Search results for ""author merchant"

Edition of documents from a Gilbertine "double house" of monks and nuns reveals much about religious life at the time. Alvingham Priory (founded in 1155), situated just to the north-east of Louth in Lincolnshire, was one of the famous Gilbertine houses of the county: double houses of monks and nuns following the rule of St Gilbert of Sempringham.Its cartulary, created circa 1264, contains over 1,300 entries. Most are copies of charters granting lands, property, rents and privileges, but it also includes genealogies of benefactors, valuations of the priory's property, memoranda and accounts of disputes. Many documents record the names of those who entered the community as nuns or canons, or who were associating themselves with it by requests for confraternity or burial, throwing light on the way inwhich local families interacted with the priory and with each other. Meanwhile, the details of lands granted to the priory provide information about local land-holders, field- and place-names, farming practices and the various activities which supported the religious community. Although its holdings were scattered across north-east Lincolnshire, from Conesby to Boston and from Lincoln to Saltfleetby, much of the priory's property was located in the low-lying lands east of Louth, and its charters demonstrate the importance of the area's waterways, bridges, ditches and banks, not just as geographical boundaries but as resources to be exploited, maintained and, importantly, to be shared in a harmonious way by the local community, religious and lay. The documents are presented here with introduction and notes. Jill Redford gained her PhD at the University of York and is assistant archivist tothe Company of Merchant Adventurers of the City of York.

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In 1823, as the first American missionaries arrived in Hawai'i, the archipelago was experiencing a profound transformation in its rule, as oral law that had been maintained for hundreds of years was in the process of becoming codified anew through the medium of writing. The arrival of sailors in pursuit of the lucrative sandalwood trade obliged the ali'i (chiefs) of the islands to pronounce legal restrictions on foreigners' access to Hawaiian women. Assuming the new missionaries were the source of these rules, sailors attacked two mission stations, fracturing relations between merchants, missionaries, and sailors, while native rulers remained firmly in charge. In The Kingdom and the Republic, Noelani Arista (Kanaka Maoli) uncovers a trove of previously unused Hawaiian language documents to chronicle the story of Hawaiians' experience of encounter and colonialism in the nineteenth century. Through this research, she explores the political deliberations between ali'i over the sale of a Hawaiian woman to a British ship captain in 1825 and the consequences of the attacks on the mission stations. The result is a heretofore untold story of native political formation, the creation of indigenous law, and the extension of chiefly rule over natives and foreigners alike. Relying on what is perhaps the largest archive of written indigenous language materials in North America, Arista argues that Hawaiian deliberations and actions in this period cannot be understood unless one takes into account Hawaiian understandings of the past—and the ways this knowledge of history was mobilized as a means to influence the present and secure a better future. In pursuing this history, The Kingdom and the Republic reconfigures familiar colonial histories of trade, proselytization, and negotiations over law and governance in Hawai'i.

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The Silk Road is as iconic in world history as the Colossus of Rhodes or the Suez Canal. But what was it, exactly? It conjures up a hazy image of a caravan of camels laden with silk on a dusty desert track, reaching from China to Rome. The reality was different--and far more interesting--as revealed in this new history. In The Silk Road, Valerie Hansen describes the remarkable archeological finds that revolutionize our understanding of these trade routes. For centuries, key records remained hidden-sometimes deliberately buried by bureaucrats for safe keeping. But the sands of the Taklamakan Desert have revealed fascinating material, sometimes preserved by illiterate locals who recycled official documents to make insoles for shoes or garments for the dead. Hansen explores seven oases along the road, from Xi'an to Samarkand, where merchants, envoys, pilgrims, and travelers mixed in cosmopolitan communities, tolerant of religions from Buddhism to Zoroastrianism. There was no single, continuous road, but a chain of markets that traded between east and west. China and the Roman Empire had very little direct trade. China's main partners were the peoples of modern-day Iran, whose tombs in China reveal much about their Zoroastrian beliefs. Silk was not the most important good on the road; paper, invented in China before Julius Caesar was born, had a bigger impact in Europe, while metals, spices, and glass were just as important as silk. Perhaps most significant of all was the road's transmission of ideas, technologies, and artistic motifs. The Silk Road is a fascinating story of archeological discovery, cultural transmission, and the intricate chains across Central Asia and China.

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Religion, Renaissance, and Reformation—these three ideologies shaped the world of 16th-century portraitist Hans Holbein the Younger (1497/98–1543), a pivotal figure of the Northern Renaissance, whose skills took him to Switzerland, Belgium, Italy, and England, and garnered patrons and subjects as prestigious as Henry VIII, Thomas More, Anne of Cleves, and Reformation advocate Thomas Cromwell. This book brings together key Holbein paintings to explore his illustrious and international career as well as the courtly drama and radical religious change that informed his work. With rich illustration, we survey the masterful draftsmanship and almost supernatural ability to control details, from the textures of luxurious clothing to the ornament of a room, that secured Holbein’s place as one of the greatest portraitists in Western art history. His probing eye was matched with a draftsman. Along the way, we see how he combined meticulous mimesis with an inspired amalgam of regional painterly traits, from Flemish-style realism to late medieval German composition and Italian formal grandeur. During his time in England, Holbein became official court painter to Henry VIII, producing both reformist propaganda and royalist paintings to bolster Henry’s status as monarch and as the new Supreme Head of the Church following the English Reformation. His portrait of Henry from 1537 is regarded not only as a portraiture pinnacle but also as an iconic record of this transformative monarch and the Tudor dynasty. Through this turbulent period, Holbein also produced anticlerical woodcuts, and sketched and painted Lutheran merchants, visiting ambassadors, and Henry’s notorious succession of wives.

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2014 Benjamin F. Shambaugh Award Winner 2015 Spirited AwardsTop Ten FinalistDuring Prohibition, while Al Capone was rising to worldwide prominence as Public Enemy Number One, the townspeople of rural Templeton, Iowa—population just 428—were busy with a bootlegging empire of their own. Led by Joe Irlbeck, the whip-smart and gregarious son of a Bavarian immigrant, the outfit of farmers, small merchants, and even the church monsignor worked together to create a whiskey so excellent it was ordered by name: "Templeton rye."Just as Al Capone had Eliot Ness, Templeton’s bootleggers had as their own enemy a respected Prohibition agent from the adjacent county named Benjamin Franklin Wilson. Wilson was ardent in his fight against alcohol, and he chased Irlbeck for over a decade. But Irlbeck was not Capone, and Templeton would not be ruled by violence like Chicago.Gentlemen Bootleggers tells a never-before-told tale of ingenuity, bootstrapping, and perseverance in one small town, showcasing a group of immigrants and first-generation Americans who embraced the ideals of self-reliance, dynamism, and democratic justice. It relies on previously classified Prohibition Bureau investigation files, federal court case files, extensive newspaper archive research, and a recently disclosed interview with kingpin Joe Irlbeck. Unlike other Prohibition-era tales of big-city gangsters, it provides an important reminder that bootlegging wasn’t only about glory and riches, but could be in the service of a higher goal: producing the best whiskey money could buy.

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Starring Thomas Treviot, each novel in this thrilling new series of historical mysteries is based on a real unsolved Tudor crime.1536. In the corrupt heart of Tudor London a killer waits in the shadows...The Real CrimeBefore dawn on a misty November morning in 1536, prominent mercer Robert Packington was gunned down as he crossed Cheapside on his way to early morning mass. It was the first assassination by handgun in the history of the capital and subsequently shook the city to its core.The identity of his assassin has remained a mystery.Our StoryThomas Treviot is a young London goldsmith and a close family friend of Robert Packington. Through his own upstanding social connections - and some less upstanding acquaintances he has made along the way - Thomas launches a dramatic investigation into Packington's death. As Thomas searches for revenge, he must travel from the golden heart of merchant London, to the straw-covered backstreets of London's poorest districts before reaching the country's seat of power: the court of King Henry VIII. Before long he is drawn into a dark conspiracy beyond his wildest imaginings and claiming justice for his friend starts to look impossible. Especially when Thomas realises that Robert wasn't the man he thought he knew...In the first of a new series investigating real unsolved Tudor crimes, D.K. Wilson brings the streets of Tudor London to spectacular life as Thomas Treviot faces a fight to bring the truth to light in the corrupt world of Anne Boleyn, Thomas Cromwell and Henry VIII.

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This title features a fascinating introduction to the culture and traditions of the Netherlands, including information on the local geography and produce, national festivities, key ingredients and cooking techniques. You can discover both local and national dishes that range from sustaining peasant fare using fresh seasonal produce, to the dishes influenced by exotic ingredients brought back by Dutch sea merchants. You can explore the range of tastes found in Dutch cuisine with 75 varied recipes such as Alkmaar Cheese Soup, Hussar's Salad, Terrine of smoked Limburg Trout, Poffertjes (pancake puffs), Spice cake and Frisian Sugar Bread. It includes more than 350 stunning pictures by leading food photographer, Debi Treloar. The cuisine of the Netherlands reflects the tastes of a seafaring, trading nation with a strong preference for fresh vegetables, and a passion for all things sweet and spicy. This beautiful book explores the rich history of Dutch cooking and eating traditions, ranging from the characteristic spicy dishes of the early Middle Ages to today's cosmopolitan eating styles.The book presents a selection of more than 75 superb step-by-step recipes, from simple farmhouse main courses such as Sauerkraut Mash with Smoked Sausage, to regional dishes like Creamy Veal Stew with Prunes. Join in the Dutch love-affair with all things sweet by baking Janhagel biscuits, flavoured with cinnamon, aniseed and almonds or treacle and cheese waffles known as Goudse Stroopwafels, and experience truly authentic Dutch cooking.

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Shakespeare, Lee Oser argues, is a Christian literary artist who criticizes and challenges Christians, but who does so on Christian grounds. Stressing Shakespeare's theological sensitivity, Oser places Shakespeare's work in the "radical middle," the dialectical opening between the sacred and the secular where great writing can flourish. According to Oser, the radical middle was and remains a site of cultural originality, as expressed through mimetic works of art intended for a catholic (small "c") audience. It describes the conceptual space where Shakespeare was free to engage theological questions, and where his Christian skepticism could serve his literary purposes. Oser reviews the rival cases for a Protestant Shakespeare and for a Catholic Shakespeare, but leaves the issue open, focusing, instead, on how Shakespeare exploits artistic resources that are specific to Christianity, including the classical-Christian rhetorical tradition. The scope of the book ranges from an introductory survey of the critical field as it now stands, to individual chapters on A Midsummer Night's Dream, The Merchant of Venice, the Henriad, Hamlet, and King Lear. Writing with a deep sense of literary history, Oser holds that mainstream literary criticism has created a false picture of Shakespeare by secularizing him and misconstruing the nature of his art. Through careful study of the plays, Oser recovers a Shakespeare who is less vulnerable to the winds of academic and political fashion, and who is a friend to the enduring project of humanistic education. Christian Humanism in Shakespeare: A Study in Religion and Literature is both eminently readable and a work of consequence.

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New Orleans is a city of many storied streets, but only one conjures up as much unbridled passion as it does fervent hatred, simultaneously polarizing the public while drawing millions of visitors a year. A fascinating investigation into the mile-long urban space that is Bourbon Street, Richard Campanella's comprehensive cultural history spans from the street's inception during the colonial period through three tumultuous centuries, arriving at the world-famous entertainment strip of today.Clearly written and carefully researched, Campanella's book interweaves world events- from the Louisiana Purchase to World War II to Hurricane Katrina- with local and national characters, ranging from presidents to showgirls, to explain how Bourbon Street became an intriguing and singular artifact, uniquely informative of both New Orleans's history and American society.While offering a captivating historical-geographical panorama of Bourbon Street, Campanella also presents a contemporary microview of the area, describing the population, architecture, and local economy, and shows how Bourbon Street operates on a typical night. The fate of these few blocks in the French Quarter is played out on a larger stage, however, as the internationally recognized brands that Bourbon Street merchants and the city of New Orleans strive to promote both clash with and complement each other.An epic narrative detailing the influence of politics, money, race, sex, organized crime, and tourism, Bourbon Street: A History ultimately demonstrates that one of the most well-known addresses in North America is more than the epicenter of Mardi Gras; it serves as a battleground for a fundamental dispute over cultural authenticity and commodification.

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‘I read everything he writes. Every time he writes a book, I read it. Every time he writes an article, I read it . . . he’s a national treasure.’ Rachel MaddowPatrick Radden Keefe’s work has garnered prizes ranging from the National Magazine Award and the National Book Critics Circle Award in the US to the Orwell Prize in the UK for his meticulously reported, hypnotically engaging work on the many ways people behave badly. Rogues brings together a dozen of his most celebrated articles from the New Yorker. As Keefe says in his preface: ‘They reflect on some of my abiding preoccupations: crime and corruption, secrets and lies, the permeable membrane separating licit and illicit worlds, the bonds of family, the power of denial.’Keefe brilliantly explores the intricacies of forging $150,000 vintage wines, examines whether a whistleblower who dared to expose money laundering at a Swiss bank is a hero or a fabulist, spends time in Vietnam with Anthony Bourdain, chronicles the quest to bring down a cheerful international black-market arms merchant, and profiles a passionate death-penalty attorney who represents the ‘worst of the worst’, among other bravura works of literary journalism.The appearance of his byline in the New Yorker is always an event, and collected here for the first time readers can see his work forms an always enthralling but deeply human portrait of criminals and rascals, as well as those who stand up against them.

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The Mongol Empire (c. 1200-1350) in many ways marks the beginning of the modern age, as well as globalization. While communications between the extremes of Eurasia existed prior to the Mongols, they were infrequent and often through intermediaries. The rise of the Mongol Empire changed everything: through their conquests the Mongols swept away dozens of empires and kingdoms and replaced them with the largest contiguous empire in history. While the Mongols were the most destructive force in the pre-modern world, the Pax Mongolica had stabilizing effects on the social, cultural and economic life of the inhabitants of the vast territory, allowing merchants and missionaries to traverse Eurasia. The conquests also set in motion other changes in warfare, medicine, food, culture and scientific knowledge. When Mongol power declined, it was replaced with over a dozen successors who retained elements of the Mongol Empire, but none of its unity. The Mongol Conquest in World History examines the many ways in which the conquests were a catalyst for change. The memory of the Empire fired the collective mind into far-reaching endeavours: the desire for luxury goods and spices that were once available launched Columbus' voyages; the Renaissance was inspired by the innovations in art that emerged from the Mongol Empire: China was unified for the first time in 300 years and the Islamic world doubled in size. This fascinating book offers comprehensive coverage of the entire empire, rather than a more regional approach, as well as providing a long view of the Mongol Empire's legacy. It will appeal to all those interested in this vast, epoch-making empire, as well as specialists in the field.

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Black Atlantic Religion illuminates the mutual transformation of African and African-American cultures, highlighting the example of the Afro-Brazilian Candomble religion. This book contests both the recent conviction that transnationalism is new and the long-held supposition that African culture endures in the Americas only among the poorest and most isolated of black populations. In fact, African culture in the Americas has most flourished among the urban and the prosperous, who, through travel, commerce, and literacy, were well exposed to other cultures. Their embrace of African religion is less a "survival," or inert residue of the African past, than a strategic choice in their circum-Atlantic, multicultural world. With counterparts in Nigeria, the Benin Republic, Haiti, Cuba, Trinidad, and the United States, Candomble is a religion of spirit possession, dance, healing, and blood sacrifice. Most surprising to those who imagine Candomble and other such religions as the products of anonymous folk memory is the fact that some of this religion's towering leaders and priests have been either well-traveled writers or merchants, whose stake in African-inspired religion was as much commercial as spiritual. Morever, they influenced Africa as much as Brazil. Thus, for centuries, Candomble and its counterparts have stood at the crux of enormous transnational forces. Vividly combining history and ethnography, Matory spotlights a so-called "folk" religion defined not by its closure or internal homogeneity but by the diversity of its connections to classes and places often far away. Black Atlantic Religion sets a new standard for the study of transnationalism in its subaltern and often ancient manifestations.

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Russia Engages the World, 1453-1825, an elegant new book created by a team of leading historians in collaboration with The New York Public Library, traces Russia's development from an insular, medieval, liturgical realm centered on Old Muscovy, into a modern, secular, world power embodied in cosmopolitan St. Petersburg. Featuring eight essays and 120 images from the Library's distinguished collections, it is both an engagingly written work and a striking visual object. Anyone interested in the dramatic history of Russia and its extraordinary artifacts will be captivated by this book.Before the late fifteenth century, Europeans knew virtually nothing about Muscovy, the core of what would become the "Russian Empire." The rare visitor--merchant, adventurer, diplomat--described an exotic, alien place. Then, under the powerful tsar Peter the Great, St. Petersburg became the architectural embodiment and principal site of a cultural revolution, and the port of entry for the Europeanization of Russia. From the reign of Peter to that of Catherine the Great, Russia sought increasing involvement in the scientific advancements and cultural trends of Europe. Yet Russia harbored a certain dualism when engaging the world outside its borders, identifying at times with Europe and at other times with its Asian neighbors.The essays are enhanced by images of rare Russian books, illuminated manuscripts, maps, engravings, watercolors, and woodcuts from the fifteenth to the nineteenth centuries, as well as the treasures of diverse minority cultures living in the territories of the Empire or acquired by Russian voyagers. These materials were also featured in an exhibition of the same name, mounted at The New York Public Library in the fall of 2003, to celebrate the tercentenary of St. Petersburg.

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The Founding Fathers is a concise, accessible overview of the brilliant, flawed, and quarrelsome group of lawyers, politicians, merchants, military men, and clergy known as "the Founding Fathers"--who got as close to the ideal of the Platonic "philosopher-kings" as American or world history has ever seen. R. B. Bernstein reveals Washington, Franklin, Jefferson, Adams, Hamilton, and the other founders not as shining demigods but as imperfect human beings--people much like us--who nevertheless achieved political greatness. They emerge here as men who sought to transcend their intellectual world even as they were bound by its limits, men who strove to lead the new nation even as they had to defer to the great body of the people and learn with them the possibilities and limitations of politics. Bernstein deftly traces the dynamic forces that molded these men and their contemporaries as British colonists in North America and as intellectual citizens of the Atlantic civilization's Age of Enlightenment. He analyzes the American Revolution, the framing and adoption of state and federal constitutions, and the key concepts and problems that both shaped and circumscribed the founders' achievements as the United States sought its place in the world. Finally, he charts the shifting reputations of the founders and examines the specific ways that interpreters of the Constitution have used the Founding Fathers. A masterly blend of old and new scholarship, brimming with apt description and insightful analysis, this book offers a digestible account of how the Founding Fathers were formed, what they did, and how generations of Americans have viewed them.

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Delving beneath Southern California's popular image as a sunny frontier of leisure and ease, this book tells the dynamic story of the life and labor of Los Angeles's large working class. In a sweeping narrative that takes into account more than a century of labor history, John H. M. Laslett acknowledges the advantages Southern California's climate, open spaces, and bucolic character offered to generations of newcomers. At the same time, he demonstrates that--in terms of wages, hours, and conditions of work--L.A. differed very little from America's other industrial cities. Both fast-paced and sophisticated, Sunshine Was Never Enough shows how labor in all its guises--blue and white collar, industrial, agricultural, and high tech--shaped the neighborhoods, economic policies, racial attitudes, and class perceptions of the City of Angels. Laslett explains how, until the 1930s, many of L.A.'s workers were under the thumb of the Merchants and Manufacturers Association. This conservative organization kept wages low, suppressed trade unions, and made L.A. into the open shop capital of America. By contrast now, at a time when the AFL-CIO is at its lowest ebb--a young generation of Mexican and African American organizers has infused the L.A. movement with renewed strength. These stories of the men and women who pumped oil, loaded ships in San Pedro harbor, built movie sets, assembled aircraft, and in more recent times cleaned hotels and washed cars is a little-known but vital part of Los Angeles history.

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World War II submariners rarely experienced anything as exhilarating or horrifying as the surface gun attack. Between the ocean floor and the rolling whitecaps above, submarines patrolled a dark abyss in a fusion of silence, shadows, and steel, firing around eleven thousand torpedoes, sinking Japanese men-of-war and more than one thousand merchant ships. But the anonymity and simplicity of the stealthy torpedo attack hid the savagery of warfare -- a stark difference from the brutality of the surface gun maneuver. As the submarine shot through the surface of the water, confined sailors scrambled through the hatches armed with large-caliber guns and met the enemy face-to-face. Surface and Destroy: The Submarine Gun War in the Pacific reveals the nature of submarine warfare in the Pacific Ocean during World War II and investigates the challenges of facing the enemy on the surface.The surface battle amplified the realities of war, bringing submariners into close contact with survivors and potential prisoners of war. As Japan's larger ships disappeared from the Pacific theater, American submarines turned their attention to smaller craft such as patrol boats, schooners, sampans, and junks. Some officers refused to attack enemy vessels of questionable value, while others attacked reluctantly and tried to minimize casualties. Michael Sturma focuses on the submariners' reactions and attitudes toward their victims, exploring the sailors' personal standards of morality and their ability to wage total war. Surface and Destroy is a thorough analysis of the submariner experience and the effects of surface attacks on the war in the Pacific, offering a compelling study of the battles that became "intolerably personal."

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From Benjamin Franklin to Ragged Dick to Jack Kelly, hero of the Disney musical Newsies, newsboys have long intrigued Americans as symbols of struggle and achievement. But what do we really know about the children who hawked and delivered newspapers in American cities and towns? Who were they? What was their life like? And how important was their work to the development of a free press, the survival of poor families, and the shaping of their own attitudes, values and beliefs? Crying the News: A History of America's Newsboys offers an epic retelling of the American experience from the perspective of its most unshushable creation. It is the first book to place newsboys at the center of American history, analyzing their inseparable role as economic actors and cultural symbols in the creation of print capitalism, popular democracy, and national character. DiGirolamo's sweeping narrative traces the shifting fortunes of these "little merchants" over a century of war and peace, prosperity and depression, exploitation and reform, chronicling their exploits in every region of the country, as well as on the railroads that linked them. While the book focuses mainly on boys in the trade, it also examines the experience of girls and grown-ups, the elderly and disabled, blacks and whites, immigrants and natives. Based on a wealth of primary sources, Crying the News uncovers the existence of scores of newsboy strikes and protests. The book reveals the central role of newsboys in the development of corporate welfare schemes, scientific management practices, and employee liability laws. It argues that the newspaper industry exerted a formative yet overlooked influence on working-class youth that is essential to our understanding of American childhood, labor, journalism, and capitalism.

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The story of globalization in the nineteenth and early twentieth centuries as experienced by ordinary people in the Chinese river town of Zhenjiang.Fear swept Zhenjiang as British soldiers gathered outside the city walls in the summer of 1842. Already suspicious of foreigners, locals had also heard of the suffering the British inflicted two months earlier, in Zhapu. A wave of suicides and mercy killings ensued: rather than leave their families to the invaders, hundreds of women killed themselves and their children or died at the hands of male family members. British observers decried an “Asian culture” of ritual suicide. In reality, the event was sui generis—a tragic result of colliding local and global forces in nineteenth-century China.Xin Zhang’s groundbreaking history examines the intense negotiations between local societies and global changes that created modern China. In the nineteenth and early twentieth centuries, world-historic political, economic, and technological developments transformed the textures of everyday life in places like Zhenjiang, a midsize river town in China’s prosperous Lower Yangzi region. Drawing on rare primary sources, including handwritten diaries and other personal writings, Zhang offers a ground-level view of globalization in the city. We see civilians coping with the traumatic international encounters of the Opium War; Zhenjiang brokers bankrolling Shanghai’s ascendance as a cosmopolitan commercial hub; and merchants shipping goods to market, for the first time, on steamships.Far from passive recipients, the Chinese leveraged, resisted, and made change for themselves. Indeed, The Global in the Local argues that globalization is inevitably refracted through local particularities.

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The power of creation is at your fingertips! Orcs prepare for battle against high Elves, Dwarves retreat to the mountains and men march to the sea to reclaim crumbling fortresses. Fortunes are decided. Kingdoms are lost. Entire worlds are created. This book will teach you to bring your fictional realm to life with simple step-by-step instructions on how to draw authentic fantasy maps. Set the stage for adventure by illustrating domains, castles and battle lines, mountains, forests and sea monsters! Learn to create completely unique and fully functional RPG maps time and time again on which your world can unfold. All the skills necessary to create awe-inspiring maps are covered! Landscapes. Add depth, balance and plausibility with rocky coastlines, towering mountains, dark forests and rolling plains. Iconography. Mark important places--towns and cities, fortresses and bridges--with symbolic iconography for easy-to-understand maps. Typography. Learn how to place readable text and the basics of decorative script. Bonus instruction teaches you to create fonts for Orcs, Elves, Vikings and dragons. Heraldry and shield design. Depict cultural and political boundaries with shields and colors. Advanced cartography. Includes how to draw landmarks, country boundaries and political lines. Build roads to connect merchants and troops, troll cairns and dragon lairs. And complete your maps with creative backgrounds, elaborate compasses and thematic legends. 30+ step-by-step demonstrations illustrate how to construct an entire fantasy world map from start to finish--both digitally and by hand!

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Moteuczoma, the last king who ruled the Aztec Empire, was rarely seen or heard by his subjects, yet his presence was felt throughout the capital city of Tenochtitlan, where his deeds were recorded in hieroglyphic inscriptions on monuments and his command was expressed in highly refined ritual performances. What did Moteuczoma’s “fame” mean in the Aztec world? How was it created and maintained? In this innovative study, Patrick Hajovsky investigates the king’s inscribed and spoken name, showing how it distinguished his aura from those of his constituencies, especially other Aztec nobles, warriors, and merchants, who also vied for their own grandeur and fame. While Tenochtitlan reached its greatest size and complexity under Moteuczoma, the “Great Speaker” innovated upon fame by tying his very name to the Aztec royal office.As Moteuczoma’s fame transcends Aztec visual and oral culture, Hajovsky brings together a vast body of evidence, including Nahuatl language and poetry, indigenous pictorial manuscripts and written narratives, and archaeological and sculptural artifacts. The kaleidoscopic assortment of sources casts Moteuczoma as a divine king who, while inheriting the fame of past rulers, saw his own reputation become entwined with imperial politics, ideological narratives, and eternal gods. Hajovsky also reflects on posthumous narratives about Moteuczoma, which created a very different sense of his fame as a conquered subject. These contrasting aspects of fame offer important new insights into the politics of personhood and portraiture across Aztec and colonial-period sources.

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How the nature illustrations of a Renaissance polymath reflect his turbulent ageThis pathbreaking and stunningly illustrated book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. Insect Artifice explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region’s creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the Four Elements manuscripts of Joris Hoefnagel (1542–1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval. Presented here for the first time are more than eighty pages in color facsimile of Hoefnagel’s encyclopedic masterwork, which showcase both the splendor and eccentricity of its meticulously painted animals, insects, and botanical specimens.Marisa Anne Bass unfolds the circumstances that drove the creation of the Four Elements by delving into Hoefnagel’s writings and larger oeuvre, the works of his friends, and the rich world of classical learning and empirical inquiry in which he participated. Bass reveals how Hoefnagel and his colleagues engaged with natural philosophy as a means to reflect on their experiences of war and exile, and found refuge from the threats of iconoclasm and inquisition in the manuscript medium itself. This is a book about how destruction and violence can lead to cultural renewal, and about the transformation of Netherlandish identity on the eve of the Dutch Golden Age.

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"Fascinating and vivid." New Statesman "Thoroughly researched." The Spectator "Intriguing." BBC History Magazine "Vividly told." BBC History Revealed "A timely warning against persecution." Morning Star "Astute and thoughtful." History Today "An important work." All About History "Well-researched." The Tablet On the morning of Thursday 29 June 1682, a magpie came rasping, rapping and tapping at the window of a prosperous Devon merchant. Frightened by its appearance, his servants and members of his family had, within a matter of hours, convinced themselves that the bird was an emissary of the devil sent by witches to destroy the fabric of their lives. As the result of these allegations, three women of Bideford came to be forever defined as witches. A Secretary of State brushed aside their case and condemned them to the gallows; to hang as the last group of women to be executed in England for the crime. Yet, the hatred of their neighbours endured. For Bideford, it was said, was a place of witches. Though ‘pretty much worn away’ the belief in witchcraft still lingered on for more than a century after their deaths. In turn, ignored, reviled, and extinguished but never more than half-forgotten, it seems that the memory of these three women - and of their deeds and sufferings, both real and imagined – was transformed from canker to regret, and from regret into celebration in our own age. Indeed, their example was cited during the final Parliamentary debates, in 1951, that saw the last of the witchcraft acts repealed, and their names were chanted, as both inspiration and incantation, by the women beyond the wire at Greenham Common. In this book, John Callow explores this remarkable reversal of fate, and the remarkable tale of the Bideford Witches.

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The most contentious event in our nation's history, the Civil War deeply divided families, friends, and communities. Both sides fought to define the conflict on their own terms-Lincoln and his supporters struggled to preserve the Union and end slavery, while the Confederacy waged a battle for the primacy of local liberty or "states' rights." But the war had its own peculiar effects on the four border slave states that remained loyal to the Union. Internal disputes and shifting allegiances injected uncertainty, apprehension, and violence into the everyday lives of their citizens. No state better exemplified the vital role of a border state than Maryland-where the passage of time has not dampened debates over issues such as the alleged right of secession and executive power versus civil liberties in wartime. In Maryland Voices of the Civil War, Charles W. Mitchell draws upon hundreds of letters, diaries, and period newspapers-many previously unpublished-to portray the passions of a wide variety of people-merchants, slaves, soldiers, politicians, freedmen, women, clergy, slave owners, civic leaders, and children-caught in the emotional vise of war. Mitchell tells the compelling story of how Maryland African Americans escaped from slavery and fought for the Union and their freedom alongside white soldiers and he reinforces the provocative notion that Maryland's Southern sympathies-while genuine-never seriously threatened to bring about a Confederate Maryland. Maryland Voices of the Civil War illuminates the human complexities of the Civil War era and the political realignment that enabled Marylanders to abolish slavery in their state before the end of the war.

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During the colonial era, ordinary Philadelphians played an unusually active role in political life. Because the city lacked a strong central government, private individuals working in civic associations of their own making shouldered broad responsibility for education, poverty relief, church governance, fire protection, and even taxation and military defense. These organizations dramatically expanded the opportunities for white men-rich and poor alike - to shape policies that immediately affected their communities and their own lives. In Governed by a Spirit of Opposition, Jessica Choppin Roney explains how allowing people from all walks of life to participate in political activities amplified citizen access and democratic governance. Merchants, shopkeepers, carpenters, brewers, shoemakers, and silversmiths served as churchwardens, street commissioners, constables, and Overseers of the Poor. They volunteered to fight fires, organized relief for the needy, contributed money toward the care of the sick, took up arms in defense of the community, raised capital for local lending, and even interjected themselves in Indian diplomacy. Ultimately, Roney suggests, popular participation in charity, schools, the militia, and informal banks empowered people in this critically important colonial city to overthrow the existing government in 1776 and re-envision the parameters of democratic participation. Governed by a Spirit of Opposition argues that the American Revolution did not occasion the birth of commonplace political activity or of an American culture of voluntary association. Rather, the Revolution built upon a long history of civic engagement and a complicated relationship between the practice of majority-rule and exclusionary policy-making on the part of appointed and self-selected constituencies.

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In the mid-eighteenth century, colonial Americans became enamored with the rich colors and silky surface of mahogany. This exotic wood, imported from the West Indies and Central America, quickly displaced local furniture woods as the height of fashion. Over the next century, consumer demand for mahogany set in motion elaborate schemes to secure the trees and transform their rough-hewn logs into exquisite objects. But beneath the polished gleam of this furniture lies a darker, hidden story of human and environmental exploitation.Mahogany traces the path of this wood through many hands, from source to sale: from the enslaved African woodcutters, including skilled “huntsmen” who located the elusive trees amidst dense rainforest, to the ship captains, merchants, and timber dealers who scrambled after the best logs, to the skilled cabinetmakers who crafted the wood, and with it the tastes and aspirations of their diverse clientele. As the trees became scarce, however, the search for new sources led to expanded slave labor, vicious competition, and intense international conflicts over this diminishing natural resource. When nineteenth-century American furniture makers turned to other materials, surviving mahogany objects were revalued as antiques evocative of the nation's past.Jennifer Anderson offers a dynamic portrait of the many players, locales, and motivations that drove the voracious quest for mahogany to adorn American parlors and dining rooms. This complex story reveals the cultural, economic, and environmental costs of America’s growing self-confidence and prosperity, and how desire shaped not just people’s lives but the natural world.

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Text in Arabic. We are pleased to present the second volume of the project "Qatar and the Arabian Gulf States in the Documents of the Indian Archives, Selections from the Indian National Archives in Delhi", which includes the translation of documents related to Qatar and the Arabian Gulf States and their relationship with the various international powers, as well as regional and local ones, in the period (1872-1875), as monitored in the records of the British Government and the Indian British Government. These documents include correspondence and telegrams exchanged between residents, agents, captains on the Indian Navy's ships, their superiors at the Ministry of Indian Affairs and the British Ministry of Foreign Affairs in London, as well as letters from the Sheikhs and merchants of the region. Its contents cover wide aspects including their conditions, reactions, and their interactions with the conflicts and events they went through, especially since many of them have been participants of at least eyewitnesses in such events. Therefore, the topics vary between political, military, economic, social, and others. The timeline of the documents included in this volume are arranged in chronological-historical order; as it covers historical events and facts occurred during the period it is presenting, the most important of which is the Ottoman campaign against Najd, the Ottoman military reinforcements in Al Ahsa, Al Qatif and Qatar, the repercussions of the conflict between Abdullah and Saud, the sons of Faisal bin Turki Al Saud, and the tribal stance in each of Al Ahsa, Al Qatif, Qatar and Bahrain, and the subsequent Ottoman movements, and the British position on these events, especially after Qatar raised the Ottoman flag.

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An innovative and valuable resource for understanding women's roles in changing societies, this book brings together the history of Africa, the Atlantic and gender before the 20th century. It explores trade, slavery and migrationin the context of the Euro-African encounter. HONORABLE MENTION FOR AFRICAN STUDIES REVIEW BEST AFRICA-FOCUSED ANTHOLOGY OR EDITED COLLECTION, 2019 While there have been studies of women's roles in African societies and of Atlantic history, the role of women in Westand West Central Africa during the period of the Atlantic slave trade and its abolition remains relatively unexamined. This book brings together scholars from Africa, North and South America and Europe to show, for the first time,the ways in which African women participated in economic, social and political spaces in Atlantic coast societies. Focusing on diversity and change, and going beyond the study of wealthy merchant women, the contributors examine the role of petty traders and enslaved women in communities from Sierra Leone to Benguela. They analyse how women in Africa used the opportunities offered by relationships with European men, Christianity and Atlantic commerce to negotiate their social and economic positions; consider the limitations which early colonialism sought to impose on women and the strategies they employed to overcome them; the factors which fostered or restricted women's mobility,both spatially and socially; and women's economic power and its curtailment. Mariana P. Candido is an Associate Professor of History at the University of Notre Dame; Adam Jones recently retired as Professor of African History and Culture History at the University of Leipzig. In association with The Institute for Scholarship in the Liberal Arts, College of Arts and Letters, University of Notre Dame

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Jamaica and Saint-Domingue were especially brutal but conspicuously successful eighteenth-century slave societies and imperial colonies. These plantation regimes were, to adopt a metaphor of the era, complex "machines," finely tuned over time by planters, merchants, and officials to become more efficient at exploiting their enslaved workers and serving their empires. Using a wide range of archival evidence, The Plantation Machine traces a critical half-century in the development of the social, economic, and political frameworks that made these societies possible. Trevor Burnard and John Garrigus find deep and unexpected similarities in these two prize colonies of empires that fought each other throughout the period. Jamaica and Saint-Domingue experienced, at nearly the same moment, a bitter feud between planters and governors, a violent conflict between masters and enslaved workers, a fateful tightening of racial laws, a steady expansion of the slave trade, and metropolitan criticism of planters' cruelty. The core of The Plantation Machine addresses the Seven Years' War and its aftermath. The events of that period, notably a slave poisoning scare in Saint-Domingue and a near-simultaneous slave revolt in Jamaica, cemented white dominance in both colonies. Burnard and Garrigus argue that local political concerns, not emerging racial ideologies, explain the rise of distinctive forms of racism in these two societies. The American Revolution provided another imperial crisis for the beneficiaries of the plantation machine, but by the 1780s whites in each place were prospering as never before—and blacks were suffering in new and disturbing ways. The result was that Jamaica and Saint-Domingue became vitally important parts of the late eighteenth-century American empires of Britain and France.

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How did Kafka become Kafka? This eagerly anticipated third and final volume of Reiner Stach's definitive biography of the writer answers that question with more facts and insight than ever before, describing the complex personal, political, and cultural circumstances that shaped the young Franz Kafka (1883-1924). It tells the story of the years from his birth in Prague to the beginning of his professional and literary career in 1910, taking the reader up to just before the breakthrough that resulted in his first masterpieces, including "The Metamorphosis." Brimming with vivid and often startling details, Stach's narrative invites readers deep inside this neglected period of Kafka's life. The book's richly atmospheric portrait of his German Jewish merchant family and his education, psychological development, and sexual maturation draws on numerous sources, some still unpublished, including family letters, schoolmates' memoirs, and early diaries of his close friend Max Brod. The biography also provides a colorful panorama of Kafka's wider world, especially the convoluted politics and culture of Prague. Before World War I, Kafka lived in a society at the threshold of modernity but torn by conflict, and Stach provides poignant details of how the adolescent Kafka witnessed violent outbreaks of anti-Semitism and nationalism. The reader also learns how he developed a passionate interest in new technologies, particularly movies and airplanes, and why another interest--his predilection for the back-to-nature movement--stemmed from his "nervous" surroundings rather than personal eccentricity. The crowning volume to a masterly biography, this is an unmatched account of how a boy who grew up in an old Central European monarchy became a writer who helped create modern literature.

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Henry M. Beach was a prolific and accomplished upstate New York photographer who documented the North Country during the first quarter of the twentieth century. Although much less known and celebrated, Beach's work is as important to the twentieth-century Adirondacks as Seneca Ray Stoddard's is to the nineteenth century. Illustrated with over 250 examples of his work including ten panoramic foldouts, this book covers the range of Beach's subject matter. Robert Bogdan's lively and accessible approach to the photographer's work encourages the reader to explore the North Country's people and places through Beach's photography and life. Although Beach's postcard pictures and other photographs were taken to sell in bulk to hotel managers, tourist shop owners, and other retail merchants, they are not just mass-produced, stylized, pretty pictures. Beside the bubbling brooks and shady woodland paths are factory boomtowns and paper mills belching pollution. As the rails brought increasing numbers of middle-class tourists to the Adirondacks, the wealthy created their own exclusive wilderness playground. Beach photographed dandy visitors at play as well as manual laborers sweating in the forest, logging camps, factories, mines, and construction sites. Images of ""great camps"" sit next to modest abodes, small stores, and family-owned resorts. Pictures of trains in scenic surroundings give way to mangled wrecks after tragic railroad accidents. In addition to standard view cards, he produced montages and advertisement postcardsserious visual commentary as well as lighthearted picture play. Beach's best works stir the heart and provoke the imagination, and his whimsical, down-to-earth approach to photography produced images that are a treat to the eye.

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An ambitious comparative study of British and Latin American literature produced across a century of economic colonization.Winner of the Sonya Rudikoff Prize by the Northeast Victorian Studies AssociationSpanish colonization of Latin America came to an end in the early nineteenth century as, one by one, countries from Bolivia to Chile declared their independence. But soon another empire exerted control over the region through markets and trade dealings—Britain. Merchants, developers, and politicians seized on the opportunity to bring the newly independent nations under the sway of British financial power, subjecting them to an informal empire that lasted into the twentieth century. In The Forms of Informal Empire, Jessie Reeder reveals that this economic imperial control was founded on an audacious conceptual paradox: that Latin America should simultaneously be both free and unfree. As a result, two of the most important narrative tropes of empire—progress and family—grew strained under the contradictory logic of an informal empire. By reading a variety of texts in English and Spanish—including Simón Bolívar's letters and essays, poetry by Anna Laetitia Barbauld, and novels by Anthony Trollope and Vicente Fidel López—Reeder challenges the conventional wisdom that informal empire was simply an extension of Britain's vast formal empire. In her compelling formalist account of the structures of imperial thought, informal empire emerges as a divergent, intractable concept throughout the nineteenth-century Atlantic world.The Forms of Informal Empire goes where previous studies of informal empire and the British nineteenth century have not, offering nuanced and often surprising close readings of British and Latin American texts in their original languages. Reeder's comparative approach provides a new vision of imperial power and makes a forceful case for expanding the archive of British literary studies.

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Thomas R. Heinrich explores American shipbuilding from the workshop level to subcontracting networks spanning the Delaware Valley.Winner of the North American Society for Oceanic History's John Lyman Book AwardOriginally published in 1996. Sustained by a skilled work force and the Pennsylvania iron and steel industry, Philadelphia shipbuilders negotiated the transition from wooden to iron hull construction earlier and far more easily that most other builders. Between the Civil War and World War I, Philadelphia emerged as the vital center of American shipbuilding, constructing a wide variety of vessel types such as passenger liners, freighters, battleships, and cruisers.In Ships for the Seven Seas, Thomas R. Heinrich explores this complex industry from the workshop level to subcontracting networks spanning the Delaware Valley. He describes entrepreneurial strategies and industrial change that facilitated the rise of major shipbuilding firms; how naval architecture, marine engineering, and craft skills evolved as iron and steel overtook wood as the basic construction material; and how changes in domestic and international trade and the rise of the American steel navy helped generate vessel contracts for local builders. Heinrich also examines the formation of the military-industrial complex in the context of naval contracting.Contributing to current debates in business history, Ships for the Seven Seas explains how proprietary ownership and batch production strategies enabled late nineteenth-century builders to supply volatile markets with custom-built steamships. But large-scale naval construction in the 1920s eroded production flexibility, Heinrich argues, and since then, ill-conceived merchant marine policies and naval contracting procedures have brought about a structural crisis in American shipbuilding and the demise of the venerable Philadelphia shipyards.

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An intimate look inside Plymouth Plantation that goes beyond familiar founding myths to portray real life in the settlement—the hard work, small joys, and deep connections to others beyond the shores of Cape Cod Bay.The English settlement at Plymouth has usually been seen in isolation. Indeed, the colonists gain our admiration in part because we envision them arriving on a desolate, frozen shore, far from assistance and forced to endure a deadly first winter alone. Yet Plymouth was, from its first year, a place connected to other places. Going beyond the tales we learned from schoolbooks, Carla Gardina Pestana offers an illuminating account of life in Plymouth Plantation.The colony was embedded in a network of trade and sociability. The Wampanoag, whose abandoned village the new arrivals used for their first settlement, were the first among many people the English encountered and upon whom they came to rely. The colonists interacted with fishermen, merchants, investors, and numerous others who passed through the region. Plymouth was thereby linked to England, Europe, the Caribbean, Virginia, the American interior, and the coastal ports of West Africa. Pestana also draws out many colorful stories—of stolen red stockings, a teenager playing with gunpowder aboard ship, the gift of a chicken hurried through the woods to a sickbed. These moments speak intimately of the early North American experience beyond familiar events like the first Thanksgiving.On the 400th anniversary of the Mayflower landing and the establishment of the settlement, The World of Plymouth Plantation recovers the sense of real life there and sets the colony properly within global history.

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This book is a study of Islamic architecture in Anatolia following the Mongol conquest in 1243. Complex shifts in rule, movements of population, and cultural transformations took place that affected architecture on multiple levels. Beginning with the Mongol conquest of Anatolia, and ending with the demise of the Ilkhanid Empire, centered in Iran, in the 1330s, this book considers how the integration of Anatolia into the Mongol world system transformed architecture and patronage in the region. Traditionally, this period has been studied within the larger narrative of a progression from Seljuk to Ottoman rule and architecture, in a historiography that privileges Turkish national identity. Once Anatolia is studied within the framework of the Mongol Empire, however, the region no longer appears as an isolated case; rather it is integrated into a broader context beyond the modern borders of Turkey, Iran, and the Caucasus republics. The monuments built during this period served a number of purposes: mosques were places of prayer and congregation, madrasas were used to teach Islamic law and theology, and caravanserais secured trade routes for merchants and travelers. This study analyzes architecture on multiple, overlapping levels, based on a detailed observation of the monuments. The layers of information extracted from the monuments themselves, from written sources in Arabic, Persian, and Turkish, and from historical photographs, shape an image of Islamic architecture in medieval Anatolia that reflects the complexities of this frontier region. New patrons emerged, craftsmen migrated between neighboring regions, and the use of locally available materials fostered the transformation of designs in ways that are closely tied to specific places. Starting from these sources, this book untangles the intertwined narratives of architecture, history, and religion to provide a broader understanding of frontier culture in the medieval Middle East, with its complex interaction of local, regional, and trans-regional identities.

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The volume covers a large area at the southern end of the Yorkshire Welds, lying west of the city of Hull and the town of Beverley. It is concerned with the history of fourteen parishes which comprise the greater part of the Hunsley Beacon division of Harthill wapentake. Though the rolling chalk hills of the wolds dominate the area, several of the parishes extend into the low- lying ground of the Hull valley to the east and the Vale of York to the west. InSouth Cave parish the reclamation of Broomfleet Island from the river Humber adds further variety to the agricultural history of the area. There are several deserted medieval villages. Much of the countryside described here is still wholly rural in character, but some of the settlements lying on the eastern slopes of the welds, like Cherry Burton and Skidby, have become commuter villages for the near-by towns. The large medieval vil-lage of Cottingham became a popular place of residence for Hull merchants in the late 18th century, and much of the parish has since been absorbed within the city; the village now houses many of the students of the University of Hull. Notable country houses described in the volume include Dalton Hall and Houghton Hall, and the churches include an outstanding Norman building at Newbald. Many of the villages consist of brick houses of the 18th century and later, but 17th-centurytimber-framed houses survive at South Dalton and Cot-tingham. In other villages, however, much use is made of the local Jurassic limestone which outcrops below the wolds escarp-ment. At Leconfield there survives the moated site ofa seat of the Percy family, earls of Northumberland, and it was from Rowley that the rector emigrated in the 17th century to found a town of the same name in Massachusetts.

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When Samuel de Champlain founded the colony of Quebec in 1608, he established elaborate gardens where he sowed French seeds he had brought with him and experimented with indigenous plants that he found in nearby fields and forests. Following Champlain's example, fellow colonists nurtured similar gardens through the Saint Lawrence Valley and Great Lakes region. In A Not-So-New World, Christopher Parsons observes how it was that French colonists began to learn about Native environments and claimed a mandate to cultivate vegetation that did not differ all that much from that which they had left behind. As Parsons relates, colonists soon discovered that there were limits to what they could accomplish in their gardens. The strangeness of New France became woefully apparent, for example, when colonists found that they could not make French wine out of American grapes. They attributed the differences they discovered to Native American neglect and believed that the French colonial project would rehabilitate and restore the plant life in the region. However, the more colonists experimented with indigenous species and communicated their findings to the wider French Atlantic world, the more foreign New France appeared to French naturalists and even to the colonists themselves. Parsons demonstrates how the French experience of attempting to improve American environments supported not only the acquisition and incorporation of Native American knowledge but also the development of an emerging botanical science that focused on naming new species. Exploring the moment in which settlers, missionaries, merchants, and administrators believed in their ability to shape the environment to better resemble the country they left behind, A Not-So-New World reveals that French colonial ambitions were fueled by a vision of an ecologically sustainable empire.

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The crew of the Oliphaunt have been living paycheck to paycheck for too long; now they've got a chance to become richer than they've ever imagined... by stealing one of the Kalistocracy's legendary treasure barges! But this heist turns out to be more than anyone bargained for when the crew ends up stranded on a hidden resort in the Drift where Kalistocrats outbid each other for the plundered wealth of the galaxy. The only way off this rock is to win the auction, steal the keys to the commerce barge, and outrun both the competition and the law!"The White Glove Affair" is a Starfinder adventure for four 7th-level characters. This adventure continues the Fly Free or Die Adventure Path, a six-part monthly campaign in which players take on the role of a merchant crew with an experimental starship, trying to get rich, escape interplanetary assassins, and outwit their rivals. This volume also includes a series of "Side Jobs"-short mini-adventures the GM can insert into the campaign at any time-and shines a spotlight on the Prophecies of Kalistrade, including the golden commerce barges that carry their treasure off to Fortune's Heart, a secret auction house in the Drift.Each monthly full-color softcover Starfinder Adventure Path volume contains a new installment of a series of interconnected science-fantasy quests that together create a fully developed plot of sweeping scale and epic challenges. Each 64-page volume of the Starfinder Adventure Path also contains in-depth articles that detail and expand the Starfinder campaign setting and provide new rules, a host of exciting new monsters and alien races, a new planet to explore and starship to pilot, and more!

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A new edition of the biography of Dallas' own Deep Ellum. Just outside of downtown Dallas lies a section of the city called Deep Ellum, where graffiti and murals decorate the walls of trendy shops, loft apartments, restaurants, nightclubs, art galleries, and tattoo studios. The area has been home to a remarkable array of businesses, creatives, and artistic practices since its birth 150 years ago as a Black center of business. Because of the area’s long association with blues and jazz musicians, Deep Ellum has been shrouded in myth and misconceptions which obscure its actual history. Alan Govenar and Jay Brakefield—using oral histories, old newspapers and photographs, city directories and maps, as well as more traditional public records and secondary sources—reveal another side of Deep Ellum which includes Central Track (formerly called Central Avenue), an area lined with Black-owned businesses which served both Black and white patrons during its heyday in the 1920s and 30s. In the Deep Ellum and Central Track areas, African Americans and whites, primarily Eastern European Jews, operated businesses from the late 19th to the mid-20th centuries, creating a unique social climate where cultural interaction took place. Much of the information in the book is presented through the stories of remarkable individuals, including professionals, pawnbrokers and other merchants, police officers, criminals, and the blues and jazz musicians who had a lasting impact on American popular music.

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The Secret Agent is Joseph Conrad's dark satire on English society, edited with an introduction and notes by Michael Newton in Penguin Classics.In the only novel Conrad set in London, The Secret Agent communicates a profoundly ironic view of human affairs. The story is woven around an attack on the Greenwich Observatory in 1894 masterminded by Verloc, a Russian spy working for the police, and ostensibly a member of an anarchist group in Soho. His masters instruct him to discredit the anarchists in a humiliating fashion, and when his evil plan goes horribly awry, Verloc must deal with the repercussions of his actions. While rooted in the Edwardian period, Conrad's tale remains strikingly contemporary, with its depiction of Londoners gripped by fear of the terrorists living in their midst. This edition of The Secret Agent contains a chronology, further reading, notes and maps of London and Greenwich. In his introduction, Michael Newton discusses London's real-life world of political anarchy, and Conrad's portrayal of the Verlocs' marriage.Joseph Conrad (1857-1924) was born in the Ukraine and grew up under Tsarist autocracy. After spending years in the French, and later the British Merchant Navy, Conrad left the sea to devote himself to writing. In 1896 he settled in Kent, where he produced within fifteen years such modern classics as Youth, Heart of Darkness, Lord Jim, Typhoon, Nostromo, The Secret Agent and Under Western Eyes.If you enjoyed The Secret Agent, you might like Fyodor Dostoyevsky's Demons, also available in Penguin Classics.'A brilliant book, one of the greatest works of modern irony'Malcolm Bradbury

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New approaches to this most fluid of medieval genres, considering in particular its reception and transmission. Romance was the most popular secular literature of the Middle Ages, and has been understood most productively as a genre that continually refashioned itself. The essays collected in this volume explore the subject of translation, both linguistic and cultural, in relation to the composition, reception, and dissemination of romance across the languages of late medieval Britain, Ireland, and Iceland. In taking this multilingual approach, this volume proposes a re-centring, and extension, of our understanding of the corpus of medieval Insular romance, which although long considered extra-canonical, has over the previous decades acquired something approaching its own canon - a canon which we might now begin to unsettle, and of which we might ask new questions. The topics of the essays gathered here range from Dafydd ap Gwilym and Walter Map to Melusine and English Trojan narratives, and address topics from women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.

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Myths and theories of the American melting pot, of assimilation, and of pluralistic society were shattered as racial violence during the 1992 Los Angeles uprising vividly exposed the inadequacy of our prior assumptions. The uprising revealed that radical approaches are needed to address structural issues of economic and political inequality, and issues of race and representation. Los Angeles has emerged as a focal point for social scientists as they develop new ideas about race relations. This volume, based on a special issue of Amerasia Journal, focuses o race and ethnic relations in Los Angeles as they emerged out of the uprising and within the broader national picture. Latino and Asian and African American scholars, journalists, and writers have contributed two dozen essays, commentaries, and literary works. Among the scholarly essays are “Jewish and Korean Merchants in African American Neighborhoods” by Edward Chang, “Communication between African Americans and Korean Americans before and after the Los Angeles Riots” by Ella Stewart, “Asian Americans and Latinos in San Gabriel Valley, California” by Leland T. Saito, “The South Central Los Angeles Eruption: A Latino Perspective” by Armando Navarro, and “Race, Class, Conflict and Empowerment: On Ice Cube’s ‘Black Korea’” by Jeff Chang. Commentaries by Asian and African American writers feature Larry Aubry, Angela E. Oh, Sharon Park, Amy Uyematsu, Erich Nakano, Walter Lew, and Miriam Ching Louie. A selection of literary writings features Mari Sunaida, Ko Won, Wanda Coleman, Mellonee R. Houston, Sae Lee, Nat Jones, Arjuna, Chungmi Kim, and Lynn Manning.

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Appearing for the first time in English, this award-winning book is a masterpiece of scholarship that reads like an adventure story. In The United States and the Pacific, Jean Heffer offers a history of the Pacific as a “frontier” of the United States, with economics, politics, and culture as his central areas of consideration. Heffer remarks that, “it is often said nowadays that the Pacific will become the center of the world in the 21st century.” While many studies have analyzed specific zones or regions within the Pacific, The United States and the Pacific is one of the first to consider the whole of this vast ocean and its coasts as a single unit of study. In broadening the scope of analysis, one of Heffer’s primary aims is to expand American understanding of the term “frontier” to include the Pacific and its nations. Heffer focuses on three major chronological periods. The first period stretches from 1784, the year the first ship flying the American flag reached China, to 1867, the eve of the Civil War. During this period, America’s presence was expanding throughout the entire ocean. The second period, from 1868 to Pearl Harbor in 1941, witnessed a simultaneous contraction of the area within which various American interests were active, and a gradual integration of the frontier region. Finally, World War II marks the beginning of the third period, which concludes in 1994, during which, Heffer argues, the entire Pacific becomes an “American lake” and the former frontier begins to disappear. The United States and the Pacific is populated with fascinating characters, including whalers, missionaries, investors, sailors, diplomats, and merchant marines. Heffer’s provocative and challenging history of the Pacific as a “frontier” entertains as it informs.

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An inspiring anthology of writings by trailblazing women astronomers from around the globeThe Sky Is for Everyone is an internationally diverse collection of autobiographical essays by women who broke down barriers and changed the face of modern astronomy. Virginia Trimble and David Weintraub vividly describe how, before 1900, a woman who wanted to study the stars had to have a father, brother, or husband to provide entry, and how the considerable intellectual skills of women astronomers were still not enough to enable them to pry open doors of opportunity for much of the twentieth century. After decades of difficult struggles, women are closer to equality in astronomy than ever before. Trimble and Weintraub bring together the stories of the tough and determined women who flung the doors wide open. Taking readers from 1960 to today, this triumphant anthology serves as an inspiration to current and future generations of women scientists while giving voice to the history of a transformative era in astronomy.With contributions by Neta A. Bahcall, Beatriz Barbuy, Ann Merchant Boesgaard, Jocelyn Bell Burnell, Catherine Cesarsky, Poonam Chandra, Xuefei Chen, Cathie Clarke, Judith Gamora Cohen, France Anne Córdova, Anne Pyne Cowley, Bożena Czerny, Wendy L. Freedman, Yilen Gómez Maqueo Chew, Gabriela González, Saeko S. Hayashi, Martha P. Haynes, Roberta M. Humphreys, Vicky Kalogera, Gillian Knapp, Shazrene S. Mohamed, Carole Mundell, Priyamvada Natarajan, Dara J. Norman, Hiranya Peiris, Judith Lynn Pipher, Dina Prialnik, Anneila I. Sargent, Sara Seager, Gražina Tautvaišienė, Silvia Torres-Peimbert, Virginia Trimble, Meg Urry, Ewine F. van Dishoeck, Patricia Ann Whitelock, Sidney Wolff, and Rosemary F. G. Wyse.

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Lose yourself in the glorious technicolour of Ankh-Morpork, mapped in meticulous detail for the very first time. A beautiful gift edition, complete with fold-out map and pull-out information booklet, and a fantastic accompaniment to the novels.'Tells you the answers to all the questions you had about Ankh Morpork' -- ***** Reader review'The whole thing is really charming. Every time you look at it, something new is revealed' -- ***** Reader review'A fascinating look into the streets of Terry Pratchett's mind...' -- ***** Reader review**************************************************************************************'THERE'S A SAYING THAT ALL ROADS LEAD TO ANKH-MORPORK. AND IT'S WRONG. ALL ROADS LEAD AWAY FROM ANKH-MORPORK, BUT SOMETIMES PEOPLE JUST WALK ALONG THE WRONG WAY' from Moving PicturesAnkh-Morpork! City of One Thousand Surprises (according to the famous publication by the Guild of Merchants)! All human life is there! Although, if it walks down the wrong alley, often quite briefly!The city celebrated in the bestselling Discworld series by Sir Terry Pratchett has been meticulously mapped for the first time. It's all here - from Unseen University to the Shades, from major landmarks like the Patrician's Palace to little-known, er, nooks like Dwarf Bread Museum in Whirligig Alley.See the famous streets beaten by Sam Vimes and the Ankh-Morpork City Watch, the cobbles along which so many heroes have walked - in some cases quite hurriedly! As leading Ankh-Morpork entrepreneur C.M.O.T. Dibbler would say, a nip at any price - and that's cutting our own throat. Well, close.A deluxe and stunning gift edition with pull-out booklet and fold-out map - the ultimate present for every Discworld fan who has ever dreamed of seeing the world of Sir Terry Pratchett come to life...

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'Georgette Heyer with a sexy twist' - Eloisa JamesHave you heard? The future Duke of Barrington has just been gambled away by his father. To an heiress!The delicious details thus far . . . Nicolas, Lord Hatherly, never intended to marry - nor add to the 'mad' Hatherly line - but now he must honor his father's debt to a social-climbing merchant or lose the family estate.A notoriously wild marquess, won by her father at a game of cards, is the very last thing Miss Alice Tombs wants. She's spent the last three seasons repelling suitors in spectacular fashion so she'd be at liberty to explore the world. She'll just have to drive this one away as well.Until Nick proposes an utterly tempting arrangement: one summer together to prove the legitimacy of their union, then Alice is free to travel while Nick revels in the time he has left before the Hatherly "madness" takes hold.It will be easy to walk away after a few months of make-believe wedded bliss - won't it? Alice and Nick are about to find out . . . one sultry night at a time.This ought to be fun . . .Praise for Lenora Bell:'How the Duke was Won is exciting and emotional - evocative of the best of the genre. If you've been looking for a bold, new voice in historical romance, the search ends here. Lenora Bell is it!' Sarah MacLean'Fresh, flirty, and fabulous! The new Belle of Historical Romance!' Kerrelyn Sparks

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The complete story of the remarkable canoe raid on German ships in Bordeaux Harbour – by the man who himself served in the Special Boat Squadron. In 1942, before El Alamein turned the tide of war, the German merchant fleet was re-supplying its war machine with impunity. So Operation Frankton, a daring and secret raid, was launched by Mountbatten’ s Combined Operations and led by the enigmatic ‘ Blondie’ Hasler – to paddle ‘ Cockleshell’ canoes right into Bordeaux harbour and sink the ships at anchor. It was a desperately hazardous mission from the start – dropped by submarine to canoe some hundred miles up the Gironde into the heart of Vichy France, surviving terrifying tidal races, only to face the biggest challenge of all: escaping across the Pyrenees. Fewer than half the men made it to Bordeaux; only four laid their mines; just two got back alive. But the most damage was done to the Germans’ sense of impregnability. Paddy Ashdown, himself a member of the Royal Marines’ elite Special Boat Squadron formed as a consequence of Frankton, has always been fascinated by this classic story of bravery and ingenuity - as a young man even meeting his hero Hasler once. Now, after researching previously unseen archives and tracing surviving witnesses, he has written the definitive account of the raid. The real truth, he discovers – a deplorable tale of Whitehall rivalry and breakdowns in communication – serves only to make the achievements of the ‘ Cockleshell’ heroes all the more heroic.

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Up-to-date and extensive revision of Najder's much-acclaimed scholarly biography of Conrad, employing newly accessible sources. Joseph Conrad is not only one of the world's great writers of English -- and world -- literature, but was a writer who lived a particularly full and interesting life. For the biographer this is a double-edged sword, however: thereare many periods for which documentation is uncommonly difficult. Zdzislaw Najder's meticulously documented biography first appeared in English in 1983, garnering high praise as the best, most complete biography of Conrad. Najder's command of English, French, Polish, and Russian allowed him access to a greater variety of sources than any other biographer, and his Polish background and his own experience as an exile have afforded him a unique affinity forConrad and his milieu. All this has come into play once again in the present, extensively revised edition: much of its extensive new material was unearthed in newly-opened former east-bloc archives. There is new material on Conrad's father's genealogy and his role in Polish politics; Conrad's service in the French and British merchant marines; his early English reading and correspondence; his experiences in the Congo; the circumstances of writing his memoirs, and much more. In addition, several aspects of Conrad's life and works are more thoroughly analyzed: his problems with the English language; his borrowings from French writers; his attitude toward socialism, his reaction to the reception of his books. Zdzislaw Najder teaches at the European Academy, Cracow.

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Illuminates our understanding of the soul as a historically and philosophically vital concept through Shakespearean drama Second Death seeks to revitalise our understanding of the soul as a philosophically profound, theoretically radical, and ultimately—and counterintuitively—theatrically realised concept. The book contends that the work of Shakespeare, when closely read alongside early modern cultural and religious writings, helps us understand the soul’s historical placement as a powerful paradox: it was essential to establishing humanity but resistant to clear representation. Drawing from current critical theory as well as extensive historical research, Second Death examines works of Shakespearean drama, including The Merchant of Venice, Coriolanus, and The Winter’s Tale, to suggest that rather than simply being incapable of understanding or physical realisation, the soul expressed itself in complex and subtle modes of performance. As a result, this book offers new ways of looking at identity, theatre, and spirituality in Shakespeare’s era and in our own. Key Features Provides understanding of the soul as not only a religious, cultural, and literary concept, but also a theatrical one Discusses genealogy of the philosophical and theological traditions that inform the soul’s placement in the early modern era, from Plato to Protestantism Includes novel readings of key works of Shakespearean drama along with substantial analyses of other Shakespeare plays (King Lear, Hamlet) as well as other early modern works (by John Donne, Christopher Marlowe, John Foxe, John Stow, Thomas Middleton, John Milton, and others) Draws new interdisciplinary connections among theatre studies, Shakespeare, critical theory, and religious studies

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