Search results for ""author alex"

Here, on a scale unmatched by any previous collection, is the extraordinary energy and eloquence of our first national political campaign: During the secret proceedings of the Constitutional Convention in 1787, the framers created a fundamentally new national plan to replace the Articles of Confederation and then submitted it to conventions in each state for ratification. Immediately, a fierce storm of argument broke. Federalist supporters, Antifederalist opponents, and seekers of a middle ground strove to balance public order and personal liberty as they praised, condemned, challenged, and analyzed the new Constitution Gathering hundreds of original texts by Franklin, Madison, Jefferson, Washington, and Patrick Henry—as well as many others less well known today—this unrivaled collection allows readers to experience firsthand the intense year-long struggle that created what remains the world’s oldest working national charter. Assembled here in chronological order are hundreds of newspaper articles, pamphlets, speeches, and private letters written or delivered in the aftermath of the Constitutional Convention. Along with familiar figures like Franklin, Madison, Patrick Henry, Jefferson, and Washington, scores of less famous citizens are represented, all speaking clearly and passionately about government. The most famous writings of the ratification struggle — the Federalist essays of Hamilton and Madison — are placed in their original context, alongside the arguments of able antagonists, such as "Brutus" and the "Federal Farmer." Part Two gathers collected press polemics and private commentaries from January to August 1788, including all the amendments proposed by state ratifying conventions as well as dozens of speeches from the South Carolina, Virginia, New York, and North Carolina conventions. Included are dramatic confrontations from Virginia, where Patrick Henry pitted his legendary oratorical skills against the persuasive logic of Madison, and from New York, where Alexander Hamilton faced the brilliant Antifederalist Melancton Smith. Informative notes, biographical profiles of all writers, speakers, and recipients, and a detailed chronology of relevant events from 1774 to 1804 provide fascinating background. A general index allows readers to follow specific topics, and an appendix includes the Declaration of Independence, the Articles of Confederation, and the Constitution (with all amendments).LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Today, Donna Hylton is a groundbreaking advocate for criminal justice reform--she was a featured speaker at the 2017 Women's March on Washington, and she works hand-in-hand with other influential voices such as Eve Ensler, Michelle Alexander (The New Jim Crow), and Rosario Dawson to ensure prison safety and to end mass incarceration in the US. In fact, Dawson has signed on to play Hylton in a movie that's in development now. But in 1986, Hylton experienced prison from the inside when she was sentenced to 25 years-to-life for kidnapping and second-degree murder. Like so many women before her and so many women yet to come, her life had been a nightmare of abuse that left her feeling alone and convinced of her worthlessness. With her sentencing, it seemed that Donna had reached the end--at age 19, due to her own mistakes and bad choices, her life was over. But behind the bars of Bedford Hills Correctional Facility, alongside this generation's most infamous female criminals, Donna learned to fight -- and then, to thrive. For the first time in her life, she realized that she was not alone in the abuse and misogyny that she experienced; as she bonded with her new sisters, she discovered that her pain was not an anomaly, but a commonality among women from all walks of life.It's a reality that she has since vowed to change. Since her release in 2012, Donna has emerged as a leading advocate for criminal justice reform and women's rights who speaks with politicians, violent abusers, prison officials, victims, and students to tell her story. But it's not her story alone, she is quick to say. She also represents the stories of thousands of women who are unable to speak for themselves because they've been silenced, imprisoned, or killed.

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Black Scholars on the Line: Race, Social Science, and American Thought in the Twentieth Century explores the development of American social science by highlighting the contributions of those scholars who were both students and objects of a segregated society. The book asks how segregation has influenced, and continues to influence, the development of American social thought and social science scholarship. Jonathan Scott Holloway and Ben Keppel present the work of thirty-one black social scientists whose work was published between the rise of the Tuskegee model of higher education and the end of the Black Power Era. Even though they had to fashion their careers outside of their respective fields' mainstream, the intellectuals featured here produced scholarship that helped define the contours of the social sciences as they evolved over the course of the twentieth century. Theirs was the work of pioneers, now for the first time gathered in one anthology. After a comprehensive introduction and survey of the selections to follow, Holloway and Keppel present the founding parents of African American social science, including excerpts from Alexander Crummell, Anna Julia Cooper, and others. They then examine contributions from the first real generation of professionally trained black scholars such as W. E. B. Du Bois. The interactions between cultural production and social scientific knowledge are examined through the work of various scholars, including Alain Locke and Zora Neale Hurston. The volume then explores the scholarship produced by the leading progressive social scientists of the day on issues of race and class and examines social scientific scholarship that put African American struggles in an international context. The book concludes by presenting the scholarship of, among others, Hylan Lewis, Joyce Ladner, and William Julius Wilson, which most effectively highlights the complex state of “raced” social science thought during the age of desegregation in academia.

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Shows how the work of orchestral conductors was shaped by and enriched cultural life in Britain from the late Victorian era to World War I. Drawing on many archival findings, this book considers the emerging function and status of orchestral conductors in Britain, and the nature of the opportunities available to them, from the late Victorian era until the outbreak ofWorld War I. It does so by examining and comparing the profiles and impact of eight men whose work supplied the needs of a variety of institutions across the period but whose significant contributions were overshadowed by the emergence of virtuoso interpreters. The conducting activities of Julius Benedict, William Cusins, Joseph Barnby, Arthur Sullivan, Frederic Cowen, Alexander Mackenzie, Dan Godfrey and Landon Ronald provide a lens through which the evolution of conducting as a profession is traced. At the British Empire's height their work was shaped by and enriched the cultural life of the nation. During a period of intense activity and development, their portfolios of engagements and working patterns shed light on the infrastructures within the music business. By focusing on the fortunes and agency of conductors resident within the marketplace, this book deepens our understanding of the internal networks, influences and priorities within musical life in Britain in the late nineteenth century. FIONA M. PALMER is Professor of Music at the National University of Ireland Maynooth.

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In most capital markets, insider trading is the most common violation of securities law. It is also the most well known, inspiring countless movie plots and attracting scholars with a broad range of backgrounds and interests, from pure legal doctrine to empirical analysis to complex economic theory. This volume brings together original cutting-edge research in these and other areas written by leading experts in insider trading law and economics.The Handbook begins with a section devoted to legal issues surrounding the US's ban on insider trading, which is one of the oldest and most energetically enforced in the world. Using this section as a foundation, contributors go on to discuss several specific court cases as well as important developments in empirical research on the subject. The Handbook concludes with a section devoted to international perspectives, providing insight into insider trading laws in China, Japan, Australia, New Zealand, the United Kingdom and the European Union.This timely and comprehensive volume will appeal to students and professors of law and economics, as well as scholars, researchers and practitioners with an interest in insider trading.Contributors: K. Alexander, S.M. Bainbridge, L.N. Beny, S.F. Diamond, J. Fisch, J.M. Heminway, M.T. Henderson, N.C. Howson, H. Huang, K. Kendall, S.H. Kim, T.A. Lambert, K. Langenbucher, D.C. Langevoort, H.G. Manne, M. Nelemans, A. Padilla, A.C. Pritchard, J.M. Ramseyer, M.C. Schouten, H.N. Seyhun, A.F. Simpson, J.W. Verret, G. Walker

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Inscrutable Belongings brings together formalist and contextual modes of critique to consider narrative strategies that emerge in queer Asian North American literature. Stephen Hong Sohn provides extended readings of fictions involving queer Asian North American storytellers, looking to texts including Russell Leong's "Camouflage," Lydia Kwa's Pulse, Alexander Chee's Edinburgh, Nina Revoyr's Wingshooters, and Noël Alumit's Letters to Montgomery Clift. Despite many antagonistic forces, these works' protagonists achieve a revolutionary form of narrative centrality through the defiant act of speaking out, recounting their "survival plots," and enduring to the very last page. These feats are made possible through their construction of alternative social structures Sohn calls "inscrutable belongings." Collectively, the texts that Sohn examines bring to mind foundational struggles for queer Asian North Americans (and other socially marginalized groups) and confront a broad range of issues, including interracial desire, the AIDS/HIV epidemic, transnational mobility, and postcolonial trauma. In these texts, Asian North American queer people are often excluded from normative family structures and must contend with multiple histories of oppression, erasure, and physical violence, involving homophobia, racism, and social death. Sohn's work makes clear that for such writers and their imagined communities, questions of survival, kinship, and narrative development are more than representational—they are directly tied to lived experience.

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In Indigenous Cities Laura M. Furlan demonstrates that stories of urban experience are essential to understanding modern Indigeneity. She situates Native identity among theories of diaspora, cosmopolitanism, and transnationalism by examining urban narratives—such as those written by Sherman Alexie, Janet Campbell Hale, Louise Erdrich, and Susan Power—along with the work of filmmakers and artists. In these stories, Native peoples navigate new surroundings, find and reformulate community, and maintain and redefine Indian identity in the post-relocation era. These narratives illuminate the changing relationship between urban Indigenous peoples and their tribal nations and territories and the ways in which new cosmopolitan bonds both reshape and are interpreted by tribal identities. Though the majority of American Indigenous populations do not reside on reservations, these spaces regularly define discussions and literature about Native citizenship and identity. Meanwhile, conversations about the shift to urban settings often focus on elements of dispossession, subjectivity, and assimilation. Furlan takes a critical look at Indigenous fiction from the last three decades to present a new way of looking at urban experiences that explains mobility and relocation as a form of resistance. In these stories Indian bodies are not bound by state-imposed borders or confined to Indian Country as it is traditionally conceived. Furlan demonstrates that cities have always been Indian land and Indigenous peoples have always been cosmopolitan and urban.

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Directed by anthropologist Alexander Lesser in 1935, the Santa Fe Laboratory of Anthropology sponsored a field school in southwestern Oklahoma that focused on the neighboring Kiowas. During two months, graduate students compiled more than 1,300 pages of single-spaced field notes derived from cross-interviewing thirty-five Kiowas. These eyewitness and first-generation reflections on the horse and buffalo days are undoubtedly the best materials available for reconstructing pre-reservation Kiowa beliefs and rituals. The field school compiled massive data resulting in a number of publications on this formerly nomadic Plains tribe, though the planned collaborative ethnographies never materialized. The extensive Kiowa field notes, which contain invaluable information, remained largely unpublished until now. In Kiowa Belief and Ritual, Benjamin R. Kracht reconstructs Kiowa cosmology during the height of the horse and buffalo culture from field notes pertaining to cosmology, visions, shamans, sorcery, dream shields, tribal bundles, and the now-extinct Sun Dance ceremony. These topics are interpreted through the Kiowa concept of a power force permeating the universe. Additional data gleaned from the field notes of James Mooney and Alice Marriott enrich the narrative. Drawing on more than thirty years of field experiences, Kracht’s discussion of how Indigenous notions of power are manifested today significantly enhances the existing literature concerning Plains religions.

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Examining politics in Idaho through the lens of ideology (i.e., conservative versus liberal) or partisanship (i.e., Democrat versus Republican) does not illuminate the more fundamental dynamics of the state’s political environment. Unlike other states that are divided on partisan or traditional ideological lines, Idaho tends to be divided between its libertarian and communitarian visions of the role of government and the place of the individual in society. In Idaho Politics and Government, Jasper M. LiCalzi examines the complex world of Idaho politics, where morality dominates but a heartily libertarian strain of individualism keeps lawmakers from falling into the liberal versus conservative dialogue prevalent in other states. After opening with the ultrasound bill failure as a recent example of Idaho’s political culture, LiCalzi traces the influence of individuals and party factions from the 1960s through the present before moving on to the inner workings of government itself, with all its institutions and extra-governmental extensions. He closes with another recent Idaho bill concerning the topics of child support and Sharia (Islamic) law, giving readers yet another glimpse of the workings of Idaho politics and the continuing clash between the community and the individual. Presenting a continuum of political views from an emphasis on the individual (personified by Thomas Jefferson) to a focus on community (personified by Alexander Hamilton), LiCalzi provides a new method for understanding political actions and situations in Idaho.

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"Stephen Van Evera's Guide to Methods makes an important contribution toward improving the use of case studies for theory development and testing in the social sciences. His trenchant and concise views on issues ranging from epistemology to specific research techniques manage to convey not only the methods but the ethos of research. This book is essential reading for social science students at all levels who aspire to conduct rigorous research."—Alexander L. George, Stanford University, and Andrew Bennett, Georgetown University "Van Evera has a keen awareness of the questions that arise in every phase of the political science research project—from initial conception to final presentation. Although others may not agree with all of his specific advice, all will appreciate his user-friendly introduction to what is sometimes seen as an abstract and difficult topic."—Timothy J. McKeown, University of North Carolina, Chapel Hill For the last few years, Stephen Van Evera has greeted new graduate students at MIT with a commonsense introduction to qualitative methods in the social sciences. His helpful hints, always warmly received, grew from a handful of memos to an underground classic primer. That primer has now evolved into a book of how-to information about graduate study, which is essential reading for graduate students and undergraduates in political science, sociology, anthropology, economics, and history—and for their advisers.

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Pyrrho of Elis went with Alexander the Great to Central Asia and India during the Greek invasion and conquest of the Persian Empire in 334-324 BC. There he met with early Buddhist masters. Greek Buddha shows how their Early Buddhism shaped the philosophy of Pyrrho, the famous founder of Pyrrhonian scepticism in ancient Greece. Christopher I. Beckwith traces the origins of a major tradition in Western philosophy to Gandhara, a country in Central Asia and northwestern India. He systematically examines the teachings and practices of Pyrrho and of Early Buddhism, including those preserved in testimonies by and about Pyrrho, in the report on Indian philosophy two decades later by the Seleucid ambassador Megasthenes, in the first-person edicts by the Indian king Devanampriya Priyadarsi referring to a popular variety of the Dharma in the early third century BC, and in Taoist echoes of Gautama's Dharma in Warring States China. Beckwith demonstrates how the teachings of Pyrrho agree closely with those of the Buddha Sakyamuni, "the Scythian Sage." In the process, he identifies eight distinct philosophical schools in ancient northwestern India and Central Asia, including Early Zoroastrianism, Early Brahmanism, and several forms of Early Buddhism. He then shows the influence that Pyrrho's brand of scepticism had on the evolution of Western thought, first in Antiquity, and later, during the Enlightenment, on the great philosopher and self-proclaimed Pyrrhonian, David Hume. Greek Buddha demonstrates that through Pyrrho, Early Buddhist thought had a major impact on Western philosophy.

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The American Revolution swept away old certainties and forced revolutionaries to consider what it meant to be American. Andrew Trees examines four attempts to answer the question of national identity that Americans faced in the wake of the Revolution. Through the writings of Thomas Jefferson, John Adams, Alexander Hamilton, and James Madison, Trees explores a complicated political world in which boundaries between the personal and the political were fluid and ill-defined. Melding history and literary study, he shows how this unsettled landscape challenged and sometimes confounded the founders' attempts to forge their own--and the nation's--identity. Trees traces the intimately linked shaping of self and country by four men distrustful of politics and yet operating in an increasingly democratic world. Jefferson sought to recast the political along the lines of friendship, while Hamilton hoped that honor would provide a secure foundation for self and country. Adams struggled to create a nation virtuous enough to sustain a republican government, and Madison worked to establish a government based on justice. Giving a new context to the founders' mission, Trees studies their contributions not simply as policy prescriptions but in terms of a more elusive and symbolic level of action. His work illuminates the tangled relationship among rhetoric, politics, self, and nation--as well as the larger question of national identity that remains with us today.

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This book addresses the unique and profound indeterminacy of “Creole,” a label applied to white, black, and mixed-race persons born in French colonies during the nineteenth century. "Creole” implies that the geography of one’s birth determines identity in ways that supersede race, language, nation, and social status. Paradoxically, the very capaciousness of the term engendered a perpetual search for visual signs of racial difference as well as a pretense to blindness about the intermingling of races in Creole society. Darcy Grimaldo Grigsby reconstructs the search for visual signs of racial difference among people whose genealogies were often repressed. She explores French representations of Creole subjects and representations by Creole artists in France, the Caribbean, and the Americas. To do justice to the complexity of Creole identity, Grigsby interrogates the myriad ways in which people defined themselves in relation to others. With close attention to the differences between Afro-Creole and Euro-Creole cultures and persons, Grigsby examines figures such as Théodore Chassériau, Guillaume Guillon-Lethière, Alexandre Dumas père, Édouard Manet, Edgar Degas, the models Joseph and Laure, Josephine Bonaparte, Jeanne Duval, and Adah Isaacs Menken.Based on extensive archival research, Creole is an original and important examination of colonial identity. This essential study will be welcomed by specialists in nineteenth-century art history, French cultural history, the history of race, and transatlantic history more generally.

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André Siegfried (1875–1959) was a leading figure in French academic and cultural life for over five decades. A world traveller who trained as a geographer, Siegfried became a leading political scientist and prominent newspaper columnist. As a long-time professor at Sciences Po, he shaped generations of his country’s elite. France in the World explores the life and career of André Siegfried. An innovator in the field of political science, he established himself as France’s leading interpreter of the English-speaking world. Often likened to Alexis de Tocqueville, Siegfried published influential studies of the United States, Canada, Great Britain, and New Zealand, striving to understand France’s place in a changing global context. Siegfried was a cosmopolitan promoter of liberalism and individual freedom. But at the same time he perceived France to be the core of a Western civilization whose leadership and values were threatened by Americanization, anti-imperial nationalism, and non-white immigration. By following Siegfried’s long career and examining the breadth of his writings, Sean Kennedy shows how his racial and ethnic essentialism was a unifying aspect of his life’s work. That these ideas were considered unremarkable for most of his lifetime offers a powerful illustration of how racist thinking permeated mainstream French republicanism.Exploring the many facets of Siegfried’s career, France in the World examines the entanglement of liberal and racist thinking during an era that witnessed political extremism and a rapidly changing international order.

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One of the greatest books ever to be written on the United States, "Democracy in America" continues to find new readers who marvel at the lasting insights Alexis de Tocqueville had into our nation and its political culture. The work, however, is as challenging as it is important; its arguments can be complex and subtle, and its sheer length can make it difficult for any reader, especially one coming to it for the first time, to grasp Tocqueville's meaning. "The Chicago Companion" to Tocqueville's "Democracy in America" is the first book written expressly to help general readers and students alike get the most out of this seminal work. James T. Schleifer, an expert on Tocqueville, has provided the background and information readers need in order to understand Tocqueville's masterwork. In clear and engaging prose, Schleifer explains why "Democracy in America" is so important, how it came to be written, and how different generations of Americans have interpreted it since its publication. Drawing upon his intimate knowledge of Tocqueville's papers and manuscripts, Schleifer reveals how Tocqueville's ideas took shape and changed even in the course of writing the book. Schleifer also provides a detailed glossary of key terms and passages, all accompanied by generous citations to the relevant pages in the University of Chicago Press' Mansfield/Winthrop translation. "The Chicago Companion" will serve generations of readers as an essential guide to both the man and his work.

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“He was a charming character who saw the beauty of the world through his wonderful clear blue eyes. His ability to create was endless.” —Florence Knoll Bassett Here is the fascinating story of Bertoia Studio, where Sound Sculpture was invented and new ideas of what art is were developed. Harry Bertoia (1915-1978) was the brilliant artist and Metal Craftsman at Cranbrook Academy of Art who made Ray and Charles Eames’ wedding rings before he joined them in Califiornia to help design a chair Charles was working on. He then went to Knoll Associates and made his famous Bertoia chairs. Like Alexander Calder and George Rickey, Harry Bertoia used natural movement to inspire his sculptures, and he added sound. For 35 years he produced a tremendous volume of work, including fascinating graphics, domestic-size metal sculptures, and large major commissions in cities throughtout the world that people love today. Harry Bertoia was joined in the 1970s by his son, Val Bertoia, who continues to invent and create new kinds of sculpture. This book documents all the types of original work made at Bertoia Studio from the 1950s to the present. Over 500 photographs show the Bertoias’ evolution of ideas that explore the relationships of space, color, and sound. Art collectors have been passionate in their praise and enjoyment of Bertoia’s work for over fifty years.

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Key documents relating to Auchinleck's career up to the First Battle of El Alamein in July 1942, including his time as Commander-in-Chief of the Indian Army and of the Middle East Theatre. The outbreak of war in 1939 saw the then Lieutenant General Claude Auchinleck recalled to England to take command of the newly formed 4 Corps. Between April and June 1940 he commanded British troops in the ill-fated Norway campaign. He then returned to the UK to take command of 5 Corps in Southern Command during the invasion threat of 1940. In January 1941 Auchinleck returned to India and started some much needed reforms of what was still, very much, a 'colonial army' before becoming C in C Middle East in June 1941. In the Middle East, Auchinleck faced many challenges in commanding a multi-national force, largely composed of 'citizen soldiers' and his problems were complicated by the demands of Winston Churchill, an anxious Prime Minister who desperately wanted to show his allies and the British public a major victory. Auchinleck is open to the charges that he did not fully understand armoured warfare and that he appointed a number of the wrong men to key posts. However, he did manage to fight Axis forces to a standstill at the First Battle of El Alamein in July 1942 before being replaced by the team of Field Marshal Sir Harold Alexander and General Bernard Montgomery. This volume is based on the Auchinleck papers held in the John Rylands Library at the University of Manchester and aims to bring these important records to a much wider audience.

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Based partly on a series of posts coming out of the Bulletin for the Study of Religion blog, this volume includes greatly expanded essays by Ruth Mas, Sarah Imhoff and James Crossley as well as new pieces by Devin Stewart, Carlos Segovia, Alexandre Caeiro and Emmanuelle Stefanidis, Russell McCutcheon and Salman Sayyid. This volume, thus, brings together a variety of scholars both inside and outside of Islamic Studies in order to grapple with such questions as: what, if anything, is unique about Islamic Studies? How should Islamic studies as religious studies engage with postcolonial critique? What is the role of identity politics in such endeavors? What are the lines between descriptive (hermeneutic) work and theoretical explanations of Islamic texts? What can scholars in related areas, such as the study of Judaism and early Christianity, offer to this conversation by way of analogy? Can ethical, political, or theological concerns function critically to help theorize Islam? The volume is divided into four sections: Theory and Identity Politics in the Study of Islam, which looks at the role of identity, knowledge production, and political commitments among scholars of Islam; Critique and Identity in Qur'anic Studies, which deals with challenges in applying critical-historical methods to the study of the Qur'an and how these methods relate to some of the issues raised Omid Safi and Aaron Hughes; Comparative Views from Outside Islamic Studies, which provides a comparative view of how scholars have dealt with similar concerns in the study of Judaism and Christianity; and A Critical Appraisal, which offers a direct challenge to Safi and Hughes.

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Although the radical populist movement that arose in Russia during the reign of Tsar Alexander II has been well documented, this important study opens with questions that haven't yet been addressed: How did Russian radical populists manage to carry out a three-year campaign of revolutionary violence, killing or wounding scores of people, including top government officials, and eventually taking the life of the tsar himself? And how did this all occur under the noses of the tsar's political police, who deployed vast resources and huge numbers of officials in an exhaustive effort to stop the killing? In Underground Petersburg, Christopher Ely argues that the most powerful weapon of populist terrorism was the revolutionary underground it created. Attempts to convey populist ideals in the public sphere met with resistance at every turn. When methods such as propaganda campaigns and street demonstrations failed, populists created a sophisticated urban underground. Linked to the newly discovered weapon of terrorist violence, this base of operations allowed them to live undetected in the midst of the city, produce their own weaponry, and attempt to ignite an insurrection through violent attacks—putting terrorism on the map as a technique of political rebellion. Accessible to non-specialists, this insightful study reinterprets radical populism, clarifying its crucial place in Russian history and elucidating its contribution to the history of terrorism. Underground Petersburg will appeal to scholars and students of Russia, as well as those interested in terrorism and insurrectionary movements, urban studies, and the sociology of subcultures.

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Published in conjunction with an exhibition at The Museum of Modern Art, Talk to Me thrives on an important late 20th-century cultural development in design: a shift from the centrality of function to that of meaning. From this new perspective, objects contain information that goes well beyond their immediate use or appearance, providing access to complex systems and networks and acting as gateways and interpreters. Whether openly and actively, or in subtle, subliminal ways, things talk to us, and designers write the initial script that lets us develop and improvise the dialogue. Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communication devices, and projects that establish a practical, emotional or even sensual connection between their users and entities such as cities, companies, governmental institutions, as well as other people. The featured objects range in date from the early 1980s – beginning with the first Graphic User Interface, developed by Xerox Parc in 1981 – with particular attention given to projects from the last five years and to several ones currently in development. Included are a diverse array of examples, from computer and machine interfaces to websites, video games, devices and tools, and installations. Organized thematically, Talk to Me features essays by Paola Antonelli, Jamer Hunt, Alexandra Midel, Kevin Slavin, and Koi Vinh. By introducing design practices that are becoming increasingly crucial to our world, the book presents a highly distilled sample of today’s best design production that uses technology in creative and unexpected ways, showing how rich and deep design’s influence will be on our future.

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The revelation that the U.S. Department of Defense had hired anthropologists for its Human Terrain System project—assisting its operations in Afghanistan and Iraq—caused an uproar that has obscured the participation of sociologists in similar Pentagon-funded projects. As the contributors to Sociology and Empire show, such affiliations are not new. Sociologists have been active as advisers, theorists, and analysts of Western imperialism for more than a century. The collection has a threefold agenda: to trace an intellectual history of sociology as it pertains to empire; to offer empirical studies based around colonies and empires, both past and present; and to provide a theoretical basis for future sociological analyses that may take empire more fully into account. In the 1940s, the British Colonial Office began employing sociologists in its African colonies. In Nazi Germany, sociologists played a leading role in organizing the occupation of Eastern Europe. In the United States, sociology contributed to modernization theory, which served as an informal blueprint for the postwar American empire. This comprehensive anthology critiques sociology's disciplinary engagement with colonialism in varied settings while also highlighting the lasting contributions that sociologists have made to the theory and history of imperialism.Contributors. Albert Bergesen, Ou-Byung Chae, Andy Clarno, Raewyn Connell, Ilya Gerasimov, Julian Go, Daniel Goh, Chandan Gowda, Krishan Kumar, Fuyuki Kurasawa, Michael Mann, Marina Mogilner, Besnik Pula, Anne Raffin, Emmanuelle Saada, Marco Santoro, Kim Scheppele, George Steinmetz, Alexander Semyonov, Andrew Zimmerman

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In A Forgetful Nation, the renowned postcolonialism scholar Ali Behdad turns his attention to the United States. Offering a timely critique of immigration and nationalism, Behdad takes on an idea central to American national mythology: that the United States is “a nation of immigrants,” welcoming and generous to foreigners. He argues that Americans’ treatment of immigrants and foreigners has long fluctuated between hospitality and hostility, and that this deep-seated ambivalence is fundamental to the construction of national identity. Building on the insights of Freud, Nietzsche, Foucault, and Derrida, he develops a theory of the historical amnesia that enables the United States to disavow a past and present built on the exclusion of others.Behdad shows how political, cultural, and legal texts have articulated American anxiety about immigration from the Federalist period to the present day. He reads texts both well-known—J. Hector St. John de Crèvecoeur’s Letters from an American Farmer, Alexis de Tocqueville’s Democracy in America, and Walt Whitman’s Leaves of Grass—and lesser-known—such as the writings of nineteenth-century nativists and of public health officials at Ellis Island. In the process, he highlights what is obscured by narratives and texts celebrating the United States as an open-armed haven for everyone: the country’s violent beginnings, including its conquest of Native Americans, brutal exploitation of enslaved Africans, and colonialist annexation of French and Mexican territories; a recurring and fierce strand of nativism; the need for a docile labor force; and the harsh discipline meted out to immigrant “aliens” today, particularly along the Mexican border.

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A lively history of the peculiar math of votingSince the very birth of democracy in ancient Greece, the simple act of voting has given rise to mathematical paradoxes that have puzzled some of the greatest philosophers, statesmen, and mathematicians. Numbers Rule traces the epic quest by these thinkers to create a more perfect democracy and adapt to the ever-changing demands that each new generation places on our democratic institutions.In a sweeping narrative that combines history, biography, and mathematics, George Szpiro details the fascinating lives and big ideas of great minds such as Plato, Pliny the Younger, Ramon Llull, Pierre Simon Laplace, Thomas Jefferson, Alexander Hamilton, John von Neumann, and Kenneth Arrow, among many others. Each chapter in this riveting book tells the story of one or more of these visionaries and the problem they sought to overcome, like the Marquis de Condorcet, the eighteenth-century French nobleman who demonstrated that a majority vote in an election might not necessarily result in a clear winner. Szpiro takes readers from ancient Greece and Rome to medieval Europe, from the founding of the American republic and the French Revolution to today's high-stakes elective politics. He explains how mathematical paradoxes and enigmas can crop up in virtually any voting arena, from electing a class president, a pope, or prime minister to the apportionment of seats in Congress.Numbers Rule describes the trials and triumphs of the thinkers down through the ages who have dared the odds in pursuit of a just and equitable democracy.

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A unique look at how classical notions of ascent and flight preoccupied early modern British writers and artistsBetween the late sixteenth century and early nineteenth century, the British imagination—poetic, political, intellectual, spiritual and religious—displayed a pronounced fascination with images of ascent and flight to the heavens. Celestial Aspirations explores how British literature and art during that period exploited classical representations of these soaring themes—through philosophical, scientific and poetic flights of the mind; the ascension of the disembodied soul; and the celestial glorification of the ruler.From textual reachings for the heavens in Spenser, Marlowe, Shakespeare, Donne and Cowley, to the ceiling paintings of Rubens, Verrio and Thornhill, Philip Hardie focuses on the ways that the history, ideologies and aesthetics of the postclassical world received and transformed the ideas of antiquity. In England, narratives of ascent appear on the grandest scale in Milton’s Paradise Lost, an epic built around a Christian plot of falling and rising, and one of the most intensely classicizing works of English poetry. Examining the reception of flight up to the Romanticism of Wordsworth and Tennyson, Hardie considers the Whig sublime, as well as the works of Alexander Pope and Edward Young. Throughout, he looks at motivations both public and private for aspiring to the heavens—as a reward for political and military achievement on the one hand, and as a goal of individual intellectual and spiritual exertion on the other.Celestial Aspirations offers an intriguing look at how creative minds reworked ancient visions of time and space in the early modern era.

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Volume 102 of Harvard Studies in Classical Philology includes the following contributions: Mika Kajava, “Hestia: Hearth, Goddess, and Cult”; Jonathan Burgess, “Untrustworthy Apollo and the Destiny of Achilles: Iliad 24.55–63”; Anna Bonifazi, “Relative Pronouns and Memory: Pindar beyond Syntax”; William Race, “Pindar’s Olympian 11 Re-Visited Post-Bundy”; Michael Clarke, “An Ox-Fronted River-God (Sophocles, Trachiniae 12–13)”; William Allan, “Religious Syncretism: The New Gods of Greek Tragedy”; Edward Harris, “Notes on a Lead Letter from the Athenian Agora”; Miriam Hecquet-Devienne, “A Legacy from the Library of the Lyceum? Inquiry into the Joint Transmission of Theophrastus’ and Aristotle’s Metaphysics Based on Evidence Provided by Manuscripts E and J”; Jordi Pàmias, “Dionysus and Donkeys on the Streets of Alexandria: Eratosthenes’ Criticism of Ptolemaic Ideology”; Craige B. Champion, “Polybian Demagogues in Political Context”; Marco Fantuzzi, “The Magic of (Some) Allusions: Philodemus AP 5.107 (GPh 3188 ff.; 23 Sider)”; Brian Krostenko, “Binary Phrases and the Middle Style as Social Code: Rhetorica ad Herennium”; Deborah Steiner, “Catullan Excavations: Pindar’s Olympian 10 and Catullus 68”; Andrew Dyck, “Cicero’s Devotio: The Rôles of Dux and Scape-Goat in His Post Reditum Rhetoric”; Mario Geymonat, “Capellae at the End of the Eclogues”; Sergio Casali, “Nisus and Euryalus: Exploiting the Contradictions in Virgil’s Doloneia”; Thomas Cole, “Ovid, Varro, and Castor of Rhodes: The Chronological Architecture of the Metamorphoses”; Niklas Holzberg, “Impersonating the Banished Philosopher: Pseudo-Seneca’s Liber Epigrammaton”; E. Courtney, “On Editing the Silvae”; and D. R. Shackleton Bailey, “On Editing the Silvae: A Response.”

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Examines spaces of inner life in eighteenth-century England to shed new light on interiority in literature and visual and material culture. In what kinds of spaces do we become most aware of the thoughts in our own heads? In My Dark Room, Julie Park explores places of solitude and enclosure that gave eighteenth-century subjects closer access to their inner worlds: grottos, writing closets, landscape follies, and the camera obscura, that beguiling “dark room” inside which the outside world in all its motion and color is projected. The camera obscura and its dreamlike projections within it served as a paradigm for the everyday spaces, whether in built environments or in imaginative writing, that generated the fleeting states of interiority eighteenth-century subjects were compelled to experience and inhabit.My Dark Room illuminates the spatial and physical dimensions of inner life in the long eighteenth century by synthesizing material analyses of diverse media, from optical devices and landscape architecture to women’s intimate dress, with close readings of literary texts not traditionally considered together, among them Andrew Marvell’s country house poem Upon Appleton House, Margaret Cavendish’s experimental epistolary work Sociable Letters, Alexander Pope’s heroic verse epistle Eloisa to Abelard, and Samuel Richardson’s novel Pamela. Park also analyzes letters and diaries, architectural plans, prints, drawings, paintings, and more, drawing our attention to the lively interactions between spaces and psyches in private environments. Park’s innovative method of “spatial formalism” reveals how physical settings enable psychic interiors to achieve vitality in lives both real and imagined.

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A collection of 36 extraordinary stories originally told on stage, featuring work by writers, entertainers, thinkers, and community leaders. Spanning comedy and tragedy, Alien Nation brilliantly illuminates what it’s like to be an immigrant in America.America would not be America without its immigrants. This anthology, adapted from storytelling event “This Alien Nation,” captures firsthand the past and present of immigration in all its humor, pain, and weirdness. Contributors—some well-known, others regular (and fascinating) people—share moments from their lives, reminding us that immigration is not just a word dropped in the news (simplified to something you are “for” or “against”), but a world—rich with unique voices, perspectives, and experiences. Travel from the Central Park playground where “tattle-tales” among nannies inspire Christine Lewis’s activism to an Alexandrian garden half a century ago courtesy of writer André Aciman. Visit a refugee camp in Gaza as described by actress and comedian Maysoon Zayid, and follow Intersex activist Tatenda Ngwaru as she flees Zimbabwe with dreams of meeting Oprah. Witness efforts from comedian Aparna Nancherla's mother to make Aparna less shy, and Orange is the New Black's Laura Gómez makes an unlikely connection in a bed-and-breakfast. Compelling and inspirational, Alien Nation is a celebration of immigration and an exploration of culture shock, isolation and community, loneliness and hope, heartbreak and promise—it’s a poignant reminder of our shared humanity at a time we need it greatly, and a thoughtful, entertaining tribute to cultural diversity.

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A highly readable history of the military and political events of World War One, this wide-ranging book begins with the state of Europe before the war then embarks on major chapters chronicling the war a year at a time. Major battles are interspersed with sections detailing the weapons used from dreadnoughts and anti-aircraft guns to U-boats and heavy field artillery, with specification boxes providing key technical details on each weapon. A final chapter looks at the aftermath of war and the newly emerging European states. All aspects of the conflict are covered, from common illnesses through to the use of propaganda and atrocities on all sides. Key fact boxes delve into the lives of the political leaders, generals and fighters, and also discuss the political movements which flourished. The first battle of Ypres, battles in Champagne and Artois, the winter offensive against Russia, and the breaking of the Hindenburg line are all discussed in detail. It chronicles the course of each year of the war, and details the major events, including the battle of the Marne, the first day of the Somme, the race to the sea, and the stalemate on the Italian front. Fascinating fact boxes highlight the lives of important political leaders and generals, such as Alexei Brusilov, Henri-Philippe Petain, Douglas Haig, David Lloyd George and President Woodrow Wilson. Illustrated with compelling and evocative photographs taken during World War One, and featuring informative maps and battleplans.

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In the deep midwinter, there's a murder to solve... Christmas is coming and the snow is falling, but with the de Luce family finances in a parlous state, Colonel de Luce has been forced to rent out the family home to a film company.For Flavia and her sisters it's as if all their belated Christmases have come at once - but filming is soon slowed by a series of nasty accidents and then brought to a halt as a heavy snowstorm cuts Buckshaw off from the outside world. As they prepare to wait out the weather, they are stunned by a gruesomely dramatic murder - and suddenly Flavia, in the midst of designing an experiment to prove the existence of Father Christmas - has another, far deadlier mystery to solve.Praise for the historical Flavia de Luce mysteries: 'The Flavia de Luce novels are now a cult favourite' Mail on Sunday 'A cross between Dodie Smith's I Capture The Castle and the Addams family...delightfully entertaining' Guardian Fans of M. C. Beaton's Agatha Raisin, Frances Brody and Alexander McCall Smith will enjoy the Flavia de Luce mysteries: 1. Sweetness at the Bottom of the Pie 2. The Weed That Strings the Hangman's Bag 3. A Red Herring Without Mustard 4. I Am Half Sick of Shadows 5. Speaking From Among the Bones 6. The Dead in Their Vaulted Arches 7. As Chimney Sweepers Come To Dust 8. Thrice the Brinded Cat Hath Mew'd 9. The Grave's a Fine and Private Place If you're looking for a cosy crime series to keep you hooked then look no further than the Flavia de Luce mysteries. * Each Flavia de Luce mystery can be read as a standalone or in series order *

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Leigh Bardugo’s Six of Crows meets Alexandra Bracken’s Passenger in this spellbinding conclusion to the “vivid and compelling” (BCCB) New York Times bestselling Last Magician series.Unite the Stones Free the City Remake the World Once, Esta believed that she could change the fate of magic. She traveled to the past and stopped the Magician from destroying a mystical book that held the key to freeing her people from the Brink, an energy barrier that traps all Mageus who cross it. But the Book was more than she bargained for. So was the Magician she was tasked to steal it from. Hunted by an ancient evil, Esta and Harte have raced through time and across a continent to track down the powerful artifacts they need to bind the Book’s devastating power. They’ve lost family, betrayed friends, and done what they’d both vowed never to do: fallen in love with the one person who could truly destroy them. Now, with only one artifact left, their search has brought them back to New York, the city where it all began. But nothing in Manhattan is as they left it. Their friends have scattered, their enemies have grown more powerful, and as the deadly Brink beckons, their time is running out. If they can’t find a way to end the threat they’ve created, then the very heart of magic will die—and it will take the world down with it.

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Alexander Reddington was never supposed to be the duke. He was supposed to spend his days with his beloved botany research and fulfill his life-long dream of discovering the origin of one of England’s rarest plants…and beating his botanical rival to the punch. But when his childless older brother dies, leaving the title to him, his studies are going to have to take a back seat to his duties. Which include fulfilling his brother’s promise to marry one of the Earl of Abberforth’s daughters. The last thing Miss Lavinia Wynnburn expected was being chosen as the new Duke of Beaubrooke’s wife. She’d thought that honor would have gone to her elegant eldest sister, or even her vibrant youngest sister. No one ever noticed Lavinia. Until at the biggest wedding of the season the duke walked past her sisters and asked her to dance. Now she’s his duchess and has more attention and invitations than she ever dreamed. And she knows just what she’s going to do with them. Get her studious husband out from under his books and into society. Much to his chagrin. Despite their clashing personalities and opposite outlooks on life, the newlyweds can’t seem to help falling for one another. But unexpected discoveries reveal that past choices and intentions may not have been what they seemed, threatening everything the couple has worked to build. If they can’t resolve their pasts, they’ll never have a future.

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Leigh Bardugo’s Six of Crows meets Alexandra Bracken’s Passenger in this spellbinding conclusion to the “vivid and compelling” (BCCB) New York Times bestselling Last Magician series.Unite the Stones Free the City Remake the World Once, Esta believed that she could change the fate of magic. She traveled to the past and stopped the Magician from destroying a mystical book that held the key to freeing her people from the Brink, an energy barrier that traps all Mageus who cross it. But the Book was more than she bargained for. So was the Magician she was tasked to steal it from. Hunted by an ancient evil, Esta and Harte have raced through time and across a continent to track down the powerful artifacts they need to bind the Book’s devastating power. They’ve lost family, betrayed friends, and done what they’d both vowed never to do: fallen in love with the one person who could truly destroy them. Now, with only one artifact left, their search has brought them back to New York, the city where it all began. But nothing in Manhattan is as they left it. Their friends have scattered, their enemies have grown more powerful, and as the deadly Brink beckons, their time is running out. If they can’t find a way to end the threat they’ve created, then the very heart of magic will die—and it will take the world down with it.

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An instructive book that examines the practice of drawing for illustration through case studies and sketchbooks, written by one of the world’s foremost experts and teachers on the subject. This essential handbook explores the subject of drawing for illustration in-depth, with an emphasis on drawing as a skill and fundamental language that every illustrator should master. It aims to encourage students through examples and case studies, by showcasing the often-unseen world of draughtsmanship that underpins the finished graphic. From book illustration to graphic novels, caricatures to commercial design, it draws on contemporary sketchbooks, projects and historical examples to make the connection between the practice of drawing from observation and drawing from imagination. Martin Salisbury sets out by explaining the fundamentals of this exciting discipline, before outlining the basic principles of line, tone, composition and colour through inspiring examples. Different approaches to drawing including anecdotal, sequential and reportage are examined, to enable students to acquire their own personal visual language. Interviews with illustrators also provide invaluable insight into the creative process, as they outline their challenges and motivations, and what drawing personally means for them. Packed with visual inspiration, this book features detailed analysis of works by key illustrators from past and present including George Cruikshank, Egon Schiele, Ronald Searle and Sheila Robinson through to Laura Carlin, Alexis Deacon and Isabelle Arsenault, looking at the differing roles drawing plays in their particular illustrative languages and how styles have changed over time.

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A celebration of reading, of libraries, and of the mysterious human desire to give order to the universe Inspired by the process of creating a library for his fifteenth-century home near the Loire, in France, Alberto Manguel, the acclaimed writer on books and reading, has taken up the subject of libraries. “Libraries,” he says, “have always seemed to me pleasantly mad places, and for as long as I can remember I’ve been seduced by their labyrinthine logic.” In this personal, deliberately unsystematic, and wide-ranging book, he offers a captivating meditation on the meaning of libraries.Manguel, a guide of irrepressible enthusiasm, conducts a unique library tour that extends from his childhood bookshelves to the “complete” libraries of the Internet, from Ancient Egypt and Greece to the Arab world, from China and Rome to Google. He ponders the doomed library of Alexandria as well as the personal libraries of Charles Dickens, Jorge Luis Borges, and others. He recounts stories of people who have struggled against tyranny to preserve freedom of thought—the Polish librarian who smuggled books to safety as the Nazis began their destruction of Jewish libraries; the Afghani bookseller who kept his store open through decades of unrest. Oral “memory libraries” kept alive by prisoners, libraries of banned books, the imaginary library of Count Dracula, the library of books never written—Manguel illuminates the mysteries of libraries as no other writer could. With scores of wonderful images throughout, The Library at Night is a fascinating voyage through Manguel’s mind, memory, and vast knowledge of books and civilizations.

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The most authoritative and highly regarded single-volume history of India – from ancient time to the modern day. Five millennia of the sub-continent’s social, economic, political and cultural history are interpreted by one of our finest writers on India and the Far East. India’s history begins with a highly advanced urban civilisation in the Indus valley, regressing to a tribal and pastoral nomadism, and then evolving into a uniquely stratified society. The pattern of inward invasion plus outward migration was established early: from Alexander the Great via the march of Islam and the great Moghuls to the coming of the East India Company and the establishment of the British Raj. Older, richer and more distinctive than almost any other, India’s culture furnishes all that the historian could wish for in the way of continuity and diversity. The peoples of the Indian subcontinent, while sharing a common history and culture, are not now, and never have been, a single unitary state; the book accommodates Pakistan and Bangladesh, as well as other embryonic nation states like the Sikh Punjab, Muslim Kashmir and Assam. In this brilliant new edition, John Keay continues the narrative of India’s history – covering events from partition to the present day and examining the very different fortunes of the three successor states: Pakistan, Bangladesh and the Republic of India. Based on the latest research, this is an indispensible history of a country set to be a definitive influence on the future of world economics, politics and culture.

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Examines spaces of inner life in eighteenth-century England to shed new light on interiority in literature and visual and material culture. In what kinds of spaces do we become most aware of the thoughts in our own heads? In My Dark Room, Julie Park explores places of solitude and enclosure that gave eighteenth-century subjects closer access to their inner worlds: grottos, writing closets, landscape follies, and the camera obscura, that beguiling “dark room” inside which the outside world in all its motion and color is projected. The camera obscura and its dreamlike projections within it served as a paradigm for the everyday spaces, whether in built environments or in imaginative writing, that generated the fleeting states of interiority eighteenth-century subjects were compelled to experience and inhabit.My Dark Room illuminates the spatial and physical dimensions of inner life in the long eighteenth century by synthesizing material analyses of diverse media, from optical devices and landscape architecture to women’s intimate dress, with close readings of literary texts not traditionally considered together, among them Andrew Marvell’s country house poem Upon Appleton House, Margaret Cavendish’s experimental epistolary work Sociable Letters, Alexander Pope’s heroic verse epistle Eloisa to Abelard, and Samuel Richardson’s novel Pamela. Park also analyzes letters and diaries, architectural plans, prints, drawings, paintings, and more, drawing our attention to the lively interactions between spaces and psyches in private environments. Park’s innovative method of “spatial formalism” reveals how physical settings enable psychic interiors to achieve vitality in lives both real and imagined.

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In recent years, short-term therapies have increasingly gained a following among therapists looking for innovative treatments for patients. At a time in which traditional, open-ended psychotherapy is attacked as costly and inefficient, short-term therapy has naturally found new followers. This collection of essays form an essential reference book for therapists who practice short-term therapy and those considering this form of treatment. The aim of this volume is to provide a way for therapists to consider short-term therapy, evaluate it for individual patients, and plan appropriate courses of treatment. The book is divided into four sections that highlight the characteristic elements of short-term dynamic therapy: brevity, focus, therapist activity, and patient selection. The book features papers by Franz Alexander; S. H. Budman and A. S. Gurman; James Mann; Mardi J. Horowitz; Gerald L. Klerman, Myrna M. Weissman, Bruce Rounsaville, and Eve S. Chevron; Eric Berne, Claude M. Steiner, and John M. Dusay; Thomas E. Schacht, Jeffrey L. Binder, and Hans H. Strupp; George A. Kelly; Aaron T. Beck and Ruth L. Greenberg; Allen Frances and Samuel Perry; Hans H. Strupp; Leston L. Havens; H. Davanloo; Robert Langs; D. M. Malan; P. E. Sifneos; Miguel A. Leibovich; Allen Frances and John F. Clarkin; David H. Malan, E. Sheldon Heath, Howard A. Bacal, and Frederick H. G. Balfour; Sigmund Freud; and D. W. Winnicott.

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In 2014, Eric J. Wittenberg published “The Devil’s to Pay”: John Buford at Gettysburg. A History and Walking Tour, an award-winning study of Union cavalry delaying actions at Gettysburg. Fast-forward four years to 2018 and Wittenberg’s latest release, a companion Western Theater study entitled Holding the Line on the River of Death: Union Mounted Forces at Chickamauga, September 18, 1863. This volume focuses on the two important delaying actions conducted by mounted Union soldiers at Reed’s and Alexander’s bridges on the first day of Chickamauga. A cavalry brigade under Col. Robert H. G. Minty and Col. John T. Wilder’s legendary “Lightning Brigade” of mounted infantry made stout stands at a pair of chokepoints crossing Chickamauga Creek. Minty’s small cavalry brigade held off nearly ten times its number on September 18 by designing and implementing a textbook example of a delaying action. Their dramatic and outstanding efforts threw Confederate Gen. Braxton Bragg’s entire battle plan off its timetable by delaying his army’s advance for an entire day. That delay cost Bragg’s army the initiative at Chickamauga. Wittenberg brings his expertise with Civil War cavalry operations to bear with vivid and insightful descriptions of the fighting and places the actions in their full and proper historic context. This thoroughly researched and well-written book includes three appendices—two orders of battle and a discussion of the historic context of some of the tactics employed by the Union mounted force on September 18, and an epilogue on how the War Department and National Park Service have remembered these events. It also includes a detailed walking and driving tour complete with the GPS coordinates, a trademark of Wittenberg’s recent works. Complete with more than 60 photos and 15 maps by master cartographer Mark Anderson Moore, Holding the Line on the River of Death: Union Mounted Forces at Chickamauga, September 18, 1863 will be a welcome addition to the burgeoning Chickamauga historiography.

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The popularity of the musical, Hamilton, featuring the death of Alexander Hamilton in a duel with Aaron Burr, then Vice President of the United States, has revived interest in duelling, but also aroused incredulity that such events could ever have occurred. Where did the custom originate, and why did it spread so quickly all over Europe and the Americas? Duelling was once commonplace. Prime ministers and poets, artists and journalists, and even some ladies went out to the 'field of honour'. Casanova fought with a Polish nobleman in Warsaw, the Duke of Wellington duelled with an English earl in Hyde Park and the Russian poet Pushkin died in a duel in St Petersburg. There were many enigmas associated with the phenomenon. As well as displaying skills with the sword or the pistol, a duellist had to silence problems of conscience. Could duelling be squared with the commandment against killing one's neighbour? Did the fact that both parties were inspired by a gentlemanly code of Honour make the duel superior to a vulgar brawl? The moral justification of duelling intrigued thinkers and intellectuals. Dr Johnson returned to the issue several times, while Rousseau was baffled by the question. Duels added drama to mediocre novels or plays, but featured in the theatre of Shakespeare and later in the work of such masters as Walter Scott, Conrad, Chekhov and Pirandello. Duelling has been too long regarded as an embarrassing sideline in western culture, but for centuries it was an integral part of history. Joseph Farrell attempts to clarify what the duel actually was and why men ever behaved that way. Exploring the social and cultural forces that encouraged what now seems an extraordinary anachronism, he traces the international evolution of the duel - and its many representations in literature and art - from Renaissance Italy to the whole of Europe, including Britain, and onto the US.

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When his mother Joan was diagnosed with terminal cancer, Rory MacLean and his wife Katrin took her into their home. For five months, as their life fragmented and turned inward, they fought both to resist and to accept the inevitable. Each gave vent to their emotions in different ways, but all three kept a diary.Heartbreakingly honest and deeply moving, Gift of Time is the story of those days, in the words of a son, his wife and his mother. Woven together into a poignant meditation on life and death, they illuminate the courage and dignity of one woman who confronted what we all must face. Threaded through with wisdom and guilt, anger and acceptance, the story is punctuated by a family wedding and the hope of new life, by bin-bags of old letters and books rediscovered, by the end of winter and the first signs of spring.Powerful, raw and urgent, this slender volume is above all a celebration of life. Capturing every moment of beauty and pain it acknowledges that what survives all of us is love.Praise for Rory MacLean's previous titles:Stalin's Nose: 'The most extraordinary debut in travel writing since In Patagonia. A dark, sardonic and brilliant book which grows in stature with every page' William Dalrymple'A surreal masterpiece' Colin ThubronThe Oatmeal Ark: 'One of the most original and innovative travel books for years.' Alexander Frater'A truly astonishing performance' Jan Morris'Such a book as this rather marvellously explains why literature still lives.' John FowlesUnder the Dragon: 'I cannot imagine a better book on the beauty and terror of Burma. Read it. Read it. Read it.' Fergal Keane'It will make you cry and it will give you hope. ... It is astonishingly good.' Jeanette Winterson.Magic Bus: 'A disturbing, gripping and intensely passionate story' Esther Freud.

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Arranged in chronological order from the early Greek mathematicians, Euclid and Archimedes through to present-day Nobel Prize winners, 100 Science Discoveries That Changed the World charts the great breakthroughs in scientific understanding. Each entry describes the story of the research, the significance of the science and its impact on the scientific world. There is also a resume of each scientist’s career along with their other achievements, sometimes – in the case of Isaac Newton – in a completely unrelated field (laws of motion and the component parts of light). The book covers all branches of science: geometry, number theory, cosmology, the laws of motion, particle physics, electricity, magnetism, the laws of gasses, optical theory, cell biology, conservation of energy, natural selection, radiation, quantum theory, special relativity, superconductivity, thermodynamics, genomes, plate tectonics, and the uncertainty principal. Scientists include: Albert Einstein, Alessandro Volta, Alexander Fleming, Amedeo Avogrado, Andre Geim, Antoine Lavoisier, Antony van Leeuwenhoek, Archimedes, Benoit Mandelbrot, Carl Friedrich Gauss, Charles Darwin, Christian Doppler, Copernicus, Crick and Watson, Dmitri Mendeleev, Edwin Hubble, Enrico Fermi, Ernest Rutherford, Erwin Schrodinger, Euclid, Fermat, Frederick Sanger, Galileo Galilei, Georg Ohm, Georges Lemaitre, Heike Kamerlingh, Isaac Newton, Jacques Charles, James Clerk Maxwell, James Prescott Joule, Jean Buridan, Johanes Kepler, John Ambrose Fleming, John Dalton, John O’Keefe, Joseph Black, Josiah Gibbs, Lord Kelvin, Lord Rayleigh, Louis Pasteur, Marie Curie, Martinus Beijerinck, Michael Faraday, Murray Gell-Mann & George Zweig, Neils Bohr, Nicholas Steno, Peter Higgs, Pierre Curie, Ptolemy, Robert Boyle, Robert Brown, Robert Hooke, Roger Bacon, Rudolf Clausius, Seleucus, Shen Kuo, Stanley Miller, Tyco Brahe, Werner Heisenberg, William Gilbert, William Harvey, William Herschel, William Rontgen, Wolfgang Pauli.

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The fascinating untold story of how the ancients imagined robots and other forms of artificial life—and even invented real automated machines The first robot to walk the earth was a bronze giant called Talos. This wondrous machine was created not by MIT Robotics Lab, but by Hephaestus, the Greek god of invention. More than 2,500 years ago, long before medieval automata, and centuries before technology made self-moving devices possible, Greek mythology was exploring ideas about creating artificial life—and grappling with still-unresolved ethical concerns about biotechne, “life through craft.” In this compelling, richly illustrated book, Adrienne Mayor tells the fascinating story of how ancient Greek, Roman, Indian, and Chinese myths envisioned artificial life, automata, self-moving devices, and human enhancements—and how these visions relate to and reflect the ancient invention of real animated machines.As early as Homer, Greeks were imagining robotic servants, animated statues, and even ancient versions of Artificial Intelligence, while in Indian legend, Buddha’s precious relics were defended by robot warriors copied from Greco-Roman designs for real automata. Mythic automata appear in tales about Jason and the Argonauts, Medea, Daedalus, Prometheus, and Pandora, and many of these machines are described as being built with the same materials and methods that human artisans used to make tools and statues. And, indeed, many sophisticated animated devices were actually built in antiquity, reaching a climax with the creation of a host of automata in the ancient city of learning, Alexandria, the original Silicon Valley.A groundbreaking account of the earliest expressions of the timeless impulse to create artificial life, Gods and Robots reveals how some of today’s most advanced innovations in robotics and AI were foreshadowed in ancient myth—and how science has always been driven by imagination. This is mythology for the age of AI.

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Amazons--fierce warrior women dwelling on the fringes of the known world--were the mythic archenemies of the ancient Greeks. Heracles and Achilles displayed their valor in duels with Amazon queens, and the Athenians reveled in their victory over a powerful Amazon army. In historical times, Cyrus of Persia, Alexander the Great, and the Roman general Pompey tangled with Amazons. But just who were these bold barbarian archers on horseback who gloried in fighting, hunting, and sexual freedom? Were Amazons real? In this deeply researched, wide-ranging, and lavishly illustrated book, National Book Award finalist Adrienne Mayor presents the Amazons as they have never been seen before. This is the first comprehensive account of warrior women in myth and history across the ancient world, from the Mediterranean Sea to the Great Wall of China. Mayor tells how amazing new archaeological discoveries of battle-scarred female skeletons buried with their weapons prove that women warriors were not merely figments of the Greek imagination. Combining classical myth and art, nomad traditions, and scientific archaeology, she reveals intimate, surprising details and original insights about the lives and legends of the women known as Amazons. Provocatively arguing that a timeless search for a balance between the sexes explains the allure of the Amazons, Mayor reminds us that there were as many Amazon love stories as there were war stories. The Greeks were not the only people enchanted by Amazons--Mayor shows that warlike women of nomadic cultures inspired exciting tales in ancient Egypt, Persia, India, Central Asia, and China. Driven by a detective's curiosity, Mayor unearths long-buried evidence and sifts fact from fiction to show how flesh-and-blood women of the Eurasian steppes were mythologized as Amazons, the equals of men. The result is likely to become a classic.

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The character of the last Tsar, Nicholas II (1868-1918) is crucial to understanding the overthrow of tsarist Russia, the most significant event in Russian history. Nicholas became Tsar at the age of 26. Though a conscientious man who was passionate in his devotion to his country, he was weak, sentimental, dogmatic and indecisive. Ironically he could have made an effective constitutional monarch, but these flaws rendered him fatally unsuited to be the sole ruler of a nation that was in the throes of painful modernisation. That he failed is not surprising, for many abler monarchs could not have succeeded. Rather to be wondered at is that he managed, for 23 years, to hold on to power despite the overwhelming force of circumstances. Though Nicholas was exasperating, he had many endearing qualities. A modern audience, aware - as contemporaries were not - of the private pressures under which he lived, can empathise with him and forgive some of his errors of judgement. To some readers he seems a fool, to others a monster, but many are touched by the story of a well-meaning man doing his best under impossible conditions. He is, in other words, a biographical subject that engages readers whatever their viewpoint. His family was of great importance to Nicholas. He and his wife, Alexandra, married for love and retained this affection to the end of their lives. His four daughters, all different and intriguing personalities, were beautiful and charming. His son, the family's - and the nation's - hope for the future, was disabled by an illness that had to be concealed from Russia and from the world. It was this circumstance that made possible the nefarious influence of Rasputin, which in turn hastened the end of the dynasty.This story has everything: romance and tragedy, grandeur and misery, human frailty and an international catastrophe that would not only bring down the Tsar but put an end to the glittering era of European monarchies.

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In May 1947 Alexander Rubowitz, a Jewish teenager, was mysteriously abducted in Jerusalem. He was never seen again. Rubowitz was active in a Zionist underground group fighting British rule in Palestine. Witnesses said he was seized by British policemen. A grey felt hat found at the scene was traced to Major Roy Farran, a highly decorated ex-SAS officer leading a covert counter-terrorist squad.As evidence of murder grew Farran fled to Syria. He was persuaded to return and was acquitted after a sensational court martial. He came home to a hero''s welcome. But the Zionist underground swore vengeance. It had already penetrated British homeland security and now it sent its top man after Farran.Major Farran''s Hat explores the reasons why Britain lost Palestine, why its counter-insurgency strategy collided with its diplomacy, and why the tactics of the security forces were ill-judged, poorly executed, and futile. Setting Farran''s remarkable story in the context of

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Are you sceptical about the importance of arts and culture, especially about their possible impact on politics and the economy? This volume outlines a new framework for analysis of democratic participation and economic growth and explores how these new patterns work around the world. The new framework joins two past traditions; however, their background histories are clearly separate. Democratic participation ideas come mostly from Alexis de Tocqueville, while innovation/bohemian ideas driving the economy are largely inspired by Joseph Schumpeter and Jane Jacobs. New developments building on these core ideas are detailed in the first two sections of this volume. But these chapters in turn show that more detailed work within each tradition leads to an integration of the two: participation joins innovation. This is the main theme in the book's third section, the buzz around arts and culture organizations, and how they can transform politics, economics, and social life.

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Beside the Bard argues that Scottish poetry in the age of Burns reclaims not a single past, dominated and overwritten by the unitary national language of an elite ruling class, but a past that conceptualizes the Scottish nation in terms of local self-identification, linguistic multiplicity, cultural and religious difference, and transnational political and cultural affiliations. This fluid conception of the nation may accommodate a post-Union British self-identification, but it also recognizes the instrumental and historically contingent nature of “Britishness.” Whether male or female, loyalist or radical, literati or autodidacts, poets such as Alexander Wilson, Carolina Olyphant, Robert Tannahill, and John Lapraik, among others, adamantly refuse to imagine a single nation, British or otherwise, instead preferring an open, polyvocal field, on which they can stage new national and personal formations and fight new revolutions. In this sense, “Scotland” is a revolutionary category, always subject to creative destruction and reformation. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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This compact yet comprehensive history brings ancient Greek civilization alive, from its Stone Age roots to the fourth century B.C. "A highly readable account of ancient Greece."—Kirkus Reviews Focusing on the development of the Greek city-state and the society, culture, and architecture of Athens in its Golden Age, Thomas R. Martin integrates political, military, social, and cultural history in a book that will appeal to students and general readers alike. Now in its second edition, this classic work now features new maps and illustrations, a new introduction, and updates throughout. “A limpidly written, highly accessible, and comprehensive history of Greece and its civilizations from prehistory through the collapse of Alexander the Great’s empire. . . . A highly readable account of ancient Greece, particularly useful as an introductory or review text for the student or the general reader.”—Kirkus Reviews “A polished and informative work that will be useful for general readers and students.”—Daniel Tompkins, Temple University

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