Search results for ""author alex"

“The American people sees itself advance across the wilderness, draining swamps, straightening rivers, peopling the solitude, and subduing nature,” wrote Alexis de Tocqueville in 1835. That’s largely how we still think of nineteenth-century America today: a country expanding unstoppably, bending the continent’s natural bounty to the national will, heedless of consequence. A country of slavery and of Indian wars. There’s much truth in that vision. But if you know where to look, you can uncover a different history, one of vibrant resistance, one that’s been mostly forgotten. This Radical Land recovers that story. Daegan Miller is our guide on a beautifully written, revelatory trip across the continent during which we encounter radical thinkers, settlers, and artists who grounded their ideas of freedom, justice, and progress in the very landscapes around them, even as the runaway engine of capitalism sought to steamroll everything in its path. Here we meet Thoreau, the expert surveyor, drawing anticapitalist property maps. We visit a black antislavery community in the Adirondack wilderness of upstate New York. We discover how seemingly commercial photographs of the transcontinental railroad secretly sent subversive messages, and how a band of utopian anarchists among California’s sequoias imagined a greener, freer future. At every turn, everyday radicals looked to landscape for the language of their dissent—drawing crucial early links between the environment and social justice, links we’re still struggling to strengthen today. Working in a tradition that stretches from Thoreau to Rebecca Solnit, Miller offers nothing less than a new way of seeing the American past—and of understanding what it can offer us for the present . . . and the future.

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Was the experience of poetry--or a cultural practice we now call poetry--continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era. Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture.

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Six Georgian Poets brings us the work of the most outstanding literary representatives of what has been dubbed 'the Gagarin Generation". Yuri Gagarin, the first astronaut who died tragically young, was an international celebrity and a hero of the Soviet Bloc. His space journey could be subversively interpreted not as one of the victories in the Cold War competition between two ideologically opposed superpowers, but as a daring breakout towards freedom. This generation of people born in an era of a growing resistance against the strictures of Soviet rule, a generation characterised by challenging the entrenched conformism of thought and action, is represented here by a diverse set of voices, each of which speaks out of an experience both personal and collective, giving us a rare insight into a culture and literature we need to know more about. The majority of the poems in this volume were translated in two workshops, the first of which was held in September 2014 in Tbilisi, Georgia, supported by the Georgian National Book Centre and the British Council, and the second in March 2015 in Aberystwyth, Wales, supported by Literature Across Frontiers. The workshop participants were: Alexandra Büchler, translator and director of Literature Across Frontiers; Nia Davies, poet, translator and Editor of Poetry Wales; Adham Smart, poet and translator; Stephen Watts, poet and translator; and Angela Jarman, editor at Arc Publications. The translators initially worked from literal translations supplied by the poets and others, but at both workshops they received help and advice from the playwright and translator, Davit Gabunia, whose contribution was invaluable. There are other poems included in this volume that were translated by individual translators outside the workshops. One such translator is Donald Rayfield, who was not part of either workshop; Stephen Watts and Adham Smart also completed a number of translations outside the workshop setting. Where this is the case, their names appear under the relevant translations. Poems where individual translators are not named were translated collaboratively by the workshop participants.

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The next step in the evolution of user interfaces is here. Chatbots let your users interact with your service in their own natural language. Use free and open source tools along with Ruby to build creative, useful, and unexpected interactions for users. Take advantage of the Lita framework's step-by-step implementation strategy to simplify bot development and testing. From novices to experts, chatbots are an area in which everyone can participate. Exercise your creativity by creating chatbot skills for communicating, information, and fun. Developers of all skill levels can craft user experiences that are natural, easy to use, and most of all, fun. Build chatbots using free, open source tools and launch them to popular chat platforms like Slack and Amazon's Alexa. Use the Ruby programming language and the Lita bot framework to unlock fun and powerful chat abilities such as sending text messages and emails, creating new meme images, driving a robot around the room, and talking out loud on a home speaker. Use frameworks available in Ruby and Node.js to get started quickly. Create simple chatbot skills that respond quickly to basic requests. Chain skills together for more complex interactions. Take advantage of test-driven development techniques to build your bots with confidence. Coordinate tasks with colleagues via bot. Connect with external APIs to provide users with data they need. Extract data information from web pages when an API isn't available. Expand your bot's reach with SMS and e-mail messaging. Deploy a chatbot to a host so users can interact with it on their schedule. Build a more responsive, easy-to-use interface for your users today. What You Need: You don't need much to get started with chatbots. A Mac or Linux computer with a recent version of Ruby is recommended. Windows users can keep up with a free virtual machine running Linux. You'll deploy your chatbots for free (or at least cheaply) on cloud hosting platforms like Heroku and Digital Ocean.

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As Chicago grew into the world-class city it is today, its civic leaders took exceptional care in their cultivation of the arts. The establishment of the Art Institute, the widespread support of wealthy patronage, and the activity of numerous organizations including the Chicago Architectural Club, the Urban League, and the Chicago Women's Club, combined to make Chicago home to many painters. Since rising from the ashes in 1873, Chicago has supported generation after generation of inspired artists who painted land and cityscapes, and honored their patrons with portraits. The full length and breadth of their amazing work can at last be appreciated in the Powell and Barbara Bridges Collection. Susan C. Larsen provides a profile of the collectors and introduces the Bridges Collection, featuring an impressive range of canvases by Charles Francis Browne, Alice Kellogg Tyler, Frank Peyraud, Alfred Juergens, and other notable painters. Formerly the private treasure of the Bridges, Chicago Painting makes all 78 paintings of their remarkable collection available, in full color, to art lovers the world over. Wendy Greenhouse offers a host of insights into the lives and work of the artists who worked prior to the turn of the last century. She surveys the "conservative" Chicago painters who resisted the avant-garde, showing that while the European avant-garde did exert an influence, excellent work continued to be done in traditional genres such as portraits and landscapes. Painters the quality of Junius Sloan, Lucie Hartrath, George Peter Alexander Healy, Louis Betts, Ralph Clarkson, and Daniel Folger Bigelow are represented here. Finally, Susan Weiniger guides us into the Modernist era Chicago painters--Gertrude Abercrombie, Frances Strain, Frederic Tellander, Rudolph Weisenborn, and others--whose works show conclusively that Chicago did more than import avant-garde painting. Chicago Painting 1895 to 1945 also includes updated biographies of 49 painters and commentary on each painting.

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Blackwell's Non-Fiction Book of the Month'A formidable achievement' Rory Stewart'Thoughtful [and] heartfelt' Observer'Profound [and] compelling' Spectator'A noble endeavour' New StatesmanWithout a permanent home, a wife or a job, and with no clear sense of where his life was going, Anthony Seldon set out on a 35-day pilgrimage from the French-Swiss border to the English Channel.The route of his 1,000 kilometre journey was inspired by a young British soldier of the First World War, Alexander Douglas Gillespie, who dreamed of creating a 'Via Sacra' that the men, women and children of Europe could walk to honour the fallen. Tragically, Gillespie was killed in action, his vision forgotten for a hundred years, until a chance discovery in the archive of one of England's oldest schools galvanised Anthony into seeing the Via Sacra permanently established.Tracing the historic route of the Western Front, he traversed some of Europe's most beautiful and evocative scenery, from the Vosges, Argonne and Champagne to the haunting trenches of Arras, the Somme and Ypres. Along the way, he wrestled heat exhaustion, dog bites and blisters as well as a deeper search for inner peace and renewed purpose. Touching on grief, loss and the legacy of war, The Path of Peace is the extraordinary story of Anthony's epic walk, an unforgettable act of remembrance and a triumphant rediscovery of what matters most in life.***A WATERSTONES BEST BOOKS OF 2022 PICK***____________________________________________'The Western Front Way, an idea that waited 100 years for its moment, is the simplest and fittest memorial yet to the agony of the Great War. Anthony Seldon's account of how he walked it, and what it means to all of us, will be an inspiration to younger generations.' Sebastian Faulks'A deeply informed meditation on the First World War, an exploration of walking's healing power, a formidable physical achievement... and above all a moving enactment of a modern pilgrimage.' Rory Stewart'A journey of self-discovery and a pilgrimage of peace... A remarkable book by a remarkable man.' Michael Morpurgo'An incredible journey that will move and inspire.' Bear Grylls

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The amazing true story of Blackbeard, Calico Jack and all the other pirates of the Caribbean and Captain Woodes Rogers, the privateer turned governor of the Bahamas, who brought them to book. ‘Both a brilliant idea and an engrossing book that tells the story of a ship of the line in Nelson's day' Bernard Cornwell, Books of the Year, Mail on Sunday ‘David Cordingly is a brilliant historian: authoritative but easy to read, with an eye for the story yet with a touch light enough to let the facts speak for themselves' Daily Telegraph Today most of us know what we know about pirates from icons like Long John Silver and Jack Sparrow. But who were the real pirates of the Caribbean, and where did they come from? And how were they tamed? David Cordingly's latest book reveals the true story to have been at least as fascinating and gripping as the legends. After the War of the Spanish Succession in 1713, there was an explosion of piracy across the Caribbean and along the eastern seaboard of North America. Hundreds of unemployed sailors roamed the seaports and many were tempted to take to piracy. Unable to attack enemy targets any longer, they replaced their national flags with the black flag and became ‘pyrates and enemies of all mankind'. Nowhere was the problem greater than in the Bahamas. So, after years of ignoring the problem, the British Government was forced to act. Three warships were despatched across the Atlantic with orders to suppress the pirates and it was agreed that a Governor of the Bahama Islands be appointed ‘to drive the pirates from their lodgement'. The man selected for the nigh impossible task was Captain Woodes Rogers, a former privateer who had made his name (he rescued Alexander Selkirk, the model for Defoe's Robinson Crusoe) and his fortune (£9m) by leading a highly successful voyage round the world. This is the story of his battle with the pirates, told in David Cordingly's inimitable style.

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This collection of short stories, both poignant and skillfully crafted, bring to life the tragic demise of traditional Nubian life and culture. If the earlier dams that were built across the Nile during the first half of the twentieth century caused increasing numbers of the men-folk to migrate north to Cairo and Alexandria to work as servants, waiters, and doormen, the completion of the High Dam in 1964 sounded the death knell. While the temples of Abu Simbel were meticulously relocated at great expense, the drowning of the ancient heartland of the Nubian people along the banks of the Nile went largely unnoticed. Haggag Oddoul’s work, as well as documenting the personal tragedy of individuals caught up in massive social transformation, also casts a nostalgic light on the heritage and way of life of the Nubians: their rhythmic dancing, their beautiful women, the lively humor of their elders, and the enormous centrality of their traditions and the spirits with which they shared the environment. Two stories in this collection, ‘’Zeinab Uburty’’ and ‘’Nights of Musk,’’ offer a bucolic and dream-like insight into the world that has disappeared for ever under the water behind the dam. Meanwhile, two other stories, ‘’Adila, Grandmother’’ and ‘’The River People,’’ document the departure of the men, while the women are left behind to go fallow, and the second and third generations born in the cities of the north have only their grandmother’s tales and her pigeon Arabic to remind them of their heritage.

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"Just as philosophy begins with doubt, so also a life that may be called human begins with irony" so wrote Kierkegaard. While we commonly think of irony as a figure of speech where someone says one thing and means the opposite, the concept of irony has long played a more fundamental role in the tradition of philosophy, a role that goes back to Socrates Ð the originator and exemplar of the urbane ironic life. But what precisely is Socratic irony and what relevance, if any, does it have for us today? Bernstein begins his inquiry with a critical examination of the work of two contemporary philosophers for whom irony is vital: Jonathan Lear and Richard Rorty. Despite their sharp differences, Bernstein argues that they complement one other, each exploring different aspects of ironic life. In the background of Lear’s and Rorty’s accounts stand the two great ironists: Socrates and Kierkegaard. Focusing on the competing interpretations of Socratic irony by Gregory Vlastos and Alexander Nehamas, Bernstein shows how they further develop our understanding of irony as a form of life and as an art of living. Bernstein also develops a distinctive interpretation of Kierkegaard’s famous claim that a life that may be called human begins with irony. Bernstein weaves together the insights of these thinkers to show how each contributes to a richer understanding of ironic life. He also argues that the emphasis on irony helps to restore the balance between two different philosophical traditions philosophy as a theoretical discipline concerned with getting things right and philosophy as a practical discipline that shapes how we ought to live our lives.

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Michael Higgins broadens our understanding of the Seven Wonders of the Ancient World by bringing science, engineering, and technology together with ancient documentation and archaeological findings. The Seven Wonders of the Ancient World (Pyramids of Giza, Hanging Gardens of Babylon, Statue of Zeus at Olympia, Temple of Artemis at Ephesus, Colossus of Rhodes, and the Pharos Lighthouse at Alexandria) have been a source of fascination for more than two thousand years. Even though six of the Wonders are now gone, historians and archaeologists have attempted to explain how and why these ancient monuments were created. However, never before have these attempts been synthesized with the contributions of science, engineering, and technology. In The Seven Wonders of the Ancient World, Michael Higgins combines scientific research together with ancient documentation and archaeological findings to present a rich, multi-layered portrait of each monument. To build a Wonder took advanced social organization and wealth generated by agriculture and trade, both of which depended on regional geography and climate. It also took natural resources, as well as an understanding of the environment where the Wonder would stand. Even the natural processes often responsible for a Wonder's destruction sometimes contributed to the preservation of its ruins. These and other topics are accessibly explored in this book. After using science, engineering, and technology to answer key questions about the Wonders, Higgins speculates on how we could recreate these ancient monuments and make new wonders that could withstand environmental changes and natural disasters for the next two thousand years.

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In an alternate 15th century where magic still is part of life, the Holy Roman Empire rules Europe. Constantinople is under siege by the Venetians and their allies. Hekate, Goddess of Crossroads, presides over the conflict and carnage as alternate visions of civilization collide. And since Constantinople is the crossroad city of east and west, and it is here that Italian captain Benito Valdosta must deal with the powerful magical manifestation of the Weeping Woman, a disguised Hekate, in order to save his daughter and to destroy the fleets of the Chernobog assembling in the Black Sea before they can cut into the soft underbelly of Europe. With land battle, naval action, cunning assassinations, and heartbreak aplenty — not to mention the ongoing conflict between Lord of the Dead Aidonus and Benito for the love of a woman, civilization is at the crossroads and choices must be made that will bring victory and freedom for centuries to come — or a new Dark Age! Burdens of the Dead is the sequel to Much Fall of Blood, Book 4 in the Heirs of Alexandria series.

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In World War I, Major General Pershing proposed the idea of establishing a historical office within the AEF headquarters. The War Department reorganised the General Staff to include a Historical Branch. Evidence shows that soldiers acting as historians went "down range," albeit not into combat. By World War II, the situation had changed – whether S.L.A. Marshall's popping out of a billet in Sibret as a shells exploded on the road; Forrest Pogue's typing "on a little camp desk under an apple tree;" Chester Starr's terrain reconnaissance in the Mediterranean theater, or Ken Hechler's command of a four-man historical team interviewing soldiers at the Remagen Bridge and searching through secret documents – the World War II combat historians were there behind and on the front lines with a notebook in one hand and their carbine in the other hand, ever ready to collect battlefield information.Eight historical service detachments were deployed to Korea. The youngest commander, 1st Lieutenant Bevin Alexander, noted "We were on the front lines the whole time… We would interview the people afterwards and create a battle study." After the Korean War, the duties of the combat historian further evolved as what became the Center of Military History published doctrine about military history detachments (MHDs). As America’s immersion in Vietnam escalated, there was concern regarding historical coverage. Chief of Military History Brigadier General Hal Pattison established a network of historical teams to collect information on the U.S Army in the war. A major development in the history program and in deploying MHDs came with the establishment of Headquarters, U.S. Army Vietnam (USARV) under General William C. Westmoreland’s command. In 1965, the history office was organised at Headquarters, U.S. Army Vietnam (USARV). MHDs were deployed across Vietnam, conducting combat after action interviews, and collecting documents. This study focuses on U.S. Army historical programs during combat operations from World War I to the Vietnam War with particular attention on the combat historians, those individuals deployed to a theater of war with the mission of documenting the actions of that theater for current and future historical use.

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Alexander Romanovich Luria, one of the most influential psychologists of the twentieth century, is best known for his pioneering work on the development of language and thought, mental retardation, and the cortical organization of higher mental processes. Virtually unnoticed has been his major contribution to the understanding of cultural differences in thinking.In the early 1930s young Luria set out with a group of Russian psychologists for the steppes of central Asia. Their mission: to study the impact of the socialist revolution on an ancient Islamic cotton-growing culture and, no less, to establish guidelines for a viable Marxist psychology. Lev Vygotsky, Luria's great teacher and friend, was convinced that variations in the mental development of children must be understood as a process including historically determined cultural factors. Guided by this conviction, Luria and his colleagues studied perception, abstraction, reasoning, and imagination among several remote groups of Uzbeks and Kirghiz—from cloistered illiterate women to slightly educated new friends of the central government.The original hypothesis was abundantly supported by the data: the very structure of the human cognitive process differs according to the ways in which social groups live out their various realities. People whose lives are dominated by concrete, practical activities have a different method of thinking from people whose lives require abstract, verbal, and theoretical approaches to reality.For Luria the legitimacy of treating human consciousness as a product of social history legitimized the Marxian dialectic of social development. For psychology in general, the research in Uzbekistan, its rich collection of data and the penetrating observations Luria drew from it, have cast new light on the workings of cognitive activity. The parallels between individual and social development are still being explored by researchers today. Beyond its historical and theoretical significance, this book represents a revolution in method. Much as Piaget introduced the clinical method into the study of children's mental activities, Luria pioneered his own version of the clinical technique for use in cross-cultural work. Had this text been available, the recent history of cognitive psychology and of anthropological study might well have been very different. As it is, we are only now catching up with Luria's procedures.

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The elegant Bible you'll keep coming back to because it's so easy to read and use. This edition is published in large KJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.Enjoy the classic King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column, large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point KJV Comfort Print More than 400 years since its initial publication, the bestselling King James Version Bible continues to inspire, encourage, and strengthen people from all walks of life. The KJV is considered one of the most influential and beautiful works of literature in the English language and continues to be the favorite translation for millions of Christians.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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The Margarita. It's the drink that puts the "happy" in happy hour. A beguiling elixir of tequila, citrus, and sweetness that's guaranteed to go down easy-and put a smile on your face. The Classic Margarita-perhaps named after Margarita Sames, or maybe Margarete, a descendent of Ponce de Leon, but do we really care?-is a delectable blend of tequila, simple syrup, Cointreau, and lime and lemon juices. But as cocktail designer extraordinaire Kim Haasarud proves in this fantastic little guide, the Classic is just the starting point for margarita bliss. Open the book, and you'll discover 101 heavenly margarita recipes-one for every season, every mood, and every occasion. All your favorite margarita variations are here. You can chill out with a frozen Strawberry Margarita. Get romantic with an exotic Passionfruit Margarita. Or "berry" yourself in the fruity delights of a delicious Raspberry Margarita. But Haasarud also gives you lots of new and exciting margarita choices. You can take a cocktail party to new heights with the sophisticated Sake Margarita. Tame fiery foods with the refreshing Sweet Ginger Margarita. Or finish off a meal with a divine Hazelnut Margarita or an espresso-infused Margarita du Cafe. So invite some friends, get out your shaker, and ready the glasses. With a little help from this book, you'll be in Margaritaville in no time. Kim Haasarud bartended her way through college and in 2002 founded Liquid Architecture, a firm that creates signature drinks and bar concepts. Her clients have included Fox Searchlight, Warner Brothers, HBO, Comedy Central, Maxim, the Tribeca Film Festival, Absolut Vodka, Jameson Irish Whiskey, and the Cheesecake Factory. She also writes the "West Coast Cocktails" column for Slammed magazine, a restaurant trade journal. Her Web site is liquid-architecture.com. Alexandra Grablewski is a well-known food and beverage photographer whose work has appeared in Gourmet, Martha Stewart Living, Real Simple, Better Homes and Gardens, and Wine Spectator as well as in many books.

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Microgrids are the most innovative area in the electric power industry today. Future microgrids could exist as energy-balanced cells within existing power distribution grids or stand-alone power networks within small communities. A definitive presentation on all aspects of microgrids, this text examines the operation of microgrids – their control concepts and advanced architectures including multi-microgrids. It takes a logical approach to overview the purpose and the technical aspects of microgrids, discussing the social, economic and environmental benefits to power system operation. The book also presents microgrid design and control issues, including protection and explaining how to implement centralized and decentralized control strategies. Key features: original, state-of-the-art research material written by internationally respected contributors unique case studies demonstrating success stories from real-world pilot sites from Europe, the Americas, Japan and China examines market and regulatory settings for microgrids, and provides evaluation results under standard test conditions a look to the future – technical solutions to maximize the value of distributed energy along with the principles and criteria for developing commercial and regulatory frameworks for microgrids Offering broad yet balanced coverage, this volume is an entry point to this very topical area of power delivery for electric power engineers familiar with medium and low voltage distribution systems, utility operators in microgrids, power systems researchers and academics. It is also a useful reference for system planners and operators, manufacturers and network operators, government regulators, and postgraduate power systems students. CONTRIBUTORS Thomas Degner Aris Dimeas Alfred Engler Nuno Gil Asier Gil de Muro Guillermo Jiménez-Estévez George Kariniotakis George Korres André Madureira Meiqin Mao Chris Marnay Jose Miguel Yarza Satoshi Morozumi Alexander Oudalov Frank van Overbeeke Rodrigo Palma Behnke Joao Abel Pecas Lopes Fernanda Resende John Romankiewicz Christine Schwaegerl Nikos Soultanis Liang Tao Antonis Tsikalakis

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On April 4, 1866, just as Alexander II stepped out of Saint Petersburg's Summer Garden and onto the boulevard, a young man named Dmitry Karakozov pulled out a pistol and shot at the tsar. He missed, but his "unheard-of act" changed the course of Russian history—and gave birth to the revolutionary political violence known as terrorism. Based on clues pulled out of the pockets of Karakozov's peasant disguise, investigators concluded that there had been a conspiracy so extensive as to have sprawled across the entirety of the Russian empire and the European continent. Karakozov was said to have been a member of "The Organization," a socialist network at the center of which sat a secret cell of suicide-assassins: "Hell." It is still unclear how much of this "conspiracy" theory was actually true, but of the thirty-six defendants who stood accused during what was Russia's first modern political trial, all but a few were exiled to Siberia, and Karakozov himself was publicly hanged on September 3, 1866. Because Karakozov was decidedly strange, sick, and suicidal, his failed act of political violence has long been relegated to a footnote of Russian history. In The Odd Man Karakozov, however, Claudia Verhoeven argues that it is precisely this neglected, exceptional case that sheds a new light on the origins of terrorism. The book not only demonstrates how the idea of terrorism first emerged from the reception of Karakozov's attack, but also, importantly, what was really at stake in this novel form of political violence, namely, the birth of a new, modern political subject. Along the way, in characterizing Karakozov's as an essentially modernist crime, Verhoeven traces how his act profoundly impacted Russian culture, including such touchstones as Repin's art and Dostoevsky's literature. By looking at the history that produced Karakozov and, in turn, the history that Karakozov produced, Verhoeven shows terrorism as a phenomenon inextricably linked to the foundations of the modern world: capitalism, enlightened law and scientific reason, ideology, technology, new media, and above all, people's participation in politics and in the making of history.

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The elegant Bible you'll keep coming back to because it's so easy to read and use. This edition is published in large KJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.Enjoy the classic King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column, large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point KJV Comfort Print More than 400 years since its initial publication, the bestselling King James Version Bible continues to inspire, encourage, and strengthen people from all walks of life. The KJV is considered one of the most influential and beautiful works of literature in the English language and continues to be the favorite translation for millions of Christians.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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'Uniquely twisted...cracking gags...' - The Guardian (UK)'Wacky humor bubbles through the polished narrative... Holt doesn't skimp on the flashes of brilliance.' - SFXMaurice has just killed a dragon with a breadknife. And had his destiny foretold . . . and had his true love spirited away. That's precisely the sort of stuff that'd bring out the latent heroism in anyone. Unfortunately, Maurice is pretty sure he hasn't got any latent heroism. Meanwhile, a man wakes up in a jar in a different kind of pickle (figuratively speaking). He can't get out, of course, but neither can he remember his name, or what gravity is, or what those things on the ends on his legs are called . . . and every time he starts working it all out, someone makes him forget again. Forget everything. Only one thing might help him. The answer to the most baffling question of all. WHEN IS A DOOR NOT A DOOR?An absurdly witty novel of alternate universes and very unlikely heroes from one of Britain's best-loved comic writers - perfect for fans of Douglas Adams and Terry PratchettBooks by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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Telling the story of a man who stood against the overwhelming power of the mighty Roman empire, Hannibal is the biography of a man who, against all odds, dared to change the course of history. Over two thousand years ago one of the greatest military leaders in history almost destroyed Rome. Hannibal, a daring African general from the city of Carthage, led an army of warriors and battle elephants over the snowy Alps to invade the very heart of Rome's growing empire. But what kind of person would dare to face the most relentless imperial power of the ancient world? How could Hannibal, consistently outnumbered and always deep in enemy territory, win battle after battle until he held the very fate of Rome within his grasp? Hannibal appeals to many as the ultimate underdog—a Carthaginian David against the Goliath of Rome—but it wasn't just his genius on the battlefield that set him apart. As a boy and then a man, his self-discipline and determination were legendary. As a military leader, like Alexander the Great before him and Julius Caesar after, he understood the hearts of men and had an uncanny ability to read the unseen weaknesses of his enemy. As a commander in war, Hannibal has few equals in history and has long been held as a model of strategic and tactical genius. But Hannibal was much more than just a great general. He was a practiced statesman, a skilled diplomat, and a man deeply devoted to his family and country. Roman historians—on whom we rely for almost all our information on Hannibal—portray him as a cruel barbarian, but how does the story change if we look at Hannibal from the Carthaginian point of view? Can we search beneath the accounts of Roman writers who were eager to portray Hannibal as a monster and find a more human figure? Can we use the life of Hannibal to look at the Romans themselves in an unfamiliar way— not as the noble and benign defenders of civilization but as ruthless conquerors motivated by greed and conquest?

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'Tom Holt's comic fantasy is a great, uplifting read, fit to grace any reader's book collection' - Waterstones Books Quarterly'Holt's quirky characters and whimsical voice successfully infuse life into this entertaining romantic comedy' - Publishers WeeklyIt touches all our lives; our triumphs and tragedies, our proudest achievements, our most traumatic disasters. Alloyed of love and fear, death and fire and the inscrutable acts of the gods, insurance is indeed the force that binds the universe together.Hardly surprising, therefore, that Frank Carpenter, one of the foremost magical practitioners of our age, felt himself irresistibly drawn to it. Until, that is, he met Jane, a high-flying corporate heroine with an annoying habit of falling out of trees and getting killed. Repeatedly.It's not long before Frank and Jane find themselves face to face with the greatest enigma of our times: When is a door not a door? When it's a mousetrap.A madcap comic fantasy from one of Britain's funniest writers.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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Thirty-four essays that take a serious look at the state of modern cinema Almost half a century ago, Jean-Luc Godard famously remarked, "I await the end of cinema with optimism." Lots of us have been waiting forand wondering aboutthis prophecy ever since. The way films are made and exhibited has changed significantly. Films, some of which are not exactly "films" anymore, can now be projected in a wide variety of wayson screens in revamped high tech theaters, on big, high-resolution TVs, on little screens in minivans and laptops. But with all this new gear, all these new ways of viewing films, are we necessarily getting different, better movies? The thirty-four brief essays in The End of Cinema as We Know It attend a variety of topics, from film censorship and preservation to the changing structure and status of independent cinemafrom the continued importance of celebrity and stardom to the sudden importance of alternative video. While many of the contributors explore in detail the pictures that captured the attention of the nineties film audience, such as Jurassic Park, Eyes Wide Shut, South Park: Bigger, Longer and Uncut, The Wedding Banquet, The Matrix, Independence Day, Gods and Monsters, The Nutty Professor, and Kids, several essays consider works that fall outside the category of film as it is conventionally definedthe home "movie" of Pamela Anderson and Tommy Lee's honeymoon and the amateur video of the LAPD beating of Rodney King. Examining key films and filmmakers, the corporate players and industry trends, film styles and audio-visual technologies, the contributors to this volume spell out the end of cinema in terms of irony, cynicism and exhaustion, religious fundamentalism and fanaticism, and the decline of what we once used to call film culture. Contributors include: Paul Arthur, Wheeler Winston Dixon, Thomas Doherty, Thomas Elsaesser, Krin Gabbard, Henry Giroux, Heather Hendershot, Jan-Christopher Hook, Alexandra Juhasz, Charles Keil, Chuck Klienhans, Jon Lewis, Eric S. Mallin, Laura U. Marks, Kathleen McHugh, Pat Mellencamp, Jerry Mosher, Hamid Naficy, Chon Noriega, Dana Polan, Murray Pomerance, Hillary Radner, Ralph E. Rodriguez, R.L. Rutsky, James Schamus, Christopher Sharrett, David Shumway, Robert Sklar, Murray Smith, Marita Sturken, Imre Szeman, Frank P. Tomasulo, Maureen Turim, Justin Wyatt, and Elizabeth Young.

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Hailed by some as the Eighth Wonder of the World when it opened in 1883, the Brooklyn Bridge is one of the world’s most recognizable and beloved icons. For over one hundred years it has excited and fascinated with stories of ingenuity and heroism, and it has been endorsed as a flawless symbol of municipal improvement and a prime emblem of American technological progress. Despite its impressive physical presence, however, Brooklyn’s grand old bridge is much more than a testament of engineering and architectural achievement. As Richard Haw shows in this first of its kind cultural history, the Brooklyn Bridge owes as much to the imagination of the public as it does to the historical events and technical prowess that were integral to its construction. Bringing together more than sixty images of the bridge that, over the years, have graced postcards, magazine covers, and book jackets and appeared in advertisements, cartoons, films, and photographs, Haw traces the diverse and sometimes jarring ways in which this majestic structure has been received, adopted, and interpreted as an American idea. Haw’s account is not a history of how the bridge was made, but rather of what people have made of the Brooklyn Bridge—in film, music, literature, art, and politics—from its opening ceremonies to the blackout of 2003. Classic accounts from such writers and artists as H. G. Wells, Charles Reznikoff, Hart Crane, Lewis Mumford, Joseph Pennell, Walker Evans, and Georgia O’Keeffe, among many others, present the bridge as a deserted, purely aestheticized romantic ideal, while others, including Henry James, Joseph Stella, Yun Gee, Ernest Poole, Alfred Kazin, Paul Auster, and Don DeLillo, offer a counter-narrative as they question not only the role of the bridge in American society, but its function as a profoundly public, communal place. Also included are never-before-published photographs by William Gedney and a discussion of Alexis Rockman’s provocative new mural Manifest Destiny. Drawing on hundreds of cultural artifacts, from the poignant, to the intellectual, to the downright quirky, The Brooklyn Bridge sheds new light on topics such as ethnic and foreign responses to America, nationalism, memory, parade culture, commemoration, popular culture, and post-9/11 America icons. In the end, we realize that this impressive span is as culturally remarkable today as it was technologically and physically astounding in the nineteenth century.

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"Miss Caroline Charles, aged 22 - youngest of the English designers whose fashions have captured New York - returns there to show her Spring collection. She is dark, beautiful and frail, with a small voice. But she is deceptive; she is made of iron; her energy is matched only by her persistence. Nothing will stop her. She is at the top now, and might stay there for 50 years." John Gale, Observer Oct 25th 1964 Caroline Charles is one of London's most respected womenswear designers. She has developed her business over the past five decades and the label is sold and marketed throughout the world. Caroline Charles began in the world of fashion art school followed by a couture apprenticeship and a stint as a photographer's assistant; she then worked for Mary Quant and was inspired by couturiers as well as being a leading designer in the '60s youthquake and swinging London. Her first collections were kooky and fresh and included a white cotton dress made from a bedspread! Caroline Charles was one of the original designers to join what was later to become British Fashion Week. Caroline opened a shop in Beverly Hills in the '70s and in the '90s had many successes with shops and shows in Japan. Her clothes were quickly snapped up by celebrities, which over the years have ranged from Lulu, Marianne Faithfull and Cilla Black as well as special suits being made for Mick Jagger and Ringo Starr. Princess Diana became a regular client as did Emma Thompson who wore a Caroline Charles design to receive an Oscar. Caroline Charles has been invited over the years to be a design consultant to major brands such as Burberry and Marks and Spencer as well as having design collaborations with major accessories and textile companies. In the '90s Caroline Charles designed the official scarf to mark the 40th anniversary of the accession of the Queen. As she celebrated her own 40th anniversary, Caroline Charles was awarded an OBE for services to the British Fashion Industry. Celebrations followed at the Victoria & Albert Museum with another award from the British Fashion Council. Book contributors include: Alexandra Shulman - Editor British Vogue, Suzy Menkes - Fashion Editor International Herald Tribune, Harold Tillman CBE - Chairman of the British Fashion Council, Caroline Baker - Fashion Director, Bruce Oldfield - Designer, Sue Crewe - Editor of House & Garden, Jess Cartner-Morley - Fashion Editor The Guardian and Richard Knight - Christies, London, among others.

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'Holt is, as usual, absurd, funny, and light-handed enough with the completely ridiculous bits to keep the story moving, assuring that the reader doesn't actually notice how bizarre the story has become, or how tangled the mystery is, until it's nearly done.' - Booklist'Uniquely twisted . . . cracking gags.' - GuardianThere are all kinds of products. The good ones. The bad ones. The ones that stay in the garage mouldering for years until your garden gnome makes a home out of them. Most are harmless if handled properly, even if they do contain traces of peanuts. But some are not. Not the ones that contain traces of magic.Chris Popham wasn't paying enough attention when he talked to his SatNav. Sure, she gave him directions, never backtalked him, and always led him to his next spot on the map with perfect accuracy. She was the best thing in his life. So was it really his fault that he didn't start paying attention when she talked to him? In his defence, that was her job. But when 'Take the next right' turned into 'Excuse me,' that was when the real trouble started. Because sometimes a SatNav isn't a SatNav. Sometimes it's an imprisoned soul trapped inside a metal box that will do anything it can to get free. And some products you just can't return.Another slice of fantastic comic TOMfoolery.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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**A Red magazine book of 2023**'The most charming, utterly lovely story I've read in ages... this is one of my books of the year' RED 'This joyous novel is a feast for the senses, as well as the soul' JOANNA NELLA warm-hearted debut novel set in the beautiful coastal city of Chennai, for fans of Alexander McCall Smith, Joanna Nell and Graeme Simsion.Grand Life Apartments is a middle-class apartment block surrounded by lush gardens in the coastal city of Chennai, India. It is the home of Kamala, a pious, soon-to-be retired dentist who spends her days counting down to the annual visits from her daughter who is studying in the UK. Her neighbour, Revathi, is a thirty-two-year-old engineer who is frequently reminded by her mother that she has reached her expiry date in the arranged marriage market. Jason, a British chef, has impulsively moved to India to escape his recent heartbreak in London.The residents have their own complicated lives to navigate, but what they all have in common is their love of where they live, so when a developer threatens to demolish the apartments and build over the gardens, the community of Grand Life Apartments is brought even closer together to fight for their beautiful home...-------------------------------'I loved this heartwarming read' PRIMA'It's utterly entrancing - so humane and funny, and so seeped in India that I could smell the cooking and breathe the exhaust fumes. I absolutely loved it from start to finish.' DEBORAH MOGGACH'I was put in mind of Armistead Maupin's Tales of the City . . . a distinctive and evocative voice' GRAEME SIMSION'Warm, gorgeous, tender, hopeful and human. I felt so HAPPY when I was reading it' DAISY BUCHANAN'An enchanting hug of a book with characters that you'll really root for' NIKKI MAY'A super warm and lovely read ... Should have a warning though: WILL MAKE YOU HUNGRY!' KATE SAWYER'Hema Sukumar's debut is an absolute joy. I loved being transported to the Grand Life Apartments and I was bewitched by the characters, colours and tastes of Chennai. Please can I move in forever?' CLARE POOLEY 'A gorgeous, beautifully-written story, full of wonderfully charming characters - and a loveable cat.' NICK BRADLEY'Written with such warmth ... full of life and love. Hema Sukumar's lovely characters became like friends to me, and I adored spending time with them.' SARA ADAMS

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In The Ledger and the Chain, prize-winning historian Joshua D. Rothman tells the disturbing story of the Franklin and Armfield company and the men who built it into the largest and most powerful slave trading company in the United States. In so doing, he reveals the central importance of the domestic slave trade to the development of American capitalism and the expansion of the American nation.Few slave traders were more successful than Isaac Franklin, John Armfield, and Rice Ballard, who ran Franklin and Armfield, and none were more influential. Drawing on source material from more than thirty archives in a dozen states, Rothman follows the three traders through their first meetings, the rise of their firm, and its eventual dissolution. Responsible for selling between 8,000 and 12,000 slaves from the Upper South to Deep South plantations over a period of eight years in the 1830s, they ran an extensive and innovative operation, with offices in New Orleans and Alexandria in Louisiana and Natchez in Mississippi. They advertised widely, borrowed heavily from bankers and other creditors, extended long term credit to their buyers, and had ships built to take slaves from Virginia down to New Orleans. Slavers are often misremembered as pariahs of more cultivated society, but as Rothman argues, the men who perpetrated the slave trade were respected members of prominent social and business communities and understood themselves as patriotic Americans.By tracing the lives and careers of the nation's most notorious slave traders, The Ledger and the Chain shows how their business skills and remorseless violence together made the malevolent entrepreneurialism of the slave trade. And it reveals how this horrific, ubiquitous trade in human beings shaped a growing nation and corrupted it in ways still powerfully felt today.

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Pieces of paper that claimed to be good for two dollars upon redemption at a distant bank. Foreign coins that fluctuated in value from town to town. Stock certificates issued by turnpike or canal companies-worth something...or perhaps nothing. IOUs from farmers or tradesmen, passed around by people who could not know the person who first issued them. Money and banking in antebellum America offered a glaring example of free-market capitalism run amok-unregulated, exuberant, and heading pell-mell toward the next "panic" of burst bubbles and hard times. In Other People's Money, Sharon Ann Murphy explains how banking and money worked before the federal government, spurred by the chaos of the Civil War, created the national system of US paper currency. Murphy traces the evolution of banking in America from the founding of the nation, when politicians debated the constitutionality of chartering a national bank, to Andrew Jackson's role in the Bank War of the early 1830s, to the problems of financing a large-scale war. She reveals how, ultimately, the monetary and banking structures that emerged from the Civil War also provided the basis for our modern financial system, from its formation under the Federal Reserve in 1913 to the present. Touching on the significant role that numerous historical figures played in shaping American banking-including Alexander Hamilton, James Madison, Benjamin Franklin, Henry Clay, Daniel Webster, and Louis Brandeis- Other People's Money is an engaging guide to the heated political fights that surrounded banking in early America as well as to the economic causes and consequences of the financial system that emerged from the turmoil. By helping readers understand the financial history of this period and the way banking shaped the society in which ordinary Americans lived and worked, this book broadens and deepens our knowledge of the Early American Republic.

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Bella Abzug’s promotion of women’s and gay rights, universal childcare, green energy, and more provoked not only fierce opposition from Republicans but a split within her own party. The story of this notorious, galvanizing force in the Democrats’ “New Politics” insurgency is a biography for our times.Before Alexandria Ocasio-Cortez, Elizabeth Warren, or Hillary Clinton, there was New York’s Bella Abzug. With a fiery rhetorical style forged in the 1960s antiwar movement, Abzug vigorously promoted gender parity, economic justice, and the need to “bring Congress back to the people.”The 1970 congressional election season saw Abzug, in her trademark broad-brimmed hats, campaigning on the slogan “This Woman’s Place Is in the House—the House of Representatives.” Having won her seat, she advanced the feminist agenda in ways big and small, from gaining full access for congresswomen to the House swimming pool to cofounding the National Women’s Political Caucus to putting the title “Ms.” into the political lexicon. Beyond women’s rights, “Sister Bella” promoted gay rights, privacy rights, and human rights, and pushed legislation relating to urban, environmental, and foreign affairs.Her stint in Congress lasted just six years—it ended when she decided to seek the Democrats’ 1976 New York Senate nomination, a race she lost to Daniel Patrick Moynihan by less than 1 percent. Their primary contest, while gendered, was also an ideological struggle for the heart of the Democratic Party. Abzug’s protest politics had helped for a time to shift the center of politics to the left, but her progressive positions also fueled a backlash from conservatives who thought change was going too far.This deeply researched political biography highlights how, as 1960s radicalism moved protest into electoral politics, Abzug drew fire from establishment politicians across the political spectrum—but also inspired a generation of women.

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The Stronger Sex, a study of the women in the fiction of Lawrence Durrell, argues that Lawrence Durrell envisioned a new woman, self-confident, free of male domination, and able to serve, direct, and protect her dependent man. Durrell's modern twentieth- /twenty-first-century woman is the center of what Durrell envisions as the new "couple"-woman dependent upon man for completion and man dependent upon the centrality of woman for the essential wisdom and direction and meaning in his life. Far from being a mere follower of D. H. Lawrence, as many have claimed, Durrell came to insist that man must first cede to woman both the personal and social power and freedom which he has throughout history denied her. Only in this way, suggests Durrell, can modern man both find himself and save himself and so discover and fulfill his own being. Thus, all of Durrell's women are the saviors of the lost men who must come to them for human completion. From the women of the early works, such as Panic Spring, The Pied Piper of Lovers, The Black Book, and The Dark Labyrinth, to the Justines, Melissas and Cleas of the Alexandria Quartet, the Benedictas and Iolanthes of The Revolt of Aphrodite, the Constances and Livias of The Avignon Quintet, and Cunegonde of Caesar's Vast Ghost-all of Durrell's lost and ever inadequate men must ultimately find themselves and the meaning of their lives in the women who complete them. Then, paradoxically, and only then, can these same men provide the security, direction, and protection for which their women so desperately search. Thus, in the "couple" both man and woman are completed in their mutual dependence and final self-discovery. The study refers often to the works of previous biographers of Lawrence Durrell: Ian MacNiven, Richard Pine, and Gordon Bowker.

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Americans valorize resistance to conformity. "Be yourself!" "Don't just follow the crowd!" Such injunctions pervade contemporary American culture. We praise individuals such as Martin Luther King Jr. and Steve Jobs who chart their own course in life and do something new. Yet surprisingly, recent research in social psychology has shown that, in practice, Americans are averse and at times, even hostile to individuals who express traits associated with non-conformity, such as individuality, free judgment, and creativity. This disjunction between our public rhetoric and practice raises fundamental questions: Why is non-conformity valuable? Is it always valuable-or does it pose dangers as well as promise benefits for democratic societies? What is the relationship between non-conformity as an individual ideal and democracy as a form of collective self-rule? Contesting Conformity provides a new interpretive lens to the writings of Alexis de Tocqueville, John Stuart Mill, and Friedrich Nietzsche to investigate non-conformity and its relationship to modern democracy. While there are important differences among them, all three thinkers worry that certain aspects of democracy--namely, the power of public opinion, the tyranny of social majorities, and the commitment to moral equality--encourage conformity, thus suppressing dissent, individuality, and creativity. Taken together, Tocqueville, Mill, and Nietzsche show us that to the extent that we are committed to democracy, we must find ways to foster non-conformity, but we must do so within certain moral and political constraints. Drawing new insight from their work, Jennie Ikuta argues that non-conformity is an intractable issue for democracy. While non-conformity is often important for cultivating a just polity, non-conformity can also undermine democracy. In other words, democracy needs non-conformity, but not in an unconditional way. This book examines this intractable relationship, and offers resources for navigating the relationship in contemporary democracies in ways that promote justice and freedom.

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Naast de officiele talen die in het huidige Nabije Oosten gesproken worden bestaat nog een groot aantal andere talen, waarvan sommige een al zeer oude geschiedenis hebben. In vroeger tijden was het aantal gesproken talen echter een veelvoud hiervan. Het beeld van de spraakverwarring die door God werd aangericht bij de Toren van Babel (Genesis 11:1-9) wordt aanschouwelijk gemaakt in dit boek, waarin meer dan dertig talen uit het Oude Nabije Oosten nader worden toegelicht. In een tijd waarin communicatie tussen gemeenschappen traag verliep en er nauwelijks sprake was van centralisatie, ontwikkelde zich nog geen standaardtaal. Integendeel, door de fragmentatie van gemeenschappen konden veel verschillende talen en dialecten ontstaan, al dan niet behorend tot een of andere taalfamilie. Van de hier besproken talen kan een groot aantal worden onderverdeeld in verschillende taalfamilies, terwijl daarnaast een restgroep wordt aangetroffen van geisoleerde talen die geen duidelijke taalverwantschap hebben. Hoewel alle auteurs hun bijdrage een eigen kleur hebben gegeven, gaat er steeds aandacht uit naar de volgende onderwerpen: taalfasen en dialecten, de gesproken versus de geschreven taal, tekstgenres, etymologien, leenwoorden en mogelijke invloeden. In de bespreking van fonologie, morfologie en syntaxis dienen voorbeelden en afbeeldingen het een en ander te verduidelijken. Het boek bevat bijdragen van Theo Krispijn, Wilfried van Soldt, Jacques van der Vliet, Louis Zonhoven, Margaretha Folmer, R.S.P. Beekes, Theo van den Hout, Alexander Lubotsky en Harry Stoomer.

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Die Sorge um das Selbst ist in jüngerer Vergangenheit als eines der zentralen Themen der hellenistischen Philosophie wiederentdeckt worden. Gudrun Holtz zeigt am Beispiel vor allem des jüdischen Theologen Philo von Alexandrien, aber auch des Apostels Paulus, wie theologische Anthropologie im Gegenüber zu zeitgenössischen philosophischen Konzeptionen des Selbst, insbesondere in der Stoa, entwickelt wird. Im Horizont theologischen Nachdenkens über die Souveränität Gottes erscheint die philosophische Sorge um das Selbst als eine Gestalt der Selbsterhebung des Menschen über Gott, die für Paulus unter das Verdikt des Selbstruhmes fällt und von Philo als missbräuchliche Verabsolutierung von Vernunft und sinnlicher Wahrnehmung kritisiert wird. Stellt Philo jeder Form von Selbstverabsolutierung die Alleinursächlichkeit und Gnadenmacht Gottes gegenüber, die allein dem Menschen die Überwindung der eigenen Nichtigkeit ermöglicht, so ist es bei Paulus die Erkenntnis des Handelns Gottes im Gekreuzigten, die sowohl die Nichtigkeit des Menschen als auch die machtvolle Gnade Gottes an den Tag bringt. Die theologisch-anthropologische Konzeption beider Autoren ist in ihrem gemeinsamen Kern auf die Formel 'nicht aus Menschen, sondern aus Gott' zu bringen. Die paulinische Rechtfertigungslehre erweist sich als eine Konkretion dieses gemeinsamen Kerns. Anders als zuletzt mehrfach vermutet, kann die stoische Gottesvorstellung nicht als eine Begrenzung der philosophischen Ansprüche des Selbst in Anschlag gebracht werden.

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Die Verklärungsperikope des Markusevangeliums (Mk 9,2-8) gilt als großes Rätsel der neutestamentlichen Wissenschaft. Tatsächlich stellt diese Erzählung den Ausleger in ihrer sonderbaren Mischung aus Faszination und Befremden vor große interpretatorische Herausforderungen. Welche Textgattung liegt hier vor und wie verhält es sich mit der historischen und der christologischen Wirklichkeit, die hinter dieser Narratio steht? Adrian Wypadlo bietet eine umfassende Interpretation der Transfigurationserzählung des Markusevangeliums mit der Grundthese, dass in Mk 9,2-8 zusammen mit der Taufperikope (Mk 1,9-11) die für den Makrotext zentrale christologische Legitimationserzählung vorliegt. Dabei unternimmt er den Versuch, eine alte These neu zu begründen: Der geistesgeschichtliche Nährboden, auf dem die Transfigurationserzählung wachsen konnte, ist die Exegese von Ex 24 und 34 im hellenistischen Judentum. Der Autor bietet nach einem umfassenden, der Vorverständigung dienenden Einleitungskapitel zunächst eine gründliche Einzelversanalyse des Textes, speziell unter narratologischen Aspekten. Dann vergleicht er diesen mit den Verwandlungsvorstellungen in der jüdisch-hellenistischen und paganen Umwelt des Neuen Testaments mit einem ständigen Seitenblick auf 2 Kor 3,18. Ein Schwerpunkt liegt auf Verwandlungsvorstellungen im Opus des jüdisch-hellenistischen Schriftauslegers Philo von Alexandrien. Besonderes Augenmerk legt der Verfasser hierbei auf dessen Exegese der entsprechenden Exodusstellen in VitMos und in Quaest in Ex II. Abschließend fragt Wypadlo nach der auffälligen, aus Jesus, Elija und Mose bestehenden Figurenkonstellation in Mk 9,4f. Die Studie versteht sich somit als umfassenden Beitrag zur markinischen Christologie.

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Calling all pumpkin chuckers, wannabe marauders, and tinkerers of all ages! Flinging things and playing at defending your own castle has never been more fun. Whether playing at defending their own castle or simply chucking pumpkins over a fence, wannabe marauders and tinkerers will become fast acquainted with Ludgar the War Wolf, Ill Neighbor, Cabulus, and the Wild Donkey—ancient artillery devices known commonly as catapults. Updated and improved instructions and diagrams illustrate how to build 10 authentic working model catapults, including an early Greek ballista, a Roman onager, and the apex of catapult technology, the English trebuchet. Additional projects include learning how to lash and make rope and how to construct and use a hand sling and a staff sling. Building these simple yet sophisticated machines introduces fundamentals of math and physics using levers, force, torsion, tension, and traction. The colorful history of siege warfare is explored through the stories of Alexander the Great and his battle of Tyre; Saladin, Richard the Lionheart, and the Third Crusade; pirate-turned-soldier Jon Crabbe and his ship-mounted catapults; and Edward I of England and his battle against the Scots at Stirling Castle. For the legions of Tolkien fans, budding backyard warriors, and engineering wizards, this book is a must-have.

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The scholarly tradition of the Presocratics is the beginning of the ""Greek Miracle,"" the remarkable flowering of arts and sciences in ancient Greece from the 600s to 400s BC. Greek thought turned from pagan religion and the mytho-poetic work of Hesiod and Homer, to inquiry into the natures of things, to the world and our place in it. This tradition, starting with Thales (b. 624 BC) and proceeding through Democritus (d. 370 BC), is the unifying theme of this volume. The contributors, renowned experts in their various fields of philosophy, provide introductions to the Presocratic philosophers and discuss how this philosophical school was appropriated and treated by later philosophers.Joe McCoy opens the volume with a survey of the historical developments within Presocratic philosophy, as well as its subsequent reception. The essays begin with Charles Kahn's account of the role of Presocractic philosophy in classical philosophy. Individual philosophers are then discussed, namely, Anaximander by Kurt Pritzl, Heraclitus by Kenneth Dorter, and Pythagoreans by Carl A. Huffman. Next are chapters on Xenophanes by James Lesher, Parmenides by Alexander P. D. Mourelatos, Empedocles by Patricia Curd, and Anaxagoras by Daniel Graham. The collection concludes with an examination of the reception of the Presocratics in early modern and late modern philosophy by John C. McCarthy and Richard Velkley, respectively.The philosophy of the Presocratics still governs scholarly discussion today. This important volume grapples with a host of philosophical issues and philological and historical problems inherent in interpreting Presocratic philosophers.

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With a small population, it is remarkable that so many people from the county of Caithness have had such a huge impact, not only in Scotland but worldwide. The sheer hard work and determination of people from the county, both past and present, has guaranteed their place in history. From scientists, explorers, ministers and politicians to engineers, artists and writers, this area in the far north of Scotland has a rich tapestry of folk who have made their lasting mark on the world and each chapter deals with their lives, loves and labours. These include Arthur St Clair, 9th President of the Continental Congress in the United States; Robert Dick, geologist and botanist; Andrew Geddes Bain, road builder and engineer in South Africa; the British Empire's first-ever Lady Mayor, Elizabeth Oman Yates; James Bremner, famed for his wreck - raising skills and harbour design; Donald Sutherland Swanson, a high profile detective with the Metropolitan Police during the Whitechapel Murders in 1888; Robert Brown, explorer and Alexander Henry Rhind, one of the world's greatest Egyptologists. The life of Sir John Sinclair, father of the Statistical Accounts for Scotland, is recounted, as is the life of the man best known simply as Ross of Cowcaddens. The modern era is not forgotten with Ian Charles Scott, the New York-based artist and David Graham Scott, a documentary film maker.

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'A memoir which is also a work of art' – Allan Massie, The Scotsman The story begins with Campbell, aged 14, in a police cell in Glasgow. He’s been charged with stealing books – five Mickey Spillane novels and a copy of Peyton Place. At 15, he became an apprentice printer, but gave that up in order to ‘go on the road’, fulfilling the only ambition he ever had while a pupil at King’s Park Secondary School in Glasgow – to be what RLS called ‘a bit of a vagabond’. On his hitchhiking journeys through Asia and North Africa, an interest in music, reading and writing grew. Campbell also took a keen interest in learning from interesting people. In 1972 he worked on a kibbutz, living in the neighbouring cabin to Peter Green, the founder and lead guitarist of Fleetwood Mac, with whom he formed a two-man musical combo. At the same time, he was part of a group of aspiring writers in Glasgow, including Tom Leonard. His literary heroes of the time were Alexander Trocchi and John Fowles: Campbell tracked them down to their homes and wrote extensively about both. The stories Campbell are recounted in this book. A crowning moment of his life was forming a friendship with the American writer James Baldwin. Campbell visited him more than once at his home in the South of France, and persuaded him to come to Edinburgh for the Book Festival in 1985. Campbell later wrote the acclaimed biography of Baldwin, Talking at the Gates.

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Her beauty saved her life - and condemned her.In 1942 Cilka Klein is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp. The Commandant at Birkenau, Schwarzhuber, notices her long beautiful hair, and forces her separation from the other women prisoners. Cilka learns quickly that power, even unwillingly given, equals survival.After liberation, Cilka is charged as a collaborator by the Russians and sent to a desolate, brutal prison camp in Siberia known as Vorkuta, inside the Arctic Circle. Innocent, imprisoned once again, Cilka faces challenges both new and horribly familiar, each day a battle for survival. Cilka befriends a woman doctor, and learns to nurse the ill in the camp, struggling to care for them under unimaginable conditions. And when she tends to a man called Alexandr, Cilka finds that despite everything, there is room in her heart for love.Based on what is known of Cilka Klein's time in Auschwitz, and on the experience of women in Siberian prison camps, Cilka's Journey is the breathtaking sequel to The Tattooist of Auschwitz. A powerful testament to the triumph of the human will, this novel will move you to tears, but it will also leave you astonished and uplifted by one woman's fierce determination to survive, against all odds. 'She was the bravest person I ever met'Lale Sokolov, The Tattooist of Auschwitz

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The story of the Renaissance city and palace of Urbino, and the life of the extraordinary man who created it: Federico da Montefeltro. 'Painstakingly researched and yet unfailingly readable' Ross King 'An insight into one of Renaissance Italy's most glamorous courts' Catherine Fletcher 'The perfect tour guide to the past' Literary Review 'A fabulous merging of seductive design with bravura scholarship' Alexandra Harris 'A superior study... Packed with detail' TLS The one-eyed mercenary soldier Federico da Montefeltro, lord of Urbino between 1444 and 1482, was one of the most successful condottiere of the Italian Renaissance: renowned humanist, patron of the artist Piero della Francesca, and creator of one of the most celebrated libraries in Italy outside the Vatican. From 1460 until her early death in 1472 he was married to Battista, of the formidable Sforza family, their partnership apparently blissful. In the fine palace he built overlooking Urbino, Federico assembled a court regarded by many as representing a high point of Renaissance culture. For Baldassare Castiglione, Federico was la luce dell'Italia – 'the light of Italy'. Jane Stevenson's affectionate account of Urbino's flowering and decline casts revelatory light on patronage, politics and humanism in fifteenth-century Italy. As well as recounting the gripping stories of Federico and his Montefeltro and della Rovere successors, Stevenson considers in details Federico's cultural legacy – investigating the palace itself, the splendours of the ducal library, and his other architectural projects in Gubbio and elsewhere.

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Crazy Rich Asians meets One of Us is Lying in this electrifying YA thriller where students at an elite prep school are forced to confront their secrets when their ex-best friend turns up dead. Nancy Luo is shocked when her former best friend, Jamie Ruan, top-ranked junior at Sinclair Prep, goes missing, and then is found dead. Nancy is even more shocked when word starts to spread that she and her friends - Krystal, Akil, and Alexander - are the prime suspects, thanks to "the Proctor," someone anonymously incriminating them via the school’s social media app. They all used to be Jamie’s closest friends, and she knew each of their deepest, darkest secrets. Now, somehow the Proctor knows them, too. The four must uncover the true killer before The Proctor exposes more than they can bear and costs them more than they can afford, like Nancy’s full scholarship. Soon, Nancy suspects that her friends may be keeping secrets from her, too. Katie Zhao’s YA debut is an edge-of-your-seat drama set in the pressure-cooker world of academics and image at Sinclair Prep, where the past threatens the future these teens have carefully crafted for themselves. How We Fall Apart is the irresistible, addicting, Asian-American recast of Gossip Girl that we’ve all been waiting for.

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In The Captive Sea, Daniel Hershenzon explores the entangled histories of Muslim and Christian captives—and, by extension, of the Spanish Empire, Ottoman Algiers, and Morocco—in the seventeenth century to argue that piracy, captivity, and redemption helped shape the Mediterranean as an integrated region at the social, political, and economic levels. Despite their confessional differences, the lives of captives and captors alike were connected in a political economy of ransom and communication networks shaped by Spanish, Ottoman, and Moroccan rulers; ecclesiastic institutions; Jewish, Muslim, and Christian intermediaries; and the captives themselves, as well as their kin. Hershenzon offers both a comprehensive analysis of competing projects for maritime dominance and a granular investigation of how individual lives were tragically upended by these agendas. He takes a close look at the tightly connected and ultimately failed attempts to ransom an Algerian Muslim girl sold into slavery in Livorno in 1608; the son of a Spanish marquis enslaved by pirates in Algiers and brought to Istanbul, where he converted to Islam; three Spanish Trinitarian friars detained in Algiers on the brink of their departure for Spain in the company of Christians they had redeemed; and a high-ranking Ottoman official from Alexandria, captured in 1613 by the Sicilian squadron of Spain. Examining the circulation of bodies, currency, and information in the contested Mediterranean, Hershenzon concludes that the practice of ransoming captives, a procedure meant to separate Christians from Muslims, had the unintended consequence of tightly binding Iberia to the Maghrib.

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To date, lesbian and gay history has focused largely on the East and West coasts, and on urban settings such as New York and San Francisco. The American South, on the other hand, identified with religion, traditional gender roles, and cultural conservatism, has escaped attention. Southerners celebrate their past; lesbians and gays celebrate their new-found visibility; historians celebrate the South—yet rarely have the three crossed paths. John Howard's groundbreaking anthology casts its net widely, examining lesbian and gay experiences in Mississippi, South Carolina, Georgia, Florida, Louisiana, and Tennessee. James Schnur, by virtue of a Freedom of Information Act query, sheds light on the sinister machinations of the Johns Committee, whose clandestine duty it was to ferret out suspected homosexuals during the McCarthy years. In his essay on the great Southern writer William Alexander Percy, William Armstrong Percy provides tangible evidence that Southern citizens, historians, and archivists have long sought to repress or obscure certain individuals within what C. Vann Woodward described as the perverse section. Moving chronologically through America's past, from the antebellum and postbellum periods, through the Jim Crow era and the Cold War, to the present, this volume introduces an important new framework to the field of lesbian and gay history—that of regional history.

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According to the account in the Book of Exodus, God addresses the children of Israel as they stand before Mt. Sinai with the words, "You shall be to me a kingdom of priests and a holy nation" (19:6). The sentence, Martha Himmelfarb observes, is paradoxical, for priests are by definition a minority, yet the meaning in context is clear: the entire people is holy. The words also point to some significant tensions in the biblical understanding of the people of Israel. If the entire people is holy, why does it need priests? If membership in both people and priesthood is a matter not of merit but of birth, how can either the people or its priests hope to be holy? How can one reconcile the distance between the honor due the priest and the actual behavior of some who filled the role? What can the people do to make itself truly a kingdom of priests? Himmelfarb argues that these questions become central in Second Temple Judaism. She considers a range of texts from this period, including the Book of Watchers, the Book of Jubilees, legal documents from the Dead Sea Scrolls, the writings of Philo of Alexandria, and the Book of Revelation of the New Testament, and goes on to explore rabbinic Judaism's emphasis on descent as the primary criterion for inclusion among the chosen people of Israel—a position, she contends, that took on new force in reaction to early Christian disparagement of the idea that mere descent from Abraham was sufficient for salvation.

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A fascinating study of the motivations behind the political activities and philosophies of Putin’s government in Russia“Part intellectual history, part portrait gallery . . . Black Wind, White Snow traces the background to Putin’s ideas with verve and clarity.”—Geoffrey Hosking, Financial Times “Required reading. This is a vivid, panoramic history of bad ideas, chasing the metastasis of the doctrine known as Eurasianism. . . . Reading Charles Clover will help you understand the world of lies and delusions that is Eurasia.”—Ben Judah, Standpoint A powerful strain of Russian nationalism now lies at the heart of the Kremlin’s political thinking: "Eurasianism". But how did this dangerous ideology, once a fringe theory, come to dominate Moscow’s elite? Promoted most notably in recent years by Alexander Dugin, this theory has become the driving force behind the invasion of Ukraine and the perplexing manoeuvrings of Putin’s Russia. In this fascinating investigation, Charles Clover, an award-winning journalist, traces Eurasianism’s origins in the writings of White Russian exiles in 1920s Europe, through Siberia’s Gulag archipelago in the 1950s, the dissolution of the Soviet Union in the early 1990s, and up to its steady infiltration of the governing elite. Based on extensive research and dozens of interviews with Putin’s close advisers, this eye-opening account is essential reading to understand Russia’s past century – and the dangers of our present political moment.

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The Persian Empire was the world's first hyperpower, with territory stretching from Central Asia to Northeastern Africa and from Southeastern Europe to the Indus Valley. It was the dominant geopolitical force from the later sixth century to its conquest by Alexander in the 330s BCE. Much of the empire's territory was conquered by its founder, Cyrus the Great, who reigned from 559-530 BCE. Cyrus became a legend in his own lifetime, and his career inspired keen interest from Persia's unruly neighbors to the west, the ancient Greeks. The idealized portrait of Cyrus by the Greek Xenophon had a profound impact on ancient, medieval, and early modern debates about rulership. King of the World provides an authoritative and accessible account of Cyrus the Great's life, career, and legacy. While Greek sources remain central to any narrative about Cyrus, a wealth of primary evidence is found in the ancient Near East, including documentary, archaeological, art historical, and biblical material. Matt Waters draws from all of these sources while consistently contextualizing them in order to provide a cohesive understanding of Cyrus the Great. This overview addresses issues of interpretation and reconciles limited material, while the narrative keeps Cyrus the Great's compelling career at the forefront. Cyrus' legacy is enormous and not fully appreciated— King of the World takes readers on a journey that reveals his powerful impact and preserves his story for future generations.

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The remarkable story of how Greek-speaking writers and thinkers sustained and developed the intellectual legacy of Classical Greece under the rule of Rome. In 146 BC, Greece yielded to the military might of the Roman Republic; some sixty years later, when Athens and other Greek city-states rebelled against Rome, the general Lucius Cornelius Sulla destroyed the city of Socrates and Plato, laying waste the famous Academy where Aristotle had studied. However, the traditions of Greek cultural life would continue to flourish – across the eastern Mediterranean world and beyond – during the centuries of Roman rule that followed, in the lives and work of a distinguished array of philosophers, rhetoricians, historians, doctors, scientists, geographers and theologians. Charles Freeman's accounts of such luminaries as the polymathic physician Galen, the soldier-botanist Dioscorides, the Alexandrian geographer and astronomer Ptolemy and the Neoplatonic philosopher Plotinus are interwoven with 'interludes' that counterpoint and contextualise a sequence of unjustly neglected and richly influential lives. This is the story of a vibrant, constantly evolving tradition of intellectual inquiry across a period of more than five hundred years, from the second century BC to the start of the fifth century ad – one that would help shape the intellectual landscape of the Middle Ages and long after. The Children of Athena is a cultural history on an epic scale.

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As Christian leaders in the first through fifth centuries embraced ascetic interpretations of the Bible and practices of sexual renunciation, sexual slander—such as the accusations Paul leveled against wayward Gentiles in the New Testament—played a pivotal role in the formation of early Christian identity. In particular, the imagined construct of the lascivious, literal-minded Jew served as a convenient foil to the chaste Christian ideal. Susanna Drake examines representations of Jewish sexuality in early Christian writings that use accusations of carnality, fleshliness, bestiality, and licentiousness as strategies to differentiate the "spiritual" Christian from the "carnal" Jew. Church fathers such as Justin Martyr, Hippolytus of Rome, Origen of Alexandria, and John Chrysostom portrayed Jewish men variously as dangerously hypersexual, at times literally seducing virtuous Christians into heresy, or as weak and effeminate, unable to control bodily impulses or govern their wives. As Drake shows, these carnal caricatures served not only to emphasize religious difference between Christians and Jews but also to justify increased legal constraints and violent acts against Jews as the interests of Christian leaders began to dovetail with the interests of the empire. Placing Christian representations of Jews at the root of the destruction of synagogues and mobbing of Jewish communities in the late fourth and early fifth centuries, Slandering the Jew casts new light on the intersections of sexuality, violence, representation, and religious identity.

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