Search results for ""rebellion""

Around five million people across Southeast Asia identify as Shan. Though the Shan people were promised an independent state in the 1947 Union of Burma constitution, successive military governments blocked their liberation. From 1958 onward, insurgency movements, including the Shan United Revolution Army, have fought for independence from Myanmar. Refugees numbering in the hundreds of thousands fled to Thailand to escape the conflict, despite struggling against oppressive citizenship laws there. Several decades of continuous rebellion have created a vacuum in which literati and politicians have constructed a virtual Shan state that lives on in popular media, rock music, and Buddhist ritual. Based on close readings of Shan-language media and years of ethnographic research in a community of soldiers and their families, Jane M. Ferguson details the origins of these movements and tells the story of the Shan in their own voices. She shows how the Shan have forged a homeland and identity during great upheaval by using state building as an ongoing project of resistance, resilience, and accommodation within both countries. In avoiding a good/bad moral binary and illuminating cultural complexities, Repossessing Shanland offers a fresh perspective on identity formation, transformation, and how people understand and experience borderlands today.

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Soap opera speaks a universal language, presenting characters and plots that resonate far beyond the culture that creates them. Latin American soap operas—telenovelas—have found enthusiastic audiences throughout the Americas and Europe, as well as in Egypt, Russia, and China, while Mexican narco-dramas have become highly popular among Latinos in the United States. In this first comprehensive analysis of telenovelas and narco-dramas, Hugo Benavides assesses the dynamic role of melodrama in creating meaningful cultural images to explain why these genres have become so successful while more elite cultural productions are declining in popularity. Benavides offers close readings of the Colombian telenovelas Betty la fea (along with its Mexican and U.S. reincarnations La fea más bella and Ugly Betty), Adrián está de visita, and Pasión de gavilanes; the Brazilian historical telenovela Xica; and a variety of Mexican narco-drama films. Situating these melodramas within concrete historical developments in Latin America, he shows how telenovelas and narco-dramas serve to unite peoples of various countries and provide a voice of rebellion against often-oppressive governmental systems. Indeed, Benavides concludes that as one of the most effective and lucrative industries in Latin America, telenovelas and narco-dramas play a key role in the ongoing reconfiguration of social identities and popular culture.

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In the 1960s and early 1970s, young people in New York City radically altered the tradition of writing their initials on neighborhood walls. Influenced by the widespread use of famous names on billboards, in neon, in magazines, newspapers, and typographies from advertising and comics, city youth created a new form of expression built around elaborately designed names and initials displayed on public walls, vehicles, and subways. Critics called it "graffiti," but to the practitioners it was "writing." Taking the Train traces the history of "writing" in New York City against the backdrop of the struggle that developed between the city and the writers. Austin tracks the ways in which "writing"- a small, seemingly insignificant act of youthful rebellion-assumed crisis-level importance inside the bureaucracy and the public relations of New York City mayoral administrations and the Metropolitan Transportation Authority for almost two decades. Taking the Train reveals why a global city short on funds made "wiping out graffiti" an expensive priority while other needs went unfunded. Although the city eventually took back the trains, Austin eloquently shows how and why the culture of "writing" survived to become an international art movement and a vital part of hip-hop culture.

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A beautiful and eerie story of love and memory from the author of The Moon Field. Anyone who’s ever lost someone is haunted Rosie Milford inherits a house in an old silk factory after her mother’s death and moves there with her young children. The discovery of a shocking truth about her own childhood, when she is already reeling from the breakup of her marriage, fills her with distrust and fearfulness. Then she starts seeing a strange child, wandering in the garden, who seems as lost as she is. In 1812, silk master Septimus Fowler has grand plans to keep his factory in step with the industrial revolution: he will plant mulberry trees, rear silkworms and import new mechanized looms. Orphan Beulah Fiddement works as a bobbin winder and has secrets that the master would go to any lengths to get. Caught up in a dark adult world of illicit love, rebellion and revenge, Beulah must put away her childhood and draw on all her spirit to protect those she loves. Beulah’s story of guilt and bravery will echo down two centuries and change Rosie’s life as she struggles to overcome the hand of her own past and find redemption.

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Compellingly argued and lyrically charged, A World without Police offers concrete strategies for confronting and breaking police power, as a first step toward building community alternatives that make the police obsolete. Surveying the post-protest landscape in Minneapolis, Philadelphia, Chicago, and Oakland, as well as the people who have experimented with policing alternatives at a mass scale in Latin America, Maher details the institutions we can count on to deliver security without the disorganizing interventions of cops: neighborhood response networks, community-based restorative justice practices, democratically organized self-defense projects, and well-resourced social services.Tens of millions of people poured onto the streets for Black Lives Matter, bringing with them a wholly new idea of public safety, common security, and the delivery of justice, communicating that vision in the fiery vernacular of riot, rebellion, and protest. A World without Police transcribes these new ideas-written in slogans and chants, over occupied bridges and hastily assembled barricades-into a compelling, must-read manifesto for police abolition.A World without Police argues that abolition is not a distant dream or an unreachable horizon but an attainable reality. In communities around the world, we are beginning to glimpse a real, lasting justice in which we keep us safe.

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Gord Mackintosh was not your typical politician and this book is not your typical political memoir. Mackintosh steps out of his familiar role as the Manitoba NDP’s go-to guy, foot soldier and law reformer to provide a unique take on the quirky places and people behind his long and varied career. From secret passages, archaisms, and funny business at Manitoba’s Legislature, to door-knocking surprises, crime-fighting and “saving Mother Earth,” Mackintosh weaves warm-hearted anecdotes of his many years in public life. Hooey, hijinks, and embarrassment that humanize our political system are interspersed with major political events of the last thirty years, for which he had suspiciously differing roles. Whether Manitoba’s French Language Crisis, the Meech Lake Crisis, the MTS Debate, the Flood of the Century, the Auto Theft Capital of North America, or the internal rebellion against Premier Greg Selinger, he still urges, “It wasn’t me.” Calling it “more sunshine sketches than social science”, Mackintosh exposes what it’s really like in politics, with seasoned political advice, strong opinion -- including an “unbiased view” of opponents, and a celebration of leadership. He also offers a self-deprecating backstory to many government decisions—required reading for Manitoba citizens of any political stripe.

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Dino Campana wrote the unique, visionary masterwork of Italian literature Orphic Songs when he was in his twenties. The originality, rapturous language, and strange beauty of his poetry make him as important to twentieth-century poetry as Garcia Lorca or Mayakovsky. Campana was the wild man of Italian poetry in 1914, on the eve of World War I. The war saved some young Italians from rebellion and from Fascism, but not Campana. Always an outsider, he was a vagabond who worked now and then as a gaucho, miner, fireman, organ-grinder, janitor, circus tumbler, horse groomer, and a wandering musician with a Gypsy band. He died in Castel Pulci, a psychiatric hospital, in 1932. "Dino Campana's small and intensely magical body of poetry from the early years of the last century-prose and free verse that combine the visual and the visionary with astonishing vigor and haunting grace-is little known to English-speaking readers." -Oberlin College Press Dino Campana (1885-1932) was an Italian lyricist and poet, known for his flamboyant personality. His only collection of poems is found in Orphic Songs. In 1918 he was admitted into a mental hospital and lived the rest of his life there.

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Explores how revolutionary ideas were translated into landscape design, encompassing liberty, equality, improvement and colonialism Spanning the designed landscapes of England’s Glorious Revolution of 1688, the American Revolution of 1776 and the Irish rebellion of 1798, with some detours into revolutionary France, this book traces a comparative history of property structures and landscape design across the eighteenth-century Atlantic world and evolving concepts of plantation and improvement within imperial ideology. Revolutionaries such as Jean-Jacques Rousseau, George Washington, Arthur Young, Lord Edward FitzGerald and Pierce Butler constructed houses, farms and landscape gardens—many of which have since been forgotten or selectively overlooked. How did the new republics and revolutionaries, having overthrown social hierarchies, translate their principles into spatial form? As the eighteenth-century ideology of improvement was applied to a variety of transatlantic and enslaved environments, new landscape designs were created—stretching from the suburbs of Dublin to the sea islands of the state of Georgia. Yet these revolutionary ideas of equality and freedom often contradicted reality, particularly where the traditional design of the great landed estate—the building block of aristocratic power throughout Europe—intersected with that of the farm and the plantation. Distributed for the Paul Mellon Centre for Studies in British Art

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A local journalist sends a distant relative to report on the war in Iraq, while he stays at home to sort out his love life and his professional career - all to varying degrees of success. As time goes on, things begin to unravel and he ends up having to fake his missing cousin's reports while struggling to hold on to his actress girlfriend. Our Man in Iraq is a take on the Iraqi conflict from the other side of Europe, where politics and nepotism collide and the confusing aftereffects of the recent Yugoslav wars mix with the joys and trials of modern life.With an introduction by Tim Judah of The Economist.'Robert Perisic is a light bright with intelligence and twinkling with irony, flashing us the news that postwar Croatia not only endures but matters.' Jonathan Franzen'Robert Perisic depicts, with acerbic wit, a class of urban elites who are trying to reconcile their nineties rebellion with the reality of present-day Croatia. . . . The characters' snide remarks could easily sound cynical but the novel has a levity informed by the sense of social fluidity that comes with democracy.' The New YorkerThis book is also available as a eBook. Buy it from Amazon here.

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The Historia of Richer of Saint-Rémi (ca. 950–ca. 1000), an invaluable source for understanding tenth-century West Francia (present-day France), provides a rare contemporary account of the waning Carolingian dynasty, accession of Hugh Capet, and failed rebellion of Charles of Lorraine. Beginning in 888, the Historia surveys a tumultuous century in which two competing dynasties struggled for supremacy, while great magnates seized upon the opportunity to carve out their own principalities. Richer’s descriptive talents are on display as he tells of synods and coronations, deception and espionage, battles and sieges, disease and death, and even the difficulties of travel.The Historia also sheds light on a controversial figure of the Middle Ages, the legendary cleric and scholar Gerbert of Aurillac. Gerbert, the dedicatee of the Historia, rose from humble beginnings to become archbishop of Rheims, archbishop of Ravenna, and eventually pope (as Sylvester II). The Historia contains a fascinating description of his teaching at the cathedral school of Rheims, where his innovations involved instruments such as the monochord, armillary sphere, and abacus.Translated into English here for the first time, the Historia holds particular attractions for historians and for anyone interested in the cultural and intellectual developments in the Latin West around the year 1000.

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The gospel story begins in Torah. What culminates at Golgotha starts with the rebellion in the garden. The Torah's story can be framed as a question: How will the word of God overcome the human revolution?Torah Story offers a student-friendly introduction to the redemptive narrative housed in the first five books of the Bible. Every main chapter introduces a section of Torah with attention to its basic structure.This is followed by another look at how this portion of Torah connects to the rest of the Christian Bible.The dynamic design includes opportunities in every chapter to make the most of Torah study including: Helps for getting started (focus questions, key terms, outline) An interactive workshop with challenge questions and advanced questions Suggestions for research projects Next steps for further study A refreshingly new approach to the Torah--neither an introduction nor a commentary--Torah Story provides an apprenticeship on the Old Testament's first five books. But it also provides a model of how to read Scripture intertextually with an eye to the New Testament gospels. It leaves no doubt as to the overarching unity of the message and composition of the Pentateuch. The second edition is streamlined and simplified throughout, with updated examples and new sidebars and imagery.

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The Cleaving is an Arthurian retelling that follows the tangled stories of four women: Nimue, Ygraine, Morgana, and Guinevere, as they fight to control their own destinies amid the wars and rivalries that will determine the destiny of Britain. The legendary epics of King Arthur and Camelot don't tell the whole story. Chroniclers say Arthur's mother Ygraine married the man that killed her husband. They say that Arthur's half-sister Morgana turned to dark magic to defy him and Merlin. They say that the enchantress Nimue challenged Merlin and used her magic to outwit him. And that Arthur's marriage to Guinevere ended in adultery, rebellion and bloodshed. So why did these women chose such dangerous paths? As warfare and rivalries constantly challenge the king, Arthur and Merlin believe these women are destined to serve Camelot by doing as they are told. But men forget that women talk. Ygraine, Nimue, Morgana and Guinevere become friends and allies while the decisions that shape their lives are taken out of their hands. This is their untold story. Now these women have a voice. Juliet McKenna is an expert on medieval history and warfare and brings this expertise as well as her skills as a fantasy writer to this epic standalone novel.

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This is the story of the greatest empire the world has ever known. Simon Baker charts the rise and fall of the world's first superpower, focusing on six momentous turning points that shaped Roman history. Welcome to Rome as you've never seen it before - awesome and splendid, gritty and squalid. From the conquest of the Mediterranean beginning in the third century BC to the destruction of the Roman Empire at the hands of barbarian invaders some seven centuries later, we discover the most critical episodes in Roman history: the spectacular collapse of the 'free' republic, the birth of the age of the 'Caesars', the violent suppression of the strongest rebellion against Roman power, and the bloody civil war that launched Christianity as a world religion. At the heart of this account are the dynamic, complex but flawed characters of some of the most powerful rulers in history: men such as Pompey the Great, Julius Caesar, Augustus, Nero and Constantine. Putting flesh on the bones of these distant, legendary figures, Simon Baker looks beyond the dusty, toga-clad caricatures and explores their real motivations and ambitions, intrigues and rivalries. The superb narrative, full of energy and imagination, is a brilliant distillation of the latest scholarship and a wonderfully evocative account of Ancient Rome.

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You can’t turn your back on RomeIn the bloodied mountains of Pannonia, the Roman army struggles to put down a brutal rebellion.Corvus is now the standard bearer of the Eighth Legion, which has borne the brunt of the fighting. The famed soldier has lost one comrade after another, and now his oldest friend, Marcus, has betrayed him, shaking him to his core. Sick of the conflict, Corvus deserts his legion and rides for home to end his days in peace.But there is no escaping Rome, or its vengeance. Corvus might want a simple life, but when tragedy strikes, he is hauled back into the savage war. And this time, he won’t be fighting on the Roman side…The compelling second novel in the Raven and the Eagle series, perfect for fans of Ben Kane and Simon Scarrow.Praise for Geraint Jones‘Blood and guts, but also a clever exploration of the moral ambiguity of war and loyalty to a flag’ Mail on Sunday‘Brutal, audacious, and fast paced’ Anthony Riches, author of the Empire series.‘Historical fiction written by a real war veteran who knows all there is to know about blood and bonding in battle’ Weekend Sport

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Where there’s a rulebook, there’s a rebel…Ruby McBride has always been on the wrong side of authority. The grand opening of the Manchester Ship Canal is set to be a day of unfettered festivity for Ruby and her younger sister and brother. Even Queen Victoria will be in attendance.But the glories of the ceremony fade into insignificance when their dying mother delivers them to the imposing oak doors of Ignatius House. Abandoned in the not-so-tender care of the nuns, the siblings are soon separated.So when the Board of Guardians force Ruby into a marriage that sends her to a new home upon the Salford waterways, she makes only one vow: to reunite her family whatever the cost.This is an enthralling story of romance and rebellion perfect for fans of Rosie Goodwin and Dilly Court.Praise for Ruby McBride ‘An inspiring novel about accepting change and bravely facing the future’ Bangor Chronicle‘Compelling and heart-wrenching’ Hull Daily Mail‘The kind of character-driven saga that delights the Catherine Cookson and Josephine Cox audience’ Peterborough Evening Telegraph‘This book deals with gritty, real-life situations and shows how the heroine’s strength of character triumphs through adversity’ 5* Reader review

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From BookTok sensation Emily McIntire comes a dark and delicious fractured fairy tale in her fan-favorite Never After series.She doesn't belong to him...she belongs to the crown.Prince Tristan Faasa was never destined for the throne. That was always his brother, Michael. The same brother responsible for both Tristan's tormented childhood and the scar that mars his face. When their father dies, Michael is set to assume the throne, and Tristan is set to steal it. The leader of a secret rebellion, Tristan will stop at nothing to end his brother's reign. But when Michael's new betrothed, Lady Sara Beatreaux arrives, Tristan finds himself in the middle of a new kind of war. The kind that begs the question of what's more important, the crown or the woman about to wear it.Sara has one plan. Marry the King and eradicate the Faasa line, even at the risk of her own peril. But she never expects the Scarred Prince. He's dangerous. Forbidden. And one of the men she's been sent to kill. But the line between hatred and passion has never seemed so thin, and as secrets come to light, Sara grows unsure of whom she can trust-torn between vengeance and the villain she was never supposed to love.

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In the Depth of the Storm's Shadow, Only Truth Can Light Her Way Having escaped Egypt with the other Hebrews during the Exodus, Shira is now living in freedom at the foot of Mt. Sinai, upon which rests the fiery glowing Cloud containing the shekinah glory of God. When the people disobey Yahweh and build a golden idol, the ensuing chaos gives Shira an unexpected opportunity to learn the arts of midwifery. Although her mother wishes for her to continue in the family weaving trade, Shira's gifts shine brightest when she assists with deliveries. In defiance of her mother, Shira pursues her heart's calling to become an apprentice midwife. When a delivery goes horribly wrong, Shira finds herself bound to a man who betrayed her, the caretaker of three young children, and the target of a vengeful woman whose husband was killed by Shira's people, the Levites. As contention between the Hebrew tribes and the foreigners fans the flames of another dangerous rebellion, Shira will come face-to-face with the heartbreak of her past that she has kept hidden for so long. How can she let go of all that has defined her to accept the love she's denied herself and embrace who she truly is?

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`she tried to settle that most difficult problem for women, how much was to be utterly merged in obedience to authority, and how much might be set apart for freedom in working.' North and South is a novel about rebellion. Moving from the industrial riots of discontented millworkers through to the unsought passions of a middle-class woman, and from religious crises of conscience to the ethics of naval mutiny, it poses fundamental questions about the nature of social authority and obedience. Through the story of Margaret Hale, the middle-class southerner who moves to the northern industrial town of Milton, Gaskell skilfully explores issues of class and gender in the conflict between Margaret's ready sympathy with the workers and her growing attraction to the charismatic mill ownder, John Thornton. This new revised and expanded edition sets the novel in the context of Victorian social and medical debate. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The Majestic Conclusion To The Dreamer Trilogy by #1 New York Times bestselling author Maggie Stiefvater. WHERE IT STARTS IS WHERE IT ENDS IS WHERE IT STARTS This is the story of the Lynch family. Niall and Mór escaped their homeland for a new start, and lost themselves in what they found. Declan has grown up as the responsible son, the responsible brother - only to find there is no way for him to keep his family safe. Ronan has always lived on the edge between dreams and waking ... but now that edge is gone, and he is falling. Matthew has been the happy child, the brightest beam. But rebellion beckons, because it all feels like an illusion now. This world was not made for such a family - a family with the power to make a world and break it. If they cannot save each other or themselves, we are all doomed. The war between dreams and reality intensifies... with Ronan at its center. Perfect for fans of Stiefvater's The Raven Cycle, Shiver and the first two books in the trilogy Call Down The Hawk and Mister Impossible Maggie Stiefvater's writing is addictive, magical and mysterious A mesmerizing story of dreams and desires, death and destiny

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Aimed explicitly at students and teachers coming to British cinema for the first time, the Studying British Cinema series considers key texts from the decade under discussion and accessibly considers them in their artistic and historical contexts. Beginning with an extended introduction, 1960s British Cinema analyses this famously revolutionary decade, showing how changes in society and culture changed the face of Britain irreversibly, beginning freedoms and trends that would affect the way the country would be perceived forever. Using key filmic texts as its starting point, 1960s British Cinema examines the events that changed the country reflected in the film of the day. The book examines the reputation of the decade as 'swinging' and explores issues of class, race and sexuality whose boundaries paved the way for a greater awareness of the county's identity. Contents: A Glimpse of the Future - Peeping Tom (1960); Keeping it Real - Saturday Night and Sunday Morning (1960) and Billy Liar (1963); Living the Dream - A Hard Day's Night (1964); The Empire Strikes Back - Goldfinger (1964); Sex and the Sixties: Darling (1965); Agent of Change - The Ipcress File (1965); London Life - The Knack...and How to Get It (1965); Kaleidoscopic Nation - Blow Up (1966); Decadence and Rebellion - If... (1968).

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A cultural history of global electronic dance music countercultures, "Technomad" explores the pleasurable and activist trajectories of post-rave. The book documents an emerging network of techno-tribes, exploring their pleasure principles and cultural politics. Attending to sound system culture, electro-humanitarianism, secret sonic societies, teknivals and other gatherings, intentional parties, revitalisation movements and counter-colonial interventions, "Technomad" investigates how the dance party has been harnessed for transgressive and progressive ends, for manifold freedoms. Seeking freedom from moral prohibitions and standards, pleasure in rebellion, refuge from sexual and gender prejudice, exile from oppression, rupturing aesthetic boundaries, re-enchanting the world, reclaiming space, fighting for 'the right to party', and responding to a host of critical concerns, electronic dance music cultures are multivalent sites of resistance. Drawing on extensive ethnographic, netographic and documentary research, "Technomad" details the post-rave trajectory through various local sites and global scenes, with each chapter attending to unique developments in the techno counterculture: example Spiral Tribe, teknivals, psytrance, Burning Man, Reclaim the Streets, Earthdream. The book offers an original nuanced theory of resistance to assist understanding of these developments. This cultural history of hitherto uncharted territory will be of interest to students of cultural, performance, music, media, and new social movement studies, along with enthusiasts of dance culture and popular politics.

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A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. This volume contains the only parliament of Richard III - an essential source for his accession in 1483 and for his response to the subsequent rebellion. Henry VII's assertion of his title in 1485 is strikingly different, as is his long act of resumption (a roll in itself) that reveals not only which Yorkist grants he was prepared to continue but also which early grants of his own he was willing to abandon. The1487 parliament shows the new regime continuing to try and establish itself in the face of continuing opposition. The rolls from the period are reproduced in their entirely, complemented by a full translation of all the texts from the three languages used by the medieval clerks (Latin, Anglo-Norman and Middle English). Dr Rosemary Horrox is Fellow and Director of Studies in History, Fitzwilliam College, Cambridge.

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Return to the startlingly original dystopian world of The Record Keeper in this stunning sequel. For readers of Octavia Butler, Kim Stanley Robinson, Nnedi Okorafor and Tade Thompson comes this Afrofuturist tour de force. General Arika Cobane, beloved leader of the worker rebellion, makes a bold-but illegal-move to ensure the people's freedom. When her scheme fails and her co-conspirator hangs for treason, Arika-overworked and overwrought-blacks out. When she awakens, everything has changed. She's been stripped of her rank and power and the new leader of the Kongo, Kira Swan, is a charismatic traitor bent on consigning the Kongo under the guise of peace. Desperate, Arika reunites with Hosea Kahn and seeks treatment for her blackouts at the Compound, deep in the deadly Obi Forest. Arika is determined to regain her influence, stop Kira Swan, and continue leading the Kongo to freedom, but time is running out and she's still unwell. Control is slipping from her fingers. When a new source of strength presents itself, an ancient authority reserved for the One destined to save the Kongo, Arika gives up everything, including Hosea Khan, to grasp the power, but-all alone, and sick and tired-can she muster the will to hold it?

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Essays exploring how England was governed during a tumultuous period. The twin themes of power and authority in fourteenth-century England, a century of transition between the high and late medieval polities, run throughout this volume, reflecting Professor Given-Wilson's seminal work in the area. Covering the period between Edward I's final years and the tyranny of Richard II, the volume encompasses political, social, economic and administrative history through four major lens: central governance, aristocratic politics, warfare, and English power abroad. Topics covered include royal administrative efficiency; the machinations of government clerks; the relationship between the crown and market forces; the changing nature of noble titles and lordship;and ideas of court politics, favouritism and loyalty. Military policy is also examined, looking at army composition and definitions of "war" and "rebellion". The book concludes with a detailed study of treasonous English captainsaround Calais and a broader examination of Plantagenet ambitions on the European stage. REMY AMBUHL is Lecturer in Medieval History at the University of Southampton; JAMES BOTHWELL is Lecturer in Later Medieval Historyat the University of Leicester; LAURA TOMPKINS is Research Manager at Historic Royal Palaces. Contributors: Andrew Ayton, Michael Bennett, Wendy R. Childs, Gwilym Dodd, David Green, J.S. Hamilton, Andy King, Alison McHardy, Mark Ormrod, Michael Prestwich, Bridget Wells-Furby

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Guangxi, a region on China's southern border with Vietnam, has a large population of ethnic minorities and a history of rebellion and intergroup conflict. In the summer of 1968, during the high tide of the Cultural Revolution, it became notorious as the site of the most severe and extensive violence observed anywhere in China during that period of upheaval. Several cities saw urban combat resembling civil war, while waves of mass killings in rural communities generated enormous death tolls. More than one hundred thousand died in a few short months. These events have been chronicled in sensational accounts that include horrific descriptions of gruesome murders, sexual violence, and even cannibalism. Only recently have scholars tried to explain why Guangxi was so much more violent than other regions. With evidence from a vast collection of classified materials compiled during an investigation by the Chinese government in the 1980s, this book reconsiders explanations that draw parallels with ethnic cleansing in Rwanda, Bosnia, and other settings. It reveals mass killings as the byproduct of an intense top-down mobilization of rural militia against a stubborn factional insurgency, resembling brutal counterinsurgency campaigns in a variety of settings. Moving methodically through the evidence, Andrew Walder provides a groundbreaking new analysis of one the most shocking chapters of the Cultural Revolution.

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By the early 1700s, the vast scale of the Spanish Empire led crown authorities to rely on local institutions to carry out their political agenda, including religious orders like the Franciscan mission of Santa Rosa de Ocopa in the Peruvian Amazon. This book follows the Ocopa missions through the eighteenth and early nineteenth centuries, a period marked by events such as the indigenous Juan Santos Atahualpa Rebellion and the 1746 Lima earthquake. Caught between the directives of the Spanish crown and the challenges of missionary work on the Amazon frontier, the missionaries of Ocopa found themselves at the center of a struggle over the nature of colonial governance. Cameron D. Jones reveals the changes that Spain's far-flung empire experienced from borderland Franciscan missions in Peru to the court of the Bourbon monarchy in Madrid, arguing that the Bourbon clerical reforms that broadly sought to bring the empire under greater crown control were shaped in turn by groups throughout the Americas, including Ocopa friars, the Amerindians and Africans in their missions, and bureaucrats in Lima and Madrid. Far from isolated local incidents, Jones argues that these conflicts were representative of the political struggles over clerical reform occurring throughout Spanish America on the eve of independence.

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A revisionist history of Method acting that connects the popular reception of “methodness” to entrenched understandings of screen performance still dominating American film discourse today. Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers.

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Establishes Shakespeare's plays as some of the period's most speculative political literature 'Shakespeare's Fugitive Politics' makes the case that Shakespeare's plays reveal there is always something more terrifying to the king than rebellion. The book seeks to move beyond the presumption that political evolution leads ineluctably away from autocracy and aristocracy toward republicanism and popular sovereignty. Instead, it argues for affirmative politics in Shakespeare the process of transforming scenes of negative affect into political resistance. 'Shakespeare's Fugitive Politics' argues that Shakespeare's affirmative politics appears not in his dialectical opposition to sovereignty, absolutism, or tyranny; nor is his affirmative politics an inchoate form of republicanism on its way to becoming politically viable. Instead, this study claims that it is in the place of dissensus that the expression of the eventful condition of affirmative politics takes place a fugitive expression that the sovereign order always wishes to shut down. Key FeaturesPromotes a new understanding of 'fugitive democracy'Establishes the presence of a form of alternative politics in early modern drama, articulated through the contours of theories of sovereigntyExplores how the parameters of contemporary radical politics take shape in major Shakespeare plays, including 'Coriolanus', 'King John', 'Henry V', 'Titus Andronicus', 'The Winter's Tale' and 'Julius Caesar'

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This groundbreaking book opens the door on the missing record of South Los Angeles juvenile gangs. It is the result of the unique friendship that developed between John Quicker and Akil Batani-Khalfani, aka Bird, who collaborated to show how structural marginality transformed hang-out street groups of non-White juveniles into gangs, paving the way for the rise of the infamous Crips and Bloods. Before Crips uses a macro historical analysis to sort through political and economic factors to explain the nature of gang creation.The authors mine a critical archive, using direct interviews with original gang members as well as theory and literature reviews, to contextualize gang life and gang formation. They discuss (and fuss and cuss about) topics ranging from the criminal economy and conceptions of masculinity to racial and gendered politics and views of violence. Their insider/outsider approach not only illuminates gang values and organization, but what they did and why, and how they grew in a backdrop of inequality and police brutality that came to a head with the 1965 Watts Rebellion.Providing an essential understanding of early South Los Angeles gang life, Before Crips explains what has remained constant, what has changed, and the roots of the violence that continues.

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New versions of Shakespeare’s history plays from director and translator Douglas Langworthy. In his three Henry VI plays, Shakespeare tackles the infamous Wars of the Roses and the fall of the House of Lancaster. In this translation of Henry VI, Part 2, Douglas Langworthy follows the increasing tensions as the Duke of York foments rebellion against the crown. Langworthy’s translation takes a deep dive into the language of Shakespeare. With a fine-tooth comb, he updates passages that are archaic and difficult to the modern ear, and matches them with the syntax and lyricism of the rest of the play, essentially translating archaic Shakespeare to match contemporary Shakespeare. This translation of Henry VI, Part 2 was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.

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Tongzhi, which translates into English as “same purpose” or “same will,” was once widely used to mean “comrade.” Since the 1990s, the word has been appropriated by the LGBT community in China and now refers to a broad range of people who do not espouse heteronormativity.Tongzhi Living, the first study of its kind, offers insights into the community of same-sex-attracted men in the metropolitan city of Dalian in northeast China. Based on ethnographic fieldwork by Tiantian Zheng, the book reveals an array of coping mechanisms developed by tongzhi men in response to rapid social, cultural, and political transformations in postsocialist China. According to Zheng, unlike gay men in the West over the past three decades, tongzhi men in China have adopted the prevailing moral ideal of heterosexuality and pursued membership in the dominant culture at the same time they have endeavored to establish a tongzhi culture. They are, therefore, caught in a constant tension of embracing and contesting normality as they try to create a new and legitimate space for themselves.Tongzhi men’s attempts to practice both conformity and rebellion paradoxically undercut the goals they aspire to reach, Zheng shows, perpetuating social prejudice against them and thwarting the activism they believe they are advocating.

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'An inspiring rallying cry for activists everywhere to work together to build a just, ecosocialist future' - Grace Blakeley Time is up. The climate crisis is no longer a future to be feared, but a devastating reality. We see it in the wildfires in California and floods across Britain - the 'once in a generation' extreme weather events that now happen every year. In a world where those in charge are constantly letting us down, real change in our lifetime means taking power into our own hands. The task ahead of us is daunting, but the emergence of a new wave of movements focused on climate justice, equality and solidarity also brings hope. Asking how we have arrived at this moment, Chris Saltmarsh argues that the profoundly political nature of the environmental crisis has been relentlessly downplayed. After all, how can solar panels save us while capitalism places profit over the future of the planet? Analysing the failures of NGOs, the limitations of Extinction Rebellion and Youth Strikes, the role of trade unions, and the possibilities of a Green New Deal, Burnt issues a powerful call for a radical collective movement: saving the world is not enough; we must build a better one in the process.

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Belles lettres.Sidonius Apollinaris, a Gallo-Roman, was born at Lugdunum (Lyon) about AD 430. He married Papianilla, daughter of the Emperor Avitus in whose honor he recited at Rome on 1 January 456 a panegyric in verse. Sidonius later joined a rebellion, it seems, but was finally reconciled to the emperor Majorian and delivered at Lyon in 458 a panegyric on him. After some years in his native land, in 467 he led a Gallo-Roman deputation to the Emperor Anthemius, and on 1 January 468 recited at Rome his third panegyric. He returned to Gaul in 469 and became Bishop of Auvergne with seat at Clermont-Ferrand. He upheld his people in resisting the Visigoths. After Auvergne was ceded to them in 475, he was imprisoned but soon resumed his bishopric. He was canonized after his death. The Loeb Classical Library edition of Sidonius is in two volumes. The first contains his poetry: the three long panegyrics, and poems addressed to or concerned with friends, apparently written in his youth. Volume I also contains Books 1–2 of his Letters (all dating from before his episcopate); Books 3–9 are in Volume II. Sidonius’ writings shed valued light on Roman culture in the fifth century.

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Terrorism is a cancer, an infection, an epidemic, a plague. For more than a century, this metaphor has figured insurgent violence as contagion in order to contain its political energies. In Epidemic Empire, Anjuli Fatima Raza Kolb shows that this trope began in responses to the Indian Mutiny of 1857 and tracks its tenacious hold through 9/11 and beyond. The result is the first book-length study to approach the global war on terror from a postcolonial literary perspective. Raza Kolb assembles a diverse archive from colonial India, imperial Britain, French and independent Algeria, the postcolonial Islamic diaspora, and the neo-imperial United States. Anchoring her book are studies of four major writers in the colonial-postcolonial canon: Rudyard Kipling, Bram Stoker, Albert Camus, and Salman Rushdie. Across these sources, she reveals the tendency to imagine anti-colonial rebellion, and Muslim fanaticism specifically, as a virulent form of social contagion. The metaphor surfaces again and again in old ideas like the decadence of Mughal India, the poor hygiene of the Arab quarter, and the "failed states" of postcolonialism. Exposing the long history of this broken but persistent narrative, Epidemic Empire is a major contribution to the rhetorical history of our present moment.

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The Puritans of popular memory are dour figures, characterized by humorless toil at best and witch trials at worst. “Puritan” is an insult reserved for prudes, prigs, or oppressors. Antebellum American abolitionists, however, would be shocked to hear this. They fervently embraced the idea that Puritans were in fact pioneers of revolutionary dissent and invoked their name and ideas as part of their antislavery crusade.Puritan Spirits in the Abolitionist Imagination reveals how the leaders of the nineteenth-century abolitionist movement—from landmark figures like Ralph Waldo Emerson to scores of lesser-known writers and orators—drew upon the Puritan tradition to shape their politics and personae. In a striking instance of selective memory, reimagined aspects of Puritan history proved to be potent catalysts for abolitionist minds. Black writers lauded slave rebels as new Puritan soldiers, female antislavery militias in Kansas were cast as modern Pilgrims, and a direct lineage of radical democracy was traced from these early New Englanders through the American and French Revolutions to the abolitionist movement, deemed a “Second Reformation” by some. Kenyon Gradert recovers a striking influence on abolitionism and recasts our understanding of puritanism, often seen as a strictly conservative ideology, averse to the worldly rebellion demanded by abolitionists.

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“A heartbreaking and bittersweet novel about the need for queer joy even in the midst of the horrors of war. The ending had me in tears.”—Malinda Lo, New York Times bestselling and National Book Award–winning author of Last Night at the Telegraph ClubFor fans of Ruta Sepetys and Malinda Lo, a heart-wrenching queer historical YA romance set in the Swing Youth movement of World War II BerlinCharlotte Kraus would follow Angelika Haas anywhere. Which is how she finds herself in an underground club one Friday night the summer before World War II, dancing to contraband American jazz and swing music, suddenly feeling that anything might be possible.Unable to resist the allure of sharing this secret with Geli, Charlie returns to the club again and again, despite the dangers of breaking the Nazi Party’s rules. Soon, terrified by the tightening vise of Hitler’s power, Charlie and the other Swingjugend are drawn to larger and larger acts of rebellion. But the war will test how much they are willing to risk—and to lose.From the critically acclaimed author of Who I Was with Her, this beautifully told story of hope, love, and resistance will captivate readers of Girl in the Blue Coat and Last Night at the Telegraph Club.

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Tessa Gratton's latest epic adult fantasy, Lady Hotspur, is a sweeping, heart-stopping Shakespearean novel of betrayal and battlefields and destiny. STRIKE FAST, LOVE HARD, LIVE FOREVER This is the motto of the Lady Knights – sworn to fealty under a struggling kingdom, promised to defend the prospective heir, Banna Mora. But when a fearsome rebellion overthrows the throne, Mora is faced with an agonizing choice: give up everything she's been raised to love, and allow a king-killer to be rewarded – or retake the throne, and take up arms against the newest heir, Hal Bolingbrooke, Mora's own childhood best friend and sworn head of the Lady Knights. Hal loathes being a Prince; she's much more comfortable instated on the Throne of Misrule, a racous underground nether-court where passion rules all. She yearns to live up to the wishes of everyone she loves best – but that means sacrificing her own heart, and so she will disappoint everyone until the moment she can rise to prove those expectations wrong. And between these two fierce Princes is the woman who will decide all their fates – Lady Isarna Hotspur, the fiery and bold knight whose support will turn the tides of the coming war.

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In 1989, students marched on Tiananmen Square demanding democratic reform. The Communist Party responded with a massacre, but it was jolted into restructuring the economy and overhauling the education of its young citizens. A generation later, Chinese youth are a world apart from those who converged at Tiananmen. Brought up with lofty expectations, they’ve been accustomed to unprecedented opportunities on the back of China’s economic boom. But today, China’s growth is slowing and its demographics rapidly shifting, with the boom years giving way to a painful hangover. Immersed in this transition, Eric Fish, a millennial himself, profiles youth from around the country and how they are navigating the education system, the workplace, divisive social issues, and a resurgence in activism. Based on interviews with scholars, journalists, and hundreds of young Chinese, his engrossing book challenges the idea that today’s youth have been pacified by material comforts and nationalism. Following rural Henan students struggling to get into college, a computer prodigy who sparked a nationwide patriotic uproar, and young social activists grappling with authorities, Fish deftly captures youthful struggle, disillusionment, and rebellion in a system that is scrambling to keep them in line—and, increasingly, scrambling to adapt when its youth refuse to conform.

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Rebel Voices: Disruptive Stories from Trailblazing Women - a new Puffin Classics collection, celebrating International Women's Day 2023To love is to be vulnerable; and it is only in vulnerability and risk - not safety and security - that we overcome darkness.The mysterious disappearance of Meg and Charles Murry's father seems unsolvable, until a chance encounter leads them to realise that they may find answers in the hands of their eccentric neighbours Mrs Whatsit, Mrs Who and Mrs Which.With the help of Mrs Whatsit, Mrs Who and Mrs Which, Charles and Meg and their friend Calvin embark on a fantastical journey through a 'wrinkle in time' to find their father. The group encounter weird and wonderful beings such as Aunt Beast and the Happy Medium, but they are put to the test when they find themselves on a dark planet controlled by a mysterious all-powerful evil. Will they find their father and get back to Earth?A Wrinkle In Time is a twisting, turning, thrilling adventure through time and space, where the most powerful magic can be found where you'd least expect....Rebel Voices is a new six-part Puffin Classics collection of strikingly designed, highly collectible books, written by female authors, and celebrating courage, rebellion, strength and inspiration

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The Lord's Resistance Army (LRA), led by the infamous Joseph Kony, is a rebel group that was active in Northern Uganda from the second half of the 1980s. The rebellion became notorious for the use of extreme violence, in particular its large-scale abductions of civilians, of which more than half were children. Rebel Lives is a visual story about life inside the rebel group: based on photographs taken by LRA commanders between 1994 and 2004, the book documents life inside the group, and depicts the rebels as they wanted to be seen among themselves and by the outside world. Kristof Titeca, senior lecturer in Development Studies and expert on the LRA, collected this material, and used it to trace the photographed (former) rebels. Together with Congolese photographer Georges Senga, he travelled back to photograph the former rebels in their current context, and give a voice to these actors. This visual story is not only about the LRA. It is a story about conflict in all times, and all places, where the limits of victim and perpetrator have become blurred, where people struggle to survive and find their place, and where children in particular bear the brunt of this tension.

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From the Mark Twain Project comes a freshly informed look at Twain’s controversial Civil War story “The Private History of a Campaign That Failed.” Twenty years after Appomattox, Twain published a highly fictionalized account of his two-week stint in the Confederate Army. Ostensibly this told what he did (or, in his own words, why he “didn’t do anything”) in the war; but the article was criticized as disingenuous, and it did little to address a growing curiosity about the nature of his brief military service. The complex political situation in Missouri during the early months of the war and Twain’s genius for transforming life into fiction have tended to obstruct historical understanding of “The Private History”; interpretations of Samuel Clemens’s enthusiastic enlistment, sedulous avoidance of combat, and abandonment of the rebellion have ranged from condemnation to celebration. Aided by Twain’s notes and correspondence— transcribed and published here for the first time—Benjamin Griffin of UC Berkeley’s Mark Twain Project offers a new and cogent analysis, particularly of Clemens’s multiple revisions of his own war experience. A necessity for any Twain bookshelf, Mark Twain’s Civil War sheds light on a great writer’s changeable and challenging position on the deadliest of American conflicts.

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Chart the history of Star Wars in this stunning guide, from the time before the High Republic to the end of the First Order.An indispensable companion for all Star Wars fans, this premium quality book displays visual timelines that chronologically map key events, characters, and developments, and mark their significance.Track crucial conflicts across the years that affect the galaxy in profound ways. Follow the Skywalker lightsaber as it passes through the generations and witness the evolution of the iconic TIE fighter across different eras. Trace the movement of the Death Star plans over the years and uncover multiple branching timelines that break down important battles.See essential events at a glance arranged by era and drill down into details to discover major and minor events, key dates, and fascinating insights all chronologically arranged. Pore over intricate timelines on nearly every page.Soar into Star Wars Timelines to explore: • Chronological approach divides Star Wars history into seven eras:Early History, The High Republic, The Fall of the Jedi, The Reign of the Empire, The Age of Rebellion, The New Republic, and The Rise of the First OrderA must-have addition to the library of all fans of Star Wars, Star Wars Timelines is sure to thrill.

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Knife Sharpener – Selected Poems is a posthumous commemoration and celebration of Sargon Boulus, in a collection of poems, written between 1991 and 2007 that he translated himself, together with an essay, "Poetry and Memory", written a few months before he died in October 2007. With a Foreword by Adonis and an Introduction by Dublin poet and publisher Pat Boran, the volume includes nine pages of photographs and tributes from fellow poets and writers Saadi Youssef, Ounsi El-Hage, Amjad Nasser, Abbas Beydhoun, Abdo Wazen, Fadhil al-Azzawi, Kadhim Jihad Hassan, Khalid al-Maaly, and Elias Khoury, assembled and translated by fellow Iraqi poet Sinan Antoon, who described his death as leaving "a gaping wound in the heart of modern Arabic poetry". "Sargon seemed to feel also the even greater, historical weight of conflicts, tensions, misunderstandings and oppressions of the spirit, as if his poems came through his own time and language but from somewhere else." – Pat BoranSargon Boulus was unusually influential among young Arab poets, who "found in him the father who refused to practise his patriarchy and a poet who always renewed himself in his rebellion against rhetoric . . ." Abdo WazenFor all Banipal Books titles available with Inpress, go to this link http://www.inpressbooks.co.uk/product_listing2.aspx?productcategory=translated+poetry

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Sandy McLean is training to be a doctor to follow in his father's footsteps - indeed, to surpass his father who is just a general practitioner: Sandy is to become a top surgeon. Or so his father insists. Sandy feels he has no choice, though knows he is not a natural and life is becoming miserable as he struggles through the exams. What he really wants to be is an artist. Every spare moment he paints and is especially good at people. He even gets a commission when a loyal pub bartender is retiring. And then a French girl, Sophie, offers to pose for him - which leads to his first love affair and the beginning of his rebellion against his father...He has a row with his father and runs off to Montmartre. Meanwhile, left behind is his sister Laura. Her father believes she should wait about idly for a potential husband to turn up. But she wants to earn a living. She tells her parents she's working voluntarily for an orphan centre, but really she has a job working at the Marie Stopes Clinic - and learns a lot about life! When she gets raped on the way home one night, she is understandably seriously traumatised. And decides to follow her brother to Montmartre...

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'O'Keeffe brings the world Skylark inhabits to vibrant life, painting the passions of her activists so vividly that the reader - and Dan himself - are drawn into their desire to change the world.' - Observer 'Alice O'Keeffe deftly renders the shocking truth of the spy cops scandal into a moving tale of love, identity and betrayal. Essential reading.' - Jake ArnottTheir ideals brought them together, but how closely should you follow your heart?It's the mid-90s, and rebellion is in the air.Skylark is an activist, a raver, a tree-dweller, a world-changer.Handsome, dependable Dan appears on the scene, offering her the security she has never had. When they fall in love, she shows him a new way to live; he will never be the same.But Dan has a secret, which Skylark must never, ever know.A secret so powerful that its fault-lines run from their ordinary council flat right up to the highest echelons of the state.Their story is the story of Britain's undercover police.As Skylark comes to doubt not only Dan's commitment to their shared ideals, but his very identity, she finds herself asking: can you ever really know the person you love?

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Rebel Voices: Disruptive Stories from Trailblazing Women - a new Puffin Classics collection, celebrating International Women's Day 2023When twelve-year-old Sade's mother is killed, she and her little brother Femi are forced to flee from their home in Nigeria to Britain. They're not allowed to tell anyone - not even their best friends - as their whole journey is secret, dangerous - and illegal. Their dad promises to follow when he can, but once the children arrive in London, things go from bad to worse when they're abandoned by the people they had been told would protect them.Sade faces challenge after challenge - but her dad has always taught her to stand up for what is right, and to tell the truth no matter what. And with that strength of spirit in her heart, Sade will find the courage to fight for the new, happy life she, Femi and her dad deserve.A powerful novel which explores what it means to be classified as 'illegal' and the difficulties which come with being a refugee - winner of the Carnegie Medal 2000.Rebel Voices is a new six-part Puffin Classics collection of strikingly designed, highly collectible books, written by female authors, and celebrating courage, rebellion, strength and inspiration

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'Far and wide was [Redgauntlet] hated and feared. Men thought he had a direct compact with Satan - that he was proof against steel -.' Set in the summer of 1765, Redgauntlet centres around a third, fictitious, Jacobite rebellion. Kidnapped by Edward Hugh Redgauntlet, a fanatical supporter of the Stewart cause, the young Darsie Latimer finds himself caught up in the plot to enthrone the exiled Prince Charles Edward Stewart. The novel follows Darsie's adventures and those of the advocate Alan Fairford, who sets out to rescue him. These two young men from very different backgrounds are united by friendship and their optimistic belief in the settled Hanoverian establishment. First published in 1824, this is the last of Scott's major Scottish novels, and perhaps his most complex statement about the relation between history and fiction. This edition uses the Magnum text of 1832. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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ONE OF USA TODAY'S "BEST BOOKS OF SUMMER!"Acclaimed author of Island Queen Vanessa Riley brings readers a vivid, sweeping novel of the Haitian Revolution based on the true-life stories of two extraordinary women: the first Empress of Haiti, Marie-Claire Bonheur, and Gran Toya, a West African-born warrior who helped lead the rebellion that drove out the French and freed the enslaved people of Haiti. “This book is not only a one-sitting read, it’s a slice of history that needs to be told. Utterly brilliant, powerful, and inspiring.”—Kristan Higgins, New York Times bestselling author of Always the Last to Know "An impeccably researched, powerfully reimagined tale of sacrifice and success, love and selfishness, and war and independence...Riley’s storytelling skills shine."—Atlanta Journal-ConstitutionGran Toya: Born in West Africa, Abdaraya Toya was one of the legendary minos—women called “Dahomeyan Amazons” by the Europeans—who were specially chosen female warriors consecrated to the King of Dahomey. Betrayed by an enemy, kidnapped, and sold into slavery, Toya wound up in the French colony of Saint Domingue, where she became a force to be reckoned with on its sugar plantations: a healer and an authority figure among the enslaved. Among the motherless children she helped raise was a man who would become the revolutionary Jean-Jacques Dessalines. When the enslaved people rose up, Toya, ever the warrior, was at the forefront of the rebellion that changed the course of history.Marie-Claire: A free woman of color, Marie-Claire Bonheur was raised in an air of privilege and security because of her wealthy white grandfather. With a passion for charitable work, she grew up looking for ways to help those oppressed by a society steeped in racial and economic injustices. Falling in love with Jean-Jacques Dessalines, an enslaved man, was never the plan, yet their paths continued to cross and intertwine, and despite a marriage of convenience to a Frenchman, she and Dessalines had several children.When war breaks out on Saint Domingue, pitting the French, Spanish, and enslaved people against one another in turn, Marie-Claire and Toya finally meet, and despite their deep differences, they both play pivotal roles in the revolution that will eventually lead to full independence for Haiti and its people.Both an emotionally palpable love story and a detail-rich historical novel, Sister Mother Warrior tells the often-overlooked history of the most successful Black uprising in history. Riley celebrates the tremendous courage and resilience of the revolutionaries, and the formidable strength and intelligence of Toya, Marie-Claire, and the countless other women who fought for freedom. “A riveting read! Richly imagined, meticulously researched, and fast-paced…Vanessa Riley encourages us to rethink history through fresh eyes.” — Myriam J. A. Chancy, author of What Storm, What Thunder

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