Search results for ""zeitgeist""

With an introduction by Otessa Moshfegh, author of Lapvona.In 1985, Bret Easton Ellis shocked, stunned and disturbed with his debut novel, Less Than Zero. Published when he was just twenty-one, this extraordinary and instantly infamous work has become a rare thing: a cult classic and a timeless embodiment of the zeitgeist. Filled with relentless drinking in seamy bars and glamorous nightclubs, wild, drug-fuelled parties, and dispassionate sexual encounters, Less Than Zero is narrated by Clay, an eighteen-year-old student returning home to Los Angeles for Christmas. Bret Easton Ellis's debut novel is a fierce coming-of-age story, justifiably celebrated for its unflinching depiction of hedonistic youth, its brutal portrayal of the inexorable consequences of such moral depravity, and its author’s refusal to condone or chastise such behaviour.Less Than Zero has done more than simply define a genre: it continues to be a landmark in the lives of successive generations of readers across the globe.Part of the Picador Collection, a series showcasing the best of modern literature.

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This is a sustained critique of present-day academic philosophy combined with a practical agenda for change. Christopher Norris raises some basic questions about the way that analytic philosophy has been conducted over the past 25 years. In doing so, he offers an alternative to what he sees as an over-specialisation of a lot of recent academic work. Arguing that analytic philosophy has led to a narrowing of sights to the point where other approaches that might be more productive are blocked from view, he goes against the grain to claim that Continental philosophy holds the resources for a creative renewal of analytic thought. It draws on a wide range of examples to shine light on one topic: philosophy's current condition and how we can move beyond it. It addresses issues of interest to students and teachers of philosophy in both the analytic and the Continental traditions: speculative realism, the 'extended mind' hypothesis, experimental philosophy, the ontology of political song, linguistic philosophy, anti-realism and epistemological scepticism. It interrogates the analytical zeitgeist through a vigorous critique of the prevailing modes of thought.

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Cast as the ultimate hardhats, football players of the 1960s seemed to personify a crewcut traditional manhood that channeled the Puritan work ethic. Yet, despite a social upheaval against such virtues, the National Football League won over all of America—and became a cultural force that recast politics in its own smashmouth image. Jesse Berrett explores pro football's new place in the zeitgeist of the 1960s and 1970s. The NFL's brilliant harnessing of the sports-media complex, combined with a nimble curation of its official line, brought different visions of the same game to both Main Street and the ivory tower. Politicians, meanwhile, spouted gridiron jargon as their handlers co-opted the NFL's gift for spectacle and mythmaking to shape a potent new politics that in essence became pro football. Governing, entertainment, news, elections, celebrity--all put aside old loyalties to pursue the mass audience captured by the NFL's alchemy of presentation, television, and high-stepping style. An invigorating appraisal of a dynamic era, Pigskin Nation reveals how pro football created the template for a future that became our present.

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Reporting live from “everywhere,” photographer Adam Katz Sinding (formerly known as Le 21ème) travels around the globe to document the fashion zeitgeist. An Instagram hit, @aks’s lens captures fashion weeks, runway idols, the next big trends, tastemakers, and — in particular — street style. His first teNeues book This is Not a F*cking Street Style Book featured a curated collection of some of his best images, taken both backstage at the shows and of the style-setters on the streets. In this new publication, Sinding widens his scope and explores culture and landmarks with the same sophisticated eye he uses to photograph fashion. In the last year, he has travelled through over 35 countries across the globe, snapping a breathtaking number of beautiful photos that capture the essence of a place as only he would recognise it. Along with his pictures, the book includes contributions from Errolson Hugh and offers a unique insight into the peculiar mind of Adam Katz Sinding himself, his obsessive exercising habits, and the cultural phenomenon he has become over the years.

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Dressing the Resistance explores how everyday people have harnessed the visual power of clothing, accessories and costume to spur social and cultural change. Throughout history, societies have used clothing to show acceptance and exclusion, convention and subversion, group belonging and rejection. In the same way, fashion, clothing, textiles and costume have served their own critical role in shaping protest movements throughout history. In short, clothing was often the most basic opportunity for groups to rebel: a simple, mundane item to express their discontent. American suffragettes made and wore dresses from old newspapers printed with voting slogans. British Punks took a humble safety pin from the household sewing kit, punched it through an earlobe and headed out to face a bleak post-war world. And male farmers in India wore their wives' saris while staging sit-ins on railroad tracks. With the advent of the Trump administration and the ensuing worldwide Women's March in January 2017, the #MeToo movement and #BlackLivesMatter, protest has again entered the American zeitgeist, this time with a stronger need for inspiration and action than ever before.

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Discover the essence of hygge as revealed by Brontë Aurell, Danish owner of London’s ScandiKitchen in this honest and thoughtful guide, featuring some of her favourite recipes. Hygge is in the zeitgeist, but what is it, how do we bring hygge into our lives and why are we so captivated with this Danish word? According to Brontë, it is really not complicated and doesn’t involve spending vast amounts of money on candles or blankets… in its purest form it is simply about appreciating life. Explained in 12 entertaining chapters interspersed with recipes, you will learn first about the origins of the word hygge and then how to embrace it. Essays include: Hygge and Happiness; Hygge and Baking; Hygge and Time; Hygge and Stress; Hygge and Soul; Hygge and Nature and Hygge and Your Home. Hygge is a completely psychological and emotional state of being. Whether it’s going for a walk or sharing a cake with friends, when you carve a pocket of time in your day to appreciate and experience the moment, hygge can be found.

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William Powell wrote The Anarchist Cookbook in 1969 at the age of nineteen. It included everything from making bombs to brewing LSD in the bathroom. On publication, it was hailed variously as "outrageous," "extremely dangerous," "communist," and "the most irresponsible publishing venture in American history." It also became an overnight bestseller. Powell's memoir chronicles the atmosphere of the 1960's counterculture—the Civil Rights Movement was at its height and the federal government was engaged in a brutal and entirely unnecessary war in Southeast Asia. The zeitgeist was radicalization, and the watchword was revolution, and Powell left an enduring record of his thoughts and anger in the shape of The Anarchist Cookbook . The Cookbook: Coming of Age in Turbulent Times portrays Powell's rebellious adolescence, political radicalization, the publication of the book, the firestorm of controversy that followed, and how it shadowed his entire life. He explores his feelings and the lessons learned, and how he went on to help hundreds of children all over the world in education.

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During Katherine Mansfield's life she experienced the effects of abortion, miscarriage, gonorrhoea, peritonitis, rheumatism and tuberculosis, and would take up a peripatetic existence constantly in search of more favourable climates. The First World War of 1914 1918 and the influenza pandemic of 1918 20 informed the zeitgeist of her times. This volume of essays explores the extent to which this resonant context of disease and death shaped Mansfield's literary output and her modes of thinking. Illness both stimulated and limited Mansfield's creativity she would write to fund her medical care while simultaneously limited by her poor health, writing in 1922: 'The real point is I shall have to make as much money as I can on my next book my path is so dotted with doctors'. As explored in this volume, her personal writings document the increasing influence of tubercular literary predecessors such as Anton Chekhov and John Keats, while her stories function compellingly as dialogue with loved ones who have been lost her brother, her mother, her grandmother endowing them with life in the process.

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A handy guide to the meanings and origins of the many foreign phrases we use every day.English as we know it today is enriched with many borrowings and influences from other languages. Aficionado, chutzpah, pro bono, hoi polloi, ketchup, nous, zeitgeist – we use these foreign words every day without thinking of their origins, but what do they actually mean? And just how and why did we English speakers absorb such exotic imports? Each phrase has a fascinating history; colonialism, foreign trade, invasion and immigration all have their role to play in the evolution of our language. Did you know, for example, that 'lingua franca' is Italian for 'Frankish language' – a name given to a mixed common language used by diplomats of different nationalities in medieval times? Or that the seemingly modern 'bandana' comes from the Sanskrit for the ancient Indian technique of tie-dying fabric? A Certain Je Ne Sais Quoi is an accessible and entertaining treasury of information that 'connoisseurs' (French) of the English language will love!

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The 1980s were a time of notorious serial killers--Jeffrey Dahmer, Aileen Wuornos, Samuel Little--and these are the deadliest of all. Uncover the facts about their crimes, along with the advances in forensics that helped lead to their capture. The 1980s were the apex of a time that is sometimes known as the "Golden Age of the Serial Killer." These murderers and their nicknames--The Night Stalker, The BTK (i.e., "bind, torture, kill") Killer, The Butcher Baker, The Golden State Killer--became part of the era's zeitgeist. This fifth book in the Profiles in Crime series features the most notable murderers of the decade. Some are infamous, including Jeffrey Dahmer, the Cannibal Killer who consumed his victims' remains, and Aileen Wuornos, whose seven confirmed murders in a single year helped establish the presence of women in the annals of serial killers. Others, less well known but equally deadly, include Dorothea Puente, who ran a care home in Sacramento and preyed on the elderly, and Robert Christian Hansen, who over more than a decade killed at least 17 women around Anchorage, Alaska.

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Poets and intellectuals brushed shoulders in bustling coffeehouses, young avant-gardists heralded a new era in social and sexual liberalism, waltzes resounded through the Ringstrasse, the Vienna Secession preached: “To every age its art — to every art its freedom;” and tremors warned of looming political disintegration when the Austrian capital passed into a new century. Across economics, science, art, and music, Vienna blossomed into a “laboratory of modernity,” one which nurtured some of the greatest artistic innovators—from Egon Schiele’s unflinching nude portraits to Gustav Klimt’s decadent Portrait of Adele Bloch-Bauer I, from the ornamental seams and glass floors of Otto Wagner to Ditha Moser’s calendars adorned in golden deities. Discover the zeitgeist, the scandals, and the extraordinary protagonists in this introduction to a transformative epoch. Across painting, sculpture, architecture, and design, we explore all the movers and shakers through insightful profiles and crisp double-page reproductions. Marking the centenary of the deaths of some of its brightest talents, this collection joins Vienna in its 2018 celebration of Modernism.

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How does an underground oddity become a cultural phenomenon?ÞFor over 40 years the rock band Kiss has galvanized the entertainment world with an unparalleled blitz of bravado theatricality and shameless merchandizing garnering generations of loyally rabid fans. But if not for a few crucial months in late 1975 and early 1976 Kiss may have ended up nothing more than a footnote.ÞÊShout It Out LoudÊ is a serious examination of the circumstance and serendipity that fused the creation of the band's seminal work ÊDestroyerÊ ä including the band's arduous ascent to the unexpected smash hit ÊAlive!Ê the ensuing lawsuits between its management and its label the pursuit of the hot young producer a grueling musical boot camp the wildly creative studio abandon the origins behind an iconic cover the era's most outlandish tour and the unlikely string of hit singles.ÞExtensive research from the period and insights into each song are enhanced by hundreds of archived materials and dozens of interviews surrounding the mid-'70s-era Kiss and its zeitgeist. New interviews with major principals in the making of an outrageously imaginative rock classic animate this engaging tale.

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This is the leadership book you have to read: a barn-storming new take on what makes a versatile, integrated, and effective leader Using stories and examples from the lives of leaders, from the sports stadium to the White House to the office of the CEO, Nicholson shows vividly how the capacity of leaders to see what others do not see frames their actions and allows them to transform, build, destroy, or stabilize. Leaders fail through lack of insight—into themselves and into the worlds they inhabit. The strategic challenge of leadership is to find the right balance between impact and versatility and the successful crafting of an identity that merges the leader and the surrounding culture or 'zeitgeist.' Leaders covered in the book include: George Bush, Tony Blair, George S Patton, Warren Buffet, Steve Jobs, Josef Stalin, Hannibal, Elizabeth I, Nelson Mandela, Edith Cowan, Abraham Lincoln, Mohandas Gandhi, Henry Ford, Ernest Shackleton, Barack Obama, Robert Maxwell, JFK, Pope John XXIII, Margaret Thatcher, and Samuel Pepys. This book resonates with insights and searching questions on the nature of human leadership. It will be an invaluable guide to managers, consultants, and people everywhere.

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There has been a surge of ANTi-History research over the last 15 years. ANTi-History brings together the most impactful efforts to develop, apply and critique ANTi-History in one comprehensive book. Deal, Hartt and Mills make sense of and organize the ongoing conversation around ANTi-History, using it as a lens to assess both the future and the potential of the budding field of historical organization studies and business history. They offer a systematic close reading of ANTi-History through its introduction to the field nearly two decades ago; the literatures that theorize it as an approach for ‘doing history’ and how others have contributed to its usefulness to scholars, practitioners, and students. In addition, they offer an exploration of the empirical research areas, settings, and contexts – especially its position within an archival zeitgeist in critical management studies – that scholars have engaged in; and the international character that it has taken across numerous countries around the world. ANTi-History revisits the debates that concern ANTi-History and its theorization of the past, identifying potential future research and unique opportunities to further advance and refine ANTi-History and critical historiography scholarship.

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Top-Leader und Entscheider, die mit der heutigen Veränderung in der Führung nicht nur Schritt halten wollen, sondern noch einen Schritt vorausgehen und Leadership schon heute wirksam für übermorgen gestalten wollen, müssen ein neues Mindset bilden, neu denken und diese Veränderungen und Ansätze im Anschluss konsequent leben. Roman P. Büchler erläutert in seinem Buch die 5 maßgebenden Prinzipien, anhand derer Leadership neu gedacht, konstruiert und gelebt wird. Sicher gibt es im Markt zahlreiche Theorien und Strategien dazu, wie Führung und Leadership sich wandeln und sich dem Zeitgeist anpassen. Roman P. Büchler revolutioniert diese Ansätze mit seiner Entwicklung der 5 Prinzipien und dem sich daraus ergebenden, radikalen Umbau der Essenz von Leadership. Diese Essenz ist für den Autor die DNA der Führung, der Bauplan, die Kodierung von Leadership. In seinem Buch erläutert er in 5 Kapiteln, wie sich die Prinzipien definieren. Von der inneren Einstellung, dem eigenen Mindset, hin zum Prinzip des Loslassens, dem anschließenden Perspektivwechsel und der folgenden Investition in Beziehungen. Das alles mündet in das letzte Prinzip, der eigentlichen Arbeit am Unternehmen. Zusammengesetzt ergibt sich so die DNA nach der das neue Leadership sich zusammensetzt und erwächst.

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Brimming with the fascinating eccentricities of a complex and confusing movement whose influences continue to resonate deeply, 30 Great Myths About the Romantics adds great clarity to what we know – or think we know – about one of the most important periods in literary history. Explores the various misconceptions commonly associated with Romanticism, offering provocative insights that correct and clarify several of the commonly-held myths about the key figures of this era Corrects some of the biases and beliefs about the Romantics that have crept into the 21st-century zeitgeist – for example that they were a bunch of drug-addled atheists who believed in free love; that Blake was a madman; and that Wordsworth slept with his sister Celebrates several of the mythic objects, characters, and ideas that have passed down from the Romantics into contemporary culture – from Blake’s Jerusalem and Keats’s Ode on a Grecian Urn to the literary genre of the vampire Engagingly written to provide readers with a fun yet scholarly introduction to Romanticism and key writers of the period, applying the most up-to-date scholarship to the series of myths that continue to shape our appreciation of their work

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Bob Dylan's impact on popular music has been incalculable. Having transformed staid folk music into a vehicle for coruscating social commentary, he then swept away the romantic platitudes of rock 'n' roll with his searing intellect.From the zeitgeist-encapsulating protest of 'Blowin' in the Wind' to the streetwise venom of 'Like a Rolling Stone', and from the stunning mid-sixties trilogy of albums - Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde - to Time Out of Mind, his stunning if world-weary comeback at the age of 56, Dylan's genius has endured, underpinned by the dazzling turn of phrase that has made him the pre-eminent poet of popular music.Because Dylan's achievements have no equal, his career is the most chronicled in rock history. Here, Sean Egan presents a selection of the best writing on Dylan, both praise and criticism. Interviews, essays, features and reviews from Dylan intimates and scholars such as John Bauldie, Michael Gray, Nat Hentoff and Jules Siegel are interspersed with new narrative and reviews of every single album to create a comprehensive picture of the artist whose chimes of freedom still resound.

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Alois Derso (1888-1964) and Emery Kelen (1896-1978) were remarkable cartoonists who became internationally renowned, particularly for their depictions in the 1920s of efforts to build a better world following the establishment of the League of Nations; of the rise of fascism in the thirties; and of the world cooperation through the United Nations that emerged in the forties. Their sequence of cartoons, imbued with humour, wit, gentle satire, artistry and vision, captures the Zeitgeist of a period of history that resonates today. Surprisingly, no comprehensive account of their work and lives has been published before. The authors analyse and discuss the extraordinary political insights revealed in the cartoons, which contribute to our understanding of those years. Drawing on original research, this overdue book delves into all aspects of Derso and Kelen’s careers, including the unusual, if not unique, technical nature of their artistic collaboration and Kelen’s additional gifts as a writer. It will inform the non-expert of the history of the time and the often overlooked role of cartoons as historical evidence. So memorable and informative are the images, it will also be a useful supplement to the literature on modern history, international relations and art.

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An updated and expanded edition, covering the past five years of the Met Costume Institute’s exhibitions and galas through the lens of Vogue The Metropolitan Museum of Art Costume Institute’s annual fashion exhibition is the most prestigious of its kind, featuring subjects that both reflect the zeitgeist and contribute to its creation. Each exhibition—from 2005’s Chanel to 2011’s Alexander McQueen: Savage Beauty and 2012’s Schiaparelli and Prada: Impossible Conversations—creates a provocative and engaging narrative drawing hundreds of thousands of visitors. This updated edition includes material from 2015’s China: Through the Looking Glass, 2018’s Heavenly Bodies: Fashion and the Catholic Imagination (the most visited exhibition in the museum’s history), and 2019’s Camp: Notes on Fashion. The show’s opening-night gala, produced in collaboration with Vogue magazine, is regularly referred to as the party of the year, and draws a glamorous A-list crowd, drawing an unrivaled mix of Hollywood fashion. This updated edition of Vogue and the Metropolitan Museum of Art Costume Institute once again invites you into the stunning spectacle that comes when fashion and art meet at The Met.

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To the consternation of the patrician, Lord Vetinari, a new invention has arrived in Ankh-Morpork – a great clanging monster of a machine that harnesses the power of all of the elements: earth, air, fire and water. This being Ankh-Morpork, it’s soon drawing astonished crowds, some of whom caught the zeitgeist early and arrive armed with notepads and very sensible rainwear. Moist von Lipwig is not a man who enjoys hard work – as master of the Post Office, the Mint and the Royal Bank his input is, of course, vital . . . but largely dependent on words, which are fortunately not very heavy and don’t always need greasing. However, he does enjoy being alive, which makes a new job offer from Vetinari hard to refuse . . . Steam is rising over Discworld, driven by Mister Simnel, the man wi’ t’flat cap and sliding rule who has an interesting arrangement with the sine and cosine. Moist will have to grapple with gallons of grease, goblins, a fat controller with a history of throwing employees down the stairs and some very angry dwarfs if he’s going to stop it all going off the rails . . .

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Unnatural Selection is the first book to examine the rise of the "technocentric being"—or geek—who personifies a distinct new phase in human evolution. People considered geeks often have behavioral or genetic traits that were previously considered detrimental. But the new environment of the Anthropocene period—the Age of Man—has created a kind of digital greenhouse that actually favors their traits, enabling many non-neurotypical people to bloom. They resonate with the technological Zeitgeist in a way that turns their weaknesses into strengths. Think of Mark Zuckerberg versus the towering, Olympics-bound Winklevoss twins in the movie Social Network.Roeder suggests that the rise of the geek is not so much the product of Darwinian "natural selection" as of man-made—or unnatural—selection. He explains why geeks have become so phenomenally successful in such a short time and why the process will further accelerate, driven by breakthroughs in genetic engineering, neuropharmacology, and artificial intelligence. His book offers a fascinating synthesis of the latest trends in these fields and predicts a twenty-first century "cognitive arms race" in which new technology will enable everyone to become more intelligent and "geek-like."

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Published in conjunction with an exhibition of masterworks from The Museum of Modern Art at the High Museum, Atlanta, this catalogue features artwork produced during six key years, from 1913 to 2013. By concentrating on groundbreaking moments when major movements and radical strategies emerged, the book provides an overall sense of the innovations and achievements of the last century. With 1913 came new visual languages like Cubism and Futurism; 1929 focuses on the convergence of Surrealism and New Vision photography; in 1950 the emphasis was on large-scale abstract painting; in 1961 assemblage epitomized the merging of art and life; and 1988 witnessed the simultaneous embrace of identity politics and appropriation. A series of new commissions by three contemporary artists will represent the art to come in 2013. With its juxtapositions and disjunctions, Fast Forward shows an art history that unfolds messily but masterfully. Each of the six richly illustrated sections features a close reading of one major work from the period, complemented by an exploration of that year’s aesthetic zeitgeist. The publication also includes an introduction by Jodi Hauptman, Curator, The Museum of Modern Art, and a timeline illustrated with documentary photographs that provide historical context.

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This book focuses on the lives and accomplishments of twenty Jews who left a crucial imprint upon Judaism as we know it today. The author, Rabbi Morris B. Margolies, believes that most readers are bewildered when a page of history is saturated with a wide array of names, events, and places, but when attention is directed at one central figure whose career reflected the zeitgeist of his time and also affected the course of subsequent Jewish history, the reader is more likely to be drawn into the drama that unfolds with each "Jew of his century." Twenty/Twenty: Jewish Visionaries through Two Thousand Years is an examination of the past two millennia of Jewish history through the lives and careers of twenty people who reflected the currents of Jewish experience in the century during which their work was accomplished. The author writes, "No understanding of Jews or Judaism is possible without a basic familiarity with the history of the Jews. Ignorance of this subject is profound among the Jews of America. It is my contention that if this situation persists into the next century, the American Jewish community is likely to disappear as a significant factor in Jewish survival."

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An exquisite collection from a poet at the peak of her powers, Tishani Doshi's Forward-shortlisted A God at the Door spans time and space, drawing on the extraordinary minutiae of nature and humanity to elevate the marginalised. Extending the territory of her zeitgeist collection Girls Are Coming Out of the Woods, these new poems traverse history, from the cosmic to the quotidian. There is a playful spikiness to be found in poems like 'Why the Brazilian Butt Lift Won’t Save Us', while others, such as 'I Found a Village and in it Were All Our Missing Women', are fed by rage. As the collection unfolds, there are gem-like poems such as 'I Carry My Uterus in a Small Suitcase' which sparkles on the page with impeccable precision. Later, there are the sharp shocks delivered by two mirrored poems set side by side, 'Microeconomics' and 'Macroeconomics'. Tishani Doshi's poetry bestows power on the powerless, deploys beauty to heal trauma, and enables the voices of the oppressed to be heard with piercing clarity. From flightless birds and witches, to black holes and Marilyn Monroe, A God at the Door illuminates with lines and images that surprise, inflame and dazzle.

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In the '80s, the Birmingham, England, band Duran Duran became closely associated with new wave, an idiosyncratic genre that dominated the decade's music and culture. No album represented this rip-it-up-and-start-again movement better than the act's breakthrough 1982 LP, Rio. A cohesive album with a retro-futuristic sound—influences include danceable disco, tangy funk, swaggering glam, and Roxy Music's art-rock—the full-length sold millions and spawned smashes such as "Hungry Like the Wolf" and the title track. However, Rio wasn't a success everywhere at first; in fact, the LP had to be buffed-up with remixes and reissued before it found an audience in America. The album was further buoyed by colorful music videos, which established Duran Duran as leaders of an MTV-driven second British Invasion, and the group's cutting-edge visual aesthetic. Via extensive new interviews with band members and other figures who helped Rio succeed, this book explores how and why Rio became a landmark pop-rock album, and examines how the LP was both a musical inspiration—and a reflection of a musical, cultural, and technology zeitgeist.

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Although current views of cognitive development owe a great deal to Jean Piaget, this field has undergone profound change in the years since Piaget's death. This can be witnessed both in the influence connectionist and dynamical system models have exerted on theories of cognition and language, and in how basic work in cognitive development has begun to influence those who work in applied (e.g., educational) settings. This volume brings together an eclectic group of distinguished experts who collectively represent the full spectrum of basic to applied aspects of cognitive development. This book begins with chapters on cognition and language that represent the current Zeitgeist in cognitive science approaches to cognitive development broadly defined. Following a brief commentary on this work, the next section turns to more applied issues. Although the focus here is on arithmetic learning, the research programs described have profound implications for virtually all aspects of education and learning. The last chapter views cognitive development from the perspective of ethology and evolutionary biology, and in so doing provides a theoretical perspective that is novel and in some ways, prescient: specifically, how can our views of cognition incorporate recent work in biology?

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The battle to preserve the environment is only just beginning – organisations and governments cannot underestimate the public outcry for cleaner environments and an end to increases in global warming. The Circular Economy has been able to tap into the current zeitgeist and is being coveted by many academic disciplines. Offering a detailed overview of what is required to move towards a circular economy by providing a series of cases alongside each chapter that illustrate practice in relation to theory, Maguire and Robson deliver a lens through which academics and students can explore what is emerging as state of the art. The chapters contain a critical and balanced treatment of theory and practice on the subjects of sustainable development and the circular economy, setting out and evaluating the theoretical landscape alongside a grand narrative drawn from systems thinking and the environmental, social, and governance paradigms. For students, academics and practitioners, Sustainable Development Through Global Circular Economy Practices is a go-to book with original insights from a theoretical perspective about how the global economy integrates, and how this integration can be leveraged to move practice toward sustainable practice.

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The Matrix (1999), directed by the Wachowski sisters and produced by Joel Silver, was a true end-of-the-millennium movie, a statement of the American zeitgeist, and, as the original film in a blockbusting franchise, a prognosis for the future of big-budget Hollywood film-making. Starring Keanu Reeves as Neo, a computer programmer transformed into a messianic freedom fighter, The Matrix blends science fiction with conspiracy thriller conventions and outlandish martial arts created with groundbreaking digital techniques. A box-office triumph, the film was no populist confection: its blatant allusions to highbrow contemporary philosophy added to its appeal as a mystery to be decoded. In this compelling study, Joshua Clover undertakes the task of decoding the film. Examining The Matrix's digital effects and how they were achieved, he shows how the film represents a melding of cinema and video games (the greatest commercial threat to have faced Hollywood since the advent of television) and achieves a hybrid kind of immersive entertainment. He also unpacks the movie's references to philosophy, showing how The Matrix ultimately expresses the crisis American culture faced at the end of the 1990s.

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15 Bytes Book Award 2021 Independent Publisher Book Awards, Gold Medal Winner In English disparate means “different” or “miscellaneous”—apt descriptors of these essays by Patrick Madden. In Spanish, however, disparate means “nonsense,” “folly,” or “absurdity,”—words appropriate to Madden’s goal of undercutting any notion that essays must be serious business. Thus, in this collection, the essays are frivolous and lively, aiming to make readers laugh while they think about such abstract subjects as happiness and memory and unpredictability. In this vein, Madden takes sidelong swipes at weighty topics via form, with wildly meandering essays, abandoned essays in honor of the long tradition of essayists disparaging their own efforts, and guerrilla essays—which slip in quietly under the guise of a borrowed form, abruptly attack, and promptly escape, leaving laughter and contemplation in their wake. Madden also incorporates cameos from guest essayists, including Mary Cappello, Matthew Gavin Frank, David Lazar, Michael Martone, Jericho Parms, and Wendy S. Walters, much like a musician features other performers.Disparates reflects the current zeitgeist by taking on important issues with a touch of cleverness, a dash of humor, and a little help from one’s friends. Read Chapter 1.

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This book refutes the 21st-century zeitgeist that views advancing technology as an unambiguous social good, and examines the effects of this uncritical acceptance and dependence. It argues that technology has become the new religion for the digital age, and that elevating technology to the status of deity serves as a mechanism to allow for the denial of problems created by reliance upon machines. From the release of toxins into the environment to the unsustainable energy demands of the modern era, technological dependence and overreach are driving humanity to the brink of extinction. Despite these problems, existential issues such as artificial intelligence, and the proliferation of nuclear weapons, there is an unwavering belief in the ability of technology, particularly any device labeled "smart," to create a perfect future while denying the history of unmet promises and unintended consequences of technological innovation.In this book, the psychological underpinnings of these beliefs are explored from both a clinical and cognitive perspective. In addition, it critiques the social and economic forces that maintain our reliance on, or addiction to, technology, and examines the ethical and security issues associated with the control of advanced technology.

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'A modern take on the Odyssey in which it is Penelope who wanders far from home before returning to her Odysseus' Sunday TelegraphKate has always been a wanderer. A well-published author, married several times, she has lived a life full of exploration. Now, as she begins to feel the first ravages of age, she wants to find a new sense of meaning. She leaves her lover Yolo on a journey down the Colorado river - a journey that will force her to re-explore her past and her future, and her connection to the real world. On her travels she meets shamans and the mysterious spiritual world of the native Indian. Yolo too begins his own journey as he travels to Hawaii and meets a former lover whose life is being destroyed by the excesses of American society. As Kate and Yolo gain shifting insights into the world around them, will their paths diverge or lead back to each other? This is a novel very much in tune with the zeitgeist - Alice Walker argues that we need to look inwards and develop a more open attitude in order to combat the pervasive climate of fear and distrust.

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Family homes need to work hard and play hard, meeting the varying needs of style-conscious parents, lively toddlers, and everyone else in between. In Creative Family Home, Ashlyn Gibson explores the heart and soul of twelve homes that capture the zeitgeist in family living. Whether your family consists of a single bouncing baby or a tribe of pre-teens, Creative Family Home tackles both the practical and the decorative issues and paves the way for a fun, hard-working and creative home that grows and adapts with your kids. The book starts by focusing on the varying demands of family living, with suggestions for using space imaginatively, colour and pattern, hardworking storage, homework and creative zones, and displaying kids’ artworks and other family treasures. Next, Ashlyn visits real-life homes that are notable for their fresh, irreverent take on modern family living and takes inspiration from their varying approaches to the many demands that today’s families encounter. Creative Family Home celebrates modern family life, where children are given the freedom to express themselves and to develop their individuality within the context of an imaginative family home.

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Care has re-entered the zeitgeist. In the aftermath of the 2016 U.S. presidential election, #selfcare exploded across media platforms. Beyond this popular focus on self-care rituals, care has also emerged as a driving force within new collective movements. Situating discussions of care within a historical trajectory of feminist, queer, and Black activism, contributors to this special issue consider how individuals and communities receive and provide care in order to survive in environments that challenge their very existence. They explore how trans activists find resilience and vitality through coalitional labor; argue that social movements should expand mutual aid strategies, focusing on solidarity over charity; discuss a neoliberal university wellness culture that seeks to patch up structural care deficits with quick fixes like meditation apps and yoga classes; and more. As the traditionally undervalued labor of caring becomes recognized as a key element of survival, contributors show how radical care provides a roadmap for not only enduring precarious worlds but also envisioning new futures. In the face of state-sanctioned violence, economic crisis, and impending ecological collapse, collective care offers a way forward. Contributors. Nicole Charles, Elijah Adiv Edelman, Hi‘ilei Hobart, Tamara Kneese, Micki McGee, Leyla Savloff, Cotten Seiler, Dean Spade

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'Insights from the zeitgeist are preserved with conviction and clarity, offering an inclusive way to access contemporary art in all its forms. If Talk Art is the fun podcast, then this book is the educational supplement to be prescribed alongside it.' - Aesthetica'Where the collection really takes off is the interviews with younger artists, which are sensitive,unpatronising, genuinely questioning and fundamentally challenging....Indeed, this collection's strength ultimately lies in the fact that it reveals nothing more than a battlefield in its quest to establish what contemporary art is all about.' - ArtReviewThe authors of the Sunday Times bestseller Talk Art: Everything you wanted to know about contemporary art but were afraid to ask, have brought together 24 of the most profound, moving, funny and informative interviews from the wildly popular Talk Art podcast.These curated excerpts explore the inspirations, art experiences and favourite artists of a fascinating range of creative people from Grayson Perry to Elton John, from Tracey Emin to Paul Smith, and from Wolfgang Tillmans to Sonia Boyce, accompanied by images of the artworks that they have created or that have influenced them.The interviews featured include:- Jerry Saltz- Laurie Anderson- Stephen Fry- Elton John- Tracey Emin- Paul Smith - Sonia Boyce- Chila Burman - Rachel Whiteread- Wolfgang Tillmans - Pierce Brosnan - Grayson Perry

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The renowned psychic, bestselling author and presenter of Living TV's Psychic Detective and Psychic School taps into the zeitgeist and shows us how the power of angels and spirit guides can turn our lives around.Many of us share a belief that death is not the end and that the spirits of those we have loved and lost live on. After a lifetime of spiritual experiences, Tony has learned how to communicate with advanced souls known as angels and spirit guides, who wish to impart their knowledge and love to us all. Our angelic friends and guides hope that each of us will reach out and embrace them and begin our journey towards spiritual fulfilment.In this profoundly comforting and fascinating book, Tony Stockwell, a renowned psychic medium, shares his many stories of personal encounters with angelic and spirit beings. With tales ranging from the battlefields of the Second World War to modern-day accounts of reconnecting with the spirits of people who have passed away, Tony brings his unique insight into the way our angel and spirit guides can help and inspire us throughout our lives, bringing us joy and peace; a message that the world needs to hear.

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A unique anthology containing over five decades of protest poetry.'i may have been born on 27 April 1994 - but i was never born free.' Mjiele MsimangContemporary poet Mjiele Msimang captures something of today's zeitgeist in his poem 'born(e) to the grave.' But what of the past half-century of protest poetry in South Africa, a rich tradition born in response to colonialism, and fed by apartheid and a faltering democracy?In Years of Fire and Ash: South African Poems of Decolonisation, over fifty years of protest poetry are gathered in one single volume, bringing together some of the most remarkable and thought-provoking poems that have emerged from struggle. The animating impulse behind this collection of old and new voices is 'decolonisation', a term which has regained prominence over the last few years. It allows us to perceive how different South African poets have placed their work in the world, and how that work might relate to the struggle for radical social transformation.Compiled by award-winning literary critic Wamuwi Mbao, this collection includes established voices such as HIE Dhlomo, Oswald Mbuyiseni Mtshali, Mongane Wally, Serote, Sipho Sepamla, and Es'kia Mphahlele, as well as prominent contemporary poets such as Vangile Gantsho, Lebohang Masango and Sihle Ntuli.

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Exhibit Russia: The New International Decade 1986-1996 is the first publication to explore how the Russian art scene connected to the rest of the world during the turbulent decade following perestroika. Focusing on the exhibitions and events which propelled Russian artists to international attention and introduced Russian publics to Western art stars-Exhibit Russia provides a unique perspective on the dawning of the contemporary global art world. Through first-hand accounts, curators, artists, and writers share their behind-the-scenes experiences, which are further elucidated through rare installation documentation, articles, and press coverage of the exhibitions and events they organized. The book concludes with an archive of selected texts that conveys the zeitgeist of the emerging art scene, as well as a chronology of key exhibitions and socio-political events. Contributors include: Ruth Addison, Mikhail Bode, Andrei Erofeev, Kate Fowle, Boris Groys, Alanna Heiss, Jean-Hubert Martin, Andrey Misiano, Viktor Misiano, Sasha Obukhova, Simon de Pury, David A.Ross, Tair Salakhov, Aidan Salakhova, Sergei Serp, Lisa Schmitz, Mary Angela Schroth, Zelfira Tregulova, Margarita Tupitsyn, and Carl Michael von Hausswolff. Exhibit Russia is the first in a new series of books by Garage Museum of Contemporary Art on research and materials in Garage Archive Collection.

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In Berlin, science, architecture, and the city are interwoven in a unique way: what was originally a single palace in the historic centre gradually developed to become a comprehensive academic landscape, in which three large universities today shape the city. Taking multiple perspectives onboard, this architectural guide asks how the growth of Berlin as a metropolis has been linked to the development of science and how its various disciplines have been able to realise their demands for buildings to carry out research and teaching and to hold scientific collections. In five chapters, the authors guide readers through various locations in Mitte, Charlottenburg, Dahlem, Adlershof, and Buch and show how questions about the representation and functionality of buildings, their conversion, or even their relocation to the outskirts of the city were reconciled with the expansion of infrastructure and contemporary ideas about urban planning. The book's critical and detailed look at the architectures of science, the genesis of which it traces over more than two centuries, sheds new light on Berlin's university landscape. At the same time, it allows readers to rediscover the political and social zeitgeist in the buildings of science. In cooperation with Gabriele Metzler (concept) and Konrad Angermüller (design) and with additional contributions by Nils Exner and Sascha Morawe.

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H. L. Mencken’s reputation as a journalist and cultural critic of the twentieth century has endured well into the twenty-first. His early contributions as a writer, however, are not very well known. He began his journalistic career as early as 1899 and in 1910 cofounded the Baltimore Evening Sun. The next year he initiated a column—The Free Lance—that ran six days a week for four and a half years, until the Sun discontinued it, partially in response to Mencken’s controversial defense of Germany during World War One. In this early forum for his renowned wit, Mencken broached many of the issues to which he would return again and again over his career, establishing himself as a fearless iconoclast willing to tackle the most divisive subjects and apply a heady mix of observation, satire, and repartee to clear away what he regarded as the “saturnalia of bunk” that clouded American thinking. The Free Lance reveals Mencken at his scintillating best as a journalist, polemicist, and satirist. These columns are collected here for the first time, edited and annotated by Mencken expert and critic S. T. Joshi. This extraordinary collection is an invaluable resource for Mencken scholars and fans and provides an entertaining immersion into the early twentieth-century American zeitgeist.

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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life.Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers.An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.

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From the acclaimed author of Immigrant, Montana comes a one-of-a-kind novel about memory, politics, a world of lies, and the ways in which truth can be not only stranger than fiction, but a fiction of its own.'A shimmering assault on the Zeitgeist.' – The New YorkerWhen Satya attends a prestigious artists’ retreat, he finds the pressures of the outside world won’t let up: the US president rages online; a dangerous virus envelops the globe; and the twenty-four-hour news cycle throws fuel on every fire. These Orwellian interruptions begin to crystallize into an idea for his new novel about the lies we tell ourselves and each other. Satya scours his life for moments where truth bends toward the imagined, and misinformation is mistaken as fact.As he sifts through newspaper clippings, the President’s tweets, childhood memories from India, and moments as an immigrant, a husband, father, and teacher, Amitava Kumar’s A Time Outside This Time captures our feverish political moment with a precisely observant intelligence and an eye for the uncanny.A brilliant meditation on life in a post-truth era, this piercing novel captures the sentiment on all our minds, of how impossible it can feel to remember, or to imagine, a time outside of this one.

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THE SUNDAY TIMES BESTSELLER 'A must-read. Funny and utterly compelling' Jonathan Ross The Bafta-garlanded creator of Father Ted and The IT Crowd tells of his rise and painful fall. Part comedy-writing masterclass, part diary of a gender wars 'cancellation'. Having cut his teeth in music journalism, Graham Linehan became the finest sitcom writer of his generation. He captured the comedy zeitgeist not just as the co-creator of Father Ted but also with The IT Crowd and Black Books, winning five Baftas and a lifetime achievement award. Then his life took an unexpected turn. When he championed an unfashionable cause, TV commissioners no longer returned his emails, showbiz pals lost his number and his marriage collapsed. In an emotionally charged memoir that is by turns hilarious and harrowing, he lets us into the secrets of the writing room and colourfully describes the high-octane atmosphere of a sitcom set. But he also berates an industry where there was no one to stand by his side when he needed help. Bruised but not beaten, he explains why he chose the hill of women and girls' rights to die on - and why, despite the hardship of cancellation, he's not coming down from it any time soon.

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This pioneering new book sets out to categorize context, process, and outcomes of post-heroic leadership. Complexities of modern business environment along with fundamental functioning of human psychology require us to make a paradigm shift in the way we perceive and practice effective leadership. The author argues that in order for businesses to succeed in the times to come, leaders need to move away from ego-centered leadership toward post-heroic leadership – a leadership that emphasizes servant and shared practices, puts task and collective front and center and leaders’ ego in the background. Providing a deeper understanding of the post-heroic leadership across industries and disciplines, the book starts by elaborating on the zeitgeist and need for a new type of leadership. It highlights the process and elements of post-heroic leadership in action, such as post-heroically leading change, developing culture of trust with feedback, and sustainable and responsible post-heroic leadership. Finally, the book focuses on the outcomes of post-heroic leadership, including resilience and innovation. Featuring mini-case studies from leaders in healthcare, family entertainment, ICT, haute cuisine, and manufacturing to name a few, this book provides a thorough understanding of this new wave of leadership and a platform for further research.

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'Equal parts insightful and entertaining - whatever your take on influencers, Bad Influence is a great read' YOMI ADEGOKE'Warm, juicy, and eye-opening, like having a chat with a best friend' ANNIE LORD'If ever a book captured the zeitgeist, this is it' GRACE CAMPBELL'Funny, warm and brilliantly engaging' LUCY VINEOenone didn't set out to become an influencer. The word barely existed when she started posting on Instagram at university to document her 'fitness journey' after a toxic relationship came to a messy end.In this humorous meditation on her digitized life, Oenone chronicles the pits and peaks of coming of age online. Grappling with modern-day issues on a public stage - from body image and personal boundaries to the limitations of online activism, Bad Influence examines what happens when your day-to-day reality becomes #content - and that #content pays your bills.It asks: can you truly be authentic online? Can social media be a force for good? Is it necessarily bad for our mental health?Written with wit, warmth and honesty, this is a candid account of what it really means to be an influencer, from someone still figuring it out: the good, the bad and the instagrammable.

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In Cliff Chase’s scathingly funny and surprisingly humane debut novel, the zeitgeist assumes the form of a one-foot-tall ursine Everyman — a mild-mannered teddy bear named Winkie who finds himself on the wrong side of America’s war on terror. After suffering decades of neglect from the children who've forgotten him, Winkie summons the courage to take charge of his fate, and so he hops off the shelf, jumps out the window, and takes to the forest. But just as he is discovering the joys and wonders of mobility, Winkie gets trapped in the jaws of a society gone rabid with fear and paranoia. Having come upon the cabin of the mad professor who stole his beloved, Winkie is suddenly surrounded by the FBI, who instantly conclude that he is the evil mastermind behind dozens of terrorist attacks that have been traced to the forest. Terrified and confused, Winkie is brought to trial, where the prosecution attempts to seal the little bear’s fate by interviewing witnesses from the trials of Galileo, Socrates, John Scopes, and Oscar Wilde. Emotionally gripping and intellectually compelling, Winkie exposes the absurdities of our age and explores what it means to be human in an increasingly barbaric world.

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What made Bowie special? What made him the cultural icon he is today? And what made millions of people around the world tune into his peculiar wavelength and find exactly what they'd been looking for all along? These are the questions asked by Simon Critchley in this keen-eyed, moving and textured tribute to Bowie. Each of the two dozen deceptively short chapters looks at Bowie from a new angle, slowly unfolding the enigma that was his artistic life into a celebration of what made him unique. From the author's earliest childhood exposure to the bizarre musical and sexual contours of Ziggy Stardust right through to the supernova glow of Blackstar, and covering everything in between, Critchley traces the development of Bowie's music and lyrics to tell the story of how he tapped into zeitgeist - and into our hearts. Growing up in working-class suburban England, the young Critchley was instantly drawn to this creature from another planet, 'so sexual, so knowing, so strange'. Now a celebrated philosopher who Jonathan Lethem has called 'a figure of quite startling brilliance', Critchley draws on a plethora of cultural and philosophical touchpoints, as well as his own intensely personal response to the music, to paint an essential portrait of Bowie as songwriter, poet, performer and icon.

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Winner, MPCA/ACA Book Award, Midwest Popular Culture Association / Midwest American Culture Association, 2020From classical Hollywood film comedies to sitcoms, recent political satire, and the developing world of online comedy culture, comedy has been a mainstay of the American media landscape for decades. Recognizing that scholars and students need an authoritative collection of comedy studies that gathers both foundational and cutting-edge work, Nick Marx and Matt Sienkiewicz have assembled The Comedy Studies Reader.This anthology brings together classic articles, more recent works, and original essays that consider a variety of themes and approaches for studying comedic media—the carnivalesque, comedy mechanics and absurdity, psychoanalysis, irony, genre, race and ethnicity, gender and sexuality, and nation and globalization. The authors range from iconic theorists, such as Mikhail Bakhtin, Sigmund Freud, and Linda Hutcheon, to the leading senior and emerging scholars of today. As a whole, the volume traces two parallel trends in the evolution of the field—first, comedy’s development into myriad subgenres, formats, and discourses, a tendency that has led many popular commentators to characterize the present as a “comedy zeitgeist”; and second, comedy studies’ new focus on the ways in which comedy increasingly circulates in “serious” discursive realms, including politics, economics, race, gender, and cultural power.

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The Magazine Girls captures a flash-bulb moment in counter-culture in a time of raw excitement, great creativity, opportunity and sheer magical zeitgeist. This unique multi-narrative memoir presents a rare perspective on publishing just as the media youth market was set to boom. Through seven personal stories, it charts, from the 1960s and into the 1990s, the lives and times of young women who, as teenage school leavers, found themselves working on the top teen magazines of the day: Rave, Mirabelle, Valentine, Loving, Petticoat, and 19. Opportunities abounded in the 1960s and the girls were soon writing about and mixing with a new kind of aristocracy - the bands, the fashion designers, photographers, make-up artists and models. Famous names they interviewed included David Bowie, David Cassidy, Marc Bolan, Elton John, the Who and Bob Marley, amongst others. They were to mature into high-profile fashion and beauty editors, PRs, stylists, features and showbusiness writers, working on best-selling women’s magazines such as Woman’s Own, Woman, and Good Housekeeping, Hello! and national newspapers. The Magazine Girls strikes a chord, not only with those who lived through those extraordinary decades but also with younger generations of today who wish they’d been there.

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