political process by the candidates and their handlers. Bad News targets not only the machinations of the competing campaigns but the innate weaknesses and limitations of the press corps, with special attention to the 2000 election. “Too often journalists, myself included,” Mr. Shogan writes, “have been unwilling to learn what they do not know, and to make the information they possess relevant and important to their audiences. Too many of us, eager for attention, have been too willing to create stories that are larger than life and reality, and too impressed with our own importance to benefit from the criticism leveled against our work.” Rejecting conventional non-solutions, leavened by wit, and enriched by firsthand reportage, Bad News pierces the fog of pretense and hypocrisy that clouds the turbulent partnership of press and politicians. It provides voters with what they most need: a manual of self-defense against the excesses and distortions of presidential politics.

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If your neighbor cannot sleep, you will not be allowed to either: The old adage assumes an overtone of dread as the stirring, wary world witnesses the destruction of Yugoslavia. If the leaders of Serbia and Croatia can get away with tearing apart Bosnia-Herzegovina, a sovereign member of the United Nations, what is to stop military elites in other former Soviet and East European states from proposing similar solutions to their own national grievances and aspirations? And who is to say such attention would be confined to that area of the globe?The world may well be uneasy, as Bogdan Denitch makes clear in this brilliant book about the causes and possible ramifications of the death of Yugoslavia. Ethnic Nationalism provides a cogent, comprehensive historical analysis of Yugoslavia's demise, one that clearly identifies events and trends that urgently demand the world's attention.The role of timing in the sequence of events; the consequences of an unworkable constitutional situation; the responsibility of the West; and, above all, the self-transformation of Communist regimes that presaged undemocratic outcomes- Denitch duly considers each of these factors as he gives a detailed description of Yugoslavia's descent into interethnic wars. His discussion of the possible fate of postcommunist states is especially pertinent, and leads to a skillful account of the sources and dangers of nationalistic and ethnic extremism on what threatens to become a global scale. In this analysis, nationalism and populism can be seen as revolts against a new world system where abstract multinational financial and political institutions thwart citizens' attempts at democratic participation.Active in Yugoslav political and intellectual life for almost thirty years, Denitch is able to imbue the developments he describes with a particular, human immediacy. His personal experiences with the emergence of nationalism and fractious ethnic politics and warfare, movingly recounted here, stand as compelling testimony to the historical drama so thoroughly and incisively detailed in this remarkable book.

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Four millennial plays from the French side of the language divide in Belgium. This anthology captures the tendencies of contemporary European playwright in the beginning of the new millennium, as interracial, intercontinental marriage, the privileges afforded to society's leaders, the resurgence of the Extreme Right, and creative ways of juggling love relationships are presented in a variety of accessible styles. The Magnolia by Jacques de Decker: Marie-Antoinette has two boyfriends, neither of whom knows that the other exists. She's Marie to Adrian, and Antoinette to Julian. This arrangement, though it suits her perfectly, can't last forever. Her vain efforts to keep her novel way of life running according to plan yield great hilarity. Marie-Antoinette finds she'll just have to eat cake. The Sorcerers by Serge Goriely: Luc brings his bride Paula back from Nigeria to live in Brussels. His family, open-minded, urbane, and liberal as they are, cast a spell on her, bringing about her sickness and demise. This shocking drama provides an intimate, unvarnished look at black/white relationships in contemporary Europe subsequent to the colonial era. Patriot's Cafe by Jean-Marie Piemme: A view into the lives of members of the Extreme Right in Wallonia. Forging an innovative, lyrical style, this play reveals the personal motives -- the quest for power, a longing for significance, the need to belong to something larger -- that cause ordinary people to succumb to the lure of totalitarian rhetoric. This Is Not A Real Pipe by Pascal Vrebos: A famous French statesman reminiscent of Dominique Strauss-Kahn finds himself alone with a cleaning lady in his New York hotel room. Various possible scenarios ensue, none of which may be the real "pipe." The gears of class, race and gender disparities grind away in this prismatic comedy-drama of epic proportions -- a signature tale for our times.

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This is a reasoned but passionate look at how Reaganism - the political philosophy of Ronald Reagan - has severely damaged representative democracy as created by the nation's founders. According to Williams, Reagan and his foremost disciple George W. Bush have created a plutocracy where the United States is no longer a government of the people, by the people, and for the people but is ruled by the wealthiest individuals and corporate America. Refreshingly unafraid to point out that Reaganism's anti-government fundamentalism stands on feet of clay, Walter Williams asks that Americans move from their political apathy to pay attention to the politicians and the corporations lurking behind the power curtain to see the dangers they represent to the true essential of the American way of life. Williams' most important contribution is his extended analysis of the central role the key institutions - the presidency, Congress, the federal agencies - must play for the U.S. government to be capable in both sustaining representative democracy and protecting the safety and economic security of the American people. A clear result of the weakened institutions has been the grossly inadequate homeland security effort following September 11, and the massive corporate fraud revealed by Enron and other large firms that robbed the nation of hundreds of billions of dollars in stock values and depleted the pension savings of millions of people. The initial destructive blow that damaged the institutions of governance can be traced to Ronald Reagan and his simplistic antigovernment philosophy that fostered rapacious business practices and personal greed. The book also takes the media to task, criticizing the dismal record of failing to investigate the political and corporate chicanery that has brought us to this pass. Keenly argued and scrupulously documented, Walter Williams has written a stinging wake-up call to the dangers of the demise of representative democracy and the rise of plutocracy that American citizens can ignore only at their peril.

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As economic, political, and cultural centers, cities are at the heart of most contemporary societies, as they have been for millennia. In spite of the Cassandras who periodically lament their demise or imminent death, cities have a way of coming back from their low points—of surviving economic crises, outmigration, and vexing social dilemmas. Today, many large US cities once thought to be dying have rebounded not only because of economic restructuring or high-tech industries but also because of the vigor of new migrants coming into the urban system. Significantly, the ongoing boom-bust cycles in the cities are linked ultimately to major decisions made by those at the helm of the now globalized system of contemporary capitalism. In this book, Joe R. Feagin assesses urban questions from the 'new urban sociology' perspective that has developed since the 1980s. One of the leading figures in this tradition of thought, Feagin places class and racial domination at the heart of the analysis of city life, change, and development. His approach takes into account political-economic histories and the rise and fall of their social institutions; the character and impact of their underlying systems of capitalism, racism, and patriarchy; and how these dynamics play out in the everyday lives of contemporary urbanites. Framing urban questions this way not only puts the actions of elites at the forefront of analysis, but also raises questions about their ill-gotten privileges. It features the historical conditions and institutions that protect class and racial privileges—making it clear why people in cities rebel and why we as social scientists must take a lesson from these urban rebellions, focusing future research on large-scale urban transformation.

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Go behind the TV screen to explore what is changing, why it is changing, and why the changes matters Many proclaimed the “end of television” in the early years of the twenty-first century, as capabilities and features of the boxes that occupied a central space in American living rooms for the preceding fifty years were radically remade. In this revised, second edition of her definitive book, Amanda D. Lotz proves that rumors of the death of television were greatly exaggerated and explores how new distribution and viewing technologies have resurrected the medium. Shifts in the basic practices of making and distributing television have not been hastening its demise, but are redefining what we can do with television, what we expect from it, how we use it—in short, revolutionizing it. Television, as both a technology and a tool for cultural storytelling, remains as important today as ever, but it has changed in fundamental ways. The Television Will Be Revolutionized provides a sophisticated history of the present, examining television in what Lotz terms the “post-network” era while providing frameworks for understanding the continued change in the medium. The second edition addresses adjustments throughout the industry wrought by broadband delivered television such as Netflix, YouTube, and cross-platform initiatives like TV Everywhere, as well as how technologies such as tablets and smartphones have changed how and where we view. Lotz begins to deconstruct the future of different kinds of television—exploring how “prized content,” live television sports and contests, and linear viewing may all be “television,” but very different types of television for both viewers and producers. Through interviews with those working in the industry, surveys of trade publications, and consideration of an extensive array of popular shows, Lotz takes us behind the screen to explore what is changing, why it is changing, and why the changes matter.

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Winner of a 2006 Choice Magazine Outstanding Academic Title Award As medieval Chinese manuscripts were copied and recopied through the centuries, both mistakes and deliberate editorial changes were introduced, thereby affecting readers' impressions of the author's intent. In Tao Yuanming and Manuscript Culture, Xiaofei Tian shows how readers not only experience authors but produce them by shaping texts to their interpretation. Tian examines the mechanics and history of textual transmission in China by focusing on the evolution over the centuries of the reclusive poet Tao Yuanming into a figure of epic stature. Considered emblematic of the national character, Tao Yuanming (also known as Tao Qian, 365?-427 c.e.) is admired for having turned his back on active government service and city life to live a simple rural life of voluntary poverty. The artlessness of his poetic style is held as the highest literary and moral ideal, and literary critics have taken great pains to demonstrate perfect consistency between Tao Yuanming's life and poetry. Earlier work on Tao Yuanming has tended to accept this image, interpreting the poems to confirm the image. Tao Yuanming and Manuscript Culture is a study of how this cultural icon was produced and of the elusive traces of another, historical Tao Yuanming behind the icon. By comparing four early biographies of the poet, Tian shows how these are in large measure constructed out of Tao Yuanming's self-image as projected in his poetry and prose. Drawing on work in European medieval literature, she demonstrates the fluidity of the Chinese medieval textual world and how its materials were historically reconfigured for later purposes. Tian finds in Tao's poetic corpus not one essentialized Tao Yuanming, but multiple texts continuously produced long after the author's physical demise. Her provocative look at the influence of manuscript culture on literary perceptions transcends its immediate subject and has special resonance today, when the transition from print to electronic media is shaking the literary world in a way not unlike the transition from handwritten to print media in medieval China.

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David Ellenson prefaces this fascinating collection of twenty-three essays with a remarkably candid account of his intellectual journey from boyhood in Virginia to the scholarly immersions in the history, thought, and literature of the Jewish people that have informed his research interests in a long and distinguished academic career. Ellenson, President of the Hebrew Union College-Jewish Institute of Religion, has been particularly intrigued by the attempts of religious leaders in all denominations of Judaism, from Liberal to Neo-Orthodox, to redefine and reconceptualize themselves and their traditions in the modern period, as both the Jewish community and individual Jews entered radically new realms of possibility and change. The essays are grouped into five sections. In the first, Ellenson reflects upon the expression of Jewish values and Jewish identity in contemporary America, explains his debt to Jacob Katz's socio-religious approach to Jewish history, and shows how the works of non-Jewish social historian Max Weber highlight the tensions between the universalism of western thought and Jewish demands for a particularistic identity. In the second section, "The Challenge of Emancipation," he indicates how Jewish religious leaders in nineteenth-century Europe laboured to demonstrate that the Jewish religion and Jewish culture were worthy of respect by the larger gentile world. In a third section, "Denominational Responses," Ellenson shows how the leaders of Liberal and Orthodox branches of Judaism in Central Europe constructed novel parameters for their communities through prayer books, legal writings, sermons, and journal articles. The fourth section, "Modern Response," takes a close look at twentieth-century Jewish legal decisions on new issues such as the status of women, fertility treatments, and even the obligations of the Israeli government towards its minority populations. Finally, review essays in the last section analyse a few landmark contemporary works of legal and liturgical creativity: the new Israeli Masorti prayer book, David Hartman's works on covenantal theology, and Marcia Falk's Book of Blessings. As Ellenson demonstrates, "The reality of Jewish cultural and social integration into the larger world after Emancipation did not signal the demise of Judaism. Instead, the modern setting has provided a challenging context where the ongoing creativity and adaptability of Jewish religious leaders of all stripes has been tested and displayed."

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Offers an analysis of Soviet Jewish society after the death of Joseph Stalin At the beginning of the twentieth century, more Jews lived in the Russian Empire than anywhere else in the world. After the Holocaust, the USSR remained one of the world’s three key centers of Jewish population, along with the United States and Israel. While a great deal is known about the history and experiences of the Jewish people in the US and in Israel in the twentieth century, much less is known about the experiences of Soviet Jews. Understanding the history of Jewish communities under Soviet rule is essential to comprehending the dynamics of Jewish history in the modern world. Only a small number of scholars and the last generation of Soviet Jews who lived during this period hold a deep knowledge of this history. Jews in the Soviet Union, a new multi-volume history, is an unprecedented undertaking. Publishing over the next few years, this groundbreaking work draws on rare access to documents from the Soviet archives, allowing for the presentation of a sweeping history of Jewish life in the Soviet Union from 1917 through the early 1990s. Volume 5 offers a history of Soviet Jewry from the demise of the brutal dictator Joseph Stalin to the military confrontation between Israel and Arab states in 1967 known as the Six-Day War. Both historic events deeply affected Soviet Jews, who numbered over two million in the wake of the Holocaust and still formed at that point the second-largest Jewish population in the world. Stalin’s death led to the release of political prisoners and the reduction of the level of fear in society. The economy was growing and conditions of life were improving. At the same time, the state had doubts about the loyalty of the Jewish population and imposed limitations on their educational and career prospects. The relatively liberal period associated with Nikita Khrushchev’s “thaw” after the Stalinist bitter frost became a prelude to the years when contemplation about, or practical steps toward, emigration to Israel or elsewhere began to play an increasing role in the lives of Soviet Jews. In this pioneering analysis of the “thaw” years in Soviet Jewish history, Gennady Estraikh focuses both on the factors driving emigration and dissent, and on those Jews who were able to attain a high standard of living, and to rise to esteemed positions in managerial, academic, bohemian, and other segments of the Soviet elite.

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***Thrillers that race from the very first page***'Felix Francis' novels gallop along splendidly' Jilly Cooper ‘From winning post to top of the bestseller lists’ Sunday TimesHarrison Foster is a lawyer by training but works as a crisis manager for a London firm that specializes in such matters. Summoned to Newmarket after a fire in the Chadwick Stables slaughters six very valuable horses, including the short-priced favourite for the Derby, Harry (as he is known) finds there is far more to the ‘simple’ fire than initially meets the eye. For a start, human remains are found amongst the equestrian ones in the burnt-out shell. All the stable staff are accounted for, so who is the mystery victim? Harry knows very little about horses, indeed he positively dislikes them, but he is thrust unwillingly into the world of Thoroughbred racing where the standard of care of the equine stars is far higher than that of the humans who attend to them. The Chadwick family are a dysfunctional racing dynasty, with the emphasis being on the nasty. Resentment between the generations is rife and sibling rivalry bubbles away like volcanic magma beneath a thin crust of respectability. Harry represents the Middle-Eastern owner of the Derby favourite and, as he delves deeper into the unanswered questions surrounding the horse’s demise, he ignites a fuse that blows the volcano sky-high, putting him in grave jeopardy. Can Harry solve the riddle before he is overcome by the toxic emissions from the eruption and is bumped off by the fallout?‘As usual with a Francis, once I opened the book, I didn’t want to put it down… Felix’s resolution is darker and more shocking than his father would ever have contemplated, but reflects grittier times and changing tastes in fiction. Now, what am I going to do for the next 12 months until the next one?’ Country Life ‘The latest annual offered from Felix Francis shows he has largely escaped from the shadow of his late father… He has become his own man as a purveyor of murder mysteries' The Racing PostPraise for Felix Francis's novels: 'The Francis flair is clear for all to see' Daily Mail 'From winning post to top of the bestseller list, time after time' Sunday Times 'The master of suspense and intrigue' Country Life 'A tremendous read' Woman's Own

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*** PRE-ORDER THE BONE HACKER, COMING IN PAPERBACK IN SPRING 2024! *** 'This page-turning series never lets the reader down’ HARLAN COBENIN A PROFESSION LIKE THIS, YOU'RE BOUND TO MAKE ENEMIES . . .An eye . . . It all starts when Dr Temperance Brennan finds a box on her porch. Inside is a fresh human eyeball with GPS coordinates etched into it. They lead her to a macabre discovery in a Benedictine Monastery, and soon after she discovers a mummified corpse in a state park. . . . for an eye There seems to be no pattern to these killings, except that each mimics a killing connected to something a younger Tempe experienced, or barely escaped. Someone is targeting her, and she needs to figure out why before they strike again. And then her daughter Katy disappears. Someone is playing a dangerous game with Tempe. And they won’t stop until they have taken everything from her . . .Electrifying, heart-stopping and compulsive, this is Tempe’s most personal and dangerous case yet . . .PRAISE FOR KATHY REICHS ‘A thing of clever beauty – smart, scary, complicated, and engrossing from the first sentence' MICHAEL CONNELLY ‘Reanimates all the ghosts from Temperance Brennan’s forensic past until they thoroughly haunt her present . . . This page-turning series never lets the reader down’ HARLAN COBEN ‘Masterfully constructed’ J.A. JANCE 'A mystery within a mystery that invites you to get into the action, complete with twisting turns and heart-stopping dives into the unknown . . . The crowning achievement of a master storyteller' NELSON DeMILLE 'I await the next Kathy Reichs’ thriller with the same anticipation I have for the new Lee Child or Patricia Cornwell' JAMES PATTERSON 'Over the course of twenty books, Kathy Reichs and Tempe Brennan have thrilled readers with pacey, mazey tales . . . We readers are truly grateful' IAN RANKIN ‘Reichs, skilfully using the conventions of the mystery novel, forces the reader to face up to the obscene realities of death time and time again. At work and a play she gets under your skin’ THE TIMES 'A thrilling read from one of my favorite writers' KARIN SLAUGHTER 'One of the absolute best thrillers of the year! I can’t recall when this many twists have been so masterfully woven into a novel.' JEFFERY DEAVER 'The Queen of forensic crime' EVENING STANDARD

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Offers new insights into the struggle against Apartheid, and the poverty and inequality that instigated political resistance. On 3 September 1984 a bloody uprising set the African townships of the Vaal Triangle aflame. Triggered by dissatisfaction over rent increases and a local government that was failing to provide any meaningful political power or social transformation to the black majority, it heralded the insurrectionary period that was to profoundly challenge the administrative and coercive capacities of the apartheid state and greatly contribute towards its demise. Led by a broad coalition of civic organisations, student bodies and trade unions, nationwide protests followed demanding a new political and social order. By the mid-1980s the ideological influence of the African National Congress (ANC) had established its hegemony among township activists and was regarded as the main force in the liberation struggle. Arguing that liberation from poverty and inequality played as significant role in driving the struggle against apartheid as political rights, Rueedi shows how the enactment of the ideals of the 1955 Freedom Charter during the insurrectionary period shaped how communities understood liberation and freedom, both during and after apartheid. She explores the ways in which the establishment and subsequent failure of the model townships was intertwined with struggles for social transformation and dignity; investigates the links between underground networks of the ANC and above ground community structures; and examines how increasing state repression fuelled militancy and political violence, leading to an impasse that signalled the beginning of the end of the apartheid regime.

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SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2023WINNER OF THE CUNDILL HISTORY PRIZE 2023SHORTLISTED FOR THE BRITISH ACADEMY PRIZE FOR NON-FICTION 2023A SUNDAY TIMES BOOK OF THE YEARA BBC RADIO 4 BOOK OF THE WEEKAn indelible exploration of the Cultural Revolution and how it shapes China today, Red Memory uncovers forty years of silence through the rarely heard stories of individuals who lived through Mao's decade of madness.'Very good and very instructive.' MARGARET ATWOOD'Written with an almost painful beauty.' JONATHAN FREEDLAND'Took my breath away.' BARBARA DEMICK'Haunting.' OLIVER BURKEMAN'A masterpiece.' JULIA LOVELLA 13-year-old Red Guard revels in the great adventure, and struggles with her doubts. A silenced composer, facing death, determines to capture the turmoil. An idealistic student becomes the 'corpse master' . . .More than fifty years on, the Cultural Revolution's scar runs through the heart of Chinese society, and through the souls of its citizens. Stationed in Beijing for the Guardian, Tania Branigan came to realise that this brutal and turbulent decade continues to propel and shape China to this day. Yet official suppression and personal trauma have conspired in national amnesia: it exists, for the most part, as an absence.Red Memory explores the stories of those driven to confront the era, who fear or yearn for its return. What happens to a society when you can no longer trust those closest to you? What happens to the present when the past is buried, exploited or redrawn? And how do you live with yourself when the worst is over?

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Nothing says more about a culture than the way it responds to deeply traumatic events. The Reign of Terror, America's Civil War, the Holocaust, Hiroshima and Nagasaki, the Kennedy assassination, September 11th-watershed moments such as these can be rich sounding boards for the cultural historian patient enough to tease out the traumatic event's complex cultural resonances. This book is about one such moment in the history of modern France. The so-called Terrible Year began with the French army's crushing defeat at Sedan and the fall of the Second Empire in September of 1870, followed by the Prussian occupation of France and first siege of Paris in the fall and winter of that year. But no event of the period proved so deeply traumatic as the Paris Commune of 1871 and the bloody reprisals that attended its demise. Commemorating Trauma engages the rich body of recent scholarly work on cultural trauma to examine a curious conundrum. Why do French literary, historical and philosophical texts written in the aftermath of the Paris Commune so often employ the trope of confusion (in both the phenomenal and cognitive senses of that term) to register and work through the historical traumas of the Terrible Year? And how might these representations of confusion both reflect and inflect the confusions inherent to an ongoing process of social upheaval evident in late nineteenth-century France-a process whose benchmarks include democratization and the blurring of social classes, a persistent and evolving revolutionism, radical reconfigurations of the city as lived environment, and the development of specifically capitalist logics of commerce? These are the two principal questions addressed in this important study of cultural memory.

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When Princeton anthropologist John Borneman arrived in Syria's second-largest city in 2004 as a visiting Fulbright professor, he took up residence in what many consider a "rogue state" on the frontline of a "clash of civilizations" between the Orient and the West. Hoping to understand intimate interactions of religious, political, and familial authority in this secular republic, Borneman spent much time among different men, observing and becoming part of their everyday lives. Syrian Episodes is the striking result. Recounting his experience of living and lecturing in Aleppo, Syria's second-largest city, John Borneman offers deft, first-person stories of the longings and discontents expressed by Syrian sons and fathers, as well as a prescient analysis of the precarious power held by the regime, its relation to domestic authority, and the conditions of its demise. Combining literary imagination and anthropological insight, the book's discrete narratives converge in an unforgettable portrait of contemporary culture in Aleppo. We read of romantic seductions, rumors of spying, the play of light in rooms, the bargaining of tourists in bazaars, and an attack of wild dogs. With unflinching honesty and frequent humor, Borneman describes his encounters with students and teachers, customers and merchants, and women and families, many of whom are as intrigued with the anthropologist as he is with them. Refusing to patronize those he meets or to minimize his differences with them, Borneman provokes his interlocutors, teasing out unexpected confidences, comic responses, and mutual misunderstandings. He engages the curiosity and desire of encounter and the possibility of ethical conduct that is willing to expose cultural differences. Combining literary imagination and anthropological insight, Syrian Episodes offers an unforgettable portrait of contemporary culture in Aleppo.

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Intellectuals since the Industrial Revolution have been obsessed with whether, when, and why capitalism will collapse. This riveting account of two centuries of failed forecasts of doom reveals the key to capitalism’s durability.Prophecies about the end of capitalism are as old as capitalism itself. None have come true. Yet, whether out of hope or fear, we keep looking for harbingers of doom. In Foretelling the End of Capitalism, Francesco Boldizzoni gets to the root of the human need to imagine a different and better world and offers a compelling solution to the puzzle of why capitalism has been able to survive so many shocks and setbacks.Capitalism entered the twenty-first century triumphant, its communist rival consigned to the past. But the Great Recession and worsening inequality have undermined faith in its stability and revived questions about its long-term prospects. Is capitalism on its way out? If so, what might replace it? And if it does endure, how will it cope with future social and environmental crises and the inevitable costs of creative destruction? Boldizzoni shows that these and other questions have stood at the heart of much analysis and speculation from the early socialists and Karl Marx to the Occupy Movement. Capitalism has survived predictions of its demise not, as many think, because of its economic efficiency or any intrinsic virtues of markets but because it is ingrained in the hierarchical and individualistic structure of modern Western societies.Foretelling the End of Capitalism takes us on a fascinating journey through two centuries of unfulfilled prophecies. An intellectual tour de force and a plea for political action, it will change our understanding of the economic system that determines the fabric of our lives.

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Paolo Sorrentino, director of Il Divo (2008) and The Great Beauty (2013) and creator of the HBO series The Young Pope (2016), has emerged as one of the most compelling figures in twenty-first-century European film. From his earliest productions to his more recent transnational works, Sorrentino has paid homage to Italy’s cinematic past while telling stories of masculine characters whose sense of self seems to be on the brink of dissolution. Together with his usual collaborators (including cinematographer Luca Bigazzi and editor Cristiano Travagliolo) and actors (chief among them Toni Servillo), Sorrentino has produced an incisive depiction of the contemporary European condition by means of an often spectacular postclassical style that nevertheless continues postwar Italian film’s tradition of political commitment.This book is a critical examination of Sorrentino’s work, focusing on his emergence as a preeminent transnational auteur. Russell J. A. Kilbourn offers close readings of Sorrentino’s feature films and television output from One Man Up (2001) to The Young Pope (2016) and Loro (2018), featuring in-depth analyses of the director’s exuberant and intensified film style. Addressing the crucial themes of Sorrentino’s output—including a masculine subject defined by a melancholic awareness of its own imminent demise, and a critique of the conventional cinematic representation of women—Kilbourn illuminates Sorrentino’s ability to suffuse postmodern elegies for the humanist worldview with a sense of social awareness and responsibility. Kilbourn also foregrounds Sorrentino’s contributions to the ongoing transformations of cinematic realism and the Italian and European art cinema traditions more broadly. The first English-language study of the acclaimed director’s oeuvre, The Cinema of Paolo Sorrentino demonstrates why he is considered one of the most dynamic figures making films today.

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The United States has struggled to define its approach to what has been termed the 'information battlefield' since the dawn of the information era. Yet with the outbreak of the war on terrorism, the United States is being violently challenged to take a position and react to militants' use of emerging information technology. Ideological demigods operating against the United States now have unprecedented channels by which to disseminate their message to those uncertain, sympathetic, or actively engaged in their philosophy. From the caves of southeastern Afghanistan to the streets of Baghdad, 'the message' has dominated the thinking of those who perpetrate horrific acts of violence, whether in the name of ideology, ethnic and sectarian partisanship, or religion. This book seeks to illuminate the uses of information in armed conflict by juxtaposing the views of those who engage in manipulating information against the historic context. The anthology is divided into four sections: geopolitical, strategic, operational, and tactical. The geopolitical perspective is that dominated by world politics, diplomacy, and the elements of national power excluding military force. The strategic view examines where the violence has begun and the military element of power that has become a major contributing factor. The operational perspective handles the campaigns to accomplish a specific purpose on the world stage - for example, the Iraq campaign. Finally, the tactical level takes into account the individual and the individual clashes within the campaigns at issue. Because the nexus of information conflict is most easily viewed in the world's contemporary violent confrontations, this anthology is heavily weighted toward military personnel who have managed these difficult issues.

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Looks at a young man, straight out of school, who fought in the East African campaign in 1916. It outlines the depiction of the equatorial environment and the health challenging conditions under which the war was fought. Is a gripping story of war, intrigue, romance, humour and spiritual awakening. The year is 1916, and, at age 19 Ritchie is launched into a world conflict that he doesn’t fully comprehend. It is a time when the opposing sides in World War 1 are European countries that have drawn on their colonies to assist in their continental dispute. Ritchie volunteers for service in East Africa, and, although excited by the prospects of a great adventure, soon begins to feel like a pawn in a game of chess that is being manipulated by external forces to their own advantage. The intolerable conditions of the East African campaign, where more soldiers died of dysentery and malaria than of battle wounds, revives memories of his traumatic experience as a 5-year old when he and his Irish-born mother were incarcerated in an Anglo Boer War British concentration camp. It was to be the strong bond between mother and son, along with her indomitable spirit that kept him alive in an environment of insurmountable human suffering, disease and hunger. But it was a bond that was to be sorely tested and ultimately broken by circumstances which come back to haunt him as he retreats inwards after a near-death experience during the war in German East Africa. On his return from the war, he sets out to discover the truth about his mother that leads him into a dangerous encounter with kidnappers and criminals, and a liaison with a woman who was indirectly responsible for his mother’s downfall and demise.

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Imagine you suddenly find yourself in the control room of a vast technological apparatus, sometime in the future, where you are told that science has satisfied all the needs of all living humans. Furthermore, you learn, the next generation of the species will not be produced in the usual way, but instead by this machine, provided only that somebody push a little red button. The catch: you have to give a reason for pushing it. You hesitate: what do you say? Our own world is more like this scenario than we at first may be inclined to admit, not least in the fact that, mutatis mutandis, we seem to be struggling to come up with a good answer. The problem, says Rémi Brague, is fundamentally a metaphysical one. Now, mention of ‘metaphysics’ in decent society these days is likely to elicit a smile or an unimpressed shrug. If there is a shelf with that label on it in your typical bookstore you are as likely to find guides to crystals, chakras, or hemp care there as you are treatises by Aristotle, Aquinas, or Kant. And, in spite of the ongoing revival of academic interest in metaphysics, it remains a rather specialist domain, a marginal sub-discipline in departments of philosophy, be they analytical or continental in cast. If you should take it too seriously, you’ll lose your bearings in the real world, and you’ll go adrift in some ethereal sea of dreams. It is, in a word, irrelevant – right? Wrong, Brague writes. Sustained reflection on the nature of being, undertaken in the hope that something can indeed be said about it, was for millennia considered to be among the most important of intellectual pursuits, and not without reason. With his characteristic combination of erudition and wit, Brague takes us on a sweeping tour of the discipline’s varying fortunes, from its early Athenian practitioners through its Jewish, Muslim, and Christian heirs, to the chorus of critics who in the last few centuries succeeded in putting an end to its dominance. But the questions that metaphysics was asking, Brague shows, did not disappear with its demise, and so, whether implicitly or explicitly, metaphysics itself has resisted relegation to the history books. For the nature of being, and especially our relationship to it, has continued to haunt its triumphant critics. One quintessentially metaphysical claim above all, as Brague suggests, seems to have horrified them: the doctrine that all that is, insofar as it is, is good. And yet, in rejecting the “convertibility” of the “transcendentals” of being and goodness, critics of the old metaphysics – Voltaire, Kant, Schopenhauer, Nietzsche, Heidegger, Carnap, and Levinas among them – in their own ways offered metaphysical counter-claims, even as they turned increasingly anthropological in their interests. They also raised the stakes. For, whether the denial of the goodness of being can legitimately be attributed some causal responsibility for a world in which our species could rapidly and deliberately ensure its own extinction, this is the world we live in, and that denial does form the basis of the intellectual background from which we tend to begin our speculations. If we need to be able to articulate reasons for our project not to end, then we also need to rethink the rejection that we have come to take for granted. What Brague offers us here is not a narrative of decline, not a Jeremiad, not a nostalgic lament for the thought-world of a bygone era, but a sympathetic outline of some of the major tensions in the philosophical underpinnings of the modernity that we all inhabit. As such, it forms a part of his ongoing effort take modernity “more seriously than it takes itself”, to expose its hidden foundations, and to push it to its logical conclusions. In so doing, he hopes to help clarify where it is that we are going as a species, and to ensure that wherever it is, there is room for us humans in it.

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This collection of short stories, both poignant and skillfully crafted, bring to life the tragic demise of traditional Nubian life and culture. If the earlier dams that were built across the Nile during the first half of the twentieth century caused increasing numbers of the men-folk to migrate north to Cairo and Alexandria to work as servants, waiters, and doormen, the completion of the High Dam in 1964 sounded the death knell. While the temples of Abu Simbel were meticulously relocated at great expense, the drowning of the ancient heartland of the Nubian people along the banks of the Nile went largely unnoticed. Haggag Oddoul’s work, as well as documenting the personal tragedy of individuals caught up in massive social transformation, also casts a nostalgic light on the heritage and way of life of the Nubians: their rhythmic dancing, their beautiful women, the lively humor of their elders, and the enormous centrality of their traditions and the spirits with which they shared the environment. Two stories in this collection, ‘’Zeinab Uburty’’ and ‘’Nights of Musk,’’ offer a bucolic and dream-like insight into the world that has disappeared for ever under the water behind the dam. Meanwhile, two other stories, ‘’Adila, Grandmother’’ and ‘’The River People,’’ document the departure of the men, while the women are left behind to go fallow, and the second and third generations born in the cities of the north have only their grandmother’s tales and her pigeon Arabic to remind them of their heritage.

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Max Geller: Target of the Kremlin, MI6, and the CIA Fired for bias against the U.S. president, ex-CIA Russia expert Max Geller gets a chance to redeem his reputation and make a fortune when he is hired to investigate the president’s incriminating ties to Moscow. Jill Rucker, an undercover CIA agent, is assigned to work with him—and she does—when she’s not pursuing her own conflicting goals. The search takes them to England, Russia, Panama, and Switzerland. Along the way, Max runs afoul of British intelligence by inadvertently compromising two of its operations. He gets help from an anti-Russian underground cell in Moscow, is assisted and threatened by the Russian mafia, exposes a massive Russian-American money laundering scheme in Panama, and uncovers a plot to protect the president from mounting accusations threatening his presidency. Close behind is Zabluda, a Kremlin assassin, who means to kill them and their sources and destroy evidence incriminating the president. Max discovers that he has been betrayed by his former boss, his current employer, and his girlfriend. Seeking revenge, he takes on a powerful Washington law firm, the CIA, and the Russians. Max Geller is the spy who went out in the cold—and no one wants him to come in and tell what he knows.Perfect for fans of Daniel Silva and Nelson DeMille The Publishing Sequence for this series is:The President’s Dossier The Blood of Patriots and Traitors (coming 2023)

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A Russian Defector—A Worldwide Dragnet—A Looming Assassination—Max Geller is back in Moscow Former CIA Russia expert Max Geller is recovering from an intense mission while lying low in Australia, enjoying his sudden wealth in the company of his new girlfriend. But his beachy bliss is short-lived when Max, while relaxing by the ocean, is ambushed by the CIA. He soon learns that his girlfriend, Vanessa, is being used as blackmail by his former CIA boss, Rodney, to convince Max to go to Moscow. His mission? Smuggle out a defector with knowledge of a secret Kremlin war plan. Max is wanted by the Russians, so the defector could be bait to lure him into the hands of his old enemy, FSB Colonel Zabluda. But it’s either Max or Vanessa who must go, so Max takes the bait and heads off. When Max is spotted in Moscow, Zabluda launches a manhunt, pursuing him and the defector across country lines. Max and the defector race to evade countless attacks and attempts at capture as they escape to the United States. Will they make it in time? And what happens when the defector reveals crucial information that indicates U.S. democracy could be in peril? Max must figure out a way to avoid capture and halt imminent attacks—before it’s too late.Perfect for fans of Daniel Silva and Nelson DeMille While the novels in the Max Geller Spy Thriller Series stand on their own and can be read in any order, the publication sequence is:The President’s Dossier The Blood of Patriots and Traitors

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A remarkable history of the powerful and influential social gospel movement. The global crises of child labor, alcoholism and poverty were all brought to our attention through the social gospel movement. Its impact on American society makes it one of the most influential developments in American religious history. Christopher H. Evans traces the development of the social gospel in American Protestantism, and illustrates how the religious idealism of the movement also rose up within Judaism and Catholicism. Contrary to the works of previous historians, Evans demonstrates how the presence of the social gospel continued in American culture long after its alleged demise following World War I. Evans reveals the many aspects of the social gospel and their influence on a range of social movements during the twentieth century, culminating with the civil rights movement in the 1950s and 1960s. It also explores the relationship between the liberal social gospel of the early twentieth century and later iterations of social reform in late twentieth century evangelicalism. The Social Gospel in American Religion considers an impressive array of historical figures including Washington Gladden, Emil Hirsch, Frances Willard, Reverdy Ransom, Walter Rauschenbusch, Stephen Wise, John Ryan, Harry Emerson Fosdick, A.J. Muste, Georgia Harkness, and Benjamin Mays. It demonstrates how these figures contributed to the shape of the social gospel in America, while arguing that the movement’s legacy lies in its profound influence on broader traditions of liberal-progressive political reform in American history.

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Returning to Ashok K. Banker’s brilliant epic fantasy world of the Burnt Empire, A Dark Queen Rises features Aqreen and Krushita, a mother and daughter on a quest to protect the innocent and bring down tyrantsQueen Aqreen of Aquila leaves her husband Jarsun and flees across the Red Desert. She is determined to keep her daughter from being used by Jarsun to stake his claim to the Burning Throne of Hastinaga, seat of the all-powerful Burnt Empire. But Jarsun is vengeful and can summon legions of demoniac forces at will. The Red Desert is vast, and the journey dangerous.Aqreen and Krushita’s caravan of ten thousand wagons will take several years to reach the only safe harbor, the queendom of Reygar. Jarsun’s pursuit is relentless and his vengeance terrible, but hope shines from the growing powers of little Krushita herself, along with the four-armed, twin-bodied Vanjhani wagon train leader and their band of valiant desert militia. Fierce battles are in store.There are other players in this great game of demigods and mortals, each pursuing their own agendas. The powerful seer-mage Vessa seeks to join Krushita’s talents with that of Drishya, an avatar destined to confront and kill Tyrak, Jarsun’s diabolical son-in-law. Ladislew the assassin aligns with Tyrak for her own reasons. All paths culminate in a feverish finale on the hot sands of Reygar, as father, mother, and daughter confront each other in one ultimate showdown.

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Everything you need to start and manage a non-profit Starting and Managing a Nonprofit Organization is written to help anyone who's just getting their toes wet in the sector get up to speed on the critical information needed to protect their nonprofit's tax-exempt status—and avoid the many legal traps out there that you probably didn't know exist. Packed with checklists and step-by-step guidance, Starting and Managing a Nonprofit Organization demystifies intricate legal issues with plain-English language explanations for non-legal professionals of the statutes, regulations, court opinions, and other rules comprising nonprofit law. Nonprofits must comply with stringent federal and state laws due to their special exempt status; the government's ultimate threat is revocation of a nonprofit's tax-exempt status, which usually means the nonprofit's demise. Written in plain English, not "legalese," this all-important guide provides essential guidance for those interested in starting nonprofits, as well as valuable advice for leaders of established organizations. Covers all aspects of federal and state nonprofit law Discusses significant contemporary issues, including commerciality, private benefit, governance, and unrelated business Provides summaries of current IRS ruling policies Includes procedures and a glossary of legal terms for fail-safe compliance Written by the country's legal leading authority on tax-exempt organizations, Starting and Managing a Nonprofit Organization is the reference you'll want to keep close by as you navigate your way through the world of nonprofit and the law.

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A panoramic history of Puritanism in England, Scotland, and New EnglandThis book is a sweeping transatlantic history of Puritanism from its emergence out of the religious tumult of Elizabethan England to its founding role in the story of America. Shedding critical new light on the diverse forms of Puritan belief and practice in England, Scotland, and New England, David Hall provides a multifaceted account of a cultural movement that judged the Protestant reforms of Elizabeth's reign to be unfinished. Hall's vivid and wide-ranging narrative describes the movement's deeply ambiguous triumph under Oliver Cromwell, its political demise with the Restoration of the English monarchy in 1660, and its perilous migration across the Atlantic to establish a "perfect reformation" in the New World.A breathtaking work of scholarship by an eminent historian, The Puritans examines the tribulations and doctrinal dilemmas that led to the fragmentation and eventual decline of Puritanism. It presents a compelling portrait of a religious and political movement that was divided virtually from the start. In England, some wanted to dismantle the Church of England entirely and others were more cautious, while Puritans in Scotland were divided between those willing to work with a troublesome king and others insisting on the independence of the state church. This monumental book traces how Puritanism was a catalyst for profound cultural changes in the early modern Atlantic world, opening the door for other dissenter groups such as the Baptists and the Quakers, and leaving its enduring mark on what counted as true religion in America.

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In Germans to the Front , David Large charts the path from Germany's total demilitarization immediately after World War II to the appearance of the Bundeswehr, the West German army, in 1956. The book is the first comprehensive study in English of West German rearmament during this critical period. Large's analysis of the complex interplay between the diplomatic and domestic facets of the rearmament debate illuminates key elements in the development of the Cold War and in Germany's ongoing difficulty in formulating a role for itself on the international scene. Rearmament severely tested West Germany's new parliamentary institutions, dramatically defined emerging power relationships in German politics, and posed a crucial challenge for the NATO alliance. Although the establishment of the Bundeswehr ultimately helped stabilize the nation, the acrimony surrounding its formation generated deep divisions in German society that persisted long after the army took the field. According to Large, the conflict was so bitter because rearmament forced a confrontation with fundamental questions of national identity and demanded a painful reckoning with the past. |Regarded as the primary textbook and sourcebook for the teaching and practice of local journalism and newspaper publishing in the U.S., this book addresses the issues a small-town newspaper writer or publisher is likely to face, from why community journalism is important and distinctive; to hints for reporting, news writing, and feature writing with a ""community spin""; to handling design, production, photojournalism, and staff management. This edition includes a new ""Best Practices"" chapter for community newspapers.

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Physico-theology celebrated the observation of nature as a way toward the recognition of God as Creator and to demonstrate the compatibility of the biblical record with the new science. It was a crucial, albeit often underestimated element in the intellectual as well as socio-cultural establishment of the new science in western and central Europe beginning in the mid-seventeenth century. The importance of physico-theology in enhancing the acceptance of the new science among a broad educated public cannot be underestimated. Unfortunately, this insight has not yet received much attention in the history of early modern science, chiefly because the history of physico-theology tends to highlight the activities of virtuosi rather than well-known scientists. A contribution to the history of knowledge, this is the first monograph in English on physico-theology on the European scale. It concentrates on two genres, the argument from design, and the palaeontological argument regarding the role of the Deluge in the formation of fossils. It does so without neglecting practice (correspondence and collecting). It pays considerable attention to the historical context, above all to the new image of God as a wise, benevolent, rather than unpredictable being, which provided the practitioners of physico-theology (including clergy, physicians, lawyers, and philologists) with a new and powerful argument. It draws attention to the predominantly Protestant nature of the phenomenon and looks at the longevity of the argument from design in Britain and the Netherlands, where its demise came about as late as the first half of the nineteenth century.

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A deep and timely account of how American newspapers were produced and distributed on paper.Winner of the Best Book in Canadian Business History by the Canadian Business History AssociationPopular assessments of printed newspapers have become so grim that some have taken to calling them “dead tree media” as a way of invoking the medium’s imminent demise. There is a literal truth hidden in this dismissive expression: printed newspapers really are material goods made from trees. And, throughout the twentieth century, the overwhelming majority of trees cut down in the service of printing newspapers in the United States came from Canada. In Dead Tree Media, Michael Stamm reveals the international history of the commodity chains connecting Canadian trees and US readers. Drawing on newly available corporate documents and research in archives across North America, Stamm offers a sophisticated rethinking of the material history of the printed newspaper. Tracing its industrial production from the forest to the newsstand, he provides an account of the obscure and often hidden labor involved in this manufacturing process by showing how it was driven by not only publishers and journalists but also lumberjacks, paper mill workers, policymakers, chemists, and urban and regional planners. Stamm describes the 1911 shift in tariff policy that gave US publishers duty-free access to Canadian newsprint, providing a tremendous boost to Canadian paper manufacturers and a significant subsidy to American newspaper publishers. He also explains how Canada attracted massive American foreign investment in paper mills around the same time that US publishers were able to gain greater access to Canada’s vast spruce forests. Focusing particularly on the Chicago Tribune, Stamm provides a new history of the rise and fall of both the mass circulation printed newspaper and the particular kind of corporation in the newspaper business that had shaped many aspects of the cultural, political, and even physical landscape of North America. For those seeking to understand the travails of the contemporary newspaper business, Dead Tree Media is essential reading.

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Amid a display of sunshine-yellow electric appliances in a model home at the 1959 American National Exhibition in Moscow, Soviet Premier Nikita Khrushchev and U.S. Vice President Richard Nixon squared off on the merits of their respective economic systems. One of the signature events of the cold war, the impromptu Kitchen Debate has been widely viewed as the opening skirmish in a propaganda war over which superpower could provide a better standard of living for its citizens. However, as Greg Castillo shows in Cold War on the Home Front, this debate and the American National Exhibition itself were, in fact, the culmination of a decade-long ideological battle fought with refrigerators, televisions, living room suites, and prefab homes.The first in-depth history of how domestic environments were exploited to promote the superiority of either capitalism or socialism on both sides of the Iron Curtain, Cold War on the Home Front reveals the tactics used by the American government to seduce citizens of the Soviet bloc with state-of-the-art consumer goods and the reactions of the Communist Party. Beginning in 1950, the U.S. State Department sponsored home expositions in West Berlin that were specifically designed to attract residents of East Berlin, featuring dream homes with modernist furnishings that presented an idealized vision of the lifestyle enjoyed by the consumer-citizen in the West. In response, Party authorities in East Germany staged socialist home expositions intended to evoke the domestic ideal of a cultured proletariat.Castillo closely follows the course of this escalating rivalry between competing consumer cultures through the 1950s, concluding that the Soviet bloc's inability to make good on the claim that it could emulate goods and living standards offered by the West was a contributing factor in communism's eventual demise. Using a mosaic of sources ranging from recently declassified government documents to homemaking journals and popular fiction, Cold War on the Home Front contributes an engaging new perspective on midcentury modernist style and its political uses at the dawn of the cold war.

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Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer traces Art Nouveau's long history in films from various decades and global locales, appreciating the movement's enduring avant-garde aesthetics and dynamic ideology. Fischer begins with the portrayal of women and nature in the magical "trick films" of the Spanish director Segundo de Chomon; the elite dress and decor design choices in Cecil B. DeMille's The Affairs of Anatol (1921); and the mise-en-scene of fantasy in Raoul Walsh's The Thief of Bagdad (1924). Reading Salome (1923), Fischer shows how the cinema offered an engaging frame for adapting the risque works of Oscar Wilde and Aubrey Beardsley. Moving to the modern era, Fischer focuses on a series of dramatic films, including Michelangelo Antonioni's The Passenger (1975), that make creative use of the architecture of Antoni Gaudi; and several European works of horror-The Abominable Dr. Phibes (1971), Deep Red (1975), and The Strange Color of Your Body's Tears (2013)-in which Art Nouveau architecture and narrative supply unique resonances in scenes of terror. In later chapters, she examines films like Klimt (2006) that portray the style in relation to the art world and ends by discussing the Art Nouveau revival in 1960s cinema. Fischer's analysis brings into focus the partnership between Art Nouveau's fascination with the illogical and the unconventional and filmmakers' desire to upend viewers' perception of the world. Her work explains why an art movement embedded in modernist sensibilities can flourish in contemporary film through its visions of nature, gender, sexuality, and the exotic.

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This book tells captivating stories of misadventures of two renowned theoretical physicists in the Soviet Union. The first part is devoted to Friedrich (Fritz) Houtermans, an outstanding Dutch-Austrian-German physicist who was the first to suggest that the source of stars' energy is thermonuclear fusion, and also made a number of other important contributions to cosmochemistry and geochemistry. In 1935, Houtermans, a German communist, in an attempt to save his life from Hilter's Gestapo, fled to the Soviet Union. He took up an appointment at the Kharkov Physico-Technical Institute, working there for two years with the Russian physicist Valentin P Fomin. In the Great Purge of 1937, Houtermans was arrested in December by the NKVD (Soviet Secret Police, KGB's predecessor). He was tortured, and confessed to being a Trotskyist plotter and German spy, out of fear of threats against his wife Charlotte. However, Charlotte had already escaped from the Soviet Union to Denmark, after which she went to England and finally the USA. As a result of the Hilter-Stalin Pact of 1939, Houtermans was turned over to the Gestapo in May 1940 and imprisoned in Berlin.The second part consists of two essays that narrate the life story of Yuri Golfand, one of the codiscoverers of supersymmetry, a major discovery in theoretical physics in the 20th century. In 1973, just two years after the publication of his seminal paper, he was fired from the Lebedev Physics Institute in Moscow. Because of his Jewish origin he could find no job. Under such circumstances, he applied for an exit visa to Israel, but his application was denied. Yuri Golfand became a refusnik and joined the Human rights movement, along with two other prominent physicists, Andrei Sakharov and Yuri Orlov. To earn his living, he had to do manual work, repeatedly being intimidated by KGB. Only 18 years later, shortly before the demise of the Soviet Union, did he obtain permission to leave the country, emigrating to Israel in 1990.These personal life stories of two outstanding theorists are interwined with the tragedies of the 20th century and make for compelling reading.

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'D'Ancona makes his case well... The book is well written and thoughtful' -- The Times'A heartfelt attempt to renew liberal ideals for the coming decades... How sorely our public debate needs others to express themselves similarly.' -- Henry Mance, Financial Times'An urgent and exhilarating account of how populism, prejudice & polarisation have corrupted objective truth and public discourse. D'Ancona's sparkling prose provides an explanation of how we got here and, crucially, how we might get out.' -- James O'Brien'A book so rich in thought, wisdom and persuasion I find myself sharing the ideas within it with everyone I meet... In the much-mourned absence of Christopher Hitchens, d'Ancona is fast becoming the voice of enlightenment for our bewildered age.' -- Emily Maitlis'A tonic for our times that blows open any complacency following Trump's defeat that the demise of populism and nativism is inevitable. In beautifully written prose, D'Ancona puts forward hopeful ideas and timely inspiration for a progressive politics to replace it.' -- David Lammy'A brilliant, lucid, fearless tract, just what the historical moment ordered.' -- Andrew O'Hagan'D'Ancona's regular practical suggestions help to take it beyond mere theory and into the real world... Decision-makers would do well to read it.' -- Charlotte Henry, TLS***This is a call to arms. The old tools of political analysis are obsolete - they have rusted and are no longer fit for purpose. We've grown lazy, wedded to the assumption that, after ruptures such as Brexit, the pandemic, and the rise of the populist Right, things will eventually go 'back to normal'.Award-winning political writer Matthew d'Ancona invites you to think afresh: to seek new ways of challenging political extremism, bombastic populism and democratic torpor on both Left and Right. In this ground-breaking book, he proposes a new way of understanding our era and plots a way forward. With rigorous analysis, he argues that we need to understand the world in a new way, with a framework built from the three I's: Identity, Ignorance and Innovation.

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During the Civil War and Reconstruction, the pejorative term ""scalawag"" referred to white southerners loyal to the Republican Party. With the onset of the federal occupation of New Orleans in 1862, scalawags challenged the restoration of the antebellum political and social orders. Derided as opportunists, uneducated ""poor white trash,"" Union sympathizers, and race traitors, scalawags remain largely misunderstood even today. In The Louisiana Scalawags, Frank J. Wetta offers the first in-depth analysis of these men and their struggle over the future of Louisiana. A significant assessment of the interplay of politics, race, and terrorism during Reconstruction, this study answers an array of questions about the origin and demise of the scalawags, and debunks much of the negative mythology surrounding them.Contrary to popular thought, the southern white Republicans counted among their ranks men of genuine accomplishment and talent. They worked in fields as varied as law, business, medicine, journalism, and planting, and many held government positions as city officials, judges, parish officeholders, and state legislators in the antebellum years. Wetta demonstrates that a strong sense of nationalism often motivated the men, no matter their origins.Louisiana's scalawags grew most active and influential during the early stages of Reconstruction, when they led in founding the state's Republican Party. The vast majority of white Louisianans, however, rejected the scalawags' appeal to form an alliance with the freedmen in a biracial political party. Eventually, the influence of the scalawags succumbed to persistent terrorism, corruption, and competition from the white carpetbaggers and their black Republican allies. By then, the state's Republican Party consisted of white political leaders without any significant white constituency. According to Wetta, these weaknesses, as well as ineffective federal intervention in response to a Democratic Party insurgency, caused the Republican Party to collapse and Reconstruction to fail in Louisiana.

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Death of the Moguls is a detailed assessment of the last days of the “rulers of film.” Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios’ collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn’t reign supreme.Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theaters; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command.Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative of the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to color, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.

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The Mitsubishi Zero is one of the great legendary fighter aircraft ever to have graced the skies. Symbolic of the might of Imperial Japan, she represented a peak of developmental prowess in the field of aviation during the early years of the Second World War. Engineered with manoeuvrability in mind, this light-weight, stripped-back aircraft had a performance that left her opponents totally outclassed. The dogfights she engaged in with the Chinese, British, Dutch and American warplanes in the 1941-42 period are the stuff of aviation legend. The Zero fighter had four major assets - agility, long-range, experienced and war-blooded pilots and, most importantly of all, a total inability of the Allies, particularly in the Pacific Theatre of operations, to believe that Japan could produce such a machine. Despite a whole series of eyewitness reports from China, where she had swept the skies clean of all opposition, western minds were closed, and remained so until the brutal facts imposed themselves on their biased mindsets. All aircraft designs are a compromise of course, and the Zero had faults as well as strengths, two of which were to finally doom her; one was her lack of armour protection and the other was the inability of the Japanese to match the overwhelming production strength and innovation of Allied aircraft construction. Even so, she remained a potent threat until the end of the war, not least in her final role, that of a Kamikaze aircraft, in which she created as much havoc on the sea as she had done earlier in the air. Peter C. Smith takes the reader on a journey from inspired inception to the blazing termination of this unique aircraft, the first Naval fighter to be superior to land-based aircraft. It describes in detail the many victories that punctuated the early days of its operational career as well as the desperate dying days of the Second World War which witnessed her final demise. Smith also lists the preserved Zero aircraft on display today. This is a fast-paced and fascinating history of a fighter aircraft like no other.

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Bow down in Fear!Monsters have long stalked us in the darkness. Within this book, you'll find a host of these creatures for use in the Pathfinder Roleplaying Game. Face off against archdevils and the Horsemen of the Apocalypse, planar dragons and the legendary wild hunt, proteans and psychopomps, and hundreds more! Some creatures, such as the capricious taniwha, the mysterious green man, or the powerful empyreal lords, might even be willing to provide your heroes aid-if they deserve it! Pathfinder RPG Bestiary 6 is the sixth must-have volume of monsters for use with the Pathfinder Roleplaying Game and serves as a companion to the Pathfinder RPG Core Rulebook and Pathfinder RPG Bestiary. This imaginative tabletop game builds upon more than 10 years of system development and an open playtest featuring more than 50,000 gamers to create a cutting-edge RPG experience that brings the all-time best-selling set of fantasy rules into a new era. Pathfinder RPG Bestiary 6 includes:►More than 200 different monsters. ►New player-friendly races, like the crazed monkey goblins, the telepathic albino munavris, the river-dwelling fey naiads, the wolflike rougarou, and the yaddithians of the Elder Mythos. ►Numerous powerful demigods, from archdevils and Great Old Ones to empyreal lords and qlippoth lords.►New animal companions and other allies, such as fierce devil monkeys and loyal clockwork hounds.►New templates, including the entothrope and the mongrel giant, to help you get more life out of classic monsters.►Appendices to help you find the right monster, including lists by Challenge Rating, monster type, and habitat.►Expanded universal monster rules to simplify combat.►Challenges for every adventure and every level of play.►AND MUCH, MUCH MORE!

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Japanese antiques dealer and PI Jim Brodie goes up against a killer operating on both sides of the Pacific in Barry Lancet’s Pacific Burn—“a page-turning, globe-spanning tale of murder, suspense, and intrigue that grabs and holds your attention from beginning to end” (Nelson DeMille).In recognition for his role in solving the Japantown murders in San Francisco, antiques dealer and sometime-PI Jim Brodie has just been brought on as the liaison for the mayor’s new Pacific Rim Friendship Program. Brodie in turn recruits his friend, the renowned Japanese artist Ken Nobuki, and after a promising meeting with city officials and a picture-perfect photo op, Brodie and Nobuki leave City Hall for a waiting limo. But as soon as they exit the building, a sniper attacks them from the roof of the Asian Art Museum. Brodie soon realizes that, with the suspicious and untimely death of Nobuki’s oldest son a week earlier in Napa Valley, someone may be targeting his friend’s family—and killing them off one by one. Suspects are nearly too numerous to name—and could be in the United States or anywhere along the Pacific Rim. The quest for answers takes Brodie from his beloved San Francisco to Washington, DC, in a confrontation with the DHS, the CIA, and the FBI; then on to Tokyo, Kyoto, and beyond, in search of what his Japanese sources tell him is a legendary killer in both senses of the word—said to be more rumor than real, but deadlier than anything else they’ve ever encountered if the whispers are true. In the third book in “what will likely be a long and successful series” (San Francisco Magazine), Barry Lancet delivers his most exciting Jim Brodie novel yet.

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When Reynold Levy became the new president of Lincoln centre in 2002, New York Magazine described the situation he walked in to as a community in deep distress, riven by conflict." Ideas for the redevelopment of Lincoln centre's artistic facilities and public spaces required spending more than 1.2 billion, but there was no clear pathway for how to raise that kind of unprecedented sum. The individual resident organizations that were the key constituents of Lincoln centre,the Metropolitan Opera, the New York City Opera, the New York Philharmonic, the Juilliard School, and eight others,could not agree on a common capital plan or fundraising course of action. Instead, intramural rivalries and disputes filled the vacuum.Besides, some of those organizations had daunting problems of their own. Levy tells the inside story of the demise of the New York City Opera, the Metropolitan Opera's need to use as collateral its iconic Chagall tapestries in the face of mounting operating losses, and the New York Philharmonic's dalliance with Carnegie Hall.Yet despite these and other challenges, Levy and the extraordinary civic leaders at his side were able to shape a consensus for the physical modernization of the sixteen-acre campus and raise the money necessary to maintain Lincoln centre as the country's most vibrant performing arts destination. By the time he left, Lincoln centre had prepared itself fully for the next generation of artists and audiences. They Told Me Not to Take That Job is more than a memoir of life at the heart of one of the world's most prominent cultural institutions. It is also a case study of leadership and management in action. How Levy and his colleagues triumphantly steered Lincoln centre,through perhaps the most tumultuous decade of its history to a startling transformation,is fully captured in his riveting account.

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Ugly Stories of the Peruvian Agrarian Reform reveals the human drama behind the radical agrarian reform that unfolded in Peru during the final three decades of the twentieth century. That process began in 1969, when the left-leaning military government implemented a drastic program of land expropriation. Seized lands were turned into worker-managed cooperatives. After those cooperatives began to falter and the country returned to civilian rule in the 1980s, members distributed the land among themselves. In 1995–96, as the agrarian reform process was winding down and neoliberal policies were undoing leftist reforms, the Peruvian anthropologist Enrique Mayer traveled throughout the country, interviewing people who had lived through the most tumultuous years of agrarian reform, recording their memories and their stories. While agrarian reform caused enormous upheaval, controversy, and disappointment, it did succeed in breaking up the unjust and oppressive hacienda system. Mayer contends that the demise of that system is as important as the liberation of slaves in the Americas.Mayer interviewed ex-landlords, land expropriators, politicians, government bureaucrats, intellectuals, peasant leaders, activists, ranchers, members of farming families, and others. Weaving their impassioned recollections with his own commentary, he offers a series of dramatic narratives, each one centered around a specific instance of land expropriation, collective enterprise, and disillusion. Although the reform began with high hopes, it was quickly complicated by difficulties including corruption, rural and urban unrest, fights over land, and delays in modernization. As he provides insight into how important historical events are remembered, Mayer re-evaluates Peru’s military government (1969–79), its audacious agrarian reform program, and what that reform meant to Peruvians from all walks of life.

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Purposefully written for those coming to politics for the first time, this textbook provides an exploration and analysis of the most important political issues affecting the developing world. Offering a different perspective from standard texts in this field, Politics in the Developing World encourages an understanding of the breadth and nature of a range of pressing – and previously understated – issues: the striving for democracy; the political consequences of economic growth and development; the struggle of religious and ethnic minorities; human rights, particularly women's rights ; the impact of globalization; and the politics of the natural environment. In doing so, the interaction of domestic and global factors affecting many of the developing world countries is highlighted and a new, qualitatively different set of concerns is identified. Some have resulted from recent international changes following the demise of the Soviet bloc, including the shift to democracy in South Africa, and the ramifications of the late 1990s Southeast Asian financial crisis. To illustrate the importance of these themes and issues, five developing world regions are examined in detail: Latin America and the Caribbean, South Asia, East and Southeast Asia, the Middle East and North Africa, and sub-Saharan Africa. While based on Haynes's previous publication, Third World Politics: A Concise Introduction (1996), this is a new book, completely rewritten, with updated regional analyses and data throughout. It concentrates on changes in the developing world in the last decade, with an increased focus on its international relations, complementing those chapters concerned with domestic issues. An ideal introduction as well as an invitation to further study, this text is essential reading for introductory students studying a range of courses including development studies, global politics, world politics, developing world politics, comparative politics, and international relations.

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