Search results for ""author christopher""

Xu Xu and Wumingshi were among the most widely read authors in China during and after the Second Sino-Japanese War (1937-1945). This groundbreaking book re-establishes their importance within the popular Chinese literature of the 1940swith in-depth analyses of their innovative short stories and novels.

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This book discovers within early modern revenge tragedy the surprising shaping presence of a wide array of classical philosophies not commonly affiliated with the genre.

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Samuel Beckett and the Terror of Literature addresses the relevance of terror to understanding the violence, the suffering, and the pain experienced by the narrative voices of Beckett s major post-1945 works.

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Anyone can take the stage and stand in the spotlight with this fun and festive Christmas repertoire book. A selection of popular carols and songs to complement our best-selling Abracadabra tutorial books, with a CD of specially-arranged backing tracks in a jazzy big-band style.Abracadabra Christmas: Clarinet Showstoppers provides fantastic material for lessons in the lead up to Christmas and will add glitter and sparkle to any Christmas concert performance!

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‘A landmark book....A massively reported deep dive into the unparalleled corporate industrial giant Koch Industries....This impressively researched and well-rendered book also serves as a biography of Charles Koch, with Leonard providing an evenhanded treatment of the tycoon. Leonard's work is on par with Steve Coll's Private Empire and even Ida Tarbell's enduring classic The History of the Standard Oil Company.’ Kirkus Reviews ‘Leonard’s superb investigations and even-handed, clear-eyed reportage stand out....American capitalism at its most successful and domineering is at the center of this sweeping history of a much-vilified company.’Publishers Weekly ‘Leonard’s intricately developed and extensively researched history of the Koch empire is a colossal corporate biography that sheds important light on this closely guarded enterprise while simultaneously scrutinizing the nefarious underpinnings of American economic policies and practices.’ Booklist ‘This page-turning exposé reveals the full extent of the Koch brothers’ influence on American capitalism.’ Book Riot ‘If you want a crash course in the evolution of postmodern capitalism over the last five decades read Kochland....Leonard's study is exhaustive and engaging.’ New York Journal of Books The annual revenue of Koch Industries is bigger than that of Google, Goldman Sachs and Kraft Foods combined. But very few people have ever heard of Koch Industries because the billionaire Koch brothers want it that way. Now, in Kochland, Christopher Leonard has managed what no other journalist has done before: to tell the explosive inside story of how the largest private company in the world became that big. In doing so, Leonard also tells the epic tale of the evolution of corporate America over the last half-century, in all its glory and rapaciousness. Koch is everywhere. It controls the fertilisers at the foundation of our food system. It controls the synthetics that make our diapers and carpets. It controls the chemicals that make our bottles and pipes. It controls the building materials that make our homes and offices. And it controls much of the Wall Street trading in all of these commodities. It makes money at every end of almost every deal. For five decades, CEO Charles Koch has kept Koch Industries quietly operating behind a veil of secrecy, with a view toward very, very long-term profits. When Wall Street came calling twenty years ago, trying to take Koch public, Charles Koch said no. He’s a genius businessman: patient with profits, able to learn from his mistakes, determined that his employees develop an almost a worshipful dedication to free-market ruthlessness, and a master disrupter. We think of disruption as something that happens in Silicon Valley, but this book will upend your understanding of what disruption really is. Charles Koch’s business acumen has made him and his brother David (Koch Industries’ co-owner) together richer than Bill Gates. But there’s a dark side to their story. If you want to understand how we killed the unions in this country, how we widened the income divide, how we stalled progress on climate change and how corporate America bought the influence industry, all you have to do is read this book. Seven years in the making, Kochland reads like a true-life thriller, with larger-than-life characters driving the battles on every page. The book tells the ambitious tale of how one private company consolidated power over half a century – and how in doing so, transformed capitalism into something that feels so deeply alienating to many Americans today.

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In Christopher Moore's lively and engaging history of the Court of Appeal for Ontario, he traces the evolution of one of Canada's most influential courts from its origins as a branch of the lieutenant governor's executive council to the post-Charter years of cutting-edge jurisprudence and national influence. Discussing the issues, personalities, and politics which have shaped Ontario's highest court, The Court of Appeal for Ontario offers appreciations of key figures in Canada's legal and political history - including John Beverly Robinson, Oliver Mowat, Bora Laskin, and Bertha Wilson - and a serious examination of what the right of appeal means and how it has been interpreted by Canadians over the last two hundred years. The first comprehensive history of the Ontario Court of Appeal, Moore's book is the definitive and eminently readable account of the court that has been called everything from a bulwark against tyranny to murderer's row.

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Characters with disabilities are often overlooked in fiction, but many occupy central places in literature by celebrated authors like Chinua Achebe, Salman Rushdie, J. M. Coetzee, Anita Desai, Jhumpa Lahiri, Edwidge Danticat, and others. These authors deploy disability to do important cultural work, writes Christopher Krentz in his innovative study, Elusive Kinship. Such representations not only relate to the millions of disabled people in the global South, but also make more vivid such issues as the effects of colonialism, global capitalism, racism and sexism, war, and environmental disaster. Krentz is the first to put the fields of postcolonial studies, studies of human rights and literature, and literary disability in conversation with each other in a book-length study. He enhances our appreciation of key texts of Anglophone postcolonial literature of the global South, including Things Fall Apart and Midnight’s Children. In addition, he uncovers the myriad ways fiction gains energy, vitality, and metaphoric force from characters with extraordinary bodies or minds. Depicting injustices faced by characters with disabilities is vital to raising awareness and achieving human rights. Elusive Kinship nudges us toward a fuller understanding of disability worldwide.

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The hidden history of the creative writing workshop and the socioeconomic consequences of the craft labor metaphor.In a letter dated September 1, 1912, drama professor George Pierce Baker recommended the term "workshop" for an experimental course in playwriting he had been planning with former students at Harvard and Radcliffe. This was the first time that term, now ubiquitous, was used in the context of creative writing pedagogy. Today, the MFA (master of fine arts) industry is a booming one, with more than 200 programs and thousands of residencies and conferences for aspiring writers nationwide. Almost all of these offerings operate on the workshop model.In Craft Class, Christopher Kempf argues that the primary institutional form of creative writing studies, the workshop, has remained invisible before our scholarly eyes. While Baker and others marshaled craft toward economic critique, craft pedagogies consolidated the authority of elite educational institutions as the MFA industry grew. Transcoding professional-managerial soft skills—linguistic facility, social and emotional discernment, symbolic fluency—in the language of manual labor, the workshop nostalgically invokes practices that the university itself has rendered obsolete. The workshop poem or short story thus shares discursive space with the craft IPA or hand-loomed Pottery Barn rug—a space in which one economic practice rewrites itself in the language of another, just as right-wing corporatism continuously rewrites itself in the language of populism.Delineating an arc that extends from Boston's fin de siècle Society of Arts and Crafts through 1930s proletarian workshops to the pedagogies of Black Mountain College and the postwar MFA, Craft Class reveals how present-day creative writing restructures transhistorical questions of labor, education, and aesthetic and economic production. With the rise of the workshop in American culture, Kempf shows, manual and mental labor have been welded together like steel plates. What fissures does that weld seal shut? And on whose behalf does the poet punch in?

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Christopher Lloyd has been writing a weekly column in "Country Life" since 1963 and, until now, this wealth of garden literature has been denied to a wider public. There are many garden writers, but few whose work can be considered to have the status of literature. There is only one who has achieved this at the same time as delivering horticultural information which enlightens even the most erudite of plantsmen, and that is Christopher Lloyd. His prose is exciting; his knowledge is vast; his ideas are provocative, and what is the true test of a writer who has transcended his medium, he makes you laugh out loud. In this selection from the storehouse of Christopher Lloyd's prose it will be apparent to what a high degree he has influenced gardening in our times. The book will capture the essence of Christopher Lloyd and of his garden at Great Dixter.

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Another catchy addition to the cross-curricular songsheets series, Needs, Wants and Rights is perfect for enlivening KS2 Citizenship and for performing in assemblies and concerts.Needs, wants and rights is one of four new citizenship songs in the A&C Black cross-curricular Songsheets series. Linking with the KS2 Citizenship curriculum, all four songs are catchy, easy to learn and cover key topic facts in a fun way! Perfect for assemblies, concerts and for enlivening topic work. Each SONGSHEET contains a piano/vocal score, photocopiable lyrics, teaching/performance guidance and a CD containing backing tracks, teaching and performance tracks. Complete with its own dedicated website (www.acblack.com/songsheets) containing additional resources: tuned and untuned percussion parts, teaching/performance notes and a performance schedule.

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Christopher Mee presents an extensive examination of the material culture of the Greek world from its Neolithic roots in 7000 B.C. to the close of the Hellenistic period in 146 B.C. Features a unique thematic approach to the study of Greek archaeology Includes extensive use of illustrations, many of which are not commonly featured Allows for the study of a particular period of time by its chronological arrangement within each chapter

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Designed for readers with no or little prior knowledge of the subject, this concise anthology brings together key texts in aesthetics and the philosophy of art. Designed for readers with no or little prior knowledge of the subject. Presents two contrasting pieces on each of six topics. Texts range from Plato's famous critique of art in the 'Republic' through Nietzsche's 'The Birth of Tragedy' to Barthes' 'The Death of the Author' and pieces in recent philosophical aesthetics from a number of traditions. Interactive editorial commentary helps readers to engage with the philosophical train of thought. Explains the argumentative and historical context in which each piece was written. Includes questions for debate and suggestions for further reading.

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DC Super-Pets and manga unite! Put a new spin on beloved furry Super Heroes and Super-Villains, and learn how to draw them as dynamic manga characters. Easy-to-follow steps start with simple lines and progress to fully coloured figures that practically leap off the page. Along the way, discover interesting Japanese comics facts and tips for punching up your artwork. Packed full of stunning illustrations, this guide will inspire creativity and help artists of all levels reimagine Krypto the Super-Dog, Ace the Bat-Hound, Streaky the Super-Cat and more as manga-style masterpieces!

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Cattle Kingdom reveals how the West rose and fell, and how its legacy defines us today. The tale takes us from dust-choked cattle drives to the unlikely splendors of boomtowns like Abilene, Kansas, and Cheyenne, Wyoming. We meet a diverse cast, from cowboy Teddy Blue to failed rancher and future president Teddy Roosevelt. Christopher Knowlton shows us how they and others like them could achieve so many outsized feats: killing millions of bison, building the first opera house on the open range, driving cattle by the thousands, and much more. Cattle Kingdom is a revelatory new view of the Old West.

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Unprecedented in scope – like its companion volume on the High Renaissance, Mannerism – this sixth volume in the Architecture in Context series traces the development of architecture and decoration in the 17th and early 18th centuries – particularly the transformation of rationalist Classical ideals into the emotive, highly theatrical style known as Baroque and the further development away from architectonic principles to the free-ranging decorative style known as Rococo.It begins with an outline of the politics of Absolutism and its opposite over the century from the Thirty Years’ War to the War of the Austrian Succession: this is illustrated with images largely chosen from the major artists of the day; a supplementary introduction outlines the cross-currents of painting in the early Baroque era. The first substantive section deals with the seminal masters active in Rome – Maderno, Cortona, Borromini and Bernini – and their contemporaries there, in Venice and in Piedmont. The second section deals with the seminal French masters – above all François Mansart, Louis Le Vau, Andre Le Nôtre, Jules Hardouin-Mansart and the latter’s followers who developed the Rococo style in the domestic field. The rest of the book is divided into three large sections: the Protestant North – the Netherlands, Denmark, Sweden and Britain; the Divided Centre – the Catholic powers of central Europe and southern Germany, the Protestants of northern Germany and the Orthodox Russians; the Catholic South – the Iberian kingdoms and their dominions in southern Italy and the Americas.

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Unprecedented in scope, this fifth volume in the Architecture in Context series traces the rediscovery of Classical ideas and the emergence of the great artists and architects of late 15th- and early 16th-century Italy that led to the cultural peak characterized as the High Renaissance.It begins with a definition of Mannerism, the seminal development from the High Renaissance and the Baroque, associated with such dominant and influential figures as Raphael, Michelangelo, Vignola, Romano and Palladio. The political context within which Mannerism and its variants developed – from the Reformation to the outbreak of the Thirty Years’ War – is outlined before the major figures and achievements of Italian architecture in the period are explored in great depth and breadth. The journey then moves to France and architects and thinkers such as Pierre Lescot, Philibert de l’Orme, J.A. du Cerceau and Salomon de Brosse. These two major traditions – with the intercession of architects from the Netherlands who had ideas of their own – had a huge impact in central Europe, the ideas spreading across a vast area including modern-day Germany, Austria and Poland.After a digression to the notably eclectic England of Elizabeth I and James I, where pioneers such as Robert Smythson were overshadowed by the towering figure of Inigo Jones, Reformations ends with a survey of architecture in the Iberian peninsula and the colonies of Spain and Portugal, where the powerful influence of the Italian masters met a strong vernacular tradition.Profusely illustrated and with many specially drawn plans, this is a wide-ranging and detailed guide to the architecture of a period that continues to fascinate and engage us today.

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This volume tells the story of European architecture in the ‘middle ages’ – from the destruction by northern barbarians of Rome and the urban society it had fostered to the rediscovery of Classical values and the rebirth of humanism in 15th-century Italy.This period saw the evolution of feudalism, with its patterns of dependency and obligation, the establishment of monasticism in its varied forms, and the rise of the Holy Roman Empire. The art and architecture that emerged alongside this profound social reordering is known as Romanesque. Based on the legacy of ancient Rome, it included elements from Carolingian, Ottonian, Byzantine and northern European traditions. This synthesis produced some of its most powerful monuments in the glorious abbey churches that a period of prosperity and political stability fostered in unprecedented numbers.Romanesque architecture was succeeded by the Gothic, a movement that originated at the abbey of S. Denis in France in the 12th century. Structurally daring, it heralded a new architecture of light, most enduringly expressed in great cathedrals, subsequently in the growing sophistication of houses and civic architecture as feudal magnates increasingly ceded power to the central authority.The book ends with the Italian rediscovery of Classical ideas and ideals and the emergence of the great Renaissance theorists and architects, including Brunelleschi, Alberti and Bramante. As well as the palazzos, villas and churches of Renaissance Italy, this period saw the building of great châteaux in France, palaces in Germany and the golden-domed cathedrals of Russia.With more than two thousand images, including many plans, The West is an unprecedented single-volume survey of the period, covering the whole of Europe from Ireland to Russia, and placing architectural developments within their political, technological, artistic and intellectual contexts.

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The Prophet Muhammad – acknowledged by his followers to have been the hand with which God wrote his definitive Word enshrined in the Koran – was born into the Quraishi tribe at Mecca c. 570 and died in Medina in 632. The great religion founded on that Word, which first claimed the submission (Islam) of the Arabs, rapidly expanded across North Africa, into southern Europe and east as far as China. This book examines the architectural tradition which developed with the religious culture. With its source in the ubiquitous courtyard house, the development of the mosque as both place of worship and the centre of the community, its form a response to the requirements of prayer set out in the Koran, was given a range of forms as Islam came up against the traditions of Egypt, Persia, India and China. The tradition developed further in tombs, palaces and fortifications, all of which are described and illustrated here.The story continues with the glorious architecture of the Timurids, Safavids and Ottomans, using architects and craftsmen from a broad swathe of the world from Spain to India and beyond. Mosques expanded to unprecedented vastness, while colour and pattern were used to dazzling effect. And in Mughal India, a synthesis of traditional forms with those imported from Persia produced a series of magnificent mosques, citadels and tombs.The architecture of Islam comprises a high proportion of the world’s most beautiful buildings, from perhaps the most perfect images of the lost Eden in the gardens of the Alhambra, to the built expression of the boundless expansion of the faith to be seen in the mosques of Ottoman Istanbul. This book covers the whole range in unprecedented depth, placing the development of the tradition in the context – religious, political, economic and technological – of the times.

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The seventh book in the Architecture in Context series, this is a comprehensive survey of the European tradition of architecture from the pre-dawn of the Enlightenment in early Georgian England to the triumph of Brutalism in the seventh decade of the twentieth century.The three main sections are preceded by a concise introduction isolating the key philosophical and political theories which dominated the period: in particular Enlightenment and industrialization. The first section of the book covers Anglo-Palladianism, French academic rationalism, their Neoclassical developments and the aspiration to the Sublime. This first part develops the major strand of eclecticism before progressing to Historicism and the impact of industrial building techniques in the second. The third and final part begins with Design Reform in reaction to industrialism and then proceeds to Design Reform in response to the reactionaries – though they too continue to make their mark as the chronicle progresses. The epilogue covers developments from the advent of the Postmodernists and their High-Tech adversaries to the diversity of formal and technological games played out towards the end of the century.The numerous great architects and designers whose work both defines and illustrates the book’s themes include visionaries like Soane, Boullée and Schinkel, entrepreneurial innovators such as the Adams brothers and Repton, engineers of the age of iron including Eiffel, Paxton and Bélanger, and 20th-century giants – Frank Lloyd Wright, Ludwig Mies van der Rohe and Le Corbusier among many others.

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A comprehensive guide to temporary structures in construction projects Temporary Structure Design is the first book of its kind, presenting students and professionals with authoritative coverage of the major concepts in designing temporary construction structures. Beginning with a review of statistics, it presents the core topics needed to fully comprehend the design of temporary structures: strength of materials; types of loads on temporary structures; scaffolding design; soil properties and soil loading; soldier beam, lagging, and tiebacks; sheet piling and strutting; pressure and forces on formwork and falsework; concrete formwork design; falsework; bracing and guying; trestles and equipment bridges; and the support of existing structures. Temporary structures during construction include scaffolding, formwork, shoring, ramps, platforms, earth-retaining structures, and other construction structures that are not part of the permanent installation. These structures are less regulated and monitored than most other parts of the construction process, even though they are often supporting tons of steel or concrete—and the safety of all workers on the site depends on these structures to perform as designed. Unfortunately, most tragic failures occur during construction and are usually the result of improperly designed, constructed, and/or maintained temporary structures. Temporary Structure Design fills an important need in the literature by providing a trusted, comprehensive guide to designing temporary construction structures. Serves as the first book to provide a design-oriented approach to the design of temporary structures Includes coverage of the various safety considerations inherent in temporary structure design and construction Provides information on estimating cost and schedules for these specialized structures Covers formwork and falsework, as well as personnel protection, production support, environmental protection, and foundational structures If you're a student or a professional working in the field of construction or structural engineering, Temporary Structure Design is a must-have resource you'll turn to again and again.

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Boundless Russia, humble yet full of hidden grandeur—such visions of "the motherland" became crucial markers of Russian national identity. This Meager Nature is the first full-length study to trace the cultural construction of Russia's landscape during the nineteenth century, showing how artistic and literary representations of nature reflected and shaped Russians' ideas about themselves and their nation. In the early 1800s, Russians commonly accepted the European judgment that their land lacked aesthetic value. That view changed with the outpouring of literary and artistic creativity that followed the century's political upheavals. Artists such as Aleksei Savrasov, Fedor Vasil'ev, Ivan Shishkin, and Nikolai Nekrasov turned to their native land and revealed the power of grey skies, vast open fields, and simple birch forests. Russians came to embrace their land's modest beauty, which represented strength and hidden depths. The historical creation of Russia's sense of place resulted not so much from its citizens' encounters with their environment, Ely argues, as from their long-term struggle to distinguish Russia from Europe. The humble beauty of the Russian land served to assert the genuineness of Russia against the inauthenticity of western Europe. For those who embraced it, the "meager" beauty of the landscape provided a powerful means for experiencing and expressing Russian national identity.

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It begins on a quiet city street. A woman is robbed, the crime witnessed by a man holding a camera. In the aftermath, victim and voyeur meet. It ends six months later, by which point both their lives - and the way they choose to live them - have changed irrevocably. This is the story of what happened in-between.

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In Interior States Christopher Castiglia focuses on U.S. citizens’ democratic impulse: their ability to work with others to imagine genuinely democratic publics while taking divergent views into account. Castiglia contends that citizens of the early United States were encouraged to locate this social impulse not in associations with others but in the turbulent and conflicted interiors of their own bodies. He describes how the human interior—with its battles between appetite and restraint, desire and deferral—became a displacement of the divided sociality of nineteenth-century America’s public sphere and contributed to the vanishing of that sphere in the twentieth century and the twenty-first. Drawing insightful connections between political structures, social relations, and cultural forms, he explains that as the interior came to reflect the ideological conflicts of the social world, citizens were encouraged to (mis)understand vigilant self-scrutiny and self-management as effective democratic action. In the late eighteenth century and early nineteenth, as discourses of interiority gained prominence, so did powerful counter-narratives. Castiglia reveals the flamboyant pages of antebellum popular fiction to be an archive of unruly democratic aspirations. Through close readings of works by Maria Monk and George Lippard, Walt Whitman and Timothy Shay Arthur, Hannah Webster Foster and Hannah Crafts, and Nathaniel Hawthorne and Herman Melville, Castiglia highlights a refusal to be reformed or self-contained. In antebellum authors’ representations of nervousness, desire, appetite, fantasy, and imagination, he finds democratic strivings that refused to disappear. Taking inspiration from those writers and turning to the present, Castiglia advocates a humanism-without-humans that, denied the adjudicative power of interiority, promises to release democracy from its inner life and to return it to the public sphere where U.S. citizens may yet create unprecedented possibilities for social action.

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Emphasizing how profoundly the American research university has been shaped by business and the humanities alike, Ivy and Industry is a vital contribution to debates about the corporatization of higher education in the United States. Christopher Newfield traces major trends in the intellectual and institutional history of the research university from 1880 to 1980. He pays particular attention to the connections between the changing forms and demands of American business and the cultivation of a university-trained middle class. He contends that by imbuing its staff and students with seemingly opposed ideas—of self-development on the one hand and of an economic system existing prior to and inviolate of their own activity on the other—the university has created a deeply conflicted middle class.Newfield views management as neither inherently good nor bad, but rather as a challenge to and tool for negotiating modern life. In Ivy and Industry he integrates business and managerial philosophies from Taylorism through Tom Peters’s “culture of excellence” with the speeches and writings of leading university administrators and federal and state education and science policies. He discusses the financial dependence on industry and government that was established in the university’s early years and the equal influence of liberal arts traditions on faculty and administrators. He describes the arrival of a managerial ethos on campus well before World War II, showing how managerial strategies shaped even fields seemingly isolated from commerce, like literary studies. Demonstrating that business and the humanities have each had a far stronger impact on higher education in the United States than is commonly thought, Ivy and Industry is the dramatic story of how universities have approached their dual mission of expanding the mind of the individual while stimulating economic growth.

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In The Vanishing Christopher Pye combines psychoanalytic and cultural theory to advance an innovative interpretation of Renaissance history and subjectivity. Locating the emergence of the modern subject in the era’s transition from feudalism to a modern societal state, Pye supports his argument with interpretations of diverse cultural and literary phenomena, including Shakespeare’s Hamlet and King Lear, witchcraft and demonism, anatomy theaters, and the paintings of Michelangelo. Pye explores the emergence of the early modern subject in terms of a range of subjectivizing mechanisms tied to the birth of a modern conception of history, one that is structured around a spatial and temporal horizon—a vanishing point. He also discusses the distinctly economic character of early modern subjectivity and how this, too, is implicated in our own modern modes of historical understanding. After explaining how the aims of New Historicist and Foucauldian approaches to the Renaissance are inseparably linked to such a historical conception, Pye demonstrates how the early modern subject can be understood in terms of a Lacanian and Zizekian account of the emerging social sphere. By focusing on the Renaissance as a period of remarkable artistic and cultural production, he is able to illustrate his points with discussions of a number of uniquely fascinating topics—for instance, how demonism was intimately related to a significant shift in law and symbolic order and how there existed at the time a “demonic” preoccupation with certain erotic dimensions of the emergent social subject.Highly sophisticated and elegantly crafted, The Vanishing will be of interest to students of Shakespeare and early modern culture, Renaissance visual art, and cultural and psychoanalytic theory.

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A study of three hundred years of medieval Franciscan history that focuses on martyrdom While hagiographies tell of Christian martyrs who have died in an astonishing number of ways and places, slain by members of many different groups, martyrdom in a Franciscan context generally meant death at Muslim hands; indeed, in Franciscan discourse, "death by Saracen" came to rival or even surpass other definitions of what made a martyr. The centrality of Islam to Franciscan conceptions of martyrdom becomes even more apparent—and problematic—when we realize that many of the martyr narratives were largely invented. Franciscan authors were free to choose the antagonist they wanted, Christopher MacEvitt observes, and they almost always chose Muslims. However, martyrdom in Franciscan accounts rarely leads to conversion of the infidel, nor is it accompanied, as is so often the case in earlier hagiographical accounts, by any miraculous manifestation. If the importance of preaching to infidels was written into the official Franciscan Rule of Order, the Order did not demonstrate much interest in conversion, and the primary efforts of friars in Muslim lands were devoted to preaching not to the native populations but to the Latin Christians—mercenaries, merchants, and captives—living there. Franciscan attitudes toward conversion and martyrdom changed dramatically in the beginning of the fourteenth century, however, when accounts of the martyrdom of four Franciscans said to have died while preaching in India were written. The speed with which the accounts of their martyrdom spread had less to do with the world beyond Christendom than with ecclesiastical affairs within, MacEvitt contends. The Martyrdom of the Franciscans shows how, for Franciscans, martyrdom accounts could at once offer veiled critique of papal policies toward the Order, a substitute for the rigorous pursuit of poverty, and a symbolic way to overcome Islam by denying Muslims the solace of conversion.

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When Ecuador's cut-flower industry took off in the mid-1980s, it rode a wave of international credit peddling and currency speculation that would lead countries of the Global South into successive debt crises and northern financial firms to fortune and dominion. By the start of the twenty-first century, as the Ecuadorian economy collapsed and its ties with international finance became strained, flower exporters rebuilt their businesses around the profitability of their indigenous labor force, drawing local communities deeply into new plantation systems taking over the highlands. In A Feast of Flowers, Christopher Krupa goes inside Ecuador's booming cut-flower industry to chronicle the ways its capitalist pioneers built a booming export industry around a racial ideology, turning indigenous people's purported differences into resources for industrial expansion. At the core of this racial system is a belief, central to postcolonial science and politics in Ecuador, in capitalism's unique capacity to change people's racial identity and to liberate oppressed populations from racial subordination. Krupa shows how such views not only guide how indigenous people are today incorporated into demanding labor systems in Ecuador's new export plantations, but also how indigenous minds and bodies became sites of study and intervention by scientists, politicians, and economic planners throughout the last century, all looking to change indigenous people in some way. Combining nearly two decades of ethnographic and historical research, A Feast of Flowers shows how aggressive capitalist expansion in postcolonial contexts may revive longstanding intersections between race and economy to facilitate new modes of dispossession under the guise of humanitarian intervention.

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By revealing the investment of eighteenth-century British prose fiction in contemporary debates about domestic ideology, this book addresses the multiple ways in which traditional notions of the family were estranged, reconstituted as novel concepts, and then finally presented as national social norms. It focuses on works by Aphra Behn, Daniel Defoe, Samuel Richardson, Eliza Haywood, Horace Walpole, Laurence Sterne, and Mary Wollstonecraft, addressing a number of narratives that historians of the novel have overlooked while linking such better-known works as Robinson Crusoe and Pamela to their often neglected sequels. Challenging competing critical claims that the household either experienced a revolution in form or that it remained essentially unchanged, the author argues that eighteenth-century writers employed a set of complementary strategies to refashion the symbolic and affective power of bourgeois domesticity. Whether these writers regarded the household as a supplement to such other social institutions as the Church or the monarchy, or as a structure resisting these institutions, they affirmed the family's central role in managing civil behavior. At a time, however, when the middle class was beginning to scrutinize itself as a distinct social entity, its most popular form of literature reveals that many felt alienated from the most intimate and yet explosive of social experiences—family life. Prose fiction sought to channel these disturbingly fluid domestic feelings, yet was in itself haunted by the specter of unregulated affect. Recovering the period's own disparate perceptions of household relations, the book explains how eighteenth-century British prose fiction, which incorporates elements from conduct books, political treatises, and demographic material, used the family as an instrumental concept in a struggle to resolve larger cultural tensions at the same time it replicated many of the rifts within contemporary family ideology.

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This volume juxtaposes philosophical and psychoanalytic speculation with literary and artistic commentary in order to approach a set of questions concerning the human relation to language, a relation that cannot be taken as an "object" of critical or philosophical reflection in the traditional manner. Exploring the exigencies of figuring this relation at the limits of language, the multifold writing of this volume takes the form of a "triptych" (following the model of works by Francis Bacon) rather than that of a thesis. The central (and organizing) section of the volume contains an extended dialogue on two textual passages portraying versions of what the author describes as "the death of the infans." With the strange resonance of the "primal" or the "originary," these two scenes from works by Maurice Blanchot and Jacques Lacan invite a reflection on the mortal exposure that marks the human share in the advent of language, an exposure whose figuration is necessary to any speech or conscious life. The dialogue explores the ethical and philosophical issues that surface in a practice of writing (a "pragmatics") that engages this necessary figuration, and thus the limits of language. The latter issues are also explored in a brief essay on Antigone that concludes the dialogical fiction. The first and third parts of the volume's triptych address artistic projects that realize in their respective ways a pragmatics like that of the central section. The first part focuses on the work of Francis Bacon, taking the motif of crucifixion as a path toward understanding his violent realism. This essay is prefaced by a consideration of the notion of cruelty to which Nietzsche appeals in The Genealogy of Morals. The third part, which juxtaposes a dialogue with a critical essay, concerns the work of Salvatore Puglia. Through Bacon and Puglia, the author seeks another approach to a figural imperative at the limits of language.

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Nonprofit corporations, cooperatives, and credit unions constitute an alternative avenue of hope and action for communities that have come up short in the normal operation of the market economy. These organizations comprise the third sector, which accounts for approximately 10 percent of U.S. economic activity. As part of the fastest growing sector in the economy, these dynamic organizations play an increasing role in strengthening local economies. In the United States, they help to compensate for a state that is, in Gunn's view, relatively disengaged from meeting basic human needs. This book helps move thinking about the third sector beyond traditional nonprofits centered on education, health care, and charity, and into the realm of often smaller, dynamic organizations that engage in collective entrepreneurship. Throughout, Gunn illustrates how organizations founded with little in the way of financial resources have made substantial contributions to economic development and general well-being in the communities they serve and from which they arise. After explaining why local development is a problem in such a wealthy and resource-rich country as the United States, Christopher Gunn profiles more than two dozen organizations ranging from child-care cooperatives to retirement communities, from co-housing "villages" to financial institutions. He also investigates public-policy changes that could strengthen this alternative sector's contribution to economic development.

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This is a work of 11 self-contained chapters, one for each day of September before the attack on the World Trade Center in New York, each containing one woman's story. The chapters reflect the broadest spectrum of women in order to reflect, by their differences, the worlds they inhabited and how the attack on 11 September affected their lives. Despite national and international policies aimed at securing equality for women, the sad fact is that throughout the world women have achieved at best an uneven and insecure equality, and in the case of Afghanistan no equality at all. With a new political and social order promised in Afghanistan, dare we hope that the situation will improve? Christopher Hilton has interviewed 11 very different women, some from the West, some from Afghanistan, to find out what the lives of women involved in the dramatic events of 11 September 2001 were like and how the attack changed their lives. In the stories that emerge we hear the voices of women whose ordinary loves were suddenly changed and who became actors in some of the most far-reaching events of the modern world.

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The declaration of war against Germany on 3 September 1939 brought an end to the second (and as yet, final) Golden Age of English cricket. Over 200 first-class English players signed up to fight in that first year; 52 never came back. In many ways, the summer of 1939 was the end of innocence. Using unpublished letters, diaries and memoirs, Christopher Sandford recreates that last summer, looking at men like George Macaulay, who took a wicket with his first ball in Test cricket but was struck down while serving with the RAF in 1940; Maurice Turnbull, the England all-rounder who fell during the Normandy landings; and Hedley Verity, who still holds cricketing records, but who died in the invasion of Sicily. Few English cricket teams began their first post-war season without holding memorial ceremonies for the men they had lost: The Final Innings pays homage not only to these men, but to the lost innocence, heroism and human endurance of the age.

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The little band of Puritan emigres that left Southampton in 1620 to found a godly colony in Virginia (as the eastern seaboard of the North American continent was known at the time) carried with them the ideological seed-corn of a new nation. They were leaving England so that they could worship God in the way their conscience told them was right, but they were the forerunners of the greatest feat of nation building in the early modern world. The vibrant self-determination of these Protestant exiles would play an important part in precipitating the imperial conflict with Britain after 1763 and would later stand at the core of the American ideal during the centuries after Independence, providing a powerful pull factor for aspirant migrants around the world. Mayflower is the story of their voyage, their settlement in New England and the influence they had on the forging of a nation.

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An Austro-Hungarian with a dark streak, Victor Lustig was a man of athletic good looks, with a taste for larceny and foreign intrigue. He spoke six languages and went under nearly as many aliases in the course of a continent-hopping life that also saw him act as a double (or possibly triple) agent. Along the way, he found time to dupe an impressive variety of banks and hotels on both sides of the Atlantic; to escape from no fewer than three supposedly impregnable prisons; and to swindle Al Capone out of thousands of dollars, while living to tell the tale. Undoubtedly the greatest of his hoaxes was the sale, to a wealthy but gullible Parisian scrap-metal dealer, of the Eiffel Tower in 1925. In a narrative that thrills like a crime caper, best-selling biographer Christopher Sandford tells the whole story of the greatest conman of the twentieth century.

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This book offers key background reading for anyone interested in Scotland's 2014 referendum on independence. This book traces the background to the Treaty of Union of 1707, explains why it happened and assesses its impact on Scottish society, including the bitter struggle with the Jacobites for acceptance of the union in the two decades that followed its inauguration. The first edition was radical in reinterpreting the causes of union, rejecting the widely held notion that the Scots were bought and sold for English gold and instead placing emphasis on the international, dynastic and religious contexts of the union negotiations. This new edition brings the historical debate up to a vigorous present, in which we are once again discussing such issues and opinions, lending historical weight to arguments for and against Union. It is updated in the light of new research. It challenges dominant view that the Scots were 'bought and sold for English gold'. It includes a new chapter that expands the debate into the present. It adds historical dimension to the current debate about the Union. It presents key background reading for anyone interested in 2014 referendum.

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Truth Matters is the first full-length introduction to response-dependence, a topic that has become a main focus of interest for philosophers across a wide range of disciplines and subject areas. The response-dependence claim, in brief, is to provide a 'third way' between the realist (or objectivist) conception of truth as always potentially transcending the limits of human ascertainment and the anti-realist (or verificationist) case that truth cannot possibly transcend those limits since then we could never acquire or manifest a knowledge of it. While setting out the issues clearly and concisely, Norris also provides some relevant background history to this current debate, including discussion of its sources and analogues in Plato, Locke, Kant and Wittgenstein. His book offers invaluable guidance for student readers in search of a reliable introductory survey of the field. Among those with a more specialist interest it may sometimes provoke disagreement, as when Norris argues that the response-dependence approach often goes along with a disguised anti-realist bias and hence fails to make good on its 'third-way' promise. However, its combination of wide-ranging coverage with clarity of focus and depth of philosophical treatment will be welcomed. Key Features: *Clear, accessible account of some complex philosophical issues; *First book-length study of the response-dependence debate; *Informative discussion of its pre-history in philosophers from Plato to Hume, Locke and Kant; *Aimed at readers seeking a reliable, well-informed introductory account while relevant to those with a more specialist knowledge of the topic.

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In this book the author examines the concept of "the end of socialism" assessing the evidence that underpins this position, analysing market socialism and confronting the question of whether any form of socialism can any longer be thought to be "feasible".

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This book examines the processes available for the various stages of treatment of wastewater, beginning with the preliminary processes of screening, grit removal and storm water separation and ending with tertiary treatment and sludge disposal. Key Coverage Considerable emphasis on the biological processes that are used for the oxidation of BOD and the removal of nitrogen and phosphorous. Presents options for the treatment of industrial wastewater, including anaerobic digestion, physico-chemical processes and enhanced oxidation are also discussed. Examines what the future may bring and how this may affect the technology of wastewater treatment. This book provides authoritative and comprehensive information in an area where little is available

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In a major analysis of pictorial forms from the late Middle Ages to the Enlightenment, Christopher Braider argues that the painted image provides a metaphor and model for all other modes of expression in Western culture--particularly literature, philosophy, religion, and science. Because critics have conventionally explained visual images in terms of verbal texts (Scripture, heroic poetry, and myth), they have undervalued the impact of the pictorial naturalism practiced by painters from the fifteenth century onward and the fundamentally new conception of reality it conveys. By reinterpreting modern Western experience in light of northern "descriptive art," the author enriches our understanding of how both painted and written cultural texts shape our perceptions of the world at large. Throughout Braider draws on works by such painters as van der Weyden, Bruegel the Elder, Steen, Vermeer, Rembrandt, and Poussin, and addresses such topics as the Incarnation of the Word in Christ, the elegiac foundations of Enlightenment aesthetics, and the rivalry between northern and southern art. His goal is not only to reexamine important aesthetic issues but also to offer a new perspective on the general intellectual and cultural history of the modern West. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A bold new interpretation of Nat Turner and the slave rebellion that stunned the American SouthIn 1831 Virginia, Nat Turner led a band of Southampton County slaves in a rebellion that killed fifty-five whites, mostly women and children. After more than two months in hiding, Turner was captured, and quickly convicted and executed. In the Matter of Nat Turner penetrates the historical caricature of Turner as befuddled mystic and self-styled Baptist preacher to recover the haunting persona of this legendary American slave rebel, telling of his self-discovery and the dawning of his Christian faith, of an impossible task given to him by God, and of redemptive violence and profane retribution.Much about Turner remains unknown. His extraordinary account of his life and rebellion, given in chains as he awaited trial in jail, was written down by an opportunistic white attorney and sold as a pamphlet to cash in on Turner’s notoriety. But the enigmatic rebel leader had an immediate and broad impact on the American South, and his rebellion remains one of the most momentous episodes in American history. Christopher Tomlins provides a luminous account of Turner's intellectual development, religious cosmology, and motivations, and offers an original and incisive analysis of the Turner Rebellion itself and its impact on Virginia politics. Tomlins also undertakes a deeply critical examination of William Styron’s 1967 novel, The Confessions of Nat Turner, which restored Turner to the American consciousness in the era of civil rights, black power, and urban riots.A speculative history that recovers Turner from the few shards of evidence we have about his life, In the Matter of Nat Turner is also a unique speculation about the meaning and uses of history itself.

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The blame game, with its finger-pointing and mutual buck-passing, is a familiar feature of politics and organizational life, and blame avoidance pervades government and public organizations at every level. Political and bureaucratic blame games and blame avoidance are more often condemned than analyzed. In The Blame Game, Christopher Hood takes a different approach by showing how blame avoidance shapes the workings of government and public services. Arguing that the blaming phenomenon is not all bad, Hood demonstrates that it can actually help to pin down responsibility, and he examines different kinds of blame avoidance, both positive and negative. Hood traces how the main forms of blame avoidance manifest themselves in presentational and "spin" activity, the architecture of organizations, and the shaping of standard operating routines. He analyzes the scope and limits of blame avoidance, and he considers how it plays out in old and new areas, such as those offered by the digital age of websites and e-mail. Hood assesses the effects of this behavior, from high-level problems of democratic accountability trails going cold to the frustrations of dealing with organizations whose procedures seem to ensure that no one is responsible for anything. Delving into the inner workings of complex institutions, The Blame Game proves how a better understanding of blame avoidance can improve the quality of modern governance, management, and organizational design.

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Alban Berg and His World is a collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. His allegiance to the austere rigor of Arnold Schoenberg's musical revolution was balanced by a lifelong devotion to the warm sensuousness of Viennese musical tradition and a love of lyric utterance, the emotional intensity of opera, and the expressive nuance of late-Romantic tonal practice. The essays in this collection explore the specific qualities of Berg's brand of musical modernism, and present newly translated letters and documents that illuminate his relationship to the politics and culture of his era. Of particular significance are the first translations of Berg's newly discovered stage work Night (Nocturne), Hermann Watznauer's intimate account of Berg's early years, and the famous memorial issue of the music periodical 23. Contributors consider Berg's fascination with palindromes and mirror images and their relationship to notions of time and identity; the Viennese roots of his distinctive orchestral style; his links to such Viennese contemporaries as Alexander Zemlinsky, Franz Schreker, and Erich Wolfgang Korngold; and his attempts to maneuver through the perilous shoals of gender, race, and fascist politics. The contributors are Antony Beaumont, Leon Botstein, Regina Busch, Nicholas Chadwick, Mark DeVoto, Douglas Jarman, Sherry Lee, and Margaret Notley. Bard Music Festival: Berg and His World Bard College Annandale-on-Hudson, New York August 13-15, 2010 and August 20-22, 2010

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On May 11, 1857, Hindu and Muslim sepoys massacred British residents and native Christians in Delhi, setting off both the whirlwind of similar violence that engulfed Bengal in the following months and an answering wave of rhetorical violence in Britain, where the uprising against British rule in India was often portrayed as a clash of civilization and barbarity demanding merciless retribution. Although by twentieth-century standards the number of victims was small, the Victorian public saw "the Indian Mutiny" of 1857-59 as an epochal event. In this provocative book, Christopher Herbert seeks to discover why. He offers a view of this episode--and of Victorian imperialist culture more generally--sharply at odds with the standard formulations of postcolonial scholarship. Drawing on a wealth of largely overlooked and often mesmerizing nineteenth-century texts, including memoirs, histories, letters, works of journalism, and novels, War of No Pity shows that the startling ferocity of the conflict in India provoked a crisis of national conscience and a series of searing if often painfully ambivalent condemnations of British actions in India both prior to and during the war. Bringing to light the dissident, disillusioned, antipatriotic strain of Victorian "mutiny writing," Herbert locates in it key forerunners of modern-day antiwar literature and the modern critique of racism.

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