Search results for ""author gold"

Fifteen-year-old Elena lives in a church attic in San Francisco’s Richmond neighborhood, where she is cared for by her guardian, a kind Russian priest named Father Al. Six days a week, Father Al sends her out of Our Lady, across the meadows and ponds of Golden Gate Park, and all the way to Baba Vera’s house on Taraval Street for Baba’s version of school.Unlike regular school, however, Elena’s learning is unnerving. Baba Vera’s preposterous demands, dizzying antics, and house—which is full of skeletons, brooms, strange implements, and guinea pigs, among other oddities—seem straight out of a Russian fairy tale Father Al used to read to Elena . . . not life in 2020. If not for her beloved doll, Kukla—bequeathed to her by the mother she never got to know, but of whom she often dreams—Elena would be overwhelmed. Yet she works hard at every task given her, understanding intuitively that there is a purpose to every one of her grandmother’s strange assignments.Frank, a young taxi driver, enters Elena’s world on the day he delivers a strange, witch-like woman named Anya to Our Lady. Upon meeting Anya and Elena, a dream-world begins to spin for him—and he feels a deep, protective pull toward Elena. In the days that follow, Frank devotes himself to saving her from the harm he is sure Anya intends toward her. What he comes to understand, as he enters more deeply into Elena’s story, is that she has magic of her own. He thought he was supposed to save her—but in the end, the two of them may just save each other.

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Cross the Alps in a cable car, cruise Lake Geneva, and tour a medieval château: with Rick Steves, Switzerland is yours! Inside Rick Steves Switzerland you'll find:Comprehensive coverage for spending a week or more exploring SwitzerlandRick's strategic advice on how to get the most out of your time and money, with rankings of his must-see favoritesTop sights and hidden gems, from bustling Zürich to the cozy small-town atmosphere of AppenzellHow to connect with culture: Chat with friendly Swiss locals at a mountain retreat, swim in the alpine waters of the Aare River, and treat yourself to delicious cheese fondueBeat the crowds, skip the lines, and avoid tourist traps with Rick's candid, humorous insightThe best places to eat, sleep, and relax over wine and Swiss chocolateSelf-guided walking tours of lively neighborhoods and mountain townsDetailed maps for exploring on the goScenic railroad journeys such as the Golden Pass, Gotthard Panorama Express, Bernina Express, Glacier Express, and ChurUseful resources including a packing list, German, French, and Italian phrase guides, a historical overview, and recommended reading, plus tips for visiting Switzerland in the winterOver 400 bible-thin pages include everything worth seeing without weighing you downComplete, up-to-date information on Zürich, Luzern, Central Switzerland, Bern, Murten, Avenches, Gimmelwald and the Berner Oberland, Zermatt and the Matterhorn, Appenzell, Lausanne, Château de Chillon, Montreux, Gruyères, Lugano, Pontresina, Samedan, St. Moritz, and moreMake the most of every day and every dollar with Rick Steves Switzerland.

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Take your plein air artwork to the next level through easy-to-understand workshop-style lessons and skill-building exercises. In Plein Air Techniques for Artists, award-winning artist and respected workshop instructor Aimee Erickson demystifies how to capture a variety of light effects and guides you in strengthening your plein air skills through practice. This accessible book covers: Materials and gear. Gain a basic knowledge of the possibilities so you can keep your options open and your plein air process fresh. Composition and value. Explore the impact of proportion, color, value, line, edges, shape, and texture. Color. Consider how knowledge and intention, your color palette, and what you see—your perspective—take turns being in charge of the color game, inventing rules and finding solutions. Light effects. Learn how conditions of the day—how much light there is, and whether it’s soft, diffuse, golden, harsh, pale, or dusky—affect everything we see and how we paint. Design and the visual idea. Discover strategies for developing a visual idea, from creating serial studies to working with a camera to improvisation. Featuring exceptional still lifes, figures, and landscapes by other noted artists working in a range of mediums, Plein Air Techniques for Artists gives artists at all levels of experience the guidance they need to grow as a plein air artist. The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.

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A thoroughly updated and substantially expanded edition of an acclaimed anthologyThis is a thoroughly updated and substantially expanded new edition of one of the most popular, wide-ranging, and engaging anthologies of Western political thinking, one that spans from antiquity to the twenty-first century. In addition to the majority of the pieces that appeared in the original edition, this new edition features exciting new selections from more recent thinkers who address vital contemporary issues, including identity, cosmopolitanism, global justice, and populism. Organized chronologically, the anthology brings together a fascinating array of writings—including essays, book excerpts, speeches, and other documents—that have indelibly shaped how politics and society are understood. Each chronological section and thinker is presented with a brief, lucid introduction, making this a valuable reference as well as an essential reader. A thoroughly updated and substantially expanded edition of an acclaimed anthology of political thought Features a wide range of thinkers, including Thucydides, Plato, Aristotle, Cicero, Augustine, Aquinas, Christine de Pizan, Machiavelli, Luther, Calvin, Hobbes, Spinoza, Locke, Swift, Hume, Rousseau, Adam Smith, Jefferson, Burke, Olympes de Gouges, Wollstonecraft, Kant, Hegel, Bentham, Mill, de Tocqueville, Frederick Douglass, Lincoln, Marx, Nietzsche, Lenin, John Dewey, Gaetano Mosca, Roberto Michels, Weber, Emma Goldman, Freud, Einstein, Mussolini, Arendt, Hayek, Franklin D. Roosevelt, T. H. Marshall, Orwell, Leo Strauss, de Beauvoir, Fanon, Martin Luther King Jr., Malcolm X, Havel, Fukuyama, Habermas, Foucault, Rawls, Nozick, Walzer, Iris Marion Young, Martha Nussbaum, Peter Singer, Amartya Sen, and Jan-Werner Müller Includes brief introductions for each thinker

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A NATION­AL JEW­ISH BOOK AWARD FINALISTA Recommended Book From:The New York Times * Good Morning America * Entertainment Weekly * Electric Literature * The New York Post * Alma * The Millions * Book Riot A commanding debut and a poignant coming-of-age story about a devout Jewish high school student whose plunge into the secularized world threatens everything he knows of himselfAri Eden’s life has always been governed by strict rules. In ultra-Orthodox Brooklyn, his days are dedicated to intense study and religious rituals, and adolescence feels profoundly lonely. So when his family announces that they are moving to a glitzy Miami suburb, Ari seizes his unexpected chance for reinvention. Enrolling in an opulent Jewish academy, Ari is stunned by his peers’ dizzying wealth, ambition, and shameless pursuit of life’s pleasures. When the academy’s golden boy, Noah, takes Ari under his wing, Ari finds himself entangled in the school’s most exclusive and wayward group. These friends are magnetic and defiant—especially Evan, the brooding genius of the bunch, still living in the shadow of his mother’s death. Influenced by their charismatic rabbi, the group begins testing their religion in unconventional ways. Soon Ari and his friends are pushing moral boundaries and careening toward a perilous future—one in which the traditions of their faith are repurposed to mysterious, tragic ends. Mesmerizing and playful, heartrending and darkly romantic, The Orchard probes the conflicting forces that determine who we become: the heady relationships of youth, the allure of greatness, the doctrines we inherit, and our concealed desires.

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‘I adored this book. It’s so Geena and so inspiring and such a wonderful read’ Emma Thompson A Times Film and Theatre Book of the Year 2022 From two-time Academy Award winner and screen icon Geena Davis, Dying of Politeness is the candid, surprising tale of her journey from her epically polite childhood to the roles that put her in the spotlight and gave her the strength to become a powerhouse in Hollywood. At three years old, Geena announced she was going to be in movies. Now, with a slew of iconic roles and awards under her belt, she has surpassed her childhood dream, but her journey has been one of fits and starts, with a pothole or two along the way. In this hilarious memoir, Geena regales us with tales of a career playing everything from an amnesiac assassin to the parent of a rodent in Stuart Little; a soap star in her underwear to a housewife turned road warrior in Thelma & Louise; a baseball phenomenon in A League of Their Own to the first female President of the United States in Commander in Chief, and more. She is frank about her eccentric childhood; her many relationships, including her spontaneous Las Vegas wedding to Jeff Goldblum; her archery exploits which led her to the Olympic trials; and how she became a tireless advocate for women and girls, founding her own institute which engages film and TV creators to better represent women and actors from diverse backgrounds. Dying of Politeness is a touching account of one woman’s journey to fight for herself, and ultimately fighting for women all around the globe.

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Was it necessary for a 17th century painter to know principles of optics to hide a skull in one of his masterpieces? Is it possible the violent deaths of Roman emperors obey a statistical law? Are there connections between market trends and geometry? How did Islamic artists draw almost perfectly regular nine-sided polygons, when these cannot be traced with the use of compasses? Dirk Huylebrouk asks these and other exciting questions in this collection of essays, originally written for the science magazine EOS, a Dutch equivalent of Scientific American, distributed in Belgium and in The Netherlands. Every chapter can be read independently, as some subjects are repeated, and not strictly interconnected. Such is the case for instance of the golden section, an often-recurring topic in general mathematics. The reader will appreciate the original point of view expressed through each chapter, which makes this book stand out against the general information one can find by browsing the general media. The subtly provocative character of some parts is meant to stimulate the reader for further exploration. The book's title itself may already generate surprise. Sure, to many, mathematics seems to come from hell, but the darkness in the title in fact refers to the lugubrious stories about math and skulls, murders or World War II. There is also a more down-to-earth part about math and maps, money, Facebook, folding paper, shapes in ice and the most earthly yet unsolved math problems. ‘Bright mathematics’ alludes to Vedic, Islam, New Age, a meta-divine section, and is concluded by an interview with a top mathematician who also wrote about the existence of God.

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Brideshead Revisited is Evelyn Waugh's stunning novel of duty and desire set amongst the decadent, faded glory of the English aristocracy in the run-up to the Second World War.The most nostalgic and reflective of Evelyn Waugh's novels, Brideshead Revisited looks back to the golden age before the Second World War. It tells the story of Charles Ryder's infatuation with the Marchmains and the rapidly disappearing world of privilege they inhabit. Enchanted first by Sebastian Flyte at Oxford, then by his doomed Catholic family, in particular his remote sister, Julia, Charles comes finally to recognise his spiritual and social distance from them.Evelyn Waugh (1903-66) was born in Hampstead, second son of Arthur Waugh, publisher and literary critic, and brother of Alec Waugh, the popular novelist. In 1928 he published his first work, a life of Dante Gabriel Rossetti, and his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), A Handful of Dust (1934) and Scoop (1938). In 1939 he was commissioned in the Royal Marines and later transferred to the Royal Horse Guards, serving in the Middle East and in Yugoslavia. In 1942 he published Put Out More Flags and then in 1945 Brideshead Revisited. Men at Arms (1952) was the first volume of 'The Sword of Honour' trilogy, and won the James Tait Black Memorial Prize; the other volumes, Officers and Gentlemen and Unconditional Surrender, followed in 1955 and 1961.If you enjoyed Brideshead Revisited, you might like Waugh's Vile Bodies, also available in Penguin Classics.'Lush and evocative ... Expresses at once the profundity of change and the indomitable endurance of the human spirit'The Times

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This is a comprehensive survey of European history from the coup d'etat of Napoleon Bonaparte in France to the assassination of the Archduke Ferdinand at Sarajevo, which led to the First World War. It concentrates on the twin themes of revolution and nationalism, which often combined in the early part of the century but which increasingly became rival creeds. Going beyond traditional political and diplomatic history, the book incorporates the results of recent research on population movements, the expansion of markets, the accumulation of capital, social mobility, education, changing patterns of leisure, religious practices, and intellectual and artistic developments. The work falls into three chronological sections. The first, starting in 1800 (rather than the more usual 1815) follows the build-up of the revolutionary currents which were eventually going to erupt in the `Year of Revolutions' 1848. The second, from 1850 to 1880, deals with the golden age of capitalism, the successful culmination of struggles for national unification, and the threat of anarchism. The concluding chapters look at the social and political stresses caused by socialism and national minorities, at new attempts by government to order society, imperial rivalry, and the descent into a war which was to mark the end of nineteenth-century Europe. For this third edition, Dr Gildea has substantially revised the text and maps, and completely updated the bibliography. Newly-added introductory sections guide the reader through the wealth of material in each chapter. The new edition also includes for the first time a full Chronology of the period, a list of leading state ministers, and family trees for all the major dynasties.

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When French sociologist Loïc Wacquant signed up at a boxing gym in a black neighborhood of Chicago's South Side, he had never contemplated getting close to a ring, let alone climbing into it. Yet for three years he immersed himself among local fighters, amateur and professional. He learned the Sweet science of bruising, participating in all phases of the pugilist's strenuous preparation, from shadow-boxing drills to sparring to fighting in the Golden Gloves tournament. In this experimental ethnography of incandescent intensity, the scholar-turned-boxer fleshes out Pierre Bourdieu's signal concept of habitus, deepening our theoretical grasp of human practice. And he supplies a model for a "carnal sociology" capable of capturing "the taste and ache of action." This expanded anniversary edition features a new preface and postface that take the reader behind the scenes and reveal the "making of" this classic ethnography. Wacquant reflects on his path to, and uses of, fieldwork based on apprenticeship. He traces the genealogy and draws the anatomy of habitus and explicates how he deployed it as method of inquiry. The postface retraces the trials and tribulations of his gym mates in and out of the gym over the past thirty years, and reflects on what they reveal about the economics of prizefighting, masculinity, and the passion that binds boxers to their craft. Body and Soul marries the analytic rigor of the sociologist with the stylistic grace of the novelist to offer a compelling portrait of a bodily craft and of life and labor in the black American ghetto at century's end. A subtle investigation and provocative extension of habitus, this expanded anniversary will intrige and excite students and scholars across the social sciences and the humanities.

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Steve Davis was just a rookie from Plumstead, south London, learning how to play from an old book his snooker-obsessed father had given him, when an encounter with Barry Hearn changed his life forever. With his backing, Steve began touring the country in a clapped-out car as an amateur. Challenging established professionals and winning titles, supported by his loyal following the Romford Roar, it wasn’t long before he progressed to the world’s stage.By the eighties, Steve had helped transform a previously shady sport into a national obsession. He and a cast of legends such as Ray Reardon, Dennis Taylor and Alex Higgins, with other young guns like Jimmy White, were doing silent battle in front of huge audiences. Tens of millions of viewers would witness the nail-biting conclusions of his world championship finals; this was snooker’s golden era.The man behind the ‘boring’ tag has always been the sport’s smartest and sharpest man. With his cool, obsessive approach, Steve rewrote the rule book and became untouchably the best player in the world and the best paid sportsman in the country. Interesting lays it all bare: what it was like to win in those pressure-cooker situations; how to cope at the top, when everyone wants you to lose; and how you deal with the moment when a man comes along who is finally better than you. This is a memoir that closely evokes the smoke-filled atmosphere of those arenas, the intrigue behind the scenes and the personal psychology and sacrifice that is required to stay at the top of such an exacting sport.

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'The whole point of a race is to find a winner... I chose to race, so I chose to win.' For 14 years between 1965 and 1978, cyclist Edouard Louis Joseph Merckx simply devoured his rivals, their hopes and their careers. His legacy resides as much in the careers he ruined as the 445 victories - including five Tour de France wins and all the monument races - he amassed in his own right. So dominant had Merckx become by 1973 that he was ordered to stay away from the Tour for the good of the event.Stage 17 of the 1969 Tour de France perfectly illustrates his untouchable brilliance. Already wearing the yellow jersey on the col du Tourmalet, the Tour's most famous peak, Merckx powered clear and rode the last 140 kilometres to the finish-line in jaw-dropping solitude, eight minutes ahead of his nearest competitor.Merckx's era has been called cycling's Golden Age.It was full of memorable characters who, at any other time, would all have gone on to become legends. Yet Merckx's phenomenal career overshadowed them all. How did he achieve such incredible success? And how did his rivals really feel about him? Merckx failed drug tests three times in his career - were they really stitch ups as he claimed? And what of the crash at a track meet in Blois, France that killed Merckx's pacer Fernand Wambst, which Merckx claimed deeply affected him psychologically and physically? Or the attack by a spectator in 1975?Despite his unique achievements, we know little about the Cannibal beyond his victories. This will be the first comprehensive biography of Merckx in English, and will finally expose the truth behind this legendary man.

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El león de Hollywood es el retrato tridimensional de un personaje apasionante.A comienzos del siglo XX, unos visionarios llegaron a un pueblo cerca de Los Ángeles y crearon al tiempo una gigantesca industria y el arte que definiría ese siglo. De entre esos pioneros del cine hay una figura que destaca por encima de las demás, por la fuerza de su personalidad y por los estudios cinematográficos que creó, paradigma del studio system del Hollywood de la edad de oro: Louis B. Mayer. Nacido en Rusia y llegado muy joven a Estados Unidos, Mayer fue un auténtico self-made man , y gracias a su incombustible energía y a su intuición creó la Metro Goldwyn Mayer y se convirtió en el hombre más poderoso de Hollywood, capaz de modelar la industria a su antojo. Produjo películas inolvidables como Ninotchka , Ben-Hur , El mago de Oz o Un americano en Parí s y lanzó a grandes estrellas:Garbo, Gable, Garland y decenas más. Asimismo, usó su influencia para elegir jueces, sobornar a la policía local

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"Believe in the unexpected" with this hilarious, heartwarming, and much-anticipated sequel to the New York Times bestseller The Fourteenth Goldfish!Ellie's grandpa Melvin is a world-renowned scientist . . . in the body of a fourteen-year-old boy. His feet stink, and he eats everything in the refrigerator--and Ellie is so happy to have him around. Grandpa may not exactly fit in at middle school, but he certainly keeps things interesting. When he and Ellie team up for the county science fair, no one realizes just how groundbreaking their experiment will be. The formula for eternal youth may be within their reach! And when Ellie's cat, Jonas Salk, gets sick, the stakes become even higher. But is the key to eternal life really the key to happiness? Sometimes even the most careful experiments yield unexpected--and wonderful--results.

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Midgard is a funeral pyre. RagnarÖk, the doom of the gods, has brought the Empire of the Heavens to ruin. For some, the harrowing promises a new beginning. Mother JÖrÐ will rise again, and new gods will return to the golden tables of old. But IÐunn Lind, keeper of the great World Tree Yggdrasil, no longer believes in ancient prophecy or the hand of fate. Across the veil, Churchwarden Michaels is stuck dealing with his own personal RagnarÖk - and just how to save his neck now that three Viking crosses have appeared overnight at St. Mary's. When the boundaries between realities fracture, the two guardians discover that the gods not only play dice with the Vikingverse, they are rolling snake-eyes. In this new chapter of the Vikingverse, the tapestry of time unfurls in deadly new ways.

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In his iconoclastic and controversial study, Norman G. Finkelstein moves from an interrogation of the place the Holocaust has come to occupy in global culture to a disturbing examination of Holocaust compensation settlements. It was not until the Arab-Israeli War of 1967, when Israel’s evident strength brought it into line with US foreign policy, that memory of the Holocaust began to acquire the exceptional prominence it has today.Recalling Holocaust fraudsters such as Jerzy Kosinski and Binjamin Wilkomirski, as well as the demagogic constructions of writers like Daniel Goldhagen, Finkelstein contends that the main danger posed to the memory of Nazism’s victims comes from some of the very people who profess most passionately to defend it. Drawing on a wealth of untapped sources, he exposes the double shakedown of European countries and legitimate Jewish claimants, and concludes that the Holocaust industry has become an outright extortion racket

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The Meadows Museum, founded by Algur H. Meadows, boasts one of the finest collections of Spanish art outside Spain. This impressive handbook presents the breadth of the museum's holdings, which ranges from early Renaissance examples to modern works by Pablo Picasso, Joan Miró, and Juan Gris. Most of the art was created during the Spanish Golden Age by Baroque artists such as Diego Velázquez, Bartolomé Esteban Murillo, and Jusepe de Ribera. Francisco de Goya is represented by several notable paintings, as are a number of late 19th and early 20th century Spanish artists working both within and beyond their native country's borders, such as Mariano Fortuny y Marsal, Raimundo de Madrazo, Joaquín Sorolla y Bastida, and Ignacio Zuloaga. Featuring beautiful illustrations and accessible text, this handbook offers an informative and engaging introduction to a truly remarkable collection.

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Blending the style of the past with the women of the present, this book is a first-of-its-kind celebration of modern black pin-up beauty. Black pin-ups existed during the “Golden Age of Pin-ups,” but like other black artists of the time, they often did not receive the same attention as their white contemporaries. Although still rare, modern black pin-up models are getting more attention thanks to models and photographers who understand that pin-up has evolved to include all backgrounds and ethnicities. This new book shines the spotlight on ten of today’s best pin-up photographers and their work with over 50 of today’s most beautiful black pin-up models. With images ranging from classic pin-up glamour to retro-inspired fetish photography, this collection of works shows the diversity of flavors found in contemporary black pin-up culture.

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Out running an errand, Valeria Cossati gives in to a sudden impulse - she buys a shiny black notebook. She starts keeping a diary in secret, recording her concerns about her daughter, the constant churn of the domestic routine and her fears that her husband will discover her new habit. With each entry Valeria plunges deeper into her interior life, uncovering profound dissatisfaction and restlessness. As she finds her own voice, the roles that have come to define her-as wife, as mother, as daughter-begin to break apart. Forbidden Notebook is a rediscovered jewel of Italian literature, published here in a new translation by the celebrated Ann Goldstein and with a foreword by Jhumpa Lahiri. A captivating feminist classic, it is an intimate, haunting story of domestic discontent in postwar Rome, and of one woman's awakening to her true thoughts and desires.

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Emily Andersen has been making photographic portraits of the international avant-garde since graduating from the Royal College of Art in the early 1980s. Having started out by finding her way into some pretty cool-sounding private parties in London and New York, she began convincing artists and musicians to pose for her – from Nan Goldin to Nico. Over the past thirty-five years, she has built up a remarkable and beautiful portfolio that includes many high-profile writers, poets, film directors, actors and architects, with Peter Blake, Michael Caine, Derek Jarman, Zaha Hadid, Arthur Miller, Helen Mirren, Michael Nyman and Eduardo Paolozzi among those featured in this new publication devoted to her black-and-white portraits.In addition to celebrities, Andersen has documented many interesting and inspiring figures who are celebrated and respected within their fields, offering an invaluable insight into the lives of people who have made significant contributions to the wider cultural and creative life of the USA, Britain and Europe over the current and recent generations. An illuminating essay by critic Jonathan P. Watts not only explores the lives of some of Andersen’s many sitters and the photographs she has taken of them, but also get to grips with ideas such as the nature of portraiture, photojournalism and the limitations of the documentary photograph, framing them within debates of the late 1980s onwards. ‘While all of these portraits may not be recognisably activist images’, asserts Watts, ‘they’re rooted in the belief of a micro-politics of everyday lives and relationships.’ Readers can discover more about the background, circumstances and dynamics of many of the shoots by means of notes prepared by Andersen herself to accompany each image, which are regularly entertaining and thought-provoking as well as informative.Beyond capturing the essence of these figures and of the times in which they are living, Andersen has a particular talent for entering into their private lives and private spaces, often being invited into her sitters’ own homes. By photographing family members and friends, she gets an angle on them that is often deeply personal, sensitive and honest. Creating works that are carefully composed and choreographed and yet regularly informal and relaxed, there is always, somehow, a sense that Andersen is more interested in encouraging her subjects to speak through her images than in imposing her own impressions upon them. It is also fascinating to note how Andersen is often keen to document the young children of celebrities, especially girls, and has made a substantial body of work of fathers and daughters. She is always interested to know what these young women grew up to be, and sometimes returns to photograph the same people years, if not decades, later.Andersen has been commissioned for innumerable magazines and newspapers including the New Musical Express (NME), The Face, Elle Deco, Domus, The Times, The Guardian, The Independent, The Sunday Telegraph and The Economist, and has been commissioned by publishers such as Quadrille, Simon and Schuster, Oxford University Press, Hachette, Random House and Harper Collins. Her works have been exhibited internationally in venues including The Photographers’ Gallery, London; The Institute of Contemporary Art, London; The Scottish National Portrait Gallery, Edinburgh; The Barber Institute of Fine Arts, University of Birmingham; Massachusetts Museum of Contemporary Art; Jehangir Art Gallery, Mumbai; and China Arts Museum, Shanghai. A winner of the John Kobal prize for portraiture, she has a number of works in The National Portrait Gallery, London and in other public collections including The British Library, London, and The Contemporary Art Society, London. Andersen is a senior lecturer in photography at Nottingham Trent University.Designed by Melanie Mues of Mues Design, London, with reprography by DPM, London, and printed by EBS, Verona, this stunning hardback monograph has been released in both a trade edition published by Anomie and as an artist’s limited edition of fifty signed and numbered copies, accompanied by an original print.The cover image is of the Chilean-French filmmaker Alejandro Jodorowsky and his son, Axel, in London in 1989.

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A one-volume introduction to and overview of Christian art, from its earliest history to the present day. Diane Apostolos-Cappadona begins by examining how art and Christianity have intersected throughout history, and charts this tumultuous relationship that has yielded some of the greatest outpourings of human creativity. To introduce readers to the way a painting can be read Apostolos-Cappadona begins with an analysis of a painting of the Adoration of the Magi, helping readers to see how they can interpret for themselves the signs, symbols and figures that the book covers. In the more-than 1000 entries that follow Apostolos-Cappadona gives readers an expert overview of all the frequently used symbols and motifs in Christian art as well as the various saints, historical figures, religious events, and biblical scenes most frequently depicted. Readers are introduced to the ways in which religious paintings are often "coded’" such as what a lily means in a picture of Mary, how a goldfinch can be "Christological", or how the presence of an Eagle means it is likely to be a picture of St John. The entries are organized by topic, so that students and beginners can easily find their way to discussion of the themes and motifs they see before them when looking at a painting.

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A sizable gap exists between the growing demand for entrepreneurship education and our understanding of how best to approach the teaching and learning of entrepreneurship. Based on papers, presentations and workshops that have appeared at the annual United States Association for Small Business and Entrepreneurship (USASBE) Conference over the past thirty years, this book offers cutting edge perspectives from expert educators and thought leaders on best practices in teaching entrepreneurship, building curricula and developing educational programs.The book is organized into three sections. The first, a set of research papers exploring a range of important issues in entrepreneurship education, provides a comprehensive outline of the field. This is followed by an overview of award-winning model academic programs in entrepreneurship at five different universities and a collection of real-world examples of teaching innovations, unique approaches to experiential learning and high-impact community engagement initiatives.This detailed and thorough synthesis of leading perspectives on entrepreneurship education will appeal to faculty and administrators in business schools, universities, technical schools and other institutions that include entrepreneurship courses in their curriculum.Contributors: S. Alpi, P. Bessler, A. Borgese, C.G. Brush, B. Burke, E. Cadotte, L. Canning, D.Y. Choi, R. D'Souza, A.F. DeNoble, W. Deutsch, N. Duval-Couetil, M.L. Fernau, M.G. Goldsby, P.G. Greene, E.Grossman, B. Hancock, K. Hmieleski, K. Joos, G. Kamau, J.B. Kaplan, J. Kraft, N. Krueger, D.F. Kuratko, M. Leaman, C. Matthews, D. McDonagh, T. Means, K. Mehta, J. Messing, R.K. Mitchell, N. Miyasaki, K.F. Molkentin, M.H. Morris, H.N. Neck, T. Nelson, J.A Robinson, M. Schindehutte, J.J. Schmidt, W. Schulze, R. Smilor, G. Solomon, J. Strimaitis, J. Thomas, C.-C. Tseng, I. Welpe, M. Wheadon, R.J. White

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Scarred by the Second World War, divided during the Cold War, and turned into a massive construction site in the early postwall years, Berlin has dramatically reinvented itself in the new millennium. Film has served a neglected but important function in this transformation.In Berlin Replayed, Brigitta B. Wagner shows how old and new films set in Berlin created a collective urban nostalgia for the city’s best, most inclusive, and most conciliatory pasts in the face of its renewed purpose as the all-German capital. Exploring films such as Walter Ruttmann’s Berlin: Symphony of a Great City, Wim Wenders’s Wings of Desire, Tom Tykwer’s Run Lola Run, and Wolfgang Becker’s Good Bye, Lenin!, the book establishes that these films don’t merely feature the city but actively construct how viewers come to know different Berlins of the past and present. To illustrate how film has repeatedly remade the image of the city, Berlin Replayed focuses on four key periods: the golden 1920s, when the city was a major filmmaking center; the prewall 1950s, when Berlin had two ideologically opposed film industries; the politically transformative late 1980s and early 1990s; and the hyped start of the twenty-first century.By showing how films have helped revive memories of the “good” Berlin and, by extension, the “good” Germany, Berlin Replayed reveals the underappreciated but powerful role film has played in the process of unifying Germany’s historical experience and bridging its physical and political divisions.

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Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous developments as 9/11, globalization, and the financial crisis? Much of this discussion has taken place in ephemeral venues such as blogs, e-zines, public lectures, and conferences. Nobody’s Business is the first book to treat the emergence of Flarf and Conceptual Poetry in a serious way. In his engaging account, Brian M. Reed argues that these movements must be understood in relation to the proliferation of digital communications technologies and their integration into the corporate workplace. Writers such as Andrea Brady, Craig Dworkin, Kenneth Goldsmith, Danny Snelson, and Rachel Zolf specifically target for criticism the institutions, skill sets, and values that make possible the smooth functioning of a postindustrial, globalized economy. Authorship comes in for particular scrutiny: how does writing a poem differ in any meaningful way from other forms of "content providing"? While often adept at using new technologies, these writers nonetheless choose to explore anachronism, ineptitude, and error as aesthetic and political strategies. The results can appear derivative, tedious, or vulgar; they can also be stirring, compelling, and even sublime. As Reed sees it, this new generation of writers is carrying on the Duchampian practice of generating antiart that both challenges prevalent definitions or art and calls into question the legitimacy of the institutions that define it.

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An entertaining and enlightening anthology of classical Greek and Roman writings on animals—and our vital relationships with themHow to Care about Animals is a fascinating menagerie of passages from classical literature about animals and the lives we share with them. Drawing on ancient writers from Aesop to Ovid, classicist and farmer M. D. Usher has gathered a healthy litter of selections that reveal some of the ways Greeks and Romans thought about everything from lions, bears, and wolves to birds, octopuses, and snails—and that might inspire us to rethink our own relationships with our fellow creatures. Presented in lively new translations, with the original texts on facing pages, these pieces are filled with surprises—anticipating but also offering new perspectives on many of our current feelings and ideas about animals.Here, Porphyry makes a compelling argument for vegetarianism and asserts that the just treatment of animals makes us better people; Pliny the Elder praises the virtuosity of songbirds and the virtuousness of elephants; Plutarch has one of Circe’s pigs from the Odyssey make a serio-comic case for the dignity of the beasts of the field; Aristotle puts the study of animals on par with anthropology; we read timeless Aesopian fables, including “The Hen That Laid the Golden Egg” and “The Fox and the Grapes”; and there is much, much more.A Noah’s Ark of a book, How to Care about Animals is guaranteed to charm and inspire anyone who loves animals.

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How professionalization and scholarly “rigor” made social scientists increasingly irrelevant to US national security policyTo mobilize America’s intellectual resources to meet the security challenges of the post–9/11 world, US Secretary of Defense Robert M. Gates observed that “we must again embrace eggheads and ideas.” But the gap between national security policymakers and international relations scholars has become a chasm.In Cult of the Irrelevant, Michael Desch traces the history of the relationship between the Beltway and the Ivory Tower from World War I to the present day. Recounting key Golden Age academic strategists such as Thomas Schelling and Walt Rostow, Desch’s narrative shows that social science research became most oriented toward practical problem-solving during times of war and that scholars returned to less relevant work during peacetime. Social science disciplines like political science rewarded work that was methodologically sophisticated over scholarship that engaged with the messy realities of national security policy, and academic culture increasingly turned away from the job of solving real-world problems.In the name of scientific objectivity, academics today frequently engage only in basic research that they hope will somehow trickle down to policymakers. Drawing on the lessons of this history as well as a unique survey of current and former national security policymakers, Desch offers concrete recommendations for scholars who want to shape government work. The result is a rich intellectual history and an essential wake-up call to a field that has lost its way.

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In the eighteenth and nineteenth centuries, as German Jews struggled for legal emancipation and social acceptance, they also embarked on a program of cultural renewal, two key dimensions of which were distancing themselves from their fellow Ashkenazim in Poland and giving a special place to the Sephardim of medieval Spain. Where they saw Ashkenazic Jewry as insular and backward, a result of Christian persecution, they depicted the Sephardim as worldly, morally and intellectually superior, and beautiful, products of the tolerant Muslim environment in which they lived. In this elegantly written book, John Efron looks in depth at the special allure Sephardic aesthetics held for German Jewry. Efron examines how German Jews idealized the sound of Sephardic Hebrew and the Sephardim's physical and moral beauty, and shows how the allure of the Sephardic found expression in neo-Moorish synagogue architecture, historical novels, and romanticized depictions of Sephardic history. He argues that the shapers of German-Jewish culture imagined medieval Iberian Jewry as an exemplary Jewish community, bound by tradition yet fully at home in the dominant culture of Muslim Spain. Efron argues that the myth of Sephardic superiority was actually an expression of withering self-critique by German Jews who, by seeking to transform Ashkenazic culture and win the acceptance of German society, hoped to enter their own golden age. Stimulating and provocative, this book demonstrates how the goal of this aesthetic self-refashioning was not assimilation but rather the creation of a new form of German-Jewish identity inspired by Sephardic beauty.

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Can we ever really know the truth about our parents? From the popular journalist, podcaster and tweeter about his rescue dog #SophiefromRomania comes a moving memoir in search of the truth behind his isolated childhood and absent father. Rory Cellan-Jones knew he was the child of a brief love affair between two unmarried BBC employees. But until his mother died and he found a previously unknown file labelled 'For Rory' he had no idea of their beginnings or ending, and why his peculiarly isolated childhood had so tested the bond between him and his mother. 'For Rory,' his mother had written on the file 'in the hope that it will help him understand how it really was ...' This is a compelling account of what Rory uncovered in the papers, letters and diaries; a relationship between two colleagues (two romantics) and the restrictive forces of post-war respectability and prejudice that ended it. It is also an evocation of the progressive, centrifugal force at the centre of all their lives - the BBC itself. Both tender and troubling, the drama moves from wartime radio broadcasts, to the glamour of 1950s television studios, to the golden era of BBC drama. His father may have directed The Forsyte Saga and Rory may have watched him from the corridors, but he would never actually meet him until much later in adulthood. Until then Rory's life was bound to the one-bedroom flat he shared with his mother in Ruskin Park ...

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"While there’s no shortage of incredibly chic photos from Hepburn’s time in the spotlight here, original sketches of Holly Golightly’s costumes and jewels truly can’t be missed." — Natural Diamonds "This entrancing book portrays Hepburn's majesty both on and off screen, giving us a refined and informed look at the actress's life." — The Lady An unrivalled icon of grace and femininity, Audrey Hepburn is perhaps the most beloved star in the history of cinema. She enchanted millions of people with the sweetness of her smile and her inimitable style and was able to renew her image throughout the decades, anticipating fashion trends and establishing a new ideal of beauty. This volume retraces Hepburn's incredible rise, from the early years to her worldwide fame. The book is divided into four sections: ‘A Star is Born’, which follows Audrey’s first steps into the spotlight as a doe-eyed dancer; ‘The Golden Age’, how Audrey became the muse of Hubert de Givenchy and gave Hollywood a new ideal of elegance; ‘A Diva’s Style’, which touches on Breakfast at Tiffany’s, where Holly Golighty went down in the history of cinema with her sunglasses and little black dress, along with many others of Audrey’s later film work; and ‘Saving the Children’. This final section of the book puts great emphasis on her humanitarian work as UNICEF ambassador, on the side of all the children of the world. Both on screen and in real life, Audrey has remained faithful to the elegance of understatement and kindness, hidden behind her unforgettable smile.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Kiss is a prime example of Klimt's 'Golden Phase', in which he began to feature especially sumptuous ornamentation on a regular basis in his paintings. The couple in this artwork represent the mystical union of spiritual and erotic love, and the connection of life and the universe. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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Horror films. Deanna Durbin musicals. Francis the talking mule. Ma and Pa Kettle. Ross Hunter weepies. Theme parks. ET. Apollo 13. These are only a few of the many faces of Universal Pictures. In February 1906 Carl Laemmle, German immigrant and former clothing store manager, opened his first nickelodeon in Chicago. He quickly moved from exhibition to distribution and to film production. A master of publicity and promotions, within ten years "Uncle Carl" had moved his entire operation to southern California, founded a city, and established Universal Pictures as one of the major Hollywood studios. In time Universal found its niche in horror films featuring Karloff and Lugosi, comedies starring Abbott and Costello and W.C. Fields, and low-budget musicals. But Carl Laemmle Jr. proved less adept than his father at empire building. Eventually he was forced out by financial difficulties, opening the way for a string of studio heads who entered and exited one after another. Thus the age of corporate Hollywood arrived at Universal Pictures earlier than at other studios. The Universal-International merger in 1946, Decca's stock takeover in the early 1950s, and MCA's buyout in 1962 all presaged today's Hollywood, where the art of the deal often eclipses the art of making movies. Stars and executives have come and gone, shaping and reshaping the studio's image, but through it all Universal's revolving globe logo has remained on movie screens around the world. And, unlike several other studios of Hollywood's golden age, Universal still makes movies today.

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'[An] insightful analysis of 19th-century futurism ... Morus's account is as much a cautionary tale as a flag-waving celebration.' - DUNCAN BELL, NEW STATESMAN'[How the Victorians Took Us to the Moon] rattles thrillingly through such developments as the Transatlantic telegraph cable, the steam locomotive and electric power and recalls the excitable predictions of the fiction of the time.' KATY GUEST, THE GUARDIAN'Excellent ... A terrific insight into why the Victorian era was a golden age of engineering.' - NICK SMITH, ENGINEERING AND TECHNOLOGY MAGAZINEBy the end of the Victorian era, the world had changed irrevocably. The speed of the technological development brought about between 1800 and 1900 was completely unprecedented in human history. And as the Victorians looked to the skies and beyond as the next frontier to be explored and conquered, they were inventing, shaping and moulding the very idea of the future. To get us to this future, the Victorians created a new way of ordering and transforming nature, built on grand designs and the mass-mobilisation of the resources of Empire - and they revolutionised science in the process. In this rich and absorbing book, distinguished historian of science Iwan Rhys Morus tells the story of how this future was made. From Charles Babbage's dream of mechanising mathematics to Isambard Kingdom Brunel's tunnel beneath the Thames, from George Cayley's fantasies of powered flight to Nikola Tesla's visions of an electrical world, this is a story of towering personalities, clashing ambitions, furious rivalries and conflicting cultures - a vibrant tapestry of remarkable lives that transformed the world and ultimately took us to the Moon.

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Situated on Broadway between Fourteenth and Seventeenth Streets, Union Square occupies a central place in both the geography and the history of New York City. Though this compact space was originally designed in 1830 to beautify a residential neighborhood and boost property values, by the early days of the Civil War, New Yorkers had transformed Union Square into a gathering place for political debate and protest. As public use of the square changed, so, too, did its design. When Frederick Law Olmsted and Calvert Vaux redesigned the park in the late nineteenth century, they sought to enhance its potential as a space for the orderly expression of public sentiment. A few decades later, anarchists and Communist activists, including Emma Goldberg, turned Union Square into a regular gathering place where they would advocate for radical change. In response, a series of city administrations and business groups sought to quash this unruly form of dissidence by remaking the square into a new kind of patriotic space. As Joanna Merwood-Salisbury shows us in Design for the Crowd, the history of Union Square illustrates ongoing debates over the proper organization of urban space--and competing images of the public that uses it. In this sweeping history of an iconic urban square, Merwood-Salisbury gives us a review of American political activism, philosophies of urban design, and the many ways in which a seemingly stable landmark can change through public engagement and design. Published with the support of Furthermore: a program of the J. M. Kaplan Fund.

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Anne of Green Gables is the classic children's book by L M Montgomery, the inspiration for the Netflix Original series Anne with an E. Watch it now!Marilla and Matthew Cuthbert are in for a big surprise. They are waiting for an orphan boy to help with the work at Green Gables - but a skinny, red-haired girl turns up instead. Feisty and full of spirit, Anne Shirley charms her way into the Cuthberts' affection with her vivid imagination and constant chatter. It's not long before Anne finds herself in trouble, but soon it becomes impossible for the Cuthberts to imagine life without 'their' Anne - and for the people of Avonlea to recall what it was like before this wildly creative little girl whirled into town.L. M. Montgomery was born in Clifton, Prince Edward Island, in 1874. A prolific writer, she published many short stories, poems and novels but she is best known for Anne of Green Gables and its sequels, inspired by the years she spent on the beautiful Prince Edward Island. Montgomery died in Toronto in 1942 and was buried in Cavendish on her beloved island.Other books by L. M. Montgomery:Anne of Green Gables; Anne of Avonlea; Anne of the Island; Anne of Windy Poplars; Anne's House of Dreams; Anne of Ingleside; Rainbow Valley; Rilla of Ingleside; Emily of New Moon; Emily Climbs; Emily's Quest; Pat of Silver Bush; Mistress Pat; The Story Girl; The GOlden Road; Kilmeny of the Orchard; The Blue Castle; Magic for Marigold; A Tangled Web; Jane of Lantern Hill

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An interactive touch and feel book for babies with lovable, furry bunnies and read-aloud text! Tactile elements and delightful imagery will encourage the development of motor skills and early learning. Baby Touch and Feel: Bunny is an interactive and fun way to help your child learn not only words but shapes and textures too. Bold, bright pictures and colorful animal-inspired illustrations will be more than enough to keep your baby’s attention. This adorable picture book is a perfect first book for toddlers and makes for an ideal baby gift.Meet cute bunnies and read all about their long ears and furry tails! Not too big and not too small, this sturdy, padded sensory book is just the right size for little hands to hold. No need for Mom and Dad to turn the pages! Babies and toddlers can turn the tough board book pages themselves, which helps to develop their fine motor skills while building an early language foundation. This charming board book for babies includes: - An amazing range of different textures to explore.- Cleary labeled pictures and a simple, easy to follow design.- Easy to read text to encourage early vocabulary building.- A texture or eye-catching area on every page.- Rounded edges and chunky pages, protecting babies and their growing teeth.Learning to read should always be this fun. Kids will get hours of play from this sturdy board book for babies and toddlers, from making the noises and reading the names to feeling the different textures, like the soft fur of a golden bunny. This touchy-feely book, with its strong, baby-safe cover, makes for an ideal baby gift. Packed full of shiny objects and some bumps and grooves, this educational book will engage small children and stimulate early childhood development in different ways. Complete the SeriesThis delightful book is part of the Baby Touch and Feel range of board books for babies and toddlers from DK Books and includes titles like Baby Touch and Feel I Love You, Baby Touch and Feel Bedtime, Baby Touch and Feel Colors and Shapes, and more for your little one to enjoy!

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An interactive touch and feel book for babies with lovable, furry bunnies and read-aloud text! Tactile elements and delightful imagery will encourage the development of motor skills and early learning. Baby Touch and Feel: Bunny is an interactive and fun way to help your child learn not only words but shapes and textures too. Bold, bright pictures and colourful animal-inspired illustrations will be more than enough to keep your baby's attention. This adorable picture book is a perfect first book for toddlers and makes for an ideal baby gift.Meet cute bunnies and read all about their long ears and furry tails! Not too big and not too small, this sturdy, padded sensory book is just the right size for little hands to hold. No need for Mum and Dad to turn the pages! Babies and toddlers can turn the tough board book pages themselves, which helps to develop their fine motor skills while building an early language foundation. This charming board book for babies includes: - An amazing range of different textures to explore.- Cleary labeled pictures and a simple, easy to follow design.- Easy to read text to encourage early vocabulary building.- A texture or eye-catching area on every page.- Rounded edges and chunky pages, protecting babies and their growing teeth.Learning to read should always be this fun. Kids will get hours of play from this sturdy board book for babies and toddlers, from making the noises and reading the names to feeling the different textures, like the soft fur of a golden bunny. This touchy-feely book, with its strong, baby-safe cover, makes for an ideal baby gift. Packed full of shiny objects and some bumps and grooves, this educational book will engage small children and stimulate early childhood development in different ways. Complete the SeriesThis delightful book is part of the Baby Touch and Feel range of board books for babies and toddlers from DK Books and includes titles like Baby Touch and Feel I Love You, Baby Touch and Feel Bedtime, Baby Touch and Feel Colours and Shapes, and more for your little one to enjoy!

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An interactive pop-up book that inspires hands-on learning with the help of magical mermaid friends! Tactile elements and delightful imagery will encourage the development of motor skills and early learning.Bold, brightly coloured pictures, lift-the-flap pages and entertaining rhymes, Pop up Peekaboo: Mermaid provides lots of opportunities for parent-and-child interaction and hours of enchanting underwater mermaid fun. Journey through the ocean and find all the magical mermaid friends getting ready to go to the Mermaid Queen's birthday ball!Babies and toddlers will love lifting the big flaps to find five peekaboo surprises pop up from the pages: Rainbow Raya beneath some shells, Musical Millie behind the coral playing her golden lyre, Cupcake Cory among the sea plants with the Queen's birthday cake, Dancing Dara behind a sea cave, and of course the Mermaid Queen. Vocabulary about mermaids, fish and various sea creatures are carefully woven throughout, making this board book a fun and easy story about sparkly mermaids. Inside the pages of this adventure pop-up book, you'll find:- Hands-on play that builds confident book skills.- Look-and-find peekaboo games that reward curiosity.- Rhythmic, read-aloud text that aids language development.- Rounded edges and chunky board book pages, protecting babies and their growing teeth!This pop-up book has been designed as an all-round activity learning experience, to get the most out of story time. Read aloud the lively rhymes that create the amusing story for your kids to follow, and play a guessing game of who is behind the flap! The rhymes and the easy-to-read text help little ones remember the new words they are learning for early language development. This interactive book for 2-year-olds helps teach young children object permanence, which is an important step in childhood development. Turning the pages and moving the pop-ups helps toddlers learn motor control for improved dexterity.Complete the Pop-Up book series!Surprise! The peekaboo fun doesn't stop here! Your little one will enjoy hours of hide-and-seek surprises with the My Pop-Up series. Find your farmyard friends with Pop-Up Peekaboo! Farm, search the oceans in Pop-Up Peekaboo! Under the Sea and travel back in time to find dinosaurs in Pop-up Peekaboo! Baby Dinosaur and more!

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In this warmhearted middle-grade novel, Oona and her brother, Fred, love their cat Zook (short for Zucchini), but Zook is sick. As they conspire to break him out of the vet’s office, convinced he can only get better at home with them, Oona tells Fred the story of Zook’s previous lives, ranging in style from fairy tale to grand epic to slice of life. Each of Zook’s lives has echoes in Oona’s own family life, which is going through a transition she’s not yet ready to face. Her father died two years ago, and her mother has started a relationship with a man named Dylan—whom Oona secretly calls “the villain.” The truth about Dylan, and about Zook’s medical condition, drives the drama in this loving family story. Praise for The Five Lives of Our Cat Zook STARRED REVIEW "Rocklin’s characters are fully developed: readers will be invested. Set in Oakland, readers are also treated to a refreshingly authentic child’s view of a diverse city. The only imperfection in this novel is that it ends." —Booklist, starred review “Oona’s character is a combination of Harriet the Spy in curiosity and Anastasia in spunk. Another emotionally satisfying outing from Rocklin; hanky recommended.” —Kirkus Reviews "Just as she did in One Day and One Amazing Morning on Orange Street, Rocklin intertwines her characters so smartly that the many coincidences and serendipitous events feel organic to the story. The story’s ending—bittersweet, inevitable, and true—offers much-needed catharsis for the family and for anyone who has ever loved a pet." —The Horn Book "This heartwarming family tale is filled with resilient and thoughtful characters who are willing to learn from their mistakes. Readers who enjoy the novels of Jeanne Birdsall and Leslie Crunch will appreciate this charming story." —School Library Journal "There is a strong sense of place in this loving story with the ending sure to generate some tears. This would make a strong library lesson extension activity." —Library Media Connection Awards SCBWI’s Golden Kite Award for Fiction - 2012 Dorothy Canfield Fisher Book Award Rebecca Caudill Young Readers’ Book Award

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In the nineteenth century, a small but dedicated group of European and American women rose to agitate for the inclusion of women in the medical profession. It is a historic tale that we have told and retold for decades, but it is far from where the story of women as physicians and healers begins. Stretching back into deepest antiquity, we possess accounts of women who were consulted by emperors and paupers alike for their medical expertise. They were surgeons, apothecaries, midwives, university lecturers, and medical researchers in correspondence with the most learned societies of their time. And then it all came crashing down. A History of Women in Medicine and Medical Research is the story of the women who participated in that early Golden Age, and of a medical establishment closing ranks against them so effectively that, by the early Victorian era, they not only were barred from practicing medicine, but from so much as stepping into a classroom where medical topics were being discussed. It is the story of that intrepid band of reformers and pioneers who built back the women's medical profession from the ashes and constructed a thriving new community of researchers and practitioners who within a century had retaken not only the ground that had been lost, but boldly advanced to levels of fame and achievement unimaginable to any previous era. Told through in-depth accounts of the lives of the pioneers and practitioners who built and rebuilt the women's medical movement, this title dives into the lives of not only legendary figures like Florence Nightingale, Gertrude Elion, Rosalyn Yalow, and Elizabeth Blackwell, but visits women the world over whose medical contributions broke down doors and advanced the cause of women's and world health, like the revolutionary medieval physician Trota of Salerno, the pioneering eighteenth century midwife and businesswoman Madame du Coudray, the microbiological research trailblazer Mary Putnam Jacobi, and the HIV researcher and world epidemic response coordinator Francoise Barre-Sinoussi. With over 140 stories spanning three millennia of global medicine, this book shines a light on the unknown heroes, towering discoveries, tragic missteps, and profound struggles that have accompanied the Rise, Fall, and Rebirth of the women's medical profession.

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A fiercely intelligent, hilarious, and deeply feminist collection of interrelated personal stories from Academy, Emmy, and Golden Globe Award–winning actress and director Christine Lahti.For decades, actress and director Christine Lahti has captivated the hearts and minds of her audience through iconic roles in Chicago Hope, Running on Empty, Housekeeping, And Justice for All, Swing Shift, Law & Order: Special Victims Unit, God of Carnage, and The Blacklist. Now, in True Stories from an Unreliable Eyewitness, this acclaimed performer channels her creativity inward to share her own story for the first time on the page.In this poignant essay collection, Lahti focuses on three major periods of her life: her childhood, her early journey as an actress and activist, and the realities of her life as a middle-aged woman in Hollywood today. Lahti’s comical and self-deprecating voice shines through in stories such as "Kidnapped" and "Shit Happens," and she takes a boldly honest look at the painful fissures in her family in pieces such as "Mama Mia" and "Running on Empty." Taken together, the collection illuminates watershed moments in Lahti’s life, revealing her struggle to maintain integrity, fight her need for perfection, and remain true to her feminist inclinations.Lahti’s wisdom and candid insights are reminiscent of Nora Ephron’s I Feel Bad About My Neck and Joan Rivers’s I Hate Everyone—and yet her experiences are not exclusive to one generation. The soul of her writing can be seen as a spiritual mother to feminist actresses and comedic voices whose works are inspiring today’s young women, including Amy Schumer, Lena Dunham, Amy Poehler, Caitlin Moran, and Jenny Lawson. Her stories reveal a stumbling journey toward agency and empowerment as a woman—a journey that’s still very much a work in progress.True Stories from an Unreliable Eyewitness is about the power of storytelling to affirm and reframe the bedrock of who we are, revealing that we’re all unreliable eyewitnesses when it comes to our deeply personal memories. Told in a wildly fresh, unique voice, and with the unshakable ability to laugh at herself time and again, this is Christine Lahti’s best performance yet.

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A SUNDAY TIMES BEST BOOK OF 2023 She’s written the perfect romance . . . for someone else Greetings card copywriter Phoebe Chapman knows a good romantic line or two – and it makes her a fantastic Cupid. So when she lands in the Hollywood Hills – a place that proves film stars, golden beaches and secret waterfalls don’t just exist in the movies – she can’t resist playing matchmaker for her handsome neighbour, carpenter Ren. But you can’t hide from love in La La Land. And isn’t there something a little bit hot about Ren, her own leading man next door? EVERYONE ADORES LOVE ME DO ‘A total delight . . . captures all the sunny glamour of LA, but still so relatable and completely hilarious. You need this book in your suitcase this summer!’ BETH O’LEARY ‘My favourite LIndsey book yet, and her funniest . . . I loved it’ DAISY BUCHANAN ‘A new Lindsey book is the next best thing to going on holiday’ MHAIRI McFARLANE ‘A stunner of a summer read . . . Deliciously fun . . . Make sure this one’s on your summer reading list’ GLAMOUR ‘A vitamin D-infused delight’ STYLIST ‘Lindsey Kelk never leaves Phoebe without a quip. It’s all done with an engagingly light touch and plenty of jokes’ Times ‘A gorgeously warm and funny rom-com. A delight’ LOUISE O’NEILL ‘Delicious escapism at its very best. An utterly unforgettable, spirit-lifting summer rom com that’s full of soul, joy, laugh-out-loud moments and meaning. Flawless’ HELLY ACTON ‘Fabulous, feel-good and funny. I loved it! The perfect rom com to pack in your suitcase this summer’ ALEXANDRA POTTER ‘Fun, fizzy and utterly rom-com-tastic, Lindsey Kelk has knocked it out of the park yet again!’ MIKE GAYLE ‘Her books are my go-to comfort reads. Love Me Do transported me to California . . . I loved every minute’ SOPHIE COUSENS ‘Funny and summery and so, so delicious’ SOPHIE IRWIN ‘Blissfully funny’ The i ‘Told with all of Kelk’s trademark humour and warmth, Love Me Do is an essential holiday read’ Red ‘Lindsey’s books make the ideal summer read’ Woman & Home ‘A funny, heartwarming romcom … will whip you up into a feelgood frenzy, yearning for sunnier climes and a hot dalliance of your own’ Heat ‘A perfect summer read’ Closer

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A GLOBE & MAIL BEST BUSINESS BOOK OF 2021 The COVID-19 pandemic forced an unprecedented experiment that reshaped white-collar work and turned remote work into a kind of "new normal." Now comes the hard part. Many employees want to continue that normal and keep working remotely, and most at least want the ability to work occasionally from home. But for employers, the benefits of employees working from home or hybrid approaches are not so obvious. What should both groups do? In a prescient new book, The Future of the Office: Work from Home, Remote Work, and the Hard Choices We All Face, Wharton professor Peter Cappelli lays out the facts in an effort to provide both employees and employers with a vision of their futures. Cappelli unveils the surprising tradeoffs both may have to accept to get what they want. Cappelli illustrates the challenges we face by in drawing lessons from the pandemic and deciding what to do moving forward. Do we allow some workers to be permanently remote? Do we let others choose when to work from home? Do we get rid of their offices? What else has to change, depending on the approach we choose? His research reveals there is no consensus among business leaders. Even the most high-profile and forward-thinking companies are taking divergent approaches:Facebook, Twitter, and other tech companies say many employees can work remotely on a permanent basis. Goldman Sachs, JP Morgan, and others say it is important for everyone to come back to the office.Ford is redoing its office space so that most employees can work from home at least part of the time, and GM is planning to let local managers work out arrangements on an ad-hoc basis. As Cappelli examines, earlier research on other types of remote work, including telecommuting offers some guidance as to what to expect when some people will be in the office and others work at home, and also what happened when employers tried to take back offices. Neither worked as expected. In a call to action for both employers and employees, Cappelli explores how we should think about the choices going forward as well as who wins and who loses. As he implores, we have to choose soon.

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You are paying much more in tax than you think you are What Everyone Needs to Know About Tax takes an entertaining and informative look at the UK tax system in all its glory to show you just how much you pay, how the money is collected and how it affects ordinary people every day. Giving context to recent controversies including the Panama Papers, tax avoidance by multinationals, Brexit and more, this book provides a straightforward explanation of tax and the policy behind it for non-specialists — no accounting or legal knowledge is required. The system's underlying logic is illustrated through three 'golden rules' that explain many of the UK tax regime's oddities, and the discussion focuses on the way things are rather than utopian ideas about how they might be. Case studies show how the VAT on a plumber's bill all adds up; why fraudsters made a movie to throw HMRC off their scent; how a wealthy couple can pay so little tax on a six-figure income; and the way tracing the money you paid for your iPad sheds light why the EU is demanding Apple pay billions extra in tax. Ever the political battlefield, tax is too important for you to rely on media hype for information. It affects everyone, every day, and it pays for voters and taxpayers to know more. This book leaves aside technical detail and the arcana of the tax code to give you a real-world look at how tax works. Learn about the many ways that the tax system separates us from our money Discover how Brexit could change the way we pay taxes Understand how changing tax policy affects people's everyday lives See through the rhetoric surrounding controversies in the media With tax, we have to admit that there are no easy answers. No one enjoys paying them, but without them, the Government would shut down. Seeing through politicians' cant and superficial press coverage is critical for your ability to make the decisions that benefit you; What Everyone Needs to Know About Tax gives you the background and foundational knowledge you need to be a well-informed taxpayer.

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Unlike the more forthrightly mythic origins of other urban centers—think Rome via Romulus and Remus or Mexico City via the god Huitzilopochtli—Los Angeles emerged from a smoke-and-mirrors process that is simultaneously literal and figurative, real and imagined, material and metaphorical, physical and textual. Through penetrating analysis and personal engagement, Vincent Brook uncovers the many portraits of this ever-enticing, ever-ambivalent, and increasingly multicultural megalopolis. Divided into sections that probe Los Angeles’s checkered history and reflect on Hollywood’s own self-reflections, the book shows how the city, despite considerable remaining challenges, is finally blowing away some of the smoke of its not always proud past and rhetorically adjusting its rear-view mirrors.Part I is a review of the city’s history through the early 1900s, focusing on the seminal 1884 novel Ramona and its immediate effect, but also exploring its ongoing impact through interviews with present-day Tongva Indians, attendance at the 88th annual Ramona pageant, and analysis of its feature film adaptations.Brook deals with Hollywood as geographical site, film production center, and frame of mind in Part II. He charts the events leading up to Hollywood’s emergence as the world’s movie capital and explores subsequent developments of the film industry from its golden age through the so-called New Hollywood, citing such self-reflexive films as Sunset Blvd.,Singin’ in the Rain, and The Truman Show.Part III considers LA noir, a subset of film noir that emerged alongside the classical noir cycle in the 1940s and 1950s and continues today. The city’s status as a privileged noir site is analyzed in relation to its history and through discussions of such key LA noir novels and films as Double Indemnity, Chinatown, and Crash.In Part IV, Brook examines multicultural Los Angeles. Using media texts as signposts, he maps the history and contemporary situation of the city’s major ethno-racial and other minority groups, looking at such films as Mi Familia (Latinos), Boyz N the Hood (African Americans), Charlotte Sometimes (Asians), Falling Down (Whites), and The Kids Are All Right (LGBT).

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Britain’s gardens are a vast, living landscape and the home to hundreds of species of birds. Learn to pay attention to these visitors to your own garden or local park and you’ll have a front-row seat to the unfolding drama that is the garden bird’s year. As dawn breaks across your back garden, if you were paying attention, you would notice that the robin and the blackbird are always the first birds to arrive. These ground hunters have large eyes, so don’t mind the dim light of the early morning. And that’s just the beginning of what you can learn watching your own back garden. Ornithologist Mike Toms has spent a year avidly observing his own garden, and the result is a comprehensive picture of the lives of garden birds.From the crowded yet quiet January garden populated by migratory fieldfares and bramblings, to the riotous gardens of spring, filled with songbirds competing for mates, the garden ecosystem changes throughout the year. Learn to spot these changes, to greet the arrival of the swifts in May and the new crop of fledgling goldfinches and blackbirds in June, and you’ll find a new world opening up to you.A Garden Bird’s Year is the perfect introduction to this world. Supremely readable, it explains biology and behaviour to paint a picture of the lives of common bird species, while also offering practical information for watching and feeding the birds in your own backyard. Toms details birds’ preferences for particular plants, seeds and feeders, so you can learn to attract different species to your own garden. He also charts fascinating recent adaptations – urban birds sleep later than their rural counterparts, probably because cities are on average a few degrees warmer, and they sing either earlier or later, to avoid competing with local traffic; and the balance of migratory birds to Britain is being affected by the world’s changing climate. Many species of garden birds are threatened, but there is much that each one of us can do to support them, to attract them, and to help them thrive through the year.

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Choice Magazine's Outstanding Academic Books for 2004The only book to cover the entire history of birth control and the intense controversies about reproduction rights that have raged in the United States for more than 150 years, The Moral Property of Women is a thoroughly updated and revised version of the award-winning historian Linda Gordon's classic history Woman's Body, Woman's Right, originally published in 1976.Arguing that reproduction control has always been central to women's status, The Moral Property of Women shows how opposition to it has long been part of the conservative opposition to gender equality. From its roots in folk medicine and in a campaign so broad it constituted a grassroots social movement at some points in history, to its legitimization through public policy, the widespread acceptance of birth control has involved a major reorientation of sexual values.Gordon puts today's reproduction control controversies--foreign aid for family planning, the abortion debates, teenage pregnancy and childbearing, stem-cell research--into historical perspective and shows how the campaign to legalize abortion is part of a 150-year-old struggle over reproductive rights, a struggle that has followed a circuitous path. Beginning with the "folk medicine" of birth control, Gordon discusses how the backlash against the first women's rights movement of the 1800s prohibited both abortion and contraception about 130 years ago. She traces the campaign for legal reproduction control from the 1870s to the present and argues that attitudes toward birth control have been inseparable from family values, especially standards about sexuality and gender equality.Highlighting both leaders and followers in the struggle, The Moral Property of Women chronicles the contributions of well-known reproduction control pioneers such as Elizabeth Cady Stanton, Margaret Sanger, and Emma Goldman, as well as lesser- known campaigners including the utopian socialist Robert Dale Owen, the three doctors Foote--Edward Bliss Foote, Edward Bond Foote, and Mary Bond Foote--the civil libertarian Mary Ware Dennett, and the daring Jane project of the 1970s, in which Chicago women's liberation activists performed illegal abortions.

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A Forest on Many Stems: Essays on the Poet’s Novel provides a unique entrance to the rare prose of many remarkable modern and contemporary poets including Etel Adnan, Renee Gladman, Langston Hughes, Kevin Killian, Alice Notley, Fernando Pessoa, Rainer Maria Rilke, Leslie Scalapino, Jack Spicer, and Jean Toomer, whose approaches to the novel defy conventions of plot, character, setting, and action. Contributors: Brian Blanchfield, Anne Boyer, John Keene, Mónica de la Torre, Cedar Sigo, and C. D. Wright bring a variety of insights, approaches, and writing styles to the subject with creative and often surprising results. Kazim Ali on Fanny Howe Dan Beachy-Quick on W.G. Sebald Edmund Berrigan on Ted Berrigan Brian Blanchfield on Aaron Kunin Rachel Blau DuPlessis on Gertrude Stein Julia Bloch on Gwendolyn Brooks Anne Boyer on Elizabeth Barrett Browning Traci Brimhall on Hilda Hilst Vincent Broqua on Stacy Doris Brandon Brown on Kevin Killian Lee Ann Brown on Carla Harryman Angela Carr on Nicole Brossard Julie Carr on Lyn Hejinian Norma Cole on Emmanuel Hocquard Brent Cunningham on Laura Moriarty Mónica de la Torre on Martín Adán Marcella Durand on Robert Creeley Patrick Durgin on Tan Lin & Pamela Lu Norman Fischer on Phillip Whalen C.S. Giscombe on Audre Lorde Judith Goldman on Leslie Scalapino Carla Harryman on Gail Scott Jeanne Heuving on Theresa Hak Kyung Cha Laura Hinton on Alice Notley Daniel Katz on Jack Spicer John Keene on Fernando Pessoa Karla Kelsey on Barbara Guest Aaron Kunin on Lewis Carroll Sonnet L’Abbé on M. NourbeSe Philip Abigail Lang on Jacques Roubaud Kimberly Lyons on Mina Loy W. Jason Miller on Langston Hughes Mette Moestrup on Ingeborg Bachmann Laura Moriarty on Keith Waldrop Laura Mullen on Bhanu Kapil Denise Newman on Inger Christensen Aldon Lynn Nielsen on Amiri Baraka Geoffrey G. O’Brien on John Ashbery & James Schuyler Jena Osman on Thalia Field Julie Patton on Jean Toomer Elizabeth Robinson on Rosmarie Waldrop Jennifer Scappettone on H.D. Susan Scarlata on Forrest Gander Brandon Shimoda on Etel Adnan Cedar Sigo on Eileen Myles Sasha Steensen on Anne Carson Donna Stonecipher on Peter Waterhouse Brian Teare on Rainer Maria Rilke Tyrone Williams on Nathaniel Mackey C.D. Wright on Michael Ondaatje Lynn Xu on Ben Lerner Rachel Zolf on Juliana Spahr

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Works of art in enamel are among the most attractive, colourful and revealing objects of the Middle Ages and Renaissance. Enamel was employed to embellish a broad array of objects, including reliquary caskets, crosses, book-covers, croziers, censers and pyxes for the church and a wide range of tableware for the secular market. The Wyvern Collection comprises many pieces of prime importance from the twelfth to the sixteenth centuries. Among the highlights in this volume are two extremely rare Romanesque enamels of c. 1160-70 from the Meuse Valley: the celebrated reliquary triptych probably originally belonging to the Bishop of Liège, and a beautiful phylactery (a reliquary designed to be suspended) with scenes from the story of the True Cross, said to have come from the famous abbey of Lobbes. Limoges enamels of the twelfth and thirteenth centuries are particularly well represented, the 65 pieces making up what is undoubtedly now the finest and most comprehensive collection in private hands. The later painted enamels of Limoges, from the fifteenth and sixteenth centuries, include remarkable examples of the work of the principal enamellers, most notably Pierre Reymond, and the spectacular horn of St Hubert, dated 1538 and signed by Léonard Limosin, which once belonged to Horace Walpole at Strawberry Hill. The catalogue additionally includes other outstanding works of art such as an important Anglo-Carolingian chrismatory of the ninth century, a small group of enigmatic twelfth-century drinking-cups and sumptuous examples of German late medieval goldsmiths' work. Stained and painted glass roundels, Italian Renaissance ceramics, luxurious textiles and tapestries, and German and Italian armour are also catalogued. An appendix presents several important pieces, recently acquired, which supplement those published in the first two volumes. With more than 250 objects, all specially photographed, this is more than a handbook to an especially rich part of one of the greatest private collections. It is a detailed and authoritative guide to medieval and Renaissance enamels and other works of art, a stimulus to further research and a feast for the eyes.With 400 illustrations in colour

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