Search results for ""university of wales press""

Hermann-Peter Piwitt belongs to the generation of West German writers the beginning of whose careers coincided with the student movement of 1968. His career is of particular interest from the perspective of a Europe in which a left-wing alternative to the politics of the centre, has disappeared. Through a series of academic articles in English and German, this volume charts his career, from early left-wing commitment, through portraits of life in the Federal Republic of the 1970s and 1980s, to an assessment of his literary and political stance following unification. The volume also includes a previously unpublished essay by Piwitt himself, and an interview with the author held during his period as writer-in-residence at the University of Wales, Swansea.

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The classic study of the English-language writing of Wales in the first half of the twentieth century by Glyn Jones, drawing on his personal acquaintance with writers like Dylan Thomas, Idris Davies and Caradoc Evans. Tony Brown had the opportunity to discuss the book with Glyn Jones before his death in 1995 and has had access to Glyn Jones's own proposed revisions and to manuscript drafts. This first paperback edition therefore includes some up-dating of the text and a new bibliography. Glyn Jones's first-hand knowledge of the writers, coupled with his shrewdness of critical comments, established the book as an invaluable study of this generation of Welsh writers. At the same time the autobiographical, first chapter in which Glyn Jones examines his own life and literary career - the boy who goes from a Welsh-speaking home in Merthyr, loses his Welsh as a result of his English-language education and cultural changes in industrial Merthyr, takes a job teaching in the slums of Cardiff, re-discovers as an adult the Welsh language and its rich literary tradition and becomes, in a full awareness of that tradition, one of Wales's major English-language writers of fiction and poetry - provides a "case study" of the cultural shifts which resulted in the emergence of a distinctive English-language literature in Wales in the early decades of the twentieth century.

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This work represents a detailed, researched attempt to investigate the role which the Probation Service might play in the field of trial and probation. Using an on-th-ground investigation of current practise, it looks at those services which can assist courts to release defendants on bail.

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A study of the strange life and pathetic death of T.J. Llewelyn Prichard, the author of "Twm Sion Catti", the first Welsh novel in English which was popular enough to have been pirated in the mid-19th century.

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This work addresses the question of female spirituality within medieval theological and devotional writings by examining texts in which women play a significant role, either as authors, recipients, or subjects. It suggests that these texts express the idea of "female vernacular theology".

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This is a study of the lower orders within Welsh rural communities and pays attention to those people who worked and lived off the land of 18th century Wales, often amidst grinding poverty and insecurity.

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Christoph Hein is widely regarded as one of the most important writers to emerge from the former GDR. This volume contains an interview with Hein, a previously unpublished prose piece by him, an up-to-date biography and critical articles which examine individual texts in detail.

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This work offers a modern appraisal of the Welsh Methodist leader and revivalist, Howell Harris. His influence on the development of early Methodism is charted and the period from his conversion in 1735 to his secession with Daniel Rowland is examined.

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In this novel, Peredur defies both his mother's hostility and his brothers' lack of concern to seek out the truth of his father's death and to take part in a protest against the 1969 Investiture that goes violently wrong. Only at the end when Amy Parry faces death can reconciliation be achieved.

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This is a survey of the phenomena relating to Islam and the Internet. Technology is making a global impact on how Muslims approach and interpret Islam. Given its utilization as a primary source of information, the Internet influences how non-Muslims perceive Islam and matters relating to Muslims.

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When the Gypsies first arrived in the British Isles, sometime in the second half of the fifteenth century, they brought with them their own language and, it may be assumed, a body of traditional song, little of which is preserved today. Now Shoon the Romano Gillie gathers together the largest published collection of extant traditional verse in Welsh Romani and Romani English. In his introduction, Tim Coughlan places the material firmly within its linguistic and cultural tradition, explains its characteristics and underlying modes of thought and, by drawing upon a range of related material, underlines its links with both its own European Romani roots and with other native British and Irish traditions, including those of Scottish and Irish travellers. The texts themselves are fully annotated to provide the necessary historical and cultural background. In addition to being the first attempt at a comprehensive overview of the field, Now Shoon the Romano Gillie also contributes to debates on the emergence of Romani English as a reduced form of an older inflected language. It will be an invaluable resource for students of the Gypsy language and traditional song, as well as all those with interests in Traveller communities and cultures.

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This work reveals the story of women's lives in Wales during the 20th century. The areas of women's lives explored include: education; health; home life; leisure; politics; and waged work. The regional variations and differing linguistic and cultural traditions are also investigated.

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Biography of John Jones ('Talhaiarn', 1810-69), poet and author of words of popular songs of the age, a cerdd dant performer and eisteddfodic leader, but also an architectural overseer who worked mainly outside the land of his birth. 16 black-and-white photographs.

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The Spanish Civil War was a time of repression and political conflict, the art of the theatre suffering with other art mediums and the Spanish people as a whole. This text draws upon rare and previously unpublished material in order to study this subject.

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A study of the images of the Welsh female as seen in nineteenth century Welsh literature.

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This collection of essays discusses some of the problems faced when editing women. The authors discussed include Virginia Woolf and Katherine Philips.

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A biography of Ambrose Bebb, based on diaries and other family papers, which looks at his creative writing in the context of his life's circumstances. Ten black-and-white photographs and illustrations.

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The second in a series, this volume traces the history of the federal University of Wales from its foundation in 1893 to the eve of World War II and places it in the broad background of higher education in Britain. The main strands of academic advance are considered along with the architecture of the principal buildings of the University. There are chapters on student life and the impact of the Great War. Since the University and its colleges were largely the product of a national movement the last two chapters of the book are devoted to the relationship between university and nation and to the nature of Welsh society during a period of cultural awakening which, argues the author, owed much to the University of Wales.

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This volume gathers together Glyn Jones's previously published poems, together with a number that appear for the first time.

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This text argues that communication is the foundation on which a society is based and the means by which it maintains political, economic and social relationships with other societies. Issues covered include who "owns" information, and what the cultural implications of the information age will be.

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This is a biography of the poet Nikolay Zabolotsky, written by his son, illustrated with examples of his work and telling in detail the story of his arrest during Stalin's terror, eight years of prison and exile, and stubborn survival. Since his death, Nikolay Zabolotsky has come to be recognized as a writer of international importance, on a par with Pasternak of Mandelshtam: but compared with them he has been little studied or translated, and until recently aspects of both his life and his work remained mysterious. During the experimental period of Russian art in the 1920s he was a member of the Oberiu movement which this biography documents. In 1938, though uninterested in politics, he was arrested and remained in prison and exile until 1946, after which (with much difficulty) he resumed writing. The whole episode is not only a moving and exemplary human story, but also a notable case study in the effects of Stalin's terror. It makes use of the testimony of family and friends, as well as of material from KGB archives, only recently made available. It also constitutes an introduction to a Zabolotsky's body of poetry. The book contains, as appendices, Zabolotsky's own "The Story of My Imprisonment" and the hitherto secret text of the writer Lesyuchevsky's denunciation of Zabolotsky to the secret police. There is also an anthology of Zabolotsky poems in English translation by Daniel Weissbort and Robin Milner-Gulland and biographical notes on a host of literary figures from the 1920s onwards. The volume is illustrated with a number of early photographs.

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"A History of Wales 1660-1815" is the second volume of a trilogy on the history of Wales from 1485 to 1906. Beginning with the political activity of the period, the author traces developments in education, the religious explosion of the Methodist Revival, the roots of industrial growth, the rhythms of agricultural life, the stirrings of Welsh Radicalism and the strands which made up the cultural revival of the eighteenth century.

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A volume tracing the history and development of the University of Wales published to celebrate the centenary of its founding in 1893 . Black-and-white photographs.

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This work argues that the heritage of Wales is being exploited and cheapened by the creation of tourist "experiences" which trade on nostalgia. It calls for integrity and authenticity in the interpretation of Welsh heritage, emphasizing the need for careful selection of sites and artefacts. The text is essentially a survey from which implications not only for the development of museums and interpretative centres in Wales but also for other parts of the United Kingdom. It should be of interest to all those who work in the "heritage industry", to their public and to anyone concernbed about the way in which the past is being presented.

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Welsh Surnames is the first full-scale study of Welsh surnames and is both a classification and a dictionary. Based on Welsh, Latin and English texts, on parish registers and local histories, it traces the growth of a Welsh surnaming pattern in Wales and the Border at the end of the Middle Ages. This historical picture is completed by evidence taken from modern sources such as electoral registers from Wales and western England, surnames from Welsh and London newspapers, and telephone directories. The book opens with a classification of the various kinds of Welsh surnames besides the innumerable examples of the well-known Welsh patronymic surname; surnames from hypocoristic forms, from anglicisations and approximations of Welsh names, from the forenames of women, from place-names, and many others. This is followed by a dictionary of Welsh surnames which also gives attention to variations and corruptions of the original names. Welsh Surnames is aimed both at the specialist and the general reader as an invaluable tool not only for the historian or the genealogist but also the geographer and sociologist.

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This book presents a brief introduction to each writer, centring on a particular work ("Les Fleurs du mal, Les Mains sales, La peste") and imediately followed by a commentary on an extract (the Baudelaire poem chose is '"Le Cygne"'). Professor Rees ends by presenting some pointers on the nature of twentieth century French literature in general, as a guide to the student beginner.

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The medieval Welsh bardic grammars were composed and transmitted during a period of intense social and political change in Wales. These documents, which contain both a highly Latinate description of the Welsh language and a treatment of the strict poetic metres, began their life as essentially vernacular artes poetriae. However, from the early fourteenth century to the end of the sixteenth, they were recopied and revised over and over by bards, bureaucrats, antiquarians, humanists, and the readers and reciters of poetry. At different times they served as practical handbooks, official regulatory documents and attempts to realign the Welsh texts with contemporary Latin and English scholarship. This book weaves a close textual analysis of the revisions made to the text into a broader consideration of the historical contexts that gave rise to each subsequent version. The resulting narrative offers insight into the development of Welsh bardic and scholarly practices over the course of two c

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What comes to mind when we think of swans? Likely their beauty in domestic settings, their preserved status, their association with royalty, and possibly even the phrase ‘swan song’. This book explores the emergence of each of these ideas, starting with an examination of the medieval swan in natural history, exploring classical writings and their medieval interpretations and demonstrating how the idea of a swan’s song developed. The book then proceeds to consider literary motifs of swan-to-human transformation, particularly the legend of the Knight of the Swan. Although this legend is known today largely through Wagner’s opera, it was a best-seller in the Middle Ages, and courts throughout Europe strove to be associated as descendants of this Swan Knight. Consequently, the swan was projected as an icon of courtly and eventual royal status. The book’s third chapter looks at the swan as icon of the Lancasters, particularly important during the reign of Richard II and the War of the Roses, and the final chapter examines the swan as an important item of feasting, focusing on cookery and husbandry to argue that over time the right to keep swans became an increasingly restricted right controlled by the English crown. Each of the swan’s medieval associations are explored as they developed over time to the modern day. 　

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In the medieval Low Countries (modern-day Belgium and the Netherlands), Arthurian romance flourished in the thirteenth and fourteenth centuries. The Middle Dutch poets translated French material (like Chretien's Conte du Graal and the Prose Lancelot), but also created romances of their own, like Walewein. This book provides a current overview of the Dutch Arthurian material and the research that it has provoked. Geographically, the region is a crossroads between the French and Germanic spheres of influence, and the movement of texts and manuscripts (West to East) reflects its position, as revealed by chapters on the historical context, the French material and the Germanic Arthuriana of the Rhinelands. Three chapters on the translations of French verse texts, the translations of French prose texts, and on the indigenous romances form the core of the book, augmented by chapters on the manuscripts, on Arthur in the chronicles, and on the post-medieval Arthurian material.

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Dyma’r astudiaeth gyflawn gyntaf o eirfa Dafydd ap Gwilym. Dangosir ynddi sut y creodd Dafydd farddoniaeth gyfoethog ac amlweddog trwy gyfuno ieithwedd hen a newydd, llenyddol a llafar, brodorol ac estron. Trafodir y geiriau a gofnodwyd am y tro olaf yn ei waith, a’r nifer fawr a welir am y tro cyntaf, y benthyciadau o ieithoedd eraill, ei ddulliau o ffurfio geiriau cyfansawdd, a geirfa arbenigol amryw feysydd fel crefydd, y gyfraith, masnach a’r meddwl dynol. Roedd y bedwaredd ganrif ar ddeg yn gyfnod o newid mawr yn yr iaith Gymraeg yn sgil datblygiadau cymdeithasol a dylanwadau gan ieithoedd eraill, a manteisiodd Dafydd ar yr ansefydlogrwydd i greu amwysedd cyfrwys. Trwy sylwi’n fanwl ar y defnydd o eiriau gan Ddafydd a’i gyfoeswyr datgelir haenau newydd o ystyr sy’n cyfoethogi ein dealltwriaeth o waith un o feirdd mwyaf yr iaith Gymraeg.

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Although it has long been acknowledged that the early Irish literary corpus preserves both pre-Christian and Christian elements, the challenges involved in the understanding of these different strata have not been subjected to critical examination. This volume draws attention to the importance of reconsidering the relationship between religion and mythology, as well as the concept of ‘Celtic religion’ itself. When scholars are attempting to construct the so-called ‘Celtic’ belief system, what counts as ‘religion’? Or, when labelling something as ‘religion’ as opposed to ‘mythology’, what do these entities entail? This volume is the first interdisciplinary collection of articles which critically reevaluates the methodological challenges of the study of ‘Celtic religion’; the authors are eminent scholars in the field of Celtic Studies representing the disciplines of theology, literary studies, history, law and archaeology, and the book represents a significant contribution to the present scholarly debate concerning the pre-Christian elements in early medieval source materials. Contents 1 Introduction: ‘Celtic Religion’: Is this a Valid Concept?, Alexandra Bergholm and Katja Ritari 2 Celtic Spells and Counterspells, Jacqueline Borsje (available Open Access at the University of Amsterdam Digital Academic Repository) 3 The Gods of Ireland in the Later Middle Ages, John Carey 4 Staging the Otherworld in Medieval Irish Literature, Joseph Falaky Nagy 5 The Biblical Dimension of Early Medieval Latin Texts, Thomas O’Loughlin 6 Ancient Irish Law Revisited: Rereading the Laws of Status and Franchise, Robin Chapman Stacey 7 A Dirty Window on the Iron Age? Recent Developments in the Archaeology of Pre-Roman Celtic Religion, Jane Webster

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Two months after being posted to France in 1917, Edward Thomas wrote: 'I already know enough to confirm my old opinion that the papers tell no truth at all about what war is and what soldiers are - '. This anthology provides an impression of what it meant to be a soldier on the Western front in the First World War and, above all, what it meant to be a Welsh soldier. Although this collection of writings, prose and poetry, includes such famous names as Edward Thomas, Robert Graves, David Jones and Saunders Lewis, the pieces have been chosen not purely by literary criteria, but to reflect as wide a range as possible of experience within Welsh military units. These personal reminiscences record not just horrific and dramatic events, soldiers under artillery bombardment or coping with mud, or the confusion of attacks or retreats, but also routine activities - the everyday working parties to repair trenches, the tunnelling, the waiting, the food, the blisters and the cold - and the comradeship in the Welsh regiments. Some additional background military information is provided in the appendices.

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This is a new edition of the first full-length English-language study of Llywelyn ap Gruffudd (c.1225 - 82), prince of Wales. In this scholarly and lucid book, J. Beverley Smith offers an in-depth assessment not only of Llywelyn, but of the age in which he lived. Llywelyn ap Gruffudd: Prince of Wales is an outstanding work by an author with a perceptive knowledge of the complexities of his subject. This examination of the triumphs and subsequent reverses of a ruler of exceptional vision and vigour is a substantial contribution to our understanding of the nature of Welsh politics and the complexities of Anglo-Welsh relations. The author takes thirteenth-century Wales as a backdrop against which he analyses the relationship between a sense of nationhood and the practical realities of creating a structure to embrace a unified principality of Wales held under the aegis of the English Crown.

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The booming coal industry of the nineteenth and early twentieth centuries was the main reason behind the creation of modern south Wales and its miners were central to shaping the economics, politics and society of south Wales during the twentieth century. This book explores the history of these miners between 1964 and 1985, covering the concerted run-down of the coal industry under the Wilson government, the growth of miners' resistance, and the eventual defeat of the epic strike of 1984-5. Their interactions with the wider trade union movement and society during these years meant the miners were amongst the most important strategically-located sections of the British workforce during this time. The South Wales Miners is the first full-length academic study of the miners and their union in the later twentieth century, in a tumultuous period of crisis and struggle.

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From the twelfth century onwards the legends of King Arthur and his knights, including the Tristan legend, spread across Europe, producing a vast range of adaptations and new stories. German and Dutch literature were of central importance in this expansion of Arthurian material from the 12th to 16th century. This title deals with this topic.

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The Llyn Cerrig Bach assemblage is one of the most important collections of La Tene metalwork discovered in the British Isles. Presenting a typological study of this collection of Iron Age metalwork, this volume includes discussions of metalwork and insular La Tene art chronology, fieldwork at the site and metallurgical analysis of the assemblage.

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Ever since its rediscovery in 1934, "The Book of Margery Kempe" has generally been judged to be over-emotional and its structure regarded as at worst non-existent, at best naive. Naoe Kukita Yoshikawa argues instead that the book unfolds a creative experience of memory as spiritual progress, and explores Margery's meditational experience in the context of visual and verbal iconography. She provides a comprehensive analysis of Margery's meditative experience as it is structured in the book, paying particular attention to five major meditational experiences that influence her spiritual progress and develop a coherent theology.

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This is the final volume of the dictionary. It presents in alphabetical order the vocabulary of the Welsh language from the remnants of old Welsh, through the abundant literature of the Mediaval and modern periods. To order parts of the Second Edition visit our Librarians page.

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In this volume the author, Hauke Brunkhorst, not only emphasizes the well-known links between Adorno and the dialectical thinking of Hegel and Marx, but also the connection between Adorno and Kant. The book sheds light on Adorno's negative dialectic.

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This book tells a remarkable story. Edward Vaughan was the fifth son of a landed gentleman, and could not have expected much beyond a career in law. However, by fair means and foul (mostly foul), he managed to gain possession of one of the largest estates in seventeenth-century Wales. His tenure was not to be a quiet one, however, as the Protestant Vaughan endured a bruising legal contest with a powerful Catholic magnate over these lands. Vaughan's case was then swept up in the politics of the civil wars. A moderate parliamentarian, during the 1640s and 1650s Vaughan fought new battles with local radicals to secure his patrimony. The trials of Edward Vaughan reveal much about the confrontational and sometimes bloody nature of law, politics and faction in early modern England and Wales. It is a rich and surprising story, and one which has yet to be told.

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Modern art in Britain during the early twentieth century is a complex and compromised proposition. It has frequently appeared selective in its assimilation (or rejection) of European modernism, with the results proving uneven and sometimes flawed in coherence as well as quality from an international outlook to a reductive vorticist blast, from an insular English' modernism to a purist abstraction, from a British neo-romanticism to an earnest accommodation of French surrealism. This book reads critically the context of modernist visual art in the interwar, conceding ultimately to the absence of one representative manifestation in order to account for circuits of ruptures and seizures from which emerge singular instances negotiating the radically new European modernism. The emergence of Ceri Richards as a modernist of remarkable originality in London between the wars poses one such singularity, setting the artist as focus for the present study in critical analysis of a globally trenchan

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Despite his contemporary legacy as an institutional pioneer, there remain fundamental disagreements concerning Aneurin Bevan's politics. During times of intense internal Labour Party conflict, Bevan is regularly invoked by different factions to serve different purposes. Some revere him as a pragmatic institution builder, while others emphasise his political radicalism and dedication to socialism. In response, this book takes a new approach by treating Bevan as a political thinker and reconstructing his political thought. This offers an alternative perspective on a complex figure and provides new insight into Bevan's intellectual development and the ideas that drove his politics including his analysis of class conflict, his commitment to parliamentary politics, and his outlook on international relations. The book also locates Bevan within the Labour Party's ideological traditions, highlighting moments of tension and compromise with the core tenets of labourism.

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This book asks why so many authors drew on Cornwall for inspiration across the long nineteenth century, and considers the seismic cultural changes in Cornwall that spurred this interest – from the collapse of the mining industry to the developing national rail network; from the birth of tourism to the neomedieval rise in interest in King Arthur. Understanding frequently overlooked Cornwall in this period is vital to understanding Gothic literature, the Victorian imagination, intellectual and creative networks, and attitudes towards regionality. The first part of the book considers landscape and legend, defining a mining Gothic tradition, exposing the shipwreck as Gothic mastertrope, and demonstrating how antiquarians drew from Cornish legends and lore. The second part explores encounters with modernity, investigating the impact of railway expansion on access to Cornwall, the development of a Cornish King Arthur as a key figure of Victorian masculinity, and the specific features of the Cornish ghost story.

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OPEN ACCESS To view Medieval Welsh Medical Texts for free click on the following links: https://www.uwp.co.uk/app/uploads/MWMT_final_low-res-1.pdf https://www.ncbi.nlm.nih.gov/books/NBK558253/ This volume presents the first critical edition and translation of the corpus of medieval Welsh medical recipes traditionally ascribed to the Physicians of Myddfai. These offer practical treatments for a variety of everyday conditions such as toothache, constipation and gout. The recipes have been edited from the four earliest collections of Welsh medical texts in manuscript, which date from the late fourteenth century. A series of notes provides sources and analogues for the recipes, demonstrating their relationship with the European medical tradition. The identification of herbal ingredients in the recipes is based on pre-modern plant-name glossaries rather than modern dictionaries, and has led to new interpretations of many of the recipes. Comprehensive glossaries allow the reader to find any recipe based on the ingredients and equipment used in it or the condition treated. This new interpretation of these texts clearly shows that they are not unique, but rather form part of the medical tradition that was common throughout Europe during the Middle Ages.

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