Search results for ""author francis"

"Everybody who knows her will agree that Barbara always knows where to go and what to eat. If you let her be your guide too, she will not steer you wrong, even when looking for hidden gems and places off the beaten track." Life is too short to drink bad coffee or bad wine. Big Ben? Been there. The Eiffel Tower? Seen it. More and more people want to just enjoy their city trip, rather than visiting every 'touristy' place of interest. The traveller's bucket list nowadays consists of culinary experiences. So, first things first: let's get some good food. Guided by Food acknowledges this new trend and offers readers a handful of carefully chosen tips, rather than a long list of useless information, offering simply the best, most fun, and most funky places on the latest foodie scene. The book offers a unique combination of culinary hotspots and travel tips to cities such as San Francisco, Oaxaca, Tulum, Beirut, Tel Aviv, Copenhagen, Portland, Los Angeles, Ibiza, Lima, Cartagena, Tokyo, Lisbon, and Cape Town. Hundreds of locations and mouth-watering tips are included: restaurants, bars, coffee shops, and hotels. Preselected for you: all you need to do is book your plane ticket. Guided by Food is more than a book. Anyone who buys the book will also receive a limited Google Maps profile, where you can find and share new culinary tips.

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If you liked Sold on a Monday and Beautiful Exiles, you'll love this novel about strong-willed trailblazing photographer, Dorothea Lange, whose fame grew during World War II and the Great Depression. “Hooper excels at humanizing giants....seamlessly weaving together the time, places and people in Lange’s life...For photo buffs and others familiar with her vast body of work, reading the book will be like discovering the secret backstory of someone they thought they knew.” —The Washington PostIn 1918, a fearless twenty-two-year old arrives in bohemian San Francisco from the Northeast, determined to make her own way as an independent woman. Renaming herself Dorothea Lange she is soon the celebrated owner of the city’s most prestigious and stylish portrait studio and wife of the talented but volatile painter, Maynard Dixon.By the early 1930s, as America’s economy collapses, her marriage founders and Dorothea must find ways to support her two young sons single-handedly. Determined to expose the horrific conditions of the nation’s poor, she takes to the road with her camera, creating images that inspire, reform, and define the era. And when the United States enters World War II, Dorothea chooses to confront another injustice—the incarceration of thousands of innocent Japanese Americans.At a time when women were supposed to keep the home fires burning, Dorothea Lange, creator of the most iconic photographs of the 20th century, dares to be different. But her choices came at a steep price…

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Dukes's gripping historical novel tells the tale of a desperate Albanian woman who will do whatever it takes to keep her independence and seize control of her future...even if it means swearing to remain a virgin for her entire life. When eighteen-year-old Eleanora's father is shot dead on the cobblestone streets of 1910 Albania, Eleanora must abandon her dream of studying art in Italy as she struggles to survive in a remote mountain village with her stepmother Meria. Nearing starvation, Meria secretly sells Eleanora into marriage with the cruel heir of a powerful clan. Intent on keeping her freedom, Eleanora takes an oath to remain a virgin for the rest of her life-a tradition that gives her the right to live as a man: she is now head of her household and can work for a living as well as carry a gun. Eleanora can also participate in the vengeful blood feuds that consume the mountain tribes, but she may not be killed-unless she forsakes her vow, which she has no intention of ever doing. But when an injured stranger stumbles into her life, Eleanora nurses him back to health, saving his life-yet risking her own as she falls in love with him..." It's hard to believe that the culture Dukes describes was ever real, but the amount of research she put into this book definitely shines through. The story remains fascinating throughout; readers will definitely find it difficult to put this novel down."-San Francisco Book Review

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Gay neighborhoods, like the legendary Castro District in San Francisco and New York's Greenwich Village, have long provided sexual minorities with safe havens in an often unsafe world. But as our society increasingly accepts gays and lesbians into the mainstream, are "gayborhoods" destined to disappear? Amin Ghaziani provides an incisive look at the origins of these unique cultural enclaves, the reasons why they are changing today, and their prospects for the future. Drawing on a wealth of evidence--including census data, opinion polls, hundreds of newspaper reports from across the United States, and more than one hundred original interviews with residents in Chicago, one of the most paradigmatic cities in America--There Goes the Gayborhood? argues that political gains and societal acceptance are allowing gays and lesbians to imagine expansive possibilities for a life beyond the gayborhood. The dawn of a new post-gay era is altering the character and composition of existing enclaves across the country, but the spirit of integration can coexist alongside the celebration of differences in subtle and sometimes surprising ways. Exploring the intimate relationship between sexuality and the city, this cutting-edge book reveals how gayborhoods, like the cities that surround them, are organic and continually evolving places. Gayborhoods have nurtured sexual minorities throughout the twentieth century and, despite the unstoppable forces of flux, will remain resonant and revelatory features of urban life.

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A window into the world of nineteenth-century California, from two women who experienced it firsthand.In the early years of California’s statehood, Emily Brist Ketchum Bancroft (1834–1869) and Matilda Coley Griffing Bancroft (1848–1910) had front-row seats to the unfolding of the Golden State’s history. The first and second wives of historian extraordinaire Hubert Howe Bancroft, these two women were deeply engaged members of society and perceptive chroniclers of their times, and they left behind extensive records of their lives and work. Writing Themselves into History offers a rich immersion in nineteenth-century California, detailing Emily’s and Matilda’s experiences with public life, motherhood, and business against the backdrop of San Francisco’s high society and the state’s growth amidst the tumult of the American Civil War. The book also highlights Matilda’s significant involvement in Hubert Howe’s trailblazing research on the history of the American West—including her work collecting oral histories from women members of the LDS Church—and her evocative descriptions of travels throughout the Pacific Northwest and beyond.Kim Bancroft’s commentary offers historical context and points up Emily’s and Matilda’s keen insights, and she pays special attention to the two women’s complex and nuanced portraits of gender, race, and class in the nineteenth-century West. This book is a valuable resource for American West and women’s studies scholars, and for anyone with an interest in California’s first decades as a state.

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Endless sky, rock, and water: Where the arid grasslands of southern Argentina meet the Atlantic Ocean, the wild winds and waters of Patagonia have sculpted a magical landscape. This wonderland is Monte Leon National Park. Established in 2002 through public/private collaboration, the park's creation was prompted by a gift from Kristine Tompkins, the former CEO of the clothing company named for this legendary region at the bottom of the Earth. Encompassing roughly 155,000 acres and 25 miles of shoreline, Monte Leon is now held in trust for future generations as part of Argentina's national park system. It is both a destination for adventurous travellers and a home to an array of charismatic creatures; a place where guanacos remain ever wary of stalking pumas, vast colonies of Magellanic penguins coat the beaches, and every tide pool harbours a universe in miniature. In Monte Leon, photographer Antonio Vizcaino takes readers on a visual tour of the park's natural features, exploring the wildlife, landforms, and textures and the sublime quality of light where land meets sea. Essays are included by Carlos Enrique Meyer, Silvia Braun, Claudio Campagna, William Coway, Francisco Erize and Patricia Gandini, the key players who helped birth the new park and other experts complement Vizcaino's images. Monte Leon is a book as beautiful as the landscape it celebrates. For everyone who has ever dreamed of Patagonia, Monte Leon is your invitation to visit a treasure of the Patagonia coast. All proceeds from the sale of the book go to continue conservation efforts in Monte Leon.

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‘When I first heard about this Faith No More biography, I didn’t know what to think. But I have to give credit where it is due, it’s a quality piece. The man has done his research and it shows. It provided me with more than a few revelations … and I’m in the band.’ – Bill Gould, Faith No MoreSmall Victories: The True Story of Faith No More is the definitive biography of one of the most intriguing bands of the late twentieth century. Written with the participation of the group’s key members, it tells how such a heterogeneous group formed, flourished, and fractured, and how Faith No More helped redefine rock, metal and alternative music. The book chronicles the creative and personal tensions that defined and fuelled the band, forensically examines the band’s beginnings in San Francisco’s post-punk wasteland, and charts the factors behind the group’s ascent to MTV-era stardom.Small Victories strips away the mythology and misinformation behind their misanthropic masterpiece Angel Dust, explores the rationale behind the frequent hiring and firing of band members, and traces the unraveling of the band in the mid-1990s. It also examines the band’s breakup and hiatus, explores their unwelcome legacy as nu-metal godfathers, and gives a behind-the-scenes view of their rebirth.Based on meticulous research and hundreds of interviews with current and former band members and other key figures, Small Victories combines a fan’s passion with a reporter’s perspicacity.

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Many Americans have no idea how badly our largest, Democrat-run cities have deteriorated. We've been complacent for far too long, assuming that the craziest elements of the radical Left would stay confined to the East and West coasts. But crime, drug addiction, homelessness, left-wing school indoctrination, so-called inclusive housing policies, and outrageous taxes don't stay within the big city limits of places like Los Angeles, Chicago, Portland, New York, Seattle, and San Francisco. The effects of ideologically driven left-wing policies always spread, which should alarm Americans regardless of their political leanings.Jason Rantz is a prominent radio host, a trusted journalist, and a frequent Fox News guest unafraid to go directly into the action. He's grown a national following by breaking news the mainstream media won't, covering the consequences of destructive leftist policies wherever they occur. He was right there for the chaos in his hometown of Seattle when liberal anarchists declared an autonomous, police-free "CHOP Zone." He infiltrates the Antifa marches and knows firsthand how those radicals operate. This is the shocking story of what he's learned.Employing on-the-ground reporting and fact-based analysis, Rantz zooms out to conduct a fascinating detailed, data-driven study of how these liberal policies result in chaos, misery, and (too often) bloodshed. He skillfully recounts the tragic events with a narrative reporter's eye for detail to tell the true story of what's happening in America's cities.

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The Nature of Drugs: History, Pharmacology, and Social Impact, Volume 1, presents lectures from Alexander “Sasha” Shulgin’s popular course on what drugs are, how they work, how they are processed by the body, and how they affect our society. Transcribed from the original lectures recorded at San Francisco State University in 1987, The Nature of Drugs series highlights Shulgin’s engaging lecture style peppered with illuminating anecdotes and amusing asides. Ostensibly taught as an introductory course on drugs and biochemistry, these books serve as both a historical record of Shulgin’s teaching style and the culmination of his philosophy on drugs, psychopharmacology, states of consciousness, and societal and individual freedoms pertaining to their use, both medicinal and exploratory. The Nature of Drugs, Volume 1 features course lectures 1 through 8 and offers Shulgin’s view on the origin of drugs, the history of U.S. drug law enforcement, human anatomy, the nervous system, the range of drug administrations, varieties of drug actions, memory and states of consciousness, and research methods. It lays the groundwork for Shulgin’s philosophy on psychopharmacology and society. The Nature of Drugs series presents the story of humanity’s relationship with psychoactive substances from the perspective of a master psychopharmacologist and beloved luminary in the study of chemistry, pharmacology and consciousness.Audiobook note: The Nature of Drugs, Volume 1 audiobook contains portions of the original 1987 recordings of Shulgin himself conducting his course and interacting with his students. Those original clips are interlaced with newly recorded narration that fills in portions with more optimal audio quality.

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Silence has fallen. The Psy are free to feel emotion. Free to love. But Silence was never a prison for Ivan Mercant. The biggest threat to his future lies dormant in his brain - a psychic monster that wants only to feed. And now, the brutal leash he's kept on that monster is slipping. He prepared for this day, for the end of Ivan Mercant . . . but that was before he met Lei.As primal as she is human, this wild changeling brings colour into his life, laughter to his soul. Then the dream shatters in a rain of blood, in silent bodies in the snow. Lei is gone. Vanished without a trace . . . until Ivan meets strangely familiar eyes across a busy San Francisco street.Soleil Bijoux Garcia is a healer who has lost everything. She exists in a world of desolate aloneness . . . until the day she finds herself face-to-face with a lethal stranger. The animal who is her other half knows this man, but her memories are tattered fragments. Sorrow and a need for vengeance are all that drive her. Her mission? To kill the alpha of the DarkRiver leopard pack.But fate has other plans. Soon, a deadly soldier who believes himself a monster and a broken healer might be all that stand between life and death for the entire Psy race. . .Praise for Nalini Singh's Psy-Changeling Trinity series:'Singh's talent for lush, expansive worldbuilding is on full display' Publishers Weekly'Another Psy-Changeling page-turner from the brilliant Singh' Kirkus Reviews

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If Harvard can be said to have a literature all its own, then few universities can equal it in scope. Here lies the reason for this anthology—a collection of what Harvard men (teachers, students, graduates) have written about Harvard in the more than three centuries of its history. The emphasis is upon entertainment, upon readability; and the selections have been arranged to show something of the many variations of Harvard life.For all Harvard men—and that part of the general public which is interested in American college life—here is a rich treasury. In such a Harvard collection one may expect to find the giants of Harvard’s last 75 years—Eliot, Lowell, and Conant—attempting a definition of what Harvard means. But there are many other familiar names—Henry Dunster, Oliver Wendell Holmes, James Russell Lowell, Henry Adams, Charles M. Flandrau, William and Henry James, Owen Wister, Thomas Wolfe, John P. Marquaud. Here is Mistress Eaton’s confession about the bad fish served to the wretched students of Harvard’s early years; here too is President Holyoke’s account of the burning of Harvard Hall; a student’s description of his trip to Portsmouth with that aged and Johnsonian character, Tutor Henry Flynt; Cleveland Amory’s retelling of the murder of Dr. George Parkman; Mayor Quiney’s story of what happened in Cambridge when Andrew Jackson came to get an honorary degree; Alistair Cooke’s commentary on the great Harvard–Yale cricket match of 1951. There are many sorts of Harvard men in this book—popular fellows like Hammersmith, snobs like Bertie and Billy, the sensitive and the lonely like Edwin Arlington Robinson and Thomas Wolfe, and independent thinkers like John Reed. Teachers and pupils, scholars and sports, heroes and rogues pass across the Harvard stage through the struggles and the tragedies to the moments of triumph like the Bicentennial or the visit of Winston Churchill.And speaking of visits, there are the visitors too—the first impressions of Harvard set down by an assortment of travelers as various as Dickens, Trollope, Rupert Brooke, Harriet Martineau, and Francisco de Miranda, the “precursor of Latin American independence.”For the Harvard addict this volume is indispensable. For the general reader it is the sort of book that goes with a good living-room fire or the blissful moments of early to bed.

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Marble Halls is about the great civic buildings that were designed in the style of Beaux-Arts classicism during the Gilded Age (1865–1918) and about the City Beautiful movement that was intended to improve the setting for the buildings and the urban environment for the people. The Industrial Revolution, which arrived belatedly in the United States, provided the wealth required for grand architecture, and the classical Beaux-style was imported from Paris to serve as a veneer to a society that saw itself as brash and culturally unrefined. Major buildings, from New York City to San Francisco and from St. Paul, MN, to Jacksonville, FL, are discussed as the creations of architects such as McKim, Mead & White, Richard Morris Hunt, and Cass Gilbert with exteriors enhanced by the sculptures of Daniel Chester French and Augustus Saint-Gaudens. But the interiors, too, received rich ornamentation as America saw the rise of its first real school of mural painters whose work was often complemented by the art of the mosaic-maker and the stained-glass window-maker; the Gilded Age was the era that saw the formation of a national association of mural painters and a national sculpture society, as well as national, state and local agencies and commissions to oversee the quality of work in civic buildings. All collaborated to produce the glorious grandeur that Americans believed reflected their proper place as a new power that arose on the world stage, in politics, economics, and military adventurism. Federal buildings, state houses, court houses, train stations, libraries and art museums are discussed as contributors to the City Beautiful movement and to the assertive personality of the new American.

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A lavishly illustrated account of the buildings of the friars in the middle ages, bringing them vividly to life. with contributions from Ian M. Betts, Jens Röhrkasten, Mark Samuel, and Christian Steer. Nominated for the Current Archaeology Book of the Year Award 2019 The friaries of medieval London formed an important partof the city's physical and spiritual landscape between the thirteenth and sixteenth centuries. These urban monasteries housed 300 or more preacher-monks who lived an enclosed religious life and went out into the city to preach. The most important orders were the Dominican Black friars and the Franciscan Grey friars but London also had houses of Augustine, Carmelite and Crossed friars, and, in the thirteenth century, Sack and Pied friars. This book offers an illustrated interdisciplinary study of these religious houses, combining archaeological, documentary, cartographic and architectural evidence to reconstruct the layout and organisation of nine priories. After analysing anddescribing the great churches and cloisters, and their precincts with burial grounds and gardens, it moves on to examine more general historical themes, including the spiritual life of the friars, their links to living and dead Londoners, and the role of the urban monastery. The closure of these friaries in the 1530s is also discussed, along with a brief revival of one friary in the reign of Mary. NICK HOLDER is a historian and archaeologist at English Heritage and the University of Exeter. He has written extensively on medieval and early modern London. IAN M. BETTS is a building materials specialist at Museum of London Archaeology; JENS ROHRKASTEN was Lecturer in Medieval History at the University of Birmingham; MARK SAMUEL is an independent architectural historian; CHRISTIAN STEER is an independent historian, specialising in burials in medieval churches.

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Hold On to Your Dreams is the first biography of the musician and composer Arthur Russell, one of the most important but least known contributors to New York's downtown music scene during the 1970s and 1980s. With the exception of a few dance recordings, including "Is It All Over My Face?" and "Go Bang! #5", Russell's pioneering music was largely forgotten until 2004, when the posthumous release of two albums brought new attention to the artist. This revival of interest gained momentum with the issue of additional albums and the documentary film Wild Combination. Based on interviews with more than seventy of his collaborators, family members, and friends, Hold On to Your Dreams provides vital new information about this singular, eccentric musician and his role in the boundary-breaking downtown music scene. Tim Lawrence traces Russell's odyssey from his hometown of Oskaloosa, Iowa, to countercultural San Francisco, and eventually to New York, where he lived from 1973 until his death from AIDS-related complications in 1992. Resisting definition while dreaming of commercial success, Russell wrote and performed new wave and disco as well as quirky rock, twisted folk, voice-cello dub, and hip-hop-inflected pop. “He was way ahead of other people in understanding that the walls between concert music and popular music and avant-garde music were illusory,” comments the composer Philip Glass. "He lived in a world in which those walls weren't there." Lawrence follows Russell across musical genres and through such vital downtown music spaces as the Kitchen, the Loft, the Gallery, the Paradise Garage, and the Experimental Intermedia Foundation. Along the way, he captures Russell's openness to sound, his commitment to collaboration, and his uncompromising idealism.

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As a child, Solveig Torvik heard stories of a lost, mysterious great-grandfather who left Finland for America to make his fortune - leaving Torvik’s great-grandmother and his unborn daughter behind. As a reporter, Torvik determined to discover the fate of the man who followed his dreams to Oregon. She uncovered not only the story of one man, but also the saga of an entire family. In Nikolai’s Fortune, a tale of Scandinavian women, the journalist turns fact into fiction and shares the tales of her ancestors as she imagines they would have told them. Nikolai's Fortune is a heartbreaking, multigenerational epic, chronicling family secrets and sufferings against the backdrop of Scandinavian history and culture. Blending memoir and historical fiction, grandmother, mother, and daughter each share their own story: Kaisa, of her mother’s love for Nikolai and her own 500-mile trek at the age of twelve from impoverished Finland across the snowy mountains of Lapland; Berit, of child slavery and an obsession with seeking out her grandfather’s fortune for her mother; and Hannah, the voice of Torvik, of her childhood during the Nazi occupation of Norway and her family’s emigration to Idaho. Through detailed historical research into census, church, and weather records, as well as academic and museum sources, Torvik recaptures a dramatic story nearly lost to memory and inherits something worth more than a fortune in riches – a sense of her family history, ethnic background, and the generations of remarkable women who came before her. Norwegian-born Solveig Torvik was a reporter, editor, and columnist at the Seattle Post-Intelligencer for thirty years. She was also a reporter for United Press International in Salt Lake City and for the San Francisco Chronicle, and an editor at the San Jose Mercury News.

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“This is the closest we have to an Americans for our time... CAPOLAVORO!... already hailed critically as a classic... One of the best photo books in a lonnnnng time” Known for his haunting portraits of solitary Americans in Sleeping by the Mississippi and Broken Manual, Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012-2014, Soth traveled state by state while working on his self-published newspaper, The LBM Dispatch, as well as on assignment for the New York Times and others. From upstate New York to Silicon Valley, Soth attended hundreds of meetings, dances, festivals and communal gatherings in search of human interaction in an era of virtual social networks. With Songbook, Soth has stripped these pictures of their news context in order to highlight the longing for connection at their root. Fragmentary, funny and sad, Songbook is a lyrical depiction of the tension between American individualism and the desire to be united. Alec Soth (b. 1969) is a photographer born and based in Minneapolis, Minnesota. His photographs have been featured in numerous solo and group exhibitions, including the 2004 Whitney and Sao Paulo Biennials. In 2008, a survey exhibition of Soth’s work was exhibited at Jeu de Paume in Paris and Fotomuseum Winterthur in Switzerland. In 2010, the Walker Art Center produced a traveling survey exhibition of Soth’s work entitled From Here To There. Soth has been the recipient of numerous fellowships and awards, including the Guggenheim Fellowship (2013). In 2008, Soth founded his own publishing company, Little Brown Mushroom. Soth is represented by Sean Kelly in New York, Weinstein Gallery in Minneapolis, Fraenkel Gallery in San Francisco, and is a member of Magnum Photos.

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____________________________ A moving celebration of what Bill Hayes calls 'the evanescent, the eavesdropped, the unexpected' of life in New York City, and an intimate glimpse of his relationship with the late Oliver Sacks. ____________________________ 'A beautiful memoir in which Oliver Sacks comes wonderfully to life ... Exquisitely wrought, heartrending and joyous' - Joyce Carol Oates 'A loving tribute to Sacks and to New York ... Read just 50 pages, and you’ll see easily enough how Hayes is Sacks’s logical complement' - Jennifer Senior, New York Times ____________________________ Bill Hayes came to New York in 2009 with a one-way ticket and only the vaguest idea of how he would get by. But, at forty-eight years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city’s incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera. And he unexpectedly fell in love again, with his friend and neighbor, the writer and neurologist Oliver Sacks, whose exuberance is captured in funny and touching vignettes throughout. What emerges is a portrait of Sacks at his most personal and endearing, from falling in love for the first time at age seventy-five to facing illness and death (Sacks died of cancer in August 2015). Insomniac City is both a meditation on grief and a celebration of life. Filled with Hayes’s distinctive street photos of everyday New Yorkers, the book is a love song to the city and to all who have felt the particular magic and solace it offers. ____________________________ 'A unique and exuberant celebration of life and love' - Kirkus Reviews

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A Most Uncertain Crusade traces and analyzes the emergence of human rights as both an international concern and as a controversial domestic issue for US policy makers during and after World War II. Rowland Brucken focuses on officials in the State Department, at the United Nations, and within certain domestic non-governmental organizations, and explains why, after issuing wartime declarations that called for the definition and enforcement of international human rights standards, the US government refused to ratify the first UN treaties that fulfilled those twin purposes. The Truman and Eisenhower administrations worked to weaken the scope and enforcement mechanisms of early human rights agreements, and gradually withdrew support for Senate ratification. A small but influential group of isolationist–oriented senators, led by John Bricker (R-OH), warned that the treaties would bring about socialism, destroy white supremacy, and eviscerate the Bill of Rights. At the UN, a growing bloc of developing nations demanded the inclusion of economic guarantees, support for decolonization, and strong enforcement measures, all of which Washington opposed. Prior to World War II, international law considered the protection of individual rights to fall largely under the jurisdiction of national governments. Alarmed by fascist tyranny and guided by a Wilsonian vision of global cooperation in pursuit of human rights, President Roosevelt issued the Four Freedoms and the Atlantic Charter. Behind the scenes, the State Department planners carefully considered how an international organization could best protect those guarantees. Their work paid off at the 1945 San Francisco Conference, which vested the UN with an unprecedented opportunity to define and protect the human rights of individuals. After two years of negotiations, the UN General Assembly unanimously approved its first human rights treaty, the Genocide Convention. The UN Commission on Human Rights (UNCHR), led by Eleanor Roosevelt, drafted the nonbinding Universal Declaration of Human Rights in 1948. Subsequent efforts to craft an enforceable covenant of individual rights, though, bogged down quickly. A deadlock occurred as western nations, communist states, and developing countries disagreed on the inclusion of economic and social guarantees, the right of self-determination, and plans for implementation. Meanwhile, a coalition of groups within the United States doubted the wisdom of American accession to any human rights treaties. Led by the American Bar Association and Senator Bricker, opponents proclaimed that ratification would lead to a U.N. led tyrannical world socialistic government. The backlash caused President Eisenhower to withdraw from the covenant drafting process. Brucken shows how the American human rights policy had come full circle: Eisenhower, like Roosevelt, issued statements that merely celebrated western values of freedom and democracy, criticized human rights records of other countries while at the same time postponed efforts to have the UN codify and enforce a list of binding rights due in part to America's own human rights violations.

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A rare collection of more than 200 full-color and black-and-white souvenir photographs and memorabilia that bring to life the renowned jazz nightclubs of the 1940s and 1950s, compiled by Grammy Award-winning record executive and music historian Jeff Gold and featuring exclusive interviews with Quincy Jones, Sonny Rollins, Robin Givhan, Jason Moran, and Dan Morgenstern.In the two decades before the Civil Rights movement, jazz nightclubs were among the first places that opened their doors to both Black and white performers and club goers in Jim Crow America. In this extraordinary collection, Jeff Gold looks back at this explosive moment in the history of Jazz and American culture, and the spaces at the center of artistic and social change. Sittin’ In is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre—Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others—were headlining acts across the country. In many of the clubs, Black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening’s entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club’s name and logo.Sittin’ In tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you’ll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; jazz great tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; jazz musician and creative director of the Kennedy Center, Jason Moran; and jazz critic Dan Morgenstern.Gold surveys America’s jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). This collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom.

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"So persuasive are Yoon's powers of invention that I went searching for his Solla Island somewhere off the mainland of South Korea—not realizing that it exists only in this breathtaking collection of eight interlinked stories...Yoon's writing results in a fully formed, deftly executed debut. The lost lives, while heartbreaking, prove illuminating in Yoon's made-up world, so convincing and real. To read is truly to believe."—San Francisco Chronicle “Paul Yoon writes stories the way Fabergé made eggs: with untold craftsmanship, artistry, and delicacy. Again and again another layer of intricacy is revealed, proving that something as small as a story can be as satisfying and moving as a Russian novel.”—Ann Patchett “These are lovely stories, rendered with a Chekhovian elegance. They span from post–World War II to the new millennium, with characters of different ethnicities, yet each story has a timelessness and relevance that's haunting and unforgettable. Yoon is a sparkling new writer to welcome and celebrate.”—Don Lee “These are splendid stories, at once lyrical and plain-spoken and full of unusual realities. Once the Shore is a kind of fantastic Korean gazetteer that tours us confidently through unpredictable incidents and often startling conversations—Paul Yoon’s writing is erotic, haunting, original and worldly.”—Howard Norman Spanning over half a century—from the years just before the Korean War to the present—the eight stories in this collection reveal an intricate and unforgettable portrait of a single island in the South Pacific. Novelistic in scope, daring in its varied environments, Once the Shore introduces a remarkable new voice in international fiction. Publishers Weekly starred review: "Yoon's collection of eight richly textured stories explore the themes of family, lost love, silence, alienation and the effects of the Japanese occupation and the Korean War on the poor communities of a small South Korean island. In the namesake story, a lonely young waiter connects with an American widow who has come to find the cave where her husband claimed to have carved their initials during his tour of duty in Korea. The narrator shifts between Jim coping with the loss of his big brother, a fisherman killed by a surfacing American submarine, and the sorrow of the widow. In "Among the Wreckage," aging parents Bey and Soni hope to recover the body of their son, Karo, killed in a U.S. military bombing test on what was thought to be a deserted island. The sad journey provides Bey an opportunity to examine his inability to show affection to his wife and only child. Yoon's stories are introspective and tender while also painting with bold strokes the details of the lives of the invisible."

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The Santa Cruz Mountains, an area covering almost 1,400 square miles from San Francisco southward to the Monterey County line, are a part of the Coast Range of Central California. The Mountains and the adjacent lowlands have a rich vascular flora, and about 1,800 species, subspecies, varieties, forms, and hybrids of ferns, conifers, and flowering plants, distributed among 168 families, have been reported from the region. This comprehensive flora, the first of the area, is designed for use by both the serious beginner and the trained botanist. The flora is illustrated by 250 line drawing and ten photographs. In addition, there is a map of the Santa Cruz Mountains area and a stratigraphic profile of the rock formations. The stratigraphic profile and a section on geology have been contributed by Dr. Earl E. Brabb of the United States Geological Survey. Distributional notes, keys to families, genera, and species, pertinent synonymy, a glossary of technical terms, an index of place names, and common0name and scientific-name indexes form the body of the text. The Introduction contains a description of the geography of the Santa Cruz Mountains and adjacent lowlands, seconds on the geology and climate, a brief discussion and analysis of the vegetation and floristic affinities of the area, and a history of past botanical collecting. A selected list of references has been appended to allow the interested individual to pursue his studies further.

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John Brande Trend, the first Professor of Spanish in Cambridge in 1933, arrived at his Chair by a circuitous route through a variety of disciplines, encountering a host of prominent people in pre-war political, cultural and intellectual life. It was this wider experience that made his teaching so unique and makes his story central to the period through which he lived. At Cambridge with the doomed generation who were to perish in the First World War, Trend studied Natural Sciences but fell under the spell of the musicologist Edward Dent, who became his lifelong friend. A brilliant linguist and musician, it was music that took Trend to Spain in 1919 to unearth ancient manuscripts and to write articles for London magazines. He fell in love with a country undergoing a cultural, intellectual and political transformation that culminated in the establishment of the Second Republic in 1931. He became a close friend of Manuel de Falla, whose music he introduced to the British public, as well as of the ill-fated poet, Federico García Lorca, and other luminaries of the optimistic 1920s. After the euphoria of the Republic and the subsequent Civil War, he never returned to Spain but did much to help Spanish exiles and refugees. Academically he extended his interests to Central and South America, one of the first Hispanists to do so. Trend's books on Spanish literature and music were vivid and evocative, as was his style of teaching, inspired by the philosophy of the Spanish educationalist, Francisco Giner de los Ríos. Drawing on Trend's prolific and hitherto unknown correspondence with many celebrated figures, the book depicts his extraordinary personality and achievements, and his first-hand involvement in important events of the period.

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A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship.Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished.In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.

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"The first volume of Perle's magnificent study focused on Wozuck ...Its successor, equally painstaking and perceptive, is if anything more invaluable, for the clouds of mystery around Berg's second opera are only now beginning to disperse, and the work is coming to be regarded properly as the climax of the composer's achievement." (Andrew Clements, Opera). "Perle's books have laid the groundwork for a thorough exploration of the remarkably successful ways in which Berg was able to marry a powerful intellectual grasp of a richly developing language to an instinctive feel for dramatic shape, a process that marks him out as one of the few genuine opera composers this century." (Michael Taylor, Music and Letters). "The first volume, Wozzeck ...was universally recognized as being a work of outstanding scholarship. The Lulu volume is an even more impressive achievement. In its analytical sophistication, its critical insights and in the implications which it has for our understanding not only of Berg but of a whole body of post-diatonic music, Perle's Lulu is one of the most exciting and important books on music to appear for many years." (Douglas Jarman, Times Literary Supplement). "With the second of his books on The Operas of Alban Berg, this American musicologist and composer has now taken advantage of all this new material to consolidate his own research and present us with the most sophisticated musical analysis yet made of the composer ...As Perle shows, Lulu represents the highest point of development in Berg's music from the point of view of ambiguity of fabrication." (Stephen Reeve, Classical Music). "Nothing I've read in the past year makes as important a contribution to this literature as The Operas of Alban Berg: Volume Two: Lulu ...Perle's saga of the opera's release from partial captivity reads like one of the great intellectual detective stories of our era ...What emerges most flavorfully is Perle's portrait of a haunted artist who imbued his later works with concealed autobiographical gestures, including his longtime love affair with a Prague matron." (Ailan Ulrich, San Francisco Focus). "The goal of the two-volume work is not merely to dwell in detail on the operas themselves, but to give some account of Berg's other music, in order to set the operas in the context of his complete output. With a composer like Berg, whose music is intimately bound up with his own personal life, such an approach is particularly appropriate ...George Perle has given the world two volumes which will remain at the top of their field for many years to come." (Douglass M. Green, Journal of the American Musicological Society).

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Based on the eponymous symposium and exhibition, Fulfilled: Architecture, Excess, and Desire considers the role of architecture in a culture shaped by the excessive manufacturing and assuagement of desire. Until the term became synonymous with Amazon warehouses, the concept of fulfilment described the achievement of a desire - sometimes tangible, often psychological or spiritual. With the rapid growth of e-commerce, our understanding of fulfilment has evolved to reflect a seemingly endless cycle of desire and gratification - one whose continuity hinges on our willingness to overlook the cultural, economic, and environmental impacts of our ever-increasing expectation of quick and efficient fulfilment. A closer look at fulfilment reveals a social, typological, formal, aesthetic, and economic practice constructed collectively through both digital and physical interactions. It is a cultural practice which evolves like a language, both universally transferable and contextually specific. As a symposium, exhibition, and now publication, this project aims to draw out these new arrangements, sticky relationships, and material by-products of cultural production and to ask again the age-old question, “What does it mean to be fulfilled?” This book examines the architecture of fulfilment through three lenses: logistical, material, and cultural fulfilment. Each reveals the new forms of architectural practice and research that are possible, typical, and even surreptitiously encouraged in the age of Amazon. Fulfilment networks are not invisible systems; they are tangible objects - warehouses, suburban houses, parking lots, cardboard boxes, shopping malls, mechanical systems, shipping containers - with which architects necessarily interact. From political mapping and questions of labour to digital and physical storage typologies, contemporary architects learn from and work critically within the architecture of fulfilment. Their interests and approaches include the material and environmental shortcomings of global logistics and the formal, representational, and cultural potentials of a culture of excess. This book highlights architecture’s unique capacity to offer methodologies for confronting an increasingly ambiguous, alienating world and produce new knowledge and unexpected solutions that go beyond the dichotomies of rural and urban territories. Featuring new texts and visual work by more than a dozen contemporary architects: Ana Miljački – Boston, MA; Ang Li – Boston, MA; Ashley Bigham – Columbus, OH; Cristina Goberna Pesudo – Madrid, Spain; Curtis Roth – Columbus, OH; Jesse LeCavalier – Toronto, Canada; John McMorrough – Ann Arbor, MI; Keith Krumwiede – San Francisco, CA; Laida Aguirre – Ann Arbor, MI; Leigha Dennis – New York, NY; Lluís Alexandre Casanovas Blanco – Barcelona, Spain; Michelle Chang – Boston, MA; Miles Gertler – Toronto, Canada; Mira Henry & Matthew Au (Current Interests) – Los Angeles, CA

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5-Star Review from Doody's Review Service. Raise your simulation programs to new heights with the fully updated Defining Excellence in Simulation Programs, 2nd edition. An official publication of the Society for Simulation in Healthcare, this fully illustrated guide speaks to the needs of all healthcare professionals using simulation for education, assessment, and research. Offering best practices for a wide variety of programs, it addresses all areas of program management, from staffing, funding, and equipment, to education models. Whether you are new to running a simulation program, developing a program, or studying simulation, this is your key to creating cost-effective, research-based programs. Improve your simulation program with this definitive guide. This edition offers: NEW content on International Nursing Association for Clinical Simulation (INACSL) and Association of Standardized Patient Educators (ASPE) standards of practice 17 new chapters, with content reorganized to better align with certification exam blueprints A fully illustrated, comprehensive framework for all operational aspects of simulation programs Sections that address: Standards of Practice – SSH, INACSL, and ASPE standards, technology standards, ethics, and more Simulation Modalities – History of modern-day mannequins; mannequin terminology, selection, and usage; and standardized patient/participant Simulation Methods – In situ, mobile, hybrid, and tabletop simulation; and the continuum of care Management – Creating the infrastructure for a successful program, business needs and assets management, policies and procedures, and strategic plans Funding – Sources of revenue, program budgets, business plans, and fee structures Environmental Design – Building a simulation center, technical infrastructure, and more Educational and Content Development – Educator training and simulation methodology courses, assessing learning needs, shared theories, and more Delivery of Simulation – Assessment in healthcare simulation, preparing the learner, management of the scenarios, and more Research – Healthcare simulation research, institutional review board, and more Resources – Terms of references, examples of studies, case and scenario development templates, and more Chapter features include: Expert’s Corner – Commentary on essential areas of training, research, and program development by simulation experts and founders Consider This – Practical how-to’s on critical, related topics Example and Case Study Boxes – Added examples that support chapter content Terms of Reference – Defines simulation terms and concepts About the Clinical Editors Juli C. Maxworthy, DNP, MSN, MBA, RN, CNL, CPHQ, CPPS, CHSE, FNAP, FSSH, is an Associate Professor at the University of San Francisco, School of Nursing and Health Professions, and President (2021) of the Society for Simulation in Healthcare. Chad A. Epps, MD, FSSH, was the Executive Director, Center for Healthcare Improvement and Patient Simulation (CHIPS) and Professor at the University of Tennessee Health Science Center, and Past President of The Society for Simulation in Healthcare. Yasuharu Okuda, MD, FACEP, FSSH, is Executive Director of the Center for Advanced Medical Learning and Simulation, CEO of USF Health Professions Conferencing Corporation, Associate Vice President, USF Health Office of Interprofessional Education and Practice, Professor of Medicine at the Morsani College of Medicine at the University of South Florida Health in Tampa, and President (2022) of the Society for Simulation in Healthcare. Mary Elizabeth (Beth) Mancini, RN, Ph.D., NE-BC, FAHA, ANEF, FAAN, is Professor Emeritus at the College of Nursing, the University of Texas at Arlington. She is also a Past President of The Society for Simulation in Healthcare. Janice C. Palaganas, Ph.D., APRN, ANEF, FNAP, FAAN, FSSH, is a Professor at MGH Institute of Health Professions, Lecturer at Harvard Medical School, Chief Executive Officer of the Institute for Interprofessional Innovations, and Principal Faculty at the Center for Medical Simulation at Massachusetts General Hospital, and in the Department of Anesthesia, Critical Care & Pain Medicine at Harvard Medical School in Boston.

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Most of us spend our lives talking ourselves out of things. But what could you accomplish if you never held yourself back? What if, despite your fears, you went for broke every time? You might live a life as extraordinary as the one Stanley Weiss has lived for nearly a century. A skinny Jewish kid from Philadelphia training to fight and likely die in the U.S. invasion of Japan in 1945, Stanley Weiss came home to the death of his loving but weak father, who left his mother penniless. Vowing on the spot not to let his insecurities limit him as they had his father, Weiss pledged that his mother would never have to worry. Later, a humiliation suffered at the hands of his wealthy girlfriend's famous father ignited in him a determination to better himself in every way and live life to the fullest. Inspired by a Humphrey Bogart movie, Weiss moved to a foreign country to hunt for treasure -- where Rule Number One was "Don't Die". Along the way, his zest for living has taken him from the company of legendary artists and poets in Mexico, to writers and beatniks in 1960s San Francisco and Hollywood; from drunken nights with a notorious spy to friendships with three of the men who played James Bond; from glamorous parties in Gstaad and Phuket to power politics in London and Washington, DC. A story of growth, tenacious focus, and good humour, it stretches from the days of "Don't Die" to Weiss's response when asked why business executives were interested in preventing nuclear war: "Being dead is bad for business". For those who believe the world is shaped by ordinary people who push themselves to do extraordinary things, Stanley Weiss's story will inspire and surprise while reminding us all that being dead is bad for business -- and being boring is bad for life.

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A testament to how far feminism has taken us all...her search for sexual nirvana is hugely refreshing. The Sunday Times A revealing...quest for sexual meaning The Independent The project was simple: Robin Rinaldi, a successful magazine journalist, would move into a San Francisco apartment, join a dating site, and get laid. Never mind that she already owned a beautiful flat a few blocks away, that she was forty-four, or that she was married to a man she'd been in love with for eighteen years. What followed-a year of abandon, heartbreak, and unexpected revelation-is the topic of this riveting memoir, The Wild Oats Project.Monogamous and sexually cautious her entire adult life, Rinaldi never planned on an open marriage -her priority as she approached midlife was to start a family. But when her husband insisted on a vasectomy, something snapped. If I'm not going to have children, she told herself, then I'm going to have lovers. During the week she would live alone, seduce men (and women), attend erotic workshops, and partake in wall-banging sex. On the weekends, she would go home and be a wife. Her marriage provided safety and love, but she also needed passion, and for that she was willing to go outside of it.At a time when the bestseller lists are topped by books about eroticism and the shifting roles of women, this brave, brutally honest memoir explores how our sexuality defines us, how it relates to maternal longing, and how we all must walk the line between loving others and staying true to ourselves. Like the most searing memoirs-Cheryl Strayed's Wild, Mary Karr's The Liars' Club-The Wild Oats Project challenges our sensibilities, rendering truths we all can recognize but which few would dare write down.

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Why do people do social-cultural anthropology? Beyond professional career motivations, what values underpin anthropologists' commitments to lengthy training, fieldwork, writing, and publication? Mutuality explores the values that anthropologists bring from their wider social worlds, including the value placed on relationships with the people they study, work with, write about and for, and communicate with more broadly. In this volume, seventeen distinguished anthropologists draw on personal and professional histories to describe avenues to mutuality through collaborative fieldwork, community-based projects and consultations, advocacy, and museum exhibits, including the American Anthropological Association's largest public outreach ever—the RACE: Are We So Different? project. Looking critically at obstacles to reciprocally beneficial engagement, the contributors trace the discipline's past and current relations with Native Americans, indigenous peoples exhibited in early twentieth-century world's fairs, and racialized populations. The chapters range widely—across the Punjabi craft caste, Filipino Igorot, and Somali Bantu global diasporas; to the Darfur crisis and conciliation efforts in Sudan and Qatar; to applied work in Panama, Micronesia, China, and Peru. In the United States, contributors discuss their work as academic, practicing, and public anthropologists in such diverse contexts as Alaskan Yup'ik communities, multiethnic New Mexico, San Francisco's Japan Town, Oakland's Intertribal Friendship House, Southern California's produce markets, a children's ward in a Los Angeles hospital, a New England nursing home, and Washington D.C.'s National Mall. Deeply personal as well as professionally astute, Mutuality sheds new light on the issues closest to the present and future of contemporary anthropology. Contributors: Rogaia Mustafa Abusharaf, Robert R. Alvarez, Garrick Bailey, Catherine Besteman, Parminder Bhachu, Ann Fienup-Riordan, Zibin Guo, Lane Ryo Hirabayashi, Lanita Jacobs, Susan Lobo, Yolanda T. Moses, Sylvia Rodríguez, Roger Sanjek, Renée R. Shield, Alaka Wali, Deana L. Weibel, Brett Williams.

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From 13th century Franciscan monks to Beyoncé in Black is King, Making a Spectacle charts the fascinating ascension of eyeglasses, from an unsightly but useful tool to fashion's must-have accessory.The power of glasses to convey a range of vivid messages about their wearers have made them into a billion-dollar business that appeals to cool kids and rock stars and those who want to be like them, but the fashionable history of eyeglasses was fraught with anxiety and drama. At the beginning of the 20th century, the assessment in Vogue and Harper's Bazaar was that spectacles were "invariably disfiguring." Invisibility was the best option, and glasses were only to be put on once the lights at the opera went dark.While variations of that glasses-shaming sentiment appeared at regular intervals over the next 100 years or so, eyeglasses continued to evolve into an endless array of shapes, colors, purposes, and personalities. Once sunglasses took off in the 1930s, the magazine editorial made glasses a conspicuous part of the fashion narrative. Eyeglasses went to the ski slopes, the stables, the beach, the Havana hotel. Plastic innovations made a candy-colored rainbow of cat-eyes and "starlet" styles possible. Suddenly, everyone had the opportunity to look like Jackie O on vacation in Capri.Making a Spectacle traces contemporary high fashion frames back to their origins: the military aviator, the glam cat eye, the nerdly Oxford, the high-tech shield, the fanciful butterfly, the lowly rimless, and other styles all make an appearance. Featuring interviews with influential designers, makers, and purveyors of glasses including Adam Selman, Kerin Rose Gold, and l.a. Eyeworks, Making a Spectacle also takes a look at today's most cutting edge eyewear, showing the reader the latest and most innovative ways to see and be seen.

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Jeeyoon Kim is a professional concert pianist who has performed in venues like Carnegie Hall, the Chamber Music Society in San Francisco, and the Stradivari Society in Chicago. As an accomplished performing artist and award-winning music educator, she credits her success to key disciplines, practices, and mindsets that she lives out every day. In Whenever You’re Ready, she gives readers a personal glimpse into her life, shares wisdom and insights she’s gained from her experiences, and shows people how to achieve their own personal and professional success. Structured like one of the concerts she performs, this self-help book starts with a prelude and contains five movements, each focused on a different theme, such as forming habits and boosting creativity. Each movement is followed by a quick intermission that takes readers through a mini master class to help them gain an appreciation of classical music. Before every performance, Jeeyoon prepares herself mentally, emotionally, and physically in the green room.. In the final moment when she’s backstage and about to meet her audience, she notes that someone, with their hand on the stage door, always waits for her cue. “Whenever you’re ready . . .” they tell her. She nods, they open the door, and it’s time for her to perform. This book is about helping readers prepare themselves mentally, emotionally, and physically for their own performances. Whether they are hoping to land a job, practicing for a speech, training for a marathon, or trying to accomplish a goal, Jeeyoon’s book will offer them advice, encouragement, and practical exercises they can use to help them perform at their best and achieve their dreams. With warmth, honesty, and compassion, Jeeyoon speaks to readers who are in their own green rooms and invites them to live the life they hope for.

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Museyon Guides' curators from around the world have composed this guidebook to inform you - the armchair film critic, the rampant moviegoer, the bona fide celluloid aficionado - of exactly where to go. Why just dream of the places you see in cinema? Instead, explore the terrain with the help of these carefully crafted cultural companions. Travel the world through the lens of your favourite film scenes and discover the best locations for your next picture-perfect vacation. NORTH AMERICA, SOUTH AMERICA: Report a fire at the Hook & Ladder Company #8 if you want to see Ghostbusters headquarters in New York City. Stop for a cup of coffee at the cafe in San Francisco where Steve McQueen's Bullit meets an informant. Bring your own box of chocolates to Chippewa Square, Savannah, and re-enact the iconic scenes from Forrest Gump. Visit the Marine Building in Vancouver and be transported to Clark Kent's employer, The Daily Planet, in Smallville. Find out what part of Puerto Rico posed for the Lord of the Flies, why Madonna evaded Argentina when playing Eva Peron, and much, much more. SELLING POINTS: . Each guide contains hundreds of colour photographs that jump off the pages of each pocket-sized guide. . Each guide references a multitude of movies: Europe references 199 films; Asia, Oceania & Africa references 139 films; and North America & South America references 198 films. . Meticulously researched and curated by film reviewers, producers, directors, historians and location specialists from every angle. . A personalised introduction kicks off each book with the editor's very personal take on the best the region has to offer. . The Museyon Guides are the only guidebooks that offer a range of thematic tours geared for film buffs. . Mix and match these tours to create your own unforgettable trip. Months' worth of excursions in each title. Illustrated

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'Generous but unflinching, sweeping but intimate, fictional but true' KAREN JOY FOWLER. 'A brilliant requiem for our generation and all our dreams' GEORGE R.R. MARTIN. What happened to the idealism of the 1960s? This question has haunted a generation. Outside the Gates of Eden follows two men from their first meeting in high school to their final destination in the 21st century. Alex is torn between his father's business empire and his own artistic yearnings. Cole, constantly uprooted in his childhood, finds his calling at a Bob Dylan concert in 1965. From the Summer of Love in San Francisco to the Woodstock festival in upstate New York, from campus protests to the Soho art scene, from a communal farm in Virginia to the mariachis of Guanajuato, Mexico, the novel charts the rise and fall of the counterculture – and what came after. Using the music business as a window into the history of half a century, Outside the Gates of Eden is both epic and intimate, starkly realistic and ultimately hopeful, a War and Peace for the Woodstock generation. 'Shiner displays the panoramic historical consciousness of a Pynchon or DeLillo, and yet every page is suffused with a humble and scrupulous humanity... You simply live with his people and know them and love them' JONATHAN LETHEM. 'A page-turning tour de force. Anyone with a passion for rock and roll storytelling at its very best must not deny themselves the opportunity to read this tale. A masterpiece' IAIN MATTHEWS. 'A history of a generation seen through the lens of music' JOHN KESSEL.

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Since its initial publication, Loft Living has become the classic analysis of the emergence of artists as a force of gentrification and the related rise of “creative city” policies around the world. This 25th anniversary edition, with a new introduction, illustrates how loft living has spread around the world and that artists’ districts—trailing the success of SoHo in New York—have become a global tourist attraction. Sharon Zukin reveals the economic shifts and cultural transformations that brought widespread attention to artists as lifestyle models and agents of urban change, and explains their role in attracting investors and developers to the derelict loft districts where they made their home.Prescient and dramatic, Loft Living shows how a declining downtown Manhattan became a popular “scene,” how loft apartments became hot commodities for the middle class, and how investors, corporations, and rich elites profited from deindustrializing the city’s factory districts and turning them into trendy venues for art galleries, artisanal restaurants, and bars. However, this edition points out that the artists who led the trend are now priced out of the loft market. Even in New York, where the loft living market was born, artists have no legal claim on loft districts, nor do they get any preferential treatment in the harsh real estate market.From the story of SoHo in Lower Manhattan to SoWa in Boston and SoMa in San Francisco, Zukin explains how once-edgy districts are transformed into high-price neighborhoods, and how no city can restrain the juggernaut of rising property values.

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DIVINE ILLUMINATION “An important and ground-breaking study which links growing interest in Augustine and medieval philosophy with cutting-edge questions in contemporary philosophy of religion, particularly concerning epistemology and the ‘rationality’ of religion.” Janet Soskice, University of Cambridge “In this lucidly argued and solidly documented study, Schumacher uncovers the roots of problems notoriously besetting modern theories of knowledge in conflicting medieval interpretations of Augustine’s assumptions about knowledge as divine illumination: an intriguing thesis, which she handles with delicacy and flair.” Fergus Kerr, O.P. University of Edinburgh “Challenges the traditional history of theories of knowledge. A bold and provocative reading.” Olivier Boulnois, École Pratique des Hautes Études (University of Paris, Sorbonne) Divine Illumination offers an original interpretation of Augustine’s theory of knowledge, tracing its development in the work of medieval thinkers such as Anselm, Bonaventure, Thomas Aquinas, and John Duns Scotus. Although Scotus is often deemed responsible for finally pronouncing Augustine’s longstanding illumination account untenable, Schumacher shows that he only rejected a version that was the byproduct of a shift in the understanding of illumination and knowledge more generally within the thirteenth-century Franciscan school of thought. To reckon with the challenges in contemporary thought on knowledge that were partly made possible by this shift, Schumacher recommends relearning a way of thinking about knowledge that was familiar to Augustine and those who worked in continuity with him. Her book thus anticipates a new approach to dealing with debates in contemporary epistemology, philosophy of religion, and theology, even while correcting some longstanding assumptions about Augustine and his most significant medieval readers.

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The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images.In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,” there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).

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Taking its name from a line in the Wallace Stevens’ poem “The Gray Room,” Alec Soth’s latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren’t about any particular place or population. By a process of intimate and often extended engagement, Soth’s portraits and images of his subject’s surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer. “After the publication of my last book about social life in America, Songbook, and a retrospective of my four, large scale American projects, Gathered Leaves, I went through a long period of rethinking my creative process. For over a year I stopped traveling and photographing people. I barely took any pictures at all. When I returned to photography, I wanted to strip the medium down to its primary elements. Rather than trying to make some sort of epic narrative about America, I wanted to simply spend time looking at other people and, hopefully, briefly glimpse their interior life. In order to try and access these lives, I made all of the photographs in interior spaces. While these rooms often exist in far-flung places, it’s only to emphasize that these pictures aren’t about any place in particular. Whether a picture is made in Odessa or Minneapolis, my goal was the same: to simply spend time in the presence of another beating heart.” – Alec Soth Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Includes interview with Alec Soth by Hanya Yanagihara.

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Award-winning journalist Simran Sethi explores the history and cultural importance of our most beloved tastes, paying homage to the ingredients that give us daily pleasure, while providing a thoughtful wake-up call to the homogenization that is threatening the diversity of our food supply. Food is one of the greatest pleasures of human life. Our response to sweet, salty, bitter, or sour is deeply personal, combining our individual biological characteristics, personal preferences, and emotional connections. Bread, Wine, Chocolate illuminates not only what it means to recognize the importance of the foods we love, but also what it means to lose them. Award-winning journalist Simran Sethi reveals how the foods we enjoy are endangered by genetic erosion-a slow and steady loss of diversity in what we grow and eat. In America today, food often looks and tastes the same, whether at a San Francisco farmers market or at a Midwestern potluck. Shockingly, 95% of the world's calories now come from only thirty species. Though supermarkets seem to be stocked with endless options, the differences between products are superficial, primarily in flavor and brand. Sethi draws on interviews with scientists, farmers, chefs, vintners, beer brewers, coffee roasters and others with firsthand knowledge of our food to reveal the multiple and interconnected reasons for this loss, and its consequences for our health, traditions, and culture. She travels to Ethiopian coffee forests, British yeast culture labs, and Ecuadoran cocoa plantations collecting fascinating stories that will inspire readers to eat more consciously and purposefully, better understand familiar and new foods, and learn what it takes to save the tastes that connect us with the world around us.

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A contributor to Donald Allen's seminal New American Poetry anthology, John Wieners was on the periphery of many of the twentieth century's most important avant-garde poetry scenes, from Black Mountain and the Boston Renaissance to the New York School and the SF Renaissance. Having achieved cult status among poets, Wieners has also become known for the compelling nature of his journals, a mixture of early drafts of poems, prose fragments, lists, and other fascinating minutiae of the poet's imagination. Stars Seen in Person: Selected Journals of John Wieners collects four of his previously unpublished journals from the period between 1955 and 1969. The first journal depicts a young, openly gay, self-described "would-be poet" dashing around bohemian Boston with writer and artist friends, pre-drugs and pre-fame. By the last book, decimated by repeated institutionalization (the first for drug-related psychosis, the rest the consequence of the first) and personal tragedies, Wieners is broken down and in great pain, but still writing honestly and with detail about the life he's left with. These journals capture a post-war bohemian world that no longer exists, depicted through the prism of Wieners' sense of glamour. Praise for Stars Seen in Person: "Like Rimbaud in Season in Hell, or Baudelaire with Intimate Journals, there's an unguarded spark and trust in John Wieners because impulse and imagination reign supreme. In 1955 he writes, "I shall try the only true thing I want to do. I shall go to my poems." Predating The Hotel Wentley Poems, moving through Ace of Pentacles, and ushering us into his life before Nerves, Stars Seen in Person further illuminates John as our future/former best unkept secret."--Micah Ballard "Thanks to Michael Seth Stewart's editorial legerdemain, at long last we have the magnificent John Wieners here before us, in his full undressed splendor: poet, stargazer, philosopher, shaman, flaneur, survivor. His journals----an inspiring monument, filled with taut provocations and purple illuminations----are valuable as cultural history, as lyric performance, as uninhibited autobiography, and as a motley, genre-defying epitome of gesamtkunstwerk aesthetic possibilities that seem as fresh and enticing as anything being dreamt up today." --Wayne Koestenbaum "These pages of notebooks and poetry--so exhaustively exhumed and returned to light and breath--are equivalent to Rilke's Letters to a Young Poet, but in reverse. John Wieners (forever young) evolved through his prose notes towards a sustained poetics of adolescence, holding that tormented phase on a long unyielding band-wave, resisting the sop of adult living with all his might and undergoing the inevitable punishments that such persistence brings."--Fanny Howe "John Wieners remains one of the best poets of my generation. His work & life continue to influence younger poets. These journals reveal his deep commitment to poetry & the poem; they contextualize his constant questing & devotion to the art. I knew John during many of the periods his journals cover &, as always, remain amazed & moved by his deeply examined honesty & purity."--David Meltzer John Wieners studied with Charles Olson at Black Mountain College, and later edited the small magazine Measure. He lived for a year and a half in San Francisco, where he wrote his breakthrough book, Hotel Wentley Poems (1958). In the early seventies he settled into an apartment on Boston's Beacon Hill, where he lived and wrote until his death in 2002.

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Lyrical and unforgettable, part elegy and part memoir, we present a previously unpublished masterpiece from the Beat Generation icon. Simultaneously released with an expanded edition of di Prima's classic Revolutionary Letters on the one-year anniversary of her passing.In the autumn of 1964, Diane di Prima was a young poet living in New York when her dearest friend, dancer, choreographer, and Warhol Factory member, Freddie Herko, leapt from the window of a Greenwich Village apartment to a sudden, dramatic, and tragic death at the age of 29. In her shock and grief, di Prima began a daily practice of writing to Freddie. For a year, she would go to her study each day, light a stick of incense, and type furiously until it burned itself out.The narrative ranges over the decade from 1954—the year di Prima and Herko first met—to 1965, with occasional forays into di Prima's memories of growing up in Brooklyn. Lyrical, elegant, and nakedly honest, Spring and Autumn Annals is a moving tribute to a friendship, and to the extraordinary innovation and accomplishments of the period. Masterfully observed and passionately recorded, it offers a uniquely American portrait of the artist as a young woman in the heyday of bohemian New York City.One of The Millions' Most Anticipated Books of 2021.Praise for Spring and Autumn Annals:"The book is a treasure. Moving between the East Village, San Francisco, Topanga Canyon and Stinson Beach with young children, di Prima's life is unbelievably rich. She studies Greek, writes, prepares dinners and feasts, and co-edits Floating Bear magazine. Diane di Prima is one of the greatest writers of her generation, and this book offers a window into its lives."—Chris Kraus"Extolled by a writer who radically devoted herself to the experiential truth of beauty and intellect, in poverty and grace, in independent dignity, and in the community of Beat consciousness, Diane di Prima's Spring and Autumn Annals arrives as a long-lost charm of illuminated meditations to love, life, death, eros and selflessness. An essential 1960s text of visionary rapaciousness."—Thurston Moore"Freddie Herko wished for a third love before he died; and what a love is in this book's beholding, saying, and release. Di Prima's dancing narrative, propelled and circling at the speed of thought, picking up every name and detailed perception as a rolling tide, fills me with gratitude for the truth of her eye. Nothing gets past it, not even the 'ballet slippers letting in the snow.'"—Ana Božičević"A masterpiece of literary reflection, as quest to archive her dancer friend's life, to make art at all costs and the price dearly paid. Di Prima's observational capacity is profound, her devotion and loyalty assures her deserved place as a national treasure. She generously instills in us the call of poetic remembrance as an act of resistance, and gives voice to the marginalized participants in experimental cultural movements that carried courage in creative rebellion while envisioning freedom of the human spirit. Di Prima’s poetic memoir of the artist journey is a triumph. A must read and reread for years to come."—Karen Finley

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'Mandy Aftel's latest work with Daniel Patterson is a masterpiece on the science of cooking from an olfactory and culinary perspective through the same lens. This book is a must for any chef or cook looking to find new inspirations and a deeper understanding of the way flavours work together.' Pratap Chahal (@thathungrychef), Flavour Bastard, Soho, London'Am counting down the days till your book arrives!' Nigella LawsonDaniel Patterson, a chef, and Mandy Aftel, a perfumer, present a revolutionary new approach to creating delicious, original food. Aftel and Patterson are rock stars in their respective fields: Patterson has won two Michelin stars for his San Francisco restaurant Coi and numerous James Beard and other food awards, and his new path-breaking co-venture Loco'l is attracting national interest; Aftel has been profiled in the New York Times T Magazine and other publications and is constantly featured and quoted in magazines and blogs. In a world awash with cooking shows, food blogs and recipes, the art of flavour has been surprisingly neglected. The multibillion-dollar flavour industry practises its dark arts by manipulating synthetic ingredients, and home cooks are taught to wield the same blunt instruments: salt, acid, sugar, heat.But foods in their natural states are infinitely more nuanced than the laboratory can replicate - and offer far greater possibilities for deliciousness. Chef Daniel Patterson and natural perfumer Mandy Aftel are experts at orchestrating ingredients, and here they teach readers how to make the most of nature's palette. The Art of Flavour proceeds not by rote formula but via a series of mind-opening and palate-expanding tools and concepts: using a flavour 'compass' to find the way to transformative combinations of aromatic ingredients; pairing ingredients to make them 'bury' (control) one another and 'lock' (achieve an alchemy that transcends the sum of the parts); learning to deploy cooking methods for maximum effect; and the seven 'dials' that allow a cook to fine-tune a dish. With more than sixty recipes that allow the cook to grasp each concept and put it into practice, The Art of Flavour is food for the imagination that will help cooks at any level to become flavour virtuosos in their own right.From The Flavour Bible on, flavour has been a particular focus of recent interest, but no one has Patterson's and Aftel's unique perspective on it, their combined expertise, or their winning blend of ideas, information, recipes and cooking and perfuming lore. The Art of Flavour is a thinking person's cookbook that uses recipes to instil principles for creating delicious food at home, larded with fascinating information on the history and science of flavour that make it a great armchair read as well.

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An exceptional storyteller with an analytical eye, Merrel Clubb has gathered the letters he sent his parents from the Pacific Theater of World War II and his subsequent reflections on that war and on his life into a kind of then-and-now memoir. The letters are a treasure trove of humor, anxiety, and hope, revealing a young man thrust into a war that he does not understand. Through this exceptional portal on the past, we learn of the tragic absurdity of war, of a soldier trained for naval warfare but sent into land battle with weapons he'd never before fired; of command post latrines at which even commanding officers were sitting ducks; of the ghoulish trophies and mementos that soldiers collected from the battlefields. The letters describe a vivid cast of characters, from Clubb's childhood friend who instilled a love of poetry in his comrades to the hillbilly singer and the prostitute with whom the young Clubb had varied amorous adventures. But the most compelling figure in this narrative is, of course, Clubb himself, an intellectual who carried Jane Austen and Joseph Conrad along with his tommy gun; who used books as a fortification for his foxhole, discovering upon waking one morning that "Ouspensky stopped a bullet"; and who, in a darkly humorous moment, wrote home that "Plato is pretty consoling, because I can always think that somewhere there is a perfect hell of a navy of which this is but an imitation or representation." Returning to these letters years later prompts Clubb to look again at the Second World War and at the atomic bomb that ended it. In an analysis as useful to understanding our own historical moment as it is to reconsidering the past, Clubb counters the conventional wisdom shared by veterans and civilians alike, particularly regarding the concept of a "just war." For Clubb, as for so many veterans, the war does not end with the victory over Japan. Despite the intervening years, Clubb finds that the haunting episodes experienced over half a century ago echo still. Even in the solitude of the forest, in the hunting parties he meets, in the animals he himself kills, he hears again the sound of battle, sees again the faces of the victims of war. Part letters, part memoir, and part scholarly analysis, this volume ranges over a vast, colorful, and weighted territory. From the battles and respites in the Pacific Islands, to the night clubs and call girls of mainland San Francisco and San Diego; from the relative quiet of his aptly named hometown, Stillwater, to the similarly quiet Montana backcountry, Clubb's narrative explores the psychological terrain of a life disturbed, and forever changed, by war.

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In the 1940s Henry J. Kaiser was a household name, as familiar then as Warren Buffett and Donald Trump are now. Like a Horatio Alger hero, Kaiser rose from lower-middle-class origins to become an enormously wealthy entrepreneur, building roads, bridges, dams, and housing. He established giant businesses in cement, aluminum, chemicals, steel, health care, and tourism. During World War II, his companies built cargo planes and Liberty ships. After the war, he manufactured the Kaiser-Frazer automobile. Along the way, he also became a major force in the development of the western United States, including Hawaii.Henry J. Kaiser: Builder in the Modern American West is the first biography of this remarkable man. Drawing on a wealth of archival material never before utilized, Mark Foster paints an evenhanded portrait of a man of driving ambition and integrity, perhaps the ultimate "can-do" capitalist. He covers Kaiser's entire life (1882–1967), emphasizing many business ventures. He demonstrates that Kaiser was the prototypical "frontier" entrepreneur who often used government and union support to tame the "wilderness."Though today the Kaiser industries are no longer under family management, the Kaiser legacy remains great. Kaiser played a major role in building the Hoover, Bonneville, Grand Coulee, and Shasta dams. The Kaiser-Permanente Medical Care Program still provides comprehensive health care for millions of subscribers. Kaiser-planned communities remain in Los Angeles; San Francisco; Portland, Oregon; and Boulder City, Nevada. Kaiser Engineers was actively engaged in hundreds of huge construction jobs across the nation and around the world.U.S. and business historians, scholars of the modern West, and general readers will all find much to absorb them in this well-written biography.

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"I listen and gather people's stories. Then I write them down in a way that I hope will communicate something to others, so that seeing these stories will give readers something of value. I tell myself that this isn't going to be done unless I do it, just because of who I am. It's a way of making my mark, leaving something behind . . . not that I'm planning on going anywhere right now." So explains Stephen Murphy-Shigematsu in this touching, introspective, and insightful examination of mixed race Asian American experiences. The son of an Irish American father and Japanese mother, Murphy-Shigematsu uses his personal journey of identity exploration and discovery of his diverse roots to illuminate the journeys of others. Throughout the book, his reflections are interspersed among portraits of persons of biracial and mixed ethnicity and accounts of their efforts to answer a seemingly simple question: Who am I? Here we meet Norma, raised in postwar Japan, the daughter of a Japanese woman and an American serviceman, who struggled to make sense of her ethnic heritage and national belonging. Wei Ming, born in Australia and raised in the San Francisco of the 1970s and 1980s, grapples as well with issues of identity, in her case both ethnic and sexual. We also encounter Rudy, a "Mexipino"; Marshall, a "Jewish, adopted Korean"; Mitzi, a "Blackinawan"; and other extraordinary people who find how connecting to all parts of themselves also connects them to others. With its attention on people who have been regarded as "half" this or "half" that throughout their lives, these stories make vivid the process of becoming whole.

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Forever immortalized in the television series Mad Men, the mid-twentieth century marketing world influenced nearly every aspect of American culture--music, literature, politics, economics, consumerism, race relations, gender, and more. In Engineered to Sell, Jan Logemann traces the transnational careers of consumer engineers in advertising, market research and commercial design who transformed capitalism, from the 1930s through the 1960s. He argues that the history of marketing consumer goods is not a story of American exceptionalism. Instead, the careers of immigrants point to the limits of the "Americanization" paradigm. First, Logemann explains the rise of a dynamic world of goods by emphasizing changes in marketing approaches increasingly tailored to consumers. Second, he looks at how and why consumer engineering was shaped by transatlantic exchanges. From Austrian psychologists and little-known social scientists to the illustrious Bauhaus artists, the migr s at the center of this story illustrate the vibrant cultural and commercial connections between metropolitan centers: Vienna and New York; Paris and Chicago; Berlin and San Francisco. These mid-century consumer engineers crossed national and disciplinary boundaries not only within arts and academia but also between governments, corporate actors, and social reform movements. By focusing on the transnational lives of migr consumer researchers, marketers, and designers, Engineered to Sell details the processes of cultural translation and adaptation that mark both the mid-century transformation of American marketing and the subsequent European shift to "American" consumer capitalism.

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A Fatal Car Accident That Leads to Startling Truths About the Home Gina Left BehindGina balances between her current life in California and her past in Maine. Torn between the two, she does what any architect will do. She deconstructs her old childhood home piece by piece and with it, the secrets it carries.In the months following her parents’ fatal car accident in Maine, architect Gina Gilbert is coming apart: anxious with her two young children, alienated by her clients’ grand house dreams, and no longer certain she feels at home in San Francisco.While she and her sister Cassie are cleaning out their childhood home on the coast of Maine, they stir up painful memories and resentments over family possessions. A legendary collection of historically significant letters is missing from the artifacts they unearth, supporting a decades-old suspicion that their aunt or estranged cousin has stolen them.Threatened by the loss of the old house and its extraordinary seaside landscape, Gina finds her heart swinging wildly between Maine and California, creating conflict with her husband, Paul. To learn what the Maine house means to her, she approaches it objectively, as an architect, bringing it to life on paper. Her family’s story unfolds room by room: the darkroom from which her gentle but passive father, Ron, ran his photography business, the kitchen where her volatile mother, Eleanor, toiled under the weight of dashed dreams. As children, Gina and Cassie warily navigated rooms permeated with toxic secrets hobbling Eleanor and Ron’s marriage.As Gina deconstructs the house, startling truths are revealed, changing family history and allowing Gina and Cassie to begin healing family wounds. Gina has the chance to search the recesses of her heart, too, discovering within her a vitalizing compassion and an awakened understanding of what makes a house a home.If you enjoyed books like The Dancing Girls, The Murmur of Bees, or Little White Secrets; then you’ll love Dream House.

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The third full-length collection by Julien Poirier, Out of Print is a truly bicoastal volume, reflecting the poet's years in New York as well as his return to his Bay Area roots. Consider it a meetinghouse between late New York School and contemporary California surrealism, a series of quips intercepted from America's underground poetry telegraph, or an absurdist mirror held up to consumerist culture. "Welcome Julien Poirier! What a distinct inspired voice. His work is abundant in surprise. His musical,often bonkers play of language is, for me, a source of delight & revelation."--David Meltzer "Julien Poirier's poems calibrate the vernacular in a sublime mathematics of commonalities. The effect is that of feelings on the run, enunciated clearly. In a sudden down-draught-'You're wind, you melt on my tongue'-he'll take the contemporary love poem into new stretches of believability while knowingly calling to account the failings that, whether perennial or merely topical, hem round ourselves to disastrous effect. For, no mistake, Out of Print means business: a forceful wake-up call, allowing as how for this old world the time for meaningful action may well have run out and we've joined the fabled damned, lost but for such eloquence, affection, and mad, mad laughter in Hell's despite."-Bill Berkson "Out of Print's unexpectedly a love poem, its humor sharpening into dissonant pleasure. And what a pleasure! Julien Poirier's weirdly direct and directly weird poems notice what an event is, whether it's four square monks in a Coupe de Ville or becoming the Invisible Hand, and render that event into a sensual and searching landscape. You are really there, no where, but there, in poetry as a means to think differently, and maybe, absurdly, hope."--Karen Weiser Julien Poirier is the co-founder of Ugly Duckling Presse. He has taught poetry in New York City and San Francisco public schools and at San Quentin State Prison. Previous books include Way Too West (2015) and El Golpe Chileno (2010).

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At the turn of the twentieth century, soybeans grew on so little of America’s land that nobody bothered to track the total. By the year 2000, they covered upward of 70 million acres, second only to corn, and had become the nation’s largest cash crop. How this little-known Chinese transplant, initially grown chiefly for forage, turned into a ubiquitous component of American farming, culture, and cuisine is the story Matthew Roth tells in Magic Bean: The Rise of Soy in America.The soybean’s journey from one continent into the heart of another was by no means assured or predictable. In Asia, the soybean had been bred and cultivated into a nutritious staple food over the course of centuries. Its adoption by Americans was long in coming—the outcome of migration and innovation, changing tastes and habits, and the transformation of food, farming, breeding, marketing, and indeed the bean itself, during the twentieth century. All come in for scrutiny as Roth traces the ups and downs of the soybean’s journey. Along the way, he uncovers surprising developments, including a series of catastrophic explosions at soy-processing plants in the 1930s, the widespread production of tofu in Japanese-American internment camps during World War II, the decades-long project to improve the blandness of soybean oil, the creation of new southern soybean varieties named after Confederate generals, the role of the San Francisco Bay Area counterculture in popularizing soy foods, and the discovery of soy phytoestrogens in the late 1980s. We also encounter fascinating figures in their own right, such as Yamei Kin, the Chinese American who promoted tofu during World War I, and African American chemist Percy Lavon Julian, who played a critical role in the story of synthetic human hormones derived from soy sterols.A thoroughly engaging work of narrative history, Magic Bean: The Rise of Soy in America is the first comprehensive account of the soybean in America over the entire course of the twentieth century.

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