Search results for ""Author Howard"

This book is a lucid, straightforward introduction to the concepts and techniques of statistical physics that students of biology, biochemistry, and biophysics must know. It provides a sound basis for understanding random motions of molecules, subcellular particles, or cells, or of processes that depend on such motion or are markedly affected by it. Readers do not need to understand thermodynamics in order to acquire a knowledge of the physics involved in diffusion, sedimentation, electrophoresis, chromatography, and cell motility--subjects that become lively and immediate when the author discusses them in terms of random walks of individual particles.

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Mr. Putter has decided to write a book - a mystery novel, to be exact. But being a writer is far more challenging than it looks. There's all that empty white paper to fill, all those tasty snacks to prepare (and eat), and then there are the naps...This delightful new addition to the "Mr. Putter and Tabby" series is a tribute to good stories, delicious snacks, and wonderful next-door neighbours. And with its hilarious send-up of the challenges of the writing process, it's sure to become a favourite with aspiring authors of all ages.

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Every business faces the existential threat of competitors producing cheaper copies. Even patent filings, market dominance and financial resources can't shield them from copycats. So what can we do--and, what can we learn from companies that have endured and even prospered for centuries despite copycat competition?In a book of narrative history and practical strategy, IMD professor of management and innovation Howard Yu shows that succeeding in today's marketplace is no longer just a matter of mastering copycat tactics, companies also need to leap across knowledge disciplines, and to reimagine how a product is made or a service is delivered. This proven tactic can protect a company from being overtaken by new (and often foreign) copycat competitors.Using riveting case studies of successful leaps and tragic falls, Yu illustrates five principles to success that span a wide range of industries, countries, and eras. Learn about how P&G in the 19th century made the leap from handcrafted soaps and candles to mass production of its signature brand Ivory, leaped into the new fields of consumer psychology and advertising, then leaped again, at the risk of cannibalizing its core product, into synthetic detergents and won with Tide in 1946. Learn about how Novartis and other pharma pioneers stayed ahead by making leaps from chemistry to microbiology to genomics in drug discovery; and how forward-thinking companies, including China's largest social media app--WeChat, Tokyo-based Internet service provider Recruit Holdings, and Illinois-headquartered John Deere are leaping ahead by leveraging the emergence of ubiquitous connectivity, the inexorable rise of intelligent machines, and the rising importance of managerial creativity.Outlasting competition is difficult; doing so over decades or a century is nearly impossible--unless one leaps. Ultimately, Leap is a manifesto for how pioneering companies can endure and prosper in a world of constant change and inevitable copycats.

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In principle, no human individual should be rendered stateless: the Universal Declaration of Human Rights stipulates that the right to have or change citizenship cannot be denied. In practice, the legal claim of citizenship is a slippery concept that can be manipulated to serve state interests. On a spectrum from those who enjoy the legal and social benefits of citizenship to those whose right to nationality is outright refused, people with many kinds of status live in various degrees of precariousness within states that cannot or will not protect them. These include documented and undocumented migrants as well as conventional refugees and asylum seekers living in various degrees of uncertainty. Vulnerable populations such as ethnic minorities and women and children may find that de jure citizenship rights are undermined by de facto restrictions on their access, mobility, or security. The Human Right to Citizenship provides an accessible overview of citizenship regimes around the globe, focusing on empirical cases of denied or weakened legal rights. Exploring the legal and social implications of specific national contexts, contributors examine the status of labor migrants in the United States and Canada, the changing definition of citizenship in Nigeria, Germany, India, and Brazil, and the rights of ethnic groups including Palestinians, Rohingya refugees in Bangladesh, Bangladeshi migrants to India, and Roma in Europe. Other chapters consider children's rights to citizenship, multiple citizenships, and unwanted citizenships. With a broad geographical scope, this volume provides a wide-ranging theoretical and legal framework to understand the particular ambiguities, paradoxes, and evolutions of citizenship regimes in the twenty-first century. Contributors: Michal Baer, Kristy A. Belton, Jacqueline Bhabha, Thomas Faist, Jenna Hennebry, Nancy Hiemstra, Rhoda E. Howard-Hassmann, Audrey Macklin, Margareta Matache, Janet McLaughlin, Carolina Moulin, Alison Mountz, Helen O'Nions, Chidi Anselm Odinkalu, Sujata Ramachandran, Kim Rygiel, Nasir Uddin, Margaret Walton-Roberts, David S. Weissbrodt.

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The only autobiography by the great Roland Barthes, philosopher, literary theorist and semiotician.This is the autobiography of one of the greatest minds of the twentieth century. As idiosyncratic as its author, Barthes plays both commentator and subject to reveal his tastes, habits, passions and regrets. No event, relationship or thought is given priority over any other; no attempt to construct a narrative is made. And yet, via a series of vignettes, Barthes's life and views on a multitude of subjects emerge - from money and love to language and truth.WITH AN INTRODUCTION BY ADAM PHILLIPS

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From its inception, the field of industrial ecology has taken a distinctly technological approach to understanding and improving ecological consequences of industrial activities. Increasingly however, scholars and practitioners are developing perspectives on the social embeddedness of industrial ecology: the ways in which material and energy flows in regions and product chains are shaped by the social context in which they occur. This book presents empirical work addressing how cognitive, cultural, political and structural mechanisms condition the emergence and operation of industrial ecology. Further exploring such mechanisms holds promise for understanding both the barriers to, and opportunities for, altering the ecological impacts of industrial practice.Through contemplative chapters and 'intermezzos', authors with different disciplinary backgrounds reflect on the contribution of work from various social sciences to industrial ecology. Unique to the volume, the authors of the commentaries bring in their personal and professional experiences, reflecting on how they have engaged in or have seen the value in cross-disciplinary work. They also include discussion explicitly on the dialogue and its value to the evolution of the field. In these ways, the book develops the dialogue between social science contributors and researchers from other disciplines within the field of industrial ecology.Scholars and students involved in the study of industrial ecology and related fields as well as practising managers and those involved in facilitating industrial ecology projects around the world will find this engaging and comprehensive volume indispensable.

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A quietly spoken, true English eccentric with something of a rebellious streak, Tony Stratton Smith initially charmed and blustered his way into the music business as a manager during the early 1960s and a few years later, when the record labels stopped playing by what he believed to be the rules, he simply went and formed his own -The Famous Charisma Label - and set about spinning the record business on its head. An independent label like no other, it is fair to say that without Strat's total belief and unwavering long-term support there would be no Genesis - Phil Collins has said as much - and a long line of artists owe Tony a similar debt of gratitude, from Monty Python to Malcolm McLaren, Lindisfarne to Sir John Betjeman, Vivian Stanshall to Julian Lennon. A former sports journalist and close friend to Jimmy Greaves and Sir Matt Busby (Strat narrowly missed a seat in the Munich Air crash) he later became a popular figure in the horse racing world. But making money was never very high on Tony's agenda, simply a means to an end that enabled him to fund the music and mayhem that brought him so much enjoyment. Strat was never happier than when the artists that he had so carefully nurtured were fulfilling their creative potential, delighting in working with the talents of Peter Gabriel, Alan Hull, Clifford T. Ward, Howard Werth and Peter Hammill. Ultimately, what he really cared about were the people, the creativity, about imagination, inspiration and risk, and the sheer joy to be had in bringing all those elements together, lighting the Charisma-pink touch paper and standing back, glass in hand, to watch what might happen when the sparks began to fly.

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This book covers the developmental and health problems unique to the adolescent period of life. It focuses on special needs and public health programs for adolescents. It offers deep insight into smoking, violence, teen pregnancy, HIV/AIDS, and other problems, along with intervention and prevention strategies. "Anyone serious about improving adolescent health should read this book. It spans theoretical and developmental constructs, summaries of evidence-based interventions for adolescent risk behaviors, metrics, and policy recommendations." —S. Jean Emans, MD, chief, Division of Adolescent Medicine, and Robert Masland Jr., chair, Adolescent Medicine, Children's Hospital Boston, and professor of pediatrics, Harvard Medical School "This is the one single text that students can use to study adolescent health. It includes contributions from many of the world's most accomplished researchers to provide learners with cutting edge information to make the study of adolescence understandable and applicable in practical settings." —Gary L. Hopkins, MD, DrPH, associate research professor and director, Center for Prevention Research, and director, Center for Media Impact Research, Andrews University "This textbook presents an excellent balance in weighing the evidence from the risk and the resilience literature, incorporating research in racially and ethnically diverse populations." —Renée R. Jenkins, MD, FAAP, professor, Department of Pediatrics and Child Health, Howard University College of Medicine "This is an engaging, thorough, and thought-provoking statement of our knowledge about adolescence. " —Wendy Baldwin, PhD, director, Poverty, Gender, and Youth Program, Population Council

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The legacy of Luther Arkwright haunts his daughter Victoria, as she embarks on a mission to uncover her family's hidden secrets... Part One: Daughter of Albion. Princess Victoria Arkwright never knew her father, a man whose shadow she has lived under since he saved the multiverse from the cataclysmic forces of the Disruptors. 23 years after she and her brother Henry were born in the flames of war, Victoria seeks answers, but the truth lies deep in shadow. As rebellion gains momentum against Queen Anne's totalitarian rule, dark forces grow at the heart of the British Empire, forces that threaten all realities. The multiverse needs Luther Arkwright to save it once more, but Luther Arkwright is dead... Part Two: Cataclysm. Victoria Arkwright is drawn towards destiny as she unravels the dangerous secrets that have remained hidden since her brother's brutal murder. Prophecy says that reality will cease on her 23rd birthday - Victory Day - but with the help of Harry Fairfax and Rose Wylde, Victoria is determined to prevent the new apocalypse. To unlock her true self, Victoria must embrace painful realities and the enormity of the multiverse; only then will she discover the legacy of Luther Arkwright. CAST: : David Tennant (Luther Arkwright), Georgina Hellier (Victoria Arkwright), Jez Fielder (Harry Fairfax / Doctor John Dee), India Fisher (Queen Anne), Siri O’Neal (Rose Wylde), Robert Jezek (Karl Waszynko), Ahmed Hamad (Gabriel Shelley), Emma Williams (Northumberland), George Howard (Stanley), Lizzie Worsdell (Nurse / Lady in Waiting). Other parts played by members of the cast. NOTE: This release contains adult material and may not be suitable for younger listeners.

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Susan Fleming appeared in three Broadway shows and twenty-eight films before she turned her back on a show business career she never really enjoyed or wanted. The role of her lifetime came when she married Harpo Marx in 1936. Together, they raised four adopted children and enjoyed one of Hollywood's happiest and most successful unions. But their twenty-year age difference made Susan a young widow in 1964.On her path to Hollywood, Susan worked in Broadway musicals produced by Florenz Ziegfeld and George White and befriended a young dancer who would later be known as Paulette Goddard. In Hollywood, she appeared in films with stars like John Wayne, W.C. Fields, and Katharine Hepburn and worked at all the major studios. But it wasn't until she fell in love with a confirmed bachelor, twenty years older than her, that she found her purpose. Her story is the counterpoint to the beloved and acclaimed Harpo Marx autobiography, Harpo Speaks! Susan's frank, opinionated perspective provides a true look behind the curtain and details Harpo's last years, following the publication of his own book.Susan's account of her more than thirty-year adventure with Harpo includes encounters with people like Charlie Chaplin, William Randolph Hearst, Salvador Dalí, Somerset Maugham, Joan Crawford, Howard Hughes, George S. Kaufman, Helen Keller, Oscar Levant, Jean Harlow, Bugsy Siegel, Samuel Goldwyn, Menachem Begin, Ginger Rogers, Alexander Woollcott, and of course, the Marx Brothers. Susan provides an inside look at the family and pulls no punches when discussing her brothers-in-law, who weren't always her favorite comedians.

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Digitizing Enlightenment explores how a set of inter-related digital projects are transforming our vision of the Enlightenment. The featured projects are some of the best known, well-funded and longest established research initiatives in the emerging area of ‘digital humanities’, a field that has, particularly since 2010, been attracting a rising tide of interest from professional academics, the media, funding councils, and the general public worldwide. Advocates and practitioners of the digital humanities argue that computational methods can fundamentally transform our ability to answer some of the ‘big questions’ that drive humanities research, allowing us to see patterns and relationships that were hitherto hard to discern, and to pinpoint, visualise, and analyse relevant data in efficient and powerful new ways. In the book’s opening section, leading scholars outline their own projects’ institutional and intellectual histories, the techniques and methodologies they specifically developed, the sometimes-painful lessons learned in the process, future trajectories for their research, and how their findings are revising previous understandings. A second section features chapters from early career scholars working at the intersection of digital methods and Enlightenment studies, an intellectual space largely forged by the projects featured in part one. Highlighting current and future research methods and directions for digital eighteenth-century studies, the book offers a monument to the current state of digital work, an overview of current findings, and a vision statement for future research. Featuring contributions from Keith Michael Baker, Elizabeth Andrews Bond, Robert M. Bond, Simon Burrows, Catherine Nicole Coleman, Melanie Conroy, Charles Cooney, Nicholas Cronk, Dan Edelstein, Chloe Summers Edmondson, the late Richard Frautschi, Clovis Gladstone, Howard Hotson, Angus Martin, Katherine McDonough, Alicia C. Montoya, Robert Morrissey, Laure Philip, Jeffrey S. Ravel, Glenn Roe, and Sean Takats.

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A que ni te imaginabas que la mozzarella la creó en Italia Lucrecia Borgia? Conoces la teoría que dice que Napoleón perdió la batalla de Waterloo por culpa de un ataque de hemorroides? Sabías que los dientes de los soldados caídos en Waterloo acabaron en las dentaduras postizas de los europeos más ricos? Te han contado alguna vez los magnicidios que acabaron con 5 presidentes del gobierno español como si fuera un partido de fútbol? A que no sospechabas que Isabel la Católica tenía fobia al ajo? Y que los vikingos conquistaron Sevilla y los acabaron echando a gorrazos? Te imaginas un día normal en la vida del verdugo que cortó más de 2000 cabezas en la Revolución francesa? Sabías que los guiris eran los liberales que luchaban en las guerras carlistas? Habías pensado que llegaría a tus manos la entrevista, en exclusiva, a la pierna amputada, al ojo perdido y al antebrazo machacado de don Blas de Lezo? Qué relación tiene la muerte de Leslie Howard, el actor de Lo que el viento se llevó, c

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The revolutions sweeping the Middle East provide dramatic evidence of the role that technology plays in mobilizing citizen protest and upending seemingly invulnerable authoritarian regimes. A grainy cell phone video of a Tunisian street vendor's self-immolation helped spark the massive protests that toppled longtime ruler Zine El Abidine Ben Ali, and Egypt's "Facebook revolution" forced the ruling regime out of power and into exile. While such "Liberation Technology" has been instrumental in freeing Egypt and Tunisia, other cases - such as China and Iran - demonstrate that it can be deployed just as effectively by authoritarian regimes seeking to control the Internet, stifle protest, and target dissenters. This two-sided dynamic has set off an intense technological race between "netizens" demanding freedom and authoritarians determined to retain their grip on power. "Liberation Technology" brings together cutting-edge scholarship from scholars and practitioners at the forefront of this burgeoning field of study. An introductory section defines the debate with a foundational piece on liberation technology and is then followed by essays discussing the popular dichotomy of "liberation" versus "control" with regard to the Internet and the sociopolitical dimensions of such controls. Additional chapters delve into the cases of individual countries: China, Egypt, Iran, and Tunisia. This book also includes in-depth analysis of specific technologies such as Ushahidi - a platform developed to document human-rights abuses in the wake of Kenya's 2007 elections-and alkasir - a tool that has been used widely throughout the Middle East to circumvent cyber-censorship. "Liberation Technology" will prove an essential resource for all students seeking to understand the intersection of information and communications technology and the global struggle for democracy. Contributors: Walid Al-Saqaf, Daniel Calingaert, Ronald Deibert, Larry Diamond, Elham Gheytanchi, Philip N. Howard, Muzammil M. Hussain, Rebecca MacKinnon, Patrick Meier, Evgeny Morozov, Xiao Qiang, Rafal Rohozinski and Mehdi Yahyanejad.

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This book is a path-breaking collection of essays which explore the diverse and complex ways American culture has been shaped by the looming presence of the atomic bomb, the central icon of technology, diplomacy, and war, of the second half of the twentieth century. These essays were originally presented as papers at a 1995 conference at Bowling Green State University commemorating the fiftieth anniversary of the Bomb; this collection is unusual in the range of subjects addressed, which range from abstract expressionism and modernist poetry to television sitcoms and advertisements for lipstick and appliances. The papers fall into four general areas of investigation and interpretation: the analysis of widespread cultural issues or social movements; the examination of particular cultural artifacts; the explorations of aspects of political, diplomatic, or military history; and recollections or interpretations of personal experience. Contents: The Consequences of the Atomic Bomb: The End of the Soviet Union and the Beginning of Environmental Hysteria, Edward Teller; Bert the Turtle Meets Doctor Spock: Parenting in Atomic Age America, Daniel Gomes; Commercial Fallout: The Image of Progress and the Feminine Consumer in the Atomic Age (1945-1962), John Gregory Stocke; From the Missile Gap to the Culture Gap: Modernism in the Fallout from Sputnik, David Howard; Detonating on Canvas: The Abstract Bomb in American Art, Richard Martin; SANE and Beyond Sane: Poets and the H-Bomb, 1958-1960, Daniel Belgrad; From Science to Science Fiction: Leo Szilard and Fictional Persuasion, Michael L. Lewis; Sh-Boom or, How Early Rock & Roll Taught Us to Stop Worrying and Love the Bomb, Richard Aquila; "Are You Ready for the Great Atomic Power?" Music and Protest, 1945-1960, Joseph C. Ruff; Stories Told by Godzilla and Rodan, Helen Schwartz; The Berlin Crisis, the Bomb Shelter Craze and Bizarre Television: Expressions of an Atomic Age Counterculture in the Early 1960s, Margot A. Henricksen; Peace on Earth Without Goodwill T

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Born into a celebrity family (her father was Watson's son, who turned the company into the powerhouse it still is today, and her mother, Olive, had dated Howard Hughes and John F. Kennedy), Jeannette Watson's larger-than-life family hid a number of secrets. Behind a facade of order and glamour, Tom Watson often experienced dark moods; his depression was something he passed on to his daughter. Jeannette felt she could never measure up to her mother-a legendary beauty-and kept her nose buried in books.Through her years as a debutante, then young wife and mother, Watson kept her feelings under wraps until she had a mental breakdown. As part of her fight to heal herself, she left her husband, taking their son and moving to New York City to experience its heady 1970s freedoms. She opened the legendary Upper East Side bookstore Books & Co., which became a gathering place for literati. Her personal life soared once more when she met her second husband, Alex Sanger, grandson of Planned Parenthood's founder, with whom she had two more sons. After a long and fulfilling run, the bookstore closed and Watson found her way down a new path to become a spiritual healer.It's My Party is a portrait of another era, a guide to dealing with depression, and one woman's deep effort to understand herself.

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This collection of essays by American philosopher Alain Locke (1885-1954) makes readily available for the first time his important writings on cultural pluralism, value relativism, and critical relativism. As a black philosopher early in this century, Locke was a pioneer: having earned both undergraduate and doctoral degrees at Harvard, he was a Rhodes scholar at Oxford, studied at the University of Berlin, and chaired the Philosophy Department at Howard University for almost four decades. He was perhaps best known as a leading figure in the Harlem Renaissance. Locke’s works in philosophy—many previously unpublished—conceptually frame the Harlem Renaissance and New Negro movement and provide an Afro-American critique of pragmatism and value absolutism, and also offer a view of identity, communicative competency, and contextualism. In addition, his major works on the nature of race, race relations, and the role of race-conscious literature are presented to demonstrate the application of his philosophy. Locke’s commentaries on the major philosophers of his day, including James, Royce, Santayana, Perry, and Ehrenfels help tell the story of his relationship to his former teachers and his theoretical affinities. In his substantial Introduction and interpretive concluding chapter, Leonard Harris describes Locke’s life, evaluates his role as an American philosopher and theoretician of the Harlem Renaissance, situates him in the pragmatist tradition, and outlines his affinities with modern deconstructionist ideas. A chronology of the philosopher’s life and bibliography of his works are also provided. Although much has been written about Alain Locke, this is the first book to focus on his philosophical contributions.

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Since its inception in 1992, The Mariner’s Book of Days has been hailed as the best, most entertaining nautical desk diary and calendar to see print. It is also a valuable reference in its own right; each annual edition—completely different from its predecessor—has become a collector’s item. On each right-hand page is day- by-day space for daily notes, appointments, and reminders. On each left-hand page is a fascinating miscellany of what Robert Louis Stevenson once called “the entertainment of fooling among boats.” The Mariner’s Book of Days is a daily, weekly, monthly, annual reminder of the things we love most about the wsea: the pleasures of choosing, building and maintaining our own boats; the intricacies of seamanship and navigation; the development of nautical knowledge; the traditions of the sea; the evolution of a way of life. It is organized in a generally topical manner yet has a labyrinthine quality, not unlike the way we think about the sea when we are so unfortunate as to be away from it. One thing leads to another and then another,and before we know it we’re building a boat with Howard Chapelle, or sailing around the world with Joshua Slocum, or having a drink with Captain John Smith, or, perhaps best of all, dreaming about boats, ships, and the sea with Wynken, Blynken, and Nod. The Mariner’s Book of Days is an annual treasure. Year by year it takes us on a new and different 365-day imaginary voyage through time, an encyclopedic passage through the maritime past, present and future.

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Every time you wheel a shopping cart through one of Walmart’s more than 10,000 stores worldwide, or swipe your credit card or purchase something online, you enter a mind-boggling logistical regime. Even if you’ve never shopped at Walmart, its logistics have probably affected your life. The Rule of Logistics makes sense of its spatial and architectural ramifications by analyzing the stores, distribution centers, databases, and inventory practices of the world’s largest corporation.The Rule of Logistics tells the story of Walmart’s buildings in the context of the corporation’s entire operation, itself characterized by an obsession with logistics. Beginning with the company’s founding in 1962, Jesse LeCavalier reveals how logistics—as a branch of knowledge, an area of work, and a collection of processes—takes shape and changes our built environment. Weaving together archival material with original drawings, LeCavalier shows how a diverse array of ideas, people, and things—military theory and chewing gum, Howard Dean and satellite networks, Hudson River School painters and real estate software, to name a few—are all connected through Walmart’s logistical operations and in turn are transforming how its buildings are conceptualized, located, built, and inhabited.A major new contribution to architectural history and theory, The Rule of Logistics helps us understand how retailing today is changing our bodies, brains, buildings, and cities and predicts what future forms architecture might take when shaped by systems that exceed its current capacities.

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A love of birds has always been an important part of the British way of life but in wartime birds came into their own, helping to define our national identity. One the most popular bird books ever, Watching Birds, was published in 1940 while songs like There'll be Bluebirds over the White Cliffs of Dover epitomized the blitz spirit. Birds even featured in wartime propaganda movies like the 1941 classic The First of the Few starring Leslie Howard where they inspired the design of the Spitfire. Along the coast flooding to prevent a German invasion helped the avocet make a remarkable return while the black redstart found an unlikely home in our bombed-out buildings. As interesting as the birds were some of the people who watched them. Matthew Rankin and Eric Duffey counted seabirds while looking for U-boats. Tom Harrisson, the mastermind behind Mass Observation, watched people 'as if they were birds' while POW Guy Madoc wrote a truly unique book on Malayan birds, typed on paper stolen from the Japanese commandant's office. For Field Marshall Alan Brooke, Britain's top soldier, filming birds was his way of coping with the continual demands of Winston Churchill. In comparison Peter Scott was a wildfowler who was roused by Adolf Hitler before the war but after serving with distinction in the Royal Navy became one of the greatest naturalists of his generation. With a foreword by Chris Packham CBE The Role of Birds in World War Two is the story of how ornithology helped to win the war.

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After 9/11 presents 17 interviews with America´s leading political thinkers. Renowned experts such as Zbigniew Brzezinski, Francis Fukuyama, and Noam Chomsky discuss the nation’s foreign policy in the post-9/11 world. Yet, they also comment on their own role in US society – and the mounting challenges they face today. The conversations illustrate the hopes and expectations, the anger and frustration, the shattered beliefs and unshakable convictions of the nation´s preeminent minds – at a time when America made its epic transition from George W. Bush to Barack Obama. Renowned experts engage in a vibrant debate about their nation´s position on the global stage: What is America´s foreign policy in the post-9/11 world? What should it be? What led to the catastrophe of September 11? How best to prevent another one, and how to restore America´s damaged reputation? What to expect of Obama? While struggling to define their nation´s role in a world that has changed since the terror attacks, the intellectuals discuss their own role in 21st-century society – a society that thrives on public discourse. The book is written for students, graduates, and lecturers in political science, sociology, culture studies, philosophy, and history. However, anyone interested not only in the political positions of America´s most prominent thinkers but also in how these thinkers feel about what they do and how they do it will enjoy this book. Interview partners: Benjamin Barber John Bolton Zbigniew Brzezinski Noam Chomsky Francis Fukuyama Jean Bethke Elshtain Robert O. Keohane James M. Lindsay Michael Novak Joseph Nye Clyde Prestowitz Anne-Marie Slaughter Nancy Soderberg Strobe Talbott Michael Walzer Cornel West Howard Zinn (†)

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THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills In this volume of the Good Audition Guides, you'll find fifty fantastic speeches for men, all written since the year 2000, by some of our most exciting dramatic voices. Playwrights featured in Contemporary Monologues for Men include Howard Brenton, Jez Butterworth, Alexi Kaye Campbell, Caryl Churchill, Ariel Dorfman, Ella Hickson, Lucy Kirkwood, Bruce Norris, Jack Thorne and Enda Walsh, and the plays themselves were premiered at the very best theatres across the UK including the National Theatre, the Donmar Warehouse, the Bush and the Young Vic, Manchester Royal Exchange, Birmingham Rep, the Traverse in Edinburgh, and many on the stages of the Royal Court. Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James prefaces each speech with a thorough introduction including the vital information you need to place the piece in context (the who, what, when, where and why) and suggestions about how to perform the scene to its maximum effect (including the character’s objectives and keywords). Contemporary Monologues for Men also features an introduction on the whole process of selecting and preparing your speech, and approaching the audition itself. The result is the most comprehensive and useful contemporary monologue book now available. ‘Sound practical advice for anyone attending an audition… a source of inspiration for teachers and students alike’ Teaching Drama Magazine on The Good Audition Guides

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From the very beginnings of cinema in America the Western has been a central genre. The hazardous lives of the settlers, their conflict with Native Americans ('the Indians'), the lawless frontier towns, outlaws and cattle rustlers, all found their way into the new medium of film. Folk heroes and heroines, such as Jesse and Frank James, Wild Bill Hickok, Wyatt Earp, Calamity Jane and Annie Oakley, were all eagerly seized on by filmmakers. Writers, from the very popular to the very literary, from Zane Grey to Owen Wister and James Fennimore Cooper, were plundered for storylines. The Western became popular worldwide too because it offered escape, adventure, stunning landscapes and romance; also themes that concerned people everywhere including survival, law and order, defence of family, and dreams of a new and better world. David Carter's book, The Western, starts with an introduction to the real American West and its famous historical figures, and traces the development of the genre from popular literature, through the early silent films, the sound era, the Golden Age of classic Westerns, TV and 'spaghetti westerns', to the self-reflexive and revisionist Westerns of recent decades. This book provides a basic work of reference for all the major directors and noteworthy films of the genre. The great Hollywood directors are all here, such as John Ford, Howard Hawks, Raoul Walsh, Michael Curtiz, Sam Peckinpah and Henry Hathaway, and great stars including John Wayne, James Stewart, Gary Cooper, Barbara Stanwyck, Jane Russell and Clint Eastwood.

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Commissioned by the U.S. Committee on Public Information, more than 300 of America's most famous illustrators, cartoonists, designers, and fine artists donated their services to create more than 700 posters in an effort to build patriotism, raise funds for war bonds, encourage enlistment, and increase volunteerism during World War I. The Winds and Words of War is a rich collection of World War I-era posters created between 1916 and 1917 to motivate the country to abandon a position of remoteness and connect with European allies against German aggression and tyranny. These images became a great equalizing force in American culture, causing people of all backgrounds and classes, rural or urban, educated or uneducated, to rally to the cause. Some 450 of these posters are part of the San Antonio Public Library's permanent collection, bequeathed in 1940 by Harry Hertzberg, a Texas state senator and avid memorabilia collector. The posters were created by a group of early twentieth-century American artists, among them Charles Dana Gibson, Howard Chandler Christy, James Montgomery Flagg, Guy Lipscombe, Charles Buckle Falls, Haskell Coffin, and Norman Rockwell. The lithographs' heroic images and patriotic slogans depicted military and civilian effort and sacrifice, aiming to inspire young men and women to enlist, pick up a flag, and support the soldiers and nurses during a trying time in American history. The posters, many of which appeared on the cover of the Saturday Evening Post, are both testaments to the people who volunteered their service and excellent examples of the period's advertising strategies and graphic design.

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Clarence 'Kelly' Johnson's design for the Lockheed Constellation, known affectionately as the 'Connie', produced one of the world's most iconic airliners. Lockheed had been working on the L-044 Excalibur, a four-engine, pressurised airliner, since 1937\. In 1939, Trans World Airlines, at the instigation of major stockholder Howard Hughes, requested a 40-passenger transcontinental aircraft with a range of 3,500 miles, well beyond the capabilities of the Excalibur design. TWA's requirements led to the L-049 Constellation, designed by Lockheed engineers including Kelly Johnson and Hall Hibbard. Between 1943 and 1958, Lockheed built 856 Constellations in numerous models at its Burbank, California, factory - all with the same distinctive and immediately recognisable triple-tail design and dolphin-shaped fuselage. The Constellation was used as a civil airliner and as a military and civilian air transport, seeing service in the Berlin and the Biafran airlifts. Three of them served as the presidential aircraft for Dwight D. Eisenhower. After the Second World War, TWA's trans-Atlantic service began on 6 February 1946 with a New York-Paris flight in a Constellation. Then, on 17 June 1947, Pan Am opened the first-ever scheduled round-the-world service with their L-749 Clipper America. In this revealing insight into the Lockheed Constellation, the renowned aviation historian Graham M. Simons examines its design, development and service, both military and civil. In doing so, he reveals the story of a design which, as the first pressurised airliner in widespread use, helped to usher in affordable and comfortable air travel around the world.

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A richly illustrated history of self-taught artists and how they changed American artArtists without formal training, who learned from family, community, and personal journeys, have long been a presence in American art. But it wasn’t until the 1980s, with the help of trailblazing advocates, that the collective force of their creative vision and bold self-definition permanently changed the mainstream art world. In We Are Made of Stories, Leslie Umberger traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, they redefined who could be rightfully seen as an artist and revealed a much more diverse community of American makers.Lavishly illustrated throughout, We Are Made of Stories features more than one hundred drawings, paintings, and sculptures, ranging from the narrative to the abstract, by forty-three artists—including James Castle, Thornton Dial, William Edmondson, Howard Finster, Bessie Harvey, Dan Miller, Sister Gertrude Morgan, the Philadelphia Wireman, Nellie Mae Rowe, Judith Scott, and Bill Traylor. The book centralizes the personal stories behind the art, and explores enduring themes, including self-definition, cultural heritage, struggle and joy, and inequity and achievement. At the same time, it offers a sweeping history of self-taught artists, the critical debates surrounding their art, and how museums have gradually diversified their collections across lines of race, gender, class, and ability.Recasting American art history to embrace artists who have been excluded for too long, We Are Made of Stories vividly captures the power of art to show us the world through the eyes of another.Published in association with the Smithsonian American Art MuseumExhibition ScheduleSmithsonian American Art Museum, Washington, DCJuly 1, 2022–March 26, 2023

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With martial arts champions such as Ken Shamrock and Tito Ortiz appearing on The Tonight Show with Jay Leno, giving training tips in Muscle & Fitness and Men’s Journal, and conducting interviews on Howard Stern’s radio show, millions of people are turning to the martial arts for sport, a means of self-defense, and a form of exercise.Many of these newcomers to the martial arts never stepped foot into a martial arts training facility, and have no plans of ever doing so. They want to learn to defend themselves without traveling to a gym or paying steep monthly dues. Some purchase martial arts guidebooks so they can prepare themselves both mentally and physically to enter a dojo a year or two down the road. Martial Arts Unleashed: Jiu-jitsu offers readers:• A detailed history and evolution of the discipline.• A description of the various theories and strategies behind training and competing.• A breakdown of the gear and training space needed to get started.• A description of warm-up routines, footwork, and stances.• Detailed instruction accompanied by step-by-step photographs that divulge everything from the basic kicks, punches, and blocks to the most advanced techniques.• Instruction on how to combine various techniques into sophisticated combinations.• Sample workouts for all levels of training.• Weight lifting programs to improve strength.• Cardiovascular workouts to improve stamina.• Sample diets to improve overall health.• Resources that show readers where to ply their trade and learn even more.For those desiring to learn the martial arts for self-defense rather than sport, the book features a section on those techniques best suited for practical application. For the more advanced students, the book describes how to blend this particular discipline with other styles, utilize certain techniques to defeat practitioners of other disciplines, and prepare for a variety of competitions.

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From one of the premier authors in higher education comes a new linear algebra textbook that fosters mathematical thinking, problem-solving abilities, and exposure to real-world applications. Without sacrificing mathematical precision, Anton and Busby focus on the aspects of linear algebra that are most likely to have practical value to the student while not compromising the intrinsic mathematical form of the subject. Throughout Contemporary Linear Algebra, students are encouraged to look at ideas and problems from multiple points of view.

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For this second book in the Transport Philately series on public transport issues featured on postage stamps, once again the author will combine two of his life-long hobbies as he looks at railways around the world on standard gauge tracks that encompasses the majority of the western worlds major railway arteries. The book will also illustrate railways on other, similar gauges of track where they constitute a countrys major arteries, but it is not an exhaustive survey encompassing every country and every issue for that one needs to refer to major catalogue issues by such well-known authorities as Stanley Gibbons Plc. There have been many and varied reasons why postal authorities have issued stamps featuring railway subjects, varying from major anniversaries to national pride, the latter often from the former Eastern-bloc countries but that is not by all means. The Royal Mail in the UK has certainly not ignored railways, especially in later years, and the author will visit probably more of his native country's stamps than most other countries, but hes biased. The author often looks in his albums to try to understand why a particular country will sometimes be represented by bulging sections, whilst others are represented by but one or two stamp. And so, the book follows the story around the world in roughly an eastern journey, learning about some of the national histories on the way and admiring the attentions of some extremely accomplished artists that mean philatelists and rail-lovers alike can enjoy many beautiful miniature works of art.

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This is—for the first time—the full and unedited story behind the sick life and mysterious death of Jeffrey Epstein that is being called one of the most significant scandals in American history He was the billionaire financier and close confidant of presidents, prime ministers, movie stars and British royalty, the mysterious self-made man who rose from blue-collar Brooklyn to the heights of luxury. But while he was flying around the world on his private jet and hosting lavish parties at his private island in the Caribbean, he also was secretly masterminding an international child sex ring—one that may have involved the richest and most influential men in the world. The conspiracy of corruption was an open secret for decades. And then this summer, it all came crashing down. After his arrest on sex trafficking charges in July, it seemed Epstein’s darkest secrets would finally see the light. But hopes for true justice were shattered on August 10 this year, when he was found dead in his cell at the Metropolitan Correctional Center, New York. The verdict: suicide. The timing: convenient, to say the least. Now, Epstein: Dead Men Tell No Tales delivers bombshell new revelations, uncovers how the man President Trump once described as a “terrific guy” abused hundreds of underage girls at his mansions in Palm Beach and Manhattan… all while entertaining the world’s most powerful men—including President Clinton, Prince Andrew, and Donald Trump himself. How much did they know about his perversions? And did they take part? How might they have helped him to continue his abuse, and to escape justice for it? What responsibility might they have for his sudden, shocking death? And is there a shocking spy and blackmail story at the heart of the scandal? The answers to these questions and more will be explored in Epstein: Dead Men Tell No Tales with groundbreaking new reporting, never-before-seen court files, and interviews with new witnesses and confidants. Combining the very best investigative reporting from investigative journalists Dylan Howard, Melissa Cronin and James Robertson—who have been covering the case for close to a decade—will send shockwaves through the highest levels of the establishment.

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As a spiritual autobiography, Kierkegaard's The Point of View for My Work as an Author stands among such great works as Augustine's Confessions and Newman's Apologia pro Vita Sua. Yet Point of View is neither a confession nor a defense; it is an author's story of a lifetime of writing, his understanding of the maze of greatly varied works that make up his oeuvre. Upon the imminent publication of the second edition of Either/Or, Kierkegaard again intended to cease writing. Now was the time for a direct "report to history" on the authorship as a whole. In addition to Point of View, which was published posthumously, the present volume also contains On My Work as an Author, a contemporary substitute, and the companion piece Armed Neutrality.

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A visual treasury of the iconic Street & Smith pulp novel covers of the 1930s and 1940sPulp Power: The Shadow, Doc Savage, and the Street & Smith Universe gives fans a rare glimpse into the pre-war pulp novel decade of the 1930s, a period of bold action and adventure storytelling that ultimately led to the creation of the comic book and the superheroes we know and love today. This period, a pre-Batman, pre-Superman, golden era of American creativity and artistic excellence starred two main characters in leading roles: The Shadow and Doc Savage. In more than 500 novels written between 1930 and 1940, The Shadow, Doc Savage, and the Street & Smith universe of characters captivated a generation of Americans with their heroic exploits and inspired a new generation of writers to create a pantheon of comic book superheroes in their mold.Street & Smith, the renowned publisher of these novels, commissioned leading artists to provide bold and original cover artwork for their publications, and in Pulp Power, all 506 of these eye-catching covers are reproduced as a collection for the first time. Comics legend Dan DiDio provides narration and context for the cover illustrations alongside photographs and interviews with some of today’s leading entertainment figures discussing the influence of the Street & Smith superhero universe on their work, including George Lucas, Ryan Reynolds, Robert Downey Jr., Dwayne Johnson, Frank Miller, Howard Chaykin, Alex Ross, Jim Lee, and many more. The book also includes original line art illustrations from the volumes along with unique reproductions of Shadow ephemera. Pulp Power is the ultimate coffee table collectible book for all who love the world of superheroes.

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The Elgar Handbook of Civil War and Fragile States brings together contributions from a multidisciplinary group of internationally renowned scholars on such important issues as the causes of violent conflicts and state fragility, the challenges of conflict resolution and mediation, and the obstacles to post-conflict reconstruction and durable peace-building.While other companion volumes exist, this detailed and comprehensive book brings together an unrivalled range of disciplinary perspectives, including development economists, quantitative and qualitative political scientists, and sociologists. Topical chapters include: Post-Conflict and State Fragility, Ethnicity, Human Security, Poverty and Conflict, Economic Dimensions of Civil War, Climate Change and Armed Conflict, Rebel Recruitment, Education and Violent Conflict, Obstacles to Peace Settlements and many others.With detailed and comprehensive coverage, this Handbook will appeal to postgraduate and undergraduate students, policymakers, researchers and academics in conflict and peace studies, international relations, international politics and security studies.Contributors include: P. Aall, T. Addison, P.H. Baker, R.H. Bates, J. Bercovitch, G.K. Brown, H. Buhaug, P. Clark, C.A. Crocker, H. Dorussen, V.P. Fortna, S. Fukuda-Parr, K.S. Gleditsch, N.P. Gleditsch, Y. Guichaoua, F.O. Hampson, C.A. Hartzell, H. Hegre, H. Holtermann, L.M. Howard, P. Justino, A. Langer, R. Licklider, K. Long, C. Lutmar, D.M. Malone, J. McGarry, C. Messineo, N.W. Metternich, R. Muggah, S.M. Murshed, H. Nitzscke, B. O Leary, J. Ohiorhenuan, A. Ruggeri, B.R. Sørensen, F. Stewart, M.Z. Tadjoeddin, O.M. Theisen, H. Urdal, P. Vermeersch, S. Wolff

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This issue offers a theoretical and methodological imagining of what constitutes trans* before the advent of the terms that scholars generally look to for the formation of modern conceptions of gender, sex, and sexuality. What might we find if we look for trans* before trans*? While some historians have rejected the category of transgender to speak of experiences before the mid-twentieth century, others have laid claim to those living gender-non-conforming lives before our contemporary era. By using the concept of trans*historicity, this volume draws together trans* studies, historical inquiry, and queer temporality while also emphasizing the historical specificity and variability of gendered systems of embodiment in different time periods. Essay topics include a queer analysis of medieval European saints, discussions of a nineteenth-century Russian religious sect, an exploration of a third gender in early modern Japanese art, a reclamation of Ojibwe and Plains Cree Two-Spirit language, and biopolitical genealogies and filmic representations of transsexuality. The issue also features a roundtable discussion on trans*historicities and an interview with the creators of the 2015 film Deseos. Critiquing both progressive teleologies and the idea of sex or gender as a timeless tradition, this issue articulates our own desires for trans history, trans*historicities, and queerly temporal forms of historical narration. Contributors. Kadji Amin, M. W. Bychowski, Fernanda Carvajal, Howard Chiang, Leah DeVun, Julian Gill-Peterson, Jack Halberstam, Asato Ikeda, Jacob Lau, Kathleen P. Long, Maya Mikdashi, Robert Mills, Carlos Motta, Marcia Ochoa, Kai Pyle, C. Riley Snorton, Zeb Tortorici, Jennifer Louise Wilson

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Since the 1940s, federal and state government agencies have published comics to disseminate public information. Comics legends Will Eisner and Milton Caniff produced comics for the army. Li’l Abner joined the navy. Walt Kelly’s Pogo told parents how much TV their kids should watch, Bert the Turtle showed them how to survive a nuclear attack, and Dennis the Menace took “A Poke at Poison.” Smokey Bear had his own comic, and so did Zippy, the USPS mascot. Dozens of artists and writers, known and unknown, were recruited to create comics about every aspect of American life, from jobs and money to health and safety to sex and drugs. Whether you want the lowdown on psychological warfare or the highlights of working in the sardine industry, the government has a comic for you! Government Issue reproduces an important selection of these official comics in full-reading format, plus a broad range of excerpts and covers, all organized chronologically in thematic chapters. Earnest, informational, and kitschy, this outstanding collection is the ultimate comics vox populi.Praise for Government Issue:“Public-service comics never looked so good.” —Cleveland Plain Dealer “The book includes work by Neal Adams, Denis Kitchen, Milton Caniff, Walt Kelly, and other big names, all producing pages paid for by American taxpayers, many of whom never even got to see [them]. Now, at last, we have that chance.” —A.V. Club“A gold mine of the serious, the silly, and the truly strange stuff the government thinks we ought to know.” —Scripps Howard News Service

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Contributions by Howard Ball, Peter Edelman, Aram Goudsouzian, Robert E. Luckett Jr., Ellen B. Meacham, Stanley Nelson, and Charles L. OverbyA Past That Won't Rest: Images of the Civil Rights Movement in Mississippi collects never-before-published photographs taken by Jim Lucas (1944-1980), an exceptional documentary photographer. His black-and-white images, taken during 1964 through 1968, depict events from the civil rights movement including the search for the missing civil rights workers in Neshoba County, the Meredith March Against Fear, Senator Robert F. Kennedy's visit to the Mississippi Delta, and more. The photographs exemplify Lucas's technical skill and reveal the essential truth in his subjects and the circumstances surrounding them.Lucas had a gift for telling a visual story, an instinctive eye for framing his shots, and a keen human sensibility as a photojournalist. A college student in Jackson, Mississippi, in 1964, he was on his way to becoming a professional photojournalist when Freedom Summer exploded. Lucas found himself in the middle of events that would command the attention of the whole world. He cultivated his contacts and honed his craft behind the camera as a stringer for Time and Life magazines as well as the Associated Press. Lucas tragically lost his life in a car accident in 1980, but his photographs have survived and preserve a powerful visual legacy for Mississippi. Over one hundred gorgeously sharp photographs are paired with definitive essays by scholars of the events depicted, thereby adding insight and historical context to the book. Charles L. Overby, a fellow Jacksonian and young journalist at the time, provides a foreword about growing up in that tumultuous era.

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The emergence of a master artist alongside his first major collection, created during a golden age of art in the nation’s capital Renowned for his innovative work with silkscreen printing, Lou Stovall’s works are part of numerous collections, including the National Gallery of Art, Smithsonian American Art Museum, and Phillips Collection. Washington Post art critic Paul Richard once wrote, “As a printer of his own art, and of the art of many others, as a framer and installer and shepherd of collections, Stovall has inserted more art into Washington than almost anyone in town.” Of the Land: The Art and Poetry of Lou Stovall presents a series of prints and accompanying poems that showcase the artist’s work during the 1970s, when he was developing his unique silkscreen technique and exploring both natural and abstract elements. An introduction by the book’s editor and artist’s son, Will Stovall, along with an autobiography from the artist anchor the Of the Land series in its time and place—a period of jazz, protest, and prolific art production in Washington, DC, that birthed the Washington Color School. Stovall’s contributions, as well as his collaborations with well-known artists like Jacob Lawrence, Sam Gilliam, Elizabeth Catlett, and Robert Mangold, have cemented him as one of the most significant American artists of our age. Part of a tradition of African American artists and thinkers who met at Howard University, Lou Stovall created the Workshop in 1968, a small, active silkscreen studio printing posters for arts and DC-focused events. His deep influence on the silkscreen medium, the art community, and DC will be part of his lasting legacy.

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Behind every financial crisis lurks a "political bubble"--policy biases that foster market behaviors leading to financial instability. Rather than tilting against risky behavior, political bubbles--arising from a potent combination of beliefs, institutions, and interests--aid, abet, and amplify risk. Demonstrating how political bubbles helped create the real estate-generated financial bubble and the 2008 financial crisis, this book argues that similar government oversights in the aftermath of the crisis undermined Washington's response to the "popped" financial bubble, and shows how such patterns have occurred repeatedly throughout US history. The authors show that just as financial bubbles are an unfortunate mix of mistaken beliefs, market imperfections, and greed, political bubbles are the product of rigid ideologies, unresponsive and ineffective government institutions, and special interests. Financial market innovations--including adjustable-rate mortgages, mortgage-backed securities, and credit default swaps--become subject to legislated leniency and regulatory failure, increasing hazardous practices. The authors shed important light on the politics that blinds regulators to the economic weaknesses that create the conditions for economic bubbles and recommend simple, focused rules that should help avoid such crises in the future. The first full accounting of how politics produces financial ruptures, Political Bubbles offers timely lessons that all sectors would do well to heed.

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In this debut memoir, a James Beard Award–winning writer, whose childhood idea of fine dining was Howard Johnson’s, tells how he became one of Paris’s most influential food critics Until Alec Lobrano landed a job in the glamorous Paris office of Women’s Wear Daily, his main experience of French cuisine was the occasional supermarket éclair. An interview with the owner of a renowned cheese shop for his first article nearly proves a disaster because he speaks no French. As he goes on to cover celebrities and couturiers and improves his mastery of the language, he gradually learns what it means to be truly French. He attends a cocktail party with Yves St. Laurent and has dinner with Giorgio Armani. Over a superb lunch, it’s his landlady who ultimately provides him with a lasting touchstone for how to judge food: “you must understand the intentions of the cook.” At the city’s brasseries and bistros, he discovers real French cooking. Through a series of vivid encounters with culinary figures from Paul Bocuse to Julia Child to Ruth Reichl, Lobrano hones his palate and finds his voice. Soon the timid boy from Connecticut is at the epicenter of the Parisian dining revolution and the restaurant critic of one of the largest newspapers in the France. A mouthwatering testament to the healing power of food, My Place at the Table is a moving coming-of-age story of how a gay man emerges from a wounding childhood, discovers himself, and finds love. Published here for the first time is Lobrano’s “little black book,” an insider’s guide to his thirty all-time-favorite Paris restaurants.

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“This is a book,” writes guest editor Souvankham Thammavongsa, “about what I saw and read and loved, and want you to see and read and love.” Selected from work published by Canadian poets in magazines and journals in 2020, Best Canadian Poetry 2021 gathers the poems Thammavongsa loved most over a year’s worth of reading, and draws together voices that “got in and out quickly, that said unusual things, that were clear, spare, and plain, that made [her] laugh out loud … the voices that barely ever survive to make it onto the page.” From new work by Canadian icons to thrilling emerging talents, this year’s anthology offers fifty poems for you to fall in love with as well. Featuring: Margaret Atwood Ken Babstock Manahil Bandukwala Courtney Bates-Hardy Roxanna Bennett Ronna Bloom Louise Carson Kate Cayley Kitty Cheung Dani Couture Kayla Czaga Šari Dale Unnati Desai Tina Do Andrew DuBois Paola Ferrante Beth Goobie Nina Philomena Honorat Liz Howard Maureen Hynes George K Ilsley Eve Joseph Ian Keteku Judith Krause M Travis Lane Mary Dean Lee Canisia Lubrin Randy Lundy David Ly Yohani Mendis Pamela Mosher Susan Musgrave Téa Mutonji Barbara Nickel Ottavia Paluch Kirsten Pendreigh Emily Pohl-Weary David Romanda Matthew Rooney Zoe Imani Sharpe Sue Sinclair John Steffler Sarah Yi-Mei Tsiang Arielle Twist David Ezra Wang Phoebe Wang Hayden Ward Elana Wolff Eugenia Zuroski Jan Zwicky

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An alternative autobiography of the well-loved actor and man of the theatre, winner of the Sheridan Morley Prize for Theatre Biography. In My Life in Pieces Simon Callow retraces his life through the multifarious performers, writers, productions and events which have left their indelible mark on him. The story begins with Peter Pan – his first ever visit to the theatre – before transporting us to southern Africa and South London, where Callow spent much of his childhood. Later, he charms his way into a job at the National Theatre box office courtesy of his hero, Laurence Olivier – and thus consummated a lifetime’s love affair with theatre. Alongside Olivier, we encounter Paul Scofield, Michael Gambon, Alan Bennett and Richard Eyre, all of whom Callow has worked with, as well as John Gielgud, Ralph Richardson and Alec Guinness, David Hare, Simon Gray and many more. He writes too about figures he did not meet but who greatly influenced his life and work, figures such as Stanislavsky, Nureyev and Cocteau, as well as Charles Laughton and Orson Welles. And he even makes room for not-quite- legit performers like Tony Hancock, Tommy Cooper, Frankie Howard – and Mrs Shufflewick. The result is a passionate, instructive and beguiling book which, in tracing Simon Callow’s own ‘sentimental education’, leaves us enriched by his generosity and wisdom. 'first rate... the best writer-actor we have' David Hare 'Simon Callow combines zest, originality and passion and has elegantly turned his views and life in the theatre into an astonishing memoir' Richard Eyre

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Buried in the 14th century BC but unearthed by Howard Carter in 1922, the objects entombed with Tutankhamun are an invaluable window into a long-extinct belief system. Seen today, they create an intricate picture of how the ancient Egyptian people viewed the perilous journey to paradise, a utopian Egypt that could only be entered following the final judgment. When acclaimed photographer Sandro Vannini started his work in Egypt in the late ’90s, a technological revolution was about to unfold. Emerging technologies enabled him to document murals, tombs, and artifacts in unprecedented detail. Using the time-consuming and strenuous multi-shot technique, Vannini produced complete photographic reproductions that revealed colors in their original tones with vivid intensity. Through these extraordinary images, we discover the objects’ quintessential features alongside the sophisticated and cleverly hidden details. This comprehensive guide marks the centenary of Carter’s first excavations in the Valley of the Kings. These inestimable works endure through Vannini's photographs in their full, timeless splendor. From offerings and rituals to Osiris and eternal life, Vannini’s portfolio covers all facets of ancient Egyptian culture—but it is Tutankhamun’s unique legacy that dominates these images. With texts by the photographer, captions by specialist Mohamed Megahed, and chapter introductions from scholars in the field, King Tut. The Journey through the Underworld puts much-debated mysteries to rest. The learned yet accessible forewords come from distinguished Egyptologists including Salima Ikram and David P. Silverman. Insightful narratives, resplendent images, and a contemporary standpoint make this title a fitting tribute to the Boy King’s odyssey, illuminating an epoch that spanned an unimaginable 4,000 years.

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Scholar, reverend, politician, and perhaps aristocrat... James Arthur Stanley Harley was certainly a polymath. Born in a poor village in the Caribbean island of Antigua, he went on to attend Howard, Harvard, Yale and Oxford universities, was ordained a priest in Canterbury Cathedral and was elected to Leicestershire County Council. He was a choirmaster, a pioneer Oxford anthropologist, a country curate and a firebrand councillor. This remarkable career was all the more extraordinary because he was black in an age - the early twentieth century - that was institutionally racist. Pamela Roberts' meticulously researched book tells Harley's hitherto unknown story from humble Antiguan childhood, through elite education in Jim Crow America to the turbulent England of World War I and the General Strike. Navigating the complex intertwining of education, religion, politics and race, his life converged with pivotal periods and events in history: the birth of the American New Negro in the 1900s, black scholars at Ivy League institutions, the heyday of Washington's black elite and the early civil rights movement, Edwardian English society, and the Great War. Based on Harley's letters, sermons and writings as well as contemporary accounts and later oral testimony, this is an account of an individual's trajectory through seven decades of dramatic social change. Roberts' biography reveals a man of religious conviction, who won admirers for his work as a vicar and local councillor. But Harley was also a complex and abrasive individual, who made enemies and courted controversy and scandal. Most intriguingly, he hinted at illicit aristocratic ancestry dating back to Antigua's slave-owning past. His life, uncovered here for the first time, is full of contradictions and surprises, but above all illustrates the power and resilience of the human spirit.

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Edna Lewis (1916-2006) wrote some of America's most resonant, lyrical, and significant cookbooks, including the now classic The Taste of Country Cooking. Lewis cooked and wrote as a means to explore her memories of childhood on a farm in Freetown, Virginia, a community first founded by black families freed from slavery. With such observations as "we would gather wild honey from the hollow of oak trees to go with the hot biscuits and pick wild strawberries to go with the heavy cream," she commemorated the seasonal richness of southern food. After living many years in New York City, where she became a chef and a political activist, she returned to the South and continued to write. Her reputation as a trailblazer in the revival of regional cooking and as a progenitor of the farm-to-table movement continues to grow. In this first-ever critical appreciation of Lewis's work, food-world stars gather to reveal their own encounters with Edna Lewis. Together they penetrate the mythology around Lewis and illuminate her legacy for a new generation.The essayists are Annemarie Ahearn, Mashama Bailey, Scott Alves Barton, Patricia E. Clark, Nathalie Dupree, John T. Edge, Megan Elias, John T. Hill (who provides iconic photographs of Lewis), Vivian Howard, Lily Kelting, Francis Lam, Jane Lear, Deborah Madison, Kim Severson, Ruth Lewis Smith, Toni Tipton-Martin, Michael W. Twitty, Alice Waters, Kevin West, Susan Rebecca White, Caroline Randall Williams, and Joe Yonan. Editor Sara B. Franklin provides an illuminating introduction to Lewis, and the volume closes graciously with afterwords by Lewis's sister, Ruth Lewis Smith, and niece, Nina Williams-Mbengue.

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On the morning of April 27, 1935, Louis N. Hammerling fell to his death from the nineteenth floor of an apartment in New York City, where he lived alone. Hammerling was one of the most influential Polish immigrants in turn-of-the-century America and the leading voice and advocate of the Eastern Europeans who had come to the country seeking a better life. He was also a pathological liar, a crook, a swindler, a ruthless entrepreneur, and a patriot—of which nation he could never decide. In the United States, Hammerling rose from the poverty of his youth to the heights of wealth and power. He was a timberman and mule driver in the Pennsylvania coal mines, an indentured worker in the Hawaiian sugar fields, one of the major behind-the-scenes powers in the United Mine Workers, an employee of the Hearst newspaper chain, an influential figure in the Republican Party, the owner of an advertising agency that made him a millionaire, a correspondent of Theodore Roosevelt and William Howard Taft, and a senator of the Polish Republic. A Jew whose conversion to Catholicism did not protect him from anti-Semitism, Hammerling was monitored by state and federal agencies and was, in the words of his pursuers, "the most dangerous German agent in America." M. B. B. Biskupski consulted more than forty archives in four countries, using trial testimony, intelligence reports, and blackmail correspondence to reconstruct Hammerling's story. The life of this mysterious man offers a window through which to see larger themes: labor and immigration politics in late nineteenth- and early twentieth-century America, espionage during World War I, the birth of modern Polish politics, and the tragic struggle of a poor immigrant striving for success in America. Scholars and general readers alike will be interested in this fascinating book.

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The classic work from the “father of value investing”—fully updated for today’s generation of investorsFirst published in 1934, Security Analysis is one of the most influential financial books ever written. With over a million copies sold, it has provided generations of investors with Benjamin Graham and David L. Dodd’s timeless value investing philosophy and techniques.This seventh edition builds on the context and commentary of the sixth edition from ten of today’s leading voices on Wall Street. These masters of value investing discuss the influence of Graham and Dodd on today’s markets and contextualize the philosophy that influenced so many famous investors. Lead editor Seth Klarman, considered an intellectual successor to Warren Buffett in value investing, has assembled a team of contributors to provide commentary on Security Analysis in terms of today’s markets and practices, including how today’s value investors should assess markets, asset classes, and securities Graham and Dodd could not have possibly foreseen. New content includes: An extensively updated Preface by Seth Klarman Contributions by Howard Marks, James Grant, Roger Lowenstein, and 10 other contributors including a number of the most important emerging voices in value investing Addresses the many changes in the business world, financial markets, and investing practices since Graham’s day, including new sections on investing in private as well as public markets, arbitrage strategies, international investing, and portfolio management A foreword by Warren Buffett, Graham and Dodd’s staunchest advocate Chapters from the second edition excluded from this one will be featured as an easy-to-access downloadable resource A new “About this Edition” that contextualizes which chapters have been included and removed Whether you’re an individual investor, retail investor, value investor, or finance student, the new edition of this authoritative guide is a must-read.

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1966. The year of change. The year of division. The middle of the 1960s, the great dividing line between what America had been, and what it became. All of it, in all its color, glory, and ugliness, came symbolically together on a hot, humid weekend in Austin, Texas. The protagonist? None other John “Duke” Wayne, the larger-than-life movie hero of countless Westerns and war dramas; a swashbuckling, ruggedly macho idol of America; the very embodiment of what the United States had become—the new Rome: the most powerful military, political, and cultural empire in the annals of mankind. Wayne, like the nation itself, stood astride the world in Colossus style, talking tough. Taking no prisoners. In September 1966, John Wayne was in Texas filming War Wagon while the integrated Trojans of the University of Southern California arrived in Austin to do battle with a powerhouse of equal stature, the all-white Texas Longhorns. The Duke, a one-time pulling guard for coach Howard Jones at USC, was there, accompanied by sycophants, and according to rumor, with spurs on. Wayne arrived in Austin the night before the game. Dressed to the nines, he immediately repaired to the hotel bar. He had a full entourage who hung on his every word as if uttered from the Burning Bush. So it was when the Duke ordered his first whiskey. Thus surrounded by sycophants, John Wayne bellowed opinions, bromides, and pronouncements. What happened next is subject to interpretation, for this weekend and many other details of the Duke’s “Trojan wars” are revealed and expounded upon by longtime USC historian Steven Travers. This book is a fly-on-the-wall exploration of this wild weekend and an immersion into the John Wayne mythology: his politics, his inspirations, the plots to assassinate him, his connections to Stalin, Khrushchev, and Chairman Mao, and the death of the Western.

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Reflecting on his fifty-year effort to steer the Grand Old Party toward black voters, Memphis power broker George W. Lee declared, "Somebody had to stay in the Republican Party and fight." As Joshua Farrington recounts in his comprehensive history, Lee was one of many black Republican leaders who remained loyal after the New Deal inspired black voters to switch their allegiance from the "party of Lincoln" to the Democrats. Ideologically and demographically diverse, the ranks of twentieth-century black Republicans included Southern patronage dispensers like Lee and Robert Church, Northern critics of corrupt Democratic urban machines like Jackie Robinson and Archibald Carey, civil rights agitators like Grant Reynolds and T. R. M. Howard, elected politicians like U.S. Senator Edward W. Brooke and Kentucky state legislator Charles W. Anderson, black nationalists like Floyd McKissick and Nathan Wright, and scores of grassroots organizers from Atlanta to Los Angeles. Black Republicans believed that a two-party system in which both parties were forced to compete for the African American vote was the best way to obtain stronger civil rights legislation. Though they were often pushed to the sidelines by their party's white leadership, their continuous and vocal inner-party dissent helped moderate the GOP's message and platform through the 1970s. And though often excluded from traditional narratives of U.S. politics, black Republicans left an indelible mark on the history of their party, the civil rights movement, and twentieth-century political development. Black Republicans and the Transformation of the GOP marshals an impressive amount of archival material at the national, state, and municipal levels in the South, Midwest, and West, as well as in the better-known Northeast, to open up new avenues in African American political history.

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The prevailing notion that the best government is achieved through principles of management and business practices is hardly new - it echoes the early twentieth-century "gospel of efficiency" challenged by Dwight Waldo in 1948 in his path-breaking book, "The Administrative State". Asking, "Efficiency for what?", Waldo warned that public administrative efficiency must be backed by a framework of consciously held democratic values. "Revisiting Waldo's Administrative State" brings together a group of distinguished authors who critically explore public administration's big ideas and issues and question whether contemporary efforts to "reinvent government", promote privatization, and develop new public management approaches constitute a coherent political theory capable of meeting the complex challenges of governing in a democracy. Taking Waldo's book as a starting point, the authors revisit and update his key concepts and consider their applicability for today. The book follows Waldo's conceptual structure, first probing the material and ideological background of modern public administration, problems of political philosophy, and finally particular challenges inherent in contemporary administrative reform. It concludes with a look ahead to "wicked" policy problems - such as terrorism, global warming, and ecological threats - whose scope is so global and complex that they will defy any existing administrative structures and values. Calling for a return to conscious consideration of democratic accountability, fairness, justice, and transparency in government, the book's conclusion assesses the future direction of public administrative thought. This book can stand alone as a commentary on reconciling democratic values and governance today or as a companion when reading Waldo's classic volume.

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