Search results for ""Author Richard"

Brooklyn is one of the top trendsetting places today anywhere. Its neighborhoods, artists, writers, restaurants, and, yes, drinking establishments set the pace for the rest of the nation. The Brooklyn Bartender collects 300 of the best of these drink recipes in one place, from twists on the classics to new libations made from local ingredients. Organized by spirit, the recipes will allow readers to replicate bartender's signature drinks, including Pork Slope's Brooklyn Sling, Hotel's Delmano's San Francisco Handshake, and The Richardson's Sun Kiss'd. Sidebars will include "5 Takes on the Margarita" and other classic drinks, as well as bartender's recommendations for events, such "3 Simple Make-Ahead Party Drinks."Profiles of 25-30 bars, including the Clover Club, Tooker Alley, Bushwick Country Club, and Maison Premiere, are spotlighted with sage advice from their quotable bartenders. Carey also details essentials readers need to tackle the recipes, including equipment, techniques, staples, as well as advice on 10 Steps to Instantly Make Better Cocktails. Designed to be the perfect bar-side companion, the sophisticated compilation will be enhanced by more than 200 illustrations and 75 photos.

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A Taste of Honey (1961) is a landmark in British cinema history. In this book, Melanie Williams explores the many, extraordinary ways in which it was trailblazing. It is the only film of the British New Wave canon to have been written by a woman – Shelagh Delaney, adapting her own groundbreaking stage play. At the behest of director Tony Richardson and his company, Woodfall, it was one of the first films to be made entirely on location, and was shot in an innovative, rough, poetic style by cinematographer Walter Lassally. It was also the launchpad for a new type of young female star in Rita Tushingham. Tushingham plays the young heroine, Jo, who finds she is pregnant after her love affair with Jimmy (Paul Danquah), a Black sailor. When Jimmy’s ship sails away, Jo is comforted and supported by her gay friend Geoff (Murray Melvin), while her unreliable mother, Helen (Dora Bryan), has her own life to lead. Candid in its treatment of matters of gender, class, ethnicity, sexuality and motherhood, and highly distinctive in its evocation of place and landscape, A Taste of Honey marked the advent of new possibilities for the telling of working-class stories in British cinema. As such, its rich but complex legacy endures to this day.

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Illustrated in colour with photographs of the artist's sculptures and reproductions of his graphic works, this title covers six decades of his artistic output and tells the story of his life. It includes his manifesto which gives the reader invaluable insight into the mind and soul of the artist. It was launched on the artist's 77th birthday in February 2010. Bill's impressive curriculum vitae includes details of his numerous solo and group exhibitions, prizes, public and private commissions, and of the public collections that include works of his, including the Iziko National Gallery in Cape Town. Major influences in Bill's training were Professor Lippy Lipschitz, Russell Harvey, May Hillhouse and Katrina Harries at the Michaelis School of Fine Art of the University of Cape Town, and Professor P Esser at the Rijksakademie van Beeldende Kunsten in Amsterdam. Cecil Higgs was a great friend and mentor who convinced Bill in 1971 that he must leave teaching and work full-time as a sculptor. The book provides fascinating insights into the institutions in which he studied and the artistic milieu in South Africa. In 2008, when Bill was recovering from lymphoma and months of debilitating treatment, Jane Raphaely commissioned a portrait bust of Nelson Mandela for the Mandela Rhodes Foundation, which now graces the entrance foyer of the Foundation's headquarters in St George's Mall in Cape Town. Bill continues his work in his studio in Vermont near Hermanus in the Western Cape. When the writing was nearing completion Jan Mostert joined the team. His expertise in design and his part in choosing the illustrative material have made a significant contribution to the beauty of the production, as do David Richardson's excellent photographs. The book includes a catalogue of Bill's works from 1952 to 2009, and is fully indexed.

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Longlisted for the Booker Prize After the upheavals of the Second World War, the Richardson family - Sam, Ellen and their young son Joe - settle back to working-class life in the Cumbrian town of Wigton. Yet for them, as for so many, life will never be the same again. As the old order begins to be challenged and new vistas open, Sam and Ellen forge their future together with differing needs and desires - and conflicting expectations of Joe, who grows up with his own demons to confront.

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ONE OF THE WHITE REVIEW'S BEST BOOKS OF 2019Elizabeth Hardwick's iconic essay collection Seduction and Betrayal is a radical portrait of women and literature, reissued with a new introduction by Deborah Levy.'Hardwick's sentences are burned in my brain.' - Susan SontagSidelined. Betrayed. Killed off. Elizabeth Hardwick dissects the history of women and literature. In her most virtuoso work of criticism, she explores the lives of the Brontës, Woolf, Eliot and Plath; the fate of literary wives such as Zelda Fitzgerald and Jane Carlyle; and the destinies of fictional heroines from Richardson's Clarissa to Ibsen's Nora. With fierce empathy and biting wit, Hardwick mines their childhoods, families, and personalities to probe the costs of sex, love, and marriage. Shattering the barrier between writing and life, she asks who is the seducer and who the seduced; who the victim and who the victor.First published in 1974, yet both urgently timely and timeless, Seduction and Betrayal explodes the conventions of the essay: and the result is nothing less than a reckoning.

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With this well-illustrated new volume, the SECC continues its tradition of publishing innovative interdisciplinary scholarship on the interpretive edge. Essays include:Misty Anderson, Our Purpose is the Same: Whitefield, Foote, and the Theatricality of Methodism Tili Boon Cuille, La Vraisemblance du merveilleux: Operatic Aesthetics in Cazotte's Fantastic Fiction Simon Dickie, Joseph Andrews and the Great Laughter Debate: The Roasting of Adams Lynn Festa, Cosmetic Differences: The Changing Faces of England and France Blake Gerard, All that the heart wishes: Changing Views toward Sentimentality Reflected in Visualizations of Sterne's Maria, 1773-1888 Jennifer Keith, The Sins of Sensibility and the Challenge of Antislavery Poetry Mary Helen McMurran, Aphra Behn from Both Sides: Translation in the Atlantic World Leslie Richardson, Leaving her Father's House: Locke, Astell, and Clarissa's Body Politic Sandra Sherman, The Wealth of Nations in the 1790s Alan Sikes, Snip Snip Here, Snip Snip There, and a Couple of Tra La Las: The Rise and Fall of the Castrato Singer Rivka Swenson, Representing Modernity in Jane Barker's Galesia Trilogy: Jacobite Allegory and the Aesthetics of the Patch-Work Subject

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Cocktail marketers and male bartenders like to tell women what we want to drink,and it's usually fruity, frilly, fancy, and pink. In Drink Like a Woman, Jeanette Hurt shakes up barroom expectations, stirs up some new ideas, and pours a lively collection of feminist cocktails that are just as varied, flavorful, and strong as women are.Sharing basic techniques, cocktail classics, hangover cures, drinking games, and more, this spirited guide takes the misogyny out of mixology by offering fun and functional tips for the at-home barista who doesn't need a man to mix it up. She also exposes the surprisingly sexist history of cocktail culture, and offers more than 50 recipes, crafted by top women bartenders around the country, including:Anarchy AmarettoBloody Mary RichardsNelly Bly-TaiThe LBD (The Little Black Dress)Ruth's Pink TabooWoManhattanZeldatiniThe Suffragette SourRide, Sally RideCurie RoyaleWith feisty illustrations and original recipes that call for a generous splash of female empowerment, Drink Like a Woman is sure to subvert the patriarchy, one drink at a time.

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A rugged Texas cowboy gets into the Christmas spirit to prove himself to the woman he loves in this heartwarming fifth novel of the USA Todaybestselling series.Maverick Callahan lives up to his reputation as a freewheeling cowboy. But a year ago he fell head-over-heels for an extraordinary woman he met while on vacation, a woman he was convinced he'd never see again. So when she appears on his doorstep like a Christmas miracle, Maverick is determined not to waste his lucky break.Bridget O'Malley's world has flipped upside down. As the new guardian of her best friend's baby, she hasn't had a moment to think about the Texas rancher who broke her heart. He's just as sexy as ever, but she knows better than anyone that he's not the settling-down type. As the trees are trimmed and mistletoe hung, will some holiday magic help Bridget trust this carefree cowboy with her heart and her future?Includes a bonus novella, "Rocky Mountain Cowboy Christmas" by Sara Richardson!

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Francois Halard s first assignment, to photograph Yves Saint Laurent s legendary Paris apartment when he was 23, cemented his reputation as one of the most original photographic eyes of our era. More than thirty years later, Halard still captures our imagination with his breathtaking photographs of the glorious homes of the most important tastemakers, artists, and designers of the 20th century - including: Rick Owens (Paris), Dries van Noten (Belgium), Manolo Blanik (England). Giorgi Morandi House (Italy), De Menil House (Houston), Maya Hoffman House (Arles), Miquel Barcelo (Spain), Saul Leiter Apartment (New York), Glasgow Art School by Mackintosh, Raphael at the Vatican, Donald Judd (Marfa), John Richardson (New York). Many of these images were first published in Vogue and House and Garden, but many others will be seen here for the very first time. Like his first book, Francois Halard: A Visual Education, this follow-up volume will be a coveted, indispensible must-have visual resource for all lovers of interior style.

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Building on the foundational Affect Theory Reader, this new volume gathers together contemporary scholarship that highlights and interrogates the contemporary state of affect inquiry. Unsettling what might be too readily taken-for-granted assumptions in affect theory, The Affect Theory Reader 2 extends and challenges how contemporary theories of affect intersect with a wide range of topics and fields that include Black studies, queer and trans theory, Indigenous cosmologies, feminist cultural analysis, psychoanalysis, and media ecologies. It foregrounds vital touchpoints for contemporary studies of affect, from the visceral elements of climate emergency and the sensorial sinews of networked media to the minor feelings entangled with listening, looking, thinking, writing, and teaching otherwise. Tracing affect’s resonances with today’s most critical debates, The Affect Theory Reader 2 will reorient and disorient readers to the past, present, and future potentials of affect theory. Contributors. Lauren Berlant, Lisa Blackman, Rizvana Bradley, Ann Cvetkovich, Ezekiel J. Dixon-Román, Adam J. Frank, M. Gail Hamner, Omar Kasmani, Cecilia Macón, Hil Malatino, Erin Manning, Derek P. McCormack, Patrick Nickleson, Susanna Paasonen, Tyrone S. Palmer, Carolyn Pedwell, Jasbir K. Puar, Jason Read, Michael Richardson, Dylan Robinson, Tony D. Sampson, Kyla Schuller, Gregory J. Seigworth, Nathan Snaza, Kathleen Stewart, Elizabeth A. Wilson

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Four new chapters in the Gallifrey saga. The Time Lords and the Daleks have opposed one another across millennia. But now, their conflict tips into an all - out Time War, and nowhere across the universe of spacetime is safe. Battle plans will be drawn, allies recruited, and innocents caught in the crossfire. Gallifrey is going to war, and the cosmos will never be the same again. 1. Celestial Intervention by David Llewellyn. The Temporal Powers are under threat. It is only a matter of time before the Daleks attack. Now CIA Coordinator, Romana must protect the interests of Gallifrey, while dealing with demands from President Livia and an increasingly powerful War Council. As allies are whittled away, the Time Lords are drawn into a conflict they can no longer avoid. 2. Soldier Obscura by Tim Foley. Braxiatel has always planned for contingencies. As hostilities escalate, he takes Ace into a deadly region of spacetime - The Obscura - to locate an ancient research station. But Ace is about to learn more about Irving Braxiatel than anyone should know. Some soldiers are ready for this fight, but some will not make it through the first round. 3. The Devil You Know by Scott Handcock. The Time War has begun in earnest, and Romana must think the unthinkable. For a most dangerous mission, she selects the most dangerous warrior - the Master. But he will not be alone. Leela accompanies her old enemy as they begin an unusual interrogation. What does Finnian Valentine know? And can Leela and the Master ever truly be on the same side? 4. Desperate Measures by Matt Fitton. he Dalek Emperor attacks a vital Time Lord outpost. Victory would be a devastating blow to Gallifrey. Romana is caught in the machinations of a President who sees control slipping away. Is it time to bargain with the War Council, or perhaps to parlay with even more dangerous parties? The Time War has barely begun, and for Gallifrey, desperate times are already here. The ninth series of Big Finish's hugely popular spin-off from the main Doctor Who range is set on the Doctor's homeworld Gallifrey This is the first of the Gallifrey stories to directly deal with The Time War - the horrific and universe-wide battle between Daleks and Time Lords with everything at stake! Louise Jameson and Lalla Ward played the Doctor's companions Leela and Romana respectively opposite Tom Baker in the late 1970s. They've since reprised their much-loved characters for Big Finish across a wide number of stories. CAST: Louise Jameson (Leela), Lalla Ward (Romana), Sophie Aldred (Ace), Sean Carlsen (Narvin), Miles Richardson (Braxiatel), Derek Jacobi (The Master), Pippa Bennett-Warner (Livia), Paul Marc Davis (Trave), Ebony Wong (Karla), David Sibley(Valerian), Zulema Dene (Danna), Bryan Dick (Finnian Valentine), Guy Adams (Beglis) and Nicholas Briggs (The Daleks).

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This book is an introduction to the representation theory of quivers and finite dimensional algebras. It gives a thorough and modern treatment of the algebraic approach based on Auslander-Reiten theory as well as the approach based on geometric invariant theory. The material in the opening chapters is developed starting slowly with topics such as homological algebra, Morita equivalence, and Gabriel's theorem. Next, the book presents Auslander-Reiten theory, including almost split sequences and the Auslander-Reiten transform, and gives a proof of Kac's generalization of Gabriel's theorem. Once this basic material is established, the book goes on with developing the geometric invariant theory of quiver representations. The book features the exposition of the saturation theorem for semi-invariants of quiver representations and its application to Littlewood-Richardson coefficients. In the final chapters, the book exposes tilting modules, exceptional sequences and a connection to cluster categories.The book is suitable for a graduate course in quiver representations and has numerous exercises and examples throughout the text. The book will also be of use to experts in such areas as representation theory, invariant theory and algebraic geometry, who want learn about application of quiver representations to their fields.

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Winner of the 2014 Evelyn Richardson Non-Fiction East Coast Literary AwardWhat Lies Across the Water recounts the events leading up to the arrest of the Cuban Five, five Cuban anti-terrorism agents wrongfully arrested and convicted of “conspiracy to commit” espionage against the United States. In response to decades of deadly attacks by Miami-based, anti-Cuban terrorist organizations, Cuba dispatched five agents – Gerardo Hernández, Ramón Labañino, Antonio Guerrero, Fernando González and René González – to Florida to infiltrate and report on the activities of these terrorist groups. Cuba even passed on information their agents learned about illegal activities to the FBI. But, instead of arresting the terrorists, the FBI arrested the Cuban Five on September 12, 1998. The five men would be illegally held in solitary confinement for seventeen months and sentenced to four life sentences in 2001. The terrorists these five men tried to stop remain free to this day.In light of America’s supposed post-9/11 zero tolerance policy toward countries harbouring terrorists, the story of the Cuban Five illustrates the injustice and hypocrisy of this case: why were these men who tried to prevent terrorist attacks against Cuba charged with espionage against the U.S? And why does the U.S. continue to protect and harbour known terrorists?

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From the WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2014, a 'humorous, bittersweet fiction, combin[ing] the fantastical realism of Marquez with the domestic comedy of Andrea Levy' INDEPENDENTIt all begins with the theft of Tessa Walcott's panties...After the hurricane of 1974, Jamaica is devastated. Imelda Richardson is sent to England, without a place to stay or a plan of what to do. Luckily sheis taken in by Purletta Johnson, a member of the ex-pat bourgeoisie who has decided to become more Jamaican than any Jamaican: sucking her teeth, sporting a gold tooth, and growing ganja on her balcony. But when her mother dies Imelda returns to Jamaica. When Tessa Walcott's panties are stolen, she and Imelda set up a Neighbourhood Watch. But they haven't counted on Pastor Braithwaite who denounces them in Church. The church-goers turn on Imelda, and when the river suddenly floods her home it is seen as a punishment from God. A Pentecostal fervour sweeps through the village of Watersgate, fuelled by Evangelist Millie. In her last great crusade, Miss Millie organises 'fire to burn their sins away', equipping the villagers with kerosene as they set about burning everything. Now they are marching on the gay man's house and only Imelda can save him.

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With 200 images, selected from the archives, portraying the city in a bygone age, we embark on an intriguing pictorial journey around Newcastle upon Tyne. The Tyne of course dominates the scene, new bridges are built and old ones demolished to cope with the changing demands of Newscastle transport and industry. The quayside, redeveloped after the great fire of 1854, was busy as a market and the commercial centre of the Great Northern Coalfield. The gap between the rich and the poor was wider then. Jesmond Towers, home to an entrepreneurial shipbuilder, and The Gables, home to the Richardson family, owners of Elswick leather works, contrast starkly with living conditions in the inner city area. During the 1930s the council rehoused 30,000 people in slum clearance projects. Leisure time was occupied in many and varied ways, sports such as rowing, bowling and curling were all enjoyed, along with football (naturally) - 1955 being a golden year for Newcastle FC. Alternatively, The Hoppings was a popular annual festival, earning the nickname 'the greatest show on earth' with its combination of freak shows, rides and entertainment. All this and much more is brought vividly to life through photographs and narrative, making for a fascinating and memorable read.

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This book brings to light a mythic dimension of seventeen important eighteenth- and early nineteenth-century narratives that revolve around the persecution of one or more important female characters, and offers original readings of novels by Richardson, Fielding, Burney, Radcliffe, Godwin, Austen, Scott, and others. The myth in question, which Raymond Hilliard calls "the myth of persecution and reparation," serves as a major vehicle for the early novel's preoccupation with the "mother," a mythic figure distinct from the historical mother or from the mother as she is represented in eighteenth- and early nineteenth-century maternal ideology. Hilliard argues that the myth of persecution and reparation derives from the topos of female sacrifice in the romance tradition, and shows that this topos is central to several kinds of novels—realist, Gothic, Jacobin, feminist, and historical. Hilliard contends that the narrative of persecution and reparation anticipates the twentieth-century maternal myth associated with the work of Melanie Klein and other "relational model" psychoanalytic theorists, and he thus also examines the psychosexual significance of the "mother." Hilliard explores the relation of psychosexual themes to social representations, and delineates a new theory of plot—both tragic and comic plots - in the early novel.

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Winner, Evelyn Richardson Memorial Prize for Non-FictionWell-known naturalist and artist Linda Johns shares her woodland home with a menagerie of injured wild birds -- starlings, blue jays, pigeons, baby woodpeckers, a rose-breasted grosbeak, a semi-palmated sandpiper, and even a gannet. She and her "saner half," Mack, have gone so far as to transform their living room into an indoor forest, complete with two dead trees providing a variety of perches and a screened porch making do as a practise flyway. Johns nurses her feathered convalescents day and night, helping them to drink and bathe and hunt, and gaining deep insights into their highly individual personalities. Most she attempts to release back into the wild but a few, inevitably, move in to stay. Birds of a Feather: Tales of a Wild Bird Haven is a warm and funny account of eight months -- from May to December -- in the life of this caring wildlife rescuer. Fans of Johns's earlier wildlife books will relish her humorous descriptions of the antics of such irresistible characters as Blossom, the media-savvy chicken, and the goats Mower and Munch. Enhanced by line drawings of her avian housemates, this delightful collection of anecdotes in the tradition of James Herriot and Farley Mowat celebrates some of Nature's smallest and most awe-inspiring miracles.

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Copper Nickel Issue 22 will feature three essays on contemporary publishing by Dalkey Archive Press founder John O'Brien, Bookslut founder Jessa Crispin, and Virginia Quarterly Review digital editor and Publishers Weekly columnist Jane Friedman. It will also include poetry, fiction, and nonfiction by Norma Farber First Book Award winner Cathy Linh Che, Alice Fay Di Castagnola winner G. C. Waldrep, Soros Foundation Fellow David Keplinger, California Book Award winner Alexandra Teague, Thom Gunn Award winner Charlie Bondhus, Hopwood fellow Rachel Richardson, and numerous emerging and established writers including Jaswinder Bolina, Elyse Fenton, and Bernard Farai Matambo. Additionally, the issue will include three "Translation Folios" introducing and contextualizing for an American audience work by renowned Turkish poet Haydar Ergulen, Georg Buchner Prize winner Karl Krolow, and Prix Max-Jacob winner Emmanuel Moses in translations by (respectively) Derick Mattern, Stuart Friebert, and National Book Award and Lenore Marshall Prize winner Marilyn Hacker. The cover of Issue 22 features work by Los Angeles-based artist Christina Stormberg.

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Board: AQA Examination: Chemistry Specification: GCSE 9-1 Type: Revision (includes answers) (Please note this title is also available for All Boards) "The Scholastic resources go into far more detail than some of the other revision guides we have used and I've not seen any other resources that have an app linked to them. We would definitely recommend the resources to other schools. Everything you need to revise is in one place to enable students to work independently." Dave Richardson, Deputy Head [in reference to the GCSE English Language & Literature and Mathematics revision guides and exam practice books] Aim for the highest pass with Scholastic's GCSE Grades 9-1 series of Practice and Revision books. Our revision guides cover GCSE exam topics at greater depth, with clear and focused explanations of tricky topics and questions that offer additional challenge. Taking an active, stepped approach, our guides include popular 'It!' features giving students opportunities to self-test their understanding and apply their knowledge as they study. Snap it! Read it, snap it on your phone, revise it...helps you retain key facts Nail it! Examiner tips to help you get better grades Stretch it! Support for the really tough stuff that will get you higher grades "What they thought was especially clever is the resources 'knowing' the day of their exam, and then highlighting what they needed to do and when in the days and weeks leading up to it. That captured them there and then." Dave Richardson, Deputy Head [Read the full case study from Brentwood County High School] The accompanying app helps you revise on-the-go: Use the free, personalised digital revision planner and get stuck into the quick tests to check your understanding Download our free revision cards which you can save to your phone to help you revise on the go Implement 'active' revision techniques - giving you lots of tips and tricks to help the knowledge sink in Other Subjects covered by Scholastic's Revision and Practice series: Biology, Chemistry, Physics, Combined Science, Geography, SPAG, English Language and Literature, Maths Foundation and Maths Higher

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Novels have been a respectable component of culture for so long that it is difficult for twentieth-century observers to grasp the unease produced by novel reading in the eighteenth century. William Warner shows how the earliest novels in Britain, published in small-format print media, provoked early instances of the modern anxiety about the effects of new media on consumers. Warner uncovers a buried and neglected history of the way in which the idea of the novel was shaped in response to a newly vigorous market in popular narratives. In order to rein in the sexy and egotistical novel of amorous intrigue, novelists and critics redefined the novel as morally respectable, largely masculine in authorship, national in character, realistic in its claims, and finally, literary. Warner considers early novelists in their role as entertainers and media workers, and shows how the short, erotic, plot-driven novels written by Behn, Manley, and Haywood came to be absorbed and overwritten by the popular novels of Defoe, Richardson, and Fielding. Considering these novels as entertainment as well as literature, Warner traces a different story - one that redefines the terms within which the British novel is to be understood and replaces the literary history of the rise of the novel with a more inclusive cultural history.

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Virginia Woolf once commented that the central image in Robinson Crusoe is an object - a large earthenware pot. Woolf and other critics pointed out that early modern prose is full of things, but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Wall argues that the shift involved not just literary representation, but an evolution in cultural perception. In "The Prose of Things", Wall analyzes literary works in the contexts of natural science, consumer culture, and philosophical change to show how and why the perception and representation of space in the eighteenth-century novel and other prose narratives became so textually visible. Wall examines maps, scientific publications, country house guides, and auction catalogs to highlight the thickening descriptions of domestic interiors. Considering the prose works of John Bunyan, Samuel Pepys, Aphra Behn, Daniel Defoe, Samuel Richardson, David Hume, Ann Radcliffe, and Sir Walter Scott, "The Prose of Things" is the first full account of the historic shift in the art of describing.

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As COVID-19 made inroads in the United States in spring 2020, a common refrain rose above the din: “We’re all in this together.” However, the full picture was far more complicated—and far less equitable. Black and Latinx populations suffered illnesses, outbreaks, and deaths at much higher rates than the general populace. Those working in low-paid jobs and those living in confined housing or communities already disproportionately beset by health problems were particularly vulnerable. The contributors to The Pandemic Divide explain how these and other racial disparities came to the forefront in 2020. They explore COVID-19’s impact on multiple arenas of daily life—including wealth, health, housing, employment, and education—while highlighting what steps could have been taken to mitigate the full force of the pandemic. Most crucially, the contributors offer concrete public policy solutions that would allow the nation to respond effectively to future crises and improve the long-term well-being of all Americans. Contributors. Fenaba Addo, Steve Amendum, Leslie Babinski, Sandra Barnes, Mary T. Bassett, Keisha Bentley-Edwards, Kisha Daniels, William A. Darity Jr., Melania DiPietro, Jane Dokko, Fiona Greig, Adam Hollowell, Lucas Hubbard, Damon Jones, Steve Knotek, Arvind Krishnamurthy, Henry Clay McKoy Jr., N. Joyce Payne, Erica Phillips, Eugene Richardson, Paul Robbins, Jung Sakong, Marta Sánchez, Melissa Scott, Kristen Stephens, Joe Trotter, Chris Wheat, Gwendolyn L. Wright

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As COVID-19 made inroads in the United States in spring 2020, a common refrain rose above the din: “We’re all in this together.” However, the full picture was far more complicated—and far less equitable. Black and Latinx populations suffered illnesses, outbreaks, and deaths at much higher rates than the general populace. Those working in low-paid jobs and those living in confined housing or communities already disproportionately beset by health problems were particularly vulnerable. The contributors to The Pandemic Divide explain how these and other racial disparities came to the forefront in 2020. They explore COVID-19’s impact on multiple arenas of daily life—including wealth, health, housing, employment, and education—while highlighting what steps could have been taken to mitigate the full force of the pandemic. Most crucially, the contributors offer concrete public policy solutions that would allow the nation to respond effectively to future crises and improve the long-term well-being of all Americans. Contributors. Fenaba Addo, Steve Amendum, Leslie Babinski, Sandra Barnes, Mary T. Bassett, Keisha Bentley-Edwards, Kisha Daniels, William A. Darity Jr., Melania DiPietro, Jane Dokko, Fiona Greig, Adam Hollowell, Lucas Hubbard, Damon Jones, Steve Knotek, Arvind Krishnamurthy, Henry Clay McKoy Jr., N. Joyce Payne, Erica Phillips, Eugene Richardson, Paul Robbins, Jung Sakong, Marta Sánchez, Melissa Scott, Kristen Stephens, Joe Trotter, Chris Wheat, Gwendolyn L. Wright

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"Volume 38 of Studies in Symbolic Interaction" is devoted exclusively to the "Blue Ribbon Papers Series", which is under the intellectual leadership of Lonnie Athens. In this issue, Athens presents the autobiographies of scholars who have made significant contributions to symbolic interactionist approach over the 20th and 21st centuries, including David Altheide, Paul Atkinson, Kathy Chamaraz, Adele Clarke, Gary Cook, Carolyn Ellis, Martyn Hammersley, John Johnson, Joseph Kotarba, and Laurel Richardson. The contributors were all asked to address the question of how they got into their particular fields of study and later became interactionist? They were also prodded to reveal "who is the person behind the professional mask" by describing why and how they changed over the intellectual journeys that they took in becoming some of the best known and well-respected advocates of the symbolic-interactionist's approach in America and Great Britain. These autobiographic reflections and revelations not only shatter the popular stereotype of academics, but also the stereotype of scholars who subscribe to viewpoint of symbolic interactionism.

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Virginia Woolf once commented that the central image in Robinson Crusoe is an object - a large earthenware pot. Woolf and other critics pointed out that early modern prose is full of things but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Sundberg Wall argues that the shift involved not just literary representation but an evolution in cultural perception. In The Prose of Things, Wall analyzes literary works in the contexts of natural science, consumer culture, and philosophical change to show how and why the perception and representation of space in the eighteenth-century novel and other prose narratives became so textually visible. Wall examines maps, scientific publications, country house guides, and auction catalogs to highlight the thickening descriptions of domestic interiors. Considering the prose works of John Bunyan, Samuel Pepys, Aphra Behn, Daniel Defoe, Samuel Richardson, David Hume, Ann Radcliffe, and Sir Walter Scott, The Prose of Things is the first full account of the historic shift in the art of describing.

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WINNER OF THE MILKWEED PRIZE FOR CHILDREN'S LITERATURE WINNER OF THE 2013 PATERSON PRIZE FOR BOOKS FOR YOUNG READERS ALA RAINBOW LIST RECOMMENDED BOOK AMELIA BLOOMER PROJECT LIST RECOMMENDED BOOK LAMBDA LITERARY AWARD FINALIST MINNESOTA BOOK AWARD FINALIST FOREWARD REVIEWS BOOK OF THE YEAR HONORABLE MENTION In the summer of 1926, sixteen-year-old Garnet Richardson is sent to a lake resort to escape the polio epidemic in the city. She dreams of indulging in ornithology and a visit to an amusement park--a summer of fun before she returns to a last year of high school, marriage, and middle-class homemaking. But in the country, Garnet finds herself under supervision of oppressive guardians, her father's wealthy cousin and the matron's stuck-up daughter. Only a job in a hat shop, an intense, secret relationship with a beautiful flapper, and a deep faith in her own heart can save her from the suffocation of traditional femininity in this coming-of-age story about a search for both wildness and security in an era full of unrest. It is the tale of a young woman's discovery of the science of risk and the art of rebellion, and, of course, the power of unexpected love.

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Studies in the Harley Manuscript is the first comprehensive examination of a manuscript that is of supreme value to literary scholars of medieval English literature. In an Introduction and fifteen essays a team of scholars considers many aspects of the 140 folios of this trilingual miscellany that preserves 121 items (or 122 depending on how one counts) from which we get a strange and privileged glimpse into the rich literary heritage that existed in England prior to the flourishing of vernacular poetry in the Richardian era. As the Contents indicates, the history and composition of the manuscript are considered, as are the Anglo-Norman, English, and Latin compositions that it preserves. This is a companion volume to the three volume complete edition of Harley 2253.

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William Balfour Baikie was a surgeon, naturalist, linguist, writer, explorer and government consul who played a key role in opening Africa to the Europeans. As an explorer he mapped and charted large sections of the Niger River system as well as the overland routes from Lagos and Lokoja to the major trading centres of Kano, Timbuctu and Sokoto. As a naturalist, major beneficiaries of his work included Kew Gardens and the British Museum for the rare and undiscovered plant and animal species and yet today he remains largely unknown. On 10th December, 1864 Baikie was on his way back to London and was living in his temporary quarters in Sierra Leone. There he worked to regain his health and to complete the various reports and publications expected by the Colonial and Foreign Offices. He had been away from England for seven years and living conditions in West Africa had caused his health to suffer. While his wife and children waited for his return 600 miles away in Lokoja, the city in Nige-ria he had founded, his father waited for his return to Kirkwall, Orkney. Baikie would never return to his wife, nor ever see his father again. In two days, he would be dead and buried at Sierra Leone before his fortieth birthday. In his short life Baikie became such a hero among the Nigerian people 150 years ago that white visitors to the region today are still greeted warmly as 'Baikie'. After studying at University of Edinburgh he was assigned to the Royal Hospital Haslar where he worked with the noted explorers Sir John Richardson and Sir Edward Perry. Baikie's reputation as a naturalist, and the sphere of influence provided by Richardson and Perry, allowed him to enter the elite British scientific community where he also worked alongside the most famous naturalist of the time, Charles Darwin. During his time at Haslar, Baikie made two voyages exploring the Niger and Benue Rivers to establish trading centres for the Liverpool merchant Macgregor Laird. The first was a resounding success. He conducted the first clinical trial using quinine as a preventative for malaria. For the first time in history, his initial exploration of these rivers was conducted without the loss of a single life to fever. Returning to London to a hero's welcome, he was nominated for one of the Royal Geographic Society's prestigious awards. His second voyage was a pure disaster. His ship was wrecked; members of the expedition died and he was stranded for over a year in the vast remote territory known as the Sokoto Caliphate. Following his rescue, he elected to remain alone in Africa for what would be his final years in order to complete his personal mission. Although he was born 4,000 miles away in Orkney, Baikie was designated the King of Lokoja by the ruler of the Sokoto Caliphate. This book defines the man and his accomplishments and reveals how he is so fondly remembered by the Nigerians and yet apparently so totally forgotten by the rest of the world.

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Published in the bicentennial year of Samuel Johnson’s death, Johnson and His Age includes contributions by some of the nation’s most eminent scholars of eighteenth-century literature. A section on Johnson’s life and thought presents fresh analyses of Johnson’s friendships with Mrs. Thrale and George Steevens, new information on Johnson’s relations with Smollett and Thomas Hollis, a speculative essay on “Johnson and the Meaning of Life,” and a provocative examination of “Johnson, Traveling Companion, in Fancy and Fact.”Other essays reinterpret basic assumptions in Johnson’s criticism and examine “The Antinomy of Style” in Augustan poetics, Hume’s critique of criticism, and the broad Anglo-Scots inquiry on subjectivity in literature. A section on major figures of the age discusses Gray and the problems of literary transmissions, Hogarth’s book illustrations for friends, Gibbon’s oratorical “silences,” Blake’s concept of God, and Burke’s attempt to forestall Britain’s ruinous policy toward the American colonies. A section on the novel examines that genre from Richardson and Sterne to Austen.Among the contributors are Bertrand H. Bronson, Jean H. Hagstrum, Patricia Meyer Spacks, Robert Haisband, Howard D. Weinbrot, Mary Hyde, Ralph W. Rader, Lawrence Lipking, Gwin J. Kolb, John H. Middendorf, W. B. Carruichan, and Max Byrd.

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In Feminist Interpretations of John Rawls, Ruth Abbey collects eight essays responding to the work of John Rawls from a feminist perspective. An impressive introduction by the editor provides a chronological overview of English-language feminist engagements with Rawls from his Theory of Justice onward. Abbey surveys the range of issues canvassed by feminist readers of Rawls, as well as critics’ wide disagreement about the value of Rawls’s corpus for feminist purposes. The eight essays that follow testify to the continuing ambivalence among feminist readers of Rawls. From the perspectives of political theory and moral, social, and political philosophy, the contributors address particular aspects of Rawls’s work and apply it to a variety of worldly practices relating to gender inequality and the family, to the construction of disability, to justice in everyday relationships, and to human rights on an international level. The overall effect is to give a sense of the broad spectrum of possible feminist critical responses to Rawls, ranging from rejection to adoption.Aside from the editor, the contributors are Amy R. Baehr, Eileen Hunt Botting, Elizabeth Brake, Clare Chambers, Nancy J. Hirschmann, Anthony Simon Laden, Janice Richardson, and Lisa H. Schwartzman.

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'Before the 2010 General Election, David Cameron placed the ''Big Society'' at the heart of his efforts to rebuild Britain's ''broken society''. The essays in this volume probe the historical origins of the concept and seek to evaluate it in the light of both historical and contemporary evidence. They raise profound questions about the provenance of the ''Big Society'' and its relevance to contemporary social concerns. They should be of interest to anyone who cares about the past, present or future of British social policy.'- Bernard Harris, University of Southampton, UK 'There is nothing new about the notion of a Big Society. This book combines historical scholarship, international research and grassroots experience to shine a critical spotlight on the rhetoric behind the coalition government's big idea.' - Bill Jordan, University of Plymouth, UK 'Armine Ishkanian and Simon Szreter's fascinating book provides important insights into the way political elites use slogans and imagery to sway public opinion on social policy issues. This highly original work will be a major scholarly resource for years to come.' - James Midgley, University of California, Berkeley, US The expert contributors to this detailed yet concise book collectively raise questions about the novelty of the Big Society Agenda, its ideological underpinnings, and challenges it poses for policy makers and practitioners. The book is divided into two sections, history and policy, which together provide readers with a historically grounded, internationally informed, and multidisciplinary analysis of the Big Society policies. The introduction and conclusion tie the strands together, providing a coherent analysis of the key issues in both sections. Various chapters in this study examine the limitations and consider the challenges involved in translating the ideas of the Big Society agenda into practice. By drawing on international examples, from developed and developing countries in order to analyze and discuss Big Society policies, this book will prove invaluable for students, academics and policy makers. Contributors: M. Albrow, K. Bradley, L. Charlesworth, R. Fries, J. Harris, M. Hill, M. Hilton, J. Holgate, A. Ishkanian, M. Ketola, D. Leat, D. Lewis, R. McGill, N. Ockenden, J. Page, C. Pharoah, L. Richardson, J. Stuart, S. Szreter, D. Weinbren

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This book opens up the field of literary studies to the promise of a haptic oriented analysis. This book contends that the haptic sense - combining touch, kinaesthesis and proprioception - was first fully conceptualised and explored in the modernist period, in response to radical new bodily experiences brought about by scientific, technological and psychological change. How does the body's sense of its own movement shift when confronted with modernist film? How might travel by motorcar disorientate one sufficiently to bring about an existential crisis? If the body is made of divisible atoms, what work can it do to slow the fleeting moment of modernist life? The answers to all these questions and many more can be found in the work of four major writers of the modernist canon - James Joyce, Virginia Woolf, D. H. Lawrence and Dorothy Richardson. They suggest that haptic experience is at the heart of existence in the early twentieth century, and each displays a fascination with the elusive sense of touch. Yet these writers go further, undertaking formal experiments which enable their own writing to provoke a haptic response in their readers. By defining the haptic, and by looking at its role in the work of these major names of modernist writing, this book opens up the field of literary studies to the promise of a haptic oriented analysis, identifying a rich seam of literary work we can call 'haptic modernism'. It offers a coherent history of ideas of the haptic, tracing their impact on literary innovation. It analyses the transformations of haptic experience in the modernist period, and its roots in developments in mechanised transport, the cinema, contemporary science and the rapidly modernising city. It provides in depth studies of the work of Joyce, Woolf, Lawrence and Richardson from a new, haptic oriented perspective, shedding new light on familiar figures of the modernist avant garde. It also puts literary experiments with the haptic in the context of work on touch in other fields.

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This volume of Studies in Eighteenth-Century Culture explores the revolutions in culture, politics, and art that took place throughout the eighteenth century. The first section of the book focuses on the role that women played in both the formation and the expression of culture, whether as manufacturers or consumers. The second group of essays studies images of the body in popular drama, literature, and art, while the third is devoted to politics and religion, dealing specifically with the questions of ethnicity and loyalty brought up by rebellion and revolution. The book concludes with two essays about landscape art and its implications for legitimizing slavery and constructing the colonial fantasy. Contents:Franca Barricelli, "Imperial Mythologies: Ethnicity and Rebellion on the Eighteenth-Century Venetian Stage"Jennie Batchelor, "Fashion and Frugality: Eighteenth-Century Pocket Books for Women"William Chew, "Yankees Caught in the Crossfire: The Trials and Travails of Americans in Revolutionary and Napoleonic France"John Crowley, "Picturing the Caribbean in the Global British Landscape"Paola Giuli, "Women Poets and Improvisers: Cultural Assumptions and Literary Values in Arcadia"D. B. Haley, "Was Dryden a 'Cryptopapist' in 1681?" Joyce MacDonald, "Public Wounds: Sexual Bodies and the Origins of State in Nathaniel Lee's Lucius Junius Brutus"Rebecca Messbarger, "Re-membering a Body of Work: Master Anatomist Anna Morandi Manzolini"Johann Reusch, "Exotic Islands and the Stranded Traveler in the Works of Caspar David Friedrich and Gotthard Ludwig Kosegarten"Leslie Richardson, "'Who Shall Restore My Lost Credit': Rape, Reputation, and the Marriage Market"Betty Schellenberg, "Making Good Use of History: Sarah Robinson Scott in the Republic of Letters"Geraldine Sheridan, "Views of Women at Work by the Royal Academicians: The Collection Descriptions des arts et metiers"Joanna Stalnaker, "Painting Life, Describing Death: Epistemology and Poetics of Description in Buffon's Histoire Naturelle"Candace Ward, "'Cruel Disorder': Female Bodies, Eighteenth-Century Fever Narratives, and the Novel of Sensibility"

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Things are finally looking up for George and Ann Richardson. After causing years of worry, their younger daughter Tess, who had always been sickly and small, is starting to blossom into a confident, clever girl. It will be some time before she catches up with her older sister Maddy, but her family know she'll soon be just as strong. And they've just scraped together enough money to take them on their first holiday, to Wales, where the country life will be just what they need. But heartache is waiting for the family when they return to Liverpool, and many a tear will have to fall before they find the true happiness they long for...

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The monarchs of seventeenth-century Europe put a surprisingly high priority on the abolition of dueling, seeing its eradication as an important step from barbarism toward a rational state monopoly on justice. But it was one thing to ban dueling and another to stop it. Duelists continued to kill each other with swords or pistols in significant numbers deep into the nineteenth century. In 1883 Maupassant called dueling “the last of our unreasonable customs.” As a dramatic and forbidden ritual from another age, the duel retained a powerful hold on the public mind and, in particular, the literary imagination.Many of the greatest names in Western literature wrote about or even fought in duels, among them Corneille, Molière, Richardson, Rousseau, Pushkin, Dickens, Hugo, Dumas, Twain, Conrad, Chekhov, and Mann. As John Leigh explains, the duel was a gift as a plot device. But writers also sought to discover in duels something more fundamental about human conflict and how we face our fears of humiliation, pain, and death. The duel was, for some, a social cause, a scourge to be mocked or lamented; yet even its critics could be seduced by its risk and glamour. Some conservatives defended dueling by arguing that the man of noble bearing who cared less about living than living with honor was everything that the contemporary bourgeois was not. The literary history of the duel, as Touché makes clear, illuminates the tensions that attended the birth of the modern world.

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Kara Richardson Whitely thought she could do anything. After all, she climbed Mount Kilimanjaro-three times! But now she's off the mountain and back home again, and there's one thing she just can't manage to do-lose weight. In many ways, Kara is living the life of everywoman, except that she's not everywoman because she weighs 300 pounds. Her weight is a constant source of conflict and shame, as the people from every corner of her life-from her daughter's pediatrician to her mother in law-judge Kara for the size of her body.In The Weight of Being, Kara shares the most intimate aspects of life as she experiences it as a fat woman, looking deep into the ways her body influences her marriage, her sex life, her children, her career, and her friendships. The stories she tells hit all kinds of nerves. Some are shocking, like the time she was shot with a BB gun by a neighbor's son who used her backside for target practice. Others are heartbreaking-when her pediatrician suggests that her daughter's weight isn't healthy, the mortification Kara feels is viscerally painful.Kara's story is one of living as a fat woman in America, where fat prejudice is rampant, despite our nation's pandemic of obesity. In this fresh, raw memoir, Kara reveals this epic contradiction, reminding us all that fat lives are deserving of esteem, dignity, and respect.

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In Infamous Commerce, Laura J. Rosenthal uses literary and historical sources to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex work during this period. From Grub Street's lurid "whore biographies" to the period's most acclaimed novels, the prostitute was depicted as facing a choice between abject poverty and some form of sex work.Prostitution, in Rosenthal's view, confronted the core controversies of eighteenth-century capitalism: luxury, desire, global trade, commodification, social mobility, gender identity, imperialism, self-ownership, alienation, and even the nature of work itself. In the context of extensive research into printed accounts of both male and female prostitution—among them sermons, popular prostitute biographies, satire, pornography, brothel guides, reformist writing, and travel narratives—Rosenthal offers in-depth readings of Samuel Richardson's Clarissa and Pamela and the responses to the latter novel (including Eliza Haywood's Anti-Pamela), Bernard Mandeville's defenses of prostitution, Daniel Defoe's Roxana, Henry Fielding's Tom Jones, and travel journals about the voyages of Captain Cook to the South Seas. Throughout, Rosenthal considers representations of the prostitute's own sexuality (desire, revulsion, etc.) to be key parts of the changing meaning of "the oldest profession."

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The interrelation among race, schooling, and labor market opportunities of American blacks can help us make sense of the relatively poor economic status of blacks in contemporary society. The role of these factors in slavery and the economic consequences for blacks has received much attention, but the post-slave experience of blacks in the American economy has been less studied. To deepen our understanding of that experience, Robert A. Margo mines a wealth of newly available census data and school district records. By analyzing evidence concerning occupational discrimination, educational expenditures, taxation, and teachers' salaries, he clarifies the costs for blacks of post-slave segregation. "A concise, lucid account of the bases of racial inequality in the South between Reconstruction and the Civil Rights era. . . . Deserves the careful attention of anyone concerned with historical and contemporary race stratification."—Kathryn M. Neckerman, Contemporary Sociology"Margo has produced an excellent study, which can serve as a model for aspiring cliometricians. To describe it as 'required reading' would fail to indicate just how important, indeed indispensable, the book will be to scholars interested in racial economic differences, past or present."—Robert Higgs, Journal of Economic Literature"Margo shows that history is important in understanding present domestic problems; his study has significant implications for understanding post-1950s black economic development."—Joe M. Richardson, Journal of American History

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Today we consider privacy a right to be protected. But in 18th-century England, privacy was seen as a problem, even a threat. Women reading alone and people hiding their true thoughts from one another in conversation generated fears of uncontrollable fantasies and profound anxieties about insincerity. In "Privacy", Patricia Meyer Spacks explores 18th-century concerns about privacy and the strategies people developed to avoid public scrutiny and social pressure. She examines, for instance, the way people hid behind common rules of etiquette to mask their innermost feelings and how, in fact, people were taught to employ such devices. She considers the erotic overtones that privacy aroused in its suppression of deeper desires. And perhaps most important, she explores the idea of privacy as a societal threat - one that bred pretense and hypocrisy in its practitioners. Through inspired readings of novels by Defoe, Richardson, Fielding and Sterne, along with a penetrating glimpse into diaries, autobiographies, poems and works of pornography written during the period, Spacks ultimately shows how writers charted the imaginative possibilities of privacy and its social repercussions. Finely nuanced and elegantly conceived, Spack's new work should interest anyone who has relished concealment or mourned its recent demise.

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Board: AQA Examination: Biology Specification: GCSE 9-1 Type: Practice (includes answers) (Please note this title is also available for All Boards) "The Scholastic resources go into far more detail than some of the other revision guides we have used and I've not seen any other resources that have an app linked to them. We would definitely recommend the resources to other schools. Everything you need to revise is in one place to enable students to work independently." Dave Richardson, Deputy Head [in reference to the GCSE English Language & Literature and Mathematics revision guides and exam practice books] Aim for the highest pass with Scholastic's GCSE Grades 9-1 series of Practice and Revision books. Linked to the revision guides, our exam practice books are packed with hundreds of structured GCSE exam-style questions covering the key topics for every subject. It's not just practice, each book also includes tips, advice and regular progress checks to boost confidence and help students apply key revision strategies. Every book also includes at least one full practice paper for authentic exam preparation. Full answers are provided to help students check their progress. Taking an active, stepped approach, our guides include popular 'It!' features giving students opportunities to self-test their understanding and apply their knowledge as they study. Do it! Active practice to help you retain key facts Nail it! Examiner tips to help you get better grades Work it! Exam questions broken down into manageable steps "What they thought was especially clever is the resources 'knowing' the day of their exam, and then highlighting what they needed to do and when in the days and weeks leading up to it. That captured them there and then." Dave Richardson, Deputy Head [Read the full case study from Brentwood County High School] The accompanying app helps you revise on-the-go: Use the free, personalised digital revision planner and get stuck into the quick tests to check your understanding Download our free revision cards which you can save to your phone to help you revise on the go Implement 'active' revision techniques - giving you lots of tips and tricks to help the knowledge sink in Other Subjects covered by Scholastic's Revision and Practice series: Biology, Chemistry, Physics, Combined Science, Geography, SPAG, English Language and Literature, Maths Foundation and Maths Higher

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"So all the time, while you were pretending to work, you've been having the most astonishing adventures in that corner?" A forgotten masterpiece from one of Britain’s greatest dramatists, J.B. Priestley. As bankruptcy looms, the ever optimistic Jim Cornelius, partner at import firm Briggs and Murrison, is fighting to keep his creditors happy and his spirits up. Tensions rise with the arrival of Judy, the beautiful, young typist who shows Cornelius the life he could have led... Written for Ralph Richardson in 1935, Priestley observes the politics and tensions of daily office life with searing wit and humanity in this hilarious and heart-breaking story of friendship, unrequited love and business.

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The third son of a coalminer, David Storey takes us from his tough upbringing in Wakefield, to being 'sold' to Leeds Rugby League Club, to his escape to the Slade School of Art and his life in post-war London. He describes shocking scenes in the seventeen deprived East End schools in which he taught. He documents the childhood death of his eldest brother, addressing much of the memoir to him and exploring how this relates to his own sometimes paralysing depression, which haunted most of his life. And yet, a prolific and celebrated writer, he recalls heady spells in New York, close relationships in the theatre with Joycelyn Herbert, Ralph Richardson and Lindsay Anderson, early success with This Sporting Life, and winning the Booker Prize for his novel Saville.

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The majority of the world's population now live in cities, nearly a quarter of which boast populations of one million or more. The rise of globalisation has granted cities unprecedented significance, both politically and economically, leading to benefits and problems at national and international levels. The Handbook of Emerging 21st-Century Cities explores the changes that are occurring in cities, and the impacts that they are having, at the local, national and global scale.Bringing together voices from around the world, this Handbook provides an interdisciplinary view of the changes that are happening in emerging cities, examining a range of topics from both theoretical and empirical perspectives. With chapters covering changes in urban economies, social dynamics, and emerging technology this Handbook radically rethinks the dynamics of cities in the 21st century, including those in the global south.The Handbook of Emerging 21st-Century Cities is an important addition to the literature, and is a useful resource for students of geography, economics, sociology, anthropology and urban planning. Its insights will also be of value for public administrators and urban planners, and anyone else whose work impacts on, or is impacted by, cities.Contributors include: R. Aijaz, K. Archer, K. Bezdecny, R. Bower, M.M. Brannon, P. Carmody, Y.-w. Chu, B. Coffyn Mitchell, E. Fekete, R. Ghadge, R. Grant, L.A. Herzog, W.G. Holt, D. Honnery, A. Jansson, O.A. K'Akumu, M. Klausen, J. Lauermann, P. Moriarty, J.T. Murphy, A.C. Oner, F. Owusu, B. Pasin, V. Peiteado Fernandez, J. Richardson, C. Saldana, B. Warf, P.D.A. Wood

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Winner of the 2021 Frances Richardson Keller-Sierra Prize from the Western Association of Women Historians (WAWH)​Revolutionizing Women’s Healthcare is the story of a feminist experiment: the self-help movement. This movement arose out of women’s frustration, anger, and fear for their health. Tired of visiting doctors who saw them as silly little girls, suffering shame when they asked for birth control, seeking abortions in back alleys, and holding little control over their own reproductive lives, women took action. Feminists created “self-help groups” where they examined each other’s bodies and read medical literature. They founded and ran clinics, wrote books, made movies, undertook nationwide tours, and raided and picketed offending medical institutions. Some performed their own abortions. Others swore off pharmaceuticals during menopause. Lesbian women found “at home” ways to get pregnant. Black women used self-help to talk about how systemic racism affected their health. Hannah Dudley-Shotwell engagingly chronicles these stories and more to showcase the creative ways women came together to do for themselves what the mainstream healthcare system refused to do.

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Winner of the 2021 Frances Richardson Keller-Sierra Prize from the Western Association of Women Historians (WAWH)​Revolutionizing Women’s Healthcare is the story of a feminist experiment: the self-help movement. This movement arose out of women’s frustration, anger, and fear for their health. Tired of visiting doctors who saw them as silly little girls, suffering shame when they asked for birth control, seeking abortions in back alleys, and holding little control over their own reproductive lives, women took action. Feminists created “self-help groups” where they examined each other’s bodies and read medical literature. They founded and ran clinics, wrote books, made movies, undertook nationwide tours, and raided and picketed offending medical institutions. Some performed their own abortions. Others swore off pharmaceuticals during menopause. Lesbian women found “at home” ways to get pregnant. Black women used self-help to talk about how systemic racism affected their health. Hannah Dudley-Shotwell engagingly chronicles these stories and more to showcase the creative ways women came together to do for themselves what the mainstream healthcare system refused to do.

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Board: AQA Examination: Biology Specification: GCSE 9-1 Type: Revision (includes answers) (Please note this title is also available for All Boards) "The Scholastic resources go into far more detail than some of the other revision guides we have used and I've not seen any other resources that have an app linked to them. We would definitely recommend the resources to other schools. Everything you need to revise is in one place to enable students to work independently." Dave Richardson, Deputy Head [in reference to the GCSE English Language & Literature and Mathematics revision guides and exam practice books] Aim for the highest pass with Scholastic's GCSE Grades 9-1 series of Practice and Revision books. Our revision guides cover GCSE exam topics at greater depth, with clear and focused explanations of tricky topics and questions that offer additional challenge. Taking an active, stepped approach, our guides include popular 'It!' features giving students opportunities to self-test their understanding and apply their knowledge as they study. Snap it! Read it, snap it on your phone, revise it...helps you retain key facts Nail it! Examiner tips to help you get better grades Stretch it! Support for the really tough stuff that will get you higher grades "What they thought was especially clever is the resources 'knowing' the day of their exam, and then highlighting what they needed to do and when in the days and weeks leading up to it. That captured them there and then." Dave Richardson, Deputy Head [Read the full case study from Brentwood County High School] The accompanying app helps you revise on-the-go: Use the free, personalised digital revision planner and get stuck into the quick tests to check your understanding Download our free revision cards which you can save to your phone to help you revise on the go Implement 'active' revision techniques - giving you lots of tips and tricks to help the knowledge sink in Other Subjects covered by Scholastic's Revision and Practice series: Biology, Chemistry, Physics, Combined Science, Geography, SPAG, English Language and Literature, Maths Foundation and Maths Higher

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Board: AQA Examination: Maths Foundation Specification: GCSE 9-1 Type: Revision (includes answers) (Please note this title is also available for Edexcel and All Boards) "The Scholastic resources go into far more detail than some of the other revision guides we have used and I've not seen any other resources that have an app linked to them. We would definitely recommend the resources to other schools. Everything you need to revise is in one place to enable students to work independently." Dave Richardson, Deputy Head [in reference to the GCSE English Language & Literature and Mathematics revision guides and exam practice books] Aim for the highest pass with Scholastic's GCSE Grades 9-1 series of Practice and Revision books. Our revision guides cover GCSE exam topics at greater depth, with clear and focused explanations of tricky topics and questions that offer additional challenge. Taking an active, stepped approach, our guides include popular 'It!' features giving students opportunities to self-test their understanding and apply their knowledge as they study. Snap it! Read it, snap it on your phone, revise it...helps you retain key facts Nail it! Examiner tips to help you get better grades Stretch it! Support for the really tough stuff that will get you higher grades "What they thought was especially clever is the resources 'knowing' the day of their exam, and then highlighting what they needed to do and when in the days and weeks leading up to it. That captured them there and then." Dave Richardson, Deputy Head [Read the full case study from Brentwood County High School] The accompanying app helps you revise on-the-go: Use the free, personalised digital revision planner and get stuck into the quick tests to check your understanding Download our free revision cards which you can save to your phone to help you revise on the go Implement 'active' revision techniques - giving you lots of tips and tricks to help the knowledge sink in Other subjects covered by Scholastic's Practice and Revision series: Maths Foundation, Maths Higher, SPAG, English Language and Literature, Biology, Chemistry, Physics, Combined Science and Geography

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The latest work in eighteenth-century studies.Showcasing exciting new research across disciplines, Volume 52 of Studies in Eighteenth-Century Culture explores how history's dominant narratives have been challenged and reframed.Anne Lafont shows how early writings about Black art questioned the cultural negation of enslaved peoples' humanity. A cluster of essays on "Decolonizing Eighteenth-Century Studies" connects the current conditions under which we produce scholarship to the forms of exploitation that defined the eighteenth century. Erica Johnson Edwards chronicles how self-liberated people in colonial Haiti resisted their recapture by using advertisements for unclaimed runaways, while Allison Cardon argues that Ottobah Cugoano's critiques of abolitionist discourse were more radical than we have recognized. Another cluster recenters Native epistemologies in the interactions between Indigenous Peoples and settlers in the American South.Alison DeSimone compares love songs to didactic and erotic literature. Carolina Blutrach recovers the contributions that diplomats' spouses made to cultural life, while Jolene Zigarovich unearths evidence of women who transmitted property to other women. Two clusters focus on the "Female Wunderkind in the Eighteenth Century" and "Biography and the Woman Writer Revisited."Jeffrey Ravel investigates the use of playing cards in the French Revolution, while Christopher Hendricks recovers the history of the jumbal, a proto-cookie. A collaboratively written essay explores the movements of four commodities through the global supply chain. Mattie Burkert focuses on the invisible labor of women. Andrew Black considers Alexander Pope's use of the oral. Volume 52 concludes with a cluster on Oliver Goldsmith's "The Deserted Village" that studies the poem's acoustics, history of illustration, and intertextual resonance.CONTRIBUTORS: Kathleen Tamayo Alves, Nicole Balzer, Andrew Black, Carolina Blutrach, Mónica Bolufer, Mattie Burkert, Allison Cardon, Emily Casey, Tita Chico, Sarah R. Cohen, Rebecca Crisafulli, Pichaya Damrongpiwat, Alison DeSimone, Alejandra Dubcovsky, Erica Johnson Edwards, Robbie Ethridge, Timothy Erwin, Lise Gaston, Michael Griffin, Christopher E. Hendricks, Elizabeth Hutchinson, Cynthia Kok, Anne Lafont, Brittany Luberda, Waltraud Maierhofer, Patrícia Martins Marcos, Jennifer Monroe McCutchen, Elizabeth Neiman, David O'Shaughnessy, Jürgen Overhoff, Jeffrey S. Ravel, Bryan C. Rindfleisch, Robbie Richardson, Yael Shapira, Kaitlin Tonti, Sophie Tunney, Denys Van Renen, Andrew O. Winckles, Joshua Wright, Chi-Ming Yang, Jolene Zigarovich, Tim Zumhof

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