Search results for ""Author Francis"

Ordered to join the Pacific Squadron in 1854, the sloop of war Decatur sailed from Norfolk, Virginia, through the Strait of Magellan to Valparaiso, Honolulu, and Puget Sound, then on to San Francisco, Panama, Nicaragua, and Costa Rica, while serving in the Pacific until 1859, the eve of the Civil War. Historian Lorraine McConaghy presents the ship, its officers, and its crew in a vigorous, keenly rendered case study that illuminates the forces shaping America's antebellum navy and foreign policy in the Pacific, from Vancouver Island to Tierra del Fuego. One of only five ships in the squadron, the Decatur participated in numerous imperial adventures in the Far West, enforcing treaties, fighting Indians, suppressing vigilantes, and protecting commerce. With its graceful lines and towering white canvas sails, the ship patrolled the sandy border between ocean and land. Warship under Sail focuses on four episodes in the Decatur's Pacific Squadron mission: the harrowing journey from the Atlantic to the Pacific Ocean through the Strait of Magellan; a Seattle war story that contested American treaties and settlements; participation with other squadron ships on a U.S. State Department mission to Nicaragua; and more than a year spent anchored off Panama as a hospital ship. In a period of five years, more than 300 men lived aboard ship, leaving a rich record of logbooks, medical and punishment records, correspondence, personal journals, and drawings. Lorraine McConaghy has mined these records to offer a compelling social history of a warship under sail. Her research adds immeasurably to our understanding of the lives of ordinary men at sea and American expansionism in the antebellum Pacific West.

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In the late nineteenth century, an era in which social mobility was measured almost exclusively by the success of men, Irish American women were leading their ethnic group into the lower middle class occupations of civil service, teaching, and health care. Unlike their immigrant mothers who became servants of the rich, Irish American daughters became servants of the poor by teaching in public school classrooms. The remarkable success of Irish American women was tied to their educational achievements. Unlike many of their contemporaries, the daughters of Irish America attended four-year academic programs in high schools, followed by two to three years of normal school training. By the first decade of the twentieth century, Irish American women were the largest single ethnic group among public elementary school teachers in cities such as Boston, Chicago, and San Francisco. Janet Nolan argues that the roots of this female-driven mobility can be traced to immigrant women's education in Ireland. Armed with the literacy and numeracy learned in Irish schools, Irish immigrant women in America sent their daughters, more than their sons, to school in preparation for professional careers. As a result, Nolan contends, Irish American women entered white-collar work at least a generation before their brothers. Servants of the Pooris a pioneering work which looks at the teaching profession at the turn of the century from the perspective of the women who taught in Irish and American classrooms. Drawing on previously unpublished archival and manuscript sources, including memoirs and letters, Servants of the Poor will be of considerable value to those interested in Irish, Irish American, educational, and women's history.

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Mountains Beyond Mountains meets Tattoos On the Heart in this unforgettable, powerful, and stunningly-told memoir of a struggling veterinarian saving animals and humans on the streets of California - and how he discovered what bonds all living creatures.Dr. Kwane Stewart was questioning his career as a veterinarian when he saw a homeless man with a flea-infested dog outside of a convenience store. In a moment of spontaneous generosity, he offered to examine the dog and treat him for free. It was the first step in a now nine-year journey that has taken Dr. Kwane from Skid Row to San Francisco and beyond to care for pets and their humans who are living on the streets.In What It Takes to Save a Life, Dr. Kwane shows how our four-legged, feathered, scaled, and swimming family members—these dogs, cats, birds, reptiles, and other animals that live side by side with us—provide more than companionship. They offer essential love, hope, and a sense of security.Written with striking honesty and rich detail, Dr. Kwane looks back on his childhood, how he discovered his appreciation for animals and his calling, and offers a frank assessment of the state of veterinary medicine today, where compassion fatigue, burnout, and suicide are facts of life. Full of warm and inspiring stories of human-animal relationships, this powerful and eye-opening book is a reminder that we are all members of a wider family. It is also a clarion call for each of us to help those in need—especially our most vulnerable brothers and sisters—and the animals who are their families. Wise and warm, Dr. Stewart's story is a reminder that one life can make an immeasurable difference.

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This book tells the story of the various Allied operations and schemes instigated to keep Spain and Portugal out of WWII, which included the widespread bribery of high ranking Spanish officials and the duplicity of Admiral Wilhelm Canaris, head of the Abwehr.Ian Fleming and Alan Hillgarth were the architects of Operation Golden Eye, the sabotage and disruption scheme that would be put in place had Germany invaded Spain. Fleming visited the Iberian Peninsula and Tangiers several times during the war, arguably his greatest achievement in WWII and the closest he came to being a real secret agent. It was these visits which supplied much of the background material for his fiction – Fleming even called his home on Jamaica where he created 007 'Goldeneye'.The book begins with Hitler's dilemma about which way to move, and his meeting with Francisco Franco at Hendaye in October 1940, a major turning point in the war when an alliance between Germany and Spain seemed possible. Simmons explores the British reaction to this, with Operation Tracer being created by Admiral Godfrey, head of Naval Intelligence. This was a plan to leave a listening and observation post buried in the Rock of Gibraltar should it have fallen to the Germans. A chapter is also devoted to Portugal – the SIS and SOE operations there and the vital Wolfram wars. Operation Golden Eye was eventually put on standby in 1943 as the risk of the Nazis occupying Spain was much reduced. Simmons consulted Foreign Office, SOE, CIA and OKW files when writing this book.

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A fascinating account of the growing "Yes in My Backyard" urban movement The exorbitant costs of urban housing and the widening gap in income inequality are fueling a combative new movement in cities around the world. A growing number of influential activists aren’t waiting for new public housing to be built. Instead, they’re calling for more construction and denser cities in order to increase affordability. Yes to the City offers an in-depth look at the “Yes in My Backyard” (YIMBY) movement. From its origins in San Francisco to its current cadre of activists pushing for new apartment towers in places like Boulder, Austin, and London, Max Holleran explores how urban density, once maligned for its association with overpopulated slums, has become a rallying cry for millennial activists locked out of housing markets and unable to pay high rents.Holleran provides a detailed account of YIMBY activists campaigning for construction, new zoning rules, better public transit, and even candidates for local and state office. YIMBY groups draw together an unlikely coalition, from developers and real estate agents to environmentalists, and Holleran looks at the increasingly contentious battles between market-driven pragmatists and rent-control idealists. Arguing that advocates for more housing must carefully weigh their demands for supply with the continuing damage of gentrification, he shows that these individuals see high-density urbanism and walkable urban spaces as progressive statements about the kind of society they would like to create.Chronicling a major shift in housing activism during the past twenty years, Yes to the City considers how one movement has reframed conversations about urban growth.

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Fifteen-year-old Elena lives in a church attic in San Francisco’s Richmond neighborhood, where she is cared for by her guardian, a kind Russian priest named Father Al. Six days a week, Father Al sends her out of Our Lady, across the meadows and ponds of Golden Gate Park, and all the way to Baba Vera’s house on Taraval Street for Baba’s version of school.Unlike regular school, however, Elena’s learning is unnerving. Baba Vera’s preposterous demands, dizzying antics, and house—which is full of skeletons, brooms, strange implements, and guinea pigs, among other oddities—seem straight out of a Russian fairy tale Father Al used to read to Elena . . . not life in 2020. If not for her beloved doll, Kukla—bequeathed to her by the mother she never got to know, but of whom she often dreams—Elena would be overwhelmed. Yet she works hard at every task given her, understanding intuitively that there is a purpose to every one of her grandmother’s strange assignments.Frank, a young taxi driver, enters Elena’s world on the day he delivers a strange, witch-like woman named Anya to Our Lady. Upon meeting Anya and Elena, a dream-world begins to spin for him—and he feels a deep, protective pull toward Elena. In the days that follow, Frank devotes himself to saving her from the harm he is sure Anya intends toward her. What he comes to understand, as he enters more deeply into Elena’s story, is that she has magic of her own. He thought he was supposed to save her—but in the end, the two of them may just save each other.

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Though central to the social, political, and cultural life of the nineteenth-century city, the urban volunteer fire department has nevertheless been largely ignored by historians. Redressing this neglect, Amy Greenberg reveals the meaning of this central institution by comparing the fire departments of Baltimore, St. Louis, and San Francisco from the late eighteenth to the mid-nineteenth century. Volunteer fire companies protected highly flammable cities from fire and provided many men with friendship, brotherhood, and a way to prove their civic virtue. While other scholars have claimed that fire companies were primarily working class, Greenberg shows that they were actually mixed social groups: merchants and working men, immigrants and native-born--all found a common identity as firemen. Cause for Alarm presents a new vision of urban culture, one defined not by class but by gender. Volunteer firefighting united men in a shared masculine celebration of strength and bravery, skill and appearance. In an otherwise alienating environment, fire companies provided men from all walks of life with status, community, and an outlet for competition, which sometimes even led to elaborate brawls. While this culture was fully respected in the early nineteenth century, changing social norms eventually demonized the firemen's vision of masculinity. Greenberg assesses the legitimacy of accusations of violence and political corruption against the firemen in each city, and places the municipalization of firefighting in the context of urban social change, new ideals of citizenship, the rapid spread of fire insurance, and new firefighting technologies. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A detailed history of the commemorations of US activist involvement in the Spanish Civil War, based on a combination of archival and ethnographic evidence. Nostalgia can serve as a vital tool in the emotional reconstitution and preservation of suppressed histories, rather than sentimentally privileging the past at the expense of present concerns and limiting a culture's progressive potential. Between 1936 and 1938, responding to a military coup in Spain led by Francisco Franco with the support of both Hitler and Mussolini, over 2700 US anti-fascists joined 30,000 volunteers from around the world to form the International Brigade. They came together to defend the democratically elected Spanish government against this early manifestation of the fascist Axis. After three bloody years, Franco's rebellion succeeded, and his dictatorship lasted until his death in 1975. From the moment the first American volunteers returned home, and to this day, they have been holding commemorative events recalling the struggle. For nearly seventy years, the Veterans of the Abraham Lincoln Brigade have cited and re-cited their activist past in theatrically eclectic, highly emotional commemorative performances, a site for both nostalgia and progressive politics. Literary recitations, scripted dramatic pieces, songs, films, photographs, and celebrity appearances have been juxtaposed with speeches, fundraising, and a rigorous attention to pressing political and social concerns of the day. The history and content of these events isdetailed and analyzed here based on a combination of archival and ethnographic evidence. The exemplary role of songs from the war, as both nostalgic triggers and historical artifacts, is also examined. Commemorations of theSpanish Civil War have provided necessary anchors for a period in U.S. history when views now thought extreme were an accepted part of mass political discourse. Through this rich, inter-generational performance practice, a marginalized, vernacular political minority has deployed radical nostalgia as a necessary corrective to an official culture disinterested in America's leftist past, and threatened by its implications. Peter Glazer is Associate Professor in the Department of Theater, Dance, and Performance Studies at the University of California, Berkeley.

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Walking the Stations of the Cross, the Christian faithful re-create the Passion, following the sorrowful path of Jesus Christ from condemnation to crucifixion. While this devotion, now so popular in the Catholic Church and many Protestant denominations, first emerged in Jerusalem and began spreading through Western Europe in the fourteenth century, it did not assume its current form, and earn the Church’s formal recognition, until almost three centuries later. It was at this time, in the last decades of the seventeenth century, that a Franciscan friar in colonial Mexico translated a devotional guide to the Stations of the Cross into the native Nahuatl. This little handbook, Fray Agustin de Vetancurt’s Via crucis en mexicano, proved immensely popular, going through two editions, but survives today only in a copy made by a native scribe from Central Mexico. Reproduced here in Nahuatl and English, Vetancurt’s handbook offers unique insight into the history, the practice, and the meaning of the Stations of the Cross in the New World and the Old. With the Via crucis en mexicano as a starting point, John F. Schwaller explores the history of the development and spread of the Stations of the Cross, placing the devotion in the context of the Catholic Reformation and the Baroque, the two trends that exalted this type of religious expression. He describes how the devotion, exported to New Spain in the sixteenth century, was embraced by Spanish and natives alike. For the native Americans, Schwaller suggests, the Via crucis resonated because of its performative aspects, reminiscent of rituals and observances from before the arrival of the Spanish. And for missionaries, the devotion offered a means of deepening the faith of the newly converted. In Schwaller’s deft analysis—which extends from the origins of the devotion, to the processions and public rituals of the Mexica (Aztecs), to the text and illustrations of the Vetancurt manuscript—the Via crucis en mexicano opens a window on the practice and significance of the Stations of the Cross—and of private devotions generally—in Mexico, Hispanic America, and around the world.

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Through a fascinating discussion of religion's role in the rhetoric of American civilizing empire, The Imperial Church undertakes an exploration of how Catholic mission histories served as a useful reference for Americans narrating US settler colonialism on the North American continent and seeking to extend military, political, and cultural power around the world. Katherine D. Moran traces historical celebrations of Catholic missionary histories in the upper Midwest, Southern California, and the US colonial Philippines to demonstrate the improbable centrality of the Catholic missions to ostensibly Protestant imperial endeavors. Moran shows that, as the United States built its continental and global dominion and an empire of production and commerce in the Gilded Age and Progressive Era, Protestant and Catholic Americans began to celebrate Catholic imperial pasts. She demonstrates that American Protestants joined their Catholic compatriots in speaking with admiration about historical Catholic missionaries: the Jesuit Jacques Marquette in the Midwest, the Franciscan Junípero Serra in Southern California, and the Spanish friars in the Philippines. Comparing them favorably to the Puritans, Pilgrims, and the American Revolutionary generation, commemorators drew these missionaries into a cross-confessional pantheon of US national and imperial founding fathers. In the process, they cast Catholic missionaries as gentle and effective agents of conquest, uplift, and economic growth, arguing that they could serve as both origins and models for an American civilizing empire. The Imperial Church connects Catholic history and the history of US empire by demonstrating that the religious dimensions of American imperial rhetoric have been as cross-confessional as the imperial nation itself.

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In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)

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Costume jewellery is commonly understood to mean fashionable yet affordable adornments made from non-precious material. Originating in in mid-1700s France with the rise of the bourgeoise, the earliest 'costume jewellery' mimicked fine jewellery styles. Since then, costume jewellery has always been evolving. From Victorian sentimentalism to the mass-produced ornaments available today, costume jewellery has developed into an artform in its own right. An encyclopaedic study of its history is long overdue. Flush with expert information, identification tips and historical anecdotes, Adorning Fashion explores the development of costume jewellery across the past four centuries. The styles of each era - Victorian, Edwardian, Arts & Crafts, Jugenstil, Art Nouveau, and each decade of the twentieth century - are given individual attention. Production methods are also explained in depth. Alloys and gilded electroplating can mimic silver and gold, while the refraction index of treated glass can, to the untrained eye, be mistaken for diamond. Adorning Fashion discusses the contributions of a remarkable roster of designers and innovators, including Kokichi Mikimoto, Arthur L. Liberty, Carlo Giuliano, René Lalique, Elizabeth Bonté, the Castellani brothers, Jean Fouquet, Jean Després, Fulco di Verdura, Jean Schlumberger, Salvador Dalí, Miriam Haskell, Lina Baretti, Countess Cissy Zoltowska, Line Vautrin, Kenneth Jay Lane, Francisco Rebajes, Diane Love, Christian Dior, Balenciaga, Chanel, Van Cleef & Arpels, Paco Rabanne, Yves Saint Laurent, Napier, Haskell, Trifari, Brania, Bulgari, Versace and more.

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A contributor to Donald Allen's seminal New American Poetry anthology, John Wieners was on the periphery of many of the twentieth century's most important avant-garde poetry scenes, from Black Mountain and the Boston Renaissance to the New York School and the SF Renaissance. Having achieved cult status among poets, Wieners has also become known for the compelling nature of his journals, a mixture of early drafts of poems, prose fragments, lists, and other fascinating minutiae of the poet's imagination. Stars Seen in Person: Selected Journals of John Wieners collects four of his previously unpublished journals from the period between 1955 and 1969. The first journal depicts a young, openly gay, self-described "would-be poet" dashing around bohemian Boston with writer and artist friends, pre-drugs and pre-fame. By the last book, decimated by repeated institutionalization (the first for drug-related psychosis, the rest the consequence of the first) and personal tragedies, Wieners is broken down and in great pain, but still writing honestly and with detail about the life he's left with. These journals capture a post-war bohemian world that no longer exists, depicted through the prism of Wieners' sense of glamour. Praise for Stars Seen in Person: "Like Rimbaud in Season in Hell, or Baudelaire with Intimate Journals, there's an unguarded spark and trust in John Wieners because impulse and imagination reign supreme. In 1955 he writes, "I shall try the only true thing I want to do. I shall go to my poems." Predating The Hotel Wentley Poems, moving through Ace of Pentacles, and ushering us into his life before Nerves, Stars Seen in Person further illuminates John as our future/former best unkept secret."--Micah Ballard "Thanks to Michael Seth Stewart's editorial legerdemain, at long last we have the magnificent John Wieners here before us, in his full undressed splendor: poet, stargazer, philosopher, shaman, flaneur, survivor. His journals----an inspiring monument, filled with taut provocations and purple illuminations----are valuable as cultural history, as lyric performance, as uninhibited autobiography, and as a motley, genre-defying epitome of gesamtkunstwerk aesthetic possibilities that seem as fresh and enticing as anything being dreamt up today." --Wayne Koestenbaum "These pages of notebooks and poetry--so exhaustively exhumed and returned to light and breath--are equivalent to Rilke's Letters to a Young Poet, but in reverse. John Wieners (forever young) evolved through his prose notes towards a sustained poetics of adolescence, holding that tormented phase on a long unyielding band-wave, resisting the sop of adult living with all his might and undergoing the inevitable punishments that such persistence brings."--Fanny Howe "John Wieners remains one of the best poets of my generation. His work & life continue to influence younger poets. These journals reveal his deep commitment to poetry & the poem; they contextualize his constant questing & devotion to the art. I knew John during many of the periods his journals cover &, as always, remain amazed & moved by his deeply examined honesty & purity."--David Meltzer John Wieners studied with Charles Olson at Black Mountain College, and later edited the small magazine Measure. He lived for a year and a half in San Francisco, where he wrote his breakthrough book, Hotel Wentley Poems (1958). In the early seventies he settled into an apartment on Boston's Beacon Hill, where he lived and wrote until his death in 2002.

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The volume tells the story of Lichfield and its neighbourhood from Romano-British times to the late 20th century. Lichfield was first mentioned in the mid 7th century and was chosen as a see in 669A.D. with St. Chad as its first bishop. A cathedral has stood there ever since, much rebuilt and restored over the centuries and noted for its three spires, 'the ladies of the vale'. Until the Reforma-tion St. Chad's shrine attracted a stream of pil-grims. The cathedral and its medieval fortified close were garrisoned by both sides during the Civil War and suffered great damage and losses. There are two other early churches, St. Chad's which is associated with the saint's dwelling place,and St. Michael's on the hilltop site where there may once have been a pagan sanctuary. The city itself originated as a new town planted by the bishop in the mid 12th century. In the mid 16th century it was granted city and county status by the Crown. A church dedicated to St. Mary was built in the market place, and other medieval institutions included a Franciscan friary, an almshouse for men and another for women which both survive, and an important religious and social guild. On the eve of the guild's suppression at the Reformation much of its landed property was conveyed in trust for the maintenance of the city's medieval water supply and for other needs. As a result Lichfield has for centuries enjoyed private-enterprise public services, and the Conduit Lands Trust is still active. In the 18th century Lichfield was a centre for polite society with its races attracting many visitors. In the 19th century there was industrial development, notably in the brewing industry. The later 20th century has seen the growth of light industry and also extensive residential development, with a nearly threefold increase in the city's population. Tourism too has been encouraged and is associated particularly with Samuel Johnson, born in the city in 1709. The volume also covers seven former townships lying outside the city but once part of the Lich-field parishes of St. Michael and St. Chad. They include Wall with its Romano-British remains, Fisherwick which once possessed a mansion and park by Capability Brown, and the urban parish of Burntwood containing the former mining village of Chasetown and Chase Terrace; the others are Curborough and Elmhurst, Freeford, Hammer-wich, and Streethay with Fulfen.

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The Beatles' North American tours turned the entertainment business on its ear and forever changed the landscape of the concert touring industry. In February 1964 after finally achieving a number-one hit in America the Fab Four came to the country with high hopes performing on the wildly popular ÊEd Sullivan ShowÊ in both New York City and Miami and playing concerts at Carnegie Hall and the Washington Coliseum. In just fifteen short days the Beatles conquered America. The Beatles made music-entertainment history with their North American tours from 1964 to 1966.ÞÊSome Fun Tonight! The Backstage Story of How the Beatles Rocked America: The Historic Tours of 1964-1966Ê is a comprehensive two-volume set which gives you a city-by-city synopsis of the group's activities as they traveled the United States and Canada for their groundbreaking series of concerts. From San Francisco's Cow Palace show on August 19 1964 through their last-ever live performances at that city's famed Candlestick Park on August 29 1966 these books cover the music and the madness that characterized the Beatles' three North American tours. With hundreds of photographs and images of rare memorabilia it is truly the definitive reference for what is arguably the most important period in the Beatles' long and winding career. You'll read about the behind-the-scenes negotiations the mayhem at the airports and hotels and the cheeky quotes delivered at the press conferences. You'll also read about the opening acts the concerts and the stories behind the shows through the eyes of the Beatles their entourage the promoters the emcees and the fans. Never before have the Beatles' North American concerts been covered in such depth.ÞIf you witnessed the mania firsthand you'll relive the excitement in the pages of these books. If you were born too late to be a part of those halcyon days you'll learn what it was like to be swept up and carried away by the phenomenon of the greatest musical act of all time. When all is said and done ÊSome Fun TonightÊ is a tribute to the fans ä the first generation and beyond. Look carefully at the faces of the fans in this book; they may be your friends parents grandparents ä or even you! ä but together they made Beatlemania happen. Fasten your seat belt and enjoy this comprehensive history!

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Leopold Kerney was one of the most influential diplomats of twentieth-century Irish history. This book presents the first comprehensive biography of Kerney's career in its entirety from his recruitment to the diplomatic service to his time in France, Spain, Argentina, and Chile. Barry Whelan’s work provides fascinating new perceptions of Irish diplomatic history at seminal periods of the twentieth century, including the War of Independence, the Irish Civil War, the Anglo-Irish Economic War, the Spanish Civil War, and World War II, from an eyewitness to those events. Drawing on over a decade of archival research in repositories in France, Germany, Britain, Spain, and Ireland, as well as through unique and unrestricted access to Kerney's private papers, Whelan successfully challenges previously published analyses of Kerney's work and debunks many of the perceived controversies surrounding his career. Ireland's Revolutionary Diplomat brings to life Kerney's connections with leading Irish figures from the revolutionary generation including Michael Collins, Ernest Blythe, George Gavan Duffy, Desmond FitzGerald, Arthur Griffith, and Seán T. O’Kelly, as well as his diplomatic colleagues in the service. More importantly, the book illuminates the decades-long friendship Kerney enjoyed with Éamon de Valera—the most important Irish political figure of the twentieth century—and shows how the "Chief" trusted and rewarded his friend throughout their long association. The book offers a fresh understanding of the Department of External Affairs and critically assesses the roles of Joseph Walshe, secretary of the department, as well as Colonel Dan Bryan, director of G2 (Irish Army Military Intelligence), who both conspired to destroy Kerney's reputation and career during and after World War II. Whelan sheds new light on other events in Kerney's career, such as his confidential reports from fascist Spain that exposed General Francisco Franco's crimes against his people. Whelan challenges other events previously seen by some historians as controversial, including Kerney’s major role in the Frank Ryan case, his contact with senior Nazi figures, especially Dr. Edmund Veesenmayer and German military intelligence, and his libel case against an acclaimed Irish historian Professor Desmond Williams. This book offers new observations on how Nazi Germany tried to utilize Kerney, unsuccessfully, as a liaison between the Irish government and Hitler’s regime. Captured German documents reveal the extent of this secret plan to alter Irish neutrality during World War II, which concerned both Adolf Hitler and the leading Nazis of his regime.

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The feel-good romantic comedy hit! Perfect for fans of Sophie Kinsella, Lindsey Kelk and Sophie Ranald.Readers can't stop raving about The Prenup! ⭐ ⭐ ⭐ ⭐ ⭐ 'Sweet, sassy, sparkling!''My absolute favourite''A perfect easy-reading, cheer-you-up, read''Lauren's books take you on a journey of love, laughter and unexpected twists''The sweetest and most amazing book''There are books that make you want to stay curled up until you finish them, and this is one of those'....................................................................LOVE WASN'T PART OF THE DEAL FOR THIS MARRIAGE...My name is Charlotte Spencer and, ten years ago, I married my brother's best friend. I haven't seen him since. Charlotte Spencer grew up on the blue-blooded Upper East Side of Manhattan but she never wanted the sit-still-look-pretty future her parents dictated for her. Enter Colin Walsh, her brother's quiet, brooding, man-bun-sporting best friend, and with him a chance to escape. He's far from Charlotte's dream guy but they need each other for one thing: marriage. One courthouse wedding later, Charlotte's inheritance is hers to start a business in San Francisco and Irish-born Colin has a Green Card. Ten years later, Colin drops a bombshell: the terms of their prenup state that before either can file for divorce, they have to live under the same roof for three months. Suddenly this match made in practicality is about to take on whole new meaning.......................................................................More raves for The Prenup!'Layne does it again with this sexy, sassy romantic comedy with all the feels!' JENNIFER PROBST'Utterly charming. With non-stop wit, this feel-good romance pays homage to the old-school rom-coms we all loved so much' RS GREY'Layne's best work yet' RACHEL VAN DYKEN'One beautifully written bundle of fun wit and real emotion' NOELLE ADAMS'Lauren Layne's voice sparkles in The Prenup. With its sharp humor, easy banter and toe-curling sexual tension, it's the ultimate LL experience' JESSICA LEMMONWant more fun, fresh, flirty and very sexy rom-com? Check out all of Lauren's books! Don't miss:You, AgainMade In ManhattanTo Sir, With LoveThe Central Park Pact seriesOxford seriesWedding Belles seriesI Do, I Don't seriesLove, Unexpectedly series

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Lyrical and unforgettable, part elegy and part memoir, we present a previously unpublished masterpiece from the Beat Generation icon. Simultaneously released with an expanded edition of di Prima's classic Revolutionary Letters on the one-year anniversary of her passing.In the autumn of 1964, Diane di Prima was a young poet living in New York when her dearest friend, dancer, choreographer, and Warhol Factory member, Freddie Herko, leapt from the window of a Greenwich Village apartment to a sudden, dramatic, and tragic death at the age of 29. In her shock and grief, di Prima began a daily practice of writing to Freddie. For a year, she would go to her study each day, light a stick of incense, and type furiously until it burned itself out.The narrative ranges over the decade from 1954—the year di Prima and Herko first met—to 1965, with occasional forays into di Prima's memories of growing up in Brooklyn. Lyrical, elegant, and nakedly honest, Spring and Autumn Annals is a moving tribute to a friendship, and to the extraordinary innovation and accomplishments of the period. Masterfully observed and passionately recorded, it offers a uniquely American portrait of the artist as a young woman in the heyday of bohemian New York City.One of The Millions' Most Anticipated Books of 2021.Praise for Spring and Autumn Annals:"The book is a treasure. Moving between the East Village, San Francisco, Topanga Canyon and Stinson Beach with young children, di Prima's life is unbelievably rich. She studies Greek, writes, prepares dinners and feasts, and co-edits Floating Bear magazine. Diane di Prima is one of the greatest writers of her generation, and this book offers a window into its lives."—Chris Kraus"Extolled by a writer who radically devoted herself to the experiential truth of beauty and intellect, in poverty and grace, in independent dignity, and in the community of Beat consciousness, Diane di Prima's Spring and Autumn Annals arrives as a long-lost charm of illuminated meditations to love, life, death, eros and selflessness. An essential 1960s text of visionary rapaciousness."—Thurston Moore"Freddie Herko wished for a third love before he died; and what a love is in this book's beholding, saying, and release. Di Prima's dancing narrative, propelled and circling at the speed of thought, picking up every name and detailed perception as a rolling tide, fills me with gratitude for the truth of her eye. Nothing gets past it, not even the 'ballet slippers letting in the snow.'"—Ana Božičević"A masterpiece of literary reflection, as quest to archive her dancer friend's life, to make art at all costs and the price dearly paid. Di Prima's observational capacity is profound, her devotion and loyalty assures her deserved place as a national treasure. She generously instills in us the call of poetic remembrance as an act of resistance, and gives voice to the marginalized participants in experimental cultural movements that carried courage in creative rebellion while envisioning freedom of the human spirit. Di Prima’s poetic memoir of the artist journey is a triumph. A must read and reread for years to come."—Karen Finley

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'Generous but unflinching, sweeping but intimate, fictional but true' KAREN JOY FOWLER. 'A brilliant requiem for our generation and all our dreams' GEORGE R.R. MARTIN. What happened to the idealism of the 1960s? This question has haunted a generation. Outside the Gates of Eden follows two men from their first meeting in high school to their final destination in the 21st century. Alex is torn between his father's business empire and his own artistic yearnings. Cole, constantly uprooted in his childhood, finds his calling at a Bob Dylan concert in 1965. From the Summer of Love in San Francisco to the Woodstock festival in upstate New York, from campus protests to the Soho art scene, from a communal farm in Virginia to the mariachis of Guanajuato, Mexico, the novel charts the rise and fall of the counterculture – and what came after. Using the music business as a window into the history of half a century, Outside the Gates of Eden is both epic and intimate, starkly realistic and ultimately hopeful, a War and Peace for the Woodstock generation. 'Shiner displays the panoramic historical consciousness of a Pynchon or DeLillo, and yet every page is suffused with a humble and scrupulous humanity... You simply live with his people and know them and love them' JONATHAN LETHEM. 'A page-turning tour de force. Anyone with a passion for rock and roll storytelling at its very best must not deny themselves the opportunity to read this tale. A masterpiece' IAIN MATTHEWS. 'A history of a generation seen through the lens of music' JOHN KESSEL.

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Since its initial publication, Loft Living has become the classic analysis of the emergence of artists as a force of gentrification and the related rise of “creative city” policies around the world. This 25th anniversary edition, with a new introduction, illustrates how loft living has spread around the world and that artists’ districts—trailing the success of SoHo in New York—have become a global tourist attraction. Sharon Zukin reveals the economic shifts and cultural transformations that brought widespread attention to artists as lifestyle models and agents of urban change, and explains their role in attracting investors and developers to the derelict loft districts where they made their home.Prescient and dramatic, Loft Living shows how a declining downtown Manhattan became a popular “scene,” how loft apartments became hot commodities for the middle class, and how investors, corporations, and rich elites profited from deindustrializing the city’s factory districts and turning them into trendy venues for art galleries, artisanal restaurants, and bars. However, this edition points out that the artists who led the trend are now priced out of the loft market. Even in New York, where the loft living market was born, artists have no legal claim on loft districts, nor do they get any preferential treatment in the harsh real estate market.From the story of SoHo in Lower Manhattan to SoWa in Boston and SoMa in San Francisco, Zukin explains how once-edgy districts are transformed into high-price neighborhoods, and how no city can restrain the juggernaut of rising property values.

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DIVINE ILLUMINATION “An important and ground-breaking study which links growing interest in Augustine and medieval philosophy with cutting-edge questions in contemporary philosophy of religion, particularly concerning epistemology and the ‘rationality’ of religion.” Janet Soskice, University of Cambridge “In this lucidly argued and solidly documented study, Schumacher uncovers the roots of problems notoriously besetting modern theories of knowledge in conflicting medieval interpretations of Augustine’s assumptions about knowledge as divine illumination: an intriguing thesis, which she handles with delicacy and flair.” Fergus Kerr, O.P. University of Edinburgh “Challenges the traditional history of theories of knowledge. A bold and provocative reading.” Olivier Boulnois, École Pratique des Hautes Études (University of Paris, Sorbonne) Divine Illumination offers an original interpretation of Augustine’s theory of knowledge, tracing its development in the work of medieval thinkers such as Anselm, Bonaventure, Thomas Aquinas, and John Duns Scotus. Although Scotus is often deemed responsible for finally pronouncing Augustine’s longstanding illumination account untenable, Schumacher shows that he only rejected a version that was the byproduct of a shift in the understanding of illumination and knowledge more generally within the thirteenth-century Franciscan school of thought. To reckon with the challenges in contemporary thought on knowledge that were partly made possible by this shift, Schumacher recommends relearning a way of thinking about knowledge that was familiar to Augustine and those who worked in continuity with him. Her book thus anticipates a new approach to dealing with debates in contemporary epistemology, philosophy of religion, and theology, even while correcting some longstanding assumptions about Augustine and his most significant medieval readers.

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The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images.In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,” there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).

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Taking its name from a line in the Wallace Stevens’ poem “The Gray Room,” Alec Soth’s latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren’t about any particular place or population. By a process of intimate and often extended engagement, Soth’s portraits and images of his subject’s surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer. “After the publication of my last book about social life in America, Songbook, and a retrospective of my four, large scale American projects, Gathered Leaves, I went through a long period of rethinking my creative process. For over a year I stopped traveling and photographing people. I barely took any pictures at all. When I returned to photography, I wanted to strip the medium down to its primary elements. Rather than trying to make some sort of epic narrative about America, I wanted to simply spend time looking at other people and, hopefully, briefly glimpse their interior life. In order to try and access these lives, I made all of the photographs in interior spaces. While these rooms often exist in far-flung places, it’s only to emphasize that these pictures aren’t about any place in particular. Whether a picture is made in Odessa or Minneapolis, my goal was the same: to simply spend time in the presence of another beating heart.” – Alec Soth Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Includes interview with Alec Soth by Hanya Yanagihara.

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Award-winning journalist Simran Sethi explores the history and cultural importance of our most beloved tastes, paying homage to the ingredients that give us daily pleasure, while providing a thoughtful wake-up call to the homogenization that is threatening the diversity of our food supply. Food is one of the greatest pleasures of human life. Our response to sweet, salty, bitter, or sour is deeply personal, combining our individual biological characteristics, personal preferences, and emotional connections. Bread, Wine, Chocolate illuminates not only what it means to recognize the importance of the foods we love, but also what it means to lose them. Award-winning journalist Simran Sethi reveals how the foods we enjoy are endangered by genetic erosion-a slow and steady loss of diversity in what we grow and eat. In America today, food often looks and tastes the same, whether at a San Francisco farmers market or at a Midwestern potluck. Shockingly, 95% of the world's calories now come from only thirty species. Though supermarkets seem to be stocked with endless options, the differences between products are superficial, primarily in flavor and brand. Sethi draws on interviews with scientists, farmers, chefs, vintners, beer brewers, coffee roasters and others with firsthand knowledge of our food to reveal the multiple and interconnected reasons for this loss, and its consequences for our health, traditions, and culture. She travels to Ethiopian coffee forests, British yeast culture labs, and Ecuadoran cocoa plantations collecting fascinating stories that will inspire readers to eat more consciously and purposefully, better understand familiar and new foods, and learn what it takes to save the tastes that connect us with the world around us.

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Marble Halls is about the great civic buildings that were designed in the style of Beaux-Arts classicism during the Gilded Age (1865–1918) and about the City Beautiful movement that was intended to improve the setting for the buildings and the urban environment for the people. The Industrial Revolution, which arrived belatedly in the United States, provided the wealth required for grand architecture, and the classical Beaux-style was imported from Paris to serve as a veneer to a society that saw itself as brash and culturally unrefined. Major buildings, from New York City to San Francisco and from St. Paul, MN, to Jacksonville, FL, are discussed as the creations of architects such as McKim, Mead & White, Richard Morris Hunt, and Cass Gilbert with exteriors enhanced by the sculptures of Daniel Chester French and Augustus Saint-Gaudens. But the interiors, too, received rich ornamentation as America saw the rise of its first real school of mural painters whose work was often complemented by the art of the mosaic-maker and the stained-glass window-maker; the Gilded Age was the era that saw the formation of a national association of mural painters and a national sculpture society, as well as national, state and local agencies and commissions to oversee the quality of work in civic buildings. All collaborated to produce the glorious grandeur that Americans believed reflected their proper place as a new power that arose on the world stage, in politics, economics, and military adventurism. Federal buildings, state houses, court houses, train stations, libraries and art museums are discussed as contributors to the City Beautiful movement and to the assertive personality of the new American.

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A lavishly illustrated account of the buildings of the friars in the middle ages, bringing them vividly to life. with contributions from Ian M. Betts, Jens Röhrkasten, Mark Samuel, and Christian Steer. Nominated for the Current Archaeology Book of the Year Award 2019 The friaries of medieval London formed an important partof the city's physical and spiritual landscape between the thirteenth and sixteenth centuries. These urban monasteries housed 300 or more preacher-monks who lived an enclosed religious life and went out into the city to preach. The most important orders were the Dominican Black friars and the Franciscan Grey friars but London also had houses of Augustine, Carmelite and Crossed friars, and, in the thirteenth century, Sack and Pied friars. This book offers an illustrated interdisciplinary study of these religious houses, combining archaeological, documentary, cartographic and architectural evidence to reconstruct the layout and organisation of nine priories. After analysing anddescribing the great churches and cloisters, and their precincts with burial grounds and gardens, it moves on to examine more general historical themes, including the spiritual life of the friars, their links to living and dead Londoners, and the role of the urban monastery. The closure of these friaries in the 1530s is also discussed, along with a brief revival of one friary in the reign of Mary. NICK HOLDER is a historian and archaeologist at English Heritage and the University of Exeter. He has written extensively on medieval and early modern London. IAN M. BETTS is a building materials specialist at Museum of London Archaeology; JENS ROHRKASTEN was Lecturer in Medieval History at the University of Birmingham; MARK SAMUEL is an independent architectural historian; CHRISTIAN STEER is an independent historian, specialising in burials in medieval churches.

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Hold On to Your Dreams is the first biography of the musician and composer Arthur Russell, one of the most important but least known contributors to New York's downtown music scene during the 1970s and 1980s. With the exception of a few dance recordings, including "Is It All Over My Face?" and "Go Bang! #5", Russell's pioneering music was largely forgotten until 2004, when the posthumous release of two albums brought new attention to the artist. This revival of interest gained momentum with the issue of additional albums and the documentary film Wild Combination. Based on interviews with more than seventy of his collaborators, family members, and friends, Hold On to Your Dreams provides vital new information about this singular, eccentric musician and his role in the boundary-breaking downtown music scene. Tim Lawrence traces Russell's odyssey from his hometown of Oskaloosa, Iowa, to countercultural San Francisco, and eventually to New York, where he lived from 1973 until his death from AIDS-related complications in 1992. Resisting definition while dreaming of commercial success, Russell wrote and performed new wave and disco as well as quirky rock, twisted folk, voice-cello dub, and hip-hop-inflected pop. “He was way ahead of other people in understanding that the walls between concert music and popular music and avant-garde music were illusory,” comments the composer Philip Glass. "He lived in a world in which those walls weren't there." Lawrence follows Russell across musical genres and through such vital downtown music spaces as the Kitchen, the Loft, the Gallery, the Paradise Garage, and the Experimental Intermedia Foundation. Along the way, he captures Russell's openness to sound, his commitment to collaboration, and his uncompromising idealism.

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As a child, Solveig Torvik heard stories of a lost, mysterious great-grandfather who left Finland for America to make his fortune - leaving Torvik’s great-grandmother and his unborn daughter behind. As a reporter, Torvik determined to discover the fate of the man who followed his dreams to Oregon. She uncovered not only the story of one man, but also the saga of an entire family. In Nikolai’s Fortune, a tale of Scandinavian women, the journalist turns fact into fiction and shares the tales of her ancestors as she imagines they would have told them. Nikolai's Fortune is a heartbreaking, multigenerational epic, chronicling family secrets and sufferings against the backdrop of Scandinavian history and culture. Blending memoir and historical fiction, grandmother, mother, and daughter each share their own story: Kaisa, of her mother’s love for Nikolai and her own 500-mile trek at the age of twelve from impoverished Finland across the snowy mountains of Lapland; Berit, of child slavery and an obsession with seeking out her grandfather’s fortune for her mother; and Hannah, the voice of Torvik, of her childhood during the Nazi occupation of Norway and her family’s emigration to Idaho. Through detailed historical research into census, church, and weather records, as well as academic and museum sources, Torvik recaptures a dramatic story nearly lost to memory and inherits something worth more than a fortune in riches – a sense of her family history, ethnic background, and the generations of remarkable women who came before her. Norwegian-born Solveig Torvik was a reporter, editor, and columnist at the Seattle Post-Intelligencer for thirty years. She was also a reporter for United Press International in Salt Lake City and for the San Francisco Chronicle, and an editor at the San Jose Mercury News.

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____________________________ A moving celebration of what Bill Hayes calls 'the evanescent, the eavesdropped, the unexpected' of life in New York City, and an intimate glimpse of his relationship with the late Oliver Sacks. ____________________________ 'A beautiful memoir in which Oliver Sacks comes wonderfully to life ... Exquisitely wrought, heartrending and joyous' - Joyce Carol Oates 'A loving tribute to Sacks and to New York ... Read just 50 pages, and you’ll see easily enough how Hayes is Sacks’s logical complement' - Jennifer Senior, New York Times ____________________________ Bill Hayes came to New York in 2009 with a one-way ticket and only the vaguest idea of how he would get by. But, at forty-eight years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city’s incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera. And he unexpectedly fell in love again, with his friend and neighbor, the writer and neurologist Oliver Sacks, whose exuberance is captured in funny and touching vignettes throughout. What emerges is a portrait of Sacks at his most personal and endearing, from falling in love for the first time at age seventy-five to facing illness and death (Sacks died of cancer in August 2015). Insomniac City is both a meditation on grief and a celebration of life. Filled with Hayes’s distinctive street photos of everyday New Yorkers, the book is a love song to the city and to all who have felt the particular magic and solace it offers. ____________________________ 'A unique and exuberant celebration of life and love' - Kirkus Reviews

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"I listen and gather people's stories. Then I write them down in a way that I hope will communicate something to others, so that seeing these stories will give readers something of value. I tell myself that this isn't going to be done unless I do it, just because of who I am. It's a way of making my mark, leaving something behind . . . not that I'm planning on going anywhere right now." So explains Stephen Murphy-Shigematsu in this touching, introspective, and insightful examination of mixed race Asian American experiences. The son of an Irish American father and Japanese mother, Murphy-Shigematsu uses his personal journey of identity exploration and discovery of his diverse roots to illuminate the journeys of others. Throughout the book, his reflections are interspersed among portraits of persons of biracial and mixed ethnicity and accounts of their efforts to answer a seemingly simple question: Who am I? Here we meet Norma, raised in postwar Japan, the daughter of a Japanese woman and an American serviceman, who struggled to make sense of her ethnic heritage and national belonging. Wei Ming, born in Australia and raised in the San Francisco of the 1970s and 1980s, grapples as well with issues of identity, in her case both ethnic and sexual. We also encounter Rudy, a "Mexipino"; Marshall, a "Jewish, adopted Korean"; Mitzi, a "Blackinawan"; and other extraordinary people who find how connecting to all parts of themselves also connects them to others. With its attention on people who have been regarded as "half" this or "half" that throughout their lives, these stories make vivid the process of becoming whole.

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Forever immortalized in the television series Mad Men, the mid-twentieth century marketing world influenced nearly every aspect of American culture--music, literature, politics, economics, consumerism, race relations, gender, and more. In Engineered to Sell, Jan Logemann traces the transnational careers of consumer engineers in advertising, market research and commercial design who transformed capitalism, from the 1930s through the 1960s. He argues that the history of marketing consumer goods is not a story of American exceptionalism. Instead, the careers of immigrants point to the limits of the "Americanization" paradigm. First, Logemann explains the rise of a dynamic world of goods by emphasizing changes in marketing approaches increasingly tailored to consumers. Second, he looks at how and why consumer engineering was shaped by transatlantic exchanges. From Austrian psychologists and little-known social scientists to the illustrious Bauhaus artists, the migr s at the center of this story illustrate the vibrant cultural and commercial connections between metropolitan centers: Vienna and New York; Paris and Chicago; Berlin and San Francisco. These mid-century consumer engineers crossed national and disciplinary boundaries not only within arts and academia but also between governments, corporate actors, and social reform movements. By focusing on the transnational lives of migr consumer researchers, marketers, and designers, Engineered to Sell details the processes of cultural translation and adaptation that mark both the mid-century transformation of American marketing and the subsequent European shift to "American" consumer capitalism.

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John Brande Trend, the first Professor of Spanish in Cambridge in 1933, arrived at his Chair by a circuitous route through a variety of disciplines, encountering a host of prominent people in pre-war political, cultural and intellectual life. It was this wider experience that made his teaching so unique and makes his story central to the period through which he lived. At Cambridge with the doomed generation who were to perish in the First World War, Trend studied Natural Sciences but fell under the spell of the musicologist Edward Dent, who became his lifelong friend. A brilliant linguist and musician, it was music that took Trend to Spain in 1919 to unearth ancient manuscripts and to write articles for London magazines. He fell in love with a country undergoing a cultural, intellectual and political transformation that culminated in the establishment of the Second Republic in 1931. He became a close friend of Manuel de Falla, whose music he introduced to the British public, as well as of the ill-fated poet, Federico García Lorca, and other luminaries of the optimistic 1920s. After the euphoria of the Republic and the subsequent Civil War, he never returned to Spain but did much to help Spanish exiles and refugees. Academically he extended his interests to Central and South America, one of the first Hispanists to do so. Trend's books on Spanish literature and music were vivid and evocative, as was his style of teaching, inspired by the philosophy of the Spanish educationalist, Francisco Giner de los Ríos. Drawing on Trend's prolific and hitherto unknown correspondence with many celebrated figures, the book depicts his extraordinary personality and achievements, and his first-hand involvement in important events of the period.

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A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship.Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished.In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.

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5-Star Review from Doody's Review Service. Raise your simulation programs to new heights with the fully updated Defining Excellence in Simulation Programs, 2nd edition. An official publication of the Society for Simulation in Healthcare, this fully illustrated guide speaks to the needs of all healthcare professionals using simulation for education, assessment, and research. Offering best practices for a wide variety of programs, it addresses all areas of program management, from staffing, funding, and equipment, to education models. Whether you are new to running a simulation program, developing a program, or studying simulation, this is your key to creating cost-effective, research-based programs. Improve your simulation program with this definitive guide. This edition offers: NEW content on International Nursing Association for Clinical Simulation (INACSL) and Association of Standardized Patient Educators (ASPE) standards of practice 17 new chapters, with content reorganized to better align with certification exam blueprints A fully illustrated, comprehensive framework for all operational aspects of simulation programs Sections that address: Standards of Practice – SSH, INACSL, and ASPE standards, technology standards, ethics, and more Simulation Modalities – History of modern-day mannequins; mannequin terminology, selection, and usage; and standardized patient/participant Simulation Methods – In situ, mobile, hybrid, and tabletop simulation; and the continuum of care Management – Creating the infrastructure for a successful program, business needs and assets management, policies and procedures, and strategic plans Funding – Sources of revenue, program budgets, business plans, and fee structures Environmental Design – Building a simulation center, technical infrastructure, and more Educational and Content Development – Educator training and simulation methodology courses, assessing learning needs, shared theories, and more Delivery of Simulation – Assessment in healthcare simulation, preparing the learner, management of the scenarios, and more Research – Healthcare simulation research, institutional review board, and more Resources – Terms of references, examples of studies, case and scenario development templates, and more Chapter features include: Expert’s Corner – Commentary on essential areas of training, research, and program development by simulation experts and founders Consider This – Practical how-to’s on critical, related topics Example and Case Study Boxes – Added examples that support chapter content Terms of Reference – Defines simulation terms and concepts About the Clinical Editors Juli C. Maxworthy, DNP, MSN, MBA, RN, CNL, CPHQ, CPPS, CHSE, FNAP, FSSH, is an Associate Professor at the University of San Francisco, School of Nursing and Health Professions, and President (2021) of the Society for Simulation in Healthcare. Chad A. Epps, MD, FSSH, was the Executive Director, Center for Healthcare Improvement and Patient Simulation (CHIPS) and Professor at the University of Tennessee Health Science Center, and Past President of The Society for Simulation in Healthcare. Yasuharu Okuda, MD, FACEP, FSSH, is Executive Director of the Center for Advanced Medical Learning and Simulation, CEO of USF Health Professions Conferencing Corporation, Associate Vice President, USF Health Office of Interprofessional Education and Practice, Professor of Medicine at the Morsani College of Medicine at the University of South Florida Health in Tampa, and President (2022) of the Society for Simulation in Healthcare. Mary Elizabeth (Beth) Mancini, RN, Ph.D., NE-BC, FAHA, ANEF, FAAN, is Professor Emeritus at the College of Nursing, the University of Texas at Arlington. She is also a Past President of The Society for Simulation in Healthcare. Janice C. Palaganas, Ph.D., APRN, ANEF, FNAP, FAAN, FSSH, is a Professor at MGH Institute of Health Professions, Lecturer at Harvard Medical School, Chief Executive Officer of the Institute for Interprofessional Innovations, and Principal Faculty at the Center for Medical Simulation at Massachusetts General Hospital, and in the Department of Anesthesia, Critical Care & Pain Medicine at Harvard Medical School in Boston.

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A lavishly illustrated account of the buildings of the friars in the Middle Ages, bringing them vividly to life. with contributions from Ian M. Betts, Jens Röhrkasten, Mark Samuel, and Christian Steer. Nominated for the Current Archaeology Book of the Year Award 2019 The friaries of medieval London formed an important partof the city's physical and spiritual landscape between the thirteenth and sixteenth centuries. These urban monasteries housed 300 or more preacher-monks who lived an enclosed religious life and went out into the city to preach. The most important orders were the Dominican Black friars and the Franciscan Grey friars but London also had houses of Augustine, Carmelite and Crossed friars, and, in the thirteenth century, Sack and Pied friars. This book offers an illustrated interdisciplinary study of these religious houses, combining archaeological, documentary, cartographic and architectural evidence to reconstruct the layout and organisation of nine priories. After analysing anddescribing the great churches and cloisters, and their precincts with burial grounds and gardens, it moves on to examine more general historical themes, including the spiritual life of the friars, their links to living and dead Londoners, and the role of the urban monastery. The closure of these friaries in the 1530s is also discussed, along with a brief revival of one friary in the reign of Mary. NICK HOLDER is a historian and archaeologist atEnglish Heritage and the University of Exeter. He has written extensively on medieval and early modern London. IAN M. BETTS is a building materials specialist at Museum of London Archaeology; JENS ROHRKASTEN was Lecturerin Medieval History at the University of Birmingham; MARK SAMUEL is an independent architectural historian; CHRISTIAN STEER is an independent historian, specialising in burials in medieval churches.

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The Lightning Thief: the first book in Rick Riordan's Percy Jackson series.Look, I didn't want to be a half-blood. I never asked to be the son of a Greek god. I was just a normal kid, going to school, playing basketball, skateboarding. The usual. Until I accidentally vaporized my maths teacher. That's when things started really going wrong. Now I spend my time fighting with swords, battling monsters with my friends and generally trying to stay alive. This is the one where Zeus, God of the Sky, thinks I've stolen his lightning bolt - and making Zeus angry is a very bad idea . . .Rick Riordan has now sold an incredible 55 million copies of his books worldwidePraise for the Percy Jackson series:'Witty and inspired. Gripping, touching and deliciously satirical...This is most likely to succeed Rowling. Puffin is on to a winner' - Amanda Craig, The Times'Puns, jokes and subtle wit, alongside a gripping storyline' - Telegraph'Perfectly paced, with electrifying moments chasing each other like heartbeats' - New York TimesRick Riordan is an award-winning mystery writer. For the past fifteen years he has taught at middle schools in the San Francisco Bay area and in Texas. Rick lives in San Antonio, Texas, with his wife and two sons. Percy Jackson and the Lightning Thief, the overall winner of the Red House Children's Book Award, was Rick's first novel featuring the heroic young demigod.The Percy Jackson series:The Lightning Thief; The Sea of Monsters; The Battle of the Labyrinth; The Titan's Curse; The Last Olympian Heroes of Olympus:The Lost Hero; The Son of Neptune; The Mark of AthenaThe Kane Chronicles:The Red Pyramid; The Throne of Fire; The Serpent's Shadow

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Most of us spend our lives talking ourselves out of things. But what could you accomplish if you never held yourself back? What if, despite your fears, you went for broke every time? You might live a life as extraordinary as the one Stanley Weiss has lived for nearly a century. A skinny Jewish kid from Philadelphia training to fight and likely die in the U.S. invasion of Japan in 1945, Stanley Weiss came home to the death of his loving but weak father, who left his mother penniless. Vowing on the spot not to let his insecurities limit him as they had his father, Weiss pledged that his mother would never have to worry. Later, a humiliation suffered at the hands of his wealthy girlfriend's famous father ignited in him a determination to better himself in every way and live life to the fullest. Inspired by a Humphrey Bogart movie, Weiss moved to a foreign country to hunt for treasure -- where Rule Number One was "Don't Die". Along the way, his zest for living has taken him from the company of legendary artists and poets in Mexico, to writers and beatniks in 1960s San Francisco and Hollywood; from drunken nights with a notorious spy to friendships with three of the men who played James Bond; from glamorous parties in Gstaad and Phuket to power politics in London and Washington, DC. A story of growth, tenacious focus, and good humour, it stretches from the days of "Don't Die" to Weiss's response when asked why business executives were interested in preventing nuclear war: "Being dead is bad for business". For those who believe the world is shaped by ordinary people who push themselves to do extraordinary things, Stanley Weiss's story will inspire and surprise while reminding us all that being dead is bad for business -- and being boring is bad for life.

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A testament to how far feminism has taken us all...her search for sexual nirvana is hugely refreshing. The Sunday Times A revealing...quest for sexual meaning The Independent The project was simple: Robin Rinaldi, a successful magazine journalist, would move into a San Francisco apartment, join a dating site, and get laid. Never mind that she already owned a beautiful flat a few blocks away, that she was forty-four, or that she was married to a man she'd been in love with for eighteen years. What followed-a year of abandon, heartbreak, and unexpected revelation-is the topic of this riveting memoir, The Wild Oats Project.Monogamous and sexually cautious her entire adult life, Rinaldi never planned on an open marriage -her priority as she approached midlife was to start a family. But when her husband insisted on a vasectomy, something snapped. If I'm not going to have children, she told herself, then I'm going to have lovers. During the week she would live alone, seduce men (and women), attend erotic workshops, and partake in wall-banging sex. On the weekends, she would go home and be a wife. Her marriage provided safety and love, but she also needed passion, and for that she was willing to go outside of it.At a time when the bestseller lists are topped by books about eroticism and the shifting roles of women, this brave, brutally honest memoir explores how our sexuality defines us, how it relates to maternal longing, and how we all must walk the line between loving others and staying true to ourselves. Like the most searing memoirs-Cheryl Strayed's Wild, Mary Karr's The Liars' Club-The Wild Oats Project challenges our sensibilities, rendering truths we all can recognize but which few would dare write down.

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From 13th century Franciscan monks to Beyoncé in Black is King, Making a Spectacle charts the fascinating ascension of eyeglasses, from an unsightly but useful tool to fashion's must-have accessory.The power of glasses to convey a range of vivid messages about their wearers have made them into a billion-dollar business that appeals to cool kids and rock stars and those who want to be like them, but the fashionable history of eyeglasses was fraught with anxiety and drama. At the beginning of the 20th century, the assessment in Vogue and Harper's Bazaar was that spectacles were "invariably disfiguring." Invisibility was the best option, and glasses were only to be put on once the lights at the opera went dark.While variations of that glasses-shaming sentiment appeared at regular intervals over the next 100 years or so, eyeglasses continued to evolve into an endless array of shapes, colors, purposes, and personalities. Once sunglasses took off in the 1930s, the magazine editorial made glasses a conspicuous part of the fashion narrative. Eyeglasses went to the ski slopes, the stables, the beach, the Havana hotel. Plastic innovations made a candy-colored rainbow of cat-eyes and "starlet" styles possible. Suddenly, everyone had the opportunity to look like Jackie O on vacation in Capri.Making a Spectacle traces contemporary high fashion frames back to their origins: the military aviator, the glam cat eye, the nerdly Oxford, the high-tech shield, the fanciful butterfly, the lowly rimless, and other styles all make an appearance. Featuring interviews with influential designers, makers, and purveyors of glasses including Adam Selman, Kerin Rose Gold, and l.a. Eyeworks, Making a Spectacle also takes a look at today's most cutting edge eyewear, showing the reader the latest and most innovative ways to see and be seen.

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Jeeyoon Kim is a professional concert pianist who has performed in venues like Carnegie Hall, the Chamber Music Society in San Francisco, and the Stradivari Society in Chicago. As an accomplished performing artist and award-winning music educator, she credits her success to key disciplines, practices, and mindsets that she lives out every day. In Whenever You’re Ready, she gives readers a personal glimpse into her life, shares wisdom and insights she’s gained from her experiences, and shows people how to achieve their own personal and professional success. Structured like one of the concerts she performs, this self-help book starts with a prelude and contains five movements, each focused on a different theme, such as forming habits and boosting creativity. Each movement is followed by a quick intermission that takes readers through a mini master class to help them gain an appreciation of classical music. Before every performance, Jeeyoon prepares herself mentally, emotionally, and physically in the green room.. In the final moment when she’s backstage and about to meet her audience, she notes that someone, with their hand on the stage door, always waits for her cue. “Whenever you’re ready . . .” they tell her. She nods, they open the door, and it’s time for her to perform. This book is about helping readers prepare themselves mentally, emotionally, and physically for their own performances. Whether they are hoping to land a job, practicing for a speech, training for a marathon, or trying to accomplish a goal, Jeeyoon’s book will offer them advice, encouragement, and practical exercises they can use to help them perform at their best and achieve their dreams. With warmth, honesty, and compassion, Jeeyoon speaks to readers who are in their own green rooms and invites them to live the life they hope for.

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Museyon Guides' curators from around the world have composed this guidebook to inform you - the armchair film critic, the rampant moviegoer, the bona fide celluloid aficionado - of exactly where to go. Why just dream of the places you see in cinema? Instead, explore the terrain with the help of these carefully crafted cultural companions. Travel the world through the lens of your favourite film scenes and discover the best locations for your next picture-perfect vacation. NORTH AMERICA, SOUTH AMERICA: Report a fire at the Hook & Ladder Company #8 if you want to see Ghostbusters headquarters in New York City. Stop for a cup of coffee at the cafe in San Francisco where Steve McQueen's Bullit meets an informant. Bring your own box of chocolates to Chippewa Square, Savannah, and re-enact the iconic scenes from Forrest Gump. Visit the Marine Building in Vancouver and be transported to Clark Kent's employer, The Daily Planet, in Smallville. Find out what part of Puerto Rico posed for the Lord of the Flies, why Madonna evaded Argentina when playing Eva Peron, and much, much more. SELLING POINTS: . Each guide contains hundreds of colour photographs that jump off the pages of each pocket-sized guide. . Each guide references a multitude of movies: Europe references 199 films; Asia, Oceania & Africa references 139 films; and North America & South America references 198 films. . Meticulously researched and curated by film reviewers, producers, directors, historians and location specialists from every angle. . A personalised introduction kicks off each book with the editor's very personal take on the best the region has to offer. . The Museyon Guides are the only guidebooks that offer a range of thematic tours geared for film buffs. . Mix and match these tours to create your own unforgettable trip. Months' worth of excursions in each title. Illustrated

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"The first volume of Perle's magnificent study focused on Wozuck ...Its successor, equally painstaking and perceptive, is if anything more invaluable, for the clouds of mystery around Berg's second opera are only now beginning to disperse, and the work is coming to be regarded properly as the climax of the composer's achievement." (Andrew Clements, Opera). "Perle's books have laid the groundwork for a thorough exploration of the remarkably successful ways in which Berg was able to marry a powerful intellectual grasp of a richly developing language to an instinctive feel for dramatic shape, a process that marks him out as one of the few genuine opera composers this century." (Michael Taylor, Music and Letters). "The first volume, Wozzeck ...was universally recognized as being a work of outstanding scholarship. The Lulu volume is an even more impressive achievement. In its analytical sophistication, its critical insights and in the implications which it has for our understanding not only of Berg but of a whole body of post-diatonic music, Perle's Lulu is one of the most exciting and important books on music to appear for many years." (Douglas Jarman, Times Literary Supplement). "With the second of his books on The Operas of Alban Berg, this American musicologist and composer has now taken advantage of all this new material to consolidate his own research and present us with the most sophisticated musical analysis yet made of the composer ...As Perle shows, Lulu represents the highest point of development in Berg's music from the point of view of ambiguity of fabrication." (Stephen Reeve, Classical Music). "Nothing I've read in the past year makes as important a contribution to this literature as The Operas of Alban Berg: Volume Two: Lulu ...Perle's saga of the opera's release from partial captivity reads like one of the great intellectual detective stories of our era ...What emerges most flavorfully is Perle's portrait of a haunted artist who imbued his later works with concealed autobiographical gestures, including his longtime love affair with a Prague matron." (Ailan Ulrich, San Francisco Focus). "The goal of the two-volume work is not merely to dwell in detail on the operas themselves, but to give some account of Berg's other music, in order to set the operas in the context of his complete output. With a composer like Berg, whose music is intimately bound up with his own personal life, such an approach is particularly appropriate ...George Perle has given the world two volumes which will remain at the top of their field for many years to come." (Douglass M. Green, Journal of the American Musicological Society).

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Based on the eponymous symposium and exhibition, Fulfilled: Architecture, Excess, and Desire considers the role of architecture in a culture shaped by the excessive manufacturing and assuagement of desire. Until the term became synonymous with Amazon warehouses, the concept of fulfilment described the achievement of a desire - sometimes tangible, often psychological or spiritual. With the rapid growth of e-commerce, our understanding of fulfilment has evolved to reflect a seemingly endless cycle of desire and gratification - one whose continuity hinges on our willingness to overlook the cultural, economic, and environmental impacts of our ever-increasing expectation of quick and efficient fulfilment. A closer look at fulfilment reveals a social, typological, formal, aesthetic, and economic practice constructed collectively through both digital and physical interactions. It is a cultural practice which evolves like a language, both universally transferable and contextually specific. As a symposium, exhibition, and now publication, this project aims to draw out these new arrangements, sticky relationships, and material by-products of cultural production and to ask again the age-old question, “What does it mean to be fulfilled?” This book examines the architecture of fulfilment through three lenses: logistical, material, and cultural fulfilment. Each reveals the new forms of architectural practice and research that are possible, typical, and even surreptitiously encouraged in the age of Amazon. Fulfilment networks are not invisible systems; they are tangible objects - warehouses, suburban houses, parking lots, cardboard boxes, shopping malls, mechanical systems, shipping containers - with which architects necessarily interact. From political mapping and questions of labour to digital and physical storage typologies, contemporary architects learn from and work critically within the architecture of fulfilment. Their interests and approaches include the material and environmental shortcomings of global logistics and the formal, representational, and cultural potentials of a culture of excess. This book highlights architecture’s unique capacity to offer methodologies for confronting an increasingly ambiguous, alienating world and produce new knowledge and unexpected solutions that go beyond the dichotomies of rural and urban territories. Featuring new texts and visual work by more than a dozen contemporary architects: Ana Miljački – Boston, MA; Ang Li – Boston, MA; Ashley Bigham – Columbus, OH; Cristina Goberna Pesudo – Madrid, Spain; Curtis Roth – Columbus, OH; Jesse LeCavalier – Toronto, Canada; John McMorrough – Ann Arbor, MI; Keith Krumwiede – San Francisco, CA; Laida Aguirre – Ann Arbor, MI; Leigha Dennis – New York, NY; Lluís Alexandre Casanovas Blanco – Barcelona, Spain; Michelle Chang – Boston, MA; Miles Gertler – Toronto, Canada; Mira Henry & Matthew Au (Current Interests) – Los Angeles, CA

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Spain’s American empire began as the serendipitous outgrowth of the search for a shortcut to China. That search derived from two mid-fifteenth-century developments: the Ming Dynasty’s decision to adopt a silver standard for its medium of exchange and the Ottoman Turks’ capture of Constantinople in 1453. China’s great demand for silver and the disruption of the Silk Road drove the need to find alternative access to China. King John II of Portugal sent explorers southward along the coast of Africa and thence to the Orient, but Ferdinand and Isabella sent Christopher Columbus westward, believing he would find a shorter route.A persistent if disorderly push by Spanish conquistadors led to the discovery of previously unknown civilizations, including the empires of the Aztecs and the Incas. The search for a short-cut to China became bound up with the seizure of the riches held by native populations. Although the conquistadors were vastly outnumbered, their superior technology—steel swords, armor, war horses, and firearms—concomitant with diseases that accompanied them, enabled them to subdue native American peoples and confiscate their wealth.The aftermath was fraught with complications and strife. Crown- appointed governors came into conflict with the conquistadors. Distances were great, and the governors tended to place their interests over those of the King. Cortez conquered the Aztecs despite the governor’s attempts to prevent his campaign. Bureaucratic interference bedeviled Francisco Pizzaro’s campaign against the Incas, which, nonetheless, contributed more to the wealth of his country than any other conquistador’s exploits. Ultimately, the vast wealth of the Americas would fuel Spain and its Empire for nearly two centuries.

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Ranging from fatherhood to machismo and from public health to housework, Changing Men and Masculinities in Latin America is a collection of pioneering studies of what it means to be a man in Latin America. Matthew C. Gutmann brings together essays by well-known U.S. Latin Americanists and newly translated essays by noted Latin American scholars. Historically grounded and attuned to global political and economic changes, this collection investigates what, if anything, is distinctive about and common to masculinity across Latin America at the same time that it considers the relative benefits and drawbacks of studies focusing on men there. Demonstrating that attention to masculinities does not thwart feminism, the contributors illuminate the changing relationships between men and women and among men of different ethnic groups, sexual orientations, and classes.The contributors look at Mexico, Argentina, Ecuador, Brazil, Colombia, Peru, Venezuela, Chile, and the United States. They bring to bear a number of disciplines—anthropology, history, literature, public health, and sociology—and a variety of methodologies including ethnography, literary criticism, and statistical analysis. Whether analyzing rape legislation in Argentina, the unique space for candid discussions of masculinity created in an Alcoholics Anonymous group in Mexico, the role of shame in shaping Chicana and Chicano identities and gender relations, or homosexuality in Brazil, Changing Men and Masculinities highlights the complex distinctions between normative conceptions of masculinity in Latin America and the actual experiences and thoughts of particular men and women.Contributors. Xavier Andrade, Daniel Balderston, Peter Beattie, Stanley Brandes, Héctor Carrillo, Miguel Díaz Barriga, Agustín Escobar, Francisco Ferrándiz, Claudia Fonseca, Norma Fuller, Matthew C. Gutmann, Donna Guy, Florencia Mallon, José Olavarría, Richard Parker, Mara Viveros

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In The Americas Revealed, distinguished art historian and curator Edward J. Sullivan brings together a vibrant group of essays that explore the formation, in the United States, of public and private collections of art from the Spanish- and Portuguese-speaking Americas.The contributors to this volume trace the major milestones and emerging approaches to collecting and presenting Spanish Colonial and modern Latin American art by museums, galleries, private collections, and corporations from the late nineteenth to the twenty-first century. In chronicling the roles played by determined collectors from New York to San Francisco, the essays examine a range of subjects from MoMA’s mid-twentieth-century acquisition strategies to the growing taste on the West Coast for the work of Diego Rivera. They consider the impact of various political shifts on art collecting, from reactions against the “American exceptionalism” of the Monroe Doctrine to the aesthetic biases of government-sponsored art academies in Mexico, Rio de Janeiro, and Havana. The final three chapters focus on living collectors such as Roberta and Richard Huber, Patricia Phelps de Cisneros, and Estrellita B. Brodsky.A thorough and definitive account of the changing course of private and public collections and their important connection to underlying political and cultural relations between the United States and Latin American countries, this volume gives a rare glimpse into the practice of collecting from the collectors’ own point of view.In addition to the editor, contributors to this volume are Miriam Margarita Basilio, Estrellita B. Brodsky, Vanessa K. Davidson, Anna Indych-López, Ronda Kasl, Gabriel Pérez-Barreiro, Berit Potter, Mari Carmen Ramírez, Joseph Rishel, Delia Solomons, and Suzanne Stratton-Pruitt.

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Pedro de Alvarado is best known as the right-hand man of Hernando Cortés in the conquest of Mexico (1519–21) and the ruthless conqueror of Guatemala some years later. Far less known is his intent to intrude in the conquest of Peru and lay claim to Quito, a wealthy domain in the far north of the Inca Empire. To this end, Alvarado constructed a massive fleet, which sailed south from Central America to what is now Ecuador, making landfall on 25 February 1534.Engaging both the European and Indigenous contexts in which Alvarado operated, George Lovell illuminates this gap in the record, narrating a dramatic story of greed and hubris. Upon reaching Ecuador, Alvarado’s formidable entourage – some five hundred Spanish combatants and two thousand Indigenous conscripts – marched from the Pacific coast to the Andean sierra. Though Quito was his intended destination, he never made it. During a treacherous transit across the mountains, Alvarado’s party was engulfed by heavy snowfall and numbing cold, which proved the expedition’s undoing. Those who survived the ordeal discovered that other Spaniards – Diego de Almagro and Sebastián de BeLalcázar, acting in allegiance with Francisco Pizarro – had reached Quito before them, thereby claiming first right of conquest. Believing he had no option, if strife between rival sides was to be avoided, Alvarado sold his costly machinery of war – men, horses, weaponry, and ships – to those who had beaten him to the prize. All but ruined, he returned humiliated to Central America.Death in the Snow brings to light the delusions of one headstrong conquistador and mourns the loss of untold Indigenous lives, casualties of Alvarado’s lust for fame and fortune.

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Deepen your understanding of how to adapt to international travellers' different needs and backgrounds. Harness the burgeoning levels of tourism and learn everything you need to engage travellers with your business and spending money. The modern traveller is complex, even more so in a post-pandemic world. International consumers are in search of memorable experiences that make them feel special and, ideally, share those experiences with others and bring those feelings home with them. While wanting to be more adventurous, they also want to make their trip safe and special while minimizing their impact on the environment. Leading Travel and Tourism Retail is an invaluable guide for any professional involved in the world of retail, including consumer brands, retailers, hospitality, landlords, politicians, airports, transportation and technology groups. Engaging and accessible, this book covers everything from assessing the competitive market situation to product adaptation, ESG, human talent management, accessing funding, political considerations, and the role of technology and data. It offers a unique glimpse behind the inner workings of some of the best-known brands in the world across airports, shopping malls, and city centre locations. Delivering invaluable insight through fascinating interviews from high-profile leaders, including the President of LVMH Retail Asia, the CEO of Harrods, the President of CHANEL Perfumes & Cosmetics worldwide, this is a must-have book for those who want to drive profits. LIST OF INTERVIEWS Sir Tony Blair, former British Prime Minister, UK Pierre-Hugues Schmit, Chief Commercial & Operations Officer at Vinci Airports Group, France Ravi Thakran, Group Chairman of LVMH Asia, Singapore Michael Ward, Managing Director of Harrods, UK Jacques Stern, CEO of Global Blue, Switzerland Vasiliki Petrou, CEO of Unilever Prestige, UK Andrea d'Avack, President of the CHANEL Foundation, France Pallak Seth, CEO of PDS Apparel Manufacturing, India Louis de Bourgoing, International Chairman of WHSmith, UK Jose-Antonio Lasanta, CEO of Prosegur Cash, Spain Dan Cockerell, former Vice President of Disney's Magic Kingdom, USA Tine Arentsen Willumsen, CEO of Above & Beyond Group, Founder of The Diversity Council, Denmark Paul Samuels, Executive Vice President of AEG Entertainment Group, UK Hugo Brady, Vice President of AEG Entertainment Group, UK Malik Fernando, Director of Dilmah Tea, MJF Hotels and Holdings, Sri Lanka Jonathan Chippindale, CEO of Holition Technologies, UK Ben Zifkin, President of Hubba, Canada Desirée Bollier, Chair and Chief Merchant of Value Retail, UK Stewart Wingate, CEO of London Gatwick Airport, UK Craig Robins, Founder and Owner of Miami Design District Development, USA Taylor Safford, President and CEO of Pier 39, San Francisco, USA Frances O'Grady, Secretary General of the Trades Union Congress, UK Christine Comaford, business and leadership coach Baroness Nicky Morgan former Secretary of State for Digital, Culture, Media, and Sport, UK Professor Ian Woodward at INSEAD, Singapore Professor Steve Jarding, Harvard University, USA Lesley Batchelor OBE, Director General of The Institute for Export & International Trade, UK Jason Holt, Chair of the Apprenticeship Ambassador Network, Chairman of Holts Group, UK Julia Simpson, President & CEO of World Travel & Tourism Council (WTTC)

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