Search results for ""university of pennsylvania press""

Africa is at once the most romantic and the most tragic of continents. So begins The Negro, the first comprehensive history of African and African-derived people, from their early cultures through the period of the slave trade and into the twentieth century. Originally published in 1915, the book was acclaimed in its time, widely read, and deeply influential in both the white and black communities, yet this beautifully written history is virtually unknown today. As a wellspring of critical studies of Africa and African Americans, it directly and indirectly influenced and inspired the works of scholars such as C. L. R. James, Eric Williams, Herbert Aptheker, Eric Foner, Kwame Anthony Appiah, and Henry Louis Gates, Jr. One of the most important books on Africa ever written, it remains fresh, dynamic, and insightful to this day. The Negro is compelling on many levels. By comparing W. E. B. Du Bois's analysis with subsequent scholarship, Robert Gregg demonstrates in his afterword that The Negro was well ahead of its time: Du Bois's view of slavery prefigures both paternalistic perspectives and the materialist view that the system was part of the capitalist mode of production. On black contributions to the Civil War and to the emancipation of slaves, historians have yet to acknowledge all that Du Bois delineated. In his discussion of Reconstruction, Du Bois preempts much later historiography. His identification of segregation as an issue of class rather than race is almost forty years ahead of C. Vann Woodward's similar thesis. As to the matter of race, Du Bois is clear that the concept is a social construct having no foundation in biology. Intellectually and historically prescient, Du Bois assumed globalization as a matter of course, so that his definition of the color line in The Negro links all colonized peoples, not just people of African descent. With the resolution of the Cold War and the ascendancy of the global market, Du Bois's sweeping vision of Africans and the diaspora seems more relevant now than at any time in the past hundred years.

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Selected by Choice magazine as an Outstanding Academic Book for 1999 Born of a shared revulsion against the horrors of the Holocaust, the Universal Declaration of Human Rights has become the single most important statement of international ethics. It was inspired by and reflects the full scope of President Franklin Roosevelt's famous four freedoms: "the freedom of speech and expression, the freedom of worship, the freedom from want, and the freedom from fear." Written by a UN commission led by Eleanor Roosevelt and adopted in 1948, the Declaration has become the moral backbone of more than two hundred human rights instruments that are now a part of our world. The result of a truly international negotiating process, the document has been a source of hope and inspiration to thousands of groups and millions of oppressed individuals.

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In July 1861 London newspapers excitedly reported two violent crimes, both the stuff of sensational fiction. One involved a retired army major, his beautiful mistress and her illegitimate child, blackmail and murder. In the other, a French nobleman was accused of trying to kill his son in order to claim the young man's inheritance. The press covered both cases with thoroughness and enthusiasm, narrating events in a style worthy of a popular novelist, and including lengthy passages of testimony. Not only did they report rumor as well as what seemed to be fact, they speculated about the credibility of witnesses, assessed character, and decided guilt. The public was enthralled. Richard D. Altick demonstrates that these two cases, as they were presented in the British press, set the tone for the Victorian "age of sensation." The fascination with crime, passion, and suspense has a long history, but it was in the 1860s that this fascination became the vogue in England. Altick shows that these crimes provided literary prototypes and authenticated extraordinary passion and incident in fiction with the "shock of actuality." While most sensational melodramas and novels were by lesser writers, authors of the stature of Dickens, Thackeray, George Eliot, Trollope, Hardy, and Wilkie Collins were also influenced by the spirit of the age and incorporated sensational elements in their work.

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An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. Several essays focus on the construction and representation of the human body—including an examination of anatomy as procedure and visual concept, and a look at early cartographic practice to reveal the correspondences between maps and the female body. In one essay, early Tudor portraits are studied to develop theoretical analogies and historical links between verbal and visual portrayal. In another, connections in Tudor-Stuart drama are drawn between the female body and the textiles made by women. A second group of essays considers issues of colonization, empire, and race. They approach a variety of visual materials, including sixteenth-century representations of the New World that helped formulate a consciousness of subjugation; the Drake Jewel and the myth of the Black Emperor as indices of Elizabethan colonial ideology; and depictions of the Queen of Sheba among other black women "present" in early modern painting. One chapter considers the politics of collecting. The aesthetic and imperial agendas of a Van Dyck portrait are uncovered in another essay, while elsewhere, that same portrait is linked to issues of whiteness and blackness as they are concentrated within the ceremonies and trappings of the Order of the Garter. All of the essays in Early Modern Visual Culture explore the social context in which paintings, statues, textiles, maps, and other artifacts are produced and consumed. They also explore how those artifacts—and the acts of creating, collecting, and admiring them—are themselves mechanisms for fashioning the body and identity, situating the self within a social order, defining the otherness of race, ethnicity, and gender, and establishing relationships of power over others based on exploration, surveillance, and insight.

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There were 26—not 13—British colonies in America in 1776. Of these, the six colonies in the Caribbean—Jamaica, Barbados, the Leeward Islands, Grenada and Tobago, St. Vincent; and Dominica—were among the wealthiest. These island colonies were closely related to the mainland by social ties and tightly connected by trade. In a period when most British colonists in North America lived less than 200 miles inland and the major cities were all situated along the coast, the ocean often acted as a highway between islands and mainland rather than a barrier. The plantation system of the islands was so similar to that of the southern mainland colonies that these regions had more in common with each other, some historians argue, than either had with New England. Political developments in all the colonies moved along parallel tracks, with elected assemblies in the Caribbean, like their mainland counterparts, seeking to increase their authority at the expense of colonial executives. Yet when revolution came, the majority of the white island colonists did not side with their compatriots on the mainland. A major contribution to the history of the American Revolution, An Empire Divided traces a split in the politics of the mainland and island colonies after the Stamp Act Crisis of 1765-66, when the colonists on the islands chose not to emulate the resistance of the patriots on the mainland. Once war came, it was increasingly unpopular in the British Caribbean; nonetheless, the white colonists cooperated with the British in defense of their islands. O'Shaughnessy decisively refutes the widespread belief that there was broad backing among the Caribbean colonists for the American Revolution and deftly reconstructs the history of how the island colonies followed an increasingly divergent course from the former colonies to the north.

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Dil Das was a poor farmer—an untouchable—living near Mussoorie, a colonial hill station in the Himalayas. As a boy he became acquainted with a number of American missionary children attending a boarding school in town and, over the years, developed close friendships with them and, eventually, with their sons. The basis for these friendships was a common passion for hunting. This passion and the friendships it made possible came to dominate Dil Das's life. When Joseph S. Alter, one of the boys who had hunted with Dil Das, became an adult and a scholar, he set out to write the life history of Dil Das as a way of exploring Garhwali peasant culture. But Alter found his friend uninterested in talking about traditional ethnographic subjects, such as community life, family, or work. Instead, Dil Das spoke almost exclusively about hunting with his American friends—telling endless tales about friendship and hunting that seemed to have nothing to do with peasant culture. When Dil Das died in 1986, Alter put the project away. Years later, he began rereading Dil Das's stories, this time from a completely new perspective. Instead of looking for information about peasant culture, he was able to see that Dil Das was talking against culture. From this viewpoint Dil Das's narrative made sense for precisely those reasons that had earlier seemed to render it useless—his apparent indifference toward details of everyday life, his obsession with hunting, and, above all, his celebration of friendship. To a degree in fact, but most significantly in Dil Das's memory, hunting served to merge his and the missionary boys' identities and, thereby, to supersede and render irrelevant all differences of class, caste, and nationality. For Dil Das the intimate experience of hunting together radically decentered the prevailing structure of power and enabled him to redefine himself outside the framework of normal social classification. Thus, Knowing Dil Das is not about peasant culture but about the limits of culture and history. And it is about the moral ambiguity of writing and living in a field of power where, despite intimacy, self and other are unequal.

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Depictions of rape on television have evolved dramatically, from hard-boiled stories about male detectives to more insightful shows focusing on rape victims. Rape on Prime Time is the first book to examine those changing depictions of rape. Lisa M. Cuklanz reveals that prime-time television programs during the 1970s—usually detective shows—reflected traditional ideas that "real" rape is perpetrated by brutal strangers upon passive victims. Beginning in 1980, depictions of rape began to include attacks by known assailants, and victims began to address their feelings. By 1990, scripts portrayed date and marital rape and paid greater attention to the trial process, reflecting legal reformers' concerns. While previous studies have examined one series or genre, Cuklanz examines programs as dissimilar as Barney Miller, Dallas, The Cosby Show, and Quincy. She outlines the "basic plot" for rape episodes, then traces the historical development of rape themes. In each chapter she includes close analyses of episodes that add depth to findings derived from scripts and taped episodes. Rape on Prime Time provides important insight into the social construction of rape in mainstream mass media since the inception of rape law reform in 1974.

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In 1991 the Somali state collapsed. Once heralded as the only true nation-state in Africa, the Somalia of the 1990s suffered brutal internecine warfare. At the same time a politically created famine caused the deaths of a half a million people and the flight of a million refugees. During the civil war, scholarly and popular analyses explained Somalia's disintegration as the result of ancestral hatreds played out in warfare between various clans and subclans. In Unraveling Somalia, Catherine Besteman challenges this view and argues that the actual pattern of violence—inflicted disproportionately on rural southerners—contradicts the prevailing model of ethnic homogeneity and clan opposition. She contends that the dissolution of the Somali nation-state can be understood only by recognizing that over the past century and a half there emerged in Somalia a social order based on principles other than simple clan organization—a social order deeply stratified on the basis of race, status, class, region, and language.

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When Oscar Wilde was convicted of gross indecency in 1895, a reporter for the National Observer wrote that there was "not a man or a woman in the English-speaking world possessed of the treasure of a wholesome mind who is not under a deep debt of gratitude to the marquis of Queensberry for destroying the high Priest of the Decadents." But reports of the death of decadence were greatly exaggerated, and today, more than one hundred years after the famous trial and at the beginning of a new millennium, the phenomenon of decadence continues to be a significant cultural force. Indeed, "decadence" in the nineteenth century, and in our own period, has been a concept whose analysis yields a broad set of associations. In Perennial Decay, Emily Apter, Charles Bernheimer, Sylvia Molloy, Michael Riffaterre, Barbara Spackman, Marc Weiner, and others extend the critical field of decadence beyond the traditional themes of morbidity, the cult of artificiality, exoticism, and sexual nonconformism. They approach the question of decadence afresh, reevaluating the continuing importance of late nineteenth-century decadence for contemporary literary and cultural studies.

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In 1993, a handwritten envelope arrived in Khalida Messaoudi's mailbox. In it was an official communique announcing that she had been condemned to death by the Islamic Salvation Front. This letter came after a series of threats and an attempt on her life in retaliation for her role as a leader of the feminist and democratic movements in Algeria and a fierce opponent of Islamic fundamentalism. Messaoudi did not flee from this threat by seeking refuge outside her country. Instead, she went into hiding within Algeria, where she continues her fight for emancipation and independence from religious extremism. Her battle continues today with the same goal—to restore in Algeria what she describes as "the basics of dignity"—a woman's right to pursue her studies, practice a profession, make a living, marry and divorce freely, and walk the streets without a veil. Readers of Unbowed will have the unique opportunity to sit in on a series of intensely personal conversations between Messaoudi and renowned journalist Elisabeth Schemla. In their discussions, Messaoudi gives a first-hand perspective of the situation in her homeland. She remembers the Algeria of her youth, recounts the changes that have gradually consumed her country, and laments the horrifying realities that face Algerian women today. She also tells her own story of terror, despair, hope, and determination.

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The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. This volume includes translations by Richard Moore (Hippolytus), John Frederick Nims (Suppliant Women), Rachel Hadas (Helen), Elizabeth Seydel Morgan (Electra), and Palmer Bovie (Cyclops).

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The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. This volume includes translations by Eleanor Wilner with Inés Azar (Medea), Marilyn Nelson (Hecuba), Donald Junkins (Andromache), and Daniel Mark Epstein (The Bacchae).

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A Different Kind of War Story takes us to the frontlines of one of the most brutal wars in recent history. The setting is Mozambique during the fifteen-year war of terror that took a million lives—mostly civilian—and completely destroyed homes, crops, hospitals, schools, and even access to water. The characters are the soldiers who fought it, the thieves and opportunists who profited from it, and the ordinary people whose lives were shattered by it and from whose ranks emerged the heroes and healers who created peace. Combining contemporary theory and innovative methodology, Nordstrom explores the nature and culture of terror warfare and raises thought-provoking questions about state power, civilian resistance, and the politics of identity. She compares the conflict in Mozambique with similar conflicts and offers a new way of looking at political violence, showing that just as violence is learned, it can be unlearned.

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Histories of medieval Europe have typically ignored southern Italy, looking south only in the Norman period. Yet Southern Italy in the ninth and tenth centuries was a complex and vibrant world that deserves to be better understood. In Before the Normans, Barbara M. Kreutz writes the first modern study in English of the land, political structures, and cultures of southern Italy in the two centuries before the Norman conquests. This was a pan-Meditteranean society, where the Roman past and Lombard-Germanic culture met Byzantine and Islamic civilization, creating a rich and unusual mix.

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African feminism, this landmark volume demonstrates, differs radically from the Western forms of feminism with which we have become familiar since the 1960s. African feminists are not, by and large, concerned with issues such as female control over reproduction or variation and choice within human sexuality, nor with debates about essentialism, the female body, or the discourse of patriarchy. The feminism that is slowly emerging in Africa is distinctly heterosexual, pronatal, and concerned with "bread, butter, and power" issues. Contributors present case studies of ten African states, demonstrating that—as they fight for access to land, for the right to own property, for control of food distribution, for living wages and safe working conditions, for health care, and for election reform—African women are creating a powerful and specifically African feminism.

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To protect their identity and values, Africans enslaved in America transformed various familiar character types to create folk heroes who offered models of behavior both recognizable to them as African people and adaptable to their situation in America. Roberts specifically examines the Afro-American trickster and the trickster tale tradition, the conjurer as folk hero, the biblical heroic tradition, and the badman as outlaw hero.

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Following the collapse of the western Roman Empire, the Franks established in northern Gaul one of the most enduring of the Germanic barbarian kingdoms. They produced a legal code (which they called the Salic law) at approximately the same time that the Visigoths and Burgundians produced theirs, but the Frankish code is the least Romanized and most Germanic of the three. Unlike Roman law, this code does not emphasize marriage and the family, inheritance, gifts, and contracts; rather, Lex Salica is largely devoted to establishing fixed monetary or other penalties for a wide variety of damaging acts such as "killing women and children," "striking a man on the head so that the brain shows," or "skinning a dead horse without the consent of its owner." An important resource for students and scholars of medieval and legal history, made available once again in Katherine Fischer Drew's expert translation, the code contains much information on Frankish judicial procedure. Drew has here rendered into readable English the Pactus Legis Salicae, generally believed to have been issued by the Frankish King Clovis in the early sixth century and modified by his sons and grandson, Childbert I, Chlotar I, and Chilperic I. In addition, she provides a translation of the Lex Salica Karolina, the code as corrected and reissued some three centuries later by Charlemagne.

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Norman tells the dramatic story of fifty women—members of the Army, Navy, and Air Force Nurse Corps—who went to war, working in military hospitals, aboard ships, and with air evacuation squadrons during the Vietnam War. Here, in a moving narrative, the women talk about why they went to war, the experiences they had while they were there, and how war affected them physically, emotionally, and spiritually.

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Anthropologists who have lost their senses write ethnographies that are often disconnected from the worlds they seek to portray. For most anthropologists, Stoller contends, tasteless theories are more important than the savory sauces of ethnographic life. That they have lost the smells, sounds, and tastes of the places they study is unfortunate for them, for their subjects, and for the discipline itself. The Taste of Ethnographic Things describes how, through long-term participation in the lives of the Songhay of Niger, Stoller eventually came to his senses. Taken together, the separate chapters speak to two important and integrated issues. The first is methodological—all the chapters demonstrate the rewards of long-term study of a culture. The second issue is how he became truer to the Songhay through increased sensual awareness.

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Swamiji, a Hindu holy man, is the central character of Storytellers, Saints, and Scoundrels. He reclines in a deck chair in his modern apartment in western India, telling subtle and entertaining folk narratives to his assorted gatherings. Among the listeners is Kirin Narayan, who knew Swamiji when she was a child in India and who has returned from America as an anthropologist. In her book Narayan builds on Swamiji's tales and his audiences' interpretations to ask why religious teachings the world over are so often couched in stories. For centuries, religious teachers from many traditions have used stories to instruct their followers. When Swamiji tells a story, the local barber rocks in helpless laughter, and a sari-wearing French nurse looks on enrapt. Farmers make decisions based on the tales, and American psychotherapists take notes that link the storytelling to their own practices. Narayan herself is a key character in this ethnography. As both a local woman and a foreign academic, she is somewhere between participant and observer, reacting to the nuances of fieldwork with a sensitivity that only such a position can bring. Each story s reproduced in its evocative performance setting. Narayan supplements eight folk narratives with discussions of audience participation and response as well as relevant Hindu themes. All these stories focus on the complex figure of the Hindu ascetic and so sharpen our understanding of renunciation and gurus in South Asia. While Storytellers, Saints, and Scoundrels raises provocative theoretical issues, it is also a moving human document. Swamiji, with his droll characterizations, inventive mind, and generous spirit, is a memorable character. The book contributes to a growing interdisciplinary literature on narrative. It will be particularly valuable to students and scholars of anthropology, folklore, performance studies, religions, and South Asian studies.

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Dino Campagni's classic chronicle gives a detailed account of a crucial period in the history of Florence, beginning about 1280 and ending in the first decade of the fourteenth century. During that time Florence was one of the largest cities in Europe and a center of commerce and culture. Its gold florin was the standard international currency; Giotto was revolutionizing the art of painting; Dante Alighieri and Guido Cavalcanti were transforming the vernacular love lyric. The era was marked as well by political turmoil and factional strife. The inexorable escalation of violence, as insult and reprisal led to arson and murder, provides the bitter content of Compagni's story. Dino Compagni was perfectly placed to observe the political turmoil. A successful merchant, a prominent member of the silk guild, an active member of the government. Gompagni—like Dante—sided with the Whites and, after their defeat in 1301, was barred from public office. He lived the rest of his life as an exile in his own city, mulling over the events that had led to the defeat of his party. This chronicle, the fruit of his observation and reflection, studies the damage wrought by uncontrolled factional strife, the causes of conflict, the connections between events, and the motives of the participants. Compagni judges passionately and harshly. Daniel Bornstein supplements his lucid translation with and extensive historical introduction and explanatory notes.

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Using sermons, exorcisms, letters, biographies of the saints, inscriptions, autobiographical and legal documents—some of which are translated nowhere else—J. N. Hillgarth shows how the Christian church went about the formidable task of converting western Europe. The book covers such topics as the relationship between the Church and the Roman state, Christian attitudes toward the barbarians, and the missions to northern Europe. It documents as well the cult of relics in popular Christianity and the emergence of consciously Christian monarchies.

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Although social sciences such as anthropology are often thought to have been organized as academic specialties in the nineteenth century, the ideas upon which these disciplines were founded actually developed centuries earlier. In fact, the foundational concepts can be traced at least as far back as the sixteenth century, when contact with unfamiliar peoples in the New World led Europeans to create ways of describing and understanding social similarities and differences among humans. Early Anthropology in the Sixteenth and Seventeenth Centuries examines the history of some of the ideas adopted to help understand the origin of culture, the diversity of traits, the significance of similarities, the sequence of high civilizations, the course of cultural change, and the theory of social evolution. It is a book that not only illuminates the thinking of a bygone age but also sheds light on the sources of attitudes still prevalent today.

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There is no more contentious and perennial issue in the history of modern Western thought than the vexed relationship between the genesis of an idea and its claim to validity beyond it. Can ideas or values transcend their temporal origins and overcome the sin of their original context, and in so doing earn abiding respect for their intrinsic merit? Or do they inevitably reflect them in ways that undermine their universal aspirations? Are discrete contexts so incommensurable and unique that the smooth passage of ideas from one to the other is impossible? Are we always trapped by the limits of our own cultural standpoints and partial perspectives, or can we somehow escape their constraints and enter into a fruitful dialogue with others? These persistent questions are at the heart of the discipline known as intellectual history, which deals not only with ideas, but also with the men and women who generate, disseminate, and criticize them. The essays in this collection, by one of the most recognized figures in the field, address them through engagement with leading intellectual historians—Hans Blumenberg, Quentin Skinner, Hayden White, Isaiah Berlin, Frank Ankersmit—as well other giants of modern thought—Max Weber, Emile Durkheim, Georg Simmel, Walter Benjamin, Theodor Adorno, and Georg Lukács. They touch on a wide variety of related topics, ranging from the heroism of modern life to the ability of photographs to lie. In addition, they explore the fraught connections between philosophy and theory, the truth of history and the truthfulness of historians, and the weaponization of free speech for other purposes.

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Situated on the banks of the Usumacinta River in northwestern Guatemala, Piedras Negras is an important Maya site known for its carved monuments and panels. Between 1931 and 1938 the University Museum conducted research at Piedras Negras, excavating the site core, producing an excellent site map, and documenting architectural developments to an unprecedented standard. Project member Tatiana Proskouriakoff revolutionized Maya historiography with her architectural reconstructions and visionary synthesis of the position and dating of texts and monuments at the site. Innovative excavation methods included test pitting, probing in more modest structures, and the identification of new building types such as sweat baths. More importantly, the Piedras Negras project developed the logistical and methodological criteria that are now standard in the field. Fewer than a dozen copies of the preliminary papers were issued between 1933 and 1936; the later descriptive and interpretive essays of the architecture series have likewise become rare. Piedras Negras Archaeology, 1931-1939 reintroduces to the scholarly community and public these pioneering works, meticulously scanned and edited from the fragile originals, with all the maps, tables, line art, and photographs from the initial reports, and an interpretive essay and index for modern readers. University Museum Monograph, 122

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It is widely acknowledged that the unhuman plays a significant role in the definition of humanity in contemporary thought. It appears in the thematization of "the Other" in philosophical, psychoanalytic, anthropological, and postcolonial studies, and shows up in the "antihumanism" associated with figures such as Heidegger, Foucault, and Derrida. One might trace its genealogy, as Freud did, to the Copernican, Darwinian, and psychoanalytic revolutions that displaced humanity from the center of the universe. Or as Karl Marx and others suggested, one might lose human identity in the face of economic, technological, political, and ideological forces and structures. With dazzling breadth, wit, and intelligence, Unhuman Culture ranges over literature, art, and theory, ancient to postmodern, to explore the ways in which contemporary culture defines humanity in terms of all that it is not. Daniel Cottom is equally at home reading medieval saints' lives and the fiction of Angela Carter, plumbing the implications of Napoleon's self-coronation and the attacks of 9/11, considering the paintings of Pieter Bruegel and the plastic-surgery-as-performance of the body artist Orlan. For Cottom, the unhuman does not necessarily signify the inhuman, in the sense of conspicuous or extraordinary cruelty. It embraces, too, the superhuman, the supernatural, the demonic, and the subhuman; the supposedly disjunctive animal, vegetable, and mineral kingdoms; the realms of artifice, technology, and fantasy. It plays a role in theoretical discussions of the sublime, personal memoirs of the Holocaust, aesthetic reflections on technology, economic discourses on globalization, and popular accounts of terrorism. Whereas it once may have seemed that the concept of culture always, by definition, pertained to humanity, it now may seem impossible to avoid the realization that we must look at things differently. It is not only art, in the narrow sense of the word, that we must recognize as unhuman. For better or worse, ours is now an unhuman culture.

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Selected by Choice magazine as an Outstanding Academic Book for 2001 The highly-acclaimed first edition of this book chronicled the rise and fall of witchcraft in Europe between the twelfth and the end of the seventeenth centuries. Now greatly expanded, the classic anthology of contemporary texts reexamines the phenomenon of witchcraft, taking into account the remarkable scholarship since the book's publication almost thirty years ago. Spanning the period from 400 to 1700, the second edition of Witchcraft in Europe assembles nearly twice as many primary documents as the first, many newly translated, along with new illustrations that trace the development of witch-beliefs from late Mediterranean antiquity through the Enlightenment. Trial records, inquisitors' reports, eyewitness statements, and witches' confessions, along with striking contemporary illustrations depicting the career of the Devil and his works, testify to the hundreds of years of terror that enslaved an entire continent. Thomas Aquinas, Martin Luther, Thomas Hobbes, and other thinkers are quoted at length in order to determine the intellectual, perceptual, and legal processes by which "folklore" was transformed into systematic demonology and persecution. Together with explanatory notes, introductory essays—which have been revised to reflect current research—and a new bibliography, the documents gathered in Witchcraft in Europe vividly illumine the dark side of the European mind.

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Tepe Hissar is a large Bronze Age site in northeastern Iran notable for its uninterrupted occupational history from the fifth to the second millennium B.C.E. The quantity and elaborateness of its excavated artifacts and funerary customs position the site prominently as a cultural bridge between Mesopotamia and Central Asia. To address questions of synchronic and diachronic nature relating to the changing levels of socioeconomic complexity in the region and across the greater Near East, chronological clarity is required. While Erich Schmidt's 1931-32 excavations for the Penn Museum established the historical framework at Tepe Hissar, it was Robert H. Dyson, Jr., and his team's follow-up work in 1976 that presented a stratigraphically clearer sequence for the site with associated radiocarbon dates. Until now, however, a full study of the site's ceramic assemblages has not been published. This monograph brings to final publication a stratigraphically based chronology for the Early Bronze Age settlement at Tepe Hissar. Based on a full study of the ceramic assemblages excavated from radiocarbon-dated occupational phases in 1976 by Dyson and his team, and linked to Schmidt's earlier ceramic sequence that was derived from a large corpus of grave contents, a new chronological framework for Tepe Hissar and its region is established. This clarified sequence provides ample evidence for the nature of the evolution and the abandonment of the site, and its chronological correlations on the northern Iranian plateau, situating it in time and space between Turkmenistan and Bactria on the one hand and Mesopotamia on the other.

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Some of the most dramatic new discoveries in Asia Minor have been made at Gordion, the Phrygian capital that controlled much of central Asia Minor for close to two centuries. The most famous ruler of the kingdom was Midas, who regularly negotiated with Greeks in the west and Assyrians in the east during his reign. Excavations have been conducted at Gordion over the course of the last 60 years, all under the auspices of the University of Pennsylvania Museum of Archaeology and Anthropology. In spite of the economic and political importance of Gordion and the Phrygians, the site is consistently omitted from courses in Old World archaeology, primarily because Gordion lies too far to the west for many Near Eastern archaeologists, and too far to the east for classical archaeologists. Moreover, there is no book that offers a comprehensive and up-to-date assessment of the material culture of Gordion during the Phrygian period, a gap that will be filled by this volume. The chapters cover all aspects of Gordion's Phrygian settlement topography from the arrival of the Phrygians in the tenth century B.C. through the arrival of Alexander the Great in 333 B.C., focusing on the site's changing topography and the consistently fluctuating interaction between the inhabitants and the landscape. A reexamination of the material culture of Phrygian Gordion is particularly timely, given the dramatic recent changes in the site's chronology, wherein the dates of many discoveries have changed by as much as a century. The authors are among the leading experts in Near Eastern archaeology, historic preservation, paleobotany, and ancient furniture, and their articles highlight the interdisciplinary nature of the Gordion project. A significant component of the book is a new color phase plan of the site that succinctly presents the topography in diachronic perspective. University Museum Monograph, 136

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Sustainable Lifeways addresses forces of conservatism and innovation in societies dependent on the exploitation of aquatic and other wild resources, agriculture, and specialized pastoralism. The volume gathers specialists working in four areas of the world with significant archaeological and paleoenvironmental databases: West Asia, the American Southwest, East Africa, and Andean South America, and contributing to research in three broad time scales: long term (spanning millennia), medium term (archaeological time, spanning centuries or a few thousand years), and recent (ethnohistoric or ethnographic, spanning years or decades). By bringing an archaeological eye to an examination of human response to unpredictable environmental conditions, informed by an understanding of contemporary traditional peoples, the contributors to this volume develop a more detailed picture of how societies perceive environmental risk, how they alter their behavior in the face of changing conditions, and under what challenges the most rapid and far-reaching changes in adaptation have taken place. Sustainable Lifeways enhances our understanding of both the forces of conservatism and innovation which may have been in play in major transitions in the past, such as the development of complex society, and the expansions of early empires. Studies present examples of cattle herders in East Africa, hunter-gatherers and pastoralists in the Levant, South American fisher/farmers, and farmer/hunters of the U.S. Southwest. PMIRC, volume 3

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Written by recipients of the John Freely Fellowship awarded annually through the American Research Institute in Turkey from a major gift from the Joukowsky Family Foundation of New York to honor a celebrated author of travel and history books, this volume focuses particular attention on the city of Istanbul, its history, and institutions during the Ottoman and Republican periods. Chapters by young scholars consider the office of the Ottoman Court Historian, opposing voices during the reign of Sultan Süleyman, naming Turkish Sabbatians, Istanbul's population variables, and changes in Turkish tobacco production. Contributors: Emine Fetvac (Department of History of Art, Stanford University), Erbu Turan (Department of History, Fordham University), Cengiz Sisman (Department of History, TOBB-ETU University), Betül Basaran (Department of Philosophy and Religion, University of Chicago), and Ebru Kayaalp (Department of Anthropology, Rice University).

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The archaeological site of Gordion is most famous as the home of the Phrygian king Midas and as the place where Alexander the Great cut the Gordian knot on his way to conquer Asia. Located in central Anatolia (present-day Turkey) near the confluence of the Porsuk and Sakarya rivers, Gordion also lies on historic trade routes between east and west as well as north to the Black Sea. Favorably situated for long-distance trade, Gordion's setting is marginal for agricultural cultivation but well suited to pastoral production. It is therefore not surprising that with the exception of a single Chalcolithic site, the earliest settlements in the region are fairly late—they date to the Early Bronze Age (late 3rd millennium B.C.). The earliest known levels of Gordion, too, date to the Early Bronze Age, and occupation of at least some part of the site was nearly continuous through at least Roman times (second half of the 1st century B.C.). This work is a contribution to both the archaeobotany of west Asia and the archaeology of the site of Gordion. The book's major concern is understanding long-term changes in the environment and in land use. An important finding, with implications for modern land management, is that the most sustainable use of this landscape involves mixed farming of dry-farmed cereals, summer-irrigated garden crops, and animal husbandry. The large number of samples from the 1988-89 seasons analyzed here make this a rich source for understanding other materials from the Gordion excavations and for comparison with other sites in west Asia. Content of this book's CD-ROM may be found online at this location: http://core.tdar.org/project/376588. University Museum Monograph, 131

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This first complete published catalogue of one of the most important classical sculpture collections in the United States includes 154 works from Italy, Greece, Cyprus, Asia Minor, North Africa, Roman Syria and Palestine, Egypt, and Babylonia, ranging in date from the late seventh century B.C. to the fourth century A.D. Each piece receives a complete description with measurements and report of condition, a list of the previous published sources, and a commentary reflecting the most recent scholarship, along with extensive photographic documentation. Various audiences will appreciate the accessibility of the scholarship presented here—students may engage in further study on some of topics raised by individual pieces or groups of sculptures, and the scholarly community will welcome a work that provides an up-to-date and comprehensive examination of a significant classical sculpture collection in one of the world's great archaeology museums. University Museum Monograph, 125

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Data gathered through systematic survey detail the settlement history of the Vrokastro region from the Final Neolithic period through the early part of the twentieth century. Each period is introduced by an environmental pattern for the settlement, with a brief summary of project methodology and goals, a description of the regional topography and botany, and a synopsis of the regional topography and hydrology. The penultimate chapter and conclusions present a summary of the regional settlement history, growth, demographics, and a prospectus concerning future work in the Vrokastro region. An accompanying CD-ROM includes six appendices—Survey Methodology, Catalogue of Chipped and Ground Stone Implements, Agricultural and Demographic Tables, the Agricultural Year in the Vrokastro Area, Panaghia Phaneromeni Documentation, and the Holocene Evolution of the Istron Area, Mirabello—tables, and a chart on epigraphical data. Content of the book's CD-ROM may be found online at this location: http://core.tdar.org/project/376536. Other contributing scholars: H.M.C. Dierckx, G. Harrison, J. Moody, G. Postma, C. Rackham, and A.B. Stallworth. University Museum Monograph, 119

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The Mediterranean landscape record is recognized for its length and richness and the opportunity it offers to study the interaction between humans and their landscape. This volume explores a variety of current archaeological issues in the context of specific landscapes from southern Spain through Greece and Cyprus to Jordan and from antiquity to recent times. Over the last 25 years, researchers have initiated a dramatic expansion in theoretical approaches—both anthropological and classical. Over the same time span, a huge volume of field survey projects has been carried out in the Mediterranean arena. The contributors to Mediterranean Archaeological Landscapes take stock of what has been learned, identify lacunae, and consider new approaches to our understanding of the rich surface landscape record of the Mediterranean. Their goal is to explore theoretically diverse interpretative themes and the methods that make those approachable.

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Daniel Garrison Brinton (1837-99) was one of the founders of modern American anthropology, holder of the first professorship of anthropology in the United States, and an esteemed anthropological scholar. His personal library, the only existing intact research library of a scholar prominent in the development of late nineteenth-century American anthropology, forms the core of the anthropology library at the University of Pennsylvania. The Brinton Library consists of 4,514 items, including 162 volumes of bound collections of pamphlets or offprints, early travel narratives, colonial histories, Indian captivity tales, missionary reports, and translations of the Bible into several indigenous languages of North and Central America. Materials written in Spanish, French, Italian, and German are also well represented. Rare archival illustrations show contemporary (1870-1900) photographs of the University Museum building, the Museum library, and portraits of individual participants in the Brinton Library.

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Since 1887 the University Museum has been one of the leading archaeology and anthropology museums in the world and has sponsored field research in every corner of the globe. A key outcome, from its first expedition to Nippur, in modern-day Iraq, through more than 300 expeditions in the past century, to its research in fifteen different countries today, has been a wealth of primary photographs capturing both expeditions and excavations and also images of modern peoples on every inhabited continent of our planet. These vintage photographs, carefully selected from hundreds of thousands, range from mundane record-keeping pictures to glorious aesthetic treats, and they are in demand by international scholars and students and researchers worldwide. One of the most powerful of media to convey information about—and to advance understanding of—foreign peoples and places is photography. Soldiers, missionaries, merchants, and other travelers carried out early anthropological photography in distant lands. Field photography was extremely difficult when the Museum began its research program in the late 1880s, requiring the transport of a complete dark room and other heavy equipment. The Museum's intrepid adventurers sought scientific accuracy, with no artifice that may have obscured the realism of the image. An engaging narrative essay highlighting the Museum's fieldwork explains the contexts of the range of photographs from the Museum's Archives and the role of photography in studying human cultures.

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The University Museum's classical collections are among the largest, most diverse, and most systematically collected of those of any museum in the United States. Of particular importance is the Etruscan material, spanning the entire history of the Etruscan peoples, from the ninth to the second centuries B.C. The strengths of the Roman collection are its glass, coins, sculpture, and the excavated objects from the Italian sites of Colonia Minturnae and the Sanctuary of Diana at Nemi. The Guide covers religion, daily life, language, commerce and trade, and death and burial among the Etruscans and Romans, and the legacy of the classical world in Western culture. It celebrates the completion of a suite of galleries at the University Museum—Worlds Intertwined: Etruscans, Greeks, and Romans—and is a companion guide to The Ancient Greek World (1995).

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An illustrated report on the 1963 excavation of a town in Lower Nubia which dated to the Christian Period which reached its zenith between c.AD 850 and 1100. Includes a general discussion of the town's history and its relations with Egypt and the rest of Nubia.

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Over millions of years humans developed an increasingly varied set of relationships with the plants and animals in their environment. By the European Mesolithic and the Near Eastern Epipaleolithic the efficient exploitation of wild food resources had produced a social and economic base that was ripe for the introduction of domesticates. It is not the intent of this volume to again discuss animal and plant domestication but, rather, to focus on the relationships of people to plants and animals before the introduction of agriculture. MASCA Vol. 12 Supplement

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This volume presents the results of the 1995 international seminar on the history and archaeology of the Sea Peoples. The 17 comprehensive articles, written by leading scholars in the fields of Egyptology, Hittitology, biblical studies, and Aegean, Anatolian, and Near Eastern archaeology, examine current methodologies and interpretations concerning the origin, migration, and settlement of the Sea Peoples against the overwhelming new archaeological record from sites throughout the Mediterranean basin and the Levant. Symposium Series 11 University Museum Monograph, 108

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Follow the way social attitudes and historical events—among them, slavery and materialism, wars and plagues—influenced how glassworking developed in the Roman world from the mid-first century B.C. to the late sixth century A.D. Woven into this story is the place of glassware in Roman everyday life, from the lady-of-the-house's cosmetic preparations each morning to the setting of table for the evening meal. Included are two special appendices: one considers the technology of ancient glassmaking, the other summarizes ancient opinions on the properties and merits of glass.

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In 1989 Ernest Allen bequeathed a fine collection of 25 classical vases and terracottas to Haverford College. The range of objects includes a Mycenean stirrup jar, a selection of black- and red-figure vases, a white-ground lekythos, several fine archaic terracottas, and two Duver plaques with colorful striding griffins. Dr. Ashmead presents an overview of each object and its significance along with a scholarly approach to complete detailed descriptions and comparanda. Each piece is illustrated by black-and-white photographs.

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This stunning catalogue includes color photographs of more than 230 objects, excavated in the 1930s by renowned British archaeologist Sir Leonard Woolley, from the third-millennium-B.C. Sumerian city of Ur. Learn the fascinating story of the excavation and preservation of these magnificent artifacts. Many of the objects are published in color and fully described for the first time—jewelry of gold and semiprecious stones, engraved seal stones, spectacular gold and lapis lazuli statuettes and musical instruments; and vessels of gold, silver, and alabaster. Curator Richard Zettler sets the stage with a history of Ur in the third millennium and the details of the actual excavations. Art historians Donald Hansen and Holly Pittman discuss the historical importance and significance of the many motifs on the most spectacular finds from the tombs.

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V. Gordon Childe was the first scholar to attempt a broad and sustained socioeconomic analysis of the archaeology of the ancient world in terms that, today, could be called explanatory. To most, he was remembered only as a diligent synthesizer whose whole interpretation collapsed when its chronology was demolished. There was little recognition of his insistence that the emergence of craft specialists, and their very variable roles in the relations of production, were crucial to an understanding of social evolution. The interrelationship between sociopolitical complexity and craft production is a critical one, so critical that one might ask, just how complex would any society have become without craft specialization. This volume derives from the papers presented at a symposium at the American Anthropological Association meetings on the centenary of Childe's birth. Contributors to the volume include David W. Anthony, Philip J. Arnold III, Bennet Bronson, Robert Chapman, John E. Clark, Cathy L. Costin, Pam J. Crabtree, Philip L. Kohl, D. Blair Gibson, Antonio Gilman, Vincent C. Piggott, Jeremy A. Sabloff, Gil J. Stein, Ruth Tringham, Anne P. Underhill, Bernard Wailes, Peter S. Wells, Joyce C. White, Rita P. Wright, and Richard L. Zettler. Symposium Series Volume VI University Museum Monograph, 93

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Donald Trump shocked the nation in 2016 by winning the presidency through an ultraconservative, anti-immigrant platform, but, despite the electoral surprise, Trump's far-right views were not an aberration, nor even a recent phenomenon. In Far-Right Vanguard, John Huntington shows how, for almost a century, the far right has forced so-called "respectable" conservatives to grapple with their concerns, thereby intensifying right-wing thought and forecasting the trajectory of American politics. Ultraconservatives of the twentieth century were the vanguard of modern conservatism as it exists in the Republican Party of today. Far-Right Vanguard chronicles the history of the ultraconservative movement, its national network, its influence on Republican Party politics, and its centrality to America's rightward turn during the second half of the twentieth century. Often marginalized as outliers, the far right grew out of the same ideological seedbed that nourished mainstream conservatism. Ultraconservatives were true reactionaries, dissenters seeking to peel back the advance of the liberal state, hoping to turn one of the major parties, if not a third party, into a bastion of true conservatism. In the process, ultraconservatives left a deep imprint upon the cultural and philosophical bedrock of American politics. Far-right leaders built their movement through grassroots institutions, like the John Birch Society and Christian Crusade, each one a critical node in the ultraconservative network, a point of convergence for activists, politicians, and businessmen. This vibrant, interconnected web formed the movement's connective tissue and pushed far-right ideas into the political mainstream. Conspiracy theories, nativism, white supremacy, and radical libertarianism permeated far-right organizations, producing an uncompromising mindset and a hyper-partisanship that consumed conservatism and, eventually, the Republican Party. Ultimately, the far right's politics of dissent—against racial progress, federal power, and political moderation—laid the groundwork for the aggrieved, vitriolic conservatism of the twenty-first century.

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